-- phpMyAdmin SQL Dump
-- version 2.8.2.4
-- http://www.phpmyadmin.net
-- 
-- Host: localhost:3306
-- Generation Time: Jul 14, 2011 at 08:58 AM
-- Server version: 5.0.77
-- PHP Version: 5.2.6
-- 
-- Database: `marketplace`
-- 
CREATE DATABASE `marketplace` DEFAULT CHARACTER SET utf8 COLLATE utf8_general_ci;
USE `marketplace`;

-- --------------------------------------------------------

-- 
-- Table structure for table `equipment`
-- 

CREATE TABLE `equipment` (
  `id` int(11) NOT NULL auto_increment,
  `category` varchar(255) NOT NULL,
  `manufacturer` varchar(255) NOT NULL,
  `model` varchar(255) NOT NULL,
  `name` text,
  `type` text NOT NULL,
  `soft_delete` int(11) NOT NULL default '0',
  `pack` int(11) NOT NULL default '0',
  PRIMARY KEY  (`id`)
) ENGINE=MyISAM AUTO_INCREMENT=2614 DEFAULT CHARSET=utf8 AUTO_INCREMENT=2614 ;

-- 
-- Dumping data for table `equipment`
-- 

INSERT INTO `equipment` (`id`, `category`, `manufacturer`, `model`, `name`, `type`, `soft_delete`, `pack`) VALUES (2, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'API', '2500', 'API 2500', 'Stereo Compressor', 0, 0),
(3, 'Mixing&nbsp;Desk', 'SSL', 'SL4072 G Series 72 Channel', 'SSL SL4072 G Series 72 Channel ', '', 0, 0),
(4, 'speakers', 'M-Audio', 'Studiophile DSM2', 'M-Audio Studiophile DSM2', '', 0, 0),
(5, 'speakers', 'Yamaha', 'NS10M', 'Yamaha NS10M', '', 0, 0),
(6, 'speakers', 'KRK', '7000b', 'KRK 7000b', '', 0, 0),
(7, 'speakers', 'Dynaudio', 'BM15A', 'Dynaudio BM15A', '', 0, 0),
(1431, 'Microphones', 'AKG', 'D 202', 'AKG D 202 ', '', 0, 0),
(9, 'speakers', 'ATC', 'SCM20', 'ATC SCM20', '', 0, 0),
(10, 'speakers', 'Auratone', '5C', 'Auratone 5C', '', 0, 0),
(16, 'Surround', 'Audient', 'ASP510 Surround Sound Controller', 'Audient ASP510 Surround Sound Controller', '', 0, 0),
(15, 'Speakers', 'ADAM', 'Sub12', 'ADAM Sub12', '', 0, 0),
(17, '2&nbsp;Track&nbsp;Recorders', 'Ampex', 'ATR-100', 'Ampex ATR-100', '', 0, 0),
(18, 'Convertors', 'Lavry', 'AD122-96 MkIII', 'Lavry AD122-96 MkIII', '', 0, 0),
(19, 'Clocks', 'Antelope', 'Trinity', 'Antelope Trinity', '', 0, 0),
(20, 'Multitrack&nbsp;Recorders', 'Otari', 'MTR 90 MkII', 'Otari MTR 90 MkII 24  Track 2"', '24  Track 2"', 0, 0),
(21, '2&nbsp;Track&nbsp;Recorders', 'Alesis', 'Masterlink', 'Alesis Masterlink', '', 0, 0),
(22, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Anthony DeMaria Labs', 'CL1000', 'Anthony DeMaria Labs CL1000', '', 0, 0),
(23, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Ridge Farm', 'The Boiler', 'Ridge Farm The Boiler', '', 0, 0),
(24, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'BSS', 'DPR-402', 'BSS DPR-402', '', 0, 0),
(25, 'Equalisation', 'BSS', 'DPR-901', 'BSS DPR-901', '', 0, 0),
(26, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Chandler', 'TG1 Abbey Road Special Edition', 'Chandler TG1 Abbey Road Special Edition', '', 0, 0),
(27, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Chiswick', 'Reach Stereo Valve', 'Chiswick Reach Stereo Valve', '', 0, 0),
(28, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'DBX', '160', 'DBX 160', '', 0, 0),
(29, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'DBX', '160S', 'DBX 160S', '', 0, 0),
(30, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Dramastic Audio', 'Obsidian', 'Dramastic Audio Obsidian', '', 0, 0),
(31, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Elysia ', 'Mpressor', 'Elysia  Mpressor', '', 0, 0),
(32, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Empirical Labs', 'EL-8 Distressor', 'Empirical Labs EL-8 Distressor', '', 0, 0),
(33, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Manley', 'Variable MU', 'Manley Variable MU', '', 0, 0),
(34, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;ampamp&nbsp;Gates', 'Neve', '33609', 'Neve 33609 ', '', 0, 0),
(35, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Retro', 'Sta-Level Gold Edition', 'Retro Sta-Level Gold Edition', '', 0, 0),
(36, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Urei', '1176 Black Face', 'Urei 1176 Black Face', '', 0, 0),
(37, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'JBL Urei', 'Model 7110', 'JBL Urei Model 7110', '', 0, 0),
(38, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Urei', 'LA-4', 'Urei LA-4', '', 0, 0),
(39, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Valley People', '610', 'Valley People 610', '', 0, 0),
(40, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Valley People', 'Dyna-Mite ', 'Valley People Dyna-Mite ', '', 0, 0),
(41, 'Equalisation', 'Manley', 'Massive Passive', 'Manley Massive Passive', '', 0, 0),
(42, 'Mic&nbsp;Pre''s', 'Quad Eight', 'MM-310', 'Quad Eight MM-310', '', 0, 0),
(43, 'Equalisation', 'Summit Audio', 'TPA-200B', 'Summit Audio TPA-200B', '', 0, 0),
(44, 'Equalisation', 'TL Audio', 'N1', 'TL Audio N1', '', 0, 0),
(46, 'Reverbs', 'AKG', 'BX5 Spring Reverb', 'AKG BX5 Spring Reverb', '', 0, 0),
(1419, 'Bass&nbsp;Amplifiers', 'Ampeg', 'SVT-810AV', 'Ampeg SVT-810AV', '', 0, 0),
(48, 'Delays', 'Deltatab', 'Effectron', 'Deltatab Effectron', '', 0, 0),
(49, 'Reverbs', 'EMT', '140', 'EMT 140', 'Plate Reverb', 0, 0),
(50, 'Reverbs', 'Eventide', 'Princeton 2016', 'Eventide Princeton 2016', 'Digital Reverb', 0, 0),
(51, 'Delays', 'Korg', 'SSD-3000', 'Korg SSD-3000', 'Digital Delay', 0, 0),
(52, 'Reverbs', 'Lexicon', 'PCM 60', 'Lexicon PCM 60', '', 0, 0),
(53, 'Reverbs', 'Lexicon', 'PCM 70', 'Lexicon PCM 70', '', 0, 0),
(54, 'Delays', 'Lexicon', 'Prime Time II', 'Lexicon Prime Time II', '', 0, 0),
(1459, 'Delays', 'Lexicon', 'PCM 42', 'Lexicon PCM 42', 'Digital Delay', 0, 0),
(56, 'Delays', 'Roland', 'SDE 3000', 'Roland SDE 3000', '', 1, 0),
(57, 'Delays', 'Roland', 'RE-201', 'Roland RE-201', 'Space Echo', 0, 0),
(58, 'Reverbs', 'Ursa', 'Major Space Station', 'Ursa Major Space Station', '', 1, 0),
(59, 'Delays', 'WEM Watkins', 'Copicat', 'WEM Watkins Copicat', '', 0, 0),
(60, 'FX&nbsp;Processors', 'Eventide', 'Orville', 'Eventide Orville', '', 0, 0),
(61, 'FX&nbsp;Processors', 'Eventide', 'H3500', 'Eventide H3500', '', 0, 0),
(62, 'FX&nbsp;Processors', 'Eventide', 'H3000', 'Eventide H3000', '', 0, 0),
(63, 'FX&nbsp;Processors', 'Yamaha', 'SPX90 Mk2', 'Yamaha SPX90 Mk2 ', '', 0, 0),
(64, 'FX&nbsp;Processors', 'Yamaha', 'SPX1000', 'Yamaha SPX1000 ', '', 0, 0),
(65, 'FX&nbsp;Processors', 'Zoom', '9010', 'Zoom 9010', '', 0, 0),
(66, 'FX&nbsp;Processors', 'Zoom', '9050', 'Zoom 9050', '', 0, 0),
(67, 'FX&nbsp;Processors', 'Aphex', 'Aural Exciter', 'Aphex Aural Exciter', '', 0, 0),
(68, 'FX&nbsp;Processors', 'Aphex', 'Compellor', 'Aphex Compellor', '', 0, 0),
(69, 'FX&nbsp;Processors', 'BBE', 'Sonic Maximizer', 'BBE Sonic Maximizer', '', 0, 0),
(70, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'DBX', '902', 'DBX 902', 'De-Essers', 0, 0),
(71, 'FX&nbsp;Processors', 'Digitech', 'IPS33', 'Digitech IPS33', 'Smart Shift Intelligent Pitch Shifter', 0, 0),
(72, 'Filters', 'Drawmer', 'DF320', 'Drawmer DF320', 'Dual Channel Noise Filter', 0, 0),
(73, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Drawmer', 'DS201', 'Drawmer DS201', '', 0, 0),
(74, 'Filters', 'Electrix', 'Filter Factory', 'Electrix Filter Factory', '', 0, 0),
(75, 'DI&nbsp;/&nbsp;Reamp&nbsp;Boxes', 'Little Labs', 'Red Eye 3D Phantom', 'Little Labs Red Eye 3D Phantom Re-amp Box', 'Re-amp Box', 0, 0),
(76, 'Filters', 'Mutronics', 'Mutator', 'Mutronics Mutator', '', 0, 0),
(77, 'FX&nbsp;Processors', 'MXR', 'Autophaser', 'MXR Autophaser', '', 0, 0),
(78, 'FX&nbsp;Processors', 'MXR', 'Flanger/Doubler', 'MXR Flanger/Doubler', '', 0, 0),
(79, 'FX&nbsp;Processors', 'Rupert Neve', 'Portico 5042', 'Rupert Neve Portico 5042', 'Tape FX Simulator', 0, 0),
(80, 'FX&nbsp;Processors', 'SPL', 'Transient Designer 4', 'SPL Transient Designer 4', '', 0, 0),
(81, 'Distortion', 'Thermionic', 'Culture Vulture', 'Thermionic Culture Vulture', '', 0, 0),
(82, 'Pedals', 'Tech 21', 'SansAmp', 'Tech 21 SansAmp', '', 0, 0),
(83, 'Computers', 'Apple', 'Mac Pro 2 x 3 ghz Quad-Core', 'Apple Mac Pro 2 x 3 ghz Quad-Core', '', 0, 0),
(84, 'Computers', 'Apple', '30" Cinema Display', 'Apple 30" Cinema Display', '', 0, 0),
(85, 'Software', 'Apple', 'OSX 10.4', 'Apple OSX 10.4', '', 0, 0),
(86, 'Software', 'Avid', 'Pro Tools 7.4.2', 'Avid Pro Tools 7.4.2', '', 0, 0),
(88, 'Soft&nbsp;Synths', 'Native Instruments', 'Absynth 4', 'Native Instruments Absynth 4', '', 0, 0),
(89, 'Soft&nbsp;Synths', 'Access', 'Virus Indigo', 'Access Virus Indigo', '', 0, 0),
(90, 'Soft&nbsp;Synths', 'Native Instruments', 'Akoustik Piano', 'Native Instruments Akoustik Piano', '', 0, 0),
(91, 'Plug-Ins', 'Audio Ease', 'Altiverb 6', 'Audio Ease Altiverb 6', '', 0, 0),
(92, 'Plug-Ins', 'IK Multimedia', 'AmpliTube Fender™', 'IK Multimedia AmpliTube Fender™', '', 0, 0),
(93, 'Plug-Ins', 'Avid', 'Aphex Big Bottom Pro', 'Avid Aphex Big Bottom Pro ', '', 0, 0),
(94, 'Plug-Ins', 'Avid', 'Aphex Aural Exciter', 'Avid Aphex Aural Exciter ', '', 0, 0),
(95, 'Plug-Ins', 'Antares', 'Auto-Tune 7', 'Antares Auto-Tune 7', '', 0, 0),
(96, 'Soft&nbsp;Synths', 'Native Instruments', 'B4 II Tonewheel Organ', 'Native Instruments B4 II Tonewheel Organ', '', 0, 0),
(97, 'Plug-Ins', 'Avid', 'Bomb Factory BF76', 'Avid Bomb Factory BF76', '', 0, 0),
(98, 'Plug-Ins', 'Avid', 'Bomb Factory Clip remover', 'Avid Bomb Factory Clip remover', '', 0, 0),
(99, 'Plug-Ins', 'Avid', 'Bomb Factory Correlation Meter', 'Avid Bomb Factory Correlation Meter', '', 0, 0),
(100, 'Plug-Ins', 'Avid', 'Bomb Factory Meter Bridge', 'Avid Bomb Factory Meter Bridge', '', 0, 0),
(101, 'Plug-Ins', 'Avid', 'Bomb Factory Noise Meter', 'Avid Bomb Factory Noise Meter', '', 0, 0),
(102, 'Plug-Ins', 'Avid', 'Bomb Factory Tuner', 'Avid Bomb Factory Tuner', '', 0, 0),
(103, 'Plug-Ins', 'Avid', 'Bomb Factory BF-3A', 'Avid Bomb Factory BF-3A', '', 0, 0),
(104, 'Plug-Ins', 'Avid', 'Broadband Noise Reduction', 'Avid Broadband Noise Reduction', '', 0, 0),
(105, 'Plug-Ins', 'IK Multimedia', 'Classik Studio Reverb', 'IK Multimedia Classik Studio Reverb', '', 0, 0),
(106, 'Plug-Ins', 'Cranesong', 'Phoenix', 'Cranesong Phoenix', '', 0, 0),
(107, 'Plug-Ins', 'Avid', 'D-Fi', 'Avid D-Fi', '', 0, 0),
(108, 'Plug-Ins', 'Massenburg DesignWorks', 'MDW High-Res Parametric EQ 3', 'Massenburg DesignWorks MDW High-Res Parametric EQ 3', '', 0, 0),
(109, 'Plug-Ins', 'Avid', 'DigiRack Chorus', 'Avid DigiRack Chorus', '', 0, 0),
(110, 'Plug-Ins', 'Avid', 'DigiRack Click', 'Avid DigiRack Click', '', 0, 0),
(111, 'Plug-Ins', 'Avid', 'Digirack D-Verb', 'Avid Digirack D-Verb ', '', 0, 0),
(112, 'Plug-Ins', 'Avid', 'DigiRack DigiReWire', 'Avid DigiRack DigiReWire', '', 0, 0),
(113, 'Plug-Ins', 'Avid', 'DigiRack Dither', 'Avid DigiRack Dither', '', 0, 0),
(114, 'Plug-Ins', 'Avid', 'DigiRack Dynamics II', 'Avid DigiRack Dynamics II', '', 0, 0),
(115, 'Plug-Ins', 'Avid', 'DigiRack Dynamics III', 'Avid DigiRack Dynamics III', '', 0, 0),
(116, 'Plug-Ins', 'Avid', 'DigiRack EQ II', 'Avid DigiRack EQ II', '', 0, 0),
(117, 'Plug-Ins', 'Avid', 'DigiRack EQ III', 'Avid DigiRack EQ III', '', 0, 0),
(118, 'Plug-Ins', 'Avid', 'DigiRack Flanger', 'Avid DigiRack Flanger', '', 0, 0),
(119, 'Plug-Ins', 'Avid', 'DigiRack Invert/Duplicate', 'Avid DigiRack Invert/Duplicate', '', 0, 0),
(120, 'Plug-Ins', 'Avid', 'DigiRack Mod Delay II', 'Avid DigiRack Mod Delay II', '', 0, 0),
(121, 'Plug-Ins', 'Avid', 'DigiRack Multi-Tap Delay', 'Avid DigiRack Multi-Tap Delay', '', 0, 0),
(122, 'Plug-Ins', 'Avid', 'DigiRack Normalize-Gain Change', 'Avid DigiRack Normalize-Gain Change', '', 0, 0),
(244, 'Microphones', 'Neumann', 'U 47 fet', 'Neumann U 47 fet ', '', 1, 0),
(243, 'Microphones', 'Neumann', 'CMV-563', 'Neumann CMV-563 Detachable-Capsule Tube Condenser Microphone', 'Detachable-Capsule Tube Condenser Microphone', 0, 0),
(242, 'Microphones', 'Bruel & Kjaer', '4011', 'Bruel & Kjaer 4011 Condenser', 'Condenser', 0, 0),
(241, 'Microphones', 'AKG', 'C 414', 'AKG C 414 ', '', 0, 0),
(240, 'Guitar&nbsp;Amplifiers', 'Marshall', 'JCM800', 'Marshall JCM800', '', 0, 0),
(239, 'Guitars', 'Hofner', 'Thinline with Bigsby tremelo', 'Hofner Thinline with Bigsby tremelo', '', 0, 0),
(238, 'Guitars', 'Gibson', 'Flying V', 'Gibson Flying V', '', 0, 0),
(237, 'Guitars', 'Gibson', 'Les Paul', 'Gibson Les Paul', '', 0, 0),
(236, 'Guitars', 'Fender', 'Stratocaster', 'Fender Stratocaster', '', 0, 0),
(235, 'Guitars', 'Fender', 'Jazzmaster', 'Fender Jazzmaster', '', 0, 0),
(234, 'Guitars', 'Fender', 'Mustang', 'Fender Mustang', '', 0, 0),
(233, 'Guitars', 'Fender', 'Jaguar', 'Fender Jaguar', '', 0, 0),
(138, 'Plug-Ins', 'Avid', 'DigiRack Ping-Pong Delay', 'Avid DigiRack Ping-Pong Delay', '', 0, 0),
(139, 'Plug-Ins', 'Avid', 'DigiRack Pitch', 'Avid DigiRack Pitch', '', 0, 0),
(140, 'Plug-Ins', 'Avid', 'DigiRack Reverse-DC Removal', 'Avid DigiRack Reverse-DC Removal', '', 0, 0),
(141, 'Plug-Ins', 'Avid', 'DigiRack Signal Generator', 'Avid DigiRack Signal Generator', '', 0, 0),
(142, 'Plug-Ins', 'Avid', 'DigiRack Time Comp-Exp-Pitch Shift', 'Avid DigiRack Time Comp-Exp-Pitch Shift', '', 0, 0),
(143, 'Plug-Ins', 'Avid', 'DigiRack TimeAdjuster', 'Avid DigiRack TimeAdjuster', '', 0, 0),
(144, 'Plug-Ins', 'Avid', 'DigiRack TimeShift', 'Avid DigiRack TimeShift', '', 0, 0),
(145, 'Plug-Ins', 'Avid', 'DigiRack Trim', 'Avid DigiRack Trim', '', 0, 0),
(146, 'Plug-Ins', 'Drawmer', 'Dynamics', 'Drawmer Dynamics', '', 0, 0),
(147, 'Plug-Ins', 'Elastic', 'Audio', 'Elastic Audio', '', 0, 0),
(148, 'Soft&nbsp;Synths', 'Native Instruments', 'Elektrik Piano', 'Native Instruments Elektrik Piano', '', 0, 0),
(149, 'Plug-Ins', 'Abbey Road', 'TG12413 Limiter', 'Abbey Road TG12413 Limiter', '', 0, 0),
(150, 'Plug-Ins', 'Eventide', 'E-Channel', 'Eventide E-Channel', '', 0, 0),
(151, 'Plug-Ins', 'Avid', 'Eleven Free', 'Avid Eleven Free', '', 0, 0),
(152, 'Plug-Ins', 'Eventide', 'EQ45', 'Eventide EQ45', '', 0, 0),
(153, 'Plug-Ins', 'Eventide', 'EQ65', 'Eventide EQ65', '', 0, 0),
(154, 'Plug-Ins', 'Eventide', 'Reverb', 'Eventide Reverb', '', 0, 0),
(155, 'Plug-Ins', 'Eventide', 'H3000 Band Delays', 'Eventide H3000 Band Delays', '', 0, 0),
(156, 'Plug-Ins', 'Eventide', 'H3000 Factory', 'Eventide H3000 Factory', '', 0, 0),
(157, 'Plug-Ins', 'Eventide', 'H910', 'Eventide H910', '', 0, 0),
(158, 'Plug-Ins', 'Eventide', 'H949', 'Eventide H949', '', 0, 0),
(159, 'Plug-Ins', 'Eventide', 'Instant Phaser', 'Eventide Instant Phaser', '', 0, 0),
(160, 'Plug-Ins', 'Eventide', 'Instant Flanger', 'Eventide Instant Flanger', '', 0, 0),
(161, 'Plug-Ins', 'Eventide', 'Omnipressor', 'Eventide Omnipressor', '', 0, 0),
(162, 'Plug-Ins', 'Eventide', 'Octavox', 'Eventide Octavox', '', 0, 0),
(163, 'Plug-Ins', 'Eventide', 'Precision Time Align', 'Eventide Precision Time Align', '', 0, 0),
(164, 'Plug-Ins', 'Eventide', 'Quadravox', 'Eventide Quadravox', '', 0, 0),
(165, 'Plug-Ins', 'Eventide', 'Ultra-Channel', 'Eventide Ultra-Channel', '', 0, 0),
(166, 'Plug-Ins', 'Avid', 'Bomb Factory Fairchild 660', 'Avid Bomb Factory Fairchild 660', '', 0, 0),
(167, 'Plug-Ins', 'Avid', 'Bomb Factory Fairchild 670', 'Avid Bomb Factory Fairchild 670', '', 0, 0),
(168, 'Plug-Ins', 'Focusrite', 'd2', 'Focusrite d2', '', 0, 0),
(169, 'Plug-Ins', 'Focusrite', 'd3', 'Focusrite d3', '', 0, 0),
(170, 'Soft&nbsp;Synths', 'Native Instruments', 'FM8', 'Native Instruments FM8', '', 0, 0),
(171, 'Plug-Ins', 'Avid ', 'Bomb Factory Funk Logic Masterizer', 'Avid  Bomb Factory Funk Logic Masterizer', '', 0, 0),
(172, 'Soft&nbsp;Synths', 'Native Instruments', 'Kontakt 2', 'Native Instruments Kontakt 2', '', 0, 0),
(173, 'Plug-Ins', 'Lexicon ', 'PSP42', 'Lexicon  PSP42', '', 0, 0),
(176, 'Plug-Ins', 'Massey', 'CT4 Compressor', 'Massey CT4 Compressor', '', 0, 0),
(177, 'Plug-Ins', 'Massey', 'L2007 Mastering Limiter', 'Massey L2007 Mastering Limiter', '', 0, 0),
(178, 'Plug-Ins', 'Massey', 'TD5 Tape delay', 'Massey TD5 Tape delay', '', 0, 0),
(179, 'Plug-Ins', 'Massey', 'Tape-Head Saturation', 'Massey Tape-Head Saturation', '', 0, 0),
(180, 'Plug-Ins', 'TC Electronic', 'MasterX3', 'TC Electronic MasterX3', '', 0, 0),
(181, 'Plug-Ins', 'McDSP', 'MC2000', 'McDSP MC2000', '', 0, 0),
(182, 'Plug-Ins', 'McDSP', 'Channel G', 'McDSP Channel G', '', 0, 0),
(183, 'Plug-Ins', 'McDSP', 'Chrome Tone', 'McDSP Chrome Tone', '', 0, 0),
(184, 'Plug-Ins', 'McDSP', 'FilterBank', 'McDSP FilterBank', '', 0, 0),
(185, 'Plug-Ins', 'Celemony', 'Melodyne Assistant', 'Celemony Melodyne Assistant', '', 0, 0),
(186, 'Plug-Ins', 'Avid', 'Bomb Factory Moogerfooger 12-Stage Phaser', 'Avid Bomb Factory Moogerfooger 12-Stage Phaser', '', 0, 0),
(187, 'Plug-Ins', 'Avid', 'Bomb Factory Moogerfooger Analog Delay', 'Avid Bomb Factory Moogerfooger Analog Delay', '', 0, 0),
(188, 'Plug-Ins', 'Avid', 'Bomb Factory Moogerfooger Lowpass Filter', 'Avid Bomb Factory Moogerfooger Lowpass Filter', '', 0, 0),
(190, 'Plug-Ins', 'Avid', 'Bomb Factory Moogerfooger Ring Modulator', 'Avid Bomb Factory Moogerfooger Ring Modulator', '', 0, 0),
(191, 'Soft&nbsp;Synths', 'Native Instruments', 'Battery 3', 'Native Instruments Battery 3', '', 0, 0),
(192, 'Plug-Ins', 'Native Instruments', 'Guitar Rig 2', 'Native Instruments Guitar Rig 2', '', 0, 0),
(193, 'Plug-Ins', 'Ohm Force', 'Hematohm', 'Ohm Force Hematohm', '', 0, 0),
(194, 'Plug-Ins', 'Ohm Force', 'OhmBoyz', 'Ohm Force OhmBoyz', '', 0, 0),
(195, 'Plug-Ins', 'Ohm Force', 'Mobilohm', 'Ohm Force Mobilohm', '', 0, 0),
(196, 'Plug-Ins', 'Ohm Force', 'OhmyGod', 'Ohm Force OhmyGod', '', 0, 0),
(197, 'Plug-Ins', 'Ohm Force', 'Predatohm', 'Ohm Force Predatohm', '', 0, 0),
(198, 'Plug-Ins', 'Ohm Force', 'QuadFrohmage', 'Ohm Force QuadFrohmage', '', 0, 0),
(199, 'Soft&nbsp;Synths', 'Native Instruments', 'Pro-53', 'Native Instruments Pro-53', '', 0, 0),
(200, 'Plug-Ins', 'Avid', 'Bomb Factory Pultec EQH-2', 'Avid Bomb Factory Pultec EQH-2', '', 0, 0),
(201, 'Plug-Ins', 'Avid', 'Bomb Factory Pultec EQP-1A', 'Avid Bomb Factory Pultec EQP-1A', '', 0, 0),
(202, 'Plug-Ins', 'Avid', 'Bomb Factory Pultec MEQ-5', 'Avid Bomb Factory Pultec MEQ-5', '', 0, 0),
(203, 'Plug-Ins', 'Native Instruments', 'Reaktor 5', 'Native Instruments Reaktor 5', '', 0, 0),
(204, 'Plug-Ins', 'Avid', 'Reel Tape Delay', 'Avid Reel Tape Delay', '', 0, 0),
(205, 'Plug-Ins', 'Avid', 'Reverb One', 'Avid Reverb One', '', 0, 0),
(206, 'Plug-Ins', 'Avid', 'Revibe', 'Avid Revibe', '', 0, 0),
(207, 'Plug-Ins', 'Serato', 'Pitch ''n Time Pro', 'Serato Pitch ''n Time Pro', '', 0, 0),
(208, 'Plug-Ins', 'Sonnox Oxford', 'EQ', 'Sonnox Oxford EQ', '', 0, 0),
(209, 'Plug-Ins', 'Sonnox Oxford', 'Transient Modulator', 'Sonnox Oxford Transient Modulator', '', 0, 0),
(210, 'Plug-Ins', 'Avid', 'SoundReplacer', 'Avid SoundReplacer', '', 0, 0),
(212, 'Plug-Ins', 'Soundtoys', 'Crystallizer', 'Soundtoys Crystallizer', '', 0, 0),
(213, 'Plug-Ins', 'Soundtoys', 'EchoBoy', 'Soundtoys EchoBoy', '', 0, 0),
(214, 'Plug-Ins', 'Soundtoys', 'FilterFreak', 'Soundtoys FilterFreak', '', 0, 0),
(215, 'Plug-Ins', 'Soundtoys', 'PhaseMistress', 'Soundtoys PhaseMistress', '', 0, 0),
(216, 'Plug-Ins', 'Soundtoys', 'PitchBlender', 'Soundtoys PitchBlender', '', 0, 0),
(217, 'Plug-Ins', 'Soundtoys', 'PitchDoctor', 'Soundtoys PitchDoctor', '', 0, 0),
(218, 'Plug-Ins', 'Soundtoys', 'PurePitch', 'Soundtoys PurePitch', '', 0, 0),
(219, 'Plug-Ins', 'Soundtoys', 'Speed', 'Soundtoys Speed', '', 0, 0),
(220, 'Plug-Ins', 'Soundtoys', 'SoundBlender', 'Soundtoys SoundBlender ', '', 0, 0),
(221, 'Plug-Ins', 'Soundtoys', 'Tremolator', 'Soundtoys Tremolator', '', 0, 0),
(222, 'Plug-Ins', 'Audio Ease', 'Speakerphone', 'Audio Ease Speakerphone', '', 0, 0),
(223, 'Plug-Ins', 'Native Instruments', 'Spektral Delay', 'Native Instruments Spektral Delay', '', 0, 0),
(224, 'Plug-Ins', 'Avid', 'Bomb Factory Tel-Ray Variable Delay', 'Avid Bomb Factory Tel-Ray Variable Delay', '', 0, 0),
(225, 'Plug-Ins', 'Avid', 'Trillium Lane Labs 	TL Space - TDM Edition', 'Avid Trillium Lane Labs 	TL Space - TDM Edition', '', 0, 0),
(226, 'Plug-Ins', 'URS', 'A10 Series EQ', 'URS A10 Series EQ', '', 0, 0),
(227, 'Plug-Ins', 'URS', 'N12 Series EQ', 'URS N12 Series EQ', '', 0, 0),
(230, 'Plug-Ins', 'Avid', 'Bomb Factory Voce Spin', 'Avid Bomb Factory Voce Spin', '', 0, 0),
(231, 'Soft&nbsp;Synths', 'Native Instruments', 'Vokator', 'Native Instruments Vokator', '', 0, 0),
(232, 'Plug-Ins', 'Waves', 'Platinum Bundle', 'Waves Platinum Bundle', '', 1, 0),
(246, 'Microphones', 'Shure', 'Beta 58A', 'Shure Beta 58A ', '', 0, 0),
(343, 'Synthesisers', 'Nord ', 'Lead 2', 'Nord  Lead 2', '', 0, 0),
(342, 'Synthesisers', 'Arp', 'Odyssey', 'Arp Odyssey', '', 0, 0),
(341, 'Bass&nbsp;Guitars', 'Yamaha ', 'B2024 Bass', 'Yamaha  B2024 Bass', '', 0, 0),
(340, 'Guitar&nbsp;Amplifiers', 'Vox', 'AC30', 'Vox AC30', '', 0, 0),
(339, 'Interfaces', 'Digidesign', 'Sync HD', 'Digidesign Sync HD', '', 1, 0),
(338, 'MIDI', 'Digidesign', 'MIDI I/O', 'Digidesign MIDI I/O', '', 1, 0),
(745, 'Computers', 'Glyph', 'GT 103', 'Glyph GT 103', '', 0, 0),
(746, 'Software', 'Apple', 'OSX 10.6', 'Apple OSX 10.6', '', 0, 0),
(337, 'Interfaces', 'Avid', '192', 'Avid 192 ', '', 0, 0),
(821, 'Plug-Ins', 'Abbey Road', 'Brilliance Pack', 'Abbey Road Brilliance Pack', '', 1, 0),
(335, 'Microphones', 'Lustraphone', 'VR64', 'Lustraphone VR64 Ribbon', 'Ribbon', 0, 0),
(334, 'Microphones', 'Sony', 'ECM-MS957', 'Sony ECM-MS957', '', 0, 0),
(332, 'Microphones', 'Shure', 'SM58', 'Shure SM58', '', 0, 0),
(333, 'Microphones', 'Shure', 'Beta 87A', 'Shure Beta 87A ', '', 0, 0),
(383, 'Pedals', 'Line 6', 'D14 Delay Modular Pedal', 'Line 6 D14 Delay Modular Pedal', '', 0, 0),
(382, 'Pedals', 'Line 6', 'D14 Delay Modular Pedal', 'Line 6 D14 Delay Modular Pedal', '', 0, 0),
(381, 'Pedals', 'Korg', 'Tone Works Pandora', 'Korg Tone Works Pandora', '', 0, 0),
(380, 'Pedals', 'Korg', 'Kaoss Pad', 'Korg Kaoss Pad', '', 0, 0),
(379, 'Pedals', 'Jim Dunlop', 'Wha Wha', 'Jim Dunlop Wha Wha', '', 0, 0),
(673, 'Speakers', 'Genelec', '1031A', 'Genelec 1031A', '', 0, 0),
(672, 'Speakers', 'Boxer', 'T2', 'Boxer T2', '', 0, 0),
(652, 'Reverbs', 'Yamaha', 'REV 7', 'Yamaha REV 7 ', '', 0, 0),
(666, 'Plug-Ins', 'Eventide', 'Anthology 2', 'Eventide Anthology 2', '', 0, 0),
(668, 'Mixing&nbsp;Desk', 'Neve', '8026', 'Neve 8026', '', 0, 0),
(670, 'Multitrack&nbsp;Recorders', 'Studer', 'A80 Mk4', 'Studer A80 Mk4', '', 0, 0),
(671, 'PCI&nbsp;Cards', 'Avid', 'Pro Tools HD3', 'Avid Pro Tools HD3', '', 0, 0),
(367, 'Pedals', 'Ibanez', 'Tube Screamer ', 'Ibanez Tube Screamer ', '', 0, 0),
(366, 'Pedals', 'Ibanez', 'Standard Fuzz Pedal', 'Ibanez Standard Fuzz Pedal', '', 0, 0),
(365, 'Pedals', 'Hughes & Kettner', 'Rotosphere', 'Hughes & Kettner Rotosphere', '', 0, 0),
(364, 'Pedals', 'Foxx', 'Tone Machine Pedal', 'Foxx Tone Machine Pedal', '', 0, 0),
(363, 'Pedals', 'Fender', 'Tone Blender', 'Fender Tone Blender', '', 0, 0),
(362, 'Pedals', 'Eventide', 'Timefactor', 'Eventide Timefactor', '', 0, 0),
(361, 'Pedals', 'Eventide', 'Modfactor', 'Eventide Modfactor', '', 0, 0),
(360, 'Pedals', 'Electro Harmonix', 'POG', 'Electro Harmonix POG', '', 0, 0),
(359, 'Pedals', 'Electro Harmonix', 'Micro Synthesizer', 'Electro Harmonix Micro Synthesizer', '', 0, 0),
(358, 'Pedals', 'Electro Harmonix', 'Hot Tubes', 'Electro Harmonix Hot Tubes', '', 0, 0),
(357, 'Pedals', 'Electro Harmonix', 'English Muffin', 'Electro Harmonix English Muffin', '', 0, 0),
(356, 'Pedals', 'Electro Harmonix', 'Big Muff Pi USA', 'Electro Harmonix Big Muff Pi USA', '', 0, 0),
(355, 'Pedals', 'Digitech', 'Whammy', 'Digitech Whammy', '', 0, 0),
(354, 'Pedals', 'Dod', 'Fx 13 Gonkulator Pedal', 'Dod Fx 13 Gonkulator Pedal', '', 0, 0),
(353, 'Pedals', 'Dod', 'Fx 69 Grunge Pedal', 'Dod Fx 69 Grunge Pedal', '', 0, 0),
(352, 'Pedals', 'Death By Audio', 'Interstellar Overdrive', 'Death By Audio Interstellar Overdrive', '', 0, 0),
(351, 'Pedals', 'Death By Audio', 'Harmonic Transformer', 'Death By Audio Harmonic Transformer', '', 0, 0),
(350, 'Pedals', 'Danelectro', 'Reel Echo', 'Danelectro Reel Echo', '', 0, 0),
(349, 'Pedals', 'Danelectro', 'Coolcat Pedal', 'Danelectro Coolcat Pedal', '', 0, 0),
(348, 'Pedals', 'Boss', 'Hypermetal', 'Boss Hypermetal', '', 0, 0),
(347, 'Pedals', 'Boss', 'Compression Sustainer Cs3', 'Boss Compression Sustainer Cs3', '', 0, 0),
(346, 'Drum&nbsp;Machines', 'Roland', 'TR-808', 'Roland TR-808', '', 0, 0),
(345, 'Synthesisers', 'Roland', 'VP330 Mellotron', 'Roland VP330 Mellotron', '', 0, 0),
(344, 'Synthesisers', 'Roland', 'Juno 106', 'Roland Juno 106', '', 0, 0),
(384, 'Pedals', 'Line 6', 'Mm4 Modulation Modular Pedal', 'Line 6 Mm4 Modulation Modular Pedal', '', 0, 0),
(385, 'Pedals', 'Locomofon', 'Fuzz Fabrik', 'Locomofon Fuzz Fabrik', '', 0, 0),
(386, 'Pedals', 'Locomofon', 'Monito', 'Locomofon Monito', '', 0, 0),
(387, 'Pedals', 'Lovetone', 'Meatball Pedal', 'Lovetone Meatball Pedal', '', 0, 0),
(388, 'Pedals', 'Lovetone', 'Ring Stinger', 'Lovetone Ring Stinger', '', 0, 0),
(389, 'Pedals', 'Lovetone', 'Big Cheese Pedal', 'Lovetone Big Cheese Pedal', '', 0, 0),
(390, 'Pedals', 'Lovetone', 'Wobbulator Pedal', 'Lovetone Wobbulator Pedal', '', 0, 0),
(391, 'Pedals', 'Malekko', 'Bassmaster', 'Malekko Bassmaster', '', 0, 0),
(392, 'Pedals', 'Marshall', 'Gv-2 Guvnor Plus Pedal', 'Marshall Gv-2 Guvnor Plus Pedal', '', 0, 0),
(393, 'Pedals', 'Marshall', 'Bb-2 Blues Breaker 2 Pedal', 'Marshall Bb-2 Blues Breaker 2 Pedal', '', 0, 0),
(394, 'Pedals', 'Mesa Boogie', 'Pre V Twin Amp Pedal', 'Mesa Boogie Pre V Twin Amp Pedal', '', 0, 0),
(395, 'Pedals', 'MXR', 'Dyna Comp', 'MXR Dyna Comp', '', 0, 0),
(396, 'Pedals', 'Providence ', '80''s Delay', 'Providence  80''s Delay', '', 0, 0),
(397, 'Pedals', 'Providence', 'Anadime Chorus', 'Providence Anadime Chorus', '', 0, 0),
(398, 'Pedals', 'Providence', 'Heat Blaster', 'Providence Heat Blaster', '', 0, 0),
(399, 'Pedals', 'Providence', 'Phase Force', 'Providence Phase Force', '', 0, 0),
(400, 'Pedals', 'Providence', 'Stampede Overdrive', 'Providence Stampede Overdrive', '', 0, 0),
(401, 'Pedals', 'Providence', 'Velvet Comp', 'Providence Velvet Comp', '', 0, 0),
(402, 'Pedals', 'Roger Mayer ', 'Voodoo Vibe Pedal', 'Roger Mayer  Voodoo Vibe Pedal', '', 0, 0),
(403, 'Pedals', 'SansAmp', 'Bass Driver Di', 'SansAmp Bass Driver Di', '', 0, 0),
(404, 'Pedals', 'Sola Sound', 'Tone Bender Fuzz Pedal', 'Sola Sound Tone Bender Fuzz Pedal', '', 0, 0),
(405, 'Pedals', 'Way Huge Electronics', 'Swollen Pickle', 'Way Huge Electronics Swollen Pickle', '', 0, 0),
(406, 'Pedals', 'Z-Vex', 'Fuzz Factory', 'Z-Vex Fuzz Factory', '', 0, 0),
(407, 'Guitar&nbsp;Amplifiers', 'Audio Kitchen', 'Little Chopper 7WSE', 'Audio Kitchen Little Chopper 7WSE', '', 0, 0),
(408, 'Guitar&nbsp;Amplifiers', 'Audio Kitchen', 'Secret Squirrel', 'Audio Kitchen Secret Squirrel', '', 0, 0),
(409, 'Guitar&nbsp;Amplifiers', 'Roland', 'JC-120', 'Roland JC-120', 'Jazz Chorus', 0, 0),
(410, 'Mixing&nbsp;Desk', 'Neve', 'VR60', 'Neve VR60', '', 0, 0),
(411, 'Amplifiers', 'Quested ', '412', 'Quested  412', '', 0, 0),
(412, 'Speakers', 'Quested', 'S8', 'Quested S8', '', 0, 0),
(413, 'Amplifiers', 'Chevin', 'A3000 ', 'Chevin A3000 ', '', 0, 0),
(414, 'Clocks', 'Rosendahl', 'Nanosync', 'Rosendahl Nanosync', '', 0, 0),
(1418, 'Guitar&nbsp;Amplifiers', 'Marshall', '1960AV 4x12', 'Marshall 1960AV 4x12', '', 0, 0),
(416, 'Headphones', 'Beyer Dynamic', 'DT100', 'Beyer Dynamic DT100', '', 0, 0),
(417, 'Speakers', 'BSS', 'FDS-360 Crossovers', 'BSS FDS-360 Crossovers', '', 0, 0),
(418, 'Headphones', 'Sony', 'MDR-7505', 'Sony MDR-7505', '', 0, 0),
(419, 'Multitrack&nbsp;Recorders', 'Studer', 'A800 Mk3', 'Studer A800 Mk3', '', 0, 0),
(1444, 'Microphones', 'Neumann', 'KM 84', 'Neumann KM 84 ', '', 0, 0),
(421, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Alan Smart ', 'C2', 'Alan Smart  C2', 'Dual/Stereo Compressor', 0, 0),
(422, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'DBX ', '166', 'DBX  166', '', 0, 0),
(423, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;%3B&nbsp;Gates', 'DBX', '263A', 'DBX 263A ', '', 0, 0),
(424, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'DBX ', '904', 'DBX  904', '', 0, 0),
(425, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Drawmer', 'MX30', 'Drawmer MX30', '', 0, 0),
(426, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Inward Connections', 'Vac Rac Limiter', 'Inward Connections Vac Rac Limiter', '', 0, 0),
(427, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Universal Audio', '1176', 'Universal Audio 1176', '', 0, 0),
(428, 'Mic&nbsp;Pre''s', 'API', '3124', 'API 3124', '', 0, 0),
(429, 'Equalisation', 'API', '550A', 'API 550A Discrete 3 Band EQ', 'Discrete 3 Band EQ', 0, 0),
(430, 'Equalisation', 'API', '550B', 'API 550B Discrete 4 Band EQ', 'Discrete 4 Band EQ', 0, 0),
(431, 'Equalisation', 'API', '560B', 'API 560B', '', 0, 0),
(432, 'Channel&nbsp;Strips', 'Avalon', 'VT-737SP', 'Avalon VT-737SP', '', 0, 0),
(433, 'Mic&nbsp;Pre''s', 'Chandler', 'TG2', 'Chandler TG2', '', 1, 0),
(434, 'Mic&nbsp;Pre''s', 'Focusrite', 'ISA-115', 'Focusrite ISA-115', '', 0, 0),
(435, 'Mic&nbsp;Pre''s', 'Helios', 'Type 69', 'Helios Type 69', '', 0, 0),
(436, 'Mic&nbsp;Pre''s', 'Neve', '1272 Mic Amps', 'Neve 1272 Mic Amps', '', 0, 0),
(437, 'Mic&nbsp;Pre''s', 'Neve', '1073 DPA', 'Neve 1073 DPA', '', 0, 0),
(438, 'Equalisation', 'Inward Connections', 'Vac Rac 4000 Tube Step Equaliser', 'Inward Connections Vac Rac 4000 Tube Step Equaliser', '', 0, 0),
(439, 'DI&nbsp;/&nbsp;Reamp&nbsp;Boxes', 'Avalon', 'U5', 'Avalon U5', '', 0, 0),
(440, 'DI&nbsp;/&nbsp;Reamp&nbsp;Boxes', 'ADL', 'Stereo Tube Direct', 'ADL Stereo Tube Direct', '', 0, 0),
(441, 'DI&nbsp;/&nbsp;Reamp&nbsp;Boxes', 'Little Labs', 'PCP Instrument Distro 3.0', 'Little Labs PCP Instrument Distro 3.0', '', 0, 0),
(442, 'DI&nbsp;/&nbsp;Reamp&nbsp;Boxes', 'Little Labs', 'IBP Analog Phase Alignment Tool', 'Little Labs IBP Analog Phase Alignment Tool', '', 0, 0),
(443, 'Reverbs', 'Alesis', 'Quadraverb', 'Alesis Quadraverb', '', 0, 0),
(444, 'Samplers', 'Akai', 'S1000 Sampler', 'Akai S1000 Sampler ', '', 0, 0),
(445, 'Samplers', 'Akai', 'S5000 Sampler', 'Akai S5000 Sampler ', '', 0, 0),
(446, 'Synthesisers', 'Arp', '2600', 'Arp 2600', '', 0, 0),
(447, 'Synthesisers', 'Korg', 'Polysix', 'Korg Polysix', '', 0, 0),
(449, 'Synthesisers', 'Moog', 'Series 3 Modular Synth', 'Moog Series 3 Modular Synth', '', 0, 0),
(450, 'Sound&nbsp;Modules', 'Roland', 'Super Jupiter MPG80', 'Roland Super Jupiter MPG80', '', 0, 0),
(452, 'Synthesisers', 'Roland', 'System 700', 'Roland System 700', '', 0, 0),
(453, 'Synthesisers', 'Sid Station ', 'MOS 6581', 'Sid Station  MOS 6581', '', 0, 0),
(454, 'Synthesisers', 'EMS', 'VCS3 (The Putney)', 'EMS VCS3 (The Putney)', '', 0, 0),
(455, 'Synthesisers', 'Yamaha', 'SK10', 'Yamaha SK10', '', 0, 0),
(456, 'Synthesisers', 'Nord', 'Modular', 'Nord Modular', '', 0, 0),
(457, 'Synthesisers', 'Sequential Circuits ', 'Pro-One', 'Sequential Circuits  Pro-One', '', 0, 0),
(458, 'Synthesisers', 'Arp', 'Sequencer', 'Arp Sequencer', '', 0, 0),
(459, 'Synthesisers', 'Quasimidi', 'Polymorph', 'Quasimidi Polymorph', '', 0, 0),
(460, 'Synthesisers', 'Quasimidi', 'Rave-O-Lution 309', 'Quasimidi Rave-O-Lution 309', '', 0, 0),
(461, 'Synthesisers', 'Emulator', 'Emax', 'Emulator Emax', '', 0, 0),
(462, 'Synthesisers', 'Oberheim', 'Expander', 'Oberheim Expander', '', 0, 0),
(463, 'Synthesisers', 'Oberheim', 'SEM 8 Voice', 'Oberheim SEM 8 Voice', '', 0, 0),
(464, 'Bass&nbsp;Amplifiers', 'Ampeg', 'SVT-810E', 'Ampeg SVT-810E', 'Bass Cabinet', 0, 0),
(466, 'Delays', 'Binson', 'Echorec', 'Binson Echorec', '', 0, 0),
(467, 'Bass&nbsp;Guitars', 'Gibson', 'Les Paul Recording Bass', 'Gibson Les Paul Recording Bass', '', 0, 0),
(468, 'Guitars', 'Gibson', '335', 'Gibson 335', '', 0, 0),
(469, 'Guitars', 'Gretsch', 'Anniversary Guitar', 'Gretsch Anniversary Guitar', '', 0, 0),
(470, 'Guitars', 'Epiphone ', 'Semi Acoustic', 'Epiphone  Semi Acoustic', '', 0, 0),
(471, 'Amplifiers', 'Maestro', 'Amplifier', 'Maestro Amplifier', '', 0, 0),
(472, 'Guitars', 'Paul Reed Smith', 'Black Guitar', 'Paul Reed Smith Black Guitar', '', 0, 0),
(474, 'Pedals', 'Boss', 'HM-2', 'Boss HM-2', '', 0, 0),
(475, 'Pedals', 'Boss', 'OD-2R', 'Boss OD-2R', '', 0, 0),
(476, 'Pedals', 'Cry Baby', 'GCB-95', 'Cry Baby GCB-95', '', 0, 0),
(477, 'Pedals', 'Dod', 'FX17', 'Dod FX17', '', 0, 0),
(478, 'Pedals', 'Dod', 'FX86', 'Dod FX86', '', 0, 0),
(479, 'Pedals', 'Dod', 'FX92', 'Dod FX92', '', 0, 0),
(480, 'Pedals', 'Electrix', 'EQ', 'Electrix EQ', '', 0, 0),
(481, 'Pedals', 'Electrix', 'Filter', 'Electrix Filter', '', 0, 0),
(482, 'Pedals', 'EMO Systems', 'EE725', 'EMO Systems EE725', '', 0, 0),
(483, 'Pedals', 'Ibanez', 'TS5 Pedal', 'Ibanez TS5 Pedal', '', 0, 0),
(484, 'Pedals', 'Jim Dunlop', 'Jimi Hendrix JH-1', 'Jim Dunlop Jimi Hendrix JH-1', '', 0, 0),
(485, 'Pedals', 'Leem Pro', 'B-200', 'Leem Pro B-200', '', 0, 0),
(486, 'Pedals', 'Lovetone', 'Brown Source', 'Lovetone Brown Source', '', 0, 0),
(487, 'Pedals', 'Lovetone', 'Doppelganger', 'Lovetone Doppelganger', '', 0, 0),
(488, 'Pedals', 'Lovetone', 'Flange', 'Lovetone Flange', '', 0, 0),
(489, 'Pedals', 'Marshall', 'Drive Master', 'Marshall Drive Master', '', 0, 0),
(490, 'Pedals', 'Moog', 'Moogerfooger', 'Moog Moogerfooger', '', 0, 0),
(491, 'Pedals', 'Tubeworks', 'Real Tube', 'Tubeworks Real Tube', '', 0, 0),
(492, 'Pedals', 'Zoom', '9010', 'Zoom 9010', '', 0, 0),
(493, 'Pedals', 'Zoom', 'Pro    ', 'Zoom Pro    ', '', 0, 0),
(494, 'Microphones', 'AEA', 'R84', 'AEA R84 Ribbon', 'Ribbon', 0, 0),
(495, 'Microphones', 'AKG', 'C 451 E', 'AKG C 451 E ', '', 0, 0),
(496, 'Microphones', 'AKG', 'D 202 CS', 'AKG D 202 CS ', '', 0, 0),
(497, 'Microphones', 'Audio Technica', 'AT3031', 'Audio Technica AT3031 ', '', 0, 0),
(498, 'Microphones', 'Beyerdynamic', 'M 160 N', 'Beyerdynamic M 160 N Dual Ribbon', 'Dual Ribbon', 0, 0),
(499, 'Microphones', 'Calrec', 'Soundfield Mk V', 'Calrec Soundfield Mk V ', '', 0, 0),
(500, 'Microphones', 'Coles', '4038', 'Coles 4038 Ribbon', 'Ribbon', 0, 0),
(502, 'Microphones', 'Heil', 'PR 30', 'Heil PR 30 Dynamic', 'Dynamic', 0, 0),
(503, 'Microphones', 'Heil', 'PR 35', 'Heil PR 35 Dynamic', 'Dynamic', 0, 0),
(504, 'Microphones', 'Heil', 'PR 40', 'Heil PR 40 Dynamic', 'Dynamic', 0, 0),
(505, 'Microphones', 'Lomo', '19A19', 'Lomo 19A19 Tube', 'Tube', 0, 0),
(506, 'Microphones', 'Lomo', '19A4', 'Lomo 19A4 Tube', 'Tube', 0, 0),
(507, 'Microphones', 'Microtech Gefell', 'MV692', 'Microtech Gefell MV692 ', '', 0, 0),
(508, 'Microphones', 'Microtech Gefell', 'M93', 'Microtech Gefell M93', 'Capsule', 0, 0),
(509, 'Microphones', 'Neumann', 'M55K ', 'Neumann M55K  Capsule', 'Capsule', 0, 0),
(510, 'Microphones', 'Neumann', 'KM 84i', 'Neumann KM 84i ', '', 0, 0),
(511, 'Microphones', 'Neumann', 'KM 184', 'Neumann KM 184 ', '', 0, 0),
(512, 'Microphones', 'Neumann', 'M582', 'Neumann M582 Tube', 'Tube', 0, 0),
(513, 'Microphones', 'Neumann', 'M62 Capsule', 'Neumann M62 Capsule', '', 0, 0),
(514, 'Microphones', 'Neumann', 'U 64', 'Neumann U 64 ', '', 0, 0),
(515, 'Microphones', 'Neumann', 'U 67', 'Neumann U 67 Tube', 'Tube', 0, 0),
(516, 'Microphones', 'Neumann', 'U 87', 'Neumann U 87 ', '', 0, 0),
(517, 'Microphones', 'Neumann', 'U 87 Ai', 'Neumann U 87 Ai ', '', 0, 0),
(518, 'Microphones', 'Sennheiser', 'Blackfire 509', 'Sennheiser Blackfire 509', '', 0, 0),
(519, 'Microphones', 'Sennheiser', 'MD 441', 'Sennheiser MD 441 ', '', 0, 0),
(520, 'Microphones', 'Shure', 'Beta 52A', 'Shure Beta 52A ', '', 1, 0),
(521, 'Microphones', 'Shure', 'Beta 57A', 'Shure Beta 57A ', '', 0, 0),
(522, 'Microphones', 'Shure', 'SM57 ', 'Shure SM57 ', '', 0, 0),
(523, 'Microphones', 'Shure', 'SM7B', 'Shure SM7B', '', 0, 0),
(524, 'Microphones', 'Sontronics', 'Delta', 'Sontronics Delta', '', 0, 0),
(525, 'Microphones', 'Sontronics', 'Helios', 'Sontronics Helios', '', 0, 0),
(526, 'Microphones', 'Sontronics', 'Orpheus', 'Sontronics Orpheus', '', 0, 0),
(527, 'Microphones', 'Sontronics', 'Sigma', 'Sontronics Sigma', '', 0, 0),
(528, 'Microphones', 'Sontronics', 'STC-1', 'Sontronics STC-1', '', 0, 0),
(529, 'Microphones', 'T-Bone', 'GM-55', 'T-Bone GM-55 SM55 Clone', 'SM55 Clone', 0, 0),
(530, 'Computers', 'Apple', 'Mac Pro 2 x 2.8 ghz Quad-Core', 'Apple Mac Pro 2 x 2.8 ghz Quad-Core', '', 0, 0),
(531, 'Software', 'Apple', 'OSX 10.5', 'Apple OSX 10.5', '', 0, 0),
(532, 'Software', 'Roxio', 'Toast 9.0.1', 'Roxio Toast 9.0.1', '', 1, 0),
(533, 'Plug-Ins', 'Avid', 'Bomb Factory Essentials', 'Avid Bomb Factory Essentials', '', 0, 0),
(534, 'Plug-Ins', 'Avid', 'Bruno/ Reso', 'Avid Bruno/ Reso', '', 0, 0),
(536, 'Plug-Ins', 'Avid', 'DINR', 'Avid DINR', '', 0, 0),
(537, 'Plug-Ins', 'Avid', 'Digirack', 'Avid Digirack', '', 0, 0),
(808, 'Plug-Ins', 'URS', 'A-MIX EQ', 'URS A-MIX EQ ', '', 0, 0),
(809, 'Plug-Ins', 'URS', 'BLT EQ', 'URS BLT EQ', '', 0, 0),
(540, 'Plug-Ins', 'Avid', 'Maxim', 'Avid Maxim', '', 0, 0),
(943, 'Plug-Ins', 'Eventide', 'Clockworks', 'Eventide Clockworks', '', 0, 0),
(542, 'Plug-Ins', 'Eventide', 'Factory  ', 'Eventide Factory  ', '', 0, 0),
(543, 'Plug-Ins', 'Line 6', 'Amp Farm', 'Line 6 Amp Farm', '', 0, 0),
(544, 'Plug-Ins', 'Line 6', 'Echo Farm', 'Line 6 Echo Farm', '', 0, 0),
(787, 'Plug-Ins', 'Sonnox', 'Oxford Dynamics', 'Sonnox Oxford Dynamics', '', 0, 0),
(548, 'Plug-Ins', 'Waves ', 'Rennaisance Bundle', 'Waves  Rennaisance Bundle', '', 0, 0),
(549, 'Mixing&nbsp;Desk', 'EMT', 'A100', 'EMT A100', '', 0, 0),
(552, 'Speakers', 'Tannoy', 'Little Golds', 'Tannoy Little Golds', '', 0, 0),
(553, 'Amplifiers', 'Quad', '520', 'Quad 520', '', 0, 0),
(554, 'Amplifiers', 'Quad', '405', 'Quad 405', '', 0, 0),
(555, 'Amplifiers', 'Yamaha', 'P2150', 'Yamaha P2150', '', 0, 0),
(556, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Anthony DeMaria Labs', 'CL1500', 'Anthony DeMaria Labs CL1500', '', 0, 0),
(557, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Cranesong', 'STC-8', 'Cranesong STC-8', '', 0, 0),
(558, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'DBX', '163A', 'DBX 163A', '', 0, 0),
(559, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Empirical', 'Labs Fatso', 'Empirical Labs Fatso', '', 0, 0),
(560, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Gates', 'Level Devil (Nasa)', 'Gates Level Devil (Nasa)', '', 0, 0),
(561, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;%3B&nbsp;Gates', 'Tube-Tech', 'LCA2B', 'Tube-Tech LCA2B ', '', 0, 0),
(562, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Yamaha', 'GC 2020', 'Yamaha GC 2020', '', 0, 0),
(563, 'Mic&nbsp;Pre''s', 'A-Designs', 'P-1', 'A-Designs P-1', '', 0, 0),
(564, 'Equalisation', 'Altec', '9062A ', 'Altec 9062A ', '', 0, 0),
(565, 'Mic&nbsp;Pre''s', 'API', '512C', 'API 512C', '', 0, 0),
(566, 'Equalisation', 'Ashly', 'SC-63', 'Ashly SC-63', '', 0, 0),
(567, 'Mic&nbsp;Pre''s', 'Buzz Audio', 'Elixir', 'Buzz Audio Elixir', '', 0, 0),
(568, 'Mic&nbsp;Pre''s', 'Chandler', 'Germanium', 'Chandler Germanium', '', 0, 0),
(569, 'Equalisation', 'Chandler', 'LTD-1', 'Chandler LTD-1', '', 0, 0),
(570, 'Mic&nbsp;Pre''s', 'Curtis Technology', 'OPRE 2', 'Curtis Technology OPRE 2', '', 0, 0),
(571, 'Mic&nbsp;Pre''s', 'Great River', 'MP-500NV', 'Great River MP-500NV', '', 0, 0),
(572, 'Mic&nbsp;Pre''s', 'La Chapell Audio', '583s', 'La Chapell Audio 583s', '', 0, 0),
(573, 'Mic&nbsp;Pre''s', 'Little Labs', 'LmnoPre', 'Little Labs LmnoPre', '', 0, 0),
(574, 'Mic&nbsp;Pre''s', 'Purple Audio', 'Biz Mk', 'Purple Audio Biz Mk', '', 0, 0),
(575, 'Mic&nbsp;Pre''s', 'Shadow Hills', 'Gama', 'Shadow Hills Gama', '', 0, 0),
(576, 'Reverbs', 'AKG', 'BX20 Spring ', 'AKG BX20 Spring ', '', 0, 0),
(577, 'Reverbs', 'EMT', '262 Plate', 'EMT 262 Plate', '', 0, 0),
(578, 'FX&nbsp;Processors', 'CRL ', ' APP-400', 'CRL   APP-400', '', 0, 0),
(579, 'Delays', 'Echopet', 'EP-100', 'Echopet EP-100', '', 0, 0),
(580, 'Filters', 'Electro Harmonix', 'Bi-Filter', 'Electro Harmonix Bi-Filter', '', 0, 0),
(581, 'FX&nbsp;Processors', 'Korg', 'DVP-1 Vocoder', 'Korg DVP-1 Vocoder', '', 0, 0),
(582, 'Filters', 'Sherman', 'Filterbank', 'Sherman Filterbank', '', 0, 0),
(583, 'FX&nbsp;Processors', 'Zoom', '1210', 'Zoom 1210', '', 0, 0),
(584, 'MIDI&nbsp;Controllers', 'Kenton', 'Pro 2000', 'Kenton Pro 2000', '', 0, 0),
(585, 'Sequencers', 'Akai', 'MPC 2000', 'Akai MPC 2000 ', '', 0, 0),
(586, 'Samplers', 'Akai', 'S3000i', 'Akai S3000i ', '', 0, 0),
(587, 'Samplers', 'Akai', 'S900', 'Akai S900 ', '', 0, 0),
(589, 'Synthesisers', 'Arp', '3260', 'Arp 3260', '', 0, 0),
(590, 'Synthesisers', 'Casio', 'Rapman', 'Casio Rapman', '', 0, 0),
(591, 'Synthesisers', 'Casio', 'Casiotone 403', 'Casio Casiotone 403', '', 0, 0),
(592, 'Keyboards', 'Casio', 'SK-5 Sampling Keyboard', 'Casio SK-5 Sampling Keyboard', '', 0, 0),
(593, 'Synthesisers', 'Casio', 'SA 8', 'Casio SA 8', '', 0, 0),
(595, 'Synthesisers', 'Korg', 'MS-20', 'Korg MS-20', 'Monophonic Synthesiser', 0, 0),
(596, 'Synthesisers', 'Korg', 'SQ-10 Sequencer', 'Korg SQ-10 Sequencer', '', 0, 0),
(597, 'Synthesisers', 'Korg', '800PS', 'Korg 800PS', '', 0, 0),
(598, 'Synthesisers', 'Kurzweil', 'K2500RS', 'Kurzweil K2500RS', '', 0, 0),
(599, 'Synthesisers', 'Roland', 'Juno 6', 'Roland Juno 6', '', 0, 0),
(600, 'Synthesisers', 'Roland', 'RS-09', 'Roland RS-09', '', 0, 0),
(601, 'Synthesisers', 'Roland', 'SH-09', 'Roland SH-09', '', 0, 0),
(602, 'Synthesisers', 'Roland', 'TR-606', 'Roland TR-606', '', 0, 0),
(604, 'Synthesisers', 'Suzuki', 'QC-1 Q-Chord', 'Suzuki QC-1 Q-Chord', '', 0, 0),
(605, 'Synthesisers', 'Yamaha', 'CS30', 'Yamaha CS30', '', 0, 0),
(606, 'Bass&nbsp;Amplifiers', 'Ampeg', 'B15 Portaflex', 'Ampeg B15 Portaflex', '', 0, 0),
(607, 'Amplifiers', 'Brennel', 'Gold Valve', 'Brennel Gold Valve', '', 0, 0),
(608, 'Bass&nbsp;Guitars', 'Fender', 'Bronco', 'Fender Bronco', '', 0, 0),
(609, 'Guitar&nbsp;Amplifiers', 'Fender', 'Deville', 'Fender Deville', '', 0, 0),
(610, 'Bass&nbsp;Guitars', 'Fender', 'P-Bass', 'Fender P-Bass', '', 0, 0),
(611, 'Bass&nbsp;Guitars', 'Fender', 'P-Bass (Fretless)', 'Fender P-Bass (Fretless)', '', 0, 0),
(612, 'Guitars', 'Hofner', 'Congress Acoustic', 'Hofner Congress Acoustic', '', 0, 0),
(613, 'Guitar&nbsp;Amplifiers', 'Marshall', 'Cabs 4', 'Marshall Cabs 4', '', 0, 0),
(614, 'Guitar&nbsp;Amplifiers', 'Selmer', '15SS', 'Selmer 15SS', '', 0, 0),
(615, 'Guitar&nbsp;Amplifiers', 'WEM', 'GX40', 'WEM GX40', '', 0, 0),
(616, 'Drums', 'Premier', '1963 ', 'Premier 1963  Drum kit', 'Drum kit', 0, 0),
(617, 'Drums', 'Slingerland', '', 'Slingerland  Drum kit ', 'Drum kit ', 0, 0),
(618, 'Drums', 'Ludwig', 'Acrolite', 'Ludwig Acrolite Snare Drum', 'Snare Drum', 0, 0),
(619, 'Pedals', 'Boss', 'FZ-2', 'Boss FZ-2', '', 0, 0),
(620, 'Pedals', 'Boss', 'PC-2', 'Boss PC-2', '', 0, 0),
(621, 'Pedals', 'Boss', 'Syb 3 Bass', 'Boss Syb 3 Bass', '', 0, 0),
(622, 'Pedals', 'Crowther', 'Prunes and Custard', 'Crowther Prunes and Custard', '', 0, 0),
(623, 'Pedals', 'Electro Harmonix', '16 Second Delay', 'Electro Harmonix 16 Second Delay', '', 0, 0),
(624, 'Pedals', 'Electro Harmonix', 'Attack Equaliser', 'Electro Harmonix Attack Equaliser', '', 0, 0),
(625, 'Pedals', 'Electro Harmonix', 'Bass Balls', 'Electro Harmonix Bass Balls', '', 0, 0),
(626, 'Pedals', 'Electro Harmonix', 'Black Finger', 'Electro Harmonix Black Finger', '', 0, 0),
(627, 'Pedals', 'Electro Harmonix', 'Deluxe Memory Man', 'Electro Harmonix Deluxe Memory Man', '', 0, 0),
(628, 'Pedals', 'Electro Harmonix', 'Deluxe Electric Mistress', 'Electro Harmonix Deluxe Electric Mistress', 'Analog Flanger ', 0, 0),
(629, 'Pedals', 'Electro Harmonix', 'Golden Throat 2', 'Electro Harmonix Golden Throat 2', '', 0, 0),
(630, 'Pedals', 'Electro Harmonix', 'Screaming Tree', 'Electro Harmonix Screaming Tree', '', 0, 0),
(631, 'Pedals', 'Electro Harmonix', 'The Worm', 'Electro Harmonix The Worm', '', 0, 0),
(632, 'Pedals', 'Electro Harmonix', 'Wriggler', 'Electro Harmonix Wriggler', '', 0, 0),
(633, 'Pedals', 'Frantone', 'PeachFuzz ', 'Frantone PeachFuzz ', '', 0, 0),
(634, 'Pedals', 'Frantone', 'Autolooper', 'Frantone Autolooper', '', 0, 0),
(635, 'Pedals', 'Maestro', 'Parametric Filter', 'Maestro Parametric Filter', '', 0, 0),
(636, 'Pedals', 'MXR', 'Phase 100', 'MXR Phase 100', '', 0, 0),
(637, 'Pedals', 'MXR', 'M-133 Micro Amp Boost', 'MXR M-133 Micro Amp Boost', '', 0, 0),
(638, 'Pedals', 'Mutron', 'III+', 'Mutron III+', '', 0, 0),
(639, 'Pedals', 'Napalm', '69', 'Napalm 69', '', 0, 0),
(640, 'Pedals', 'SansAmp', 'GT2', 'SansAmp GT2', '', 0, 0),
(641, 'Pedals', 'Soundtank', 'Cyberdrive', 'Soundtank Cyberdrive', '', 0, 0),
(642, 'Pedals', 'Sovtek', 'Big Muff', 'Sovtek Big Muff', '', 0, 0),
(643, 'Pedals', 'Sovtek', 'Small Stone', 'Sovtek Small Stone', '', 0, 0),
(644, 'Pedals', 'Z-Vex', 'FuzzProbe', 'Z-Vex FuzzProbe', '', 0, 0),
(645, 'Pedals', 'Z-Vex', 'OhhWah', 'Z-Vex OhhWah', '', 0, 0),
(646, 'Pedals', 'Z-Vex', 'Ringtone', 'Z-Vex Ringtone', '', 0, 0),
(647, 'Microphones', 'AEA', 'R88', 'AEA R88 Ribbon (Stereo)', 'Ribbon (Stereo)', 0, 0),
(648, 'Microphones', 'AKG', 'C 451 ', 'AKG C 451  ', '', 0, 0),
(649, 'Microphones', 'AKG', 'D99 "Harry"', 'AKG D99 "Harry" (Binaural Dummy head)', '(Binaural Dummy head)', 0, 0),
(650, 'Microphones', 'AKG', 'D 12', 'AKG D 12 ', '', 0, 0),
(651, 'Microphones', 'AKG', 'D 25', 'AKG D 25 ', '', 0, 0),
(674, 'Speakers', 'Yamaha', 'NS10 Studio', 'Yamaha NS10 Studio', '', 0, 0),
(675, 'CD&nbsp;Recorders', 'HHB', 'CDR 830', 'HHB CDR 830', '', 0, 0),
(676, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'DBX', '165', 'DBX 165', '', 0, 0),
(677, 'Controller', 'PreSonus', 'Central Station', 'PreSonus Central Station', '', 0, 0),
(678, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'DBX', '263X', 'DBX 263X', '', 0, 0),
(679, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Drawmer', 'DL221', 'Drawmer DL221', '', 0, 0),
(680, 'Speakers', 'Boxer', 'Series 2', 'Boxer Series 2', '', 0, 0),
(681, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Eclair', 'LaLa Model 62', 'Eclair LaLa Model 62', '', 0, 0),
(683, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'GML', '2030', 'GML 2030', '', 0, 0),
(684, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'SPL', 'Model 9842 Transient Designer', 'SPL Model 9842 Transient Designer', '', 0, 0),
(685, 'Amplifiers', 'Yamaha', 'PC2002', 'Yamaha PC2002', '', 0, 0),
(686, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'SSL', 'Logic FXG384', 'SSL Logic FXG384', '', 0, 0),
(687, 'Amplifiers', 'Amcron ', 'Macro Tech 1200', 'Amcron  Macro Tech 1200', '', 0, 0),
(688, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Thermionic', 'Culture Phoenix', 'Thermionic Culture Phoenix', '', 0, 0),
(695, 'Channel&nbsp;Strips', 'Helios', 'Channel Strip', 'Helios Channel Strip', '', 0, 0),
(691, 'Equalisation', 'Cartec', 'EQP-1A', 'Cartec EQP-1A', '', 0, 0),
(696, 'Mic&nbsp;Pre''s', 'John Hardy', 'M1', 'John Hardy M1', '', 0, 0),
(693, 'Equalisation', 'Calrec', 'PQ 1161', 'Calrec PQ 1161', '', 0, 0),
(694, 'Equalisation', 'Calrec', 'PQ 1061', 'Calrec PQ 1061', '', 0, 0),
(697, 'Equalisation', 'GML', '8200', 'GML 8200', '', 0, 0),
(698, 'Mic&nbsp;Pre''s', 'GML', '8304', 'GML 8304', '', 0, 0),
(699, 'Equalisation', 'Tube-Tech', 'PE 1C', 'Tube-Tech PE 1C', '', 0, 0),
(700, 'Mic&nbsp;Pre''s', 'Telefunken', 'V76', 'Telefunken V76', '', 0, 0),
(701, 'Mic&nbsp;Pre''s', 'Telefunken', 'V72', 'Telefunken V72', '', 0, 0),
(1417, 'Guitar&nbsp;Amplifiers', 'Marshall', 'Super Lead 100w MKII', 'Marshall Super Lead 100w MKII', '', 0, 0),
(705, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'BSS', 'DPR-901 II', 'BSS DPR-901 II', '', 0, 0),
(706, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Drawmer', 'DS301', 'Drawmer DS301', '', 0, 0),
(707, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Dolby', 'Model 740', 'Dolby Model 740', '', 0, 0),
(710, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Focusrite', 'Red 3', 'Focusrite Red 3', '', 0, 0),
(714, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'TL Audio', 'C5021', 'TL Audio C5021', '', 0, 0),
(715, 'Mic&nbsp;Pre''s', 'Amek', 'System 9098', 'Amek System 9098', '', 0, 0),
(716, 'Mic&nbsp;Pre%27s', 'Neve', 'Prism', 'Neve Prism Dynamic', 'Dynamic', 0, 0),
(717, 'Mic&nbsp;Pre''s', 'Neve', 'Prism Mic Pre', 'Neve Prism Mic Pre', '', 0, 0),
(718, 'Equalisation', 'Neve', 'Prism EQ', 'Neve Prism EQ', '', 0, 0),
(719, 'Equalisation', 'Summit Audio', 'EQP-200B', 'Summit Audio EQP-200B', '', 0, 0),
(722, 'Reverbs', 'Lexicon', 'PCM 90', 'Lexicon PCM 90', '', 0, 0),
(721, 'Reverbs', 'AMS', 'RMX16', 'AMS RMX16', '', 0, 0),
(723, 'Reverbs', 'Lexicon', 'PCM 80', 'Lexicon PCM 80', '', 0, 0),
(724, 'Reverbs', 'TC Electronic', 'M2000', 'TC Electronic M2000', '', 0, 0),
(725, 'FX&nbsp;Processors', 'Alesis', 'Midiverb', 'Alesis Midiverb', '', 0, 0),
(727, 'FX&nbsp;Processors', 'BBE', '862', 'BBE 862', '', 0, 0),
(728, 'FX&nbsp;Processors', 'BBE', '822a', 'BBE 822a', '', 0, 0),
(729, 'Delays', 'Bel', ' BD-80', 'Bel  BD-80', '', 0, 0),
(730, 'FX&nbsp;Processors', 'Eventide', 'H3000 DSX', 'Eventide H3000 DSX', '', 0, 0),
(731, 'Delays', 'Roland', 'SDE-330', 'Roland SDE-330', '', 0, 0),
(732, 'Delays', 'Roland', 'SDE-3000', 'Roland SDE-3000', '', 0, 0),
(733, 'FX&nbsp;Processors', 'Yamaha', 'SPX990', 'Yamaha SPX990 ', '', 0, 0),
(734, 'Software', 'Avid', 'Pro Tools 9.0', 'Avid Pro Tools 9.0', '', 1, 0),
(735, 'Software', 'Apple', 'Logic Pro 8', 'Apple Logic Pro 8', '', 0, 0),
(736, 'Software', 'Apple', 'Logic Pro 9.0.2', 'Apple Logic Pro 9.0.2', '', 1, 0),
(737, 'Synthesisers', 'Oberheim', 'Matrix 1000', 'Oberheim Matrix 1000', '', 0, 0),
(738, 'MIDI&nbsp;Controllers', 'M-Audio', 'Oxygen 49', 'M-Audio Oxygen 49', '', 0, 0),
(739, 'Guitars', 'Epiphone', 'Acoustic Guitar', 'Epiphone Acoustic Guitar', '', 0, 0),
(740, 'Guitars', 'Music Man', 'StingRay', 'Music Man StingRay', '', 0, 0),
(741, 'Bass&nbsp;Guitars', 'Music Man', 'StingRay', 'Music Man StingRay', '', 0, 0),
(742, 'Microphones', 'AKG', 'D 112', 'AKG D 112 ', '', 0, 0),
(743, 'Microphones', 'Rode', ' NT1', 'Rode  NT1', '', 0, 0),
(786, 'Computers', 'Apple', 'Mac Pro 2 X 2.4Ghz Quad-Core', 'Apple Mac Pro 2 X 2.4Ghz Quad-Core', '', 0, 0),
(747, 'Software', 'Avid', 'Pro Tools 8.1', 'Avid Pro Tools 8.1', '', 1, 0),
(748, 'Plug-Ins', 'Princeton Digital', 'Reverb 2016', 'Princeton Digital Reverb 2016', '', 0, 0),
(749, 'Plug-Ins', 'Softube', 'Acoustic Feedback Deluxe', 'Softube Acoustic Feedback Deluxe', '', 0, 0),
(750, 'Plug-Ins', 'Avid', 'A.I.R. Effects Bundle', 'Avid A.I.R. Effects Bundle', '', 0, 0),
(752, 'Plug-Ins', 'Antares', 'Auto-Tune Evo', 'Antares Auto-Tune Evo', '', 0, 0),
(753, 'Plug-Ins', 'Antares', 'AVOX Choir', 'Antares AVOX Choir', '', 0, 0),
(754, 'Plug-Ins', 'Antares', 'AVOX Punch', 'Antares AVOX Punch', '', 0, 0),
(755, 'Plug-Ins', 'Avid', 'Bomb Factory BF-2A', 'Avid Bomb Factory BF-2A', '', 0, 0),
(756, 'Plug-Ins', 'Avid', 'Bomb Factory Cosmonaut Voice', 'Avid Bomb Factory Cosmonaut Voice', '', 0, 0),
(807, 'Plug-Ins', 'URS', 'A Series EQ', 'URS A Series EQ', '', 0, 0),
(759, 'Plug-Ins', 'Avid', 'Eleven LE', 'Avid Eleven LE', '', 0, 0),
(760, 'Plug-Ins', 'FLUX', 'Epure II', 'FLUX Epure II', '', 0, 0),
(761, 'Plug-Ins', 'FLUX', 'Epure', 'FLUX Epure', '', 0, 0),
(764, 'Plug-Ins', 'Eventide', 'H949 Harmonizer', 'Eventide H949 Harmonizer', '', 0, 0),
(765, 'Plug-Ins', 'Avid', 'Bomb Factory JOEMEEK SC2', 'Avid Bomb Factory JOEMEEK SC2', '', 0, 0),
(766, 'Plug-Ins', 'Avid', 'Bomb Factory JOEMEEK VC5', 'Avid Bomb Factory JOEMEEK VC5', '', 0, 0),
(767, 'Plug-Ins', 'Avid', 'Machine Control', 'Avid Machine Control', '', 0, 0),
(768, 'Plug-Ins', 'Massey', 'De:Esser', 'Massey De:Esser', '', 0, 0),
(769, 'Plug-Ins', 'Massey', 'THC Distortion Stompbox', 'Massey THC Distortion Stompbox', '', 0, 0),
(770, 'Plug-Ins', 'Massey', 'VT3 Equalizer', 'Massey VT3 Equalizer', '', 0, 0),
(771, 'Plug-Ins', 'Celemony', 'Melodyne Editor', 'Celemony Melodyne Editor', '', 0, 0),
(772, 'Plug-Ins', 'Metric Halo', 'Channel Strip', 'Metric Halo Channel Strip', '', 0, 0);
INSERT INTO `equipment` (`id`, `category`, `manufacturer`, `model`, `name`, `type`, `soft_delete`, `pack`) VALUES (1040, 'Plug-Ins', 'Massenburg DesignWorks', 'MDW EQ 2', 'Massenburg DesignWorks MDW EQ 2', '', 0, 0),
(774, 'Plug-Ins', 'Avid', 'Bomb Factory Purple Audio MC77', 'Avid Bomb Factory Purple Audio MC77', '', 0, 0),
(775, 'Plug-Ins', 'Avid', 'Bomb Factory Sansamp PSA-1', 'Avid Bomb Factory Sansamp PSA-1', '', 0, 0),
(776, 'Plug-Ins', 'Avid', 'Bomb Factory Slightly Rude Compressor', 'Avid Bomb Factory Slightly Rude Compressor', '', 0, 0),
(777, 'Plug-Ins', 'Avid', 'Smack!', 'Avid Smack!', '', 0, 0),
(778, 'Plug-Ins', 'Soundtoys', 'Decapitator', 'Soundtoys Decapitator', '', 0, 0),
(779, 'Plug-Ins', 'Soundtoys', 'PanMan', 'Soundtoys PanMan', '', 0, 0),
(780, 'Plug-Ins', 'Avid', 'Surroundscope', 'Avid Surroundscope', '', 0, 0),
(1028, 'Soft&nbsp;Synths', 'KORG', 'Legacy Collection', 'KORG Legacy Collection', '', 0, 0),
(782, 'Plug-Ins', 'Avid', 'Synchro Arts VocALign Pro', 'Avid Synchro Arts VocALign Pro', '', 0, 0),
(783, 'Plug-Ins', 'Avid', 'Bomb Factory Voce Chorus/Vibrato', 'Avid Bomb Factory Voce Chorus/Vibrato', '', 0, 0),
(784, 'Soft&nbsp;Synths', 'Avid', 'A.I.R Xpand!', 'Avid A.I.R Xpand!', '', 0, 0),
(790, 'Plug-Ins', 'Sonnox', 'Oxford Limiter', 'Sonnox Oxford Limiter', '', 0, 0),
(789, 'Plug-Ins', 'Sonnox', 'Oxford Inflator', 'Sonnox Oxford Inflator', '', 0, 0),
(791, 'Plug-Ins', 'Sonnox', 'Oxford Reverb', 'Sonnox Oxford Reverb', '', 0, 0),
(792, 'Plug-Ins', 'Sonnox', 'Oxford SuprEsser', 'Sonnox Oxford SuprEsser', '', 0, 0),
(793, 'Plug-Ins', 'Sonnox', 'Oxford DeClicker', 'Sonnox Oxford DeClicker', '', 0, 0),
(794, 'Plug-Ins', 'Sonnox', 'Oxford DeBuzzer', 'Sonnox Oxford DeBuzzer', '', 0, 0),
(795, 'Plug-Ins', 'Sonnox', 'Oxford DeNoiser', 'Sonnox Oxford DeNoiser', '', 0, 0),
(796, 'Plug-Ins', 'Princeton Digital', 'Plate Reverb', 'Princeton Digital Plate Reverb', '', 0, 0),
(797, 'Plug-Ins', 'Princeton Digital', 'Space Station SST-282', 'Princeton Digital Space Station SST-282', '', 0, 0),
(798, 'Plug-Ins', 'Antares', 'Harmony EFX', 'Antares Harmony EFX', '', 0, 0),
(799, 'Plug-Ins', 'Antares', 'Harmony Engine EVO', 'Antares Harmony Engine EVO', '', 0, 0),
(800, 'Plug-Ins', 'Antares', 'Mic Mod EFX', 'Antares Mic Mod EFX', '', 0, 0),
(801, 'Soft&nbsp;Synths', 'Avid', 'A.I.R. Hybrid', 'Avid A.I.R. Hybrid', '', 0, 0),
(802, 'Soft&nbsp;Synths', 'Avid', 'A.I.R. Strike', 'Avid A.I.R. Strike', '', 0, 0),
(803, 'Soft&nbsp;Synths', 'Avid', 'A.I.R. Structure', 'Avid A.I.R. Structure', '', 0, 0),
(804, 'Soft&nbsp;Synths', 'Avid', 'A.I.R. Transfuser', 'Avid A.I.R. Transfuser', '', 0, 0),
(805, 'Soft&nbsp;Synths', 'Avid', 'A.I.R. Velvet', 'Avid A.I.R. Velvet', '', 0, 0),
(810, 'Plug-Ins', 'URS', 'FullTec EQ', 'URS FullTec EQ', '', 0, 0),
(811, 'Plug-Ins', 'URS', 'N Series EQ', 'URS N Series EQ', '', 0, 0),
(812, 'Plug-Ins', 'URS', 'N-Mix EQ', 'URS N-Mix EQ ', '', 0, 0),
(813, 'Plug-Ins', 'URS', 'S Series EQ', 'URS S Series EQ', '', 0, 0),
(814, 'Plug-Ins', 'URS', 'S-Mix EQ', 'URS S-Mix EQ ', '', 0, 0),
(815, 'Plug-Ins', 'URS', '1970 Compressor', 'URS 1970 Compressor', '', 0, 0),
(816, 'Plug-Ins', 'URS', '1975 Compressor', 'URS 1975 Compressor', '', 0, 0),
(817, 'Plug-Ins', 'URS', '1980 Compressor', 'URS 1980 Compressor', '', 0, 0),
(818, 'Plug-Ins', 'URS', 'Strip', 'URS Strip', '', 0, 0),
(819, 'Plug-Ins', 'URS', 'Strip Pro', 'URS Strip Pro', '', 0, 0),
(820, 'Plug-Ins', 'URS', 'Saturation', 'URS Saturation', '', 0, 0),
(1426, 'DI&nbsp;/&nbsp;Reamp&nbsp;Boxes', 'Eclair Engineering', 'Evil Twin', 'Eclair Engineering Evil Twin', '', 0, 0),
(1443, 'Microphones', 'Crown', 'PZM-30 GPG', 'Crown PZM-30 GPG Pressure Zone Microphone', 'Pressure Zone Microphone', 0, 0),
(822, 'Plug-Ins', 'Abbey Road', 'TG Mastering Pack', 'Abbey Road TG Mastering Pack', '', 1, 0),
(823, 'Plug-Ins', 'Antares', 'Auto-Tune TDM', 'Antares Auto-Tune TDM', '', 0, 0),
(824, 'Plug-Ins', 'Antares', 'Auto-Tune Native', 'Antares Auto-Tune Native', '', 0, 0),
(825, 'Plug-Ins', 'Antares', 'AVOX', 'Antares AVOX', '', 0, 0),
(826, 'Plug-Ins', 'Antares', 'AVOX 2', 'Antares AVOX 2', '', 0, 0),
(827, 'Soft&nbsp;Synths', 'Applied Acoustics Systems', 'Lounge Lizard EP-3', 'Applied Acoustics Systems Lounge Lizard EP-3', '', 0, 0),
(828, 'Soft&nbsp;Synths', 'Applied Acoustics Systems', 'Tassman 4', 'Applied Acoustics Systems Tassman 4', '', 0, 0),
(829, 'Soft&nbsp;Synths', 'Applied Acoustics Systems', 'Ultra Analog VA-1', 'Applied Acoustics Systems Ultra Analog VA-1', '', 0, 0),
(830, 'Soft&nbsp;Synths', 'Applied Acoustics Systems', 'String Studio VS-1', 'Applied Acoustics Systems String Studio VS-1', '', 0, 0),
(831, 'Soft&nbsp;Synths', 'Applied Acoustics Systems', 'Strum Acoustic GS-1', 'Applied Acoustics Systems Strum Acoustic GS-1', '', 0, 0),
(832, 'Soft&nbsp;Synths', 'Applied Acoustics Systems', 'Strum Electric GS-1', 'Applied Acoustics Systems Strum Electric GS-1', '', 0, 0),
(833, 'Soft&nbsp;Synths', 'Arturia', 'Analog Factory', 'Arturia Analog Factory', '', 0, 0),
(834, 'Soft&nbsp;Synths', 'Arturia', 'Analog Factory SE', 'Arturia Analog Factory SE', '', 0, 0),
(835, 'Soft&nbsp;Synths', 'Arturia', 'ARP2600 V2', 'Arturia ARP2600 V2', '', 0, 0),
(836, 'Soft&nbsp;Synths', 'Arturia', 'Brass', 'Arturia Brass', '', 0, 0),
(837, 'Soft&nbsp;Synths', 'Arturia', 'CS-80V2', 'Arturia CS-80V2', '', 0, 0),
(838, 'Soft&nbsp;Synths', 'Arturia', 'Jupiter-8V2', 'Arturia Jupiter-8V2', '', 0, 0),
(839, 'Soft&nbsp;Synths', 'Arturia', 'Minimoog V2', 'Arturia Minimoog V2', '', 0, 0),
(840, 'Soft&nbsp;Synths', 'Arturia', 'Moog Modular V2', 'Arturia Moog Modular V2', '', 0, 0),
(841, 'Soft&nbsp;Synths', 'Arturia', 'Prophet V2', 'Arturia Prophet V2', '', 0, 0),
(842, 'Plug-Ins', 'Audioease', 'Snapper', 'Audioease Snapper', '', 0, 0),
(843, 'Plug-Ins', 'Avid', 'Complete Production Toolkit 2', 'Avid Complete Production Toolkit 2', '', 0, 0),
(844, 'Plug-Ins', 'Avid', 'Complete Production Toolkit', 'Avid Complete Production Toolkit', '', 0, 0),
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(1128, 'Plug-Ins', 'Sounds In Sync', 'EdiCue', 'Sounds In Sync EdiCue', '', 0, 0),
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(1140, 'Soft&nbsp;Synths', 'Spectrasonics', 'Trilogy', 'Spectrasonics Trilogy', '', 0, 0),
(1373, 'Plug-Ins', 'Waves', 'Tune LT', 'Waves Tune LT', '', 0, 0),
(1142, 'Plug-Ins', 'Avid', 'Synchro Arts VocALign Project 3', 'Avid Synchro Arts VocALign Project 3', '', 0, 0),
(1144, 'Plug-Ins', 'Avid', 'Synchro Arts Titan 4', 'Avid Synchro Arts Titan 4', '', 0, 0),
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(1147, 'Soft&nbsp;Synths', 'Synthogy', 'Ivory', 'Synthogy Ivory', '', 0, 0),
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(1149, 'Plug-Ins', 'TC Electronic', 'VSS3', 'TC Electronic VSS3', '', 0, 0),
(1150, 'Plug-Ins', 'TC Electronic', 'MD3', 'TC Electronic MD3', '', 0, 0),
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(1171, 'Plug-Ins', 'zplane', 'PPMulator+', 'zplane PPMulator+', '', 0, 0),
(1172, 'Plug-Ins', 'zplane', 'vielklang', 'zplane vielklang', '', 0, 0),
(1173, 'Plug-Ins', 'Waves', 'Aphex Vintage Aural Exciter ', 'Waves Aphex Vintage Aural Exciter ', '', 0, 0),
(1174, 'Plug-Ins', 'Waves', 'API 550A ', 'Waves API 550A ', '', 0, 0),
(1175, 'Plug-Ins', 'Waves', 'API 550B ', 'Waves API 550B ', '', 0, 0),
(1176, 'Plug-Ins', 'Waves', 'API 560', 'Waves API 560', '', 0, 0),
(1177, 'Plug-Ins', 'Waves', 'API 2500', 'Waves API 2500', '', 0, 0),
(1178, 'Plug-Ins', 'Waves', 'AudioTrack', 'Waves AudioTrack', '', 0, 0),
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(1180, 'Plug-Ins', 'Waves', 'C1 Gate', 'Waves C1 Gate', '', 1, 0),
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(1182, 'Plug-Ins', 'Waves', 'C1 Comp-Gate', 'Waves C1 Comp-Gate', '', 1, 0),
(1183, 'Plug-Ins', 'Waves', 'C360 Surround Compressor', 'Waves C360 Surround Compressor', '', 0, 0),
(1184, 'Plug-Ins', 'Waves', 'C4 MultiBand Compressor', 'Waves C4 MultiBand Compressor', '', 0, 0),
(1185, 'Plug-Ins', 'Waves', 'C6 MultiBand Compressor', 'Waves C6 MultiBand Compressor', '', 0, 0),
(1186, 'Plug-Ins', 'Waves', 'Center', 'Waves Center', '', 0, 0),
(1187, 'Plug-Ins', 'Waves', 'CLA-2A', 'Waves CLA-2A', '', 0, 0),
(1188, 'Plug-Ins', 'Waves', 'CLA-3A', 'Waves CLA-3A', '', 0, 0),
(1189, 'Plug-Ins', 'Waves', 'CLA-76 Blacky', 'Waves CLA-76 Blacky', '', 0, 0),
(1190, 'Plug-Ins', 'Waves', 'CLA-76 Bluey', 'Waves CLA-76 Bluey', '', 0, 0),
(1191, 'Plug-Ins', 'Waves', 'CLA Bass', 'Waves CLA Bass', '', 0, 0),
(1192, 'Plug-Ins', 'Waves', 'CLA Drums', 'Waves CLA Drums', '', 0, 0),
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(1194, 'Plug-Ins', 'Waves', 'CLA Guitars', 'Waves CLA Guitars', '', 0, 0),
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(1196, 'Plug-Ins', 'Waves', 'CLA Vocals', 'Waves CLA Vocals', '', 0, 0),
(1197, 'Plug-Ins', 'Waves', 'DeBreath', 'Waves DeBreath', '', 0, 0),
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(1200, 'Plug-Ins', 'Waves', 'Dorrough Stereo', 'Waves Dorrough Stereo', '', 0, 0),
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(1206, 'Plug-Ins', 'Waves', 'Eddie Kramer Guitar Channel ', 'Waves Eddie Kramer Guitar Channel ', '', 0, 0),
(1207, 'Plug-Ins', 'Waves', 'Eddie Kramer Vocal Channel ', 'Waves Eddie Kramer Vocal Channel ', '', 0, 0),
(1208, 'Plug-Ins', 'Waves', 'Enigma ', 'Waves Enigma ', '', 0, 0),
(1209, 'Plug-Ins', 'Waves', 'GTR3 Amps: Direct', 'Waves GTR3 Amps: Direct', '', 0, 0),
(1210, 'Plug-Ins', 'Waves', 'GTR3 Amps: Clean', 'Waves GTR3 Amps: Clean', '', 0, 0),
(1211, 'Plug-Ins', 'Waves', 'GTR3 Amps: Warm ', 'Waves GTR3 Amps: Warm ', '', 0, 0),
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(1247, 'Plug-Ins', 'Waves', 'GTR3 Stomps: Flanger ', 'Waves GTR3 Stomps: Flanger ', '', 0, 0),
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(1251, 'Plug-Ins', 'Waves', 'GTR3 Stomps: Octaver ', 'Waves GTR3 Stomps: Octaver ', '', 0, 0),
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(1265, 'Plug-Ins', 'Waves', 'GTR3 Stomps: Axx Press', 'Waves GTR3 Stomps: Axx Press', '', 0, 0),
(1266, 'Plug-Ins', 'Waves', 'GTR3 Stomps: Volume Pedal', 'Waves GTR3 Stomps: Volume Pedal', '', 0, 0),
(1267, 'Plug-Ins', 'Waves', 'GTR3 Tuner', 'Waves GTR3 Tuner', '', 0, 0),
(1268, 'Plug-Ins', 'Waves', 'GTR3 ToolRack', 'Waves GTR3 ToolRack', '', 0, 0),
(1269, 'Plug-Ins', 'Waves', 'IDR360° Bit Re-quantizer ', 'Waves IDR360° Bit Re-quantizer ', '', 0, 0),
(1270, 'Plug-Ins', 'Waves', 'H-Comp Hybrid Compressor', 'Waves H-Comp Hybrid Compressor', '', 0, 0),
(1271, 'Plug-Ins', 'Waves', 'H-Delay Hybrid Delay', 'Waves H-Delay Hybrid Delay', '', 0, 0),
(1272, 'Plug-Ins', 'Waves', 'IR1 Parametric Convolution Reverb ', 'Waves IR1 Parametric Convolution Reverb ', '', 1, 0),
(1273, 'Plug-Ins', 'Waves', 'IR360° Surround Convolution Reverb ', 'Waves IR360° Surround Convolution Reverb ', '', 0, 0),
(1274, 'Plug-Ins', 'Waves', 'IR-L Parametric Convolution Reverb ', 'Waves IR-L Parametric Convolution Reverb ', '', 0, 0),
(1275, 'Plug-Ins', 'Waves', 'JJP Bass ', 'Waves JJP Bass ', '', 0, 0),
(1276, 'Plug-Ins', 'Waves', 'JJP Cymbals & Percussion ', 'Waves JJP Cymbals & Percussion ', '', 0, 0),
(1277, 'Plug-Ins', 'Waves', 'JJP Drums ', 'Waves JJP Drums ', '', 0, 0),
(1278, 'Plug-Ins', 'Waves', 'JJP Guitars ', 'Waves JJP Guitars ', '', 0, 0),
(1279, 'Plug-Ins', 'Waves', 'JJP Keys & Strings ', 'Waves JJP Keys & Strings ', '', 0, 0),
(1280, 'Plug-Ins', 'Waves', 'JJP Vocals', 'Waves JJP Vocals', '', 0, 0),
(1281, 'Plug-Ins', 'Waves', 'Kramer HLS Channel ', 'Waves Kramer HLS Channel ', '', 0, 0),
(1282, 'Plug-Ins', 'Waves', 'Kramer MPX Master Tape', 'Waves Kramer MPX Master Tape', '', 0, 0),
(1283, 'Plug-Ins', 'Waves', 'Kramer PIE Compressor', 'Waves Kramer PIE Compressor', '', 0, 0),
(1284, 'Plug-Ins', 'Waves', 'L1 Ultramaximizer', 'Waves L1 Ultramaximizer', '', 0, 0),
(1285, 'Plug-Ins', 'Waves', 'L2 Ultramaximizer ', 'Waves L2 Ultramaximizer ', '', 0, 0),
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(1287, 'Plug-Ins', 'Waves', 'L3 Ultramaximizer ', 'Waves L3 Ultramaximizer ', '', 0, 0),
(1288, 'Plug-Ins', 'Waves', 'L3-16 Multimaximizer ', 'Waves L3-16 Multimaximizer ', '', 0, 0),
(1289, 'Plug-Ins', 'Waves', 'L3-LL Multimaximizer ', 'Waves L3-LL Multimaximizer ', '', 0, 0),
(1290, 'Plug-Ins', 'Waves', 'L3-LL Ultramaximizer ', 'Waves L3-LL Ultramaximizer ', '', 0, 0),
(1291, 'Plug-Ins', 'Waves', 'LFE360° Low-Pass Filter ', 'Waves LFE360° Low-Pass Filter ', '', 0, 0),
(1292, 'Plug-Ins', 'Waves', 'L360° Surround Limiter ', 'Waves L360° Surround Limiter ', '', 0, 0),
(1293, 'Plug-Ins', 'Waves', 'Linear Phase Equalizer Broadband ', 'Waves Linear Phase Equalizer Broadband ', '', 0, 0),
(1294, 'Plug-Ins', 'Waves', 'Linear Phase Equalizer Lowband ', 'Waves Linear Phase Equalizer Lowband ', '', 0, 0),
(1295, 'Plug-Ins', 'Waves', 'Linear Phase MultiBand ', 'Waves Linear Phase MultiBand ', '', 0, 0),
(1296, 'Plug-Ins', 'Waves', 'LoAir ', 'Waves LoAir ', '', 0, 0),
(1297, 'Plug-Ins', 'Waves', 'M360° Surround Manager ', 'Waves M360° Surround Manager ', '', 0, 0),
(1298, 'Plug-Ins', 'Waves', 'M360° Surround Mixdown ', 'Waves M360° Surround Mixdown ', '', 0, 0),
(1299, 'Plug-Ins', 'Waves', 'Maserati ACG Acoustic Guitar Designer ', 'Waves Maserati ACG Acoustic Guitar Designer ', '', 0, 0),
(1300, 'Plug-Ins', 'Waves', 'Maserati B72 Bass Phattner ', 'Waves Maserati B72 Bass Phattner ', '', 0, 0),
(1301, 'Plug-Ins', 'Waves', 'Maserati DRM Drum Slammer ', 'Waves Maserati DRM Drum Slammer ', '', 0, 0),
(1302, 'Plug-Ins', 'Waves', 'Maserati GRP Group Channel ', 'Waves Maserati GRP Group Channel ', '', 0, 0),
(1303, 'Plug-Ins', 'Waves', 'Maserati GTi Guitar Toner ', 'Waves Maserati GTi Guitar Toner ', '', 0, 0),
(1304, 'Plug-Ins', 'Waves', 'Maserati HMX Harmonics Generator ', 'Waves Maserati HMX Harmonics Generator ', '', 0, 0),
(1305, 'Plug-Ins', 'Waves', 'Maserati HMX VX1 Vocal Enhancer ', 'Waves Maserati HMX VX1 Vocal Enhancer ', '', 0, 0),
(1306, 'Plug-Ins', 'Waves', 'MaxxBass', 'Waves MaxxBass', '', 0, 0),
(1307, 'Plug-Ins', 'Waves', 'MaxxVolume', 'Waves MaxxVolume', '', 0, 0),
(1308, 'Plug-Ins', 'Waves', 'MetaFlanger', 'Waves MetaFlanger', '', 0, 0),
(1309, 'Plug-Ins', 'Waves', 'MondoMod', 'Waves MondoMod', '', 0, 0),
(1310, 'Plug-Ins', 'Waves', 'Morphoder', 'Waves Morphoder', '', 0, 0),
(1311, 'Plug-Ins', 'Waves', 'MV2 Dynamics Processor', 'Waves MV2 Dynamics Processor', '', 0, 0),
(1312, 'Plug-Ins', 'Waves', 'MV360 Surround Dynamics Processor', 'Waves MV360 Surround Dynamics Processor', '', 0, 0),
(1313, 'Plug-Ins', 'Waves', 'PAZ Analyzer', 'Waves PAZ Analyzer', '', 0, 0),
(1314, 'Plug-Ins', 'Waves', 'OneKnob Brighter', 'Waves OneKnob Brighter', '', 0, 0),
(1315, 'Plug-Ins', 'Waves', 'OneKnob Driver', 'Waves OneKnob Driver', '', 0, 0),
(1316, 'Plug-Ins', 'Waves', 'OneKnob Filter', 'Waves OneKnob Filter', '', 0, 0),
(1317, 'Plug-Ins', 'Waves', 'OneKnob Louder', 'Waves OneKnob Louder', '', 0, 0),
(1318, 'Plug-Ins', 'Waves', 'OneKnob Phatter', 'Waves OneKnob Phatter', '', 0, 0),
(1319, 'Plug-Ins', 'Waves', 'OneKnob Pressure', 'Waves OneKnob Pressure', '', 0, 0),
(1320, 'Plug-Ins', 'Waves', 'OneKnob Wetter', 'Waves OneKnob Wetter', '', 0, 0),
(1321, 'Plug-Ins', 'Waves', 'PS22 Stereo Maker', 'Waves PS22 Stereo Maker', '', 0, 0),
(1322, 'Plug-Ins', 'Waves', 'PuigChild 660', 'Waves PuigChild 660', '', 0, 0),
(1323, 'Plug-Ins', 'Waves', 'PuigChild 670', 'Waves PuigChild 670', '', 0, 0),
(1324, 'Plug-Ins', 'Waves', 'PuigTec EQP-1A', 'Waves PuigTec EQP-1A', '', 0, 0),
(1325, 'Plug-Ins', 'Waves', 'PuigTec MEQ-5', 'Waves PuigTec MEQ-5', '', 0, 0),
(1326, 'Plug-Ins', 'Waves', 'Q10 Paragraphic Equalizer', 'Waves Q10 Paragraphic Equalizer', '', 0, 0),
(1327, 'Plug-Ins', 'Waves', 'Q-Clone', 'Waves Q-Clone', '', 0, 0),
(1328, 'Plug-Ins', 'Waves', 'R360° Surround Reverb', 'Waves R360° Surround Reverb', '', 0, 0),
(1329, 'Plug-Ins', 'Waves', 'Renaissance Axx ', 'Waves Renaissance Axx ', '', 0, 0),
(1330, 'Plug-Ins', 'Waves', 'Renaissance Bass ', 'Waves Renaissance Bass ', '', 0, 0),
(1331, 'Plug-Ins', 'Waves', 'Renaissance Channel ', 'Waves Renaissance Channel ', '', 0, 0),
(1332, 'Plug-Ins', 'Waves', 'Renaissance Compressor ', 'Waves Renaissance Compressor ', '', 0, 0),
(1333, 'Plug-Ins', 'Waves', 'Renaissance DeEsser ', 'Waves Renaissance DeEsser ', '', 0, 0),
(1334, 'Plug-Ins', 'Waves', 'Renaissance Equalizer ', 'Waves Renaissance Equalizer ', '', 0, 0),
(1335, 'Plug-Ins', 'Waves', 'Renaissance Reverb ', 'Waves Renaissance Reverb ', '', 0, 0),
(1336, 'Plug-Ins', 'Waves', 'Renaissance Vox ', 'Waves Renaissance Vox ', '', 0, 0),
(1337, 'Plug-Ins', 'Waves', 'S1 Stereo Imager', 'Waves S1 Stereo Imager', '', 0, 0),
(1338, 'Plug-Ins', 'Waves', 'S1 Stereo Matrix', 'Waves S1 Stereo Matrix', '', 1, 0),
(1339, 'Plug-Ins', 'Waves', 'S1 Stereo Shuffler', 'Waves S1 Stereo Shuffler', '', 1, 0),
(1340, 'Plug-Ins', 'Waves', 'S360° Surround Imager', 'Waves S360° Surround Imager', '', 0, 0),
(1341, 'Plug-Ins', 'Waves', 'S360° Surround Panner', 'Waves S360° Surround Panner', '', 0, 0),
(1342, 'Plug-Ins', 'Waves', 'SoundShifter', 'Waves SoundShifter', '', 0, 0),
(1343, 'Plug-Ins', 'Waves', 'SuperTap 2-Tap', 'Waves SuperTap 2-Tap', '', 0, 0),
(1344, 'Plug-Ins', 'Waves', 'SuperTap 6-Tap', 'Waves SuperTap 6-Tap', '', 0, 0),
(1345, 'Plug-Ins', 'Waves', 'TransX MultiBand', 'Waves TransX MultiBand', '', 0, 0),
(1346, 'Plug-Ins', 'Waves', 'TransX WideBand', 'Waves TransX WideBand', '', 0, 0),
(1347, 'Plug-Ins', 'Waves', 'TrueVerb', 'Waves TrueVerb', '', 0, 0),
(1348, 'Plug-Ins', 'Waves', 'UltraPitch', 'Waves UltraPitch', '', 0, 0),
(1349, 'Plug-Ins', 'Waves', 'UM225', 'Waves UM225', '', 0, 0),
(1350, 'Plug-Ins', 'Waves', 'UM226', 'Waves UM226', '', 0, 0),
(1351, 'Plug-Ins', 'Waves', 'V-Comp', 'Waves V-Comp', '', 0, 0),
(1352, 'Plug-Ins', 'Waves', 'V-EQ3', 'Waves V-EQ3', '', 0, 0),
(1353, 'Plug-Ins', 'Waves', 'V-EQ4', 'Waves V-EQ4', '', 0, 0),
(1354, 'Plug-Ins', 'Waves', 'Vocal Rider', 'Waves Vocal Rider', '', 0, 0),
(1355, 'Plug-Ins', 'Waves', 'Waves Tune', 'Waves Waves Tune', '', 0, 0),
(1356, 'Plug-Ins', 'Waves', 'W43 ', 'Waves W43 ', '', 0, 0),
(1357, 'Plug-Ins', 'Waves', 'WNS ', 'Waves WNS ', '', 0, 0),
(1358, 'Plug-Ins', 'Waves', 'X-Click ', 'Waves X-Click ', '', 0, 0),
(1359, 'Plug-Ins', 'Waves', 'X-Crackle ', 'Waves X-Crackle ', '', 0, 0),
(1360, 'Plug-Ins', 'Waves', 'X-Hum ', 'Waves X-Hum ', '', 0, 0),
(1361, 'Plug-Ins', 'Waves', 'X-Noise ', 'Waves X-Noise ', '', 0, 0),
(1362, 'Plug-Ins', 'Waves', 'Z-Noise', 'Waves Z-Noise', '', 0, 0),
(1364, 'Plug-Ins', 'Waves', 'Horizon Bundle', 'Waves Horizon Bundle', '', 0, 0),
(1365, 'Plug-Ins', 'Waves', 'Mercury Bundle', 'Waves Mercury Bundle', '', 0, 0),
(1366, 'Plug-Ins', 'Waves', 'Diamond Bundle', 'Waves Diamond Bundle', '', 0, 0),
(1367, 'Plug-Ins', 'IK Multimedia', 'AmpliTube LE', 'IK Multimedia AmpliTube LE', '', 0, 0);
INSERT INTO `equipment` (`id`, `category`, `manufacturer`, `model`, `name`, `type`, `soft_delete`, `pack`) VALUES (1368, 'Plug-Ins', 'IK Multimedia', 'Ampeg SVX ', 'IK Multimedia Ampeg SVX ', '', 0, 0),
(1369, 'Plug-Ins', 'IK Multimedia', 'AmpliTube Jimi Hendrix', 'IK Multimedia AmpliTube Jimi Hendrix', '', 0, 0),
(1370, 'Plug-Ins', 'IK Multimedia', 'AmpliTube Metal', 'IK Multimedia AmpliTube Metal', '', 0, 0),
(1371, 'Plug-Ins', 'Avid', 'Aphex Big Bottom', 'Avid Aphex Big Bottom ', '', 0, 0),
(1372, 'Plug-Ins', 'Brainworx', 'Bx_digital', 'Brainworx Bx_digital', '', 0, 0),
(1374, 'Plug-Ins', 'Avid', 'Synchro Arts VocALign', 'Avid Synchro Arts VocALign', '', 0, 0),
(1375, 'Plug-Ins', 'Soundtoys', 'FX Bundle', 'Soundtoys FX Bundle', '', 1, 0),
(1376, 'Plug-Ins', 'TC Electronic', 'MasterX', 'TC Electronic MasterX', '', 0, 0),
(1377, 'Plug-Ins', 'IK Multimedia', 'AmpliTube', 'IK Multimedia AmpliTube', '', 0, 0),
(1378, 'Plug-Ins', 'IK Multimedia', 'AmpliTube 3', 'IK Multimedia AmpliTube 3', '', 0, 0),
(1379, 'Plug-Ins', 'Celemony', 'Melodyne Plugin', 'Celemony Melodyne Plugin', '', 0, 0),
(1380, 'Plug-Ins', 'Avid', 'Synchronic', 'Avid Synchronic', '', 0, 0),
(1381, 'Plug-Ins', 'Waves', 'Gold Bundle', 'Waves Gold Bundle', '', 1, 0),
(1382, '2&nbsp;Track&nbsp;Recorders', 'Panasonic', 'SV-3800', 'Panasonic SV-3800', '', 0, 0),
(1461, 'FX&nbsp;Processors', 'Dolby', 'Model 361', 'Dolby Model 361', 'Dolby A', 0, 0),
(1385, 'Reverbs', 'Lexicon', '224', 'Lexicon 224', '', 0, 0),
(1386, 'Reverbs', 'Lexicon', '224XL', 'Lexicon 224XL', '', 0, 0),
(1387, 'Reverbs', 'Roland', 'R-880', 'Roland R-880', '', 0, 0),
(1388, 'Reverbs', 'TC Electronic', 'M3000', 'TC Electronic M3000', '', 0, 0),
(1389, 'Mic&nbsp;Pre''s', 'Focusrite', 'ToneFactory', 'Focusrite ToneFactory', '', 0, 0),
(1390, 'Reverbs', 'Yamaha', 'SPX90', 'Yamaha SPX90', '', 0, 0),
(1392, 'Reverbs', 'Yamaha', 'SPX90II', 'Yamaha SPX90II', '', 0, 0),
(1393, 'FX&nbsp;Processors', 'Yamaha', 'SPX90II', 'Yamaha SPX90II', '', 1, 0),
(1394, 'FX&nbsp;Processors', 'Yamaha', 'SPX90', 'Yamaha SPX90', '', 0, 0),
(1395, 'Delays', 'AMS', 'DMX 15-80S', 'AMS DMX 15-80S ', '', 0, 0),
(1396, 'FX&nbsp;Processors', 'AMS', 'DM220', 'AMS DM220', '', 0, 0),
(1397, 'FX&nbsp;Processors', 'Aphex', 'Aural Exciter Type B', 'Aphex Aural Exciter Type B', '', 0, 0),
(1399, 'FX&nbsp;Processors', 'DBX', '120', 'DBX 120', '', 0, 0),
(1400, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Urei', '1176LN Black Face', 'Urei 1176LN Black Face', '', 0, 0),
(1416, 'Guitar&nbsp;Amplifiers', 'Fender', 'Twin Reverb', 'Fender Twin Reverb', '', 0, 0),
(1402, 'Delays', 'Ibanez', 'AD-202', 'Ibanez AD-202', 'Multimode Analog Delay', 0, 0),
(1403, 'Delays', 'Lexicon', 'Super Prime Time', 'Lexicon Super Prime Time', '', 0, 0),
(1405, 'FX&nbsp;Processors', 'MU-TRON', 'BI-PHASE', 'MU-TRON BI-PHASE', '', 0, 0),
(1406, 'Delays', 'Roland', 'SDE-2000', 'Roland SDE-2000', '', 0, 0),
(1407, 'Delays', 'Roland', 'RE-501', 'Roland RE-501', '', 0, 0),
(1408, 'FX&nbsp;Processors', 'TC Electronic', '1210', 'TC Electronic 1210', '', 0, 0),
(1409, 'Filters', 'Urei', '565T Filter Set', 'Urei 565T Filter Set', '', 0, 0),
(1412, 'MIDI', 'Digidesign', 'MIDI I/O', 'Digidesign MIDI I/O', '', 1, 0),
(1413, 'Software', 'Avid', 'Pro Tools 8', 'Avid Pro Tools 8', '', 0, 0),
(1414, 'Software', 'Apple', 'Logic Pro 9', 'Apple Logic Pro 9', '', 0, 0),
(1422, 'Synthesisers', 'Roland', 'SH-101', 'Roland SH-101', '', 0, 0),
(1423, 'Mixing&nbsp;Desk', 'Vestax', 'PMC-01A', 'Vestax PMC-01A', '', 0, 0),
(1424, 'Synthesisers', 'Nord', 'Lead', 'Nord Lead', '', 0, 0),
(1425, 'Guitar&nbsp;Amplifiers', 'Mesa Boogie', 'Mark 1', 'Mesa Boogie Mark 1', '', 0, 0),
(1427, '2&nbsp;Track&nbsp;Recorders', 'Dolby', '363', 'Dolby 363', '', 0, 0),
(1428, 'Microphones', 'AKG', 'C 12A', 'AKG C 12A Tube', 'Tube', 0, 0),
(1429, 'Microphones', 'AKG', 'C 414 EB', 'AKG C 414 EB', '', 0, 0),
(1430, 'Microphones', 'AKG', 'C28', 'AKG C28 ', '', 0, 0),
(1432, 'Microphones', 'AKG', 'C 541', 'AKG C 541 ', '', 0, 0),
(1433, 'Multitrack&nbsp;Recorders', 'Dolby', 'SR24', 'Dolby SR24', '', 0, 0),
(1434, '2&nbsp;Track&nbsp;Recorders', 'Sony', 'PCM-R700', 'Sony PCM-R700', '', 0, 0),
(1435, 'Microphones', 'AKG', 'D 112E', 'AKG D 112E ', '', 0, 0),
(1436, 'Microphones', 'AKG', 'SE-5E', 'AKG SE-5E ', '', 0, 0),
(1437, 'Microphones', 'Audix', 'SCX-ONE', 'Audix SCX-ONE', '', 0, 0),
(1440, '2&nbsp;Track&nbsp;Recorders', 'Nakamichi', 'DR-2', 'Nakamichi DR-2', '', 0, 0),
(1441, 'Microphones', 'Beyerdynamic', 'M 88', 'Beyerdynamic M 88 Dynamic', 'Dynamic', 0, 0),
(1442, '2&nbsp;Track&nbsp;Recorders', 'Alesis', '3630', 'Alesis 3630', '', 0, 0),
(1445, 'Microphones', 'Neumann', 'UM 57', 'Neumann UM 57 Tube', 'Tube', 0, 0),
(1446, 'Microphones', 'Neumann', 'U 47 Valve', 'Neumann U 47 Valve ', '', 0, 0),
(1447, 'Microphones', 'Neumann', 'U 89', 'Neumann U 89 ', '', 0, 0),
(1450, 'Microphones', 'Schoeps', 'M 221', 'Schoeps M 221 Tube', 'Tube', 0, 0),
(1451, 'Mic&nbsp;Pre%27s', 'Joe Meek', 'Trident MTA Dual Channel', 'Joe Meek Trident MTA Dual Channel', '', 0, 0),
(1452, 'Equalisation', 'Moog', 'Three Band Parametric EQ', 'Moog Three Band Parametric EQ', '', 0, 0),
(1460, 'FX&nbsp;Processors', 'DBX', '120XP', 'DBX 120XP', 'Subharmonic Synthesizer', 0, 0),
(1462, 'FX&nbsp;Processors', 'Symetrix', '511A', 'Symetrix 511A', 'Noise Reducer', 0, 0),
(1463, 'FX&nbsp;Processors', 'Inward Connections', 'Remote Stereo Mix Master', 'Inward Connections Remote Stereo Mix Master', 'API Mix Bus Simulator', 0, 0),
(1464, 'PCI&nbsp;Cards', 'Avid', 'Pro Tools HD5', 'Avid Pro Tools HD5', '', 0, 0),
(1465, 'Guitars', 'Charvel', 'Surfcaster', 'Charvel Surfcaster', '', 0, 0),
(1466, 'Mixing&nbsp;Desk', 'SSL', 'SL8072 G+', 'SSL SL8072 G+', '72 Channel Console', 0, 0),
(1467, 'Speakers', 'ATC', 'SCM200', 'ATC SCM200', '', 0, 0),
(1468, 'Speakers', 'Barefoot', 'MicroMain27', 'Barefoot MicroMain27', 'Nearfield Monitors', 0, 0),
(1469, 'Amplifiers', 'Quad', '520f', 'Quad 520f', '', 0, 0),
(1470, 'Amplifiers', 'ATC', 'SPA24-850', 'ATC SPA24-850', '', 0, 0),
(1471, 'Headphones', 'Hear Technologies', 'Hear Back', 'Hear Technologies Hear Back HUB', 'HUB', 1, 0),
(1472, 'Computers', 'Apple Mac Pro', '2 x 3.2 Ghz Quad-Core', 'Apple Mac Pro 2 x 3.2 Ghz Quad-Core', '', 0, 0),
(1473, 'Keyboards', 'Yamaha', 'Baby Grand C3', 'Yamaha Baby Grand C3', 'Piano', 0, 0),
(1474, 'Interfaces', 'Apogee', 'Rosetta 800', 'Apogee Rosetta 800', '8-8 channel A-D/D-A Converter', 0, 0),
(1475, 'Amplifiers', 'Quad', '303', 'Quad 303', '', 0, 0),
(1476, 'Amplifiers', 'Quad', '405-2', 'Quad 405-2', '', 0, 0),
(1480, 'Reverbs', 'Ursa Major', 'Space Station SST-282', 'Ursa Major Space Station SST-282 ', '', 0, 0),
(1478, 'Amplifiers', 'Chevin', 'Research A3000', 'Chevin Research A3000', '', 0, 0),
(1479, 'Clocks', 'Apogee', 'Big Ben', 'Apogee Big Ben', 'Master Clock', 0, 0),
(1481, 'Guitar&nbsp;Amplifiers', 'Fender', 'FRX 7710', 'Fender FRX 7710', 'Fender Rhodes Amplifier', 0, 0),
(1482, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'EAR', '660', 'EAR 660', '', 0, 0),
(1501, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;%3B&nbsp;Gates', 'Tube-Tech', 'SMC 2B', 'Tube-Tech SMC 2B Multiband Compressor', 'Multiband Compressor', 0, 0),
(1483, 'Keyboards', 'Rhodes', '88 Mark 1 Suitcase', 'Rhodes 88 Mark 1 Suitcase', '', 0, 0),
(1484, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Empirical Labs', 'EL-8X Distressor', 'Empirical Labs EL-8X Distressor', 'with "British Mode" Option', 0, 0),
(1485, 'Bass&nbsp;Amplifiers', 'Ampeg', 'SVT-AV', 'Ampeg SVT-AV', '', 0, 0),
(1486, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Empirical Labs', 'EL-8XS Distressor', 'Empirical Labs EL-8XS Distressor', 'Stereo link with "British Mode" Option', 0, 0),
(1487, 'Drums', 'Yamaha', 'BD920RC', 'Yamaha BD920RC 20" Kick Drum', '20" Kick Drum', 0, 0),
(1488, 'Drums', 'Yamaha', 'TT914RC', 'Yamaha TT914RC 14" Tom', '14" Tom', 0, 0),
(1489, 'Drums', 'Yamaha', 'TT913RC', 'Yamaha TT913RC 13" Tom', '13" Tom', 0, 0),
(1490, 'Drums', 'Yamaha', 'TT912RC', 'Yamaha TT912RC 12" Tom', '12" Tom', 0, 0),
(1494, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Neve', 'Portico 5043', 'Neve Portico 5043', 'Compressor / Limiter Duo', 0, 0),
(1492, 'Drums', 'Yamaha', 'TT908RC', 'Yamaha TT908RC 8" Tom', '8" Tom', 0, 0),
(1493, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Neve', '2254', 'Neve 2254', 'Vintage Compressor', 0, 0),
(1495, 'Microphones', 'Sennheiser', '509', 'Sennheiser 509', '', 0, 0),
(1502, 'Equalisation', 'Klein & Hummel', 'UE-100', 'Klein & Hummel UE-100', 'Mono Tube EQ', 0, 0),
(1497, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Pye', 'Limiter / Compressors', 'Pye Limiter / Compressors', '', 0, 0),
(1498, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'SPL', 'De-Esser', 'SPL De-Esser', '', 0, 0),
(1499, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Summit Audio', 'TLA-100A', 'Summit Audio TLA-100A', 'Tube Leveling Amplifier', 0, 0),
(1500, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Teletronix', 'LA-2A', 'Teletronix LA-2A', 'Leveling Amplifier', 0, 0),
(1503, 'Mic&nbsp;Pre''s', 'Neve', '1084 Vintage', 'Neve 1084 Vintage', 'Mic Preamplifier & Equaliser', 0, 0),
(1504, 'Mic&nbsp;Pre''s', 'Neve', '1100', 'Neve 1100', 'Mic Pre''s / Equaliser', 0, 0),
(1505, 'Mic&nbsp;Pre''s', 'Neve', '33114', 'Neve 33114', 'Mic Pre & Equaliser', 0, 0),
(1506, 'Equalisation', 'Pultec', 'EQP-1A', 'Pultec EQP-1A', '', 0, 0),
(1507, 'Mic&nbsp;Pre''s', 'Ridge Farm', 'Gas Cooker', 'Ridge Farm Gas Cooker', 'Mic Pre / DI', 0, 0),
(1508, 'FX&nbsp;Processors', 'EMS', '2000', 'EMS 2000', 'Vocoder', 0, 0),
(1509, 'Reverbs', 'EMT', '140S', 'EMT 140S', 'Stereo Plate Reverb', 0, 0),
(1510, 'FX&nbsp;Processors', 'Eventide', 'Eclipse', 'Eventide Eclipse', '', 0, 0),
(1511, 'FX&nbsp;Processors', 'Eventide', 'H910', 'Eventide H910', 'Harmoniser', 0, 0),
(1512, 'Delays', 'Fulltone', 'Tube Tape Echo', 'Fulltone Tube Tape Echo', '', 0, 0),
(1513, 'Computers', 'Apple', 'Mac Pro', 'Apple Mac Pro', '2 x Dual 2GHZ, 10 gig RAM, 4 x 1 Terrabyte drives', 0, 0),
(1514, 'Computers', 'Apple', '23" HD Cinema Display', 'Apple 23" HD Cinema Display', '', 0, 0),
(1515, 'Reverbs', 'Lexicon', '200', 'Lexicon 200', '', 0, 0),
(1516, 'Reverbs', 'Lexicon', 'PCM 91', 'Lexicon PCM 91', 'Digital Reverberator', 0, 0),
(1517, 'FX&nbsp;Processors', 'Motherload', 'Speaker Simulator', 'Motherload Speaker Simulator', '', 0, 0),
(1518, 'Software', 'Roxio', 'Retrospect 6', 'Roxio Retrospect 6', '', 1, 0),
(1519, 'FX&nbsp;Processors', 'Palmer', 'PDI-03 Speaker Simulator', 'Palmer PDI-03 Speaker Simulator', '', 0, 0),
(1520, 'Software', 'Roxio', 'Toast', 'Roxio Toast ', '', 0, 0),
(1521, 'Delays', 'Roland', 'SRE-555', 'Roland SRE-555', 'Chorus Echo', 0, 0),
(1522, 'Amplifiers', 'Bryston', '4B-ST', 'Bryston 4B-ST', '', 0, 0),
(1523, 'Keyboards', 'Hammond', 'A100', 'Hammond A100', 'Organ', 0, 0),
(1524, 'Filters', 'Schippmann', 'Ebbe Und Flut', 'Schippmann Ebbe Und Flut', 'Filterbank', 0, 0),
(1525, 'Drums', 'Zildjian', '14" A Custom Brilliant', 'Zildjian 14" A Custom Brilliant HiHats', 'HiHats', 0, 0),
(1526, 'Drums', 'Zildjian', '14" A Custom Brilliant HiHats', 'Zildjian 14" A Custom Brilliant HiHats Cymbal', 'Cymbal', 1, 0),
(1527, 'Drums', 'Zildjian', '18" A Custom Brilliant Crash ', 'Zildjian 18" A Custom Brilliant Crash ', 'Cymbal', 0, 0),
(1528, 'Drums', 'Zildjian', '16" A Custom Brilliant Crash ', 'Zildjian 16" A Custom Brilliant Crash ', 'Cymbal', 0, 0),
(1529, 'Drums', 'Zildjian', '20" A Custom Brilliant Ping Ride ', 'Zildjian 20" A Custom Brilliant Ping Ride ', 'Cymbal', 0, 0),
(1530, 'DI&nbsp;/&nbsp;Reamp&nbsp;Boxes', 'Little Labs', 'IBP Junior Analog Phase Alignment Tool', 'Little Labs IBP Junior Analog Phase Alignment Tool', '', 0, 0),
(1531, 'Drums', 'Yamaha', 'TT9910RC', 'Yamaha TT9910RC 10" Tom', '10" Tom', 0, 0),
(1532, 'Microphones', 'AKG', 'D 19', 'AKG D 19 ', '', 0, 0),
(1533, 'Microphones', 'AKG', 'C 414 B-TL II', 'AKG C 414 B-TL II', '', 0, 0),
(1534, 'Microphones', 'AEA', 'R84 DJV', 'AEA R84 DJV Ribbon', 'Ribbon', 0, 0),
(1535, 'Microphones', 'Korby', 'Kat 5', 'Korby Kat 5 Hot-swappable Capsule Microphone', 'Hot-swappable Capsule Microphone', 0, 0),
(1536, 'Microphones', 'MXL', '603', 'MXL 603', '', 0, 0),
(1537, 'Microphones', 'Neumann', 'SM69', 'Neumann SM69 Stereo Condenser', 'Stereo Condenser', 1, 0),
(1538, 'Microphones', 'Neumann', 'TLM 103', 'Neumann TLM 103', '', 0, 0),
(1539, 'Microphones', 'AKG', 'C 414 B-ULS', 'AKG C 414 B-ULS', '', 0, 0),
(1540, 'Microphones', 'Neumann', 'SM69 FET', 'Neumann SM69 FET (Stereo)', '(Stereo)', 0, 0),
(1541, 'Microphones', 'Royer', 'SF-24', 'Royer SF-24 Stereo Active Ribbon Microphone', 'Stereo Active Ribbon Microphone', 0, 0),
(1542, 'Microphones', 'SE Electronics', 'Gemini', 'SE Electronics Gemini', 'Dual-valve Capacitor Microphone', 0, 0),
(1543, 'Microphones', 'STC', '4035 Ball and Biscuit', 'STC 4035 Ball and Biscuit', '', 0, 0),
(1544, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Urei', '1176 Blue Face', 'Urei 1176 Blue Face', '', 0, 0),
(1545, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Urei', '1176 Silver Face', 'Urei 1176 Silver Face', '', 0, 0),
(1546, 'Synthesisers', 'ARP', 'Solina', 'ARP Solina', 'String Ensemble', 0, 0),
(1547, 'Synthesisers', 'EMS', 'Synthi AKS', 'EMS Synthi AKS', '', 0, 0),
(1548, 'Keyboards', 'Hammond', 'M102', 'Hammond M102', '', 0, 0),
(1549, 'Keyboards', 'Leslie', '147', 'Leslie 147', 'Speaker Cabinet', 0, 0),
(1550, 'Keyboards', 'Hohner', 'Clavinet D6', 'Hohner Clavinet D6', '', 0, 0),
(1551, 'Microphones', 'STC', '4021 Ball and Biscuit', 'STC 4021 Ball and Biscuit', '', 0, 0),
(1552, 'Microphones', 'Neumann Gefell', 'M582', 'Neumann Gefell M582 Tube', 'Tube', 0, 0),
(1553, 'Microphones', 'Schoeps', 'CMC 5U', 'Schoeps CMC 5U', '', 0, 0),
(1554, 'Keyboards', 'Casio', 'SK-1 Sampling Keyboard', 'Casio SK-1 Sampling Keyboard', '', 0, 0),
(1555, 'Synthesisers', 'Moog', 'Memorymoog Plus', 'Moog Memorymoog Plus', 'analog polyphonic synthesizer', 0, 0),
(1556, 'Synthesisers', 'Moog', 'Source', 'Moog Source', 'monophonic synthesizer', 0, 0),
(1557, 'Synthesisers', 'Oberheim', 'OB-Xa', 'Oberheim OB-Xa', '', 0, 0),
(1558, 'Synthesisers', 'Oxford Synthesiser Company', 'OSCar', 'Oxford Synthesiser Company OSCar', 'mono-synth', 0, 0),
(1559, 'Keyboards', 'Rhodes', '73 Mark II Stage Piano', 'Rhodes 73 Mark II Stage Piano', '', 0, 0),
(1560, 'Drum&nbsp;Machines', 'Roland', 'CR-78 CompuRhythm', 'Roland CR-78 CompuRhythm', 'Drum Machine', 0, 0),
(1561, 'Drum&nbsp;Machines', 'Roland', 'CR-8000 CompuRhythm', 'Roland CR-8000 CompuRhythm', 'Drum Machine', 0, 0),
(1562, 'Synthesisers', 'Roland', 'SH-7', 'Roland SH-7', '', 0, 0),
(1563, 'Synthesisers', 'Roland', 'SH-1000', 'Roland SH-1000', 'Monophonic analog synth', 0, 0),
(1564, 'Synthesisers', 'Roland', 'Jupiter-8', 'Roland Jupiter-8', '', 0, 0),
(1565, 'Synthesisers', 'Sequential Circuits', 'Prophet T8', 'Sequential Circuits Prophet T8', '8 voice polysynth', 0, 0),
(1566, 'Synthesisers', 'Sequential Circuits', 'Prophet 5', 'Sequential Circuits Prophet 5', 'Polyphonic analog synth', 0, 0),
(1567, 'Keyboards', 'Wurlitzer', '200A', 'Wurlitzer 200A', '', 0, 0),
(1568, 'Keyboards', 'Yamaha', 'CP-80', 'Yamaha CP-80', 'Electric Piano', 0, 0),
(1569, 'Keyboards', 'Yamaha', 'Motif 7', 'Yamaha Motif 7', '', 0, 0),
(1570, 'Keyboards', 'Yamaha', 'G3 Baby Grand Piano', 'Yamaha G3 Baby Grand Piano', '', 0, 0),
(1571, 'Bass&nbsp;Amplifiers', 'Ampeg', 'B100R', 'Ampeg B100R', 'Bass Combo', 0, 0),
(1572, 'Guitar&nbsp;Amplifiers', 'Divided By 13', 'JRT 9/15', 'Divided By 13 JRT 9/15', 'Head and Cab', 0, 0),
(1573, 'Guitars', 'Fender', 'Telecaster', 'Fender Telecaster', '', 0, 0),
(1574, 'Guitar&nbsp;Amplifiers', 'Hiwatt', '4 x 12 Speaker Cabinet', 'Hiwatt 4 x 12 Speaker Cabinet', '', 0, 0),
(1575, 'Guitar&nbsp;Amplifiers', 'Marshall', 'Super Bass 100', 'Marshall Super Bass 100', '', 0, 0),
(1576, 'Keyboards', 'Yamaha', 'U3', 'Yamaha U3', 'Upright Piano', 0, 0),
(1577, 'Guitars', 'Martin', 'D-19', 'Martin D-19', 'Acoustic Guitar', 0, 0),
(1578, 'Guitars', 'Rickenbacker', 'Ric O Sound', 'Rickenbacker Ric O Sound', '', 0, 0),
(1579, 'Guitar&nbsp;Amplifiers', 'Swart', 'Space Tone ST-6V6se ', 'Swart Space Tone ST-6V6se ', '', 0, 0),
(1580, 'Pedals', 'Barnes & Mullins', 'Champion Fuzz Unit', 'Barnes & Mullins Champion Fuzz Unit', '', 0, 0),
(1581, 'Pedals', 'Boss', 'FBM-1', 'Boss FBM-1', '59 Fender Bassman Pedal', 0, 0),
(1582, 'Pedals', 'Boss', 'DD-3', 'Boss DD-3', 'Digital Delay', 0, 0),
(1583, 'Pedals', 'Chandler Industries', 'Tube Driver', 'Chandler Industries Tube Driver', '', 0, 0),
(1584, 'Pedals', 'Electro Harmonix', 'Big Muff Pi Russian', 'Electro Harmonix Big Muff Pi Russian', 'Distortion / Sustainer', 0, 0),
(1585, 'Pedals', 'Electro Harmonix', 'Double Muff', 'Electro Harmonix Double Muff', 'Fuzz / Overdrive', 0, 0),
(1586, 'Pedals', 'Electro Harmonix', 'Small Stone', 'Electro Harmonix Small Stone', 'Analog Phase Shifter', 0, 0),
(1587, 'Pedals', 'Fulltone', 'Full-Drive 2', 'Fulltone Full-Drive 2', 'Overdrive', 0, 0),
(1588, 'Pedals', 'Fulltone', 'OCD', 'Fulltone OCD', 'Obsessive Compulsive Drive', 0, 0),
(1589, 'Pedals', 'Homebrew Electronics', 'Power Screamer', 'Homebrew Electronics Power Screamer', 'Overdrive Pedal', 0, 0),
(1590, 'Pedals', 'Ibanez', 'AF9', 'Ibanez AF9', 'Auto Filter', 0, 0),
(1591, 'Pedals', 'Ibanez', 'TS9', 'Ibanez TS9', 'Tube Screamer', 0, 0),
(1592, 'Pedals', 'Klon', 'Centaur', 'Klon Centaur', 'Overdrive', 0, 0),
(1593, 'Pedals', 'Musitronics', 'Mu-Tron Phasor II ', 'Musitronics Mu-Tron Phasor II ', '', 0, 0),
(1594, 'Pedals', 'MXR', 'M117R Flanger', 'MXR M117R Flanger', '', 0, 0),
(1595, 'Pedals', 'MXR', 'ZW44 Wylde Overdrive', 'MXR ZW44 Wylde Overdrive', '', 0, 0),
(1596, 'Pedals', 'Pro Co', 'Rat2', 'Pro Co Rat2', '', 0, 0),
(1597, 'Pedals', 'Pro Co', 'Rat2 with Keeley Mod', 'Pro Co Rat2 with Keeley Mod', '', 0, 0),
(1598, 'Pedals', 'Keeley Electronics', 'Keeley Compressor', 'Keeley Electronics Keeley Compressor', '', 0, 0),
(1599, 'Pedals', 'Roger Mayer', 'Axis Fuzz', 'Roger Mayer Axis Fuzz', '', 0, 0),
(1600, 'Pedals', 'Roger Mayer', 'Classic', 'Roger Mayer Classic', 'Fuzz', 0, 0),
(1601, 'Pedals', 'Roger Mayer', 'Mongoose', 'Roger Mayer Mongoose', 'Fuzz', 0, 0),
(1602, 'Pedals', 'Roger Mayer', 'Octavia', 'Roger Mayer Octavia', '', 0, 0),
(1603, 'Pedals', 'Visual Sound', 'V2RT66 Route 66', 'Visual Sound V2RT66 Route 66', 'Overdrive and Compression Guitar Multi Effects Pedal', 0, 0),
(1604, 'Pedals', 'Smart People Factory', 'Green Line', 'Smart People Factory Green Line', 'Overdrive', 0, 0),
(1605, 'Pedals', 'Swart Amplifier Company', 'Atomic Boost', 'Swart Amplifier Company Atomic Boost', '60s Treble Booster', 0, 0),
(1606, 'Pedals', 'Z Vex', 'Fuzz Factory', 'Z Vex Fuzz Factory', '', 0, 0),
(1607, 'Guitar&nbsp;Amplifiers', 'Ampeg', 'R12R Reverberocket', 'Ampeg R12R Reverberocket', '', 0, 0),
(1608, 'Guitar&nbsp;Amplifiers', 'Swart', 'Atomic Space Tone', 'Swart Atomic Space Tone', '', 0, 0),
(1609, 'Guitar&nbsp;Amplifiers', 'Fender', 'Vibro Champ AA764', 'Fender Vibro Champ AA764', '', 0, 0),
(1610, 'Guitar&nbsp;Amplifiers', 'Fender', 'Tone master', 'Fender Tone master', '', 0, 0),
(1611, 'Synthesisers', 'Roland', 'GR-300 ', 'Roland GR-300 ', 'Polyphonic Guitar Synthesizer', 0, 0),
(1612, 'Guitars', 'Yamaha', 'Vintage Semi Acoustic Guitar', 'Yamaha Vintage Semi Acoustic Guitar', '', 0, 0),
(1613, 'Pedals', 'Boss', 'CE-1 Chorus Ensemble', 'Boss CE-1 Chorus Ensemble', '', 0, 0),
(1614, 'Pedals', 'Boss', 'TW-1 T Wah', 'Boss TW-1 T Wah', 'Touch Wah', 0, 0),
(1615, 'Pedals', 'Storm', 'Octaver 2', 'Storm Octaver 2', '', 0, 0),
(1616, 'Plug-Ins', 'Abbey Road', 'TG12412', 'Abbey Road TG12412', '4-band, semi-parametric EQ ', 0, 0),
(1617, 'Plug-Ins', 'Abbey Road', 'TG12414', 'Abbey Road TG12414', 'EQ ', 0, 0),
(1618, 'Plug-Ins', 'Soundtoys', 'Decapitator', 'Soundtoys Decapitator', '', 1, 0),
(1619, 'Plug-Ins', 'Waves', 'SSL TDM Bundle', 'Waves SSL TDM Bundle', '', 0, 0),
(2006, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Tweed', 'Rack Compressor', 'Tweed Rack Compressor ', '', 0, 0),
(1622, 'Soft&nbsp;Synths', 'Avid', 'Boom ', 'Avid Boom ', 'Drums', 0, 0),
(1623, 'Soft&nbsp;Synths', 'Avid', 'DB-33', 'Avid DB-33', 'Organ', 0, 0),
(1624, 'Soft&nbsp;Synths', 'Avid', 'Mini Grand', 'Avid Mini Grand', 'Piano', 0, 0),
(1625, 'Soft&nbsp;Synths', 'Avid', 'Vacuum', 'Avid Vacuum', 'Mono Synth', 0, 0),
(1626, 'Soft&nbsp;Synths', 'Avid', 'Xpand!2 ', 'Avid Xpand!2 ', 'Sound Module', 0, 0),
(1627, 'Soft&nbsp;Synths', 'Avid', 'Structure Free', 'Avid Structure Free', 'Sample Module', 0, 0),
(1628, 'Mixing&nbsp;Desk', 'SSL', '9080 J Series', 'SSL 9080 J Series', '', 0, 0),
(1629, 'PCI&nbsp;Cards', 'Avid', 'Pro Tools HD2', 'Avid Pro Tools HD2', '', 0, 0),
(1630, 'Speakers', 'Genelec', '1035B', 'Genelec 1035B', '', 0, 0),
(1631, 'Speakers', 'KRK', 'E8', 'KRK E8', '', 0, 0),
(1632, 'Speakers', 'Dynaudio', 'BM5A', 'Dynaudio BM5A', 'Two-way Active Nearfield Monitor', 0, 0),
(1633, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Manley', 'ELOP', 'Manley ELOP', 'Stereo Electro-Optical Limiter', 0, 0),
(1634, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'ADL', 'Stereo Tube 1500 C/L', 'ADL Stereo Tube 1500 C/L', 'Stereo Tube Compressor', 0, 0),
(1635, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Avalon', '2044', 'Avalon 2044', 'Dual Mono-Stereo, Pure Class A Opto-Compressor', 0, 0),
(1636, 'Mic&nbsp;Pre''s', 'Neve', '1081', 'Neve 1081', 'Mic Preamp & Equalizer', 0, 0),
(1637, 'Mic&nbsp;Pre%27s', 'Neve', '1073 Vintage', 'Neve 1073 Vintage Mic Preamp & Equalizer', 'Mic Preamp & Equalizer', 0, 0),
(1638, 'Mic&nbsp;Pre''s', 'Chandler', 'TG-2', 'Chandler TG-2', 'EMI Special Edition', 0, 0),
(1639, 'Mic&nbsp;Pre''s', 'Chandler', 'TG-2', 'Chandler TG-2', 'EMI Special Edition', 1, 0),
(1640, 'Reverbs', 'Lexicon', '960L', 'Lexicon 960L', 'Configurable Stereo/Surround Reverb Processor and Flying Fader Remote', 0, 0),
(1641, 'FX&nbsp;Processors', 'Eventide', 'H8000FW', 'Eventide H8000FW', '', 0, 0),
(1642, 'Mixing&nbsp;Desk', 'Trident', '432', 'Trident 432', '40 Channel In-Line Desk', 0, 0),
(1643, 'FX&nbsp;Processors', 'Lexicon ', 'PCM 81', 'Lexicon  PCM 81', '2-in/2-out Studio/Live Sound Multi-Effects Processor  ', 0, 0),
(1644, 'PCI&nbsp;Cards', 'Avid Pro Tools', 'HD3 Accel', 'Avid Pro Tools HD3 Accel ', '', 0, 0),
(1645, 'Microphones', 'AKG', 'C 451', 'AKG C 451', '', 1, 0),
(1646, 'Microphones', 'Cascade', 'Fat Head II', 'Cascade Fat Head II ', '', 0, 0),
(1647, 'Microphones', 'Cascade', 'VIN-JET ', 'Cascade VIN-JET ', 'Long Ribbon Microphone', 0, 0),
(1648, 'Microphones', 'DPA', '4011', 'DPA 4011 Cardioid Condenser', 'Cardioid Condenser', 0, 0),
(1649, 'Microphones', 'Microtech', 'Gefell 711', 'Microtech Gefell 711 Cardioid Microphone', 'Cardioid Microphone', 0, 0),
(1650, 'Microphones', 'Oktava', 'MK-012', 'Oktava MK-012', 'Multi Capsule Condenser Microphone', 0, 0),
(1651, 'Microphones', 'Peluso', '22 47', 'Peluso 22 47 Tube', 'Tube', 0, 0),
(1652, 'Microphones', 'Royer', 'R-121', 'Royer R-121 Ribbon', 'Ribbon', 0, 0),
(1653, 'Microphones', 'Sennheiser', 'e602', 'Sennheiser e602', '', 0, 0),
(1654, 'Microphones', 'Sennheiser', 'e609', 'Sennheiser e609', '', 0, 0),
(1655, 'Microphones', 'Shure', 'KSM44', 'Shure KSM44', '', 0, 0),
(1656, 'Plug-Ins', 'AAS', 'Lounge Lizard EP-3', 'AAS Lounge Lizard EP-3', '', 0, 0),
(1657, 'Plug-Ins', 'AAS', 'Strum Acoustic GS-1', 'AAS Strum Acoustic GS-1', '', 0, 0),
(1658, 'Plug-Ins', 'AAS', 'Tassman 4', 'AAS Tassman 4', '', 0, 0),
(1659, 'Plug-Ins', 'AAS', 'Ultra Analog VA-1', 'AAS Ultra Analog VA-1', '', 0, 0),
(1660, 'Plug-Ins', 'Antares', 'Auto-Tune 4', 'Antares Auto-Tune 4', '', 0, 0),
(1661, 'Soft&nbsp;Synths', 'Arturia', 'CS-80', 'Arturia CS-80 ', '', 0, 0),
(1662, 'Soft&nbsp;Synths', 'Arturia', 'Minimoog', 'Arturia Minimoog ', '', 0, 0),
(1663, 'Plug-Ins', 'Audio Damage', '914', 'Audio Damage 914', '', 0, 0),
(1664, 'Plug-Ins', 'Audio Damage', 'Chorus', 'Audio Damage Chorus', '', 0, 0),
(1665, 'Plug-Ins', 'Audio Damage', 'Discord', 'Audio Damage Discord', '', 0, 0),
(1666, 'Plug-Ins', 'Audio Damage', 'Dr Device', 'Audio Damage Dr Device', '', 1, 0),
(1667, 'Plug-Ins', 'Audio Damage', 'Dubstation', 'Audio Damage Dubstation', '', 1, 0),
(1668, 'Plug-Ins', 'Audio Damage', 'Kombinat', 'Audio Damage Kombinat', '', 0, 0),
(1669, 'Plug-Ins', 'Audio Damage', 'Liquid', 'Audio Damage Liquid', '', 0, 0),
(1670, 'Plug-Ins', 'Audio Damage', 'Replicant', 'Audio Damage Replicant', '', 0, 0),
(1671, 'Plug-Ins', 'Audio Damage', 'Reverence', 'Audio Damage Reverence', '', 0, 0),
(1672, 'Plug-Ins', 'Audio Damage', 'Ricochet', 'Audio Damage Ricochet', '', 0, 0),
(1673, 'Plug-Ins', 'Audio Damage', 'Vapor', 'Audio Damage Vapor', '', 0, 0),
(1674, 'Plug-Ins', 'Cakewalk', 'Rapture', 'Cakewalk Rapture', '', 0, 0),
(1675, 'Plug-Ins', 'Cakewalk', 'Dimension Pro', 'Cakewalk Dimension Pro', '', 0, 0),
(1676, 'Plug-Ins', 'd16', 'Devastor', 'd16 Devastor ', '', 0, 0),
(1677, 'Soft&nbsp;Synths', 'd16', 'Drumazon', 'd16 Drumazon ', '', 0, 0),
(1678, 'Plug-Ins', 'd16', 'Fazortan', 'd16 Fazortan ', '', 0, 0),
(1679, 'Soft&nbsp;Synths', 'd16', 'Nepheton', 'd16 Nepheton ', '', 0, 0),
(1680, 'Plug-Ins', 'd16', 'Redoptor', 'd16 Redoptor ', '', 0, 0),
(1681, 'Plug-Ins', 'Avid', 'Focusrite d2', 'Avid Focusrite d2', '', 0, 0),
(1682, 'Plug-Ins', 'Avid', 'Focusrite d2', 'Avid Focusrite d2', '', 0, 0),
(1683, 'Plug-Ins', 'Avid', 'Focusrite d3', 'Avid Focusrite d3', '', 0, 0),
(1684, 'Plug-Ins', 'Avid', 'Virus Indigo', 'Avid Virus Indigo', '', 0, 0),
(1685, 'Plug-Ins', 'FAW', 'Circle', 'FAW Circle', '', 0, 0),
(1686, 'Plug-Ins', 'G Force', 'impOSCar', 'G Force impOSCar', '', 0, 0),
(1687, 'Plug-Ins', 'G Force', 'Minimonsta', 'G Force Minimonsta', '', 0, 0),
(1688, 'Plug-Ins', 'G Force', 'Minimonsta', 'G Force Minimonsta', '', 0, 0),
(1689, 'Plug-Ins', 'IK Multimedia', 'AmpliTube 2', 'IK Multimedia AmpliTube 2', '', 0, 0),
(1690, 'Plug-Ins', 'IK Multimedia', 'AmpliTube X-Gear', 'IK Multimedia AmpliTube X-Gear', '', 0, 0),
(1691, 'Plug-Ins', 'IK Multimedia', 'CSR Reverb Bundle', 'IK Multimedia CSR Reverb Bundle', '', 0, 0),
(1692, 'Plug-Ins', 'IK Multimedia', 'CSR Classik Studio Reverb', 'IK Multimedia CSR Classik Studio Reverb', '', 0, 0),
(1693, 'Plug-Ins', 'IK Multimedia', 'SampleTank', 'IK Multimedia SampleTank', '', 0, 0),
(1694, 'Plug-Ins', 'Koblo', 'Vibra 2000', 'Koblo Vibra 2000', '', 0, 0),
(1695, 'Plug-Ins', 'Koblo', 'Vibra 3000', 'Koblo Vibra 3000', '', 0, 0),
(1696, 'Plug-Ins', 'Luxonix', 'Purity', 'Luxonix Purity', '', 0, 0),
(1697, 'Plug-Ins', 'Lennar Digital', 'Sylenth 1', 'Lennar Digital Sylenth 1', '', 0, 0),
(1698, 'Plug-Ins', 'McDSP', 'Emerald Pack', 'McDSP Emerald Pack', '', 0, 0),
(1699, 'Plug-Ins', 'Music Lab', 'Real Guitar', 'Music Lab Real Guitar', '', 0, 0),
(1700, 'Plug-Ins', 'Native Instruments', 'Kontakt 3', 'Native Instruments Kontakt 3', '', 0, 0),
(1701, 'Plug-Ins', 'Novation', 'V-Station', 'Novation V-Station', '', 0, 0),
(1702, 'Plug-Ins', 'Novation', 'Bass Station', 'Novation Bass Station', '', 0, 0),
(1703, 'Plug-Ins', 'Ohmforce', 'Hematohm', 'Ohmforce Hematohm', '', 0, 0),
(1704, 'Plug-Ins', 'Ohmforce', 'Mobilohm', 'Ohmforce Mobilohm', '', 0, 0),
(1705, 'Plug-Ins', 'Ohmforce', 'Ohmboyz', 'Ohmforce Ohmboyz', '', 0, 0),
(1706, 'Plug-Ins', 'Ohmforce', 'Ohmicide', 'Ohmforce Ohmicide', '', 0, 0),
(1707, 'Plug-Ins', 'Ohmforce', 'Predatohm', 'Ohmforce Predatohm', '', 0, 0),
(1708, 'Plug-Ins', 'Ohmforce', 'QuadFrohmage', 'Ohmforce QuadFrohmage', '', 0, 0),
(1709, 'Plug-Ins', 'Ohmforce', 'Symptohm', 'Ohmforce Symptohm', '', 0, 0),
(1710, 'Plug-Ins', 'PSP Audioware', 'Lexicon PSP42', 'PSP Audioware Lexicon PSP42', '', 0, 0),
(1711, 'Plug-Ins', 'PSP Audioware', 'PSP 608 MultiDelay', 'PSP Audioware PSP 608 MultiDelay', '', 0, 0),
(1712, 'Plug-Ins', 'PSP Audioware', 'PSP 84', 'PSP Audioware PSP 84', '', 0, 0),
(1713, 'Plug-Ins', 'PSP Audioware', 'PSP EasyVerb', 'PSP Audioware PSP EasyVerb', '', 0, 0),
(1714, 'Plug-Ins', 'PSP Audioware', 'PSP MasterQ', 'PSP Audioware PSP MasterQ ', '', 0, 0),
(1715, 'Plug-Ins', 'PSP Audioware', 'PSP MixBass', 'PSP Audioware PSP MixBass', '', 0, 0),
(1716, '2&nbsp;Track&nbsp;Recorders', 'Studer', 'A820', 'Studer A820', '2 Track tape machine', 0, 0),
(1717, 'Plug-Ins', 'PSP Audioware', 'PSP MixPressor', 'PSP Audioware PSP MixPressor', '', 0, 0),
(1718, 'Plug-Ins', 'PSP Audioware', 'PSP MixSaturator', 'PSP Audioware PSP MixSaturator', '', 0, 0),
(1719, 'Plug-Ins', 'PSP Audioware', 'PSP MixTreble', 'PSP Audioware PSP MixTreble', '', 0, 0),
(1720, 'Plug-Ins', 'PSP Audioware', 'PSP Neon', 'PSP Audioware PSP Neon', '', 0, 0),
(1721, 'Plug-Ins', 'PSP Audioware', 'PSP Nitro', 'PSP Audioware PSP Nitro', '', 0, 0),
(1722, 'Plug-Ins', 'PSP Audioware', 'PSP sQuad', 'PSP Audioware PSP sQuad', '', 0, 0),
(1723, 'Plug-Ins', 'PSP Audioware', 'PSP VintageWarmer2 ', 'PSP Audioware PSP VintageWarmer2  ', '', 0, 0),
(1724, 'Plug-Ins', 'Rob Papen', 'Albino', 'Rob Papen Albino', '', 0, 0),
(1725, 'Plug-Ins', 'Rob Papen', 'Blue', 'Rob Papen Blue', '', 0, 0),
(1726, 'Plug-Ins', 'Rob Papen', 'Predator', 'Rob Papen Predator', '', 0, 0),
(1727, 'Plug-Ins', 'Sonalksis', 'G', 'Sonalksis G', '', 1, 0),
(1728, 'Speakers', 'Boxer', 'B5', 'Boxer B5', 'Monitors', 0, 0),
(1729, 'Speakers', 'Boxer', 'B5', 'Boxer B5', 'Monitors', 1, 0),
(1730, 'Plug-Ins', 'Sugar Bytes', 'Artillery2', 'Sugar Bytes Artillery2 ', '', 0, 0),
(1731, 'Plug-Ins', 'Sugar Bytes', 'Effectrix', 'Sugar Bytes Effectrix', '', 0, 0),
(1732, 'Plug-Ins', 'Sugar Bytes', 'Robotronic', 'Sugar Bytes Robotronic', '', 0, 0),
(1733, 'Plug-Ins', 'Sugar Bytes', 'Unique', 'Sugar Bytes Unique', '', 0, 0),
(1734, 'Plug-Ins', 'Sugar Bytes', 'Vouge', 'Sugar Bytes Vouge', '', 0, 0),
(1735, 'Plug-Ins', 'Sugar Bytes', 'WOW', 'Sugar Bytes WOW', '', 0, 0),
(1736, 'Plug-Ins', 'Toontrack', 'Superior Drummer', 'Toontrack Superior Drummer', '', 0, 0),
(1737, 'Speakers', 'ATC ', 'SCM100A', 'ATC  SCM100A', 'Monitors', 0, 0),
(1738, 'Plug-Ins', 'U-HE', 'Zebra 2', 'U-HE Zebra 2', '', 0, 0),
(1739, 'Plug-Ins', 'U-HE', 'Zebralette', 'U-HE Zebralette', '', 0, 0),
(1740, 'Plug-Ins', 'U-HE', 'Zrev', 'U-HE Zrev', '', 0, 0),
(1741, 'Speakers', 'Yamaha', 'NS10', 'Yamaha NS10', 'Studio', 1, 0),
(1742, '2&nbsp;Track&nbsp;Recorders', 'Tascam', 'DA30 MkII', 'Tascam DA30 MkII', 'DAT Recorder', 0, 0),
(1743, 'Plug-Ins', 'Waves', 'MaxxBass', 'Waves MaxxBass', '', 0, 0),
(1744, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Urei', '1176', 'Urei 1176', 'Blackface', 0, 0),
(1745, 'Plug-Ins', 'Waves', 'Renaissance Reverb', 'Waves Renaissance Reverb', '', 1, 0),
(1746, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'DBX', '160 VU', 'DBX 160 VU', 'Mono compressor w/ VU meter', 0, 0),
(1747, 'Plug-Ins', 'Waves', 'Paz Psychoacoustic Analyzer', 'Waves Paz Psychoacoustic Analyzer', '', 0, 0),
(1748, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Drawmer', '1960', 'Drawmer 1960', '2 channel Mic pre / Compressor', 0, 0),
(1749, 'Plug-Ins', 'WaveArts', 'FinalPlug 5', 'WaveArts FinalPlug 5', '', 0, 0),
(1750, 'Plug-Ins', 'WaveArts', 'Master Restoration', 'WaveArts Master Restoration', '', 0, 0),
(1751, 'Plug-Ins', 'WaveArts', 'MasterVerb 5', 'WaveArts MasterVerb 5', '', 0, 0),
(1752, 'Plug-Ins', 'WaveArts', 'MR Click', 'WaveArts MR Click', '', 0, 0),
(1754, 'Plug-Ins', 'WaveArts', 'MR Click', 'WaveArts MR Click', '', 0, 0),
(1755, 'Plug-Ins', 'WaveArts', 'MR Gate', 'WaveArts MR Gate', '', 0, 0),
(1756, 'Plug-Ins', 'WaveArts', 'MR Hum', 'WaveArts MR Hum', '', 0, 0),
(1757, 'Plug-Ins', 'WaveArts', 'MR Noise', 'WaveArts MR Noise', '', 0, 0),
(1758, 'Plug-Ins', 'WaveArts', 'Multi Dynamics 5', 'WaveArts Multi Dynamics 5', '', 0, 0),
(1759, 'Plug-Ins', 'WaveArts', 'Panorama 5', 'WaveArts Panorama 5', '', 0, 0),
(1761, 'Plug-Ins', 'WaveArts', 'TrackPlug', 'WaveArts TrackPlug', '', 0, 0),
(1762, 'Plug-Ins', 'Synchro Arts', 'Vocal Align', 'Synchro Arts Vocal Align', '', 0, 0),
(1763, 'Plug-Ins', 'XLN Audio', 'Addictive Drums', 'XLN Audio Addictive Drums', '', 0, 0),
(1764, 'Plug-Ins', 'reFX', 'Nexus', 'reFX Nexus', '', 0, 0),
(1973, 'FX&nbsp;Processors', 'Eventide', 'DSP4000', 'Eventide DSP4000', '', 0, 0),
(1766, 'Plug-Ins', 'reFX', 'Vanguard', 'reFX Vanguard', '', 0, 0),
(1767, 'Equalisation', 'Focusrite', 'ISA 115HD', 'Focusrite ISA 115HD 2 Channel pre-amp & EQ', '2 Channel pre-amp & EQ', 0, 0),
(1768, 'Pedals', 'Line 6', 'M13 Stombox Modeler', 'Line 6 M13 Stombox Modeler', '', 0, 0),
(1770, 'Guitar&nbsp;Amplifiers', 'Mesa Boogie', 'Stiletto Trident', 'Mesa Boogie Stiletto Trident', '', 0, 0),
(1771, 'Guitar&nbsp;Amplifiers', 'Marshall', 'Plexi', 'Marshall Plexi', '', 0, 0),
(1772, 'Reverbs', 'Yamaha', 'SPX990', 'Yamaha SPX990', 'Multi effect processor', 0, 0),
(1773, 'Bass&nbsp;Amplifiers', 'Gallien Krueger', '4x10', 'Gallien Krueger 4x10', '', 0, 0),
(1774, 'Guitars', 'Gibson', 'Les Paul Standard', 'Gibson Les Paul Standard', '', 0, 0),
(1775, 'Guitars', 'Gibson', 'Gibson Les Paul Custom Black Beauty', 'Gibson Gibson Les Paul Custom Black Beauty', '', 0, 0),
(1776, 'Guitars', 'Gibson', 'SG Standard ', 'Gibson SG Standard ', '', 0, 0),
(1777, 'Delays', 'Roland', 'SDE3000', 'Roland SDE3000', 'Mono delay', 1, 0),
(1778, 'Delays', 'Bel', 'BD-80S', 'Bel BD-80S Stereo delay', 'Stereo delay', 0, 0),
(1779, 'Delays', 'Bel', 'BDE-1600S', 'Bel BDE-1600S ', '', 0, 0),
(1780, 'FX&nbsp;Processors', 'Eventide', 'H3000 SE', 'Eventide H3000 SE', 'Ultra-Harmonizer', 0, 0),
(1781, 'Reverbs', 'Yamaha', 'REV7', 'Yamaha REV7', 'Digital reverb processor', 1, 0),
(1782, 'Synchronisers', 'Timeline', 'Lynx', 'Timeline Lynx', '', 0, 0),
(1783, 'Synchronisers', 'Avid', 'Sync I/O', 'Avid Sync I/O ', '', 0, 0),
(1784, 'Mixing&nbsp;Desk', 'SSL', '4056E', 'SSL 4056E', '', 0, 0),
(1785, 'MIDI', 'Avid', 'MIDI I/O', 'Avid MIDI I/O ', '', 0, 0),
(1786, 'Speakers', 'Westlake Audio', 'HR-1', 'Westlake Audio HR-1', '4-way, high power reference monitor', 0, 0),
(1787, 'Software', 'Digidesign', 'Pro Tools 7.4', 'Digidesign Pro Tools 7.4', '', 1, 0),
(1788, 'Software', 'Apple ', 'Logic 8', 'Apple  Logic 8', '', 1, 0),
(1793, 'Speakers', 'ProAc', 'Studio One', 'ProAc Studio One', '', 0, 0),
(1801, 'Speakers', 'Tannoy', 'Little Reds', 'Tannoy Little Reds', '', 0, 0),
(1802, 'Amplifiers', 'Tannoy', 'Hafler Pro 2400', 'Tannoy Hafler Pro 2400', '', 0, 0),
(1803, 'Software', 'Apple', 'G5', 'Apple G5', 'Dual 1.8ghz', 1, 0),
(1804, 'Amplifiers', 'Quad', '520', 'Quad 520', '', 1, 0),
(1805, 'Software', 'Digidesign', '192 I/O', 'Digidesign 192 I/O', 'Dual 1.8ghz', 1, 0),
(1806, 'Mixing&nbsp;Desk', 'Amek', 'Custom built 24 x 10 Monitor Matrix mixer', 'Amek Custom built 24 x 10 Monitor Matrix mixer', '', 0, 0),
(1807, 'Mixing&nbsp;Desk', 'HHB/FLF', 'Custom built monitor mix boxes', 'HHB/FLF Custom built monitor mix boxes ', '', 0, 0),
(1808, 'Headphones', 'HHB/FLF', 'Custom built monitor mix boxes', 'HHB/FLF Custom built monitor mix boxes ', '', 0, 0),
(1809, 'Headphones', 'Beyer', 'DT220', 'Beyer DT220', '', 0, 0),
(1810, 'Headphones', 'Beyer', 'DT770', 'Beyer DT770', '', 0, 0),
(1811, 'Headphones', 'Beyer', 'DT202', 'Beyer DT202', '', 0, 0),
(1812, 'Multitrack&nbsp;Recorders', 'Sony', 'Sony 3348', 'Sony Sony 3348', '', 0, 0),
(1813, 'Multitrack&nbsp;Recorders', 'Adam Smith', '2600 Synchroniser', 'Adam Smith 2600 Synchroniser', '', 0, 0),
(1814, 'Multitrack&nbsp;Recorders', 'Studer', 'A80', 'Studer A80', '', 0, 0),
(1815, 'Microphones', 'AKG', 'C 414 ULS', 'AKG C 414 ULS', '', 0, 0),
(1816, 'Convertors', 'DCS', '900', 'DCS 900', '', 0, 0),
(1817, 'CD&nbsp;Recorders', 'HHB', 'CDR 850', 'HHB CDR 850', '', 0, 0),
(1818, 'Microphones', 'AKG', 'C 451 EB', 'AKG C 451 EB ', '', 0, 0),
(1968, 'Guitars', 'Fender', '12 String', 'Fender 12 String', '', 0, 0),
(1975, 'FX&nbsp;Processors', 'TC Electronic', 'Fireworx', 'TC Electronic Fireworx', '', 0, 0),
(1822, '2&nbsp;Track&nbsp;Recorders', 'Aiwa', 'XK 007', 'Aiwa XK 007', '', 0, 0),
(1823, 'Microphones', 'Neumann', 'KM 85i', 'Neumann KM 85i', '', 0, 0),
(1824, 'Microphones', 'Neumann', 'TLM 170', 'Neumann TLM 170', '', 0, 0),
(1825, 'Microphones', 'Neumann', 'U 47', 'Neumann U 47 FET', 'FET', 0, 0),
(1970, 'Guitars', 'Washburn', 'D61SW', 'Washburn D61SW', 'Acoustic 6-string', 0, 0),
(1831, 'Computers', 'Apple', 'G5', 'Apple G5', 'Dual 1.8 gHz', 0, 0),
(1972, 'Equalisation', 'Focusrite', 'ISA 215', 'Focusrite ISA 215 Dual channel pre-amp & EQ', 'Dual channel pre-amp & EQ', 0, 0),
(1833, 'Interfaces', 'Digidesign', '192', 'Digidesign 192', '', 1, 0),
(1834, 'Software', 'Apple', 'OSX 10.4.8', 'Apple OSX 10.4.8', '', 0, 0),
(1835, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Urei', '1178', 'Urei 1178', '', 0, 0),
(1836, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Valley People', 'Gain Brain II', 'Valley People Gain Brain II', '', 0, 0),
(1837, 'Software', 'Roxio', 'Retrospect', 'Roxio Retrospect', 'Version 6', 0, 0),
(1838, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Valley People', 'Keepex II', 'Valley People Keepex II', '', 0, 0),
(1839, 'Software', 'Roxio', 'Toast', 'Roxio Toast', 'Version 7.1.2', 1, 0),
(1840, 'Mic&nbsp;Pre%27s', 'Focusrite', 'ISA 215', 'Focusrite ISA 215 Stereo preamp', 'Stereo preamp', 0, 0),
(1841, 'Mic&nbsp;Pre''s', 'Neve', '1066', 'Neve 1066', '', 0, 0),
(1842, 'Mic&nbsp;Pre''s', 'Neve', '1077A', 'Neve 1077A', '', 0, 0),
(1843, 'Mic&nbsp;Pre''s', 'Neve', '1078', 'Neve 1078', '', 0, 0),
(1844, 'Mic&nbsp;Pre''s', 'Neve', '3114', 'Neve 3114', '', 1, 0),
(1845, 'Mic&nbsp;Pre%27s', 'Tube-Tech', 'PE1-C', 'Tube-Tech PE1-C ', '', 0, 0),
(1846, 'Reverbs', 'Lexicon', '480L', 'Lexicon 480L', '', 0, 0),
(1847, 'Reverbs', 'Lexicon', 'PCM70', 'Lexicon PCM70', '', 1, 0),
(1848, 'Reverbs', 'Roland', 'SRV2000', 'Roland SRV2000', '', 0, 0),
(1849, 'Reverbs', 'Sony', 'MU-R201', 'Sony MU-R201', '', 0, 0),
(1850, 'Speakers', 'Quested', 'VS3208', 'Quested VS3208', 'Active 3-way monitors', 0, 0),
(1851, 'Delays', 'AMS', 'DMX 15-80', 'AMS DMX 15-80 ', '', 0, 0),
(1852, 'Delays', 'Lexicon', 'PCM 41', 'Lexicon PCM 41', '', 0, 0),
(1853, 'Speakers', 'Yamaha', 'NS10M', 'Yamaha NS10M', 'passive monitors', 1, 0),
(1854, 'Computers', 'Apple', 'G5', 'Apple G5', '', 1, 0),
(1855, 'Delays', 'Roland', 'SDE330', 'Roland SDE330', '', 1, 0),
(1856, 'PCI&nbsp;Cards', 'Digidesign', 'HD3', 'Digidesign HD3', '', 1, 0),
(1857, 'Convertors', 'Lynx', 'Aurora 16', 'Lynx Aurora 16', '16 i/o converter', 0, 0),
(1858, 'Interfaces', 'Avid', '96 i/o', 'Avid 96 i/o ', '', 0, 0),
(1859, 'Mic&nbsp;Pre''s', 'API', '512c', 'API 512c', 'Discrete Mic / Line Pre', 1, 0),
(1860, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'API', '525', 'API 525', 'Discrete Compressor', 0, 0),
(1861, 'FX&nbsp;Processors', 'Dolby', 'Spectral Processor 740', 'Dolby Spectral Processor 740', '', 0, 0),
(1862, 'Mic&nbsp;Pre''s', 'D.A.V. electronics', 'BG501', 'D.A.V. electronics BG501', '500 series mic pre', 0, 0),
(1864, 'Reverbs', 'Yamaha', 'REV7', 'Yamaha REV7', 'Digital reverb processor', 1, 0),
(1865, 'FX&nbsp;Processors', 'Yamaha', 'SPX90', 'Yamaha SPX90', 'Digital multi-effects processor', 1, 0),
(1867, 'Microphones', 'AKG', 'C 451 B', 'AKG C 451 B', 'Condenser microphone', 0, 0),
(1868, 'Microphones', 'AKG', 'C 414-XLS', 'AKG C 414-XLS', 'Condenser microphone', 0, 0),
(1870, 'Microphones', 'Audix', 'i5', 'Audix i5', 'Dynamic microphone', 0, 0),
(1871, 'FX&nbsp;Processors', 'Audio & Design', 'Panscan', 'Audio & Design Panscan', '', 0, 0),
(1872, 'Microphones', 'Beyerdynamic', 'M 160', 'Beyerdynamic M 160 Dual Ribbon', 'Dual Ribbon', 0, 0),
(1873, 'FX&nbsp;Processors', 'Roland', 'Dep 5', 'Roland Dep 5', '', 0, 0),
(1874, 'Microphones', 'Beyerdynamic', 'M 201', 'Beyerdynamic M 201 Hypercardioid Dynamic', 'Hypercardioid Dynamic', 0, 0),
(1875, 'FX&nbsp;Processors', 'Yamaha', 'SPX1000', 'Yamaha SPX1000', '', 1, 0),
(1876, 'Keyboards', 'Steinway', 'Grand', 'Steinway Grand', '', 0, 0),
(1877, 'MIDI&nbsp;Controllers', 'Forte', 'Grand Piano MIDI Interface', 'Forte Grand Piano MIDI Interface', '', 0, 0),
(1878, 'Microphones', 'Coles', '4033', 'Coles 4033 Ribbon', 'Ribbon', 0, 0),
(1879, 'Microphones', 'AKG', 'D 12E', 'AKG D 12E ', '', 0, 0),
(1880, 'Microphones', 'DPA', '4061', 'DPA 4061 Omnidirectional Condenser', 'Omnidirectional Condenser', 0, 0),
(1881, 'Microphones', 'Audio Technica', 'ATM25', 'Audio Technica ATM25', '', 0, 0),
(1882, 'Microphones', 'Electro-Voice', 'RE20', 'Electro-Voice RE20 Dynamic Cardioid', 'Dynamic Cardioid', 0, 0),
(1969, 'Bass&nbsp;Guitars', 'Yamaha', 'TRB 4P', 'Yamaha TRB 4P', '', 0, 0),
(1885, 'Microphones', 'Sennheiser', 'MD 421', 'Sennheiser MD 421 Dynamic microphone', 'Dynamic microphone', 0, 0),
(1886, 'Microphones', 'Shure', 'Beta 52A', 'Shure Beta 52A', 'Dynamic microphone', 0, 0),
(1887, 'Microphones', 'Shure', 'PG52', 'Shure PG52', 'Dynamic microphone', 0, 0),
(1890, 'Drums', 'Mapex', 'Black Panther', 'Mapex Black Panther Snare Drum', 'Snare Drum', 0, 0),
(1891, 'Drums', 'Mapex', 'Brass Shell', 'Mapex Brass Shell Snare Drum', 'Snare Drum', 0, 0),
(1892, 'Drums', 'Mapex', 'Maple Shell', 'Mapex Maple Shell Snare Drum', 'Snare Drum', 0, 0),
(1893, 'Drums', 'Sabian', 'China', 'Sabian China Cymbal', 'Cymbal', 0, 0),
(1894, 'Drums', 'Pearl', 'Masters: Birch', 'Pearl Masters: Birch 12'''', 16'''' & 22" Kick', '12'''', 16'''' & 22" Kick', 0, 0),
(1895, 'Drums', 'Noble & Cooley', '4 ply Maple', 'Noble & Cooley 4 ply Maple Drum Kit: 12'''', 13'''', 16" & 22'''' Kick', 'Drum Kit: 12'''', 13'''', 16" & 22'''' Kick', 0, 0),
(1896, 'Microphones', 'Beyerdynamic', 'M 422', 'Beyerdynamic M 422 Supercardioid Dynamic', 'Supercardioid Dynamic', 0, 0),
(1897, 'Drums', 'Zildjian', 'A Series', 'Zildjian A Series Cymbals: Various sizes', 'Cymbals: Various sizes', 0, 0),
(1898, 'Drums', 'Sabian', 'Hand Hammered', 'Sabian Hand Hammered Cymbals: Various sizes', 'Cymbals: Various sizes', 0, 0),
(1899, 'Microphones', 'Beyerdynamic', 'M160', 'Beyerdynamic M160', '', 1, 0),
(1901, 'Microphones', 'Beyerdynamic', 'M 380', 'Beyerdynamic M 380 Bidirectional Dynamic', 'Bidirectional Dynamic', 0, 0),
(1902, 'Drums', 'Yamaha', 'Recording Custom (Early 80''s)', 'Yamaha Recording Custom (Early 80''s) 14x10 Tom, 18x16 Tom, 22x14 Kick & 14x6.5'''' snare', '14x10 Tom, 18x16 Tom, 22x14 Kick & 14x6.5'''' snare', 0, 0),
(1903, 'Bass&nbsp;Guitars', 'Fender', 'Jazz Bass', 'Fender Jazz Bass', '', 0, 0),
(1904, 'Bass&nbsp;Guitars', 'Fender', 'Precision Bass', 'Fender Precision Bass', '', 0, 0),
(1905, 'Guitars', 'Fender', 'Jagmaster', 'Fender Jagmaster', '', 0, 0),
(1906, 'Guitars', 'Gibson', 'Marauder', 'Gibson Marauder', 'electric guitar', 0, 0),
(1907, 'Guitars', 'Gibson', 'SG', 'Gibson SG', 'electric guitar', 0, 0),
(1908, 'Synthesisers', 'Korg', 'Mono/Poly', 'Korg Mono/Poly', 'Vintage synthesiser', 0, 0),
(1909, 'Guitar&nbsp;Amplifiers', 'Fender', 'Twin', 'Fender Twin', 'Silverface', 0, 0),
(1910, 'Guitar&nbsp;Amplifiers', 'Marshall', 'JMP', 'Marshall JMP', '', 0, 0),
(1911, 'Guitar&nbsp;Amplifiers', 'Orange', '2 x 12 Cabinet', 'Orange 2 x 12 Cabinet', '', 0, 0),
(1912, 'Bass&nbsp;Amplifiers', 'Orange', '4 x 12 Bass Cabinet', 'Orange 4 x 12 Bass Cabinet', '', 0, 0),
(1913, 'Bass&nbsp;Amplifiers', 'Orange', '1 x 15 Bass Cabinet', 'Orange 1 x 15 Bass Cabinet', '', 0, 0),
(1914, 'Guitar&nbsp;Amplifiers', 'Vox', 'AC30', 'Vox AC30', '', 1, 0),
(1915, 'Guitar&nbsp;Amplifiers', 'Selmer', 'Treble & Bass', 'Selmer Treble & Bass', 'upgraded valves', 0, 0),
(1916, 'Bass&nbsp;Amplifiers', 'Soundcity', 'B120', 'Soundcity B120', '', 0, 0),
(1917, 'Bass&nbsp;Amplifiers', 'Orange', 'AD200', 'Orange AD200', 'Bass Head', 0, 0),
(1918, 'Microphones', 'Beyerdynamic', 'M 81', 'Beyerdynamic M 81 Dynamic', 'Dynamic', 0, 0),
(1919, 'Bass&nbsp;Amplifiers', '-', '1 x 15'''' Cabinet ', '- 1 x 15'''' Cabinet ', 'Fane drivers', 0, 0),
(1920, 'Bass&nbsp;Amplifiers', '-', '4 x 10'''' Cabinet ', '- 4 x 10'''' Cabinet ', '', 0, 0),
(1921, 'Microphones', 'Beyerdynamic', 'M 420', 'Beyerdynamic M 420 Hypercardioid Dynamic', 'Hypercardioid Dynamic', 0, 0),
(1922, 'Guitar&nbsp;Amplifiers', 'Selmer', '4 X 12'''' Cabinet', 'Selmer 4 X 12'''' Cabinet', 'G12H speakers', 0, 0),
(1923, 'Guitar&nbsp;Amplifiers', 'Marshall', '4 X 12'''' Cabinet', 'Marshall 4 X 12'''' Cabinet', 'GT75 speakers', 0, 0),
(1924, 'Microphones', 'Beyerdynamic', 'MC 740', 'Beyerdynamic MC 740 ', '', 0, 0),
(1925, 'Pedals', 'Zvex', 'Mastotron', 'Zvex Mastotron', 'Fuzz pedal', 0, 0),
(1926, 'DI&nbsp;/&nbsp;Reamp&nbsp;Boxes', 'Little Labs', 'Red Eye DI', 'Little Labs Red Eye DI', 'DI box', 1, 0),
(1927, 'Software', 'Avid ', 'Pro Tools', 'Avid  Pro Tools', '8.0.1', 1, 0),
(1928, 'Software', 'Apple', 'OSX', 'Apple OSX', '10.5.3', 1, 0),
(1929, 'Microphones', 'Shure', '55SW', 'Shure 55SW', '', 0, 0),
(1931, 'MIDI', 'Steinberg', 'Midex 8', 'Steinberg Midex 8', '', 0, 0),
(1933, 'Software', 'Avid Pro Tools ', '9', 'Avid Pro Tools  9', '', 0, 0),
(1934, 'Guitars', 'Gretch', 'Tennessean', 'Gretch Tennessean', '', 0, 0),
(1935, 'Speakers', 'ATC', 'SCM300A', 'ATC SCM300A', '', 0, 0),
(1936, 'Guitars', 'Shergold', 'Doubleneck 12 string', 'Shergold Doubleneck 12 string', '', 0, 0),
(1937, 'Guitars', 'Shergold', 'Doubleneck Bass', 'Shergold Doubleneck Bass', '', 0, 0),
(1938, 'Guitars', 'Heritage', '6-string', 'Heritage 6-string', '', 0, 0),
(1939, 'Guitars', 'Yamaha', 'BV5000', 'Yamaha BV5000', '', 0, 0),
(1940, 'Guitars', 'Epiphone', '12-string', 'Epiphone 12-string Acoustic', 'Acoustic', 0, 0),
(1941, 'Guitars', 'Robin', 'Octave', 'Robin Octave', '', 0, 0),
(1942, 'Guitars', 'Taylor', 'Baby 6-string acoustic', 'Taylor Baby 6-string acoustic', '', 0, 0),
(1943, 'Guitars', 'Ovation', '6-string acoustic', 'Ovation 6-string acoustic', '', 0, 0),
(1944, 'Guitars', 'Harmony', 'Banjo', 'Harmony Banjo', '', 0, 0),
(1945, '2&nbsp;Track&nbsp;Recorders', 'Sony', 'PCM-R500', 'Sony PCM-R500', 'DAT recorder', 0, 0),
(1946, 'Guitars', 'Giffen Steinberger', '6-string', 'Giffen Steinberger 6-string', '', 0, 0),
(1947, 'Guitars', 'Taylor', '855 12-string acoustic', 'Taylor 855 12-string acoustic', '', 0, 0),
(1948, 'CD&nbsp;Recorders', 'HHB', 'CDR850', 'HHB CDR850', '', 1, 0),
(1949, 'Guitars', 'Takemine', 'EF400S', 'Takemine EF400S', '12-string acoustic', 0, 0),
(1950, 'Bass&nbsp;Guitars', 'Fender', 'Precision bass', 'Fender Precision bass', '', 1, 0),
(1951, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Tube Tech', 'LCA 2B', 'Tube Tech LCA 2B', '', 1, 0),
(1952, 'Guitars', 'Rickenbacker', '12', 'Rickenbacker 12', '12-sting', 0, 0),
(1953, 'Guitars', 'Rickenbacker', 'Microfet', 'Rickenbacker Microfet', 'Dblnk', 0, 0),
(1954, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'SSL', 'X Logic G Series Compressor', 'SSL X Logic G Series Compressor', '', 0, 0),
(1955, 'Bass&nbsp;Guitars', 'Steinberger ', 'Bass', 'Steinberger  Bass', '', 0, 0),
(1956, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Urei', 'LA4', 'Urei LA4', '', 1, 0),
(1957, 'Guitars', 'Steinberger', '6-string', 'Steinberger 6-string', '', 0, 0),
(1958, 'Guitars', 'Fender', 'Stratocaster', 'Fender Stratocaster', '', 0, 0),
(1959, 'Guitars', 'Hagstrom', 'Cherry 8-string bass', 'Hagstrom Cherry 8-string bass', '', 0, 0),
(1960, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'DBX ', '160A', 'DBX  160A', 'mono compressor', 0, 0),
(1961, 'Bass&nbsp;Guitars', 'Hagstrom', 'Cherry 8-string bass', 'Hagstrom Cherry 8-string bass', '', 0, 0),
(1962, 'Bass&nbsp;Guitars', 'Shergold', 'Doubleneck Bass', 'Shergold Doubleneck Bass', '', 0, 0),
(1963, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'DBX ', '162 SL', 'DBX  162 SL', 'stereo compressor / limiter', 0, 0),
(1964, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Alesis', '3630', 'Alesis 3630', 'dual mono / stereo compressor', 0, 0),
(1965, 'Guitars', 'Kramer ', 'Farrington 6-string semi-acoustic', 'Kramer  Farrington 6-string semi-acoustic', '', 0, 0),
(1966, 'Guitars', 'Gibson', 'Chet Atkins 6-string nylon', 'Gibson Chet Atkins 6-string nylon', '', 0, 0),
(1967, 'Guitars', 'Roland', 'Synth 6-string', 'Roland Synth 6-string', '', 0, 0),
(1978, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Alesis', '3610', 'Alesis 3610 ', '', 0, 0),
(1979, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'ADL', 'Compressor Limiter 1000', 'ADL Compressor Limiter 1000 ', '', 0, 0),
(2005, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Neve', '2254/A', 'Neve 2254/A Vintage Compressor', 'Vintage Compressor', 0, 0),
(2063, 'Plug-In Packs', 'test', '', 'test  1659,', ',,', 1, 0),
(2064, 'Plug-In Packs', 'another test', '', 'another test  ', '', 1, 0),
(2004, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Fairchild', 'SS', 'Fairchild SS Compressor', 'Compressor', 0, 0),
(2003, '2&nbsp;Track&nbsp;Recorders', 'Sony', 'DTC-77ES', 'Sony DTC-77ES DAT Player', 'DAT Player', 0, 0),
(2002, 'Equalisation', 'Neve', '1043A', 'Neve 1043A ', '', 1, 0),
(1986, 'Equalisation', 'Night Technologies International', 'EQ3', 'Night Technologies International EQ3 Dual Channel', 'Dual Channel', 0, 0),
(1987, 'Equalisation', 'Lang', 'PEQ-2A', 'Lang PEQ-2A Program Equalizer', 'Program Equalizer', 0, 0),
(1988, 'Reverbs', 'Fairchild', 'Reverbertron II Model 659', 'Fairchild Reverbertron II Model 659 ', '', 0, 0),
(1989, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Altec', '436C', 'Altec 436C Compressor Amplifier', 'Compressor Amplifier', 0, 0),
(1990, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'API', '525A', 'API 525A Discrete Compressor', 'Discrete Compressor', 0, 0),
(1991, 'Equalisation', 'API', '550', 'API 550 Discrete 3 Band EQ', 'Discrete 3 Band EQ', 1, 0),
(1992, 'FX&nbsp;Processors', 'Moog', '12 Stage Phaser Model MKPH', 'Moog 12 Stage Phaser Model MKPH ', '', 0, 0),
(1993, 'Filters', 'Pultec', 'HLF-3C', 'Pultec HLF-3C Filter', 'Filter', 0, 0),
(2001, 'Percussion', '', '', '  Bongos', 'Bongos', 0, 0),
(1996, 'Samplers', 'Akai', 'S950', 'Akai S950 ', '', 1, 0),
(2000, 'Mic&nbsp;Pre''s', 'Neve', '1079', 'Neve 1079 Vintage Mic Pre & EQ', 'Vintage Mic Pre & EQ', 0, 0),
(1999, 'Percussion', 'Bongos', '', 'Bongos  ', '', 1, 0),
(1998, 'Summing&nbsp;Console', '', '', '  test no man/mod', 'test no man/mod', 1, 0),
(2007, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Universal Audio', 'UA175B', 'Universal Audio UA175B Vintage Limiting Amplifier', 'Vintage Limiting Amplifier', 0, 0),
(2008, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Urei', 'LA-3', 'Urei LA-3 ', '', 0, 0),
(2009, 'Mic&nbsp;Pre''s', 'Lomo', 'Tube Mic Pre', 'Lomo Tube Mic Pre ', '', 0, 0),
(2010, 'Equalisation', 'Pultec', 'MEQ-5', 'Pultec MEQ-5 EQ', 'EQ', 0, 0),
(2011, 'Mixing&nbsp;Desk', 'Neve', '542', 'Neve 542 8 channel', '8 channel', 0, 0),
(2013, 'Mixing&nbsp;Desk', 'Studer', '089', 'Studer 089 ', '', 0, 0),
(2014, 'Reverbs', 'EMT', '244', 'EMT 244 Reverb', 'Reverb', 0, 0),
(2028, 'Delays', 'Roland', 'RE-301', 'Roland RE-301 Chorus Echo', 'Chorus Echo', 0, 0);
INSERT INTO `equipment` (`id`, `category`, `manufacturer`, `model`, `name`, `type`, `soft_delete`, `pack`) VALUES (2023, 'Samplers', 'Electro Harmonix', 'Instant Replay', 'Electro Harmonix Instant Replay Sampler', 'Sampler', 0, 0),
(2024, 'Synthesisers', 'Electro Harmonix', 'Clockworks', 'Electro Harmonix Clockworks Rhythm Generator/Synth', 'Rhythm Generator/Synth', 0, 0),
(2061, 'Plug-In Packs', 'erh', '', 'erh  896,', '896,', 1, 0),
(2062, 'Plug-In Packs', 'test', '', 'test  ', '', 1, 0),
(2059, 'Mixing&amp;nbsp%3BDesk', 'matty', 'osaig', 'matty osaig oysdv', 'oysdv', 1, 0),
(2381, 'Amplifiers', 'YAMAHA', 'H7000', 'YAMAHA H7000 ', '', 0, 0),
(2054, 'Drums', 'Yamaha', '9000', 'Yamaha 9000 Drum kit', 'Drum kit', 0, 0),
(2055, 'Drums', 'Ludwig', 'LM402', 'Ludwig LM402 Snare Drum', 'Snare Drum', 0, 0),
(2056, 'Percussion', '', '', '  Castanets', 'Castanets', 0, 0),
(2057, 'Percussion', '', '', '  Cowbell', 'Cowbell', 0, 0),
(2058, 'Percussion', '', '', '  Claves', 'Claves', 0, 0),
(2067, 'Plug-In Packs', 'Abbey Road Brilliance Pack', '', 'Abbey Road Brilliance Pack  ', '', 1, 0),
(2068, 'Plug-In Packs', 'Soundtoys FX Bundle', '', 'Soundtoys FX Bundle  ', '', 1, 0),
(2069, 'Plug-In Packs', 'Waves Platinum', '', 'Waves Platinum  ', '', 1, 0),
(2070, 'Plug-In Packs', 'Abbey Road TG Mastering Pack', '', 'Abbey Road TG Mastering Pack  ', '', 1, 0),
(2071, 'Plug-Ins', 'Audio Damage', 'ADverb', 'Audio Damage ADverb ', '', 0, 0),
(2072, 'Plug-Ins', 'Audio Damage', 'Automaton', 'Audio Damage Automaton ', '', 0, 0),
(2073, 'Soft&nbsp;Synths', 'Audio Damage', 'Axon', 'Audio Damage Axon Synth', 'Synth', 0, 0),
(2074, 'Plug-Ins', 'Audio Damage', 'BigSeq2', 'Audio Damage BigSeq2 ', '', 0, 0),
(2075, 'Plug-Ins', 'Audio Damage', 'Discord3', 'Audio Damage Discord3 ', '', 0, 0),
(2076, 'Plug-Ins', 'Audio Damage', 'Dr. Device', 'Audio Damage Dr. Device ', '', 0, 0),
(2077, 'Plug-Ins', 'Audio Damage', 'DubStation', 'Audio Damage DubStation ', '', 0, 0),
(2078, 'Plug-Ins', 'Audio Damage', 'Eos', 'Audio Damage Eos ', '', 0, 0),
(2079, 'Plug-Ins', 'Audio Damage', 'Fluid', 'Audio Damage Fluid ', '', 0, 0),
(2080, 'Plug-Ins', 'Audio Damage', 'Kombinat', 'Audio Damage Kombinat FX', 'FX', 1, 0),
(2081, 'Plug-Ins', 'Audio Damage', 'Liquid', 'Audio Damage Liquid FX', 'FX', 1, 0),
(2082, 'Plug-Ins', 'Audio Damage', 'Phase Two', 'Audio Damage Phase Two ', '', 0, 0),
(2083, 'Synthesisers', 'Audio Damage', 'Phosphor', 'Audio Damage Phosphor Synth', 'Synth', 0, 0),
(2084, 'Plug-Ins', 'Audio Damage', 'Ratshack Reverb v2.0', 'Audio Damage Ratshack Reverb v2.0 ', '', 0, 0),
(2085, 'Plug-Ins', 'Audio Damage', 'Replicant 1.5', 'Audio Damage Replicant 1.5 ', '', 0, 0),
(2086, 'Plug-Ins', 'Audio Damage', 'Ricochet', 'Audio Damage Ricochet FX', 'FX', 1, 0),
(2087, 'Plug-Ins', 'Audio Damage', 'Ronin', 'Audio Damage Ronin ', '', 0, 0),
(2088, 'Plug-Ins', 'Audio Damage', 'Rough Rider Pro', 'Audio Damage Rough Rider Pro ', '', 0, 0),
(2089, 'Soft&nbsp;Synths', 'Audio Damage', 'Tattoo', 'Audio Damage Tattoo Drum Synth', 'Drum Synth', 0, 0),
(2090, 'Plug-Ins', 'Audio Damage', 'Vapor', 'Audio Damage Vapor FX', 'FX', 1, 0),
(2091, 'Plug-Ins', 'Audio Damage', '914 Fixed Filter Bank', 'Audio Damage 914 Fixed Filter Bank FX', 'FX', 1, 0),
(2092, 'Plug-Ins', 'Audio Damage', 'Panstation', 'Audio Damage Panstation ', '', 0, 0),
(2093, 'Plug-In Packs', 'Audio Damage The Studio Bundle', '', 'Audio Damage The Studio Bundle  ', '', 1, 0),
(2094, 'Plug-In Packs', 'Audio Damage The Everything Bundle', '', 'Audio Damage The Everything Bundle  ', '', 1, 0),
(2095, 'Plug-In Packs', 'Audio Damage The FSU Bundle', '', 'Audio Damage The FSU Bundle  ', '', 1, 0),
(2096, 'Plug-In Packs', 'Audio Damage The Modulation Bundle', '', 'Audio Damage The Modulation Bundle  ', '', 1, 0),
(2097, 'Plug-In Packs', 'Test Pack', '', 'Test Pack  1656,', '1656,', 1, 0),
(2098, 'Plug-In Packs', 'Test Pack', '', 'Test Pack  1659,1617,824,', '1659,1617,824,', 1, 0),
(2099, 'Plug-In Packs', 'test pack', '', 'test pack  1656,1657,', '1656,1657,', 1, 0),
(2100, 'Plug-In Packs', 'Abbey Road TG Mastering Pack', '', 'Abbey Road TG Mastering Pack  1616,1617,', '1616,1617,', 0, 0),
(2101, 'Plug-Ins', 'Abbey Road', 'RS127 Rack', 'Abbey Road RS127 Rack ', '', 0, 0),
(2102, 'Plug-Ins', 'Abbey Road', 'RS127 Box', 'Abbey Road RS127 Box ', '', 0, 0),
(2103, 'Plug-Ins', 'Abbey Road', 'RS135', 'Abbey Road RS135 ', '', 0, 0),
(2104, 'Plug-In Packs', 'Abbey Road Brilliance Pack', '', 'Abbey Road Brilliance Pack  2102,2101,2103,', '2102,2101,2103,', 0, 0),
(2105, 'Plug-In Packs', 'Avid Aphex Aural Exciter and Big Bottom Pro Bundle', '', 'Avid Aphex Aural Exciter and Big Bottom Pro Bundle  94,93,', '94,93,', 0, 0),
(2106, 'Plug-In Packs', 'Audio Damage The Studio Bundle', '', 'Audio Damage The Studio Bundle  2075,2078,1672,2088,', '2075,2078,1672,2088,', 0, 0),
(2107, 'Plug-In Packs', 'Audio Damage The Everything Bundle', '', 'Audio Damage The Everything Bundle  2091,2071,2072,2074,2075,2076,1667,2078,1668,1669,2092,2082,2084,2085,1672,2087,2088,1673,', '2091,2071,2072,2074,2075,2076,1667,2078,1668,1669,2092,2082,2084,2085,1672,2087,2088,1673,', 0, 0),
(2108, 'Plug-In Packs', 'Audio Damage The FSU Bundle', '', 'Audio Damage The FSU Bundle  2072,1668,2085,2087,', '2072,1668,2085,2087,', 0, 0),
(2109, 'Plug-In Packs', 'Audio Damage The Modulation Bundle', '', 'Audio Damage The Modulation Bundle  1663,2079,1669,2082,1673,', '1663,2079,1669,2082,1673,', 0, 0),
(2110, 'Plug-In Packs', 'Avid Bomb Factory Classic Compressors Bundle v8', '', 'Avid Bomb Factory Classic Compressors Bundle v8  755,103,166,167,774,', '755,103,166,167,774,', 0, 0),
(2111, 'Plug-In Packs', 'Avid Bomb Factory Classic Compressors Bundle v7', '', 'Avid Bomb Factory Classic Compressors Bundle v7  755,774,', '755,774,', 0, 0),
(2112, 'Plug-In Packs', 'Avid Bomb Factory Fairchild Bundle', '', 'Avid Bomb Factory Fairchild Bundle  166,167,', '166,167,', 0, 0),
(2113, 'Plug-In Packs', 'Avid Bomb Factory JOEMEEK Bundle', '', 'Avid Bomb Factory JOEMEEK Bundle  765,766,', '765,766,', 0, 0),
(2114, 'Plug-In Packs', 'Avid Bomb Factory moogerfooger Bundle', '', 'Avid Bomb Factory moogerfooger Bundle  186,187,188,190,', '186,187,188,190,', 0, 0),
(2115, 'Plug-In Packs', 'Avid Bomb Factory Pultec Bundle', '', 'Avid Bomb Factory Pultec Bundle  200,201,202,', '200,201,202,', 0, 0),
(2116, 'Plug-In Packs', 'Avid Bomb Factory Voce Bundle', '', 'Avid Bomb Factory Voce Bundle  783,230,', '783,230,', 0, 0),
(2117, 'Plug-In Packs', 'BIAS Master Perfection Suite', '', 'BIAS Master Perfection Suite  879,876,882,877,880,881,878,', '879,876,882,877,880,881,878,', 0, 0),
(2118, 'Plug-In Packs', 'Blue Cat''s All Plug-ins Pack', '', 'Blue Cat''s All Plug-ins Pack  886,887,890,891,893,894,895,896,897,899,900,903,904,905,906,907,909,910,911,912,', '886,887,890,891,893,894,895,896,897,899,900,903,904,905,906,907,909,910,911,912,', 0, 0),
(2119, 'Plug-In Packs', 'Blue Cat''s Analysis Pack', '', 'Blue Cat''s Analysis Pack  886,890,891,896,906,907,', '886,890,891,896,906,907,', 0, 0),
(2120, 'Plug-In Packs', 'Blue Cat''s Energy Pack', '', 'Blue Cat''s Energy Pack  886,887,895,899,', '886,887,895,899,', 1, 0),
(2121, 'Plug-In Packs', 'Blue Cat''s Energy Pack', '', 'Blue Cat''s Energy Pack  886,887,895,899,', '886,887,895,899,', 0, 0),
(2122, 'Plug-In Packs', 'Blue Cat''s Freeware Plug-ins Pack', '', 'Blue Cat''s Freeware Plug-ins Pack  885,888,889,892,898,901,902,909,', '885,888,889,892,898,901,902,909,', 0, 0),
(2123, 'Plug-In Packs', 'Blue Cat''s FreqAnalyst Pack', '', 'Blue Cat''s FreqAnalyst Pack  890,891,', '890,891,', 0, 0),
(2124, 'Plug-In Packs', 'Blue Cat''s Liny EQ Pack', '', 'Blue Cat''s Liny EQ Pack  893,903,910,', '893,903,910,', 0, 0),
(2125, 'Plug-In Packs', 'Blue Cat''s MB Dynamix Pack', '', 'Blue Cat''s MB Dynamix Pack  894,895,', '894,895,', 0, 0),
(2126, 'Plug-In Packs', 'Blue Cat''s Master Pack', '', 'Blue Cat''s Master Pack  886,887,891,893,894,897,899,907,', '886,887,891,893,894,897,899,907,', 0, 0),
(2127, 'Plug-In Packs', 'Blue Cat''s Multi Pack', '', 'Blue Cat''s Multi Pack  890,896,906,', '890,896,906,', 0, 0),
(2128, 'Plug-In Packs', 'Blue Cat''s Parametr''EQ Pack', '', 'Blue Cat''s Parametr''EQ Pack  897,904,911,', '897,904,911,', 0, 0),
(2129, 'Plug-In Packs', 'Blue Cat''s StereoScope Pack', '', 'Blue Cat''s StereoScope Pack  906,907,', '906,907,', 0, 0),
(2130, 'Plug-In Packs', 'Blue Cat''s Triple EQ Pack', '', 'Blue Cat''s Triple EQ Pack  909,912,', '909,912,', 0, 0),
(2131, 'Plug-In Packs', 'Brainworx bx_ALL Bundle', '', 'Brainworx bx_ALL Bundle  920,913,914,915,921,918,919,', '920,913,914,915,921,918,919,', 0, 0),
(2132, 'Plug-In Packs', 'Avid Trillium Lane Labs TL Utilities', '', 'Avid Trillium Lane Labs TL Utilities  872,873,874,', '872,873,874,', 0, 0),
(2133, 'Plug-In Packs', 'Brainworx bx_MASTERING Bundle', '', 'Brainworx bx_MASTERING Bundle  920,923,915,922,', '920,923,915,922,', 0, 0),
(2134, 'Plug-In Packs', 'Brainworx bx_MIX Bundle', '', 'Brainworx bx_MIX Bundle  913,914,921,918,919,', '913,914,921,918,919,', 0, 0),
(2135, 'Plug-Ins', 'd16', 'Decimort', 'd16 Decimort ', '', 0, 0),
(2136, 'Plug-Ins', 'd16', 'Syntorus', 'd16 Syntorus ', '', 0, 0),
(2137, 'Plug-Ins', 'd16', 'Toraverb', 'd16 Toraverb ', '', 0, 0),
(2138, 'Soft&nbsp;Synths', 'd16', 'Nithonat', 'd16 Nithonat ', '', 0, 0),
(2139, 'Soft&nbsp;Synths', 'd16', 'Phoscyon', 'd16 Phoscyon ', '', 0, 0),
(2140, 'Plug-In Packs', 'd16 Total Bundle', '', 'd16 Total Bundle  2135,1676,1678,1680,2136,2137,', '2135,1676,1678,1680,2136,2137,', 0, 0),
(2141, 'Plug-In Packs', 'd16 Classic Boxes Collection', '', 'd16 Classic Boxes Collection  ', '', 0, 0),
(2142, 'Plug-In Packs', 'd16 SilverLine Collection', '', 'd16 SilverLine Collection  ', '', 0, 0),
(2143, 'Plug-Ins', 'DUY', 'DaD Tape', 'DUY DaD Tape ', '', 0, 0),
(2144, 'Plug-Ins', 'DUY', 'DaD Valve', 'DUY DaD Valve ', '', 0, 0),
(2145, 'Plug-Ins', 'DUY', 'Shape', 'DUY Shape ', '', 0, 0),
(2146, 'Plug-Ins', 'DUY', 'Wide', 'DUY Wide ', '', 0, 0),
(2147, 'Plug-Ins', 'DUY', 'Max DUY', 'DUY Max DUY ', '', 0, 0),
(2148, 'Plug-In Packs', 'DUY Global Bundle TDM', '', 'DUY Global Bundle TDM  ', '', 1, 0),
(2149, 'Plug-In Packs', 'DUY Analog Bundle TDM', '', 'DUY Analog Bundle TDM  2143,2144,', '2143,2144,', 0, 0),
(2150, 'Plug-In Packs', 'DUY Global Bundle TDM', '', 'DUY Global Bundle TDM  2143,2144,2147,937,2145,2146,', '2143,2144,2147,937,2145,2146,', 0, 0),
(2151, 'Plug-Ins', 'DUY', 'Z-Room', 'DUY Z-Room ', '', 0, 0),
(2152, 'Plug-Ins', 'DUY', 'Silence', 'DUY Silence ', '', 0, 0),
(2153, 'Plug-In Packs', 'DUY EverPack', '', 'DUY EverPack  2144,2147,2145,2146,2151,', '2144,2147,2145,2146,2151,', 0, 0),
(2154, 'Plug-In Packs', 'DUY Mastering Bundle', '', 'DUY Mastering Bundle  2147,2145,2146,', '2147,2145,2146,', 0, 0),
(2155, 'Plug-In Packs', 'DUY Global Bundle PRO', '', 'DUY Global Bundle PRO  933,2143,2144,2147,937,2145,938,2146,2151,', '933,2143,2144,2147,937,2145,938,2146,2151,', 0, 0),
(2156, 'Plug-In Packs', 'Eventide Anthology II Bundle', '', 'Eventide Anthology II Bundle  150,152,153,156,157,158,160,159,162,161,164,154,165,', '150,152,153,156,157,158,160,159,162,161,164,154,165,', 0, 0),
(2157, 'Plug-In Packs', 'FLUX Ircam Tools', '', 'FLUX Ircam Tools  957,960,961,959,958,', '957,960,961,959,958,', 0, 0),
(2158, 'Plug-In Packs', 'FLUX Full Pack II', '', 'FLUX Full Pack II  969,971,760,962,963,964,965,966,968,970,967,', '969,971,760,962,963,964,965,966,968,970,967,', 0, 0),
(2159, 'Plug-In Packs', 'FLUX DynaMix Pack', '', 'FLUX DynaMix Pack  969,971,962,963,964,965,966,968,970,', '969,971,962,963,964,965,966,968,970,', 0, 0),
(2160, 'Plug-In Packs', 'FLUX Mastering Pack', '', 'FLUX Mastering Pack  971,760,966,968,970,', '971,760,966,968,970,', 0, 0),
(2161, 'Plug-In Packs', 'FLUX Recording Pack ', '', 'FLUX Recording Pack   971,760,962,963,964,965,966,970,', '971,760,962,963,964,965,966,970,', 0, 0),
(2162, 'Plug-In Packs', 'FLUX Pure Pack', '', 'FLUX Pure Pack  971,962,963,964,965,966,970,', '971,962,963,964,965,966,970,', 0, 0),
(2163, 'Plug-In Packs', 'FLUX Elemental Pack', '', 'FLUX Elemental Pack  971,962,965,966,970,', '971,962,965,966,970,', 0, 0),
(2164, 'Plug-Ins', 'FabFilter', 'Pro-L', 'FabFilter Pro-L ', '', 0, 0),
(2165, 'Plug-Ins', 'FabFilter', 'Pro-G', 'FabFilter Pro-G ', '', 0, 0),
(2166, 'Plug-In Packs', 'FabFilter Total bundle', '', 'FabFilter Total bundle  951,952,947,2165,2164,946,953,948,950,949,', '951,952,947,2165,2164,946,953,948,950,949,', 0, 0),
(2167, 'Plug-In Packs', 'FabFilter FX bundle', '', 'FabFilter FX bundle  947,2165,2164,946,948,949,', '947,2165,2164,946,948,949,', 0, 0),
(2168, 'Plug-In Packs', 'FabFilter Pro bundle', '', 'FabFilter Pro bundle  947,2165,2164,946,', '947,2165,2164,946,', 0, 0),
(2169, 'Plug-In Packs', 'FabFilter Mixing Bundle', '', 'FabFilter Mixing Bundle  947,2165,946,948,', '947,2165,946,948,', 0, 0),
(2170, 'Plug-In Packs', 'FabFilter Mastering bundle', '', 'FabFilter Mastering bundle  947,2164,946,', '947,2164,946,', 0, 0),
(2171, 'Plug-In Packs', 'FabFilter Creative bundle', '', 'FabFilter Creative bundle  948,950,949,', '948,950,949,', 0, 0),
(2172, 'Plug-In Packs', 'Focusrite Scarlett Plug-in Suite', '', 'Focusrite Scarlett Plug-in Suite  975,976,977,978,', '975,976,977,978,', 0, 0),
(2173, 'Plug-Ins', 'Focusrite', 'Midnight EQ', 'Focusrite Midnight EQ ', '', 0, 0),
(2174, 'Plug-Ins', 'Focusrite', 'Midnight Compressor', 'Focusrite Midnight Compressor ', '', 0, 0),
(2175, 'Plug-In Packs', 'Focusrite Midnight Plugin Suite', '', 'Focusrite Midnight Plugin Suite  2174,2173,', '2174,2173,', 0, 0),
(2176, 'Plug-Ins', 'Focusrite', 'ISA 110 Equalizer', 'Focusrite ISA 110 Equalizer ', '', 0, 0),
(2177, 'Plug-Ins', 'Focusrite', 'ISA 130 Multichannel Surround Compressor', 'Focusrite ISA 130 Multichannel Surround Compressor ', '', 0, 0),
(2178, 'Plug-Ins', 'Focusrite', 'ISA 130 Expander', 'Focusrite ISA 130 Expander ', '', 0, 0),
(2179, 'Plug-Ins', 'Focusrite', 'ISA 130 Gate', 'Focusrite ISA 130 Gate ', '', 0, 0),
(2180, 'Plug-Ins', 'Focusrite', 'ISA 130 De-esser', 'Focusrite ISA 130 De-esser ', '', 0, 0),
(2181, 'Plug-In Packs', 'Focusrite Forte Suite', '', 'Focusrite Forte Suite  2176,2180,2178,2179,2177,', '2176,2180,2178,2179,2177,', 0, 0),
(2182, 'Plug-Ins', 'Focusrite', 'Guitar FX Suite', 'Focusrite Guitar FX Suite ', '', 0, 0),
(2183, 'Plug-Ins', 'Focusrite', 'EQ', 'Focusrite EQ ', '', 0, 0),
(2184, 'Plug-Ins', 'Focusrite', 'Compressor', 'Focusrite Compressor ', '', 0, 0),
(2185, 'Plug-Ins', 'Focusrite', 'Reverb', 'Focusrite Reverb ', '', 0, 0),
(2186, 'Plug-Ins', 'Focusrite', 'Gate', 'Focusrite Gate ', '', 0, 0),
(2187, 'Plug-In Packs', 'Focusrite Plugin Suite', '', 'Focusrite Plugin Suite  2184,2183,2186,2185,', '2184,2183,2186,2185,', 0, 0),
(2188, 'Plug-In Packs', 'GRM-Tools Classic Bundle', '', 'GRM-Tools Classic Bundle  996,993,994,995,1007,997,999,998,', '996,993,994,995,1007,997,999,998,', 0, 0),
(2189, 'Plug-In Packs', 'GRM-Tools ST Native Bundle', '', 'GRM-Tools ST Native Bundle  1006,1007,1008,1009,', '1006,1007,1008,1009,', 0, 0),
(2190, 'Plug-In Packs', 'GRM-Tools Evolution Bundle', '', 'GRM-Tools Evolution Bundle  1002,1003,1004,', '1002,1003,1004,', 0, 0),
(2191, 'Plug-In Packs', 'iZotope Mix & Master Bundle', '', 'iZotope Mix & Master Bundle  1016,1019,', '1016,1019,', 0, 0),
(2192, 'Plug-In Packs', 'iZotope Studio Bundle', '', 'iZotope Studio Bundle  1016,1018,1019,', '1016,1018,1019,', 0, 0),
(2193, 'Plug-In Packs', 'iZotope Studio & Repair Bundle', '', 'iZotope Studio & Repair Bundle  1016,1018,1019,1021,', '1016,1018,1019,1021,', 0, 0),
(2194, 'Plug-Ins', 'McDSP', '4030 Retro Compressor v5', 'McDSP 4030 Retro Compressor v5 ', '', 0, 0),
(2195, 'Plug-In Packs', 'McDSP Retro Pack', '', 'McDSP Retro Pack  1041,2194,1042,', '1041,2194,1042,', 0, 0),
(2196, 'Plug-In Packs', 'McDSP Emerald Pack', '', 'McDSP Emerald Pack  1043,1044,182,1045,1047,1048,184,1049,181,1050,1051,1052,', '1043,1044,182,1045,1047,1048,184,1049,181,1050,1051,1052,', 0, 0),
(2197, 'Plug-In Packs', 'McDSP Classic Pack', '', 'McDSP Classic Pack  1044,1047,184,181,', '1044,1047,184,181,', 0, 0),
(2198, 'Plug-In Packs', 'McDSP Live Pack', '', 'McDSP Live Pack  1045,1048,1049,181,1050,1051,', '1045,1048,1049,181,1050,1051,', 0, 0),
(2199, 'Plug-In Packs', 'Mellowmuse Series One Bundle', '', 'Mellowmuse Series One Bundle  1054,1056,1055,1057,1058,', '1054,1056,1055,1057,1058,', 0, 0),
(2200, 'Plug-In Packs', 'Mellowmuse Vintage Series', '', 'Mellowmuse Vintage Series  1061,1063,1062,1060,1059,', '1061,1063,1062,1060,1059,', 0, 0),
(2201, 'Plug-Ins', 'Native Instruments', 'VC 76', 'Native Instruments VC 76 ', '', 0, 0),
(2202, 'Plug-Ins', 'Native Instruments', 'VC 2A', 'Native Instruments VC 2A ', '', 0, 0),
(2203, 'Plug-Ins', 'Native Instruments', 'VC 160', 'Native Instruments VC 160 ', '', 0, 0),
(2204, 'Plug-In Packs', 'Native Instruments Vintage Compressors', '', 'Native Instruments Vintage Compressors  2203,2202,2201,', '2203,2202,2201,', 0, 0),
(2205, 'Plug-Ins', 'Native Instruments', 'KONTAKT 4', 'Native Instruments KONTAKT 4 ', '', 0, 0),
(2206, 'Plug-Ins', 'Native Instruments', 'GUITAR RIG 4 PRO', 'Native Instruments GUITAR RIG 4 PRO ', '', 0, 0),
(2207, 'Plug-Ins', 'Native Instruments', 'THE FINGER', 'Native Instruments THE FINGER ', '', 0, 0),
(2208, 'Plug-Ins', 'Native Instruments', 'RAMMFIRE', 'Native Instruments RAMMFIRE ', '', 0, 0),
(2209, 'Plug-Ins', 'Native Instruments', 'TRAKTOR''S 12', 'Native Instruments TRAKTOR''S 12 ', '', 0, 0),
(2210, 'Plug-Ins', 'Native Instruments', 'SCARBEE MM-BASS', 'Native Instruments SCARBEE MM-BASS ', '', 0, 0),
(2211, 'Plug-Ins', 'Native Instruments', 'REFLEKTOR', 'Native Instruments REFLEKTOR ', '', 0, 0),
(2212, 'Plug-Ins', 'Native Instruments', 'BATTERY 3', 'Native Instruments BATTERY 3 ', '', 0, 0),
(2213, 'Plug-Ins', 'Native Instruments', 'ABBEY ROAD | 60s DRUMS', 'Native Instruments ABBEY ROAD | 60s DRUMS ', '', 0, 0),
(2214, 'Plug-Ins', 'Native Instruments', 'ABSYNTH 5', 'Native Instruments ABSYNTH 5 ', '', 0, 0),
(2215, 'Plug-Ins', 'Native Instruments', 'MASSIVE', 'Native Instruments MASSIVE ', '', 0, 0),
(2216, 'Plug-Ins', 'Native Instruments', 'REAKTOR PRISM', 'Native Instruments REAKTOR PRISM ', '', 0, 0),
(2217, 'Plug-Ins', 'Native Instruments', 'FM8', 'Native Instruments FM8 ', '', 0, 0),
(2218, 'Plug-Ins', 'Native Instruments', 'REAKTOR SPARK', 'Native Instruments REAKTOR SPARK ', '', 0, 0),
(2219, 'Plug-Ins', 'Native Instruments', 'ACOUSTIC REFRACTIONS', 'Native Instruments ACOUSTIC REFRACTIONS ', '', 0, 0),
(2220, 'Plug-Ins', 'Native Instruments', 'NEW YORK CONCERT GRAND', 'Native Instruments NEW YORK CONCERT GRAND ', '', 0, 0),
(2221, 'Plug-Ins', 'Native Instruments', 'VIENNA CONCERT GRAND ', 'Native Instruments VIENNA CONCERT GRAND  ', '', 0, 0),
(2222, 'Plug-Ins', 'Native Instruments', 'BERLIN CONCERT GRAND', 'Native Instruments BERLIN CONCERT GRAND ', '', 0, 0),
(2223, 'Plug-Ins', 'Native Instruments', 'UPRIGHT PIANO', 'Native Instruments UPRIGHT PIANO ', '', 0, 0),
(2224, 'Plug-Ins', 'Native Instruments', 'VINTAGE ORGANS', 'Native Instruments VINTAGE ORGANS ', '', 0, 0),
(2225, 'Plug-Ins', 'Native Instruments', 'SCARBEE MARK', 'Native Instruments SCARBEE MARK ', '', 0, 0),
(2226, 'Plug-Ins', 'Native Instruments', 'SCARBEE CLAVINET/PIANET', 'Native Instruments SCARBEE CLAVINET/PIANET ', '', 0, 0),
(2227, 'Plug-Ins', 'Native Instruments', 'SSCARBEE A-200', 'Native Instruments SSCARBEE A-200 ', '', 0, 0),
(2228, 'Plug-In Packs', 'Native Instruments Komplete 7', '', 'Native Instruments Komplete 7  2213,2214,2219,2212,2222,2217,2206,2205,2215,2220,2208,2216,2218,2211,2226,2225,2210,2227,2207,2209,2223,2221,2224,', '2213,2214,2219,2212,2222,2217,2206,2205,2215,2220,2208,2216,2218,2211,2226,2225,2210,2227,2207,2209,2223,2221,2224,', 0, 0),
(2229, 'Plug-In Packs', 'Ohm force All All', '', 'Ohm force All All  196,1703,1704,1705,1706,1707,1708,1709,', '196,1703,1704,1705,1706,1707,1708,1709,', 0, 0),
(2230, 'Plug-In Packs', 'Ohm force All FX', '', 'Ohm force All FX  193,195,194,196,197,198,1706,', '193,195,194,196,197,198,1706,', 0, 0),
(2231, 'Plug-In Packs', 'Ohm force All Live', '', 'Ohm force All Live  196,198,1706,1709,', '196,198,1706,1709,', 0, 0),
(2232, 'Plug-Ins', 'PSP Audioware', 'PSP 85', 'PSP Audioware PSP 85 ', '', 0, 0),
(2233, 'Plug-Ins', 'PSP Audioware', 'PSP N20', 'PSP Audioware PSP N20 ', '', 0, 0),
(2234, 'Plug-Ins', 'PSP Audioware', 'PSP MasterComp', 'PSP Audioware PSP MasterComp ', '', 0, 0),
(2235, 'Plug-Ins', 'PSP Audioware', 'PSP Neon HR', 'PSP Audioware PSP Neon HR ', '', 0, 0),
(2236, 'Plug-Ins', 'PSP Audioware', 'PSP Xenon', 'PSP Audioware PSP Xenon ', '', 0, 0),
(2237, 'Plug-Ins', 'PSP Audioware', 'PSP oldTimerME ', 'PSP Audioware PSP oldTimerME  ', '', 0, 0),
(2238, 'Plug-Ins', 'PSP Audioware', 'PSP MixSync2', 'PSP Audioware PSP MixSync2 ', '', 0, 0),
(2239, 'Plug-Ins', 'PSP Audioware', 'PSP MixGate2 ', 'PSP Audioware PSP MixGate2  ', '', 0, 0),
(2240, 'Plug-Ins', 'PSP Audioware', 'PSP MixSaturator2', 'PSP Audioware PSP MixSaturator2 ', '', 0, 0),
(2241, 'Plug-Ins', 'PSP Audioware', 'PSP MixPressor2', 'PSP Audioware PSP MixPressor2 ', '', 0, 0),
(2242, 'Plug-Ins', 'PSP Audioware', 'PSP MixTreble2', 'PSP Audioware PSP MixTreble2 ', '', 0, 0),
(2243, 'Plug-Ins', 'PSP Audioware', 'PSP MixBass2', 'PSP Audioware PSP MixBass2 ', '', 0, 0),
(2244, 'Plug-In Packs', 'PSP MixPack2', '', 'PSP MixPack2  2243,2239,2241,2240,2238,2242,', '2243,2239,2241,2240,2238,2242,', 0, 0),
(2245, 'Plug-Ins', 'PSP Audioware', 'PSP ClassicQ', 'PSP Audioware PSP ClassicQ ', '', 0, 0),
(2246, 'Plug-Ins', 'PSP Audioware', 'PSP ClassicQex', 'PSP Audioware PSP ClassicQex ', '', 0, 0),
(2247, 'Plug-Ins', 'PSP Audioware', 'PSP ConsoleQ', 'PSP Audioware PSP ConsoleQ ', '', 0, 0),
(2248, 'Plug-Ins', 'PSP Audioware', 'PSP McQ', 'PSP Audioware PSP McQ ', '', 0, 0),
(2249, 'Plug-Ins', 'PSP Audioware', 'PSP preQursor ', 'PSP Audioware PSP preQursor  ', '', 0, 0),
(2250, 'Plug-Ins', 'PSP Audioware', 'PSP RetroQ', 'PSP Audioware PSP RetroQ ', '', 0, 0),
(2251, 'Plug-In Packs', 'PSP sQuad', '', 'PSP sQuad  2245,2246,2247,2248,2250,2249,', '2245,2246,2247,2248,2250,2249,', 0, 0),
(2252, 'Plug-Ins', 'PSP Audioware', 'PSP PianoVerb', 'PSP Audioware PSP PianoVerb ', '', 0, 0),
(2253, 'Plug-Ins', 'PSP Audioware', 'PSP PseudoStereo ', 'PSP Audioware PSP PseudoStereo  ', '', 0, 0),
(2254, 'Plug-Ins', 'PSP Audioware', 'PSP StereoEnhancer', 'PSP Audioware PSP StereoEnhancer ', '', 0, 0),
(2255, 'Plug-Ins', 'PSP Audioware', 'PSP StereoController ', 'PSP Audioware PSP StereoController  ', '', 0, 0),
(2256, 'Plug-Ins', 'PSP Audioware', 'PSP StereoAnalyser', 'PSP Audioware PSP StereoAnalyser ', '', 0, 0),
(2257, 'Plug-Ins', 'PSP Audioware', 'PSP VintageMeter', 'PSP Audioware PSP VintageMeter ', '', 0, 0),
(2258, 'Plug-In Packs', 'PSP StereoPack', '', 'PSP StereoPack  2253,2256,2255,2254,', '2253,2256,2255,2254,', 0, 0),
(2259, 'Plug-In Packs', 'PSP TotalPack', '', 'PSP TotalPack  1710,1711,2232,2245,2246,2247,1713,2234,1714,2248,2243,2239,2241,2240,2238,2242,2233,2235,1721,2252,2253,2250,2256,2255,2254,2257,1723,2236,2237,2249,1722,', '1710,1711,2232,2245,2246,2247,1713,2234,1714,2248,2243,2239,2241,2240,2238,2242,2233,2235,1721,2252,2253,2250,2256,2255,2254,2257,1723,2236,2237,2249,1722,', 0, 0),
(2260, 'Plug-In Packs', 'PSP EffectPack', '', 'PSP EffectPack  1710,1711,2232,1713,2233,', '1710,1711,2232,1713,2233,', 0, 0),
(2261, 'Plug-In Packs', 'PSP ProcessorPack', '', 'PSP ProcessorPack  2245,2246,2247,2234,1714,2248,2243,2239,2241,2240,2238,2242,2235,2253,2250,2256,2255,2254,1723,2236,2237,2249,', '2245,2246,2247,2234,1714,2248,2243,2239,2241,2240,2238,2242,2235,2253,2250,2256,2255,2254,1723,2236,2237,2249,', 0, 0),
(2262, 'Plug-In Packs', 'Slate Digital Virtual Console Collection', '', 'Slate Digital Virtual Console Collection  1089,1090,', '1089,1090,', 0, 0),
(2263, 'Plug-In Packs', 'Sonalksis Essentials', '', 'Sonalksis Essentials  1113,1114,1115,', '1113,1114,1115,', 0, 0),
(2264, 'Plug-In Packs', 'Sonalksis Multiband Dynamics', '', 'Sonalksis Multiband Dynamics  1123,1124,', '1123,1124,', 0, 0),
(2265, 'Plug-In Packs', 'Sonalksis Creative Elements', '', 'Sonalksis Creative Elements  1110,1111,1112,', '1110,1111,1112,', 0, 0),
(2266, 'Plug-In Packs', 'Sonalksis Mastering Suite', '', 'Sonalksis Mastering Suite  1120,1119,1121,1122,', '1120,1119,1121,1122,', 0, 0),
(2267, 'Plug-In Packs', 'Sonalksis Studio One', '', 'Sonalksis Studio One  1123,1124,1117,1120,1119,1113,1114,1115,1121,1110,1111,1112,1122,', '1123,1124,1117,1120,1119,1113,1114,1115,1121,1110,1111,1112,1122,', 0, 0),
(2268, 'Plug-In Packs', 'Sonnox Elite', '', 'Sonnox Elite  787,208,789,790,791,792,209,', '787,208,789,790,791,792,209,', 0, 0),
(2269, 'Plug-In Packs', 'Sonnox Essential', '', 'Sonnox Essential  787,208,791,792,', '787,208,791,792,', 0, 0),
(2270, 'Plug-In Packs', 'Sonnox Engance', '', 'Sonnox Engance  789,790,209,', '789,790,209,', 0, 0),
(2271, 'Plug-In Packs', 'Sonnox Restore', '', 'Sonnox Restore  794,793,795,', '794,793,795,', 0, 0),
(2272, 'Plug-In Packs', 'Sonnox Broadcast', '', 'Sonnox Broadcast  787,208,789,790,792,', '787,208,789,790,792,', 0, 0),
(2273, 'Plug-In Packs', 'Sonnox Post', '', 'Sonnox Post  794,793,795,787,208,790,791,792,', '794,793,795,787,208,790,791,792,', 0, 0),
(2274, 'Plug-In Packs', 'Soundtoys TDM Bundle', '', 'Soundtoys TDM Bundle  212,1618,213,214,779,215,216,217,218,220,219,221,', '212,1618,213,214,779,215,216,217,218,220,219,221,', 0, 0),
(2275, 'Plug-Ins', 'Sugar Bytes', 'Turnado', 'Sugar Bytes Turnado ', '', 0, 0),
(2276, 'Plug-Ins', 'Sugar Bytes', 'Guitarist', 'Sugar Bytes Guitarist ', '', 0, 0),
(2277, 'Plug-Ins', 'Sugar Bytes', 'Thesys', 'Sugar Bytes Thesys ', '', 0, 0),
(2278, 'Plug-In Packs', 'Sugar Bytes Sugar Bundle', '', 'Sugar Bytes Sugar Bundle  1730,1731,2276,1732,2277,2275,1733,1734,1735,', '1730,1731,2276,1732,2277,2275,1733,1734,1735,', 0, 0),
(2279, 'Percussion', '', '', '  Claves', 'Claves', 0, 0),
(2280, 'Plug-In Packs', 'TC Electronic Mastering Bundle', '', 'TC Electronic Mastering Bundle  1155,1150,180,1148,', '1155,1150,180,1148,', 0, 0),
(2281, 'Percussion', '', '', '  Glockenspiel', 'Glockenspiel', 0, 0),
(2282, 'Plug-In Packs', 'TC Electronic Production Bundle', '', 'TC Electronic Production Bundle  1152,1150,1151,1153,1154,1149,', '1152,1150,1151,1153,1154,1149,', 0, 0),
(2283, 'Percussion', '', '', '  LP Congas', 'LP Congas', 0, 0),
(2284, 'Plug-In Packs', 'TC Electronic Studio Complete Bundle', '', 'TC Electronic Studio Complete Bundle  1155,1152,1150,180,1151,1153,1154,1148,1149,', '1155,1152,1150,180,1151,1153,1154,1148,1149,', 0, 0),
(2285, 'Percussion', '', '', '  Sleigh Bells', 'Sleigh Bells', 0, 0),
(2286, 'Percussion', '', '', '  Shakers', 'Shakers', 0, 0),
(2287, 'Percussion', '', '', '  Tambourine', 'Tambourine', 0, 0),
(2288, 'Percussion', '', '', '  Timpani', 'Timpani', 0, 0),
(2289, 'Percussion', '', '', '  Triangle', 'Triangle', 0, 0),
(2290, 'Percussion', '', '', '  Vibraphone', 'Vibraphone', 0, 0),
(2291, 'Plug-Ins', 'URS', 'Classic Console Strip Pro', 'URS Classic Console Strip Pro ', '', 0, 0),
(2292, 'Plug-Ins', 'URS', 'Classic Console Strip', 'URS Classic Console Strip ', '', 0, 0),
(2293, 'Plug-Ins', 'URS', 'MotorCity', 'URS MotorCity ', '', 0, 0),
(2294, 'Plug-Ins', 'URS', 'Vintage Cinema', 'URS Vintage Cinema ', '', 0, 0),
(2295, 'Plug-In Packs', 'URS Classic Console Strip Pro and Strip Bundle  ', '', 'URS Classic Console Strip Pro and Strip Bundle    2292,2291,', '2292,2291,', 0, 0),
(2296, 'Plug-In Packs', 'URS Everything EQ Bundle and  URS Classic Console Compressor Bundle  ', '', 'URS Everything EQ Bundle and  URS Classic Console Compressor Bundle    815,816,817,807,808,226,809,810,2293,811,812,227,813,814,2294,', '815,816,817,807,808,226,809,810,2293,811,812,227,813,814,2294,', 0, 0),
(2297, 'Plug-In Packs', ' URS Everything EQ Bundle ', '', ' URS Everything EQ Bundle   807,808,226,809,810,2293,811,812,227,813,814,2294,', '807,808,226,809,810,2293,811,812,227,813,814,2294,', 0, 0),
(2298, 'Plug-In Packs', 'URS 1970, 1975 and 1980 Compressor Bundle ', '', 'URS 1970, 1975 and 1980 Compressor Bundle   815,816,817,', '815,816,817,', 0, 0),
(2299, 'Plug-In Packs', 'URS Classic Console EQ and Compressor Bundle  ', '', 'URS Classic Console EQ and Compressor Bundle    815,817,807,808,811,812,', '815,817,807,808,811,812,', 0, 0),
(2300, 'Plug-In Packs', 'URS Classic Console Compressor Bundle', '', 'URS Classic Console Compressor Bundle  815,817,', '815,817,', 0, 0),
(2301, 'Plug-In Packs', 'URS Classic Console ANS EQ Bundle ', '', 'URS Classic Console ANS EQ Bundle   807,808,811,812,813,814,', '807,808,811,812,813,814,', 0, 0),
(2302, 'Plug-In Packs', 'URS Classic Console EQ Bundle v2.5 ', '', 'URS Classic Console EQ Bundle v2.5   807,808,811,812,', '807,808,811,812,', 0, 0),
(2303, 'Plug-In Packs', 'URS Classic Console Graphic EQ Bundle ', '', 'URS Classic Console Graphic EQ Bundle   226,227,', '226,227,', 0, 0),
(2304, 'Plug-In Packs', 'URS S series and MIX EQ Bundle ', '', 'URS S series and MIX EQ Bundle   813,814,', '813,814,', 0, 0),
(2305, 'Plug-In Packs', 'URS M series EQ Bundle', '', 'URS M series EQ Bundle  2293,2294,', '2293,2294,', 0, 0),
(2306, 'Plug-In Packs', 'URS FullTec and BLT EQ Bundle', '', 'URS FullTec and BLT EQ Bundle  809,810,', '809,810,', 0, 0),
(2307, 'Plug-In Packs', 'Waves Platinum', '', 'Waves Platinum  1178,1182,1181,1184,1198,1199,1202,1208,1270,1271,1274,1284,1285,1287,1290,1293,1294,1295,1311,1743,1307,1308,1309,1321,1747,1324,1325,1326,1329,1330,1331,1332,1333,1334,1335,1336,1337,1338,1339,1343,1344,1347,1373,1348,1351,1352,1353,', '1178,1182,1181,1184,1198,1199,1202,1208,1270,1271,1274,1284,1285,1287,1290,1293,1294,1295,1311,1743,1307,1308,1309,1321,1747,1324,1325,1326,1329,1330,1331,1332,1333,1334,1335,1336,1337,1338,1339,1343,1344,1347,1373,1348,1351,1352,1353,', 0, 0),
(2308, 'Percussion', '', '', '  Vibraphone', 'Vibraphone', 1, 0),
(2309, 'Equalisation', 'API', '550', 'API 550 Discrete 3 Band EQ', 'Discrete 3 Band EQ', 0, 0),
(2310, 'Drums', 'Istanbul', '20" Jazz Ride', 'Istanbul 20" Jazz Ride Cymbal', 'Cymbal', 0, 0),
(2311, 'Drums', 'Istanbul', '20" Ride', 'Istanbul 20" Ride Cymbal', 'Cymbal', 0, 0),
(2312, 'Convertors', 'Weiss', 'AFI1', 'Weiss AFI1 ', '', 0, 0),
(2313, 'Reverbs', 'EMT', '246', 'EMT 246 ', '', 0, 0),
(2314, 'Reverbs', 'EMT', '244', 'EMT 244 ', '', 0, 0),
(2315, 'FX&nbsp;Processors', 'Roland', 'Dimension D', 'Roland Dimension D SDD-320', 'SDD-320', 0, 0),
(2316, 'Reverbs', 'Roland', 'RV 800', 'Roland RV 800 ', '', 0, 0),
(2317, 'Delays', 'Lexicon', 'PCM 42', 'Lexicon PCM 42 ', '', 0, 0),
(2318, 'Delays', 'Lexicon', 'PCM 42', 'Lexicon PCM 42 ', '', 0, 0),
(2319, 'Reverbs', 'Sony', 'DRE S-777', 'Sony DRE S-777 ', '', 0, 0),
(2320, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Chandler Limited', 'TG 1', 'Chandler Limited TG 1 ', '', 0, 0),
(2321, 'Reverbs', 'Klark Teknik', 'DN 780', 'Klark Teknik DN 780 ', '', 0, 0),
(2322, 'FX&nbsp;Processors', 'Ensoniq', 'DP4+', 'Ensoniq DP4+ ', '', 0, 0),
(2323, 'Reverbs', 'EVENTIDE', 'PRINCETON 2016', 'EVENTIDE PRINCETON 2016 ', '', 1, 0),
(2324, 'Reverbs', 'LEXICON', 'PCM 70', 'LEXICON PCM 70 ', '', 1, 0),
(2325, 'FX&nbsp;Processors', 'Roland', 'SBF 325', 'Roland SBF 325 ', '', 0, 0),
(2326, 'FX&nbsp;Processors', 'SPL', 'Vitalizer', 'SPL Vitalizer ', '', 0, 0),
(2327, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;%3B&nbsp;Gates', 'Urei', 'LA22', 'Urei LA22 ', '', 0, 0),
(2328, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;%3B&nbsp;Gates', 'Teletronix', 'LA3A', 'Teletronix LA3A ', '', 0, 0),
(2329, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'TELETRONIX', 'LA3A', 'TELETRONIX LA3A ', '', 1, 0),
(2330, 'Mic&nbsp;Pre''s', 'INWARD CONNECTION', 'VAC RAC VRC 4', 'INWARD CONNECTION VAC RAC VRC 4 ', '', 0, 0),
(2331, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;%3B&nbsp;Gates', 'Inward Connection', 'VAC RAC PSU 2', 'Inward Connection VAC RAC PSU 2 ', '', 0, 0),
(2332, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'EAR', '660', 'EAR 660 ', '', 1, 0),
(2333, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'SMART RESEARCH', 'C2', 'SMART RESEARCH C2 ', '', 1, 0),
(2334, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'NEVE', '2254', 'NEVE 2254 ', '', 1, 0),
(2335, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'NEVE', '2254', 'NEVE 2254 ', '', 1, 0),
(2336, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'DBX', '160XT', 'DBX 160XT ', '', 0, 0),
(2337, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;%3B&nbsp;Gates', 'Focusrite', 'ISA 131', 'Focusrite ISA 131 ', '', 0, 0),
(2338, 'Distortion', 'Thermionic', 'Culture Vulture', 'Thermionic Culture Vulture Anniversary Edition', 'Anniversary Edition', 0, 0),
(2339, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;%3B&nbsp;Gates', 'Neve', '33609', 'Neve 33609 ', '', 0, 0),
(2340, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'DBX', '160SL', 'DBX 160SL ', '', 0, 0),
(2341, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'DBX', '165 A', 'DBX 165 A ', '', 0, 0),
(2342, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'DBX', '165 A', 'DBX 165 A ', '', 1, 0),
(2343, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;%3B&nbsp;Gates', 'Focusrite', 'Blue 230', 'Focusrite Blue 230 ', '', 0, 0),
(2344, 'FX&nbsp;Processors', 'TC ELECTRONIC', '1210', 'TC ELECTRONIC 1210 ', '', 1, 0),
(2345, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;%3B&nbsp;Gates', 'Focusrite', 'BLUE 315', 'Focusrite BLUE 315 ', '', 0, 0),
(2346, 'Equalisation', 'NEUMANN', 'W 495 STB', 'NEUMANN W 495 STB ', '', 0, 0),
(2347, 'Equalisation', 'NEUMANN', 'W 495 STB', 'NEUMANN W 495 STB ', '', 1, 0),
(2348, 'Equalisation', 'AVALON', 'E 55', 'AVALON E 55 ', '', 0, 0),
(2349, 'Equalisation', 'AVALON', 'E 55', 'AVALON E 55 ', '', 1, 0),
(2350, 'Equalisation', 'APHEX', 'EQF-2', 'APHEX EQF-2 ', '', 0, 0),
(2351, 'Equalisation', 'APHEX', 'EQF-2', 'APHEX EQF-2 ', '', 1, 0),
(2352, 'Equalisation', 'API', '560', 'API 560 ', '', 0, 0),
(2353, 'Equalisation', 'API', '560', 'API 560 ', '', 1, 0),
(2354, 'Mic&nbsp;Pre''s', 'SHADOW HILL', 'MONO GAMA', 'SHADOW HILL MONO GAMA ', '', 0, 0),
(2355, 'Sound&nbsp;Modules', 'INWARD CONNECTION', 'SPA690', 'INWARD CONNECTION SPA690 ', '', 0, 0),
(2356, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;%3B&nbsp;Gates', 'Focusrite', 'RED 3', 'Focusrite RED 3 ', '', 0, 0),
(2357, 'Equalisation', 'PULTEC', 'EQP1A3', 'PULTEC EQP1A3 ', '', 1, 0),
(2358, 'Equalisation', 'PULTEC', 'EQP1A3', 'PULTEC EQP1A3 ', '', 0, 0),
(2359, 'Equalisation', 'PULTEC', 'EQH-2', 'PULTEC EQH-2 ', '', 0, 0),
(2360, 'Equalisation', 'PULTEC', 'EQH-2', 'PULTEC EQH-2 ', '', 1, 0),
(2361, 'Equalisation', 'LANGEVIN', 'EQ258 A', 'LANGEVIN EQ258 A ', '', 0, 0),
(2362, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'NEVE', '33609', 'NEVE 33609 ', '', 1, 0),
(2363, 'Samplers', 'AKAI', 'S612', 'AKAI S612 ', '', 0, 0),
(2364, 'Samplers', 'AKAI', 'S612', 'AKAI S612 ', '', 1, 0),
(2365, 'Channel&nbsp;Strips', 'FOCUSRITE', 'ISA 110', 'FOCUSRITE ISA 110 ', '', 1, 0),
(2366, 'Channel&nbsp;Strips', 'FOCUSRITE', 'ISA 110', 'FOCUSRITE ISA 110 ', '', 1, 0),
(2367, 'Channel&nbsp;Strips', 'FOCUSRITE', 'ISA 110', 'FOCUSRITE ISA 110 ', '', 1, 0),
(2378, 'Amplifiers', 'YAMAHA', 'H7000', 'YAMAHA H7000 ', '', 0, 0),
(2369, 'Channel&nbsp;Strips', 'FOCUSRITE', 'ISA 110', 'FOCUSRITE ISA 110 ', '', 1, 0),
(2370, 'Channel&nbsp;Strips', 'FOCUSRITE', 'ISA 110', 'FOCUSRITE ISA 110 ', '', 1, 0),
(2377, 'Amplifiers', '', 'H7000', ' H7000 ', '', 0, 0),
(2372, 'Channel&nbsp;Strips', 'FOCUSRITE', 'ISA 110', 'FOCUSRITE ISA 110 ', '', 0, 0),
(2373, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'SPL', 'TRANSIENT DESIGNER', 'SPL TRANSIENT DESIGNER ', '', 1, 0),
(2376, 'Amplifiers', 'YAMAHA', 'H7000', 'YAMAHA H7000 ', '', 0, 0),
(2375, 'FX&nbsp;Processors', 'EVENTIDE', 'H3000', 'EVENTIDE H3000 ', '', 1, 0),
(2382, 'Amplifiers', 'YAMAHA', 'H7000', 'YAMAHA H7000 ', '', 0, 0),
(2383, 'Amplifiers', 'YAMAHA', 'H7000', 'YAMAHA H7000 ', '', 0, 0),
(2395, 'Mixing&nbsp;Desk', 'Matt', 'Final', 'Matt Final Test', 'Test', 0, 0),
(2396, 'Reverbs', 'AKG', 'ADR 68K', 'AKG ADR 68K ', '', 0, 0),
(2397, 'Reverbs', 'EMT', '252', 'EMT 252 ', '', 0, 0),
(2398, 'Sound&nbsp;Modules', 'Crane Song', 'Avocet', 'Crane Song Avocet ', '', 0, 0),
(2399, 'Convertors', 'Microsonic', 'Pacific HDCD', 'Microsonic Pacific HDCD ', '', 0, 0),
(2400, 'Convertors', 'Apogee', 'AD16X', 'Apogee AD16X ', '', 0, 0),
(2401, 'Convertors', 'Apogee', 'DA16X', 'Apogee DA16X ', '', 0, 0),
(2402, 'Microphones', 'Josephson', 'E 22 S', 'Josephson E 22 S ', '', 0, 0),
(2403, 'Microphones', 'Shure', '520DX Green Bullet', 'Shure 520DX Green Bullet Harmonica Microphone', 'Harmonica Microphone', 0, 0),
(2404, 'Microphones', 'AEA', 'R92', 'AEA R92 ', '', 0, 0),
(2405, 'Microphones', 'Revox', 'M 3 500', 'Revox M 3 500 ', '', 0, 0),
(2406, 'Microphones', 'Telefunken', 'AR-51', 'Telefunken AR-51 Condenser Pressure Gradient', 'Condenser Pressure Gradient', 0, 0),
(2407, 'Speakers', 'Barefoot', 'MM27', 'Barefoot MM27 ', '', 1, 0),
(2408, 'Speakers', 'ProAc', 'System 100', 'ProAc System 100 ', '', 0, 0),
(2409, 'Speakers', 'Fostex', '6301B', 'Fostex 6301B ', '', 0, 0),
(2410, 'Speakers', 'Tannoy', 'System 1000', 'Tannoy System 1000 ', '', 0, 0),
(2411, 'Speakers', 'Crown', 'Studio Reference 1', 'Crown Studio Reference 1 ', '', 0, 0),
(2412, 'Amplifiers', 'Simaudio', 'Celeste', 'Simaudio Celeste ', '', 0, 0),
(2413, 'Amplifiers', 'Yamaha', 'H5000', 'Yamaha H5000 ', '', 0, 0),
(2414, 'Amplifiers', 'Studer', 'A 68', 'Studer A 68 ', '', 0, 0),
(2415, 'Speakers', 'JBL', '4430', 'JBL 4430 ', '', 0, 0),
(2416, 'Mic&nbsp;Pre''s', 'Martech', 'MSS10', 'Martech MSS10 ', '', 0, 0),
(2417, 'DI&nbsp;/&nbsp;Reamp&nbsp;Boxes', 'Radial', 'J48', 'Radial J48 ', '', 0, 0),
(2418, 'DI&nbsp;/&nbsp;Reamp&nbsp;Boxes', 'Radial', 'JDV MK3', 'Radial JDV MK3 ', '', 0, 0),
(2419, 'DI&nbsp;/&nbsp;Reamp&nbsp;Boxes', 'Radial', 'SGI', 'Radial SGI ', '', 0, 0),
(2420, 'Mic&nbsp;Pre''s', 'BAE', '512', 'BAE 512 ', '', 0, 0),
(2421, 'FX&nbsp;Processors', 'Standard Audio', 'Level Or', 'Standard Audio Level Or ', '', 0, 0),
(2422, 'FX&nbsp;Processors', 'Jeanius', 'Russian Dragon', 'Jeanius Russian Dragon ', '', 0, 0),
(2423, 'Samplers', 'Akai', 'MD280', 'Akai MD280 ', '', 0, 0),
(2424, 'Samplers', 'Alan Smart', '2 tools', 'Alan Smart 2 tools ', '', 0, 0),
(2425, 'FX&nbsp;Processors', 'OTO', 'Biscuit', 'OTO Biscuit ', '', 0, 0),
(2426, 'Equalisation', 'Sontec', 'MEP-2507', 'Sontec MEP-2507 ', '', 0, 0),
(2427, 'Equalisation', 'Neve', '33115', 'Neve 33115 ', '', 0, 0),
(2428, 'Samplers', 'Ensoniq', 'ASR 10', 'Ensoniq ASR 10 ', '', 0, 0),
(2429, 'Samplers', 'Ensoniq', 'ASR 10 Rack', 'Ensoniq ASR 10 Rack ', '', 0, 0),
(2430, 'Samplers', 'Sequential Circuits', 'Six Track', 'Sequential Circuits Six Track ', '', 0, 0),
(2431, 'Interfaces', 'Avid', 'Digi 002', 'Avid Digi 002 ', '', 0, 0),
(2432, 'Samplers', 'EMU', 'ESI4000', 'EMU ESI4000 ', '', 0, 0),
(2433, 'Samplers', 'Line 6', 'POD 2.0', 'Line 6 POD 2.0 ', '', 0, 0),
(2434, 'Samplers', 'Digidesign', 'Serve LT', 'Digidesign Serve LT ', '', 0, 0),
(2435, 'Samplers', 'Little Labs', 'STD', 'Little Labs STD ', '', 0, 0),
(2436, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Inward Connection', 'Vac Rac TSL 3', 'Inward Connection Vac Rac TSL 3 ', '', 0, 0),
(2437, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Alan Smart', 'C2 Redroom', 'Alan Smart C2 Redroom ', '', 0, 0),
(2438, 'Computers', 'Apple', 'iMac', 'Apple iMac 20"', '20"', 0, 0),
(2439, 'Speakers', 'KRK', '9000B', 'KRK 9000B ', '', 0, 0),
(2440, 'Drums', 'Mitchel', '14" x 5" Steel Shell', 'Mitchel 14" x 5" Steel Shell Snare Drum', 'Snare Drum', 0, 0),
(2441, 'Drums', 'Paiste', '24" Ride', 'Paiste 24" Ride Cymbal', 'Cymbal', 0, 0),
(2442, 'Drums', 'Pearl', '8" Wild 900 China Splash', 'Pearl 8" Wild 900 China Splash ', '', 0, 0),
(2443, 'Drums', 'Sabian', '16" China', 'Sabian 16" China Cymbal', 'Cymbal', 0, 0),
(2444, 'Drums', 'Zanki', '16" China', 'Zanki 16" China Cymbal', 'Cymbal', 0, 0),
(2445, 'Speakers', '', '9000B', ' 9000B ', '', 0, 0),
(2446, 'Speakers', '', '9000B', ' 9000B ', '', 0, 0),
(2447, 'Headphones', 'Hear Technologies', 'Hear Back', 'Hear Technologies Hear Back Mixer Module', 'Mixer Module', 1, 0),
(2448, 'Headphones', 'Hear Technologies', 'Hear Back', 'Hear Technologies Hear Back ', '', 0, 0),
(2449, 'Speakers', 'KRK', '9000B', 'KRK 9000B Nearfield Monitors', 'Nearfield Monitors', 0, 0),
(2450, 'Amplifiers', 'Bryston', '3B SST', 'Bryston 3B SST 150w Power Amp', '150w Power Amp', 0, 0),
(2451, 'Amplifiers', 'Bryston', '3B ST', 'Bryston 3B ST 120w Power Amp', '120w Power Amp', 0, 0),
(2452, 'Amplifiers', 'Quad', '405-2', 'Quad 405-2 Power Amp', 'Power Amp', 0, 0),
(2453, 'Amplifiers', 'Quad', '520 F', 'Quad 520 F Power Amp', 'Power Amp', 0, 0),
(2454, 'Clocks', 'Digidesign', 'Sync', 'Digidesign Sync ', '', 0, 0),
(2455, 'Drums', 'Zildjian', '18" A Ride', 'Zildjian 18" A Ride Cymbal', 'Cymbal', 0, 0),
(2456, 'Drums', 'Zildjian', '20" K Custom Dry Ride', 'Zildjian 20" K Custom Dry Ride Cymbal', 'Cymbal', 0, 0),
(2457, 'Reverbs', 'AKG', 'BX25', 'AKG BX25 Spring Reverb', 'Spring Reverb', 0, 0),
(2458, 'DI&nbsp;/&nbsp;Reamp&nbsp;Boxes', 'DOD', '275', 'DOD 275 Active Direct Box', 'Active Direct Box', 0, 0),
(2459, 'Drums', 'Zildjian', '17" Crash', 'Zildjian 17" Crash Cymbal', 'Cymbal', 0, 0),
(2460, 'Microphones', 'Neumann', 'SM69', 'Neumann SM69 Tube (Stereo)', 'Tube (Stereo)', 0, 0),
(2461, 'Microphones', 'Neumann', 'SM69', 'Neumann SM69 Stereo Tube', 'Stereo Tube', 1, 0),
(2462, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'LA Classics', '1176LN Blackface', 'LA Classics 1176LN Blackface Peak Limiter', 'Peak Limiter', 0, 0),
(2463, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Urei ', '1176LN Black Face', 'Urei  1176LN Black Face Peak Limiter', 'Peak Limiter', 0, 0),
(2464, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Urei', '1176 Blue Face', 'Urei 1176 Blue Face Limiting Amplifier', 'Limiting Amplifier', 0, 0),
(2465, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'LA Classics', '1176LN Black Face', 'LA Classics 1176LN Black Face Limiting Amplifier', 'Limiting Amplifier', 0, 0),
(2466, 'Microphones', 'Sennheiser', '421N', 'Sennheiser 421N Vintage (White)', 'Vintage (White)', 1, 0),
(2467, 'Microphones', 'Sennheiser', '421 U', 'Sennheiser 421 U (Black)', '(Black)', 1, 0),
(2468, 'Microphones', 'Telefunken', '421', 'Telefunken 421 Vintage (White)', 'Vintage (White)', 1, 0),
(2469, 'Microphones', 'Sennheiser', '421 N', 'Sennheiser 421 N Vintage (White)', 'Vintage (White)', 1, 0),
(2470, 'Speakers', 'Quested', 'F11', 'Quested F11 Two Way Active Monitors', 'Two Way Active Monitors', 0, 0),
(2471, 'Microphones', 'Neumann', 'U 67', 'Neumann U 67 Valve', 'Valve', 1, 0),
(2472, 'Keyboards', 'Yamaha', 'C3', 'Yamaha C3 Baby Grand Piano', 'Baby Grand Piano', 0, 0),
(2473, 'Microphones', 'AEA', 'R84', 'AEA R84 Ribbon', 'Ribbon', 1, 0),
(2474, 'Plug-Ins', 'Synchro Arts Ltd', 'VocAlign', 'Synchro Arts Ltd VocAlign Plugin', 'Plugin', 0, 0),
(2475, 'Reverbs', 'Lexicon', '224X', 'Lexicon 224X Digital Reverb', 'Digital Reverb', 0, 0),
(2476, 'Drums', 'Zildjian', '18" A Medium Thin Crash', 'Zildjian 18" A Medium Thin Crash Cymbal', 'Cymbal', 0, 0),
(2477, 'Drums', 'Zildjian', '17" K Custom Fast Crash', 'Zildjian 17" K Custom Fast Crash Cymbal', 'Cymbal', 0, 0),
(2478, 'Drums', 'Zildjian', '13" K HiHats', 'Zildjian 13" K HiHats ', '', 0, 0),
(2479, 'Drums', 'Zildjian', '13" K Custom Dark HiHats', 'Zildjian 13" K Custom Dark HiHats ', '', 0, 0),
(2480, 'Drums', 'Zildjian', '13" A New Beat HiHats', 'Zildjian 13" A New Beat HiHats ', '', 0, 0),
(2481, 'Drums', 'Zildjian', '14" A New Beat HiHats', 'Zildjian 14" A New Beat HiHats ', '', 0, 0),
(2482, 'Drums', 'Zildjian', '12" A Extra Thin Splash', 'Zildjian 12" A Extra Thin Splash Cymbal', 'Cymbal', 0, 0),
(2483, 'Microphones', 'Crowley & Tripp', 'El Diablo', 'Crowley & Tripp El Diablo Ribbon Microphone', 'Ribbon Microphone', 0, 0),
(2484, 'Microphones', 'Earthworks', 'SR30', 'Earthworks SR30 ', '', 0, 0),
(2485, 'Microphones', 'Earthworks', 'TC20MP', 'Earthworks TC20MP Omni Microphones', 'Omni Microphones', 0, 0),
(2486, 'Microphones', 'Lomo', '19A1', 'Lomo 19A1 Tube', 'Tube', 0, 0),
(2487, 'Microphones', 'Lomo', '19A18', 'Lomo 19A18 Tube', 'Tube', 0, 0),
(2488, 'Microphones', 'Neumann Gefell', 'CMV-563', 'Neumann Gefell CMV-563 Detachable Head Tube', 'Detachable Head Tube', 0, 0),
(2489, 'Microphones', 'Melodium', 'Model 75A', 'Melodium Model 75A Dynamic Microphone', 'Dynamic Microphone', 0, 0),
(2490, 'Microphones', 'Optimus', 'PZM', 'Optimus PZM ', '', 0, 0),
(2491, 'Microphones', 'Reslo', 'CRH', 'Reslo CRH Directional Ribbon Microphone', 'Directional Ribbon Microphone', 0, 0),
(2492, 'Microphones', 'RTT', 'MKL101', 'RTT MKL101 Tube Bottle Microphone', 'Tube Bottle Microphone', 0, 0),
(2493, 'Microphones', 'Shure', 'Beta 91', 'Shure Beta 91 Kick Drum Microphone', 'Kick Drum Microphone', 0, 0),
(2494, 'Microphones', 'Sony', 'ECM-970', 'Sony ECM-970 ', '', 0, 0),
(2495, 'Microphones', 'Soundman', 'Binaural', 'Soundman Binaural Microphone', 'Microphone', 0, 0),
(2496, 'Microphones', 'STC', '4105', 'STC 4105 Moving Coil Microphone', 'Moving Coil Microphone', 0, 0),
(2497, 'Microphones', 'STC', '4037', 'STC 4037 Moving Coil Microphone', 'Moving Coil Microphone', 0, 0),
(2498, 'Microphones', 'Telefunken', 'M-411', 'Telefunken M-411 Dynamic Microphone', 'Dynamic Microphone', 0, 0),
(2499, 'Control&nbsp;Surfaces', 'Binson', 'PA602', 'Binson PA602 Pre Mixer Echo for Echorec', 'Pre Mixer Echo for Echorec', 0, 0),
(2500, 'Mixing&nbsp;Desk', 'Mackie', '1202-VLZ', 'Mackie 1202-VLZ Mixer', 'Mixer', 0, 0),
(2501, 'Mixing&nbsp;Desk', 'Shure', 'SR-101', 'Shure SR-101 Audio Console', 'Audio Console', 0, 0),
(2502, 'Plug-In Packs', 'Avid Digirack Plug-Ins', '', 'Avid Digirack Plug-Ins  109,110,111,112,113,114,115,116,117,118,119,120,121,122,138,139,140,141,142,143,144,145,', '109,110,111,112,113,114,115,116,117,118,119,120,121,122,138,139,140,141,142,143,144,145,', 0, 0),
(2503, 'Plug-Ins', 'Waves', 'MV2', 'Waves MV2 ', '', 1, 0),
(2504, 'Computers', 'Apple', '23"', 'Apple 23" Cinema Display', 'Cinema Display', 0, 0),
(2505, 'Plug-In Packs', 'Waves Gold', '', 'Waves Gold  1178,1181,1184,1198,1199,1202,1208,1270,1271,1274,1284,1311,1743,1308,1309,1321,1747,1326,1329,1332,1334,1745,1337,1343,1347,1348,1351,1352,1353,1355,', '1178,1181,1184,1198,1199,1202,1208,1270,1271,1274,1284,1311,1743,1308,1309,1321,1747,1326,1329,1332,1334,1745,1337,1343,1347,1348,1351,1352,1353,1355,', 0, 0),
(2506, 'Mixing&nbsp;Desk', 'SSL', '4000G+', 'SSL 4000G+ 56 Channel', '56 Channel', 0, 0),
(2507, 'Plug-In Packs', 'Avid Bomb Factory Essentials', '', 'Avid Bomb Factory Essentials  98,99,756,2508,100,101,102,', '98,99,756,2508,100,101,102,', 0, 0),
(2508, 'Plug-Ins', 'Avid', 'Bomb Factory Funk Logic Masterizer', 'Avid Bomb Factory Funk Logic Masterizer ', '', 0, 0),
(2509, 'Plug-Ins', 'Avid', '1-Band EQ III', 'Avid 1-Band EQ III ', '', 0, 0),
(2510, 'Plug-Ins', 'Avid', '4-Band EQ III', 'Avid 4-Band EQ III ', '', 0, 0),
(2511, 'Plug-Ins', 'Avid', '4-Band EQ III', 'Avid 4-Band EQ III ', '', 0, 0),
(2512, 'Plug-Ins', 'Avid', '7-Band EQ III', 'Avid 7-Band EQ III ', '', 0, 0),
(2513, 'Plug-Ins', 'Avid', 'AIR Chorus', 'Avid AIR Chorus ', '', 0, 0),
(2514, 'Plug-Ins', 'Avid', 'AIR Distortion', 'Avid AIR Distortion ', '', 0, 0),
(2515, 'Plug-Ins', 'Avid', 'AIR Dynamic Delay', 'Avid AIR Dynamic Delay ', '', 0, 0),
(2516, 'Plug-Ins', 'Avid', 'AIR Enhancer', 'Avid AIR Enhancer ', '', 0, 0),
(2517, 'Plug-Ins', 'Avid', 'AIR Ensemble', 'Avid AIR Ensemble ', '', 0, 0),
(2518, 'Plug-Ins', 'Avid', 'AIR Filter Gate', 'Avid AIR Filter Gate ', '', 0, 0),
(2519, 'Plug-Ins', 'Avid', 'AIR Flanger', 'Avid AIR Flanger ', '', 0, 0),
(2520, 'Plug-Ins', 'Avid', 'AIR Frequency Shifter', 'Avid AIR Frequency Shifter ', '', 0, 0),
(2521, 'Plug-Ins', 'Avid', 'AIR FuzzWah ', 'Avid AIR FuzzWah  ', '', 0, 0),
(2522, 'Plug-Ins', 'Avid', 'AIR KillEQ ', 'Avid AIR KillEQ  ', '', 0, 0),
(2523, 'Plug-Ins', 'Avid', 'AIR Lo-Fi', 'Avid AIR Lo-Fi ', '', 0, 0),
(2524, 'Plug-Ins', 'Avid', 'AIR MultiChorus', 'Avid AIR MultiChorus ', '', 0, 0),
(2525, 'Plug-Ins', 'Avid', 'AIR Multi-Delay', 'Avid AIR Multi-Delay ', '', 0, 0),
(2526, 'Plug-Ins', 'Avid', 'AIR Nonlinear Reverb', 'Avid AIR Nonlinear Reverb ', '', 0, 0),
(2527, 'Plug-Ins', 'Avid', 'AIR Phaser', 'Avid AIR Phaser ', '', 0, 0),
(2528, 'Plug-Ins', 'Avid', 'AIR Reverb', 'Avid AIR Reverb ', '', 0, 0),
(2529, 'Plug-Ins', 'Avid', 'AIR Spring Reverb', 'Avid AIR Spring Reverb ', '', 0, 0),
(2530, 'Plug-Ins', 'Avid', 'AIR StereoWidth', 'Avid AIR StereoWidth ', '', 0, 0),
(2531, 'Plug-Ins', 'Avid', 'AIR Talkbox', 'Avid AIR Talkbox ', '', 0, 0),
(2532, 'Plug-Ins', 'Avid', 'AIR Vintage Filter', 'Avid AIR Vintage Filter ', '', 0, 0),
(2533, 'Plug-In Packs', 'Avid Pro Tools 9 Bundled Plugins', '', 'Avid Pro Tools 9 Bundled Plugins  2509,2511,2512,2513,2514,2515,2516,2517,2518,2519,2520,2521,2522,2523,2525,2524,2526,2527,2528,2529,2530,2531,2532,97,98,99,100,101,2534,2535,2536,2537,2601,2602,2603,2538,2540,2541,151,2542,2543,2544,2545,2546,845,2547,', '2509,2511,2512,2513,2514,2515,2516,2517,2518,2519,2520,2521,2522,2523,2525,2524,2526,2527,2528,2529,2530,2531,2532,97,98,99,100,101,2534,2535,2536,2537,2601,2602,2603,2538,2540,2541,151,2542,2543,2544,2545,2546,845,2547,', 0, 0),
(2534, 'Plug-Ins', 'Avid', 'Chorus', 'Avid Chorus ', '', 0, 0),
(2535, 'Plug-Ins', 'Avid', 'Click', 'Avid Click ', '', 0, 0),
(2536, 'Plug-Ins', 'Avid', 'Compressor/Limiter', 'Avid Compressor/Limiter ', '', 0, 0),
(2537, 'Plug-Ins', 'Avid', 'D-Verb', 'Avid D-Verb ', '', 0, 0),
(2538, 'Plug-Ins', 'Avid', 'DigiReWire', 'Avid DigiReWire ', '', 0, 0),
(2539, 'Plug-Ins', 'Avid', 'Dither', 'Avid Dither ', '', 0, 0),
(2540, 'Plug-Ins', 'Avid', 'Dither', 'Avid Dither ', '', 1, 0),
(2541, 'Plug-Ins', 'Avid', 'Duplicate', 'Avid Duplicate ', '', 0, 0),
(2542, 'Plug-Ins', 'Avid', 'Expander/Gate', 'Avid Expander/Gate ', '', 0, 0),
(2543, 'Plug-Ins', 'Avid', 'Extra Long Delay II', 'Avid Extra Long Delay II ', '', 0, 0),
(2544, 'Plug-Ins', 'Avid', 'Flanger', 'Avid Flanger ', '', 0, 0),
(2545, 'Plug-Ins', 'Avid', 'Gain', 'Avid Gain ', '', 0, 0),
(2546, 'Plug-Ins', 'Avid', 'Invert', 'Avid Invert ', '', 0, 0),
(2547, 'Plug-Ins', 'Avid', 'Long Delay II', 'Avid Long Delay II ', '', 0, 0),
(2548, 'Plug-Ins', 'Avid', 'Medium Delay II', 'Avid Medium Delay II ', '', 0, 0),
(2549, 'Plug-Ins', 'Avid', 'Multi-Tap Delay', 'Avid Multi-Tap Delay ', '', 0, 0),
(2550, 'Plug-Ins', 'Avid', 'Normalize', 'Avid Normalize ', '', 0, 0),
(2551, 'Plug-Ins', 'Avid', 'Ping-Pong Delay', 'Avid Ping-Pong Delay ', '', 0, 0),
(2552, 'Plug-Ins', 'Avid', 'Pitch', 'Avid Pitch ', '', 0, 0);
INSERT INTO `equipment` (`id`, `category`, `manufacturer`, `model`, `name`, `type`, `soft_delete`, `pack`) VALUES (2553, 'Plug-Ins', 'Avid', 'Pitch Shift', 'Avid Pitch Shift ', '', 0, 0),
(2554, 'Plug-Ins', 'Avid', 'POWr Dither', 'Avid POWr Dither ', '', 0, 0),
(2555, 'Plug-Ins', 'Avid', 'Reverse', 'Avid Reverse ', '', 0, 0),
(2556, 'Plug-Ins', 'Avid', 'SansAmp', 'Avid SansAmp ', '', 0, 0),
(2557, 'Plug-Ins', 'Massey', 'DRT Drum Replacement Tool', 'Massey DRT Drum Replacement Tool ', '', 0, 0),
(2558, 'Plug-In Packs', 'Massey Plug-In Bundle', '', 'Massey Plug-In Bundle  176,2557,768,177,178,769,179,770,', '176,2557,768,177,178,769,179,770,', 0, 0),
(2559, 'Plug-Ins', 'Soundtoys', 'Devil-Loc deluxe', 'Soundtoys Devil-Loc deluxe Audio Level Destroyer', 'Audio Level Destroyer', 0, 0),
(2560, 'Plug-In Packs', 'Waves Renaissance Maxx Bundle', '', 'Waves Renaissance Maxx Bundle  1274,1329,1330,1331,1332,1333,1334,1745,1336,1373,', '1274,1329,1330,1331,1332,1333,1334,1745,1336,1373,', 0, 0),
(2561, 'Microphones', 'AEA', 'R84', 'AEA R84 Ribbon', 'Ribbon', 1, 0),
(2562, 'Microphones', 'Neumann', 'SM 69', 'Neumann SM 69 Valve ', 'Valve ', 0, 0),
(2563, 'Microphones', 'Neumann', 'SM 69', 'Neumann SM 69 Stereo Valve ', 'Stereo Valve ', 0, 0),
(2564, 'Microphones', 'Neumann', 'U 67', 'Neumann U 67 Valve ', 'Valve ', 0, 0),
(2565, 'Plug-Ins', 'Sound Toys', 'Decapitator', 'Sound Toys Decapitator Compressor', 'Compressor', 0, 0),
(2566, 'Plug-Ins', 'Sound Toys', 'Decapitator', 'Sound Toys Decapitator ', '', 0, 0),
(2567, 'Software', 'MAX MSP', '', 'MAX MSP  ', '', 0, 0),
(2568, 'Software', 'Propellerheads', 'Reason', 'Propellerheads Reason 4', '4', 0, 0),
(2569, 'Software', 'Apple', 'Final Cut', 'Apple Final Cut ', '', 0, 0),
(2570, 'Software', 'Apple', 'DVD Studio Pro', 'Apple DVD Studio Pro ', '', 0, 0),
(2571, 'Software', 'Adobe', 'Adobe Creative Suite', 'Adobe Adobe Creative Suite CS3', 'CS3', 0, 0),
(2572, 'Computers', 'Apple', 'iMac', 'Apple iMac 24"', '24"', 0, 0),
(2573, 'Delays', 'Roland', 'Chorus Echo', 'Roland Chorus Echo ', '', 0, 0),
(2574, 'Delays', 'Roland', 'Space Echo', 'Roland Space Echo ', '', 0, 0),
(2575, 'FX&nbsp;Processors', 'Yamaha', 'SPX990', 'Yamaha SPX990 ', '', 0, 0),
(2576, 'Reverbs', 'Alesis', 'Quadraverb 2', 'Alesis Quadraverb 2 ', '', 0, 0),
(2577, 'FX&nbsp;Processors', 'Yamaha', 'SPX90', 'Yamaha SPX90 ', '', 0, 0),
(2578, 'FX&nbsp;Processors', 'Yamaha', 'SPX90II', 'Yamaha SPX90II ', '', 0, 0),
(2579, 'Mic&nbsp;Pre''s', 'Summit Audio', 'TPA-200A', 'Summit Audio TPA-200A ', '', 0, 0),
(2580, 'Speakers', 'ProAc', 'Studio 100', 'ProAc Studio 100 ', '', 0, 0),
(2581, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Alan Smart', 'C1 Dual/Stereo Compressor', 'Alan Smart C1 Dual/Stereo Compressor ', '', 0, 0),
(2582, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Chandler', 'TG1 Stereo Compressor', 'Chandler TG1 Stereo Compressor ', '', 0, 0),
(2583, 'DI&nbsp;/&nbsp;Reamp&nbsp;Boxes', 'Tech 21 NYC', 'Sans Amp P8A-1', 'Tech 21 NYC Sans Amp P8A-1 ', '', 0, 0),
(2584, 'Channel&nbsp;Strips', 'Trident MTA', 'Dual Channel Strip', 'Trident MTA Dual Channel Strip ', '', 0, 0),
(2585, 'Channel&nbsp;Strips', 'Chandler', 'TG2', 'Chandler TG2 ', '', 0, 0),
(2586, 'Channel&nbsp;Strips', 'ADR', 'F769X-R Stereo Compressor', 'ADR F769X-R Stereo Compressor ', '', 0, 0),
(2587, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'ADR', 'F769X-R Stereo Compressor', 'ADR F769X-R Stereo Compressor ', '', 0, 0),
(2588, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Urei', '1176', 'Urei 1176 ', '', 0, 0),
(2589, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Universal Audio', '1176 LN', 'Universal Audio 1176 LN ', '', 0, 0),
(2590, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'SPL', 'Transient Designer 2', 'SPL Transient Designer 2 ', '', 0, 0),
(2591, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'ADL', '1000 Tube Compressor/Limiter', 'ADL 1000 Tube Compressor/Limiter ', '', 0, 0),
(2592, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Drawmer', 'DS201', 'Drawmer DS201 ', '', 0, 0),
(2593, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Valley Audio', 'Dynamite', 'Valley Audio Dynamite ', '', 0, 0),
(2594, 'Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates', 'Valley Audio', 'Dynamite 2', 'Valley Audio Dynamite 2 ', '', 0, 0),
(2595, 'FX&nbsp;Processors', 'Eventide', 'H4000', 'Eventide H4000 ', '', 0, 0),
(2596, 'FX&nbsp;Processors', 'Eventide', 'Orville', 'Eventide Orville ', '', 0, 0),
(2597, 'FX&nbsp;Processors', 'AMS', 'RMX16', 'AMS RMX16 ', '', 0, 0),
(2598, 'Reverbs', 'AMS', 'RMX16', 'AMS RMX16 ', '', 0, 0),
(2599, 'DI&nbsp;/&nbsp;Reamp&nbsp;Boxes', 'Anthony DeMaria Labs', 'Stereo Tube Direct', 'Anthony DeMaria Labs Stereo Tube Direct ', '', 0, 0),
(2600, 'Delays', 'Roland', 'RE-501 Chorus Echo', 'Roland RE-501 Chorus Echo ', '', 0, 0),
(2601, 'Plug-Ins', 'Avid', 'DC Offset Removal', 'Avid DC Offset Removal ', '', 0, 0),
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(18, 'Client Page', 'a:2:{s:6:"group1";a:2:{s:4:"name";s:5:"Intro";s:6:"layout";a:1:{i:1;a:3:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:17:"Introduction Text";s:5:"order";s:0:"";}}}s:6:"group2";a:3:{s:4:"name";s:16:"Featured Clients";s:5:"multi";s:1:"1";s:6:"layout";a:3:{i:1;a:3:{s:10:"field_type";s:4:"text";s:10:"field_name";s:11:"Client Name";s:5:"order";s:0:"";}i:2;a:3:{s:10:"field_type";s:5:"image";s:10:"field_name";s:12:"Client Image";s:5:"order";s:0:"";}i:3;a:3:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:18:"Client Description";s:5:"order";s:0:"";}}}}'),
(20, 'Intro', 'a:2:{s:6:"group1";a:2:{s:4:"name";s:0:"";s:6:"layout";a:1:{i:1;a:3:{s:10:"field_type";s:5:"image";s:10:"field_name";s:12:"Intro Splash";s:5:"order";s:0:"";}}}s:6:"group2";a:2:{s:4:"name";s:0:"";s:6:"layout";a:1:{i:1;a:3:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:10:"Intro Text";s:5:"order";s:0:"";}}}}'),
(19, 'Two Multis', 'a:2:{s:6:"group1";a:3:{s:4:"name";s:4:"Food";s:5:"multi";s:1:"1";s:6:"layout";a:2:{i:1;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:7:"Field 1";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}i:2;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:7:"Field 2";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}}}s:6:"group2";a:3:{s:4:"name";s:9:"Locations";s:5:"multi";s:1:"1";s:6:"layout";a:2:{i:1;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:7:"Field 1";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}i:2;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:7:"Field 2";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}}}}'),
(24, 'Equipment', 'a:1:{s:6:"group1";a:2:{s:4:"name";s:9:"Equipment";s:6:"layout";a:1:{i:1;a:4:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:9:"Equipment";s:13:"default_value";s:0:"";s:5:"order";s:1:"1";}}}}'),
(25, 'Press', 'a:1:{s:6:"group1";a:3:{s:4:"name";s:5:"Press";s:5:"multi";s:1:"1";s:6:"layout";a:4:{i:1;a:3:{s:10:"field_type";s:5:"image";s:10:"field_name";s:5:"Image";s:5:"order";s:0:"";}i:2;a:3:{s:10:"field_type";s:4:"text";s:10:"field_name";s:5:"Title";s:5:"order";s:0:"";}i:3;a:3:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:11:"Description";s:5:"order";s:0:"";}i:4;a:3:{s:10:"field_type";s:4:"file";s:10:"field_name";s:13:"File Location";s:5:"order";s:0:"";}}}}'),
(26, 'Session Videos', 'a:1:{s:6:"group1";a:3:{s:4:"name";s:13:"Session Video";s:5:"multi";s:1:"1";s:6:"layout";a:4:{i:1;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:13:"Session Title";s:13:"default_value";s:28:"Enter the title of the video";s:5:"order";s:1:"1";}i:2;a:4:{s:10:"field_type";s:5:"image";s:10:"field_name";s:15:"Video Thumbnail";s:13:"default_value";s:0:"";s:5:"order";s:1:"2";}i:3;a:4:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:17:"Video Description";s:13:"default_value";s:23:"Describe the video here";s:5:"order";s:1:"3";}i:4;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:9:"Video URL";s:13:"default_value";s:0:"";s:5:"order";s:1:"4";}}}}'),
(27, 'Mix Engineers', 'a:2:{s:6:"group1";a:2:{s:4:"name";s:13:"Online Mixing";s:6:"layout";a:1:{i:1;a:4:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:13:"Online Mixing";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}}}s:6:"group2";a:3:{s:4:"name";s:9:"Engineers";s:5:"multi";s:1:"1";s:6:"layout";a:2:{i:1;a:4:{s:10:"field_type";s:5:"image";s:10:"field_name";s:5:"Image";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}i:2;a:4:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:11:"Information";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}}}}'),
(28, 'Recent Clients', 'a:2:{s:6:"group1";a:3:{s:4:"name";s:16:"Featured Clients";s:5:"multi";s:1:"1";s:6:"layout";a:4:{i:1;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:11:"Client Name";s:13:"default_value";s:26:"Enter the client name here";s:5:"order";s:1:"1";}i:2;a:4:{s:10:"field_type";s:5:"image";s:10:"field_name";s:12:"Client Image";s:13:"default_value";s:0:"";s:5:"order";s:1:"2";}i:3;a:4:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:18:"Client Description";s:13:"default_value";s:0:"";s:5:"order";s:1:"3";}i:4;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:10:"Client URL";s:13:"default_value";s:0:"";s:5:"order";s:1:"4";}}}s:6:"group2";a:2:{s:4:"name";s:13:"Other Clients";s:6:"layout";a:1:{i:1;a:4:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:13:"Other Clients";s:13:"default_value";s:0:"";s:5:"order";s:1:"1";}}}}'),
(29, 'Mixing Studios', 'a:5:{s:6:"group1";a:2:{s:4:"name";s:12:"Introduction";s:6:"layout";a:1:{i:1;a:4:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:12:"Introduction";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}}}s:6:"group2";a:3:{s:4:"name";s:11:"SSL Studios";s:5:"multi";s:1:"1";s:6:"layout";a:2:{i:1;a:4:{s:10:"field_type";s:5:"image";s:10:"field_name";s:12:"Studio Image";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}i:2;a:4:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:18:"Studio Information";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}}}s:6:"group3";a:3:{s:4:"name";s:12:"Neve Studios";s:5:"multi";s:1:"1";s:6:"layout";a:2:{i:1;a:4:{s:10:"field_type";s:5:"image";s:10:"field_name";s:12:"Studio Image";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}i:2;a:4:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:18:"Studio Information";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}}}s:6:"group4";a:3:{s:4:"name";s:22:"Pro Tools Only Studios";s:5:"multi";s:1:"1";s:6:"layout";a:2:{i:1;a:4:{s:10:"field_type";s:5:"image";s:10:"field_name";s:12:"Studio Image";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}i:2;a:4:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:18:"Studio Description";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}}}s:6:"group5";a:3:{s:4:"name";s:15:"Vintage Studios";s:5:"multi";s:1:"1";s:6:"layout";a:2:{i:1;a:4:{s:10:"field_type";s:5:"image";s:10:"field_name";s:12:"Studio Image";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}i:2;a:4:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:18:"Studio Description";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}}}}'),
(30, 'Catering', 'a:2:{s:6:"group1";a:2:{s:4:"name";s:12:"Introduction";s:6:"layout";a:1:{i:1;a:4:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:12:"Introduction";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}}}s:6:"group2";a:3:{s:4:"name";s:8:"Catering";s:5:"multi";s:1:"1";s:6:"layout";a:2:{i:1;a:4:{s:10:"field_type";s:5:"image";s:10:"field_name";s:10:"Meal Image";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}i:2;a:4:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:16:"Meal Description";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}}}}'),
(31, 'Bedrooms', 'a:2:{s:6:"group1";a:2:{s:4:"name";s:8:"Bedrooms";s:6:"layout";a:1:{i:1;a:4:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:10:"Intro Text";s:13:"default_value";s:44:"Enter general information about the bedrooms";s:5:"order";s:1:"1";}}}s:6:"group2";a:3:{s:4:"name";s:12:"The Bedrooms";s:5:"multi";s:1:"1";s:6:"layout";a:4:{i:1;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:12:"Bedroom Name";s:13:"default_value";s:0:"";s:5:"order";s:1:"1";}i:2;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:16:"Bedroom Location";s:13:"default_value";s:39:"Enter the floor/are the bedroom resides";s:5:"order";s:1:"2";}i:3;a:4:{s:10:"field_type";s:5:"image";s:10:"field_name";s:13:"Bedroom Image";s:13:"default_value";s:0:"";s:5:"order";s:1:"3";}i:4;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:19:"Bedroom Description";s:13:"default_value";s:47:"Please enter a short description of the bedroom";s:5:"order";s:1:"4";}}}}'),
(32, 'Interviews', 'a:3:{s:6:"group1";a:2:{s:4:"name";s:0:"";s:6:"layout";a:2:{i:1;a:4:{s:10:"field_type";s:5:"image";s:10:"field_name";s:11:"Intro Image";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}i:2;a:4:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:10:"Intro Text";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}}}s:6:"group2";a:3:{s:4:"name";s:0:"";s:5:"multi";s:1:"1";s:6:"layout";a:2:{i:1;a:4:{s:10:"field_type";s:5:"image";s:10:"field_name";s:5:"Image";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}i:2;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:17:"Image Description";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}}}s:6:"group3";a:2:{s:4:"name";s:0:"";s:6:"layout";a:1:{i:1;a:4:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:11:"Description";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}}}}'),
(45, 'Building Gallery', 'a:1:{s:6:"group1";a:3:{s:4:"name";s:6:"Images";s:5:"multi";s:1:"1";s:6:"layout";a:2:{i:1;a:4:{s:10:"field_type";s:5:"image";s:10:"field_name";s:5:"Image";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}i:2;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:17:"Image Description";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}}}}'),
(33, 'Where to Stay', 'a:2:{s:6:"group1";a:2:{s:4:"name";s:12:"Introduction";s:6:"layout";a:1:{i:1;a:4:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:12:"Introduction";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}}}s:6:"group2";a:3:{s:4:"name";s:6:"Hotels";s:5:"multi";s:1:"1";s:6:"layout";a:3:{i:1;a:4:{s:10:"field_type";s:5:"image";s:10:"field_name";s:11:"Hotel Image";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}i:2;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:10:"Hotel Name";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}i:3;a:4:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:17:"Hotel Description";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}}}}'),
(34, 'What to do', 'a:3:{s:6:"group1";a:2:{s:4:"name";s:10:"Intro Text";s:6:"layout";a:1:{i:1;a:4:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:10:"Intro Text";s:13:"default_value";s:0:"";s:5:"order";s:1:"1";}}}s:6:"group2";a:3:{s:4:"name";s:8:"To Visit";s:5:"multi";s:1:"1";s:6:"layout";a:6:{i:1;a:4:{s:10:"field_type";s:5:"image";s:10:"field_name";s:11:"Place Image";s:13:"default_value";s:0:"";s:5:"order";s:1:"1";}i:2;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:5:"Title";s:13:"default_value";s:0:"";s:5:"order";s:1:"2";}i:3;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:7:"Address";s:13:"default_value";s:0:"";s:5:"order";s:1:"3";}i:4;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:12:"Phone Number";s:13:"default_value";s:0:"";s:5:"order";s:1:"4";}i:5;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:7:"Website";s:13:"default_value";s:0:"";s:5:"order";s:1:"5";}i:6;a:4:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:11:"Description";s:13:"default_value";s:0:"";s:5:"order";s:1:"6";}}}s:6:"group3";a:3:{s:4:"name";s:14:"To Eat & Drink";s:5:"multi";s:1:"1";s:6:"layout";a:6:{i:1;a:4:{s:10:"field_type";s:5:"image";s:10:"field_name";s:11:"Place Image";s:13:"default_value";s:0:"";s:5:"order";s:1:"1";}i:2;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:5:"Title";s:13:"default_value";s:0:"";s:5:"order";s:1:"2";}i:3;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:7:"Address";s:13:"default_value";s:0:"";s:5:"order";s:1:"3";}i:4;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:12:"Phone Number";s:13:"default_value";s:0:"";s:5:"order";s:1:"4";}i:5;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:7:"Website";s:13:"default_value";s:0:"";s:5:"order";s:1:"5";}i:6;a:4:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:11:"Description";s:13:"default_value";s:0:"";s:5:"order";s:1:"6";}}}}'),
(35, 'Floorplan', 'a:1:{s:6:"group1";a:2:{s:4:"name";s:10:"Some stuff";s:6:"layout";a:1:{i:1;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:5:"stuff";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}}}}'),
(36, 'Contact', 'a:1:{s:6:"group1";a:3:{s:4:"name";s:15:"Contact Details";s:5:"multi";s:1:"1";s:6:"layout";a:1:{i:1;a:3:{s:10:"field_type";s:4:"text";s:10:"field_name";s:13:"Contact Email";s:5:"order";s:0:"";}}}}'),
(37, 'Image Gallery', 'a:1:{s:6:"group1";a:3:{s:4:"name";s:6:"Images";s:5:"multi";s:1:"1";s:6:"layout";a:2:{i:1;a:4:{s:10:"field_type";s:5:"image";s:10:"field_name";s:5:"Image";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}i:2;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:17:"Image Description";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}}}}'),
(38, 'Location & Map', 'a:2:{s:6:"group1";a:2:{s:4:"name";s:3:"Map";s:6:"layout";a:4:{i:1;a:3:{s:10:"field_type";s:4:"text";s:10:"field_name";s:8:"Postcode";s:5:"order";s:0:"";}i:2;a:3:{s:10:"field_type";s:4:"text";s:10:"field_name";s:7:"Address";s:5:"order";s:0:"";}i:3;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:3:"lat";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}i:4;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:3:"lng";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}}}s:6:"group2";a:2:{s:4:"name";s:9:"Direction";s:6:"layout";a:1:{i:1;a:3:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:10:"Directions";s:5:"order";s:0:"";}}}}'),
(39, 'News', 'a:1:{s:6:"group1";a:2:{s:4:"name";s:5:"Stuff";s:6:"layout";a:1:{i:1;a:4:{s:10:"field_type";s:4:"text";s:10:"field_name";s:10:"Some stuff";s:13:"default_value";s:0:"";s:5:"order";s:0:"";}}}}'),
(40, 'Session Photos', 'a:1:{s:6:"group1";a:3:{s:4:"name";s:0:"";s:5:"multi";s:1:"1";s:6:"layout";a:2:{i:1;a:3:{s:10:"field_type";s:5:"image";s:10:"field_name";s:5:"Image";s:5:"order";s:1:"1";}i:2;a:3:{s:10:"field_type";s:4:"text";s:10:"field_name";s:17:"Image Description";s:5:"order";s:1:"2";}}}}'),
(44, 'Discography', 'a:2:{s:6:"group1";a:2:{s:4:"name";s:10:"Intro Text";s:6:"layout";a:1:{i:1;a:3:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:5:"Intro";s:5:"order";s:0:"";}}}s:6:"group2";a:3:{s:4:"name";s:11:"Discography";s:5:"multi";s:1:"1";s:6:"layout";a:4:{i:1;a:3:{s:10:"field_type";s:5:"image";s:10:"field_name";s:11:"Album Cover";s:5:"order";s:0:"";}i:2;a:3:{s:10:"field_type";s:4:"text";s:10:"field_name";s:18:"Artist/Album Title";s:5:"order";s:0:"";}i:3;a:3:{s:10:"field_type";s:4:"text";s:10:"field_name";s:4:"Date";s:5:"order";s:0:"";}i:4;a:3:{s:10:"field_type";s:8:"textarea";s:10:"field_name";s:11:"Description";s:5:"order";s:0:"";}}}}');

-- --------------------------------------------------------

-- 
-- Table structure for table `pages`
-- 

CREATE TABLE `pages` (
  `id` int(11) NOT NULL auto_increment,
  `studio_id` int(11) NOT NULL,
  `page_layout_id` int(11) NOT NULL,
  `content` longtext,
  `additional_content` longtext,
  PRIMARY KEY  (`id`)
) ENGINE=MyISAM AUTO_INCREMENT=281 DEFAULT CHARSET=utf8 AUTO_INCREMENT=281 ;

-- 
-- Dumping data for table `pages`
-- 

INSERT INTO `pages` (`id`, `studio_id`, `page_layout_id`, `content`, `additional_content`) VALUES (17, 4, 20, 'a:2:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:42:"201106031008572799847img_core_featured.jpg";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:111:"<p>Lorem ipsum dolor sit amet, consectetur adipiscing elit. Etiam porta sem malesuada magna mollis euismod.</p>";}}}s:2:"fr";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:42:"201106031008572799847img_core_featured.jpg";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:26:"<p>this is test french</p>";}}}}', NULL),
(14, 4, 18, 'a:2:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:17:"Introduction Text";s:11:"<p>test</p>";}}s:6:"group2";a:4:{i:1;a:3:{s:11:"Client Name";s:8:"client 1";s:12:"Client Image";s:32:"201106060845222890939footer2.jpg";s:18:"Client Description";s:20:"<p>client desc 1</p>";}i:2;a:3:{s:11:"Client Name";s:8:"client 2";s:12:"Client Image";s:42:"201106060851292623258img_core_featured.jpg";s:18:"Client Description";s:20:"<p>client desc 2</p>";}i:3;a:3:{s:11:"Client Name";s:8:"client 3";s:12:"Client Image";s:31:"20110606085049298132footer3.jpg";s:18:"Client Description";s:20:"<p>client 3 desc</p>";}i:4;a:3:{s:11:"Client Name";s:13:"Test Client 4";s:12:"Client Image";s:35:"201106120820092734876chair_feat.jpg";s:18:"Client Description";s:25:"<p>Test description 4</p>";}}}s:2:"fr";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:17:"Introduction Text";s:0:"";}}s:6:"group2";a:4:{i:1;a:3:{s:11:"Client Name";s:16:"le clienté duex";s:12:"Client Image";s:32:"201106060845222890939footer2.jpg";s:18:"Client Description";s:38:"<p>client&eacute; duex d&eacute;sc</p>";}i:2;a:3:{s:11:"Client Name";s:0:"";s:12:"Client Image";s:42:"201106060851292623258img_core_featured.jpg";s:18:"Client Description";s:0:"";}i:3;a:3:{s:11:"Client Name";s:0:"";s:12:"Client Image";s:31:"20110606085049298132footer3.jpg";s:18:"Client Description";s:0:"";}i:4;a:2:{s:11:"Client Name";s:0:"";s:18:"Client Description";s:0:"";}}}}', NULL),
(15, 2, 20, 'a:2:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:40:"201107061404172163723ab1-homepage-js.swf";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:1356:"<p><strong>Assault &amp; Battery 1 is an SSL mix room with a real edge.</strong> Based at the famous Battery complex in Willesden, the studio has been devised by two of the industry''s top producers, Alan Moulder and Flood, and is is Alan''s favourite room to mix in. Some of his most recent projects to have been mixed here include The Killers'' Sam''s Town, Bloc Party''s Intimacy, White Lies'' To Lose My Life, Wolfmother''s Cosmic Egg and Arctic Monkeys''Favourite Worst Nightmare.</p>\r\n<p>Assault &amp; Battery 1 is an intimate, individual and outstandingly accurate mix environment. An exceptional spec has been compiled by Alan and Flood throughout their careers. It features a pristine 72 Channel SSL G+ SL4000, a huge range of outboard including many rare and popular compressors, mic pres, reverbs and effects processors, and a Protools HD 192 rig loaded with an unbelievable number of plug-ins. There is also access to a magnificent choice of guitars and amps, complemented by Alan''s immense collection of pedals.</p>\r\n<p>The studio also comprises a large overdub booth, which is great for recording guitars and vocals. However it is also popularly used as a ''B Studio'' for editing, and even a chill-out lounge, made especially effective by its inspiring and atmospheric interior style, which adds to the character of this truly maverick mix room...</p>";}}}s:2:"fr";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:40:"201107061404172163723ab1-homepage-js.swf";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:0:"";}}}}', NULL),
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Paul</p>\r\n<p>Hofner Thinline With Bigsby Tremelo</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Interfaces</strong></p>\r\n<p>Digidesign 192</p>\r\n<p>Digidesign Sync HD</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MIDI</strong></p>\r\n<p>Digidesign MIDI I/O</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Mic&nbsp;Pre''s</strong></p>\r\n<p>Joe Meek Trident MTA Dual Channel</p>\r\n<p>Neve 1073 DPA</p>\r\n<p>Neve 1272 Mic Amps</p>\r\n<p>Quad Eight MM-310</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Mixing&nbsp;Desk</strong></p>\r\n<p>SSL SL4072 G Series 72 Channel</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Pedals</strong></p>\r\n<p>Boss Compression Sustainer Cs3</p>\r\n<p>Boss Hypermetal</p>\r\n<p>Danelectro Coolcat Pedal</p>\r\n<p>Danelectro Reel Echo</p>\r\n<p>Death By Audio Harmonic Transformer</p>\r\n<p>Death By Audio Interstellar Overdrive</p>\r\n<p>Digitech Whammy</p>\r\n<p>Dod Fx 13 Gonkulator Pedal</p>\r\n<p>Dod Fx 69 Grunge Pedal</p>\r\n<p>Electro Harmonix Big Muff Pi USA</p>\r\n<p>Electro Harmonix English Muffin</p>\r\n<p>Electro Harmonix Hot Tubes</p>\r\n<p>Electro Harmonix Micro Synthesizer</p>\r\n<p>Electro Harmonix POG</p>\r\n<p>Eventide Modfactor</p>\r\n<p>Eventide Timefactor</p>\r\n<p>Fender Tone Blender</p>\r\n<p>Foxx Tone Machine Pedal</p>\r\n<p>Hughes &amp; Kettner Rotosphere</p>\r\n<p>Ibanez Standard Fuzz Pedal</p>\r\n<p>Ibanez Tube Screamer</p>\r\n<p>Jim Dunlop Wha Wha</p>\r\n<p>Korg Kaoss Pad</p>\r\n<p>Korg Tone Works Pandora</p>\r\n<p>Line 6 D14 Delay Modular Pedal</p>\r\n<p>Line 6 D14 Delay Modular Pedal</p>\r\n<p>Line 6 Mm4 Modulation Modular Pedal</p>\r\n<p>Locomofon Fuzz Fabrik</p>\r\n<p>Locomofon Monito</p>\r\n<p>Lovetone Big Cheese Pedal</p>\r\n<p>Lovetone Meatball Pedal</p>\r\n<p>Lovetone Ring Stinger</p>\r\n<p>Lovetone Wobbulator Pedal</p>\r\n<p>MXR Dyna Comp</p>\r\n<p>Malekko Bassmaster</p>\r\n<p>Marshall Bb-2 Blues Breaker 2 Pedal</p>\r\n<p>Marshall Gv-2 Guvnor Plus Pedal</p>\r\n<p>Mesa Boogie Pre V Twin Amp Pedal</p>\r\n<p>Providence  80''s Delay</p>\r\n<p>Providence Anadime Chorus</p>\r\n<p>Providence Heat Blaster</p>\r\n<p>Providence Phase Force</p>\r\n<p>Providence Stampede Overdrive</p>\r\n<p>Providence Velvet Comp</p>\r\n<p>Roger Mayer  Voodoo Vibe Pedal</p>\r\n<p>SansAmp Bass Driver Di</p>\r\n<p>Sola Sound Tone Bender Fuzz Pedal</p>\r\n<p>Tech 21 SansAmp</p>\r\n<p>Way Huge Electronics Swollen Pickle</p>\r\n<p>Z-Vex Fuzz Factory</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Plug-Ins</strong></p>\r\n<p>Abbey Road TG12413 Limiter</p>\r\n<p>Antares Auto-Tune 7</p>\r\n<p>Aphex Aural Exciter</p>\r\n<p>Aphex Big Bottom Pro</p>\r\n<p>Audio Ease Altiverb 6</p>\r\n<p>Audio Ease Speakerphone</p>\r\n<p>Avid  Bomb Factory Funk Logic Masterizer</p>\r\n<p>Avid Bomb Factory BF-3A</p>\r\n<p>Avid Bomb Factory BF76</p>\r\n<p>Avid Bomb Factory Clip Remover</p>\r\n<p>Avid Bomb Factory Correlation Meter</p>\r\n<p>Avid Bomb Factory Fairchild 660</p>\r\n<p>Avid Bomb Factory Fairchild 670</p>\r\n<p>Avid Bomb Factory Meter Bridge</p>\r\n<p>Avid Bomb Factory Moogerfooger 12-Stage Phaser</p>\r\n<p>Avid Bomb Factory Moogerfooger Analog Delay</p>\r\n<p>Avid Bomb Factory Moogerfooger Lowpass Filter</p>\r\n<p>Avid Bomb Factory Moogerfooger Ring Modulator</p>\r\n<p>Avid Bomb Factory Noise Meter</p>\r\n<p>Avid Bomb Factory Pultec EQH-2</p>\r\n<p>Avid Bomb Factory Pultec EQP-1A</p>\r\n<p>Avid Bomb Factory Pultec MEQ-5</p>\r\n<p>Avid Bomb Factory Tel-Ray Variable Delay</p>\r\n<p>Avid Bomb Factory Tuner</p>\r\n<p>Avid Bomb Factory Voce Spin</p>\r\n<p>Avid Broadband Noise Reduction</p>\r\n<p>Avid D-Fi</p>\r\n<p>Avid DigiRack Chorus</p>\r\n<p>Avid DigiRack Click</p>\r\n<p>Avid DigiRack D-Verb</p>\r\n<p>Avid DigiRack DigiReWire</p>\r\n<p>Avid DigiRack Dither</p>\r\n<p>Avid DigiRack Dynamics II</p>\r\n<p>Avid DigiRack Dynamics III</p>\r\n<p>Avid DigiRack EQ II</p>\r\n<p>Avid DigiRack EQ III</p>\r\n<p>Avid DigiRack Flanger</p>\r\n<p>Avid DigiRack Invert/Duplicate</p>\r\n<p>Avid DigiRack Mod Delay II</p>\r\n<p>Avid DigiRack Multi-Tap Delay</p>\r\n<p>Avid DigiRack Normalize-Gain Change</p>\r\n<p>Avid DigiRack Ping-Pong Delay</p>\r\n<p>Avid DigiRack Pitch</p>\r\n<p>Avid DigiRack Reverse-DC Removal</p>\r\n<p>Avid DigiRack Signal Generator</p>\r\n<p>Avid DigiRack Time Comp-Exp-Pitch Shift</p>\r\n<p>Avid DigiRack TimeAdjuster</p>\r\n<p>Avid DigiRack TimeShift</p>\r\n<p>Avid DigiRack Trim</p>\r\n<p>Avid Eleven Free</p>\r\n<p>Avid Reel Tape Delay</p>\r\n<p>Avid Reverb One</p>\r\n<p>Avid Revibe</p>\r\n<p>Avid SoundReplacer</p>\r\n<p>Avid Trillium Lane Labs 	TL Space - TDM Edition</p>\r\n<p>Celemony Melodyne Assistant</p>\r\n<p>Cranesong Phoenix</p>\r\n<p>Drawmer Dynamics</p>\r\n<p>Elastic Audio</p>\r\n<p>Eventide E-Channel</p>\r\n<p>Eventide EQ45</p>\r\n<p>Eventide EQ65</p>\r\n<p>Eventide H3000 Band Delays</p>\r\n<p>Eventide H3000 Factory</p>\r\n<p>Eventide H910</p>\r\n<p>Eventide H949</p>\r\n<p>Eventide Instant Flanger</p>\r\n<p>Eventide Instant Phaser</p>\r\n<p>Eventide Octavox</p>\r\n<p>Eventide Omnipressor</p>\r\n<p>Eventide Precision Time Align</p>\r\n<p>Eventide Quadravox</p>\r\n<p>Eventide Reverb</p>\r\n<p>Eventide Ultra-Channel</p>\r\n<p>Focusrite D2</p>\r\n<p>Focusrite D3</p>\r\n<p>IK Multimedia AmpliTube</p>\r\n<p>IK Multimedia Classik Studio Reverb</p>\r\n<p>IZotope Vinyl</p>\r\n<p>Lexicon  PSP42</p>\r\n<p>Massenburg DesignWorks MDW High-Res Parametric EQ 3</p>\r\n<p>Massey CT4 Compressor</p>\r\n<p>Massey L2007 Mastering Limiter</p>\r\n<p>Massey TD5 Tape Delay</p>\r\n<p>Massey Tape-Head Saturation</p>\r\n<p>McDSP Channel G</p>\r\n<p>McDSP Chrome Tone</p>\r\n<p>McDSP FilterBank</p>\r\n<p>McDSP MC2000</p>\r\n<p>Native Instruments Guitar Rig 2</p>\r\n<p>Native Instruments Reaktor 5</p>\r\n<p>Native Instruments Spektral Delay</p>\r\n<p>Ohm Force Hematohm</p>\r\n<p>Ohm Force Mobilohm</p>\r\n<p>Ohm Force OhmBoyz</p>\r\n<p>Ohm Force OhmyGod</p>\r\n<p>Ohm Force Predatohm</p>\r\n<p>Ohm Force QuadFrohmage</p>\r\n<p>Serato Pitch ''n Time Pro</p>\r\n<p>Sonnox Oxford EQ</p>\r\n<p>Sonnox Oxford Transient Modulator</p>\r\n<p>Soundtoys Crystallizer</p>\r\n<p>Soundtoys EchoBoy</p>\r\n<p>Soundtoys FilterFreak</p>\r\n<p>Soundtoys PhaseMistress</p>\r\n<p>Soundtoys PitchBlender</p>\r\n<p>Soundtoys PitchDoctor</p>\r\n<p>Soundtoys PurePitch</p>\r\n<p>Soundtoys Speed</p>\r\n<p>Soundtoys TimeBlender</p>\r\n<p>Soundtoys Tremolator</p>\r\n<p>TC Electronic MasterX3</p>\r\n<p>URS A10 Series EQ</p>\r\n<p>URS N12 Series EQ</p>\r\n<p>Waves AudioTrack</p>\r\n<p>Waves C1 Comp &amp; Sidechain</p>\r\n<p>Waves C1 Comp-Gate</p>\r\n<p>Waves C1 Gate</p>\r\n<p>Waves C1 Parametric Compander</p>\r\n<p>Waves C4 MultiBand Compressor</p>\r\n<p>Waves DeEsser</p>\r\n<p>Waves Doppler</p>\r\n<p>Waves Doubler</p>\r\n<p>Waves Enigma</p>\r\n<p>Waves H-Comp Hybrid Compressor</p>\r\n<p>Waves H-Delay Hybrid Delay</p>\r\n<p>Waves IR-L Parametric Convolution Reverb</p>\r\n<p>Waves L1 Ultramaximizer</p>\r\n<p>Waves L2 Ultramaximizer</p>\r\n<p>Waves L3 Ultramaximizer</p>\r\n<p>Waves L3-LL Ultramaximizer</p>\r\n<p>Waves Linear Phase Equalizer Broadband</p>\r\n<p>Waves Linear Phase Equalizer Lowband</p>\r\n<p>Waves Linear Phase MultiBand</p>\r\n<p>Waves MV2 Dynamics Processor</p>\r\n<p>Waves MaxxBass</p>\r\n<p>Waves MaxxVolume</p>\r\n<p>Waves MetaFlanger</p>\r\n<p>Waves MondoMod</p>\r\n<p>Waves PAZ Analyzer</p>\r\n<p>Waves PS22 Stereo Maker</p>\r\n<p>Waves Platinum Bundle</p>\r\n<p>Waves PuigTec EQP-1A</p>\r\n<p>Waves PuigTec MEQ-5</p>\r\n<p>Waves Q10 Paragraphic Equalizer</p>\r\n<p>Waves Renaissance Axx</p>\r\n<p>Waves Renaissance Bass</p>\r\n<p>Waves Renaissance Channel</p>\r\n<p>Waves Renaissance Compressor</p>\r\n<p>Waves Renaissance DeEsser</p>\r\n<p>Waves Renaissance Equalizer</p>\r\n<p>Waves Renaissance Reverb</p>\r\n<p>Waves Renaissance Vox</p>\r\n<p>Waves S1 Stereo Imager</p>\r\n<p>Waves S1 Stereo Matrix</p>\r\n<p>Waves S1 Stereo Shuffler</p>\r\n<p>Waves SuperTap 2-Tap</p>\r\n<p>Waves SuperTap 6-Tap</p>\r\n<p>Waves TrueVerb</p>\r\n<p>Waves Tune LT</p>\r\n<p>Waves UltraPitch</p>\r\n<p>Waves V-Comp</p>\r\n<p>Waves V-EQ3</p>\r\n<p>Waves V-EQ4</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Reverbs</strong></p>\r\n<p>AKG BX5 Spring Reverb</p>\r\n<p>Alesis Quadraverb</p>\r\n<p>EMT 140</p>\r\n<p>Eventide Princeton 2016</p>\r\n<p>Lexicon PCM 60</p>\r\n<p>Lexicon PCM 70</p>\r\n<p>Ursa Major Space Station</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Ribbon&nbsp;Microphone</strong></p>\r\n<p>Lustraphone VR64</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Soft&nbsp;Synths</strong></p>\r\n<p>Access Virus Indigo</p>\r\n<p>Native Instruments Absynth 4</p>\r\n<p>Native Instruments Akoustik Piano</p>\r\n<p>Native Instruments B4 II Tonewheel Organ</p>\r\n<p>Native Instruments Battery 3</p>\r\n<p>Native Instruments Elektrik Piano</p>\r\n<p>Native Instruments FM8</p>\r\n<p>Native Instruments Kontakt 2</p>\r\n<p>Native Instruments Pro-53</p>\r\n<p>Native Instruments Vokator</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Software</strong></p>\r\n<p>Apple Logic Pro 8</p>\r\n<p>Apple OSX 10.4</p>\r\n<p>Avid Pro Tools 7.4.2</p>\r\n<p>Avid Pro Tools 8.1</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Speakers</strong></p>\r\n<p>ADAM Sub12</p>\r\n<p>ATC SCM20</p>\r\n<p>Auratone 5C</p>\r\n<p>Dynaudio BM15A</p>\r\n<p>KRK 7000b</p>\r\n<p>M-Audio Studiophile DSM2</p>\r\n<p>Quested S8</p>\r\n<p>Yamaha NS10 Studio</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Surround</strong></p>\r\n<p>Audient ASP510 Surround Sound Controller</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Synthesisers</strong></p>\r\n<p>Arp Odyssey</p>\r\n<p>Nord  Lead 2</p>\r\n<p>Roland Juno 106</p>\r\n<p>Roland VP330 Mellotron</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Valve&nbsp;Microphone</strong></p>\r\n<p>Neumann CMV-563</p>\r\n<p>&nbsp;</p>";}}}s:2:"fr";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:9:"Equipment";s:12611:"<p><strong>2&nbsp;Track&nbsp;Recorders</strong></p>\r\n<p>Alesis 3630</p>\r\n<p>Alesis Masterlink</p>\r\n<p>Ampex ATR-100</p>\r\n<p>Dolby 363</p>\r\n<p>Nakamichi DR-2</p>\r\n<p>Sony PCM-R700</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Bass&nbsp;Guitars</strong></p>\r\n<p>Yamaha  B2024 Bass</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Channel&nbsp;Strips</strong></p>\r\n<p>Avalon VT-737SP</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Clocks</strong></p>\r\n<p>Antelope Trinity</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Compressors&nbsp;/&nbsp;Limiters&nbsp;&amp;&nbsp;Gates</strong></p>\r\n<p>Anthony DeMaria Labs CL1000</p>\r\n<p>BSS DPR-402</p>\r\n<p>Chandler TG1 Abbey Road Special Edition</p>\r\n<p>Chiswick Reach Stereo Valve</p>\r\n<p>DBX 160</p>\r\n<p>DBX 160S</p>\r\n<p>DBX 902</p>\r\n<p>Dramastic Audio Obsidian</p>\r\n<p>Drawmer DS201</p>\r\n<p>Elysia  Mpressor</p>\r\n<p>Empirical Labs EL-8 Distressor</p>\r\n<p>Empirical Labs Fatso</p>\r\n<p>Inward Connections Vac Rac Limiter</p>\r\n<p>JBL Urei Model 7110</p>\r\n<p>Manley Variable MU</p>\r\n<p>Neve 33609</p>\r\n<p>Retro Sta-Level Gold Edition</p>\r\n<p>Ridge Farm The Boiler</p>\r\n<p>Urei 1176 Black Face</p>\r\n<p>Urei LA-4</p>\r\n<p>Valley People 610</p>\r\n<p>Valley People Dyna-Mite</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Computers</strong></p>\r\n<p>Apple 30" Cinema Display</p>\r\n<p>Apple Mac Pro 2 X 3 Ghz Quad-Core</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Condenser&nbsp;Microphone</strong></p>\r\n<p>AKG 414</p>\r\n<p>Bruel &amp; Kjaer 4011</p>\r\n<p>Neumann U47 Fet</p>\r\n<p>Shure B87</p>\r\n<p>Sony ECM-MS957</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Convertors</strong></p>\r\n<p>Lavry AD122-96 MkIII</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DI&nbsp;/&nbsp;Reamp&nbsp;Boxes</strong></p>\r\n<p>Little Labs IBP Analog Phase Alignment Tool</p>\r\n<p>Little Labs Redeye 3D Phantom Re-amp Box</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Delays</strong></p>\r\n<p>AMS DMX 1580S</p>\r\n<p>Deltatab Effectron</p>\r\n<p>Korg SSD-3000</p>\r\n<p>Lexicon PCM 42</p>\r\n<p>Lexicon Prime Time II</p>\r\n<p>Roland RE-201</p>\r\n<p>Roland RE-501</p>\r\n<p>Roland SDE 3000</p>\r\n<p>WEM Watkins Copicat</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Distortion</strong></p>\r\n<p>Thermionic Culture Vulture</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Drums</strong></p>\r\n<p>Roland TR-808</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Dynamic&nbsp;Microphone</strong></p>\r\n<p>Sennheiser MD 421</p>\r\n<p>Shure Beta 58a</p>\r\n<p>Shure SM58</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Equalisation</strong></p>\r\n<p>BSS DPR-901</p>\r\n<p>GML 8200</p>\r\n<p>Inward Connections Vac Rac 4000 Tube Step Equaliser</p>\r\n<p>Manley Massive Passive</p>\r\n<p>Moog Three Band Parametric EQ</p>\r\n<p>Summit Audio TPA-200B</p>\r\n<p>TL Audio N1</p>\r\n<p>&nbsp;</p>\r\n<p><strong>FX&nbsp;Processors</strong></p>\r\n<p>Aphex Aural Exciter</p>\r\n<p>Aphex Compellor</p>\r\n<p>BBE Sonic Maximizer</p>\r\n<p>DBX 120XP</p>\r\n<p>Digitech IPS33</p>\r\n<p>Dolby Model 361</p>\r\n<p>Eventide H3000</p>\r\n<p>Eventide H3500</p>\r\n<p>Eventide Orville</p>\r\n<p>Inward Connections Remote Stereo Mix Master</p>\r\n<p>MXR Autophaser</p>\r\n<p>MXR Flanger/Doubler</p>\r\n<p>Rupert Neve Portico 5042</p>\r\n<p>SPL Transient Designer 4</p>\r\n<p>Symetrix 511A</p>\r\n<p>Yamaha SPX 1000</p>\r\n<p>Yamaha SPX 90 Mk2</p>\r\n<p>Zoom 9010</p>\r\n<p>Zoom 9050</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Filters</strong></p>\r\n<p>Drawmer DF320</p>\r\n<p>Electrix Filter Factory</p>\r\n<p>Mutronics Mutator</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Guitar&nbsp;Amplifiers</strong></p>\r\n<p>Audio Kitchen Little Chopper 7WSE</p>\r\n<p>Audio Kitchen Secret Squirrel</p>\r\n<p>Marshall JCM800</p>\r\n<p>Roland JC-120</p>\r\n<p>Vox AC30</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Guitars&nbsp;</strong></p>\r\n<p>Charvel Surfcaster</p>\r\n<p>Fender Jaguar</p>\r\n<p>Fender Jazzmaster</p>\r\n<p>Fender Mustang</p>\r\n<p>Fender Stratocaster</p>\r\n<p>Gibson Flying V</p>\r\n<p>Gibson Les Paul</p>\r\n<p>Hofner Thinline With Bigsby Tremelo</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Interfaces</strong></p>\r\n<p>Digidesign 192</p>\r\n<p>Digidesign Sync HD</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MIDI</strong></p>\r\n<p>Digidesign MIDI I/O</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Mic&nbsp;Pre''s</strong></p>\r\n<p>Joe Meek Trident MTA Dual Channel</p>\r\n<p>Neve 1073 DPA</p>\r\n<p>Neve 1272 Mic Amps</p>\r\n<p>Quad Eight MM-310</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Mixing&nbsp;Desk</strong></p>\r\n<p>SSL SL4072 G Series 72 Channel</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Pedals</strong></p>\r\n<p>Boss Compression Sustainer Cs3</p>\r\n<p>Boss Hypermetal</p>\r\n<p>Danelectro Coolcat Pedal</p>\r\n<p>Danelectro Reel Echo</p>\r\n<p>Death By Audio Harmonic Transformer</p>\r\n<p>Death By Audio Interstellar Overdrive</p>\r\n<p>Digitech Whammy</p>\r\n<p>Dod Fx 13 Gonkulator Pedal</p>\r\n<p>Dod Fx 69 Grunge Pedal</p>\r\n<p>Electro Harmonix Big Muff Pi USA</p>\r\n<p>Electro Harmonix English Muffin</p>\r\n<p>Electro Harmonix Hot Tubes</p>\r\n<p>Electro Harmonix Micro Synthesizer</p>\r\n<p>Electro Harmonix POG</p>\r\n<p>Eventide Modfactor</p>\r\n<p>Eventide Timefactor</p>\r\n<p>Fender Tone Blender</p>\r\n<p>Foxx Tone Machine Pedal</p>\r\n<p>Hughes &amp; Kettner Rotosphere</p>\r\n<p>Ibanez Standard Fuzz Pedal</p>\r\n<p>Ibanez Tube Screamer</p>\r\n<p>Jim Dunlop Wha Wha</p>\r\n<p>Korg Kaoss Pad</p>\r\n<p>Korg Tone Works Pandora</p>\r\n<p>Line 6 D14 Delay Modular Pedal</p>\r\n<p>Line 6 D14 Delay Modular Pedal</p>\r\n<p>Line 6 Mm4 Modulation Modular Pedal</p>\r\n<p>Locomofon Fuzz Fabrik</p>\r\n<p>Locomofon Monito</p>\r\n<p>Lovetone Big Cheese Pedal</p>\r\n<p>Lovetone Meatball Pedal</p>\r\n<p>Lovetone Ring Stinger</p>\r\n<p>Lovetone Wobbulator Pedal</p>\r\n<p>MXR Dyna Comp</p>\r\n<p>Malekko Bassmaster</p>\r\n<p>Marshall Bb-2 Blues Breaker 2 Pedal</p>\r\n<p>Marshall Gv-2 Guvnor Plus Pedal</p>\r\n<p>Mesa Boogie Pre V Twin Amp Pedal</p>\r\n<p>Providence  80''s Delay</p>\r\n<p>Providence Anadime Chorus</p>\r\n<p>Providence Heat Blaster</p>\r\n<p>Providence Phase Force</p>\r\n<p>Providence Stampede Overdrive</p>\r\n<p>Providence Velvet Comp</p>\r\n<p>Roger Mayer  Voodoo Vibe Pedal</p>\r\n<p>SansAmp Bass Driver Di</p>\r\n<p>Sola Sound Tone Bender Fuzz Pedal</p>\r\n<p>Tech 21 SansAmp</p>\r\n<p>Way Huge Electronics Swollen Pickle</p>\r\n<p>Z-Vex Fuzz Factory</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Plug-Ins</strong></p>\r\n<p>Abbey Road TG12413 Limiter</p>\r\n<p>Antares Auto-Tune 7</p>\r\n<p>Aphex Aural Exciter</p>\r\n<p>Aphex Big Bottom Pro</p>\r\n<p>Audio Ease Altiverb 6</p>\r\n<p>Audio Ease Speakerphone</p>\r\n<p>Avid  Bomb Factory Funk Logic Masterizer</p>\r\n<p>Avid Bomb Factory BF-3A</p>\r\n<p>Avid Bomb Factory BF76</p>\r\n<p>Avid Bomb Factory Clip Remover</p>\r\n<p>Avid Bomb Factory Correlation Meter</p>\r\n<p>Avid Bomb Factory Fairchild 660</p>\r\n<p>Avid Bomb Factory Fairchild 670</p>\r\n<p>Avid Bomb Factory Meter Bridge</p>\r\n<p>Avid Bomb Factory Moogerfooger 12-Stage Phaser</p>\r\n<p>Avid Bomb Factory Moogerfooger Analog Delay</p>\r\n<p>Avid Bomb Factory Moogerfooger Lowpass Filter</p>\r\n<p>Avid Bomb Factory Moogerfooger Ring Modulator</p>\r\n<p>Avid Bomb Factory Noise Meter</p>\r\n<p>Avid Bomb Factory Pultec EQH-2</p>\r\n<p>Avid Bomb Factory Pultec EQP-1A</p>\r\n<p>Avid Bomb Factory Pultec MEQ-5</p>\r\n<p>Avid Bomb Factory Tel-Ray Variable Delay</p>\r\n<p>Avid Bomb Factory Tuner</p>\r\n<p>Avid Bomb Factory Voce Spin</p>\r\n<p>Avid Broadband Noise Reduction</p>\r\n<p>Avid D-Fi</p>\r\n<p>Avid DigiRack Chorus</p>\r\n<p>Avid DigiRack Click</p>\r\n<p>Avid DigiRack D-Verb</p>\r\n<p>Avid DigiRack DigiReWire</p>\r\n<p>Avid DigiRack Dither</p>\r\n<p>Avid DigiRack Dynamics II</p>\r\n<p>Avid DigiRack Dynamics III</p>\r\n<p>Avid DigiRack EQ II</p>\r\n<p>Avid DigiRack EQ III</p>\r\n<p>Avid DigiRack Flanger</p>\r\n<p>Avid DigiRack Invert/Duplicate</p>\r\n<p>Avid DigiRack Mod Delay II</p>\r\n<p>Avid DigiRack Multi-Tap Delay</p>\r\n<p>Avid DigiRack Normalize-Gain Change</p>\r\n<p>Avid DigiRack Ping-Pong Delay</p>\r\n<p>Avid DigiRack Pitch</p>\r\n<p>Avid DigiRack Reverse-DC Removal</p>\r\n<p>Avid DigiRack Signal Generator</p>\r\n<p>Avid DigiRack Time Comp-Exp-Pitch Shift</p>\r\n<p>Avid DigiRack TimeAdjuster</p>\r\n<p>Avid DigiRack TimeShift</p>\r\n<p>Avid DigiRack Trim</p>\r\n<p>Avid Eleven Free</p>\r\n<p>Avid Reel Tape Delay</p>\r\n<p>Avid Reverb One</p>\r\n<p>Avid Revibe</p>\r\n<p>Avid SoundReplacer</p>\r\n<p>Avid Trillium Lane Labs 	TL Space - TDM Edition</p>\r\n<p>Celemony Melodyne Assistant</p>\r\n<p>Cranesong Phoenix</p>\r\n<p>Drawmer Dynamics</p>\r\n<p>Elastic Audio</p>\r\n<p>Eventide E-Channel</p>\r\n<p>Eventide EQ45</p>\r\n<p>Eventide EQ65</p>\r\n<p>Eventide H3000 Band Delays</p>\r\n<p>Eventide H3000 Factory</p>\r\n<p>Eventide H910</p>\r\n<p>Eventide H949</p>\r\n<p>Eventide Instant Flanger</p>\r\n<p>Eventide Instant Phaser</p>\r\n<p>Eventide Octavox</p>\r\n<p>Eventide Omnipressor</p>\r\n<p>Eventide Precision Time Align</p>\r\n<p>Eventide Quadravox</p>\r\n<p>Eventide Reverb</p>\r\n<p>Eventide Ultra-Channel</p>\r\n<p>Focusrite D2</p>\r\n<p>Focusrite D3</p>\r\n<p>IK Multimedia AmpliTube</p>\r\n<p>IK Multimedia Classik Studio Reverb</p>\r\n<p>IZotope Vinyl</p>\r\n<p>Lexicon  PSP42</p>\r\n<p>Massenburg DesignWorks MDW High-Res Parametric EQ 3</p>\r\n<p>Massey CT4 Compressor</p>\r\n<p>Massey L2007 Mastering Limiter</p>\r\n<p>Massey TD5 Tape Delay</p>\r\n<p>Massey Tape-Head Saturation</p>\r\n<p>McDSP Channel G</p>\r\n<p>McDSP Chrome Tone</p>\r\n<p>McDSP FilterBank</p>\r\n<p>McDSP MC2000</p>\r\n<p>Native Instruments Guitar Rig 2</p>\r\n<p>Native Instruments Reaktor 5</p>\r\n<p>Native Instruments Spektral Delay</p>\r\n<p>Ohm Force Hematohm</p>\r\n<p>Ohm Force Mobilohm</p>\r\n<p>Ohm Force OhmBoyz</p>\r\n<p>Ohm Force OhmyGod</p>\r\n<p>Ohm Force Predatohm</p>\r\n<p>Ohm Force QuadFrohmage</p>\r\n<p>Serato Pitch ''n Time Pro</p>\r\n<p>Sonnox Oxford EQ</p>\r\n<p>Sonnox Oxford Transient Modulator</p>\r\n<p>Soundtoys Crystallizer</p>\r\n<p>Soundtoys EchoBoy</p>\r\n<p>Soundtoys FilterFreak</p>\r\n<p>Soundtoys PhaseMistress</p>\r\n<p>Soundtoys PitchBlender</p>\r\n<p>Soundtoys PitchDoctor</p>\r\n<p>Soundtoys PurePitch</p>\r\n<p>Soundtoys Speed</p>\r\n<p>Soundtoys TimeBlender</p>\r\n<p>Soundtoys Tremolator</p>\r\n<p>TC Electronic MasterX3</p>\r\n<p>URS A10 Series EQ</p>\r\n<p>URS N12 Series EQ</p>\r\n<p>Waves AudioTrack</p>\r\n<p>Waves C1 Comp &amp; Sidechain</p>\r\n<p>Waves C1 Comp-Gate</p>\r\n<p>Waves C1 Gate</p>\r\n<p>Waves C1 Parametric Compander</p>\r\n<p>Waves C4 MultiBand Compressor</p>\r\n<p>Waves DeEsser</p>\r\n<p>Waves Doppler</p>\r\n<p>Waves Doubler</p>\r\n<p>Waves Enigma</p>\r\n<p>Waves H-Comp Hybrid Compressor</p>\r\n<p>Waves H-Delay Hybrid Delay</p>\r\n<p>Waves IR-L Parametric Convolution Reverb</p>\r\n<p>Waves L1 Ultramaximizer</p>\r\n<p>Waves L2 Ultramaximizer</p>\r\n<p>Waves L3 Ultramaximizer</p>\r\n<p>Waves L3-LL Ultramaximizer</p>\r\n<p>Waves Linear Phase Equalizer Broadband</p>\r\n<p>Waves Linear Phase Equalizer Lowband</p>\r\n<p>Waves Linear Phase MultiBand</p>\r\n<p>Waves MV2 Dynamics Processor</p>\r\n<p>Waves MaxxBass</p>\r\n<p>Waves MaxxVolume</p>\r\n<p>Waves MetaFlanger</p>\r\n<p>Waves MondoMod</p>\r\n<p>Waves PAZ Analyzer</p>\r\n<p>Waves PS22 Stereo Maker</p>\r\n<p>Waves Platinum Bundle</p>\r\n<p>Waves PuigTec EQP-1A</p>\r\n<p>Waves PuigTec MEQ-5</p>\r\n<p>Waves Q10 Paragraphic Equalizer</p>\r\n<p>Waves Renaissance Axx</p>\r\n<p>Waves Renaissance Bass</p>\r\n<p>Waves Renaissance Channel</p>\r\n<p>Waves Renaissance Compressor</p>\r\n<p>Waves Renaissance DeEsser</p>\r\n<p>Waves Renaissance Equalizer</p>\r\n<p>Waves Renaissance Reverb</p>\r\n<p>Waves Renaissance Vox</p>\r\n<p>Waves S1 Stereo Imager</p>\r\n<p>Waves S1 Stereo Matrix</p>\r\n<p>Waves S1 Stereo Shuffler</p>\r\n<p>Waves SuperTap 2-Tap</p>\r\n<p>Waves SuperTap 6-Tap</p>\r\n<p>Waves TrueVerb</p>\r\n<p>Waves Tune LT</p>\r\n<p>Waves UltraPitch</p>\r\n<p>Waves V-Comp</p>\r\n<p>Waves V-EQ3</p>\r\n<p>Waves V-EQ4</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Reverbs</strong></p>\r\n<p>AKG BX5 Spring Reverb</p>\r\n<p>Alesis Quadraverb</p>\r\n<p>EMT 140</p>\r\n<p>Eventide Princeton 2016</p>\r\n<p>Lexicon PCM 60</p>\r\n<p>Lexicon PCM 70</p>\r\n<p>Ursa Major Space Station</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Ribbon&nbsp;Microphone</strong></p>\r\n<p>Lustraphone VR64</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Soft&nbsp;Synths</strong></p>\r\n<p>Access Virus Indigo</p>\r\n<p>Native Instruments Absynth 4</p>\r\n<p>Native Instruments Akoustik Piano</p>\r\n<p>Native Instruments B4 II Tonewheel Organ</p>\r\n<p>Native Instruments Battery 3</p>\r\n<p>Native Instruments Elektrik Piano</p>\r\n<p>Native Instruments FM8</p>\r\n<p>Native Instruments Kontakt 2</p>\r\n<p>Native Instruments Pro-53</p>\r\n<p>Native Instruments Vokator</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Software</strong></p>\r\n<p>Apple Logic Pro 8</p>\r\n<p>Apple OSX 10.4</p>\r\n<p>Avid Pro Tools 7.4.2</p>\r\n<p>Avid Pro Tools 8.1</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Speakers</strong></p>\r\n<p>ADAM Sub12</p>\r\n<p>ATC SCM20</p>\r\n<p>Auratone 5C</p>\r\n<p>Dynaudio BM15A</p>\r\n<p>KRK 7000b</p>\r\n<p>M-Audio Studiophile DSM2</p>\r\n<p>Quested S8</p>\r\n<p>Yamaha NS10 Studio</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Surround</strong></p>\r\n<p>Audient ASP510 Surround Sound Controller</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Synthesisers</strong></p>\r\n<p>Arp Odyssey</p>\r\n<p>Nord  Lead 2</p>\r\n<p>Roland Juno 106</p>\r\n<p>Roland VP330 Mellotron</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Valve&nbsp;Microphone</strong></p>\r\n<p>Neumann CMV-563</p>\r\n<p>&nbsp;</p>";}}}}', NULL),
(20, 2, 23, 'a:2:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{i:0;s:233:"<p>\r\n<p>Due to the studio being used by Alan Moulder and Flood for a large part of the year, rates are subject to application.</p>\r\n<p>&nbsp;</p>\r\n<p>Please call +44 (0) 207 232 0008 for further information on studio rates.</p>\r\n</p>";}}}s:2:"fr";a:1:{s:6:"group1";a:1:{i:1;a:1:{i:0;s:0:"";}}}}', NULL),
(21, 2, 34, 'a:2:{s:2:"en";a:3:{s:6:"group1";a:1:{i:1;a:1:{s:10:"Intro Text";s:553:"<p>Assault &amp; Battery 1 Mixing Studio is located just down the road from Willesden Green underground station, and the main town centre of Willesden with its selection of pubs and eateries. Further South in Kensal Green is a great selection of revitalised gastro pubs with great food and drink menus.&nbsp;<br /><br />Other nearby sites and attractions include the world-famous Wembley Stadium and Hampstead Heath, as well as a scattering of smaller activites. Here we have picked out a selection of recommendable places to go in your free time...</p>";}}s:6:"group2";a:7:{i:1;a:6:{s:11:"Place Image";s:32:"201106201545122547320wembley.jpg";s:5:"Title";s:7:"Wembley";s:7:"Address";s:54:"Wembley National Stadium Ltd, Wembley, London, HA9 0WS";s:12:"Phone Number";s:23:"Telephone 0844 980 8001";s:7:"Website";s:30:"http://www.wembleystadium.com/";s:11:"Description";s:274:"<p>The home of football hosts a fair few English victories, albeit currently outweighed by defeats! All the same, Wembley is one of the largest and most spectacular stadiums in the world. It''s a short bus ride away from the studio, so check out any matches being played.</p>";}i:2;a:6:{s:11:"Place Image";s:30:"201106201552322146478lords.jpg";s:5:"Title";s:5:"Lords";s:7:"Address";s:53:"Lord''s Cricket Ground, St John''s Wood, London NW8 8QN";s:12:"Phone Number";s:13:"020 7616 8500";s:7:"Website";s:25:"http://www.www.lords.org/";s:11:"Description";s:445:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">If you visit in the summer, you may want to investigate spending a day at the world''s most famous cricket ground. If you''re timing is extra lucky (and you have a some spare cash to find something for), you may want to join the rat race for a day at an England test match, although Middlesex county are often in town too throughout the summer.&nbsp;</span></p>";}i:3;a:6:{s:11:"Place Image";s:30:"201106201555112460283brent.jpg";s:5:"Title";s:22:"Brent Artists Resource";s:7:"Address";s:74:"The Gallery, Willesden Green Library Centre, 95 High Road, London NW10 2SF";s:12:"Phone Number";s:13:"020 8459 1421";s:7:"Website";s:39:"http://www.brentartistsresource.org.uk/";s:11:"Description";s:185:"<p>The Brent Artists Resource promotes a wide variation of works by artists in Brent. It is based in the gallery in Willesden Library Centre, less than five minutes from the studio.</p>";}i:4;a:6:{s:11:"Place Image";s:33:"201106201556052803399hamstead.jpg";s:5:"Title";s:15:"Hampstead Heath";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:326:"<p>North-West London (Hampstead/Highgate/Kentish Town).  Even studio boffs need to treat their skin to some sun once in a while! Hampstead Heath is probably the closest of London''s famous parklands. A good option for a summer''s afternoon, the Heath is not too far by tube/bus, and the views across the city are tremendous.</p>";}i:5;a:6:{s:11:"Place Image";s:37:"201106201558102912819brent-museum.jpg";s:5:"Title";s:12:"Brent Museum";s:7:"Address";s:75:"Brent Museum, Willesden Green Library Centre, 95 High Road, London NW10 2SF";s:12:"Phone Number";s:13:"020 8459 1421";s:7:"Website";s:36:"http://www.brent.gov.uk/heritage.nsf";s:11:"Description";s:240:"<p>Brent Muesum is another new cultural addition to Willesden, showcasing a vast array of artefacts linked to the local area. Like the Artist Resource, it is based in the Willesden Library Centre, just around the corner from the studio.</p>";}i:6;a:6:{s:11:"Place Image";s:36:"201106201601352730954kensalgreen.jpg";s:5:"Title";s:33:"Kensal Green (All Souls) Cemetery";s:7:"Address";s:63:"Harrow Road, London, W10 4RA (Kensal Green Underground Station)";s:12:"Phone Number";s:15:"(0)20 8969 0152";s:7:"Website";s:1:" ";s:11:"Description";s:180:"<p>Queen fans can visit the gravestone of Freddie Mercury at the Kensal Green cemetery. The burial ground contains an interesting variety of Victorian memorials and mausoleums.</p>";}i:7;a:6:{s:11:"Place Image";s:36:"2011063006465725661kilburnmarket.jpg";s:5:"Title";s:14:"Kilburn Market";s:7:"Address";s:39:"Kilburn High Road, Kilburn, London NW6.";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}}s:6:"group3";a:16:{i:1;a:6:{s:11:"Place Image";s:35:"201106300647152152909queensbury.jpg";s:5:"Title";s:14:"The Queensbury";s:7:"Address";s:48:"110 Walm Lane, Willesden Green, London, NW2 4RS.";s:12:"Phone Number";s:13:"020 8452 0171";s:7:"Website";s:21:"www.thequeensbury.net";s:11:"Description";s:353:"<p>After fighting your way out of Willesden Green tube station, you might be glad to see this haunt sitting next door! It serves anything from brunch in the morning, through to roasts on a Sunday. There''s a large wine and cocktail menu, (never a bad thing), a pub garden and all the spiffing interiors you''d expect for a top of the range gastro pub.</p>";}i:2;a:6:{s:11:"Place Image";s:33:"201106300647342936996paradise.jpg";s:5:"Title";s:12:"The Paradise";s:7:"Address";s:32:"19 Kilburn Lane, London, W10 4AE";s:12:"Phone Number";s:13:"020 8969 0098";s:7:"Website";s:29:"http://www.theparadise.co.uk/";s:11:"Description";s:389:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Since being taken over by new management in August ''07 (and briefly refurbished in April ''08 when this photo was taken!), The Paradise has shot-up in the opinions of local residents and workers. The food and drink is great, as is the music. The frequent cabaret nights seem popular too.&nbsp;</span></p>";}i:3;a:6:{s:11:"Place Image";s:34:"201106300648572427964greyhound.jpg";s:5:"Title";s:13:"The Greyhound";s:7:"Address";s:39:"64 Chamberlayne Road, London, NW10 3JJ.";s:12:"Phone Number";s:13:"020 8969 8080";s:7:"Website";s:0:"";s:11:"Description";s:273:"<p>One of the several gastro-pubs engulfing Kensal Green (a short bus ride south of Willesden), The Greyhound attracts a young and trendy crowd throughout the week. There is a pleasant beer garden out the back, supplementing the covered terrace at the front of the pub.</p>";}i:4;a:6:{s:11:"Place Image";s:37:"201106300649162474898chamberlayne.jpg";s:5:"Title";s:17:"The Chamberlayne ";s:7:"Address";s:30:"83 Chamberlayne Road, NW10 3ND";s:12:"Phone Number";s:14:"020 8960 4311 ";s:7:"Website";s:0:"";s:11:"Description";s:289:"<p>The Chamberlayne serves as another option to those seeking a haunt for eating, drinking or both. Set on the corner of an attractive tree-lined street, the entire side of the pub is lined by its popular terrace. The steaks have certainly acquired fans on the London pub blogosphere!!</p>";}i:5;a:6:{s:11:"Place Image";s:35:"201106300650042879524masonsarms.jpg";s:5:"Title";s:15:"The Masons Arms";s:7:"Address";s:47:"665 Harrow Road, Kensal Green, London, NW10 5NU";s:12:"Phone Number";s:14:"020 8960 2278 ";s:7:"Website";s:0:"";s:11:"Description";s:318:"<p>Boasting one of the best beer gardens in the area, The Masons Arms'' popularity seems to be ever-growing. In keeping with the interests of most of the pubs in this area, it prides itself on a great food and drink menu. There is a private hire room upstairs, whereas downstairs boasts a fantastic interior design.</p>";}i:6;a:6:{s:11:"Place Image";s:28:"201106300650182683097WIV.jpg";s:5:"Title";s:10:"William IV";s:7:"Address";s:33:"786 Harrow Road, London, NW10 5JX";s:12:"Phone Number";s:15:"020 8969 5944  ";s:7:"Website";s:0:"";s:11:"Description";s:305:"<p>The William IV has too undergone many changes of late, much to the approval of its clientele. The food menu now ranges from traditional pub nosh through to Tapas, with the Sunday Roast as popular as ever. This is another pub with a very likeable beer garden. The smoking ban has never been so easy!</p>";}i:7;a:6:{s:11:"Place Image";s:34:"201106300650332988629risingsun.jpg";s:5:"Title";s:14:"The Rising Sun";s:7:"Address";s:35:"25 Harlesden Road, London, NW10 2BY";s:12:"Phone Number";s:12:"020 8490 806";s:7:"Website";s:0:"";s:11:"Description";s:252:"<p>Less than 5-minutes away from the studio is The Rising Sun. More of a traditional pub that hasn''t caught onto the burgeoning gastro seen of the area, the food portions here are generous for a reasonable price. The staff are notoriously friendly.</p>";}i:8;a:6:{s:11:"Place Image";s:32:"201106300650432312699organic.jpg";s:5:"Title";s:17:"Organic For Life ";s:7:"Address";s:44:"80 Harlesden Road, Willesden Green, NW10 2BE";s:12:"Phone Number";s:14:"020 8459 3334 ";s:7:"Website";s:32:"http://www.organic-for-life.com/";s:11:"Description";s:264:"<p>Stocking over 1000 products of only organic food, this small characteristic shop offers a completely healthy option to the usual double-stuffed crust pizza and doner kebab!! Selling everything from the freshest fruit, veg and meats, to vegan and baby foods.</p>";}i:9;a:6:{s:11:"Place Image";s:35:"201106300650532398740littlestar.jpg";s:5:"Title";s:16:"The Little Star ";s:7:"Address";s:51:"26 Station Parade, Willesden Green, London, NW2 4NH";s:12:"Phone Number";s:15:"020 8830 5221  ";s:7:"Website";s:0:"";s:11:"Description";s:277:"<p>This terrific little restaurant is tucked behind Willesden Green station, and is renowned for great food at great prices. Some offers even include an incredible two course for &pound;5.50! An endearing element to the restaurant is its cosy and characteristic atmosphere.</p>";}i:10;a:6:{s:11:"Place Image";s:33:"201106300651052478942sushisay.jpg";s:5:"Title";s:9:"Sushi Say";s:7:"Address";s:30:"33b Walm Lane, London, NW2 5SH";s:12:"Phone Number";s:15:"020 8459 2971  ";s:7:"Website";s:0:"";s:11:"Description";s:225:"<p>The favourite local sushi bar by a long shot. Not only is the food great, but the staff are true pros, sharing their passion for their menus by explaining the qualities of each dish they serve, should you want them to.</p>";}i:11;a:6:{s:11:"Place Image";s:35:"201106300651412922861nikinoodle.jpg";s:5:"Title";s:11:"Niki Noodle";s:7:"Address";s:43:"53 Salusbury Road, West Hampstead, NW6 6NJ ";s:12:"Phone Number";s:14:"020 7372 5999 ";s:7:"Website";s:22:"http://nikinoodle.com/";s:11:"Description";s:201:"<p>This colourfully decorated noodle bar serves a wide range of good quality oriental cuisine. The Queens Park restaurant is the latest of several newly-opened London restaurants in the same chain.</p>";}i:12;a:6:{s:11:"Place Image";s:38:"201106300651552478160bakerandspice.jpg";s:5:"Title";s:16:"Baker and Spice ";s:7:"Address";s:34:"75 Salusbury Road, London, NW6 6NH";s:12:"Phone Number";s:13:"020 8830 5221";s:7:"Website";s:29:"http://www.bakerandspice.com/";s:11:"Description";s:288:"<p>The hugley-popular organic bakery/restaurant has a branch on Salusbury Road near Queens Park tube station. The company pride themselves on serving the freshest organic food, cooked daily and concocting delcious recipes from around the world, as well as selected seasonal varieties.</p>";}i:13;a:6:{s:11:"Place Image";s:37:"201106300652072645088salesburypub.jpg";s:5:"Title";s:34:"The Salusbury Pub and Dining Room ";s:7:"Address";s:38:"50-52 Salusbury Road, London, NW6 6NN ";s:12:"Phone Number";s:14:"020 7328 3286 ";s:7:"Website";s:0:"";s:11:"Description";s:280:"<p>An upmarket pub and diner, seemingly steering away from your bog-standard bangers &amp; mash, and opting for the slightly more sophisticated menu of pappardelle with hare in game sauce, and roast duck leg with sage and balsamic vinegar. Meals cost roughly &pound;18 / head.</p>";}i:14;a:6:{s:11:"Place Image";s:35:"201106300652192935873corribrest.jpg";s:5:"Title";s:15:"The Corrib Rest";s:7:"Address";s:35:"76 Salusbury Road, London, NW6 6PA ";s:12:"Phone Number";s:14:"020 76259585  ";s:7:"Website";s:0:"";s:11:"Description";s:286:"<p>Widely-appreciated as one of the best sports pubs in the North-West, The Corrib Rest provides a lively atmosphere on matchdays, however the staff still ensure that the often-large crowds are served quickly and efficiently. The food portions are reported to be more-than generous!</p>";}i:15;a:6:{s:11:"Place Image";s:38:"201106300652302925439princeofwales.jpg";s:5:"Title";s:19:"The Prince of Wales";s:7:"Address";s:35:"101 Willesden Lane, London, NW6 7SD";s:12:"Phone Number";s:14:"020 7624 9161 ";s:7:"Website";s:0:"";s:11:"Description";s:237:"<p>Since recently changing hands The Prince of Wales has gone up sharply in people''s opinions. There is a Chinese buffet on weekdays, and a very popular roast carvery on Sundays. The Saturday night Karaoke may be of interest to some.</p>";}i:16;a:6:{s:11:"Place Image";s:33:"201106300652512378636goodship.jpg";s:5:"Title";s:14:"The Good Ship ";s:7:"Address";s:47:"289 Kilburn High Road, Kilburn, London, NW6 7JR";s:12:"Phone Number";s:14:"020 8208 9292 ";s:7:"Website";s:29:"http://www.thegoodship.co.uk/";s:11:"Description";s:220:"<p>One of the Lumianire''s closest neighbours, The Good Ship has established a rapidly growing reputation for attracting great bands and artists since its opening in 2005. Their upcoming listings are on their website.</p>";}}}s:2:"fr";a:3:{s:6:"group1";a:1:{i:1;a:1:{s:10:"Intro Text";s:32:"<p>Testing french intro text</p>";}}s:6:"group2";a:7:{i:1;a:6:{s:11:"Place Image";s:32:"201106201545122547320wembley.jpg";s:5:"Title";s:0:"";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}i:2;a:6:{s:11:"Place Image";s:30:"201106201552322146478lords.jpg";s:5:"Title";s:0:"";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}i:3;a:6:{s:11:"Place Image";s:30:"201106201555112460283brent.jpg";s:5:"Title";s:0:"";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}i:4;a:6:{s:11:"Place Image";s:33:"201106201556052803399hamstead.jpg";s:5:"Title";s:0:"";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}i:5;a:6:{s:11:"Place Image";s:37:"201106201558102912819brent-museum.jpg";s:5:"Title";s:0:"";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}i:6;a:6:{s:11:"Place Image";s:36:"201106201601352730954kensalgreen.jpg";s:5:"Title";s:0:"";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}i:7;a:6:{s:11:"Place Image";s:36:"2011063006465725661kilburnmarket.jpg";s:5:"Title";s:0:"";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}}s:6:"group3";a:16:{i:1;a:6:{s:11:"Place Image";s:35:"201106300647152152909queensbury.jpg";s:5:"Title";s:0:"";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}i:2;a:6:{s:11:"Place Image";s:33:"201106300647342936996paradise.jpg";s:5:"Title";s:0:"";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}i:3;a:6:{s:11:"Place Image";s:34:"201106300648572427964greyhound.jpg";s:5:"Title";s:0:"";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}i:4;a:6:{s:11:"Place Image";s:37:"201106300649162474898chamberlayne.jpg";s:5:"Title";s:0:"";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}i:5;a:6:{s:11:"Place Image";s:35:"201106300650042879524masonsarms.jpg";s:5:"Title";s:0:"";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}i:6;a:6:{s:11:"Place Image";s:28:"201106300650182683097WIV.jpg";s:5:"Title";s:0:"";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}i:7;a:6:{s:11:"Place Image";s:34:"201106300650332988629risingsun.jpg";s:5:"Title";s:0:"";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}i:8;a:6:{s:11:"Place Image";s:32:"201106300650432312699organic.jpg";s:5:"Title";s:0:"";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}i:9;a:6:{s:11:"Place Image";s:35:"201106300650532398740littlestar.jpg";s:5:"Title";s:0:"";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}i:10;a:6:{s:11:"Place Image";s:33:"201106300651052478942sushisay.jpg";s:5:"Title";s:0:"";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}i:11;a:6:{s:11:"Place Image";s:35:"201106300651412922861nikinoodle.jpg";s:5:"Title";s:0:"";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}i:12;a:6:{s:11:"Place Image";s:38:"201106300651552478160bakerandspice.jpg";s:5:"Title";s:0:"";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}i:13;a:6:{s:11:"Place Image";s:37:"201106300652072645088salesburypub.jpg";s:5:"Title";s:0:"";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}i:14;a:6:{s:11:"Place Image";s:35:"201106300652192935873corribrest.jpg";s:5:"Title";s:0:"";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}i:15;a:6:{s:11:"Place Image";s:38:"201106300652302925439princeofwales.jpg";s:5:"Title";s:0:"";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}i:16;a:6:{s:11:"Place Image";s:33:"201106300652512378636goodship.jpg";s:5:"Title";s:0:"";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}}}}', NULL);
INSERT INTO `pages` (`id`, `studio_id`, `page_layout_id`, `content`, `additional_content`) VALUES (22, 8, 20, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:35:"201106061145232994704index_live.jpg";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:1463:"<div>The Pool recording studio is our sensational, groundbreaking tracking studio based in the main Miloco complex in Bermondsey SE1. The studio was rebuilt in the summer of 2009 and is now completely revitalized, offering clients more choice, versatility and a whole new way of working.</div>\r\n<div></div>\r\n<div>The Pool now features a brand new control room which rises above the studio''s vast live space. The control room has been designed to maximise space and therefore not encroach too much on the Pool''s live space. It is filled with producer Ben Hillier''s immense collection of vintage analogue gear, including a rare EMT console and stacks of outboard and microphones. Now engineers and producers can take advantage of Ben''s equipment and The Pool''s incredible tracking space from behind closed doors. However the studio''s new versatile design allows for the control room gear to be relocated and set up in the live room, meaning extreme open recording can continue as it did before.</div>\r\n<div></div>\r\n<div>The live room has been completely refurbished, and now features a large drum booth at the far end, again rising above the ground level. We have added brand new lighting, made numerous acoustic enhancements and have relocated the entrance. It is now a beautifully presented, expansive and daylit tracking space which bands, producers and engineers will love recording in. Welcome to London''s greatest reinvented world class tracking room...</div>";}}}}', NULL),
(195, 9, 34, 'a:1:{s:2:"en";a:3:{s:6:"group1";a:1:{i:1;a:1:{s:10:"Intro Text";s:1222:"<p>&nbsp;</p>\r\n<p>With the bustling Lark Lane on your doorstep, there''s every chance that you''ll be regularly tempted away from the studio for a few hours each week to sample the local delights. It is no exaggeration to state that this small, colourful and friendly strip has pretty much every type of restaurant you can think of, plus a fantastic choice of pubs and bars which all light-up in the evening when the hoards head to ''the Lane''!&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>Further into the depths of Central Liverpool there''s countless more attractions and things to do. Having held the baton for ''European Capital of Culture'' in 2008 it is a magnet for visitors wanting to soak up the wonders of this world famous port city. From nightclubs to river tours, shopping malls to world-famous landmarks, Merseybeat culture to Premiership football, there''s a hell of a lot to do if you find the time!&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>Below is a good selection of places to eat and drink on Lark Lane, and some other recommendable attractions around the city. There are of course plenty of other places not listed which we''ll leave for you to seek out should you wish to, but this should get you well on your way...</p>\r\n<p>&nbsp;</p>";}}s:6:"group2";a:11:{i:1;a:6:{s:11:"Place Image";s:31:"20110626073006240129Anfield.jpg";s:5:"Title";s:7:"Anfield";s:7:"Address";s:68:"Liverpool Football Club, Anfield Road, Liverpool, Merseyside, L4 OTH";s:12:"Phone Number";s:19:"+44 (0)151 263 2361";s:7:"Website";s:49:"http://www.liverpoolfc.tv/welcome-to-liverpool-fc";s:11:"Description";s:605:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: small;"><span style="font-size: 12px;">The record books show that Liverpool FC is officially the most successful football club in English history, and it is one of the most widely-supported teams in the world. The ''Spanish Revolution'' of players and coaching staff has re-established Liverpool as one of Europe''s strongest sides, and since 2005 they have won both the European Champions League and FA Cup. They boast some of the world''s best players, which is certainly worth trying to get tickets for!&nbsp;</span></span></p>";}i:2;a:6:{s:11:"Place Image";s:32:"201106260730362433559everton.jpg";s:5:"Title";s:13:"Goodison Park";s:7:"Address";s:59:"Everton FC, Goodison Park, Goodison Road, Liverpool, L4 4EL";s:12:"Phone Number";s:13:"0870 442 1878";s:7:"Website";s:35:"http://www.evertonfc.com/splash.php";s:11:"Description";s:460:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Everton FC is another one of English Football''s most historic clubs, and in recent years have firmly cemented themselves as one of the Premiership''s top-half sides. Like their bitter local rivals Liverpool FC, the "blue-half" of the city are renowned as some of the best supporters, so a trip to see a match would certainly be a worthwhile experience.&nbsp;<br /></span></p>";}i:3;a:6:{s:11:"Place Image";s:29:"201106260731072298952echo.jpg";s:5:"Title";s:20:"Liverpool Echo Arena";s:7:"Address";s:61:"Arena and Convention Centre, Monarchs Quay, Liverpool, L3 4FP";s:12:"Phone Number";s:13:"0844 8000 400";s:7:"Website";s:28:"http://www.accliverpool.com/";s:11:"Description";s:570:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The ACC Liverpool Development on the city''s waterfront was opened in 2008 and is split between the BT convention centre and the Echo Arena. Assuming you''ll agree with us that the latter half is the more interesting of the two, you may want to go down to taste the events which make it so: concerts, comedy, family entertainment and sport are all regularly on the bill, resulting in The Echo Arena fast-establishing itself as one of the UK''s most popular large venues.&nbsp;</span></p>";}i:4;a:6:{s:11:"Place Image";s:32:"201106260731292956331beatles.jpg";s:5:"Title";s:28:"The Beatles Story Exhibition";s:7:"Address";s:42:"Britannia Pavilion, Albert Dock, Liverpool";s:12:"Phone Number";s:13:"0151 709 1963";s:7:"Website";s:28:"http://www.beatlesstory.com/";s:11:"Description";s:406:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">You''ll find it hard to avoid tributes to the Fab Four in Liverpool, even if you wanted to. Should you want to go all out then one of the most well-known spots is The Beatles Story Exhibition on Albert Dock, where you can spend a couple of hours expanding your knowledge of the band, no doubt about that!&nbsp;</span></p>";}i:5;a:6:{s:11:"Place Image";s:35:"201106260731492426782duckmarine.jpg";s:5:"Title";s:21:"The Yellow Duckmarine";s:7:"Address";s:50:"32 Anchor Courtyard, Albert Dock, Liverpool L3 4AS";s:12:"Phone Number";s:13:"0151 708 7799";s:7:"Website";s:37:"http://www.theyellowduckmarine.co.uk/";s:11:"Description";s:592:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The intriguing vehicle you see before your eyes goes by the name of The Yellow Duckmarine. Assuming that this truly inspired Beatleism has left you tingling with excitement, then you''re going to love their "Water-way to see Livepool" slogan! You''ll no doubt have guessed by now what purpose the Duckmarine serves, and that''s to transport sightseers around Liverpool''s famous landmarks which it does in the form of one hour tours, starting and ending at Albert Dock on the waterfront.&nbsp;<br /></span></p>";}i:6;a:6:{s:11:"Place Image";s:30:"201106260732082545511caver.jpg";s:5:"Title";s:15:"The Cavern Club";s:7:"Address";s:35:"10 Mathew Street, Liverpool, L2 6RE";s:12:"Phone Number";s:15:"(0)151 236 1965";s:7:"Website";s:26:"http://www.cavernclub.org/";s:11:"Description";s:369:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">To cut to the chase and hit the heart of The Beatles'' legacy, then head down to The Cavern in the centre of town, where of course the story began all those happy years ago. There is a mixture of original bands on the bill each night, plus plenty of tribute acts too.&nbsp;</span></p>";}i:7;a:6:{s:11:"Place Image";s:38:"201106260732262368460tateliverpool.jpg";s:5:"Title";s:14:"Tate Liverpool";s:7:"Address";s:30:"Albert Dock, Liverpool, L3 4BB";s:12:"Phone Number";s:13:"0151 702 7400";s:7:"Website";s:33:"http://www.tate.org.uk/liverpool/";s:11:"Description";s:366:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">You should take up the Tate''s offer of free entry to their Liverpool site, located on the historic Albert Dock. The gallery hosts some fantastic exhibitions of international modern and contemporary art, and they sometimes screen arthouse film productions as well.&nbsp;</span></p>";}i:8;a:6:{s:11:"Place Image";s:36:"201106260735242677062merseyferry.jpg";s:5:"Title";s:12:"Mersey Ferry";s:7:"Address";s:16:"The River Mersey";s:12:"Phone Number";s:13:"0151 639 0578";s:7:"Website";s:31:"http://www.merseyferries.co.uk/";s:11:"Description";s:420:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">One of the best ways to take in the beautiful sights of Liverpool is from afar by catching the Mersey Ferry which takes you along the waterfront, docks and world-famous Royal Liver Building. Check the website for more information on the various types of cruises and tariffs, and the different start and finish points.&nbsp;</span></p>";}i:9;a:6:{s:11:"Place Image";s:30:"201106260735442197528liver.jpg";s:5:"Title";s:20:"Royal Liver Building";s:7:"Address";s:40:"Pier Head, Liverpool, Merseyside, L3 1HT";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:663:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">You can get closer to the Liver Building on foot by going to Pier Head. It is a major part of Liverpool''s UNESCO World Heritage Maritime Mercantile City, and its world-famous Gothic design is reported to have played a major influence on other such globally-recognised buildings as New York''s Manhattan Municipal Building and the Seven Sisters in Moscow. Popular legend states that the two Liver Birds atop of each tower face different directions so that one can look out over the city to protect its people and the other towards the sea to spot incoming ships.&nbsp;</span></p>";}i:10;a:6:{s:11:"Place Image";s:34:"201106260738152285716cathedral.jpg";s:5:"Title";s:19:"Liverpool Cathedral";s:7:"Address";s:68:"Cathedral Office, St James House, 20 St James Road, Liverpool L1 7BY";s:12:"Phone Number";s:13:"0151 709 6271";s:7:"Website";s:37:"http://www.liverpoolcathedral.org.uk/";s:11:"Description";s:349:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Liverpool Cathedral has an imperious presence looking out over the city, and is one of its most striking and historic buildings. You may fancy taking a trip to get up and close to its magnificent gothic architecture, both on the outside and inside.</span></p>";}i:11;a:6:{s:11:"Place Image";s:33:"201106260738462837881shopping.jpg";s:5:"Title";s:13:"Liverpool One";s:7:"Address";s:16:"Liverpool L1 8LT";s:12:"Phone Number";s:0:"";s:7:"Website";s:37:"http://www.liverpool-one.com/website/";s:11:"Description";s:541:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The vast Liverpool One development opened in 2008 to coincide with Liverpool''s year as The European Capital of Culture. A retail-led project, it has become one of the cities main focal points and attractions with countless high-street chains, dining and drinking facilities, an Odeon complex and numerous residential units. It covers 42 acres of redeveloped urban land, and has given a huge boost to the community and appeal of Liverpool.&nbsp;</span></p>";}}s:6:"group3";a:19:{i:1;a:6:{s:11:"Place Image";s:37:"201106260739092787886shapeimage_4.png";s:5:"Title";s:8:"Marantos";s:7:"Address";s:35:"57-63 Lark Lane, Liverpool, L17 8UP";s:12:"Phone Number";s:13:"0151 727 7200";s:7:"Website";s:0:"";s:11:"Description";s:493:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Marantos Italian is set in a striking three-tiered Tudor house which has become a famous landmark of Lark Lane. The menu is also well-reputed with many delicious meat, fish and vegetarian dishes, plus the less-traditional Italian offerings such as the popular Barbecued Back Ribs, which are as tender as a puppy in love and truly delicious when served with Marantos'' very own special sauce.&nbsp;</span></p>";}i:2;a:6:{s:11:"Place Image";s:28:"201106260743032216805aki.jpg";s:5:"Title";s:14:"Aki''s Wine Bar";s:7:"Address";s:42:"1 Lark Lane, Liverpool, Merseyside L17 8UN";s:12:"Phone Number";s:13:"0151 727 1474";s:7:"Website";s:0:"";s:11:"Description";s:430:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Since opening in 2007 Aki''s has grown in stature and is now a very popular haunt on Lark Lane, thanks to the large and exotic outdoor terrace, live music nights, big-screen TV showing football and regular happy hours, when you can over-indulge in the great cocktail and wine menu, should you of course feel that way inclined(!)&nbsp;</span></p>";}i:3;a:6:{s:11:"Place Image";s:34:"201106260743512676495chilliban.jpg";s:5:"Title";s:13:"Chilli Banana";s:7:"Address";s:31:"2 Lark Lane, Liverpool, L17 8US";s:12:"Phone Number";s:13:"0151 726 8641";s:7:"Website";s:0:"";s:11:"Description";s:527:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This growing chain of Thai restaurants is popping up around North England, and the Liverpool branch has recently been charging forth on the foodie awards front. In 2008 it was nominated for Cheshire &amp; Lancashire Life''s Food &amp; Wine Awards'' ''Newcomer of the Year, and was given the ''Taste Liverpool 08'' for excellence in food and service. In other words if its Thai you want, Chilli Banana is literally up your street.&nbsp;</span></p>";}i:4;a:6:{s:11:"Place Image";s:29:"201106260744462931126elif.jpg";s:5:"Title";s:16:"Elif Turkish BBQ";s:7:"Address";s:21:"6 Lark Lane Liverpool";s:12:"Phone Number";s:13:"0151 728 7362";s:7:"Website";s:0:"";s:11:"Description";s:428:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Claiming to be "the only Turkish BBQ in Liverpool" Elif is a rare commodity in the city, and a popular one too. Chefs prepare dishes in an open plan kitchen made from ingredients carefully picked and imported from Turkey. There''s a great selection of mezes and main courses, and many Turkish specialties are included in them.&nbsp;</span></p>";}i:5;a:6:{s:11:"Place Image";s:33:"201106260745332404539jamaican.png";s:5:"Title";s:18:"Jamaican Me Hungry";s:7:"Address";s:32:"26 Lark Lane, Liverpool, L17 8US";s:12:"Phone Number";s:13:"0871 963 8514";s:7:"Website";s:0:"";s:11:"Description";s:504:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">They''re hungry, you''re hungry, everyone seems hungry. So how about any of the following: lamb curry, oxtail, jerk chicken, fried snapper, curried goat, akee n saltfish and cook down chicken, all of which are favourites in this great Carribean restaurant. There''s plenty of delicious vegetarian dishes as well, and of course a chilled and friendly atmosphere. You can also bring your own booze. Winner.&nbsp;</span></p>";}i:6;a:6:{s:11:"Place Image";s:31:"20110626074655224618redfort.jpg";s:5:"Title";s:8:"Red Fort";s:7:"Address";s:41:"15 Lark Lane, Aigburth, Liverpool L17 8UW";s:12:"Phone Number";s:13:"0871 963 2294";s:7:"Website";s:0:"";s:11:"Description";s:480:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Not exactly red, nor really fort-like. But one thing is for sure, Red Fort is a cracking curry house, often packed to the rafters with punters who can''t get enough. The general consensus is superb food, excellent service and a hugely enjoyable atmosphere, making Red Fort one of the very best curry houses in Liverpool. Very conveniently located for a cheeky take-away as well!&nbsp;</span></p>";}i:7;a:6:{s:11:"Place Image";s:34:"201106300254492813315casadaana.jpg";s:5:"Title";s:11:"Casa Da Ana";s:7:"Address";s:48:"Little Parkfield Road, Liverpool, Merseyside L17";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:416:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Located just off Lark Lane, this friendly little establishment multi-tasks brilliantly to come under the various umbrellas of Newsagent, Sandwich Shop, Coffee Shop and General Store. They rustle up some tasty sandwiches at lunchtime. There is free internet, and outdoor seating for those sunny days on Merseyside!&nbsp;</span></p>";}i:8;a:6:{s:11:"Place Image";s:31:"201106300255162946494romios.jpg";s:5:"Title";s:6:"Romios";s:7:"Address";s:33:"20 Lark Lane - Aigburth - L17 8US";s:12:"Phone Number";s:13:"0871 811 4761";s:7:"Website";s:0:"";s:11:"Description";s:545:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">A Greek-Cypriot affair this one, which perhaps unsurprisingly specialises in traditional Greek dishes with a Cypriot twist, apparently in the seasoning! You might fancy heading down for their Mezedes (Greek banquet) one night. You''ll be in store for 15 splendiferous courses of hot and cold starters and many charcoal-grilled meats. At the end of the small dining area is a wine bar selling wines from - you''ve guessed it - Greece and Cyprus.&nbsp;</span></p>";}i:9;a:6:{s:11:"Place Image";s:33:"201106300255352455208negresco.jpg";s:5:"Title";s:8:"Negresco";s:7:"Address";s:37:"32 - 34 Lark Lane, Liverpool, L17 8US";s:12:"Phone Number";s:12:"0151 7097097";s:7:"Website";s:0:"";s:11:"Description";s:549:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Once seduced by the dashing jet-black paint on the outside walls, you can get down to the really good stuff - eating and drinking inside the cool and atmospheric Negresco. Dark wooden furniture, scarlet walls and red velvet booths make for a rather classy, if not vampish, feel, so when you throw in dishes such as Goat Cheese souffle you really do have an upper-notch establishment. Besides all that, it''s also just another good pub on the lane!&nbsp;</span></p>";}i:10;a:6:{s:11:"Place Image";s:34:"201106300255562296935newregent.jpg";s:5:"Title";s:21:"New Regent Restaurant";s:7:"Address";s:32:"45 Lark Lane, Liverpool, L17 8UW";s:12:"Phone Number";s:12:"0151 7271122";s:7:"Website";s:0:"";s:11:"Description";s:340:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The local Chinese restaurant, The New Regent, offers a buffet on Thursdays and Sundays as well as a Wednesday-Sunday "early-bird" menu from 5:30-9:00pm. It''s good value for money too, so you shouldn''t be left out of pocket after a visit.&nbsp;</span></p>";}i:11;a:6:{s:11:"Place Image";s:32:"201106300256192133194esteban.jpg";s:5:"Title";s:7:"Esteban";s:7:"Address";s:32:"40 Lark Lane, Liverpool, L17 8UU";s:12:"Phone Number";s:12:"0151 7276056";s:7:"Website";s:32:"http://www.estebanlarklane.co.uk";s:11:"Description";s:520:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">It''s not often you stumble across beach huts and palm trees in the Northern Cities of England, but this is the multi-colourful Lark Lane remember! Esteban is a popular Tapas bar serving a comprehensive range of popular Tapas treats in a hugely characteristic Latino themed room. On sunny days you even have a beautiful terrace to enjoy - could there be anything&nbsp;<em>more</em>Spanish in Liverpool we wonder...??!!&nbsp;</span></p>";}i:12;a:6:{s:11:"Place Image";s:75:"201106300256382894520kieths food and wine bar liverpool artists picture.jpg";s:5:"Title";s:25:"Keith''s Food and Wine Bar";s:7:"Address";s:44:"107 Lark Lane, Liverpool, Merseyside L17 8UR";s:12:"Phone Number";s:12:"01517 287688";s:7:"Website";s:0:"";s:11:"Description";s:467:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">''Unsinkable'' is a word used to describe the relentless nature of this popular Lark Lane watering hole. Keith''s is vintage in pretty much every sense of the word: interior, furnishings, music etc etc. It''s popular with all types, particularly arty students who are drawn to its retro cool vibe. A fantastic food wine venue awaits you, as does a friendly atmosphere!&nbsp;</span></p>";}i:13;a:6:{s:11:"Place Image";s:31:"201106300256532980863nation.jpg";s:5:"Title";s:6:"Nation";s:7:"Address";s:67:"1-3 Parr Street, Wolstenholme Square, Liverpool, Merseyside, L1 4JN";s:12:"Phone Number";s:13:"0151 708 6235";s:7:"Website";s:0:"";s:11:"Description";s:393:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">One of the Liverpool''s biggest and most renowned nightclubs is the host of many legendary club nights such as Chibuku and the world-famous Cream. It is made up of 3 separate rooms, each of varying shape and size; the 1000 capacity Main room, 700 capacity Annexe and 1300 capacity Courtyard.&nbsp;</span></p>";}i:14;a:6:{s:11:"Place Image";s:31:"201106300257122147990korova.jpg";s:5:"Title";s:6:"Korova";s:7:"Address";s:67:"1-3 Parr Street, Wolstenholme Square, Liverpool, Merseyside, L1 4JN";s:12:"Phone Number";s:13:"0151 708 6235";s:7:"Website";s:32:"http://www.korova-liverpool.com/";s:11:"Description";s:516:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">On the bohemian end of Liverpool''s rich scale of great nightclubs is Korova, a cutting-edge venue focused on gig nights and very trendy interiors. Here''s a selection of bands to have recently played the venue: Simian Mobile Disco, Hot Chip, Paul Epworth, Djs Are Not Rockstars, The Pistolas, Rumble Strips, Fujiya &amp; Miyagi, Doloroso, The Shortwave Set, The Spinto Band, The Kooks, The Whip, and The Noisettes.&nbsp;</span></p>";}i:15;a:6:{s:11:"Place Image";s:31:"201106300257252171225barfly.jpg";s:5:"Title";s:6:"Barfly";s:7:"Address";s:45:"90 Seel Street, Liverpool, Merseyside, L1 4BH";s:12:"Phone Number";s:13:"0844 8472 424";s:7:"Website";s:25:"http://www.barflyclub.com";s:11:"Description";s:410:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Rest assured that the Barfly is rocking out on Merseyside as much as it is anywhere else in the country. It is the alternative venue for the hugely popular Chibuku, but of course hosts a whole load more gigs and club nights as well. It is found on Seel Street - a buzzing nightlife strip in the city centre.&nbsp;</span></p>";}i:16;a:6:{s:11:"Place Image";s:32:"201106300257442228115barcava.jpg";s:5:"Title";s:10:"Bar Ca Va ";s:7:"Address";s:33:"4a Wood Street, Liverpool, L1 4AQ";s:12:"Phone Number";s:13:"0151 709 9300";s:7:"Website";s:29:"http:/www.myspace.com/barcava";s:11:"Description";s:305:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Tequila fans rejoice - here is a place where you have 50 different flavours of your favourite Mexican tipple, all going for &pound;1.00 a shot. Perhaps book your cab ride home before entering the venue.&nbsp;</span></p>";}i:17;a:6:{s:11:"Place Image";s:36:"201106300257592588281djangosriff.jpg";s:5:"Title";s:12:"Djangos Riff";s:7:"Address";s:36:"24-40 Wood Street, Liverpool, L1 4AQ";s:12:"Phone Number";s:13:"0151 708 8896";s:7:"Website";s:33:"http:/www.myspace.com/djangosriff";s:11:"Description";s:279:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">One of the the best alternative venues in Liverpool, Djangos serves up some brilliant underground jazz, funk and beats 7 nights a week. Free entry, and open til 2am each night.&nbsp;</span></p>";}i:18;a:6:{s:11:"Place Image";s:31:"201106300258182971180bumper.jpg";s:5:"Title";s:7:"Bumper ";s:7:"Address";s:38:"14-18 Hardman Street, Liverpool L1 9AX";s:12:"Phone Number";s:13:"0151 707 9902";s:7:"Website";s:29:"http://bumperliverpool.co.uk/";s:11:"Description";s:317:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Another retro-themed bar which regularly attracts the crowds. Live music and DJs grace the stage 7-nights a week at Bumper. Settle down in the 60''s furniture and enjoy what''s guaranteed to be a great night''s music!&nbsp;</span></p>";}i:19;a:6:{s:11:"Place Image";s:34:"20110630025945261501almadecuba.jpg";s:5:"Title";s:12:"Alma De Cuba";s:7:"Address";s:29:"Seel Street, Liverpool L1 4BH";s:12:"Phone Number";s:15:"(0)151 702 7394";s:7:"Website";s:26:"http:/www.alma-de-cuba.com";s:11:"Description";s:546:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Here''s one you won''t forget in a hurry! Set in the former St. Peter''s Catholic Church, Alma De Cuba is a Cuban / Hispanic bar and club which ranks amongst the most spectacular around. A real carnival atmosphere gets going on the weekends with Brazilian dancers and live latin music, and there''s plenty of great events in the week too. If you want to drink cocktails on what was once a holy altar, then you''ll need to bring your biggest wallet!&nbsp;</span></p>";}}}}', NULL),
(24, 8, 24, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:9:"Equipment";s:11592:"<p>\r\n<p><strong>Control Room:</strong> approx 17ft x 20ft (340ft sq) / 5m x 6m (30m sq)</p>\r\n<p><strong>Live Room:</strong> approx 40ft x 28ft (1120ft sq) / 12m x 8.5m (102m sq)</p>\r\n<p><strong>Drum Booth:</strong> approx 10ft x 9ft (90ft sq) / 3m x 2.7m (8.1m sq)&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>CONSOLES</strong></p>\r\n<p>EMT A100; 30 Channel 8 Bus Console</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MULTITRACK / HARD DISK RECORDING</strong></p>\r\n<p>Protools HD3</p>\r\n<p>24 Track Otari MTR 90 2" (Please book in advance)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MONITORING</strong></p>\r\n<p>Genelec 1031s</p>\r\n<p>Yamaha NS10 Studios</p>\r\n<p>Auratone 5c Super Soundcube</p>\r\n<p>Tannoy Little Golds</p>\r\n<p>Amplifiers: Quad 520 / Quad 405 / Yamaha P2150</p>\r\n<p>(other monitors may be available - please enquire)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MASTERING</strong></p>\r\n<p>Ampex ATR100 (subject to availability)</p>\r\n<p>Sony DTC77ES DAT Machine</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DYNAMICS</strong></p>\r\n<p>ADL CL1500 Stereo Compressor</p>\r\n<p>API 525c Compressors (x2) Available from July 12th 2011</p>\r\n<p>Altec 436C Compressor Available from July 12th 2011</p>\r\n<p>Chandler TG-1 Limiter</p>\r\n<p>Cranesong stc 8 Class A Compressor</p>\r\n<p>DBX 163A Compressor</p>\r\n<p>Drawmer DF320 Noise Filter</p>\r\n<p>Empirical Labs Fatso</p>\r\n<p>Fairchild SS Compressor</p>\r\n<p>Gates Level Devil (Nasa) Compressor</p>\r\n<p>Neve 2254 Compressors (x2) Available from July 12th 2011</p>\r\n<p>Tubetech LCA2B</p>\r\n<p>Tweed Rack Compressors (x3)</p>\r\n<p>Universal Audio ua175b Limiting Amplifier Available from July 12th 2011</p>\r\n<p>Urei 1176 (x2) Available from July 12th 2011</p>\r\n<p>Urei LA-3 Available from July 12th 2011</p>\r\n<p>Yamaha 2020 Compressor</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MIC PRE''S / EQUALISATION</strong></p>\r\n<p>A-Designs P-1 Mic Pre</p>\r\n<p>Altec 9062A Graphic EQ</p>\r\n<p>API 512c Mic Pre''s (x2)</p>\r\n<p>API 550a EQs (x2)</p>\r\n<p>API 550a EQs (x2) Available from July 12th 2011</p>\r\n<p>API 550 EQs (x2) Available from July 12th 2011</p>\r\n<p>API 560 Graphic EQs (x2) Available from July 12th 2011</p>\r\n<p>Ashley SC-63 EQ</p>\r\n<p>Buzz Audio Elixir Mic Pre</p>\r\n<p>Chandler Germanium Mic-Pre''s (x2)</p>\r\n<p>Chandler LTD-1 (x2)</p>\r\n<p>Curtis Technology OPRE 2</p>\r\n<p>Dual Lomo Mic-Pre''s</p>\r\n<p>Great River MP-500NV Mic Pre</p>\r\n<p>La Chapell 583 Valve Mic Pre</p>\r\n<p>Lang PEQ2 (x2) Available from July 12th 2011</p>\r\n<p>Little Labs LMNOPre Mic Pre</p>\r\n<p>Neve 1079 Mic Pre/ EQs (x9) Available from July 12th 2011</p>\r\n<p>Neve 1272 PreAmps (x9) Available from July 12th 2011</p>\r\n<p>NTI EQ Available from July 12th 2011</p>\r\n<p>Pultec HLF-3C Filter Available from July 12th 2011</p>\r\n<p>Pultec MEQ-5 EQ Available from July 12th 2011</p>\r\n<p>Purple Audio Biz Mic Pre</p>\r\n<p>Shadow Hills Gamma Mic Pre</p>\r\n<p>Telefunken V76 Mic Pre''s (x2) Available from July 12th 2011</p>\r\n<p>Universal Audio 610 Mic Pre''s (x2) Available from July 12th 2011</p>\r\n<p>Neve 542 8 Channel desk</p>\r\n<p>Studer 089 Mixer</p>\r\n<p>&nbsp;</p>\r\n<p><strong>REVERBERATION</strong></p>\r\n<p>AKG BX20 Spring Reverb</p>\r\n<p>AMS RMX16 Available from July 12th 2011</p>\r\n<p>EMT 244 Reverb Available from July 12th 2011</p>\r\n<p>EMT 262 Plate (Mono)</p>\r\n<p>Fairchild 659a Spring Reverb Available from July 12th 2011</p>\r\n<p>Ursa Major Space Station Available from July 12th 2011</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DELAYS / PROCESSORS</strong></p>\r\n<p>CRL Audio Preparation Processor APP-400</p>\r\n<p>Echopet EP-100 Delay</p>\r\n<p>Electro Harmonix Bi-Filter</p>\r\n<p>Electro Harmonix Instant Replay</p>\r\n<p>External Trigger</p>\r\n<p>Electro Harmonix Clockworks</p>\r\n<p>Korg DVP-1 Vocoder</p>\r\n<p>Lexicon Prime TimeAvailable from July 12th 2011</p>\r\n<p>Moog 12 Stage Phaser Available from July 12th 2011</p>\r\n<p>Pan Scan</p>\r\n<p>Roland RE301 Chorus Echo</p>\r\n<p>Sherman Filter Bank</p>\r\n<p>Thermionic Culture Vulture</p>\r\n<p>Transient Designer</p>\r\n<p>Zoom 1210 Multi-Effects</p>\r\n<p>&nbsp;</p>\r\n<p><strong>SYNCHRONISATION</strong></p>\r\n<p>Digidesign Sync I/O</p>\r\n<p>Digidesign MIDI I/O</p>\r\n<p>Rosendahl Nano Sync</p>\r\n<p>Kenton Pro 2000</p>\r\n<p>&nbsp;</p>\r\n<p><strong>SEQUENCING</strong></p>\r\n<p>Protools HD 7.4 / v8.1</p>\r\n<p>&nbsp;</p>\r\n<p><strong>KEYBOARDS / MODULES / SAMPLERS</strong></p>\r\n<p>Akai MPC2000</p>\r\n<p>Akai S3000i</p>\r\n<p>Akai S900</p>\r\n<p>ARP Synth 2600/3260</p>\r\n<p>ARP 1613 Sequencer</p>\r\n<p>Casio Rapman</p>\r\n<p>Casio Casiotone 403</p>\r\n<p>Casio SK5</p>\r\n<p>Casio SA8</p>\r\n<p>EMS VCSIII Mk2 Synth</p>\r\n<p>Korg MS20</p>\r\n<p>Korg SQ-10 Sequencer</p>\r\n<p>Korg 800PS Synth</p>\r\n<p>Kurzweil K2500R</p>\r\n<p>Nord Lead 2</p>\r\n<p>Roland Juno 6</p>\r\n<p>Roland RS-09</p>\r\n<p>Roland SH09</p>\r\n<p>Roland TR808</p>\r\n<p>Roland TR606</p>\r\n<p>S.C.I. Pro-One Synth</p>\r\n<p>Suzuki QC-1 Q-Chord</p>\r\n<p>Yamaha CS30</p>\r\n<p>&nbsp;</p>\r\n<p><strong>BACKLINE</strong></p>\r\n<p>Ampeg B15 Portaflex (original valve)</p>\r\n<p>Banjo</p>\r\n<p>Brennel Gold Valve Amplifier</p>\r\n<p>Church Pump Organ</p>\r\n<p>Farfisa Compact Organ</p>\r\n<p>Fender Bronco</p>\r\n<p>Fender Deluxe</p>\r\n<p>Fender DeVille</p>\r\n<p>Fender P-Bass (Fretless)</p>\r\n<p>Fender P-Bass</p>\r\n<p>Fender Telecaster</p>\r\n<p>Herrburger Brooks Upright Piano</p>\r\n<p>Hofner Congress Acoustic Guitar</p>\r\n<p>Lapsteel Guitar</p>\r\n<p>Lorenzo Electric Organ</p>\r\n<p>Marshall Cabs 4 x 12 (x2)</p>\r\n<p>Moog Theremin</p>\r\n<p>Selmer 15ss</p>\r\n<p>WEM GX40 (Head and Cab)</p>\r\n<p>Yamaha C5 Baby Grand Piano</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DRUMKITS</strong></p>\r\n<p>1963 Premier Drum kit</p>\r\n<p>(20" Bass Drum / 12" Rack Tom / 16" Floor Tom)</p>\r\n<p>Slingerland Drum kit</p>\r\n<p>(24" Bass Drum / 12" Rack Tom / 13" Rack Tom / 14" Rack Tom / 15" Rack Tom / 18" Floor Tom)</p>\r\n<p>Yamaha 9000 Drum Kit</p>\r\n<p>(24" Bass Drum / 14" Rack Tom / 18" Floor)</p>\r\n<p>Ludwig 402 Snare</p>\r\n<p>Ludwig Acrolyte Snare</p>\r\n<p>Mitchell 5" Deep Steel Shell Snare</p>\r\n<p>Istanbul 20" Ride Cymbal</p>\r\n<p>Sabian China Cymbal</p>\r\n<p>Zildjian 17" Crash Cymbal</p>\r\n<p>Zildjian 13" K Hats</p>\r\n<p>Zildjian 13" New Beat Hats</p>\r\n<p>&nbsp;</p>\r\n<p><strong>PERCUSSION</strong></p>\r\n<p>Bongos</p>\r\n<p>Castanets</p>\r\n<p>Cowbells</p>\r\n<p>Claves</p>\r\n<p>Glockenspiel</p>\r\n<p>LP Congas</p>\r\n<p>Sleigh Bells</p>\r\n<p>Shakers</p>\r\n<p>Tambourines</p>\r\n<p>Timpani (x3)</p>\r\n<p>Triangle</p>\r\n<p>Vibraphone</p>\r\n<p>&nbsp;</p>\r\n<p><strong>PEDALS</strong></p>\r\n<p>Boss FZ-2 Guitar Pedal</p>\r\n<p>Boss CS-3 Guitar Pedal</p>\r\n<p>Boss PC-2</p>\r\n<p>Boss Syb 3 Bass Pedal</p>\r\n<p>Crowther Audio Prunes And Custard Pedal</p>\r\n<p>Electro Harmonix 16 Second Delay</p>\r\n<p>Electro Harmonix Attack Equaliser</p>\r\n<p>Electro Harmonix Bass Balls</p>\r\n<p>Electro Harmonix Black Finger</p>\r\n<p>Electro Harmonix Delux Memory Man</p>\r\n<p>Electro Harmonix Delux Electric Mistress</p>\r\n<p>Electro Harmonix Golden Throat 2</p>\r\n<p>Electro Harmonix Microsynth</p>\r\n<p>Electro Harmonix POG</p>\r\n<p>Electro Harmonix Screaming Tree</p>\r\n<p>Electro Harmonix The Worm</p>\r\n<p>Electro Harmonix Wriggler</p>\r\n<p>Frantone PeachFuzz Pedal</p>\r\n<p>Frantone Autolooper Pedal</p>\r\n<p>Lovetone Meatball</p>\r\n<p>Lovetone Wobulator</p>\r\n<p>Lovetone Ringstinger</p>\r\n<p>Lovetone Big Cheese</p>\r\n<p>Lovetone Brown Sauce</p>\r\n<p>Lovetone Doppelganger</p>\r\n<p>Lovetone Flange</p>\r\n<p>Maestro Parametric Filter Pedal</p>\r\n<p>MXR Phase 100 Guitar Pedal</p>\r\n<p>MXR Dynacomp Guitar Pedal</p>\r\n<p>MXR Microamp</p>\r\n<p>Mutron III+</p>\r\n<p>Napalm 69</p>\r\n<p>Sansamp GT2</p>\r\n<p>Soundtank Cyberdrive</p>\r\n<p>Sovtek Big Muff Guitar Pedal</p>\r\n<p>Sovtek Small Stone Guitar Pedal</p>\r\n<p>Z-Vex FuzzProbe</p>\r\n<p>Z-Vex OohWah</p>\r\n<p>Z-Vex Ringtone</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MICROPHONE LIST</strong></p>\r\n<p>AEA R88</p>\r\n<p>AKG 451 with CK5 Capsule</p>\r\n<p>AKG Harry D99c</p>\r\n<p>AKG D12</p>\r\n<p>AKG D25</p>\r\n<p>Crowley Tripp El Diablo (RIbbon)</p>\r\n<p>C-Ducer CP Microphones (x4)</p>\r\n<p>Earthworks SR30 (x2)</p>\r\n<p>Earthworks TC20MP (x2)</p>\r\n<p>Heil Sound PR30</p>\r\n<p>Heil Sound PR40</p>\r\n<p>Lomo 19A1</p>\r\n<p>Lomo 19A19 (x2)</p>\r\n<p>Lomo 19A4</p>\r\n<p>Lomo 19A18 (x2)</p>\r\n<p>Neumann/Gefell CMV 563 (x3) - 2 x M7 caspules / 1 x M55K capsule</p>\r\n<p>Neumann U47 FET</p>\r\n<p>Melodium 75a</p>\r\n<p>Oktavia ML11M</p>\r\n<p>Oktavia ML16</p>\r\n<p>Oktavia ML17</p>\r\n<p>Oktavia ML47</p>\r\n<p>Oktavia ML19 9x2)</p>\r\n<p>Optimus PZM</p>\r\n<p>Reslo CRH</p>\r\n<p>Royer R121</p>\r\n<p>RTT MKL 101 (x2)</p>\r\n<p>Shure Beta 91</p>\r\n<p>Shure 520D Bullet Mic</p>\r\n<p>Shure SM57 (x4)</p>\r\n<p>Shure SM58 (x2)</p>\r\n<p>Shure SM7</p>\r\n<p>Sony ECM-970 (x2)</p>\r\n<p>Soundman Binaural Microphone</p>\r\n<p>STC 4105</p>\r\n<p>STC 4021</p>\r\n<p>STC 4037</p>\r\n<p>Telefunken M411</p>\r\n<p>&nbsp;</p>\r\n<p>These Microphones listed below may also be available (Please book in advance)</p>\r\n<p>AKG 414EB (x2)</p>\r\n<p>AKG C28 Valve</p>\r\n<p>AKG 412</p>\r\n<p>AKG 451 (x2)</p>\r\n<p>AKG D12 (x2)</p>\r\n<p>Bruel &amp; Kjaer 4011 (x2)</p>\r\n<p>Crown PZM-30RB (x2)</p>\r\n<p>Electrovoice DS35</p>\r\n<p>Groove Tube GT44 Valve (x2)</p>\r\n<p>Neumann KM54</p>\r\n<p>Neumann U87 (x2)</p>\r\n<p>Sanken CU41</p>\r\n<p>Sennheiser MD421 (x2)&nbsp;</p>\r\n<p>Shure SM57 (x4)</p>\r\n<p>Shure SM58</p>\r\n<p>Sony C48</p>\r\n<p>STC 4033 Ribbons (x2)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MISCELLANEOUS</strong></p>\r\n<p>Alan Smart DI</p>\r\n<p>Binson PA602 Pre Mixer Echo</p>\r\n<p>Hearback Headphone Mixers</p>\r\n<p>Little Labs Red Eye DI x 2</p>\r\n<p>Little Labs IBP (x3)</p>\r\n<p>Little Labs PCP 3.0</p>\r\n<p>Neumann Phantom Power box</p>\r\n<p>Mackie 1202 - Viz</p>\r\n<p>Shure 101 Audio Console</p>\r\n<p>&nbsp;</p>\r\n<p><strong>PROTOOLS RIG</strong></p>\r\n<p>Top of the range Protools rig based around an HD3 Accel system running Protools 8 on an Intel 8 core Mac Pro</p>\r\n<p>&nbsp;</p>\r\n<p>HARDWARE</p>\r\n<p>Apple Intel Mac Pro. Dual Quad Core 3Ghz, 4 Gb RAM</p>\r\n<p>Apple 23" Cinema Display</p>\r\n<p>2 x Digidesign 192 interfaces providing 16 inputs / 32 Outputs</p>\r\n<p>1 x Lynx Aurora providing an additional 16 inputs</p>\r\n<p>Digidesign MIDI I/O interface</p>\r\n<p>Digidesign Sync I/O synchroniser</p>\r\n<p>Digidesign 002 Rack</p>\r\n<p>1 x Rosendahl Nano Sync</p>\r\n<p>&nbsp;</p>\r\n<p><strong>BACKUP</strong></p>\r\n<p>Usually done the following day with a choice of:</p>\r\n<p>CD-R</p>\r\n<p>DVD-R</p>\r\n<p>AIT2 / AIT4</p>\r\n<p>&nbsp;</p>\r\n<p><strong>SOFTWARE</strong></p>\r\n<p>Mac OSX 10.6</p>\r\n<p>Protools v7.4 / v8</p>\r\n<p>Toast 8.01</p>\r\n<p>Retrospect 6.1</p>\r\n<p>&nbsp;</p>\r\n<p><strong>PLUG-INS</strong></p>\r\n<p>Access Music Indigo</p>\r\n<p>Altiverb</p>\r\n<p>Amp Farm</p>\r\n<p>Amplitude&nbsp;</p>\r\n<p>Analog Factory</p>\r\n<p>Aphex Bigbottom</p>\r\n<p>Aphex Exciter</p>\r\n<p>BF Essentials</p>\r\n<p>BFD Lite</p>\r\n<p>Bomb Factory BF76</p>\r\n<p>Bomb Factory BF-3A</p>\r\n<p>Broadband Noise Reduction</p>\r\n<p>Bruno</p>\r\n<p>Cosmonaut Voice</p>\r\n<p>D-Fi</p>\r\n<p>Digirack Plugins</p>\r\n<p>Drawmer Dynamics</p>\r\n<p>Echo Farm</p>\r\n<p>Fairchild 660</p>\r\n<p>Fairchild 670</p>\r\n<p>Filterbank</p>\r\n<p>Focusrite D2</p>\r\n<p>Focusrite D3</p>\r\n<p>Funk Logic Masterizer</p>\r\n<p>Joe Meek SC2 Compressor</p>\r\n<p>Joe Meek VC5 Meequalizer</p>\r\n<p>MDW EQ2</p>\r\n<p>Melodyne Plugin</p>\r\n<p>Maxim</p>\r\n<p>moogerfooger Lowpass filter</p>\r\n<p>moogerfooger 12-stage phaser</p>\r\n<p>moogerfooger Ring Modulator</p>\r\n<p>moogerfooger Analog delay</p>\r\n<p>Ozone</p>\r\n<p>Pitch</p>\r\n<p>Pitchblender</p>\r\n<p>Puple Audio MC77</p>\r\n<p>Reso</p>\r\n<p>Reverb One</p>\r\n<p>Sansamp PSA-1</p>\r\n<p>Smack LE!</p>\r\n<p>Sony Oxford EQ</p>\r\n<p>Soundblender</p>\r\n<p>Soundreplacer</p>\r\n<p>Spectron</p>\r\n<p>Speed</p>\r\n<p>Synchronic</p>\r\n<p>Tel-Ray Variable Delay</p>\r\n<p>Timeblender</p>\r\n<p>T-Racks EQ</p>\r\n<p>TL Everyphase</p>\r\n<p>TL In Tune</p>\r\n<p>TL MasterMeter</p>\r\n<p>TL Metro</p>\r\n<p>Trash</p>\r\n<p>Vinyl</p>\r\n<p>Voce Spin</p>\r\n<p>Voce Chorus/Vibrato</p>\r\n<p>Waves Gold</p>\r\n</p>";}}}}', NULL),
(257, 12, 32, 'a:1:{s:2:"en";a:3:{s:6:"group1";a:1:{i:1;a:2:{s:11:"Intro Image";s:0:"";s:10:"Intro Text";s:357:"<p>Engineer Ben Phillips is the owner of, and visionary behind Lightship95. Here he writes a fantastic piece on the history and ideas behind his remarkable floating studio; from finding the boat on the River Medway, to transforming it into a unique and exquisitely crafted recording studio, and to finding it a home in the heart of London''s docklands...</p>";}}s:6:"group2";a:1:{i:1;a:2:{s:5:"Image";s:0:"";s:17:"Image Description";s:0:"";}}s:6:"group3";a:1:{i:1;a:1:{s:11:"Description";s:4874:"<p>After four years of searching and struggling without success to find somewhere to convert into a studio (an old auction house, a 19th century Morgue, a church, a slightly less-inspiring ex tool hire shop) I decided to look for an alternative space. In some way or another I was determined to bypass as much as possible: the constraints, seemingly unnecessary expense and encumbrance of conventional tenancies, solicitors, surveyors, planners, local authorities etc.</p>\r\n<p>I wanted to build a traditional studio in a new way - create a space with character where people would feel comfortable and inspired to do the work they came to do; a functional and focused environment without the clinical ''doctors surgery'' feel that many new studios have. I knew that in today''s climate providing a space like this would either require a vast throwaway investment or a new approach. I didn''t have the former so I decided on the latter! <br /><br />Looking initially at decommissioned cargo ships it quickly became obvious that a vessel like this would provide a large amount of space for a very reasonable price compared to a similarly sized building. If a mooring in London could be found the value of this saving would be that much greater.</p>\r\n<p>&nbsp;noticed the Lightship for sale while viewing a 1950''s 140ft coaster at a mooring in the river Medway in Kent. At the time I knew very little about Lightships but I was immediately taken by its amazing visual impact, intimidating construction and... well, the massive red light tower! <br /><br />The Lightship posed a considerably more daunting task to convert than a cargo ship. Below decks there were many bulkheads, endless ducts, pipes and lifting beams, redundant machinery and the bow and stern compartments were filled with over 100m3 of spray foam (from when the ships were automated in the 1980s).</p>\r\n<p>Lightship95, originally commissioned by Trinity House (a 500 year old company started by Henry VIII) was built in Portsmouth in 1939. It is one of the finest and possibly one of the last examples of an all-riveted steel ship beautifully made to withstand all weather conditions and frequent collisions. The ship is classed as a heritage vessel and one of only a few left in the world. <br /><br />Before any work could start on the studio or accommodation build, a serious amount of steel had to be cut out and removed. Although gruelling and heavy going this period of time allowed for the extensive research and planning to develop ready for the next stage.</p>\r\n<p>The control room was originally a huge diesel tank, made of 10mm plate, bigger than the average living room, surrounded by piping, walkways and a 1940''s Lister engine used to power the hydraulic capstan. The live room was the original engine room, later divided into three compartments by two double storey bulkheads. In the two main studio areas alone we cut and hand winched out over 12 tonnes of steel. <br /><br />The studio design constantly evolved as the space opened out. Problems were solved and replaced by further problems. The shape of a ship and the complete lack of any level to work from made forward planning very difficult and while the principles of the construction were in place early on the methods were developing weekly. Every aspect had to be bespoke and while serious injury was avoided it was not through want of trying!</p>\r\n<p>Structural loading was not the issue it can often be with studio conversions in existing buildings as the Lightship is so heavily over engineered; more than double the weight of a similarly sized cargo ship. However while the 1/4" thick, extremely rigid steel hull is great at preventing airborne sound transmission, the resonance and mechanical transmission could only be overcome by both the control room and live room being entirely independent floating structures. Both rooms are supported/hanging on neoprene mounts and the results are excellent; the drum kit cannot be heard in the cabins situated immediately behind the live room and nothing can be heard outside on deck. Most of the conversion was carried out in the Medway and then completed once in London, a little over a year and a half in total.</p>\r\n<p>Finding a mooring for a 500 tonne lightship is not an easy task in London so I had been talking to the owners of Trinity Buoy Wharf from the very first stages. <br /><br />The wharf, also built by Trinity House, is now owned by Urban Space Management and is home to a variety of arts-based businesses housed in historic buildings and the contrasting brightly coloured converted shipping containers known as Container City. The relaxed and spacious environment on board the ship extends to the surrounding wharf, the nature of the businesses, the American diner, the regular art exhibitions and installations and the river views together create a great atmosphere.</p>";}}}}', NULL),
(25, 8, 23, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{i:0;s:4640:"<p>\r\n<p><strong>What the rates include</strong></p>\r\n</p>\r\n<ul>\r\n<li>Days in The Pool are 12 hour days. The 12 hours begin from when you wish to start.</li>\r\n<li>All the prices exclude VAT which is chargeable at 20%.</li>\r\n<li>The rates include an assistant (unless stated) but not an engineer. You can hire one of our engineers on top of the rate.</li>\r\n<li>All prices exclude tapes/materials, cabs and hire costs.</li>\r\n<li>The rates include the equipment shown on the equipment specification but as you can imagine the gear does break from time to time. If we cannot replace the gear we cannot offer a discount on the rate. Of course in the unlikely scenario that a major breakdown happens during the session (such as the console / tape machine) we shall discuss the time lost.</li>\r\n<li>Any equipment that is ''subject to availability'' on the individual room specifications, needs to be requested prior to the session. This is especially important for guitar amps and backline, which regularly moves around the studios. There may be a delivery charge for this equipment if it is at another studio.</li>\r\n<li>And contrary to some rumours concocted by our competitors tea and coffee is free throughout the day and we may throw in the odd sweet or two if you are good.</li>\r\n</ul>\r\n<p>\r\n<p><strong>Day Rate</strong></p>\r\n<p>This is the day rate of The Pool. The day is a 12 hour day. A lockout day rate (upto 7am the following morning) can be arranged by calling the office prior to the commencement of the session.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Lockout Rate</strong></p>\r\n<p>The Lockout rate for The Pool is another &pound; 200.00 on top of the day rate agreed. This will give you as many hours as you need up to 7am in the morning.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>5 day Rate</strong></p>\r\n<p>We can offer the 5 day rate on all of our rooms for bookings under 5 days. This is a cheaper rate you can book the studio for, but we can only confirm the session 72 hours prior to the start of the session. This allows us to be flexible when a large 7 day booking comes in which needs the same time you may be holding for one day. In the event this occurs we will either offer you another room (which may sometimes be an upgrade) or we shall ask you to re-schedule or you can always pay the Book Rate. If the booking is over 5 consecutive days you can confirm the 5 day rate of the studio at any time.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Unsigned Rate (Flexi Rate)</strong></p>\r\n<p>If you are a band / artist and are unsigned we may be able to offer you our unsigned rate. Please note if you are Radiohead who may not technically need a record deal we do not consider you unsigned! The unsigned rate is only for bands that do not have professional representation and are not signed.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>If you hold studio time at the Unsigned Flexi rate and we receive an enquiry from a client who is prepared to pay and confirm at the full rate for the same dates you have held we will give you the option to match that rate. If you choose not to do this we will try to move you to another suitable studio if there is one available. If no other studios are available we will have to ask you to change your session dates. We will not confirm sessions at the Unsigned Flexi rate until 24 hours before the session and advise that clients do not book transport, hotels etc until your session is confirmed with us.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>If clients booking at the Unsigned Flexi rate bring their own engineer then the studio rate will include an assistant. For an additional &pound;50.00 you can choose to have one of our younger engineers who will work without an assistant, or you can pay for one of our full-rate engineers who will also work without an assistant.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>These costs are all payable in advance of the session and valid credit card details will be needed at the time of confirming the session.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Unsigned Rate (Book It Now)</strong></p>\r\n<p>The ''Book It Now'' unsigned rate has exactly the same terms as the ''Flexi'' unsigned rate as in you must be unsigned! However for an extra charge you can confirm your session in advance of the session dates. This charge varies between &pound;75 or &pound;100 depending on which studio you are booking. Once confirmed and paid for at the ''Book It Now'' rate we will not move your session. These costs are payable when you book the studio and not 24 hours in advance of your session.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>As with the Unsigned Flexi rate we will require valid credit card details at the time of confirming the session.</p>\r\n</p>";}}}}', NULL),
(26, 8, 28, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:4:{s:11:"Client Name";s:0:"";s:12:"Client Image";s:0:"";s:18:"Client Description";s:0:"";s:10:"Client URL";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:13:"Other Clients";s:1619:"<table width="660">\r\n<tbody>\r\n<tr>\r\n<td width="220" valign="top">Anastacia<br /> Apples<br /> Ash<br /> Baxter Dury<br /> Beth Jeans Houghton<br /> Bloc Party<br /> Blonde Louis<br /> Brett Anderson<br /> Brigitte Fontaine<br /> The Big Pink<br /> Carl Barat<br /> Cellophane Flowers<br /> Chapel Club<br /> Chris Difford<br /> Crystal Fighters<br /> DC Effect<br /> Dennis Hopper Choppers<br /> The Duke Spirit<br /> Egyptian Hip Hop<br /> Ellie Goulding<br /> The Enemy<br /> Esser<br /> Everything Everything<br /> Ex Lovers<br /> Fixers<br /> Flash Guns<br /></td>\r\n<td width="220" valign="top">Florence and the Machine<br /> Foals<br /> Foster The People<br /> Francis and the Lights<br /> Friendly Fires<br /> Graham Coxon<br /> The Horrors<br /> The Hours<br /> Hymns<br /> Inkky Depths<br /> Invisible<br /> Iron and Wine<br /> Japanese Voyeurs<br /> Kate Nash<br /> Keane<br /> The Kills<br /> Krakatoa<br /> LCD Soundsystem<br /> Let''s Talk Tactics<br /> The Maccabees<br /> Macy Gray<br /> The Magic Numbers<br /> Milk<br /> Monsters in the Attic<br /> Mumford &amp; Sons<br /> Munich<br /></td>\r\n<td width="220" valign="top">Nadine Shah<br /> Nathan Flutebox Lee<br /> Natty<br /> Noah<br /> Noah and the Whale<br /> Orwell<br /> Patrick Wolf<br /> P''Nau<br /> Race Horses<br /> Reverend and the Makers<br /> Roisin Murphy<br /> SCUM<br /> Silver Serpents<br /> Six Day Riot<br /> Stereo MCs<br /> Stornoway<br /> The Streets<br /> Sunlightsquare<br /> them:youth<br /> Twilight Sad<br /> Victoria Park<br /> Villagers<br /> VV Brown<br /> White Pilots<br /> Will Young<br /></td>\r\n</tr>\r\n</tbody>\r\n</table>";}}}}', NULL);
INSERT INTO `pages` (`id`, `studio_id`, `page_layout_id`, `content`, `additional_content`) VALUES (27, 8, 26, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:2:{i:1;a:4:{s:13:"Session Title";s:54:"Sunlightsquare''s ''Britannia Shing-a-ling'' in The Pool ";s:15:"Video Thumbnail";s:44:"201106061154462665016Pool_Sunlightsquare.jpg";s:17:"Video Description";s:327:"<p>&nbsp;</p>\r\n<p>The Sunlightsquare jazz and funk ensemble gathered in The Pool for an energetic couple of days recording their new album ''Britannia Shing-a-Ling'', set for release in 2011. The sessions were produced by Claudio Passavanti. Here is a short film documenting the group''s time at Miloco...&nbsp;</p>\r\n<p>&nbsp;</p>";s:9:"Video URL";s:66:"http://www.youtube.com/watch?feature=player_embedded&v=VvBoZWk0ujU";}i:2;a:4:{s:13:"Session Title";s:42:"Fighting Fiction film ''Norman'' in The Pool";s:15:"Video Thumbnail";s:0:"";s:17:"Video Description";s:362:"<p>This Bristol-living indie punk 4-piece came to The Pool in December 2008 with producer Mark Williams, just in time to squeeze a few new tracks into their recorded repertoire before the year-end. They also were keen on video cameras, and so it was great we were able to get some footage of this exciting new band in one of our most exciting tracking rooms!</p>";s:9:"Video URL";s:66:"http://www.youtube.com/watch?v=txacC7MVXak&feature=player_embedded";}}}}', NULL),
(28, 8, 34, 'a:1:{s:2:"en";a:3:{s:6:"group1";a:1:{i:1;a:1:{s:10:"Intro Text";s:1264:"<p>&nbsp;</p>\r\n<p>The Pool is located in Bermondsey just off Tower Bridge Road . It''s a wonderfully vibrant area with a real community spirit and a diverse range of cultures, (including a frankly supreme Lebanese grocers). Every Friday there''s an infamous antiques market and there are a large number of quality local restaurants to grace with your stomach''s company.</p>\r\n<p>&nbsp;</p>\r\n<p>In recent years developers have been moving in and building a raft of upmarket dwellings, so, alongside the more traditional feel, the area is starting to benefit from an influx of trendy gastronomic bars and fancy cafes. In summary, the area has a really friendly and eclectic feel.</p>\r\n<p>&nbsp;</p>\r\n<p>Within 10 minutes walk you can find yourself at Tower Bridge, with its large selection of restaurants, bars and hotels. And if you fancy a longer stroll you can head to London Bridge to sample the delights of the Bermondsey market, more restaurants, the Vinopolis wine-tasting emporium, Globe Theatre and Tate Modern.</p>\r\n<p>&nbsp;</p>\r\n<p>In addition to the many activities on offer and the large selection of restaurants and bars catering to palette and thirst, there''s also a good and varied range of hotels. Read on for details, my friends...</p>\r\n<p>&nbsp;</p>";}}s:6:"group2";a:10:{i:1;a:6:{s:11:"Place Image";s:30:"201106260523092927532globe.jpg";s:5:"Title";s:17:"The Globe Theatre";s:7:"Address";s:43:"21 New Globe Walk, Bankside, London SE1 9DT";s:12:"Phone Number";s:13:"020 7902 1400";s:7:"Website";s:35:"http://www.shakespeares-globe.org/ ";s:11:"Description";s:377:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Globe Theatre is a faithful reconstruction of the open-air playhouse, designed in 1599, where Shakespeare plied his trade and for which he wrote many of his greatest plays. You can sit in the gallery or stand in the yard - just as audiences would have done some 400 years ago.</span></p>";}i:2;a:6:{s:11:"Place Image";s:35:"201106260523292267523hmsbelfast.jpg";s:5:"Title";s:14:"H.M.S. Belfast";s:7:"Address";s:44:"Morgan''s Lane, Tooley Street, London SE1 2JH";s:12:"Phone Number";s:13:"0207 940 6300";s:7:"Website";s:29:"http://hmsbelfast.iwm.org.uk/";s:11:"Description";s:333:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Expore all nine decks of Europe''s only surviving big gun battleship from WWII. HMS Belfast was launched in 1938, saw active service in World War II and was decommissioned in 1965. HMS Belfast has been a floating museum since 1971.&nbsp;</span></p>";}i:3;a:6:{s:11:"Place Image";s:37:"20110626052348218668toweroflondon.jpg";s:5:"Title";s:19:"The Tower of London";s:7:"Address";s:35:"HM Tower of London, London EC3N 4AB";s:12:"Phone Number";s:0:"";s:7:"Website";s:22:"http://www.hrp.org.uk/";s:11:"Description";s:402:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Tower of London has been an integral part of British royal history for nearly 1,000 years. Only at the Tower can you marvel at the breathtaking Crown Jewels, stand on the execution site of three English queens and hear the myths and legends that make a visit to the Tower ''a day out to die for''.&nbsp;</span></p>";}i:4;a:6:{s:11:"Place Image";s:39:"201106260524112790009londondungeons.jpg";s:5:"Title";s:18:"The London Dungeon";s:7:"Address";s:32:"28 Tooley Street, London SE1 2SZ";s:12:"Phone Number";s:13:"0871 360 2049";s:7:"Website";s:30:"http://www.london-dungeon.com/";s:11:"Description";s:433:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The London Dungeon combines real history, horror and humour to bring gruesome goings-on back to life in the 21st century. Live/undead actors, a terrifying boat ride, shows and special effects transport you to London''s gory past, and since 2005 there''s also been Labyrinth of the Lost, the world''s largest and scariest Mirror Maze.&nbsp;</span></p>";}i:5;a:6:{s:11:"Place Image";s:34:"201106260524302647580vinopolis.jpg";s:5:"Title";s:9:"Vinopolis";s:7:"Address";s:26:"1 Bank End, London SE1 9BU";s:12:"Phone Number";s:13:"0870 241 4040";s:7:"Website";s:27:"http://www.vinopolis.co.uk/";s:11:"Description";s:410:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">What could be finer than a 2.5 acre space devoted to the world of wine and its associated pleasures? Immerse yourself in the Vinopolis World of Wine tour and enjoy a region-to-region tour of tastes, cultures and history. Discover wine cultures from around the world and the origins of the art of winemaking.&nbsp;</span></p>";}i:6;a:6:{s:11:"Place Image";s:29:"201106260524502645744tate.jpg";s:5:"Title";s:15:"The Tate Modern";s:7:"Address";s:24:"Bankside, London SE1 9TG";s:12:"Phone Number";s:13:"020 7967 8000";s:7:"Website";s:29:"http://www.tate.org.uk/modern";s:11:"Description";s:222:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The world-famous gallery of modern art opened on Bankside in May 2000. It''s full of art. It''s a great building. I''d go.&nbsp;</span></p>";}i:7;a:6:{s:11:"Place Image";s:33:"201106260525062242539aquarium.jpg";s:5:"Title";s:19:"The London Aquarium";s:7:"Address";s:52:"Riverside Building, Westminster Bridge Road, SE1 7PB";s:12:"Phone Number";s:14:"020 7967 8000 ";s:7:"Website";s:32:"http://www.londonaquarium.co.uk/";s:11:"Description";s:411:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">One of the largest aquaria in Europe, containing over 1 million litres of water. Learn all about the world''s oceans, as well as rainforests, tropical freshwater, seashores and beaches. See a recreation of a coral reef and take a gander at the daily expert talks beamed through the video screens in the foyer.&nbsp;</span></p>";}i:8;a:6:{s:11:"Place Image";s:32:"201106260525252636451corsica.jpg";s:5:"Title";s:15:"Corsica Studios";s:7:"Address";s:45:"Unit 5 Farrell Court, Elephant Road, SE17 1LB";s:12:"Phone Number";s:13:"0207 703 4760";s:7:"Website";s:30:"http://www.corsicastudios.com/";s:11:"Description";s:508:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This independent arts organisation has a history of developing creative spaces across London, using empty buildings within areas which are undergoing re-development. So, as the South London area of Elephant and Castle is currently such an area, their latest site has occured there. It caters for a wide range of media and arts activities, music of course being one of them. Check their site for more info.&nbsp;</span></p>";}i:9;a:6:{s:11:"Place Image";s:32:"201106260525412333621coronet.jpg";s:5:"Title";s:11:"The Coronet";s:7:"Address";s:25:"28 New Kent Road, SE1 6TJ";s:12:"Phone Number";s:13:"020 7701 1500";s:7:"Website";s:32:"http://www.coronettheatre.co.uk/";s:11:"Description";s:282:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Generally regarded as one of the most exciting new venues in the city, The Coronet is set within an old art deco cinema, hosting a whole load of innovative and intersting artists.&nbsp;</span></p>";}i:10;a:6:{s:11:"Place Image";s:39:"20110626052559252665ministryofsound.jpg";s:5:"Title";s:17:"Ministry of Sound";s:7:"Address";s:45:"103 Gaunt Street, Elephant and Castle, London";s:12:"Phone Number";s:13:"0870 060 0010";s:7:"Website";s:31:"http://www.ministryofsound.com/";s:11:"Description";s:335:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Clubbing fanatics will need no introduction to Ministry of Sound. It has been one of Europe''s leading clubs for many years, attracting the world''s top DJs week in-week out. It is a short bus ride from Miloco''s Leroy Street premises.&nbsp;</span></p>";}}s:6:"group3";a:8:{i:1;a:6:{s:11:"Place Image";s:35:"201106260526172337212thehartley.jpg";s:5:"Title";s:23:"The Hartley Bar & Grill";s:7:"Address";s:36:"64 Tower Bridge Road, London SE1 4TR";s:12:"Phone Number";s:15:"020 7394 7023  ";s:7:"Website";s:19:"www.thehartley.com ";s:11:"Description";s:335:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Miloco''s official local!! This quality gastropub is a few minutes from the studio and it handily provides an excellent range of food. The name is a reference to the nearby former Hartley''s jam factory, now a residential development.&nbsp;</span></p>";}i:2;a:6:{s:11:"Place Image";s:29:"201106260526382945352sobo.jpg";s:5:"Title";s:20:"Sobo Cafe Restaurant";s:7:"Address";s:36:"83 Tower Bridge Road, London SE1 4TT";s:12:"Phone Number";s:14:"020 7403 5080 ";s:7:"Website";s:29:"http://www.sobogallery.co.uk/";s:11:"Description";s:402:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">SoBo is an imaginative new venture in Tower Bridge Road mixing art and coffee. A special SoBo blend of coffee is supplied by Rizzi Coffee, based just around the corner in Wilds Rents. Muffins, pastries and cakes, delivered daily, are all hand-made using only non-GM and free-range ingredients.&nbsp;<br /></span></p>";}i:3;a:6:{s:11:"Place Image";s:36:"201106260526592224lepontdelatour.jpg";s:5:"Title";s:18:"Le Pont De La Tour";s:7:"Address";s:31:"36d Shad Thames, London SE1 2YE";s:12:"Phone Number";s:15:"020 7403 8403  ";s:7:"Website";s:67:"http://www.conran-restaurants.co.uk/restaurants/restaurants/lepont/";s:11:"Description";s:304:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Conran''s SE1 flagship. Offers private dining for groups of up to 20 in a room with a wall of sheet-glass providing a view of the wine cellar and all those lovely loitering bottles. Set menu for groups of 13+</span></p>";}i:4;a:6:{s:11:"Place Image";s:34:"201106260527182531522allbarone.png";s:5:"Title";s:11:"All Bar One";s:7:"Address";s:30:"34 Shad Thames, London SE1 2YG";s:12:"Phone Number";s:14:"020 7940 9771 ";s:7:"Website";s:0:"";s:11:"Description";s:266:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Riverside location next to the Design Museum. Standard All Bar One setup but in a good spot and features a varied menu alongside the usual beverage suspects.&nbsp;<br /></span></p>";}i:5;a:6:{s:11:"Place Image";s:38:"201106260527422305416bengalclipper.jpg";s:5:"Title";s:14:"Bengal Clipper";s:7:"Address";s:52:"11-12 Cardamom Building, Shad Thames, London SE1 2YR";s:12:"Phone Number";s:14:"0207 357 9001 ";s:7:"Website";s:35:"http://www.bengalrestaurants.co.uk/";s:11:"Description";s:447:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This large and airy restaurant provides daily menus at both &pound;5 (changed weekly) and &pound;10 (changed monthly). Sunday Buffet is &pound;7.75. The ''club'' atmosphere is heightened by the slightly old-fashioned attentive personal service and the cleverly-folded clipper sail napkins. It''s an ideal restaurant for a quiet lunch a deux.&nbsp;<br /></span></p>";}i:6;a:6:{s:11:"Place Image";s:32:"201106260528222588705delfina.jpg";s:5:"Title";s:19:"Delfina Studio Cafe";s:7:"Address";s:36:"50 Bermondsey Street, London SE1 3UD";s:12:"Phone Number";s:14:"020 7357 0244 ";s:7:"Website";s:26:"http://www.delfina.org.uk/";s:11:"Description";s:216:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Acclaimed eatery open weekday lunchtimes and Friday evenings. A good sport for functions and wedding receptions !&nbsp;</span></p>";}i:7;a:6:{s:11:"Place Image";s:33:"201106260528422857262garrison.jpg";s:5:"Title";s:24:"The Garrison Bar & Grill";s:7:"Address";s:36:"99 Bermondsey Street, London SE1 3XB";s:12:"Phone Number";s:14:"020 7089 9355 ";s:7:"Website";s:29:"http://www.thegarrison.co.uk/";s:11:"Description";s:391:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Garrison in Bermondsey Street is the Honest Cabbage re-launched by a new team, and this is very unusual pub. While some of the decor is kept simple and cool with stripped floorboards, the splendid toilets are worth visiting to experience the sensation of being onboard an ocean liner.&nbsp;</span></p>";}i:8;a:6:{s:11:"Place Image";s:33:"201106260529002747702woolpack.jpg";s:5:"Title";s:13:"The Wool Pack";s:7:"Address";s:36:"98 Bermondsey Street, London SE1 3UB";s:12:"Phone Number";s:14:"020 7357 9269 ";s:7:"Website";s:0:"";s:11:"Description";s:268:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Formerly the London Scotia Bar, this is a nice pub that has been completely redecorated and offers food for lunch and in the evening. It has a great beer garden too.&nbsp;</span></p>";}}}}', NULL),
(29, 2, 36, 'a:2:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:13:"Contact Email";s:24:"matt@ethercreative.co.uk";}}}s:2:"fr";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:13:"Contact Email";s:0:"";}}}}', NULL),
(30, 4, 37, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:9:{i:1;a:2:{s:5:"Image";s:43:"201106080622152862165btn_fixed_bar_back.png";s:17:"Image Description";s:7:"Image 1";}i:2;a:2:{s:5:"Image";s:32:"201106080623002452657demelza.png";s:17:"Image Description";s:7:"image 2";}i:3;a:2:{s:5:"Image";s:43:"201106080804362483640btn_fixed_bar_back.png";s:17:"Image Description";s:0:"";}i:4;a:2:{s:5:"Image";s:44:"201106080804532312370price_slider_handle.png";s:17:"Image Description";s:0:"";}i:5;a:2:{s:5:"Image";s:33:"201106080805042510264flang-en.png";s:17:"Image Description";s:0:"";}i:6;a:2:{s:5:"Image";s:32:"201106080805202350875flag-it.png";s:17:"Image Description";s:0:"";}i:7;a:2:{s:5:"Image";s:32:"201106080805312212527flag-fr.png";s:17:"Image Description";s:0:"";}i:8;a:2:{s:5:"Image";s:32:"201106080805432351611flag-es.png";s:17:"Image Description";s:0:"";}i:9;a:2:{s:5:"Image";s:32:"201106080805542866925flag-de.png";s:17:"Image Description";s:0:"";}}}}', NULL),
(31, 4, 23, 'a:2:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{i:0;s:33:"<p>These are some super rates</p>";}}}s:2:"fr";a:1:{s:6:"group1";a:1:{i:1;a:1:{i:0;s:0:"";}}}}', NULL),
(33, 5, 20, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:58:"20110612044622268189Screen shot 2011-06-12 at 12.46.03.png";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:894:"<p>The Yard is located in the buzzing district of Islington, and from 2010 it has been converted into our affordable Mixing in the Box Room. Alternatively you can use the space for programming or editing. It is based around a powerful 32 output Protools HD3 Accel rig with a good selection of plug-ins with monitoring being provided by Boxer T2 speakers, NS10 Studios or Genelec 1031''s. The monitoring is controlled by a PreSonus Central Station. Add in a good selection of hardware outboard and some mic amps for recording and the room is well setup for overdubs. In 2007 early 2008, the studio underwent numerous cosmetic improvements including a refurbishment of the booth.<br /><br />Perhaps the most competitively-priced studio of its kind in North London, it has recently attracted bands and artists as diverse as Coldplay, Barry Adamson, Crystal Castles, The Pistolas and Eight Legs.</p>";}}}}', NULL),
(35, 5, 24, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:9:"Equipment";s:5846:"<p>\r\n<p>CONTROL ROOM: 8.1m x 4.3m (26.5'' x 14'')</p>\r\n<p>BOOTH: 3.9m x 2.8m (12'' x 9'')</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MULTITRACK / HARD DISK RECORDING</strong></p>\r\n<p>ProTools HD3 Accel (See below to check specifications)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MONITORING</strong></p>\r\n<p>Presonus Central Station Monitoring Switching Unit</p>\r\n<p>Boxer Series 2 Monitors</p>\r\n<p>Genelec 1031A''s</p>\r\n<p>Yamaha NS10 Studios</p>\r\n<p>Amplifiers: Amcron / Yamaha / Quad</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MASTERING</strong></p>\r\n<p>Panasonic SV3800 DAT Player</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DYNAMICS</strong></p>\r\n<p>BSS DPR 901 MkII</p>\r\n<p>DBX 263 De-essers (x2)</p>\r\n<p>Drawmer DS301 (x2)</p>\r\n<p>Dolby Model 740</p>\r\n<p>Focusrite Red 3</p>\r\n<p>SSL Logic FXG384</p>\r\n<p>TL Audio C5021</p>\r\n<p>Urei 1176</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MIC PRE''S / EQUALISATION</strong></p>\r\n<p>Amek 9098 (x2)</p>\r\n<p>Chandler TG2 EMI Abbey Road Edition Mic Pre</p>\r\n<p>Neve Prism Mic Pre''s (x2)</p>\r\n<p>Neve Prism EQ (x4)</p>\r\n<p>Summit EQP200B Stereo Valve EQ</p>\r\n<p>&nbsp;</p>\r\n<p><strong>REVERBERATION</strong></p>\r\n<p>AMS RMX16</p>\r\n<p>Lexicon PCM90</p>\r\n<p>Lexicon PCM80</p>\r\n<p>TC Electronics M2000 (x2)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DELAYS / PROCESSORS</strong></p>\r\n<p>Alesis Midiverb</p>\r\n<p>AMS 1580S</p>\r\n<p>BBE 862 Sonic Maximiser</p>\r\n<p>BBE 822a Sonic Maximiser</p>\r\n<p>Bel BD80 Delay</p>\r\n<p>Eventide H3000 DSX</p>\r\n<p>Roland SDE330</p>\r\n<p>Roland SDE3000</p>\r\n<p>Yamaha SPX990 (x2)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>SYNCHRONISATION</strong></p>\r\n<p>Digidesign Sync I/O</p>\r\n<p>Digidesign MIDI I/O</p>\r\n<p>&nbsp;</p>\r\n<p><strong>SEQUENCING</strong></p>\r\n<p>ProTools v8</p>\r\n<p>Logic Pro v8 / v9</p>\r\n<p>&nbsp;</p>\r\n<p><strong>KEYBOARDS / MODULES (Please check for Availability)</strong></p>\r\n<p>Oberheim Matrix 1000</p>\r\n<p>M-Audio Oxygen 49</p>\r\n<p>&nbsp;</p>\r\n<p><strong>INSTRUMENTS (Please Check for Availability)</strong></p>\r\n<p>Epiphone Acoustic Guitar</p>\r\n<p>Music Man Stingray</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MICROPHONE LIST</strong></p>\r\n<p>AKG D112</p>\r\n<p>Neumann U87ai</p>\r\n<p>Rode NT1</p>\r\n<p>Shure SM57</p>\r\n<p>&nbsp;</p>\r\n<p>Other Microphones may be available on request.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>THE PROTOOLS RIG</strong></p>\r\n<p>Top of the range protools rig based around an HD3 Accel rig running either protools or logic pro software.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>HARDWARE</strong></p>\r\n<p>Apple Mac Pro 8 Core (2 x 2.4Ghz Quad-Core Intel Xeon), 6GB DDR3 Ram, 4 x 1TB HDD 7200rpm</p>\r\n<p>24" Flat Screen Display</p>\r\n<p>1 x Glyph GT103 Caddy with 250 gig removable firewire drives</p>\r\n<p>2 x Digidesign 192 Interfaces with 16 inputs and 32 outputs</p>\r\n<p>Digidesign MIDI I/O interface</p>\r\n<p>Digidesign Sync I/O synchroniser</p>\r\n<p>&nbsp;</p>\r\n<p><strong>BACKUP</strong></p>\r\n<p>Usually done the following day with a choice of:</p>\r\n<p>CD-R</p>\r\n<p>DVD-R</p>\r\n<p>AIT2</p>\r\n<p>DDS4</p>\r\n<p>&nbsp;</p>\r\n<p><strong>SOFTWARE</strong></p>\r\n<p>OSX 10.6.5</p>\r\n<p>ProTools v8.1 &amp; v9.0</p>\r\n<p>Logic Pro v9.0.2 (Please ask for availability)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>PLUG-INS</strong></p>\r\n<p>2016 Plate Reverb</p>\r\n<p>Access Music Indigo</p>\r\n<p>Acoustic Feedback Deluxe</p>\r\n<p>A.I.R. Effects Bundle</p>\r\n<p>Amp Farm</p>\r\n<p>Aphex Bigbottom</p>\r\n<p>Aphex Exciter</p>\r\n<p>Autotune Evo</p>\r\n<p>Avox Choir</p>\r\n<p>Avox Punch</p>\r\n<p>BF Essentials</p>\r\n<p>Bomb Factory 1176</p>\r\n<p>Bomb Factory BF-2A</p>\r\n<p>Bomb Factory BF-3A</p>\r\n<p>Bruno / Reso</p>\r\n<p>Cosmonaut Voice</p>\r\n<p>D-Fi</p>\r\n<p>Digidesign Creative Selection</p>\r\n<p>DigiRack Chorus</p>\r\n<p>DigiRack Click</p>\r\n<p>DigiRack D-Verb</p>\r\n<p>DigiRack DigiReWire</p>\r\n<p>DigiRack Dither</p>\r\n<p>DigiRack Dynamics III</p>\r\n<p>DigiRack EQ III</p>\r\n<p>DigiRack Flanger</p>\r\n<p>DigiRack Invert/Duplicate</p>\r\n<p>DigiRack Mod Delay II</p>\r\n<p>DigiRack Multi-Tap Delay</p>\r\n<p>DigiRack Normalize-Gain Change</p>\r\n<p>DigiRack Ping-Pong Delay</p>\r\n<p>DigiRack Pitch</p>\r\n<p>DigiRack Reverse-DC Removal</p>\r\n<p>DigiRack Signal Generator</p>\r\n<p>DigiRack Time Comp-Exp-Pitch Shift</p>\r\n<p>DigiRack TimeAdjuster</p>\r\n<p>DigiRack Trim</p>\r\n<p>DrawmerDynamics</p>\r\n<p>Echo Farm</p>\r\n<p>Eleven LE</p>\r\n<p>Epure II</p>\r\n<p>Fairchild 660</p>\r\n<p>Fairchild 670</p>\r\n<p>Filterbank</p>\r\n<p>Flux Epure</p>\r\n<p>Focusrite D2</p>\r\n<p>Focusrite D3</p>\r\n<p>Funk Logic Masterizer</p>\r\n<p>H949 Harmoniser</p>\r\n<p>Joe Meek SC2 Compressor</p>\r\n<p>Joe Meek VC5 Meequalizer</p>\r\n<p>Machine Control</p>\r\n<p>Massey CT4 Compressor</p>\r\n<p>Massey De:Esser</p>\r\n<p>Massey L2007 Mastering Limiter</p>\r\n<p>Massey TD5 Tape Delay</p>\r\n<p>Massey THC Distortion Stompbox</p>\r\n<p>Massey Tape-Head Saturation</p>\r\n<p>Massey VT3 Equalizer</p>\r\n<p>Master X3</p>\r\n<p>Maxim</p>\r\n<p>MC2000</p>\r\n<p>Melodyne Editor</p>\r\n<p>Metric Halo Channel Strip</p>\r\n<p>MDW Massenburg EQ</p>\r\n<p>Moogerfooger Low Pass Filter</p>\r\n<p>Moogerfooger 12-Stage Phaser</p>\r\n<p>Moogerfooger Ring Modulator</p>\r\n<p>Moogerfooger Analog Delay</p>\r\n<p>Pitch</p>\r\n<p>Pitch n Time</p>\r\n<p>Pultec EQH-2</p>\r\n<p>Pultec EQP-1A</p>\r\n<p>Pultec MEQ-5</p>\r\n<p>Purple Audio MC77</p>\r\n<p>Reverb One</p>\r\n<p>Revibe</p>\r\n<p>Sansamp PSA-1</p>\r\n<p>Slightly Rude Compressor</p>\r\n<p>Smack!</p>\r\n<p>Sonnox Oxford EQ</p>\r\n<p>Soundreplacer</p>\r\n<p>Soundtoys FX Bundle TDM</p>\r\n<p>Soundtoys Crystallizer</p>\r\n<p>Soundtoys Decapitator</p>\r\n<p>Soundtoys Echo Boy</p>\r\n<p>Soundtoys Filter Freak</p>\r\n<p>Soundtoys Pan Man</p>\r\n<p>Soundtoys Phase Mistress</p>\r\n<p>Soundtoys Pitch Blender</p>\r\n<p>Soundtoys Pitch Doctor</p>\r\n<p>Soundtoys Pure Pitch</p>\r\n<p>Soundtoys Speed</p>\r\n<p>Soundtoys Time Blender</p>\r\n<p>Soundtoys Tremolator</p>\r\n<p>Surroundscope</p>\r\n<p>TL Drum Rehab</p>\r\n<p>TL Space</p>\r\n<p>Tel-Ray Variable Delay</p>\r\n<p>Time Shift</p>\r\n<p>Vocalign</p>\r\n<p>Voce Chorus/Vibrato</p>\r\n<p>Voce Spin</p>\r\n<p>Waves Platinum</p>\r\n<p>Xpand!</p>\r\n</p>";}}}}', NULL),
(36, 13, 20, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:43:"201107061410592922552garden-homepage-js.swf";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:1233:"<p>The Garden recording studio London is our vintage band tracking room, based in Shoreditch. In 2009 it entered an exciting new era when producer Craig Silvey moved in with his exceptional collection of vintage analogue gear, joining a long-standing partnership between Miloco and studio owner, The The''s Matt Johnson.<br /><br />The studio is now centred around Craig''s vintage Neve 8026 console - a classic and highly sought-after board dating back to the early 1970s. It has been beautifully maintained to produce the purest sound, and features an incredibly rare 24-channel monitor section, plus a selection of the very finest Neve modules: 1084s, 1076s and a 1066. The desk is complemented by some exceptional Boxer T2 monitors and stacks of esoteric vintage outboard collected by Craig, Matt and Miloco.<br /><br />The Garden''s 470 sq ft live space provides an astonishingly big sound, and is widely considered to have one of the best drum sounds in London. Bands will have a fantastic range of backline at their disposal, including many rare keyboards, guitar and bass amps, plus a large collection of exquisite vintage mics. The end result is simple - The Garden is once again London''s ultimate vintage recording studio.</p>";}}}}', NULL),
(193, 9, 25, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:4:{s:5:"Image";s:59:"201106200844112147209Screen shot 2011-06-20 at 16.43.52.png";s:5:"Title";s:36:"Future Music March 2010: Studiofile ";s:11:"Description";s:282:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Future Music Studiofile feature concentrated on The Motor Museum for their March 2010 issue. The magazine went upto Liverpool to profile the studio and interview Mike Crossey.&nbsp;</span></p>";s:13:"File Location";s:82:"http://www.miloco.co.uk/studios/press_cuttings/motormuseum_futuremusic_mar2010.pdf";}}}}', NULL),
(194, 9, 23, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{i:0;s:4485:"<p>\r\n<p><strong>What the rates include</strong></p>\r\n</p>\r\n<ul>\r\n<li>Days in the Motor Museum are 12 hour days. The 12 hours begin from when you wish to start.</li>\r\n<li>All the prices exclude VAT which is chargeable at 20%.</li>\r\n<li>The rates include an assistant (unless stated) but not an engineer. You can hire one of our engineers on top of the rate.</li>\r\n<li>All prices exclude tapes/materials, cabs and hire costs.</li>\r\n<li>The rates include the equipment shown on the equipment specification but as you can imagine the gear does break from time to time. If we cannot replace the gear we cannot offer a discount on the rate. Of course in the unlikely scenario that a major breakdown happens during the session (such as the console / tape machine) we shall discuss the time lost.</li>\r\n<li>Any equipment that is ''subject to availability'' on the individual room specifications, needs to be requested prior to the session.</li>\r\n<li>And contrary to some rumours concocted by our competitors tea and coffee is free throughout the day and we may throw in the odd sweet or two if you are good.</li>\r\n</ul>\r\n<p>\r\n<p><strong>Day Rate</strong></p>\r\n<p>This is the day rate of The Motor Museum. The day is a 12 hour day. A lockout day rate (upto 7am the following morning) can be arranged by calling the office prior to the commencement of the session.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Lockout Rate</strong></p>\r\n<p>The Lockout rate for The Motor Museum is another &pound; 100.00 on top of the day rate agreed. This will give you as many hours as you need up to 7am in the morning.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>5 day Rate</strong></p>\r\n<p>We can offer the 5 day rate on all of our rooms for bookings under 5 days. This is a cheaper rate you can book the studio for, but we can only confirm the session 72 hours prior to the start of the session. This allows us to be flexible when a large 7 day booking comes in which needs the same time you may be holding for one day. In the event this occurs we will either offer you another room (which may sometimes be an upgrade) or we shall ask you to re-schedule or you can always pay the Book Rate. If the booking is over 5 consecutive days you can confirm the 5 day rate of the studio at any time.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Unsigned Rate (Flexi Rate)</strong></p>\r\n<p>If you are a band / artist and are unsigned we may be able to offer you our unsigned rate. Please note if you are Radiohead who may not technically need a record deal we do not consider you unsigned! The unsigned rate is only for bands that do not have professional representation and are not signed.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>If you hold studio time at the Unsigned Flexi rate and we receive an enquiry from a client who is prepared to pay and confirm at the full rate for the same dates you have held we will give you the option to match that rate. If you choose not to do this we will try to move you to another suitable studio if there is one available. If no other studios are available we will have to ask you to change your session dates. We will not confirm sessions at the Unsigned Flexi rate until 24 hours before the session and advise that clients do not book transport, hotels etc until your session is confirmed with us.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>If clients booking at the Unsigned Flexi rate bring their own engineer then the studio rate will include an assistant. For an additional &pound;50.00 you can choose to have one of our younger engineers who will work without an assistant, or you can pay for one of our full-rate engineers who will also work without an assistant.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>These costs are all payable in advance of the session and valid credit card details will be needed at the time of confirming the session.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Unsigned Rate (Book It Now)</strong></p>\r\n<p>The ''Book It Now'' unsigned rate has exactly the same terms as the ''Flexi'' unsigned rate as in you must be unsigned! However for an extra charge you can confirm your session in advance of the session dates. This charge varies between &pound;75 or &pound;100 depending on which studio you are booking. Once confirmed and paid for at the ''Book It Now'' rate we will not move your session. These costs are payable when you book the studio and not 24 hours in advance of your session.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>As with the Unsigned Flexi rate we will require valid credit card details at the time of confirming the session.</p>\r\n</p>";}}}}', NULL),
(38, 13, 24, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:9:"Equipment";s:7454:"<p><br /><strong>CONTROL ROOM</strong>: 5.8m x 5.8m (19'' x 19'')<br />LIVE ROOM: 7.9m x 5.5m (26'' x 18'')<br />BOOTH: 3m x 2.4m (10'' x 8'')<br /><br /><strong>LATEST PURCHASES:</strong><br />Apple Intel Mac Pro<br />Eventide Anthology 2 Plug-in bundle<br />Soundtoys 4 Bundle<br /><br /><br /><strong>CONSOLE</strong><br />Vintage Neve 8026 40 channel console with 24 channel monitor section, loaded with 24 mic amps and EQs, consisting of seventeen 1084 modules, six 1076 modules and one 1066 module.<br /><br /><strong>MULTITRACK / HARD DISK RECORDING</strong><br />Protools HD3 Accel with 32 inputs and 48 outputs running on an Apple Mac Pro<br />24 or 16 Track Studer A80 Mk IV with full remote &amp; Autolocator<br /><br /><strong>MONITORING</strong><br />Boxer T2''s<br />Genelec 1031A''s<br />Yamaha NS10 Studios<br />Auratones<br /><br />Amplifiers: Chevin / Bryston / Quad<br /><br /><strong>5.1 MONITORING</strong><br />A 5.1 system can be setup on demand (subject to availability)<br />5 x Dynaudio BM15a loudspeakers<br />Adam Sub 12<br />Audient ASP510 Surround Sound Controller<br /><br /><strong>MASTERING</strong><br />Panasonic SV3800 DAT<br />Player / HHB CDR830<br /><br /><strong>DYNAMICS</strong><br />Culture Vulture<br />DBX 165 (x2)<br />DBX 263X De''essers (x2)<br />Drawmer DL221<br />Drawmer DS201 (x2)<br />Eclair LaLa model 62<br />Empirical Lab Distressors (x2)<br />Messenberg GML 2030 Mastering Compressor<br />SPL Transient Designer<br />SSL Logic FXG384<br />Thermionic Culture Phoenix<br />Urei 1176 (x4)<br />Urei LA4<br />Valley People Dynamite Expanders (x2)<br /><br /><strong>EQUALISATION / MIC PRE</strong><br />Cartec EQP-1A<br />Calrec PQ1161 EQs (x4)<br />Calrec PQ1061 EQs (x2)<br />Focusrite tone factory<br />Helios channels x 2<br />John Hardy M1<br />Massenberg GML 8200<br />Massenberg GML 8304<br />Tubetech PE1C Equaliser<br />Telefunken V76 Valve Mic Amps (x3)<br />Telefunken V72 Valve Mic Amps (x2)<br /><br /><strong>REVERBERATION</strong><br />AMS RMX16<br />Lexicon PCM70<br />Lexicon 224<br />Lexicon 224XL<br />Roland R880<br />TC Electronics M3000<br />Ursa Major Space Station<br />Yamaha SPX90<br />Yamaha SPX90 MkII<br /><br /><strong>DELAYS / PROCESSORS</strong><br />AMS 1580S<br />AMS DM220 Phaser<br />Aphex Exciter ''B''<br />Audio &amp; Design Panscan<br />Bel BD80<br />DBX 120<br />Eventide H3000 (x2)<br />Ibanez AD202 (x2)<br />Lexicon Super Prime Time<br />Mutron Bi-Phase<br />Roland SDE2000<br />Roland RE-501 Space echo (x2)<br />TC 1210 enhancer<br />Urei 565T Filter Set<br /><br /><strong>SYNCHRONISATION</strong><br />Digidesign Sync I/O<br />Digidesign MIDI I/O<br /><br /><strong>SEQUENCING</strong><br />Protools v8.1<br />Logic Pro v9.1.3 (on request)<br /><br /><strong>INSTRUMENTS &amp; MISCELLANEOUS</strong><br />Yamaha Baby Grand Piano<br />Fender Rhodes 88 (Please check for availability)<br />Fender Twin<br />Marshall Super Lead 100w Mk2 &amp; 1960AV 4x12 Cabinet<br />Ampeg SVTAVU Bass Head &amp; Ampeg SVT810AV Cab<br />Roland Jazz Chorus-120 amp<br />Roland SH-101<br />SL1210 Turntable &amp; Vestax PMC01A<br />Hammond &amp; Leslie 145<br />Nord Lead<br />Mesa Boogie Mk 1<br />Yamaha Drum kit with 20" kick; 8", 10", 12", 13" and 14" toms; Noble &amp; Cooley snare and Pearl Superhoop steel shell snare; and Zildjian Brilliant Cymbals: 14" custom hi-hats, 20" custom ride and 16" and 18" custom crashes<br />Eclair Evil Twin DI<br />(All instruments subject to availability - please check)<br /><br /><strong>MICROPHONE LIST</strong><br />AKG C12a (x2) (subject to availability)<br />AKG 414EB (x2)<br />AKG C28 Valve<br />AKG D202 (x2)<br />AKG 451 (x3)<br />AKG D112E (x2)<br />AKG SE5E<br />Audix Scx1<br />Beyer Dynamic M201<br />Beyer Dynamic M88<br />Bruel &amp; Kjaer 4011 (x2)<br />Crown PZM-30GPG (x2)<br />Coles 4038 Ribbons (x2)<br />Electrovoice RE20 (x2)<br />Neumann KM56 Valve<br />Neumann KM84<br />Neumann U47 FET<br />Neuman UM57 (x2)<br />Neumann U47 Valve<br />Neumann U87 (x2)<br />Neumann U89 (x2)<br />Sennheiser MD421 (x4)<br />Sennheiser MD441<br />Sennheiser S09 (x1)<br />Shure SM57 (x5)<br />Shure SM58 (x2)<br />Telefunken Schoeps M221 Valve (x3)<br /><br /><strong>PROTOOLS RIG</strong><br />Top of the range protools rig based around an HD3 Accel system running protools.<br /><br /><strong>HARDWARE</strong><br />Apple Mac Pro 2 x Dual 2GHZ, 10 gig RAM, 4 x 1 Terrabyte drives<br />Apple 23" HD Cinema Display<br />1 Triple Glyph GT103 removable firewire chassis<br />Choice of removable hotswappable firewire drives 160 gigabytes each<br />3 x Digidesign 192 interfaces providing 24 inputs / 48 Outputs<br />Digidesign MIDI I/O interface<br />Digidesign Sync I/O synchroniser<br /><br /><strong>BACKUP</strong><br />Usually done the following day with a choice of:<br />CD-R<br />DVD-R<br />AIT2<br />DDS4<br /><br /><strong>SOFTWARE</strong><br />OSX 10.6.5<br />Protools v8.1<br />Logic Pro v9.1.3 (on request)<br />Retrospect v6.1<br />Roxio Toast v8<br /><br /><strong>PLUG-INS</strong><br />Access Music Indigo<br />Amp farm<br />Amplitube LE<br />Aphex Bigbottom<br />Aphex Exciter<br />Autotune<br />BF Essentials<br />Bomb Factory 1176<br />Bomb Factory BF-3A<br />Bruno/Reso<br />BX Digital<br />Cosmonaut Voice<br />D-fi<br />DigiRack Chorus<br />DigiRack Click<br />DigiRack D-Verb<br />DigiRack DigiReWire<br />DigiRack Dither<br />DigiRack Dynamics III<br />DigiRack EQ III<br />DigiRack Flanger<br />DigiRack Invert/Duplicate<br />DigiRack Mod Delay II<br />DigiRack Multi-Tap Delay<br />DigiRack Normalize-Gain Change<br />DigiRack Ping-Pong Delay<br />DigiRack Pitch<br />DigiRack Reverse-DC Removal<br />DigiRack Signal Generator<br />DigiRack Time Comp-Exp-Pitch Shift<br />DigiRack TimeAdjuster<br />DigiRack Trim<br />Drawmer Dynamics<br />Echo Farm<br />Eventide Anthology 2 Bundle<br />Eventide Band Delays<br />Eventide EQ45 Parametric Equalizer<br />Eventide EQ Filter Set<br />Eventide E-Channel<br />Eventide H910<br />Eventide H949<br />Eventide H3000 Band Delays<br />Eventide H3000 Factory<br />Eventide Instant Phaser<br />Eventide Instant Flanger<br />Eventide OmniPressor<br />Eventide Octavox<br />Eventide Quadravox<br />Eventide Reverb<br />Eventide Precision Time Align<br />Eventide Ultra-Channel<br />Fairchild 660<br />Fairchild 670<br />Filterbank<br />Focusrite D2<br />Focusrite D3<br />Funk Logic Masterizer<br />Impact<br />Instant Phaser<br />Instant Flanger<br />Joe Meek SC2 Compressor<br />Joe Meek VC5 Meequalizer<br />Massenburg Design EQ<br />Master X3 Maxim<br />MC2000 v2.3.1 Multiband compressor<br />moogerfooger Lowpass filter<br />moogerfooger 12-stage phaser<br />moogerfooger Ring Modulator<br />moogerfooger Analog delay<br />Pitch<br />Pitchblender<br />Pultec EQH-2<br />Pultec EQP-1A<br />Pultec MEQ-15<br />Purple Audio MC77<br />Reverb One<br />Sansamp PSA-1<br />Slightly Rude Compressor<br />Smack!<br />Sony Oxford EQ<br />Sound Replacer<br />Soundtoys FX Bundle TDM<br />Soundtoys Crystallizer<br />Soundtoys Decapitator<br />Soundtoys Echo Boy<br />Soundtoys Filter Freak<br />Soundtoys PanMan<br />Soundtoys Phase Mistress<br />Soundtoys Pitch Blender<br />Soundtoys Pitch Doctor<br />Soundtoys Pure Pitch<br />Soundtoys Speed<br />Soundtoys Time Blender<br />Soundtoys Tremolator<br />Speed<br />T-Racks EQ<br />Tel-Ray Variable Delay<br />TL Space HD<br />Time Shift<br />Voc Align<br />Voce Spin<br />Voce Chorus/Vibrato<br />Waves Platinum<br />X Form</p>";}}}}', NULL),
(39, 6, 20, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:46:"201107061409062974608elcortijo-homepage-js.swf";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:1171:"<p>El Cortijo is our magnificent residential recording studio retreat based in Andalucia, Spain, which we are delighted to be running together with legendary musician and studio owner, Trevor Morais.<br /><br />This stunning villa is a sight to behold. It has been designed and constructed with total comfort in mind and offers clients a fully secure and idyllic environment to work and relax in. Immersed in the beautiful hills and valleys of the Ronda National Park, you can enjoy complete exclusivity in a private location separated from the rest of the world and its persistent everyday distractions, safe in the knowledge that no-one will know where to find you. The accommodation is 5-star and the cuisine exquisite. Here guests can be assured that their every need will be met, allowing for total concentration on the job in hand.<br /><br />At the heart of the villa the recording studio boasts an expansive collection of quality gear, plus a variety of live rooms centred around a Trident console and a Protools HD3 rig. Set in the most creative environment imaginable, the studio''s spectacular surroundings are guaranteed to inspire every recording project.</p>";}}}}', NULL),
(40, 7, 20, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:47:"201107061409392614494fisherlane-homepage-js.swf";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:1212:"<p>Fisher Lane residential recording studios is Miloco''s luxury residential retreat located just outside London in the heart of rural Surrey.<br /><br />Designed and built in the early 1980s by world-renowned acoustician Sam Toyoshima, architect John Flynn and producer Hugh Padgham, Fisher Lane is steeped in musical history and is responsible for classic albums from artists including Genesis, Phil Collins, Eric Clapton and The Cure. Its large live space boasts a beautiful Steinway Grand Piano, an incredible selection of backline including countless rare guitars, keyboards and amps, and a fantastic stone room which produces exciting drum ambience. The studio''s vast day-lit control room features a pristine SSL E series console, awesome Westlake HR1 monitors, and an extensive selection of outboard. There is also a spacious editing suite which is tielined through to all of the studio''s other rooms.<br /><br />Fisher Lane now stands as the only top-end residential within easy reach of London. Having incorporated two beautifully refurbished 4-bed cottages surrounded by the stunning Surrey countryside, it provides a totally tranquil, secluded and inspirational setting for your recording projects.</p>";}}}}', NULL),
(42, 7, 24, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:9:"Equipment";s:24:"<p><strong></strong></p>";}}}}', NULL),
(256, 2, 38, 'a:2:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:4:{s:8:"Postcode";s:8:"NW10 2NB";s:7:"Address";s:25:"1 Maybury Gardens, London";s:3:"lat";s:10:"51.5464511";s:3:"lng";s:11:" -0.2343622";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Directions";s:2074:"<p>\r\n<p><strong>Directions from outside London </strong></p>\r\n<p><strong>From the M1 (Luton)</strong></p>\r\n</p>\r\n<ul>\r\n<li>For the M1 from Luton, travel southbound for roughly 23 miles past Harpenden, Redbourn, Hemel Hempstead, Abbots Langley, and across M25 into London.</li>\r\n<li>Approaching Brent Cross, take the exit at Junction 1 towards A40/M4/Wembley</li>\r\n<li>You will come to a roundabout. Take the third exit onto the North Circular Road, and continue for about half a mile.</li>\r\n<li>At the next roundabout, take the first exit onto the A5/Edgware Road ramp.</li>\r\n<li>Take a slight right at the A5/Edgware Road, and continue to follow the A5 for about a mile.</li>\r\n<li>Turn right at Chichele Road/A407 and continue for just under a mile.</li>\r\n<li>Turn right onto Willesden Lane and continue for just under half a mile</li>\r\n<li>You will go past Willesden Green underground station on your right, then shortly after is Maybury Gardens on the left. Assault & Battery 2 is located in a charcoal blue building on the right-hand side of the road.</li>\r\n</ul>\r\n<p>\r\n<p><strong>From the M4 (Heathrow)</strong></p>\r\n</p>\r\n<ul>\r\n<li>For the M4 from Heathrow, travel East towards Central London</li>\r\n<li>Exit the motorway at Junction 2 onto the A4 towards the A406, and then join the A406 by taking the first exit at Chiswick roundabout.</li>\r\n<li>Continue along the A406/North Circular Road for roughly 6 miles, and then exit onto Neasden Lane/A4088</li>\r\n<li>Once on the A4088, continue for a mile. You will go through one roundabout, and then turn left at the A407/High Road.</li>\r\n<li>Maybury Gardens is less than half a mile along the High Road on the right. The studio is located in a charcoal blue building on the right side of the road.</li>\r\n</ul>\r\n<p>\r\n<p><strong>By Cab</strong></p>\r\n<ul>\r\n<li>By cab ask to go to Willesden Green underground station. Once at the station, continue West along Walm Lane momentarily, and then take a right onto the High Road at the traffic lights. From there, Maybury Gardens is the fifth turning on the left.</li>\r\n</ul>\r\n</p>";}}}s:2:"fr";a:2:{s:6:"group1";a:1:{i:1;a:2:{s:8:"Postcode";s:8:"NW10 2NB";s:7:"Address";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Directions";s:0:"";}}}}', NULL),
(149, 5, 33, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:186:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">There is a good and varied selection of hotels near The Yard, and here are a few choices:</span></p>";}}s:6:"group2";a:7:{i:1;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:20:"Russell''s of Clapton";s:17:"Hotel Description";s:645:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Chatsworth Road, London E5 0LA<br />+44 (0)797 666 9906<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://russellsofclapton.com/">russellsofclapton.com</a><br /><br />Russell''s of Clapton is a new upmarket B&amp;B in East London run by ex-music industry pro Annette Russell. It is a modern-update of a traditional B&amp;B, following examples in cities such as New York, Berlin and Barcelona. Based in Clapton, this chic and charming house is a short trip on the North London Overground line from Highbury.&nbsp;</span></p>";}i:2;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:16:"The Hilton Hotel";s:17:"Hotel Description";s:778:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">53 Upper St, London, N1 0UY<br /><strong>Tel:</strong>&nbsp;+44 (0)20 7354 7700<br /><strong>Email:</strong>&nbsp;reservations.islington@hilton.com<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.hilton.co.uk/islington">www.hilton.co.uk/islington</a><br /><br />This modern and stylish 4-star hotel is located within the heart of fashionable and trendy Islington, with 184 large bedrooms and well-equipped meeting facilities. Minutes from the City, West End, Islington''s own vibrant restaurants &amp; shops, and adjacent to the Business Design Exhibition Centre. Within walking distance of the studio.&nbsp;</span></p>";}i:3;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:16:"Jurys London Inn";s:17:"Hotel Description";s:789:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">60 Pentonville Rd, London, N1 9LA<br /><strong>Tel:</strong>&nbsp;(020) 7282 5500<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.jurys-london-hotels.com/jurysinn_london">www.jurys-london-hotels.com/jurysinn_london</a><br /><br />Jurys Inn, one of the most popular Islington hotels, is ideal for both business and leisure travellers. Right in the heart of fashionable Islington, this London hotel offers rooms that can accommodate up to three adults or two adults and two children. Our fixed rate room offers means this Islington hotel offers outstanding value for money. Within walking distance from the studio.&nbsp;</span></p>";}i:4;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:23:"Thistle Hotel Islington";s:17:"Hotel Description";s:573:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">100 Kings Cross Rd, London, WC1X 9DT, United Kingdom<br /><strong>Tel:</strong>&nbsp;0870 3339113<br /><br />Situated just a few minutes walk from King''s Cross railway station and minutes from Central London''s shopping, business and entertainment districts, it is on the ideal location for business and leisure. Recently refurbished. The Faya Mediterranean Restaurant and Bar is one of the most popular adress in quartier. A short car journey away from the studio.&nbsp;<br /></span></p>";}i:5;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:13:"Swinton Hotel";s:17:"Hotel Description";s:684:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">18-24 Swinton St, London, WC1X 9NX, United Kingdom<br /><strong>Tel:</strong>&nbsp;(020) 7837 1451<br /><br />We are located a few minutes from London''s bustling King''s Cross and offer accommodation at very affordable rates. The Swinton Hotel is located in the centre of London and favoured by both business and leisure travellers. All there rooms are favourably decorated, each with its own private en-suite bathroom, colour TV, telephone, tea and coffee making facilities and WI-FI access, allowing you free wireless access to the internet from your bedroom with your own laptop.&nbsp;</span></p>";}i:6;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:11:"Oxford Arms";s:17:"Hotel Description";s:716:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">21 Halliford St, London, N1 3HB, United Kingdom<br /><strong>Tel:</strong>&nbsp;020 7226 6629<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.oxfordarmsguesthouse.co.uk/">www.oxfordarmsguesthouse.co.uk/</a><br /><br />The Oxford Arms is a traditional English guest house with a relaxed and friendly atmosphere - ideal for your long or short breaks in London. All double rooms are newly decorated, clean and comfortable, with their own colour television and private showers ensuite. Special offers are available for stays of 7 days or more.&nbsp;</span></p>";}i:7;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:19:"Walter Sickert Hall";s:17:"Hotel Description";s:439:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">29 Graham St, London, N1 8LA, United Kingdom<br /><strong>Tel:</strong>&nbsp;020 7040 8822<br /><strong>Email:</strong>&nbsp;wsh@city.ac.uk<br /><br />There are usually a small number of guest rooms available in two of City University''s Halls of Residence. Please contact the Halls directly for information on availability and price of rooms.</span></p>";}}}}', NULL);
INSERT INTO `pages` (`id`, `studio_id`, `page_layout_id`, `content`, `additional_content`) VALUES (150, 14, 38, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:4:{s:8:"Postcode";s:9:"NN13 6DZ ";s:7:"Address";s:60:"Angelic Studios Halse Copse Farm, Halse, Brackley, Northants";s:3:"lat";s:10:"52.0703591";s:3:"lng";s:11:" -1.1791421";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Directions";s:1954:"<p>\r\n<p><strong>From the M4/M40 / London </strong></p>\r\n</p>\r\n<ul>\r\n<li>Travelling West out of Central London (past Hammersmith flyover), take the 3rd exit onto A4/Great W Rd. 1.2 miles</li>\r\n<li>Continue onto M4 (signs for M4/Staines/Hounslow). 9.1 miles</li>\r\n<li>At junction 4b, exit toward M1/Watford/M40. 1.1 miles</li>\r\n<li>Merge onto M25. 4.3 miles</li>\r\n<li>At junction 16, exit toward B''ham/M40 (W)/Oxford/ 0.7 miles</li>\r\n<li>Merge onto M40. 45.1 miles</li>\r\n<li>At junction 10, take the A43 exit to B430/Northampton/Middleton Stoney. 0.4 miles</li>\r\n<li>At the roundabout, take the 2nd exit onto A43 heading to Milton Keynes/M1/Northampton/M40 South/A421. Go through 5 roundabouts. 6.0 miles</li>\r\n<li>At the roundabout, take the 1st exit onto A422. 1.0 miles</li>\r\n<li>At the roundabout, take the 2nd exit. 0.2 miles</li>\r\n<li>At the roundabout, take the 1st exit onto Pavilions Way. 0.8 mles</li>\r\n<li>At the roundabout, take the 1st exit onto Halse Rd. 0.4 miles</li>\r\n<li>At the roundabout, take the 2nd exit. 2.1 miles</li>\r\n<li>Turn right. Angelic Studios will be on the left after 0.5 miles</li>\r\n</ul>\r\n<p>\r\n<p> </p>\r\n<p><strong>From the M6 / East Birmingham (Aston Expy)</strong></p>\r\n</p>\r\n<ul>\r\n<li>From Aspy Way, At Junction 6 keep right at the fork to continue toward M6 and merge onto M6. 5.5 miles</li>\r\n<li>At junction 4a, exit toward M42. 423 ft</li>\r\n<li>Merge onto M6. 0.7 miles</li>\r\n<li>Take the exit onto M42 toward Solihull/Warwick/London/M40. 12.7 miles</li>\r\n<li>At junction 3a, exit onto M40 toward London/Stratford/Warwick. 29.2 miles</li>\r\n<li>At junction 11, take the A422 exit to A361. 0.3 miles</li>\r\n<li>At the roundabout, take the 2nd exit onto A422 heading to A43/B4525/Middleton Cheney/Northampton/Brackley. Go through 1 roundabout. 4.5 miles</li>\r\n<li>Slight left at Cockley Rd. 1.5 miles</li>\r\n<li>Turn right. 1.0 miles</li>\r\n<li>Turn left. Angelic Studios will be on the left after 0.5 miles</li>\r\n</ul>";}}}}', NULL),
(43, 9, 20, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:48:"201107061411552792645motormuseum-homepage-js.swf";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:1298:"<p>The Motor Museum recording studio is a world-class recording studio based in Liverpool which we are thrilled to now be running alongside one of today''s most exciting producers, Mike Crossey. This legendary studio has become cemented in the rich musical legacy of Merseyside, and sees Miloco venture into the North West of England for the very first time.<br /><br />The Motor Museum boasts a variety of flexible recording spaces including a large live and stone room, and an exceptional spec highlighted by features such as the vast range of terrific microphones and an amazing Protools HD5 Accel rig. You can also sample a mouth-watering collection of rare guitars, amps, pedals, synths and mic pres. Fully kitted out to satisfy mix projects as well, you''ll find a vintage Neve 8232 Analogue console and stacks of top-end outboard.<br /><br />Hidden away in an expansive daylit warehouse in the fashionable Lark Lane district of South Liverpool sessions will thrive in this secluded and hugely creative studio, which is famous for its highly original themes blending high-class interiors with colourful and exotic decorations. Luxurious furnishings combine with orange and lemon trees to create an alluring inner-city studio paradise... Welcome to Liverpool''s ultimate recording experience!</p>";}}}}', NULL),
(45, 9, 24, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:9:"Equipment";s:9365:"<p><strong>Control Room:</strong> 7.5m x 4.5m<br /><strong>Live Room:</strong> 6.0m x 4.7m<br /><strong>Stone Room:</strong> 4.5m x 4.7m<br /><strong>Booth:</strong> 2.3m x 2.3m<br /><br /><strong>LATEST PURCHASES:</strong><br />Endless Analog CLASP - Tape to DAW synchronization hardware<br />Cranesong Avocet Monitor Controller<br /><br /><br /><strong>CONSOLE</strong><br />32 channel Neve 8232 In-Line Analogue Recording Console<br />Thermionic Culture Fat Bustard 12 channel valve summing mixer<br /><br /><strong>MULTITRACK / HARD DISC RECORDING</strong><br />Protools HD5 Accel with 48 inputs and 48 outputs<br />Studer A80 MK2 24 Track 2"<br />Endless Analog CLASP - Tape to DAW synchronization hardware<br /><br /><strong>MONITORING</strong><br />Cranesong Avocet Monitor Controller<br />ATC T16 Active Monitors<br />Auratone Super Soundcube<br />Avent AV570 Active Speakers<br />Mackie HR824 Speakers<br />Yamaha NS-10M Studio Monitors<br />Yamaha SW10 Sub Woofer<br />Tannoy Vintage Lancaster Speakers<br />Tanny Super Red<br />Yamaha MSP5 Active Monitor<br />Bryston 3B NPB Amplifier &amp; Custom Relay Speaker Switcher Box<br />C Audio TR850 Amplifier<br />Dynaudio DCA Amplifier<br />Quad 303 (x2)<br />Quad 50D Custom Refurb Mono Block (x2)<br />Beyer DT100 Headphones (x8)<br />Beyer DT770 Headphones<br /><br /><strong>MASTERING</strong><br />Lavry LE4496 With AD + DA Modules<br />Tascam CD-160<br />Tascam DA-45HR 24bit DAT Machine<br /><br /><strong>DYNAMICS</strong><br />DBX 263X De-Esser (x2)<br />Drawmer DS201 Gate (x2)<br />Empirical Labs Distressor EL8X (Brit Modded) (x2)<br />FMR Audio RNLA Stereo Limiter<br />Chandler TG1 Abbey Road Special Edition<br />Smart Research C2 Compressor<br />SSL Xlogic G Series Compressor<br />Thermionic Culture Culture Vulture<br />Thermionic Culture Culture Vulture MV<br />Thermionic Culture Phoenix Compressor<br />Thermionic Culture Phoenix Compressor &amp; Sidechain Mod<br />Urei 1176 LN (Silverface) (x2)<br />Valley People 610 Compressor/Expander<br />Valley People Dynamite Compressor<br /><br /><strong>EQUALISATION / MIC PRES</strong><br />Cartec EQP-1A Equalizers (Matched Pair)<br />Cloud Microphones Cloudlifter Two-Channel Phantom-Powered PreAmplifier (x2)<br />Chandler Germanium DI/Mic Pre<br />AEA TRP Pair of Ribbon Mic Pre''s<br />Avalon 737 Mic Pre / Compressor / EQ<br />Amek Medici Mastering EQ<br />API 3124+ Mic Pres (x4)<br />API 5500 Stereo Mastering EQ<br />Avalon 737 Mic Pre/Compressor/EQ<br />Neve 1073 DPA Mic Pre X2 (x2)<br />Neve 1087 Kelso Custom MicPre &amp; EQs (x2)<br />Sontec MEP-250EX Mastering Parametric Equaliser<br />TC Electronics 1140 Parametric EQ (x2)<br />Thermionic Culture Earlybird 2.2<br />Thermionic Culture Pullet Passive EQ<br /><br /><strong>DELAYS / PROCESSORS</strong><br />AKG BX20E Spring Reverb<br />AMS 15-80S Stereo Delay<br />Bricasti M7 Stereo Reverb<br />Lexicon 960L FX<br />Lexicon PCM90 FX<br />Pioneer Reverberation Amp Model SR-202W<br />TC Electronics Fireworx Multi FX<br />Thermionic Culture Culture Vulture<br />Thermionic Culture Culture Vulture MV<br />Ursa Major Space Station SST-282<br />Yamaha SPX90 FX<br /><br /><strong>SYNCHRONISATION</strong><br />Drawmer M Clock Plus DMS-5<br />MOTU MTP-AV MIDI Timepiece<br /><br /><strong>PROTOOLS RIG</strong><br />Top of the range HD5 Accel rig running on an Apple Mac Pro<br />Pro Tools 8.1&amp; Heat (Analog Warmth and Colour Emulation) Add-on<br /><br /><strong>HARDWARE</strong><br />Apple Mac Pro<br />Apple 23inch Cinema Display<br />Apogee PSX100<br />Digidesign 192 Interfaces (x3)<br />Digidesign 96 I/O<br />Drawmer M Clock Plus DMS-5<br />Frontier Design Tranzport Wireless ProTools Control<br />Lavry LE4496 With AD + DA Modules<br />Lynx Aurora 6 With PTHD Card<br />MOTU MTP-AV MIDI Timepiece<br /><br /><strong>SOFTWARE AND PLUGINS</strong><br />Abbey Road Brilliance EQ Bundle<br />Abbey Road Mastering EQ Bundle<br />Abbey Road TG Compressors Bundle<br />Antares Autotune Evo<br />Antares Avox 2 Vocal Processors<br />Audioease Altiverb XL TDM<br />Audioease Audioease All In Bundle<br />Audioease Speakerphone<br />Celemony Melodyne Studio<br />Cranesong Phoenix<br />Digidesign MP3 Export Option<br />Digidesign Synchronic<br />Drumagog 5<br />Eventide Factory Bundle<br />GForce M-Tron Pro<br />Korg Entire Analogue Collection<br />Line 6 Echofarm<br />Ohmforce Entire Collection<br />Sony Oxford Inflator<br />Sony Oxford Limiter<br />Sony Transient Modulator<br />Soundtoys TDM FX All<br />Waves API TDM<br />Waves Dorrough Meters<br />Waves Mercury Bundle TDM<br />Waves GTR Bundle<br />Waves JJP Bundle<br />Waves L316 Bundle TDM<br />Waves SSL TDM<br />Waves V Series TDM<br /><br /><strong>SYNTHESISERS AND SOUND MODULES</strong><br />Alesis HR-16 Drum Machine<br />CME UFS MIDI Controller Keyboard<br />Dave Smith Instruments Prophet 08<br />Emu E5000 Ultra<br />Korg MS-10 Synth<br />Korg Trident MKII Keyboard<br />Korg Triton Rack<br />Mini Moog Synth<br />Octave Electronics The Cat Synth<br />Roland JV1080 Sound Module<br />Roland MC-202 Synth<br />Roland Pc300 MIDI Controller<br />Roland TR-808 Drum Machine (x2)<br />Sequential Circuits Prophet 5<br />Studio Electronics SE1 Synth (x2)<br />Yamaha CS01 Synth<br />Yamaha KX5 Keyboard<br />Yamaha TX81Z Sound Module<br /><br /><strong>MICROPHONES</strong><br />AEA R44 CX Ribbon Microphone<br />AEA R84 Ribbon Microphone (x2)<br />AEA R92 Ribbon Microphone<br />AKG C414 B -ULS (x2)<br />AKG C414 EB<br />AKG C451E<br />AKG D12<br />AKG Solidtube<br />Beyer Dynamic M88<br />Beyer Dynamic 201<br />Blue B6 Capsule<br />Blue Bottle Valve Mic<br />Blue Kiwi<br />Calrec CM050C<br />Electrovoice RE20<br />Heil Sound PR20 (x2)<br />Heil Sound PR30<br />Heil Sound PR40<br />Heil Sound The Fin<br />Josephson E22 (x3)<br />Manley Reference Valve Mic<br />Neumann KM84 (x2)<br />Neumann TML170<br />Neumann U67 (Vintage)<br />Neumann U87<br />RCA DX77 Ribbon Microphone<br />RCA R44 Ribbon Microphone<br />Sennheiser MD421 (x3)<br />Sennheiser MD412<br />Shure 515SD<br />Shure Beta 52<br />Shure Beta 56 (x3)<br />Shure Beta 57<br />Shure Beta 58<br />Shure SM57 (x7)<br />Shure SM58 (x3)<br />Shure SM7<br />STC 4033 Ribbon Microphone<br />Telefunken U48 Valve Microphone<br /><br /><strong>DI BOXES AND REAMPING</strong><br />BSS AR116 DI Box (x2)<br />Ebtech Hum Eliminator<br />EMO DI Box<br />Little Labs PCP Instrument Distro<br />Little Labs Red Cloud Attenuator<br />Little Labs STD Mercenary Edition (x2)<br />Ridge Farm Gas Cooker Stereo Valve DI<br /><br /><strong>GUITAR PEDALS AND FX</strong><br />Analog Man - King Of Tone<br />Boss LS2 Line Selector (x2)<br />Crowther Audio Hot Cake<br />Diamond Memory Lane Delay Pedal<br />Dynachord Echo Cord<br />Electroharmonix Big Muff<br />Electroharmonix Deluxe Memoryman<br />Electroharmonix Hog Synthesiser Pedal<br />Electroharmonix Holier Grail Reverb<br />Electroharmonix Stereo Memoryman Hazarai<br />Emma Electronics Onomatopoeia<br />Fender Spring Reverb 1963 Reissue<br />Foxx Tone Machine<br />Fulltone Full Drive 2<br />Fulltone Supa-Trem Tremolo Pedal<br />Ken Multi Analog Echo EM 006<br />Klon Centaur Overdrive Pedal<br />Korg Kaoss Pad<br />Lovetone Brown Sauce Overdrive Pedal<br />Maxon AD999 Analogue Delay<br />MXR Blue Box FX Pedal<br />MXR Dynacomp<br />MXR Phase 90 Pedal M101<br />Peterson Stroboflip Strobe Tuner<br />Roland CE-1 Chorus Ensemble 1970''s<br />Schaller Rotor Sound<br />Total Sonic Annihilation Pedal<br />Walco Electronics Chord Sustainer Pedal<br />Wem Copicat Tape Delay<br />Zvex Fuzz Factory<br />Zvex Octane Ltd Edition<br /><br /><strong>INSTRUMENTS</strong><br />Assorted Percussion<br />Ampeg B-15N Portaflex Bass Amp<br />Challen Classic 1960''s Upright Piano<br />Custom HIWATT 50 Head<br />Dan Electro Baritone Guitar<br />English Electronics Tonemaster<br />Fender Bassman 100 Head<br />Fender Custom 1952 Telecaster Bass<br />Fender 1972 Custom Telecaster<br />Fender Hotrod Deluxe<br />Fender Mustang (Modified)<br />Fender Rhodes MK2 Stage Piano 73<br />Gibson 1978 MK-35 Acoustic Guitar<br />Gretsch 1979 Superaxe Guitar<br />Gretsch 6118T 125th Anniversary Guitar<br />Guild B-302 70''s Bass<br />Guyatone Lap Steel<br />Hammond Organ<br />H|H Combo 212 Amplifier<br />Leslie Speaker With Reverb<br />Ludwig 400 Snare Drum<br />Magnatone Troubador Combo Model 213<br />Marshall Dynamic Bass System 7410<br />Marshall JCM-900 Lead 1960 Cabinet<br />Marshall JMP Head<br />Marshall JTM45 Bluesbreaker Combo<br />Selmer PA100SV<br />Sears Silvertone Model 1482 Combo<br />Sears Silvertone Model 1485 Head &amp; Cab<br />Simms-Watts 100 Amplifier Head and Cab<br />Supro 1960''s Corsica Combo Amp<br />Supro Model 24<br />Univox U-45B Combo<br />Vox 125 Lead Amplifier Head and Cab<br />Watkins Combo<br />Watkins Westminster Amp<br />WEM Dominator 25<br />WEM Vintage Custom 15 Guitar Amp<br /><br /><br /><strong>DRUMKIT</strong><br />(subject to a hire charge - please enquire)<br />A Ludwig Epic X-Over Striped Downbeat Kit in Natural Wood Lacquer<br />With Walnut / Maple / Walnut shells<br />Bass Drum 20"<br />Floor Tom 14"<br />Rack Tom 12"<br />Snare Drum 14" x 5"<br />Zildjian K Series Medium Thin Dark Crash 18"<br />Zildjian K Series Custom Dark Crash 16"<br />Zildjian K Series Custom Ride 22"<br />Zildjian K Series High Hats 14"<br />DW 5000 Bass Drum Pedal<br /><br /></p>";}}}}', NULL),
(47, 10, 24, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:9:"Equipment";s:7930:"<p>\r\n<p>CONTROL ROOM: 8.2m x 4.6m (27'' x 15'')</p>\r\n<p>LIVE ROOM: 9.4m x 4.3m (31'' x 14'')</p>\r\n<p>BOOTH 2.1m x 2.1m (7'' x 7'')</p>\r\n<p>&nbsp;</p>\r\n<p><strong>CONSOLE</strong></p>\r\n<p>SSL G Series 50 channel console (48 mono / 2 stereo)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MULTITRACK / HARD DISK RECORDING</strong></p>\r\n<p>Protools HD3 with 24 inputs and 48 outputs running on an Apple Intel Mac Pro (see below for up to date specifications)</p>\r\n<p>24 Track Otari MTR90 Mark II with full remote &amp; Autolocate&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MONITORING</strong></p>\r\n<p>ATC SCM200 (Quad Amped)</p>\r\n<p>Genelec 1031A''s</p>\r\n<p>Yamaha NS10M Studios</p>\r\n<p>Auratones&nbsp;</p>\r\n<p>Amplifiers: Carver / BGW / Quad / Turner&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MASTERING</strong></p>\r\n<p>Otari MTR12 1/2" (subject to availability)</p>\r\n<p>Sony PCM-2700A DAT Player</p>\r\n<p>Panasonic SV3800</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DYNAMICS</strong></p>\r\n<p>Altec Valve Compressor</p>\r\n<p>BSS DPR 402</p>\r\n<p>DBX 160 (x2)</p>\r\n<p>DBX 162</p>\r\n<p>DBX 902 De-essers (x2)</p>\r\n<p>DBX 903 (x2)</p>\r\n<p>Drawmer DS201 (x2)</p>\r\n<p>Empirical Labs Distressor</p>\r\n<p>Inward Connections Vac Rac 4000 Limiters (x2)</p>\r\n<p>Joe Meek SC-2</p>\r\n<p>Tubetech CL-1B Compressor</p>\r\n<p>Urei 1176</p>\r\n<p>Valley People Dynamite Limiters &amp; Gates (x2)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>EQUALISATION &amp; MIC PRE''S</strong></p>\r\n<p>API 530a 3 way</p>\r\n<p>EAR 822Q Valve EQ</p>\r\n<p>Klark Teknik DN27 Graphic Equaliser</p>\r\n<p>Inward Connections Vac Rac 4000 EQ (x2)</p>\r\n<p>Massenberg (GML) 8200 EQ</p>\r\n<p>Neve 1066 Parametric</p>\r\n<p>Neve Prism Rack Inc 6 EQ &amp; 3 Dynamic Modules</p>\r\n<p>Tubetech PE-1C EQ</p>\r\n<p>&nbsp;</p>\r\n<p><strong>REVERBERATION</strong></p>\r\n<p>AMS RMX16</p>\r\n<p>Lexicon 480L</p>\r\n<p>Lexicon PCM70</p>\r\n<p>Lexicon PCM60</p>\r\n<p>Lexicon 200</p>\r\n<p>Yamaha SPX90 (x2)</p>\r\n<p>Klark-Teknik DN780</p>\r\n<p>Ursa Major Stargate</p>\r\n<p>Yamaha REV 7&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DELAYS / PROCESSORS</strong></p>\r\n<p>AMS 1580S</p>\r\n<p>AMS 1580</p>\r\n<p>Aphex Exciter ''C''</p>\r\n<p>Delta Lab Effectron</p>\r\n<p>DBX 120 XP</p>\r\n<p>Eventide H3000 SE</p>\r\n<p>Bel BD80</p>\r\n<p>Bel BD240</p>\r\n<p>Roland RE201 Space Echo</p>\r\n<p>Roland 501 Chorus Echo</p>\r\n<p>Roland Dimension D</p>\r\n<p>&nbsp;</p>\r\n<p><strong>SYNCHRONISATION</strong></p>\r\n<p>Digidesign Sync I/O</p>\r\n<p>Digidesign MIDI I/O&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>SEQUENCING</strong></p>\r\n<p>Logic Pro v9 (Please call to discuss technical capabilities) or Protools V8.0.3&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>KEYBOARDS / MODULES / SAMPLERS</strong></p>\r\n<p>Nord Lead</p>\r\n<p>Akai S3200XL (32 meg)</p>\r\n<p>Roland MKS50</p>\r\n<p>Roland JX8P + PG800 Oberheim</p>\r\n<p>Matrix 1000</p>\r\n<p>Yamaha KX88</p>\r\n<p>Yamaha CS5</p>\r\n<p>Korg MS20</p>\r\n<p>&nbsp;</p>\r\n<p><strong>INSTRUMENTS</strong></p>\r\n<p>(check for availability)</p>\r\n<p>Marshall &amp; Rose Upright Piano</p>\r\n<p>Fender Rhodes 88</p>\r\n<p>Hammond M101 + Leslie 122</p>\r\n<p>Korg CX-3</p>\r\n<p>Marshall JCM900 4x12</p>\r\n<p>Selmer guitar amplifier</p>\r\n<p>Wurlitzer</p>\r\n<p>Linn Drum Machine</p>\r\n<p>Ampeg Reverbarocket Amp</p>\r\n<p>Musicman Amp</p>\r\n<p>Ampeg B-15 Portaflex bass amp with Cabinet)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MISCELLANEOUS</strong></p>\r\n<p>Technics SL1200 Mkii Turntable with Vestax mixer</p>\r\n<p>Sony CD Player</p>\r\n<p>Theremin&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MICROPHONE LIST</strong></p>\r\n<p>AKG 414 EB (x3)</p>\r\n<p>AKG C28 Valve (x2)</p>\r\n<p>AKG 451</p>\r\n<p>AKG D224 (x4)</p>\r\n<p>AKG D140</p>\r\n<p>AKG D190 (x3)</p>\r\n<p>AKG D112</p>\r\n<p>AKG D202 (x2)</p>\r\n<p>B &amp; K 4011</p>\r\n<p>Beyer Dynamic M201</p>\r\n<p>Coles 3048 (x2)</p>\r\n<p>Electrovoice RE20</p>\r\n<p>Lomo 19A19 Valve Mic</p>\r\n<p>Milab LC25</p>\r\n<p>Neumann U87 (x2)</p>\r\n<p>Neumann KM84 (x2)</p>\r\n<p>Neumann SRM64 Valve</p>\r\n<p>Reslo Ribbon RBH</p>\r\n<p>Sennheiser MD421 (x3)</p>\r\n<p>Shure SM57 (x4)</p>\r\n<p>Shure SM58 (x2)</p>\r\n<p>Telefunken Schoeps M221 Valve</p>\r\n<p>&nbsp;</p>\r\n<p>Hoxton Square Protools Specifications</p>\r\n<p>Digidesigns Latest Protools HD3 system consisting of a core card and 2 x HD Accel cards.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>HARDWARE&nbsp;</strong></p>\r\n<p>Apple MacPro 2x2.8 Quad-Core, 4GB RAM</p>\r\n<p>Apple 23" Cinema HD Display</p>\r\n<p>1 Triple Glyph GT103 removable firewire chassis</p>\r\n<p>Choice of removable hotswappable firewire drives 160 gigabytes each</p>\r\n<p>3 x Digidesign 192 interfaces providing 24 inputs / 48 Outputs</p>\r\n<p>Digidesign Sync I/O</p>\r\n<p>Digidesign MIDI I/O</p>\r\n<p>&nbsp;</p>\r\n<p><strong>BACKUP</strong></p>\r\n<p>Usually done the following day - with a choice of:</p>\r\n<p>&nbsp;</p>\r\n<p>CD-R</p>\r\n<p>DVD-R</p>\r\n<p>AIT2</p>\r\n<p>DDS4</p>\r\n<p>&nbsp;</p>\r\n<p><strong>SOFTWARE</strong></p>\r\n<p>Max OSX 10.6</p>\r\n<p>Protools v8</p>\r\n<p>Apple Logic Pro v9.1.1 (Please call to discuss technical capabilities)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>PLUGINS</strong></p>\r\n<p>Access Music Indigo</p>\r\n<p>Air Effects Bundle</p>\r\n<p>Amp farm</p>\r\n<p>Autotune</p>\r\n<p>Band Delays</p>\r\n<p>Bomb Factory BF76</p>\r\n<p>Bomb Factory Clip remover</p>\r\n<p>Bomb Factory Correlation Meter</p>\r\n<p>Bomb Factory Meter Bridge</p>\r\n<p>Bomb Factory Noise Meter</p>\r\n<p>Bomb Factory Tuner</p>\r\n<p>Bruno/Reso</p>\r\n<p>Cosmonaut Voice</p>\r\n<p>D-fi</p>\r\n<p>DigiRack Chorus</p>\r\n<p>DigiRack Click</p>\r\n<p>DigiRack D-Verb</p>\r\n<p>DigiRack DigiReWire</p>\r\n<p>DigiRack Dither</p>\r\n<p>DigiRack Dynamics III</p>\r\n<p>DigiRack EQ III</p>\r\n<p>DigiRack Flanger</p>\r\n<p>DigiRack Invert/Duplicate</p>\r\n<p>DigiRack Mod Delay II</p>\r\n<p>DigiRack Multi-Tap Delay</p>\r\n<p>DigiRack Normalize-Gain Change</p>\r\n<p>DigiRack Ping-Pong Delay</p>\r\n<p>DigiRack Pitch</p>\r\n<p>DigiRack Reverse-DC Removal</p>\r\n<p>DigiRack Signal Generator</p>\r\n<p>DigiRack Time Comp-Exp-Pitch Shift</p>\r\n<p>DigiRack TimeAdjuster</p>\r\n<p>DigiRack Trim</p>\r\n<p>Drawmer Dynamics</p>\r\n<p>Echo Farm</p>\r\n<p>Eventide Anthology 2 Bundle</p>\r\n<p>Eventide Band Delays</p>\r\n<p>Eventide EQ45 Parametric Equalizer</p>\r\n<p>Eventide EQ Filter Set</p>\r\n<p>Eventide E-Channel</p>\r\n<p>Eventide H910</p>\r\n<p>Eventide H949</p>\r\n<p>Eventide H3000 Band Delays</p>\r\n<p>Eventide H3000 Factory</p>\r\n<p>Eventide Instant Phaser</p>\r\n<p>Eventide Instant Flanger</p>\r\n<p>Eventide OmniPressor</p>\r\n<p>Eventide Octavox</p>\r\n<p>Eventide Quadravox</p>\r\n<p>Eventide Reverb</p>\r\n<p>Eventide Precision Time Align</p>\r\n<p>Eventide Ultra-Channel</p>\r\n<p>Fairchild 660</p>\r\n<p>Fairchild 670</p>\r\n<p>Filterbank</p>\r\n<p>Focusrite D2</p>\r\n<p>Focusrite D3</p>\r\n<p>Funk Logic Masterizer</p>\r\n<p>Impact</p>\r\n<p>Joe Meek SC2 Compressor</p>\r\n<p>Joe Meek VC5 Meequalizer</p>\r\n<p>Massey CT4 Compressor</p>\r\n<p>Massey De:Esser</p>\r\n<p>Massey L2007 Mastering Limiter</p>\r\n<p>Massey TD5 Tape Delay</p>\r\n<p>Massey THC Distortion Stompbox</p>\r\n<p>Massey Tape-Head Saturation</p>\r\n<p>Massey VT3 Equalizer</p>\r\n<p>Master X3</p>\r\n<p>Maxim</p>\r\n<p>moogerfooger Lowpass filter</p>\r\n<p>moogerfooger 12-stage phaser</p>\r\n<p>moogerfooger Ring Modulator</p>\r\n<p>moogerfooger Analog delay</p>\r\n<p>PSP Vintage Meter</p>\r\n<p>PSP Vintage Warmer</p>\r\n<p>Pultec EQH-2</p>\r\n<p>Pultec EQP-1A</p>\r\n<p>Pultec MEQ-15</p>\r\n<p>Purple Audio MC77</p>\r\n<p>Reverb One</p>\r\n<p>Sansamp PSA-1</p>\r\n<p>Slightly Rude Compressor</p>\r\n<p>Smack!</p>\r\n<p>Sonnox Oxford Dynamics</p>\r\n<p>Sonnox Oxford EQ</p>\r\n<p>Sound Replacer</p>\r\n<p>Soundtoys FX Bundle TDM</p>\r\n<p>Soundtoys Crystallizer</p>\r\n<p>Soundtoys Decapitator</p>\r\n<p>Soundtoys Echo Boy</p>\r\n<p>Soundtoys Filter Freak</p>\r\n<p>Soundtoys PanMan</p>\r\n<p>Soundtoys Phase Mistress</p>\r\n<p>Soundtoys Pitch Blender</p>\r\n<p>Soundtoys Pitch Doctor</p>\r\n<p>Soundtoys Pure Pitch</p>\r\n<p>Soundtoys Speed</p>\r\n<p>Soundtoys Time Blender</p>\r\n<p>Soundtoys Tremolator</p>\r\n<p>TC Harmony</p>\r\n<p>Tel-Ray Variable Delay</p>\r\n<p>Time Shift</p>\r\n<p>Ultra-Channel</p>\r\n<p>URS 1975 Compressor</p>\r\n<p>URS Strip</p>\r\n<p>Voc Align</p>\r\n<p>Voce Spin</p>\r\n<p>Voce Chorus/Vibrato</p>\r\n<p>Waves Platinum v7</p>\r\n<p>Xpand!</p>\r\n</p>";}}}}', NULL),
(192, 11, 33, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:415:"<p>&nbsp;</p>\r\n<p>As one of the UK''s most popular tourist destinations, Brighton has countless hotels to offer. They range from luxurious seafront hotels set within stunning Victorian buildings, to quirky boutiques and trusty budget chains.</p>\r\n<p>&nbsp;</p>\r\n<p>We''ve picked out 10 of Brighton''s most popular hotels for you to consider staying at during your Ironworks session. Read on below...</p>\r\n<p>&nbsp;</p>";}}s:6:"group2";a:11:{i:1;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:26:"The De Vere Grand Brighton";s:17:"Hotel Description";s:597:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Grand, 97-99 King''s Road, Brighton, BN1 2FW<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.devere.co.uk/our-locations/the-grand/" target="_blank">www.devere.co.uk/our-locations/the-grand/</a><br /><br />The Grand is set within one of the most iconic Victorian buildings on the famous Brighton Seafront. There are 201 en-suite bedrooms with TV and free internet, many of which have stunning sea views. There is also a mini gym, bar and restaurant.&nbsp;</span></p>";}i:2;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:25:"The Queens Hotel Brighton";s:17:"Hotel Description";s:505:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Queens Hotel, 1 Kings Road, Brighton, East Sussex, BN1 1NS.<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.queenshotelbrighton.com/" target="_blank">www.queenshotelbrighton.com</a><br /><br />The Queens overlooks Brighton Beach, and out across the Channel. There are 94 large rooms, some with sea views. All rooms are en suite and have LCD TVs with freeview.&nbsp;</span></p>";}i:3;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:21:"The Radisson Brighton";s:17:"Hotel Description";s:586:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Old Stein, Brighton, East Sussex BN1 1NP<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.radissonblu.co.uk/hotel-brighton" target="_blank">www.radissonblu.co.uk/hotel-brighton</a><br /><br />The Radisson is a high-end hotel in the centre of Brighton, situated close to the Pier and the Laines. The rooms range from boutique guest rooms to short stay apartments. There is free high-speed internet throughout the hotel, and also a beauty spa.&nbsp;</span></p>";}i:4;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:17:"My Hotel Brighton";s:17:"Hotel Description";s:710:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">17 Jubilee Street, Brighton, East Sussex, BN1 1GE<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.myhotels.com/my-hotel-brighton/" target="_blank">www.myhotels.com/my-hotel-brighton/</a><br /><br />The Modern and trendy My Hotel in Brighton is located in the vibrant North Laine. The selling point here is the amazing interior design - there''s all sorts of beautiful patterns and colours in the many rooms, which include, ''Standard Doubles'', ''Superior Doubles'', ''More Superior Doubles'', ''Artist Studios'' and ''Carousels''. It is also a short walk from The Ironworks.&nbsp;</span></p>";}i:5;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:26:"The Thistle Hotel Brighton";s:17:"Hotel Description";s:664:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">King''s Road, Brighton BN1 2GS<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.thistle.com/en/hotels/united_kingdom/brighton/thistle_brighton/restaurants_and_bars/index.html" target="_blank">Website</a><br /><br />One of the many hotels on Brighton''s seafront, The Thistle has the sea on one side and the busting Laines on the other. You can choose from standard, deluxe or executive rooms, or even the suite with private rooftop hot tub! You can relax in The Atrium Bar, Waterbar, and dine in the Promenade Restaurant.&nbsp;</span></p>";}i:6;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:15:"Ramada Brighton";s:17:"Hotel Description";s:617:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">149 Kings Road, Brighton, BN1 2PP<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.ramadajarvis.co.uk/hotels/brighton.aspx" target="_blank">www.ramadajarvis.co.uk/hotels/brighton.aspx</a><br /><br />The Ramada is also on the seafront, so many of the guest rooms enjoy the amazing sea views. It is based in a stunning Victorian mansion. There is a range of standard and executive rooms, all featuring flat screen TVs, and free internet is available in the executive suites.&nbsp;</span></p>";}i:7;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:21:"Hotel du Vin Brighton";s:17:"Hotel Description";s:726:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">A3 Block, Jubilee Street, Brighton BN1 1GE<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.hotelduvin.com/hotels/brighton/" target="_blank">www.hotelduvin.com/hotels/brighton/</a><br /><br />Self-dubbed as ''Boutique Chic in the heart of Brighton'', you already have an idea of what''s in store at the Hotel du Vin. Located in the heart of the Laines and only a short walk from the seafront, this is a luxury boutique hotel and bistro set in a gothic / mock tudor building. There are 49 bedrooms in the hotel itself, and also a beach hut available for long and short term hire.&nbsp;<br /></span></p>";}i:8;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:24:"Hotel Pelirocco Brighton";s:17:"Hotel Description";s:609:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">10 Regency Square, Brighton, BN1 2FG&nbsp;<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.hotelpelirocco.co.uk/" target="_blank">www.hotelpelirocco.co.uk/</a><br /><br />The Pelirocco is a Rock N'' Roll themed boutique hotel. This is a fantastically quirky hotel, with 19 rooms each individually inspired by various musical insitutions and other pop culture icons. The Diana Dors ''Pin Up Parlour'' or ''Ali''s Room'' dedicated to The Greatest ? The choice is yours...&nbsp;</span></p>";}i:9;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:21:"Blanch House Brighton";s:17:"Hotel Description";s:575:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Blanch House, 17 Atlingworth Street, Brighton, BN2 1PL<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.blanchhouse.co.uk/" target="_blank">www.blanchhouse.co.uk</a><br /><br />Set in a beautiful Grade II listed building, Blanche House features 12 individually styled en suite bedrooms with power showers. There''s a 70s style cocktail bar and fantastic restaurant. It is based just off the seafront on a discreet Georgian terrace.&nbsp;</span></p>";}i:10;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:20:"Holiday Inn Brighton";s:17:"Hotel Description";s:502:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">28 North Road, North Laines, Brighton, BN1 1YB<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.hibrighton.com/" target="_blank">www.hibrighton.com/</a><br /><br />Back on the seafront you''ll find the Holiday Inn Brighton. Whether you choose a standard, executive or family room, each suite is air-conditioned and benefits from free wireless internet.&nbsp;<br /></span></p>";}i:11;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:20:"Premier Inn Brighton";s:17:"Hotel Description";s:419:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">144 North Street, Brighton, East Sussex BN1 1RE<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.premierinn.com/en/hotel/BRIPTI/brighton-city-centre" target="_blank">Website</a><br /><br />The city center budget option. No frills accommodation, a quick walk from the studio.&nbsp;</span></p>";}}}}', NULL),
(54, 2, 33, 'a:2:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:230:"<p>If you need a hotel there are plenty to be found not too far away, mainly in the areas of Hampstead and Swiss Cottage. We have picked out a few recommendations here, ranging from budget B&amp;Bs up to luxury establishments.</p>";}}s:6:"group2";a:8:{i:1;a:3:{s:11:"Hotel Image";s:42:"201106260257512929305marriottmaldavale.jpg";s:10:"Hotel Name";s:23:"The Marriott Maida Vale";s:17:"Hotel Description";s:396:"<p><br />Plaza Parade, Maida Vale, London NW6 5RP<br />0845 456 6399. Website<br /><br />The Marriott Maida Vale is located on the Kilburn High Road and is roughly 5 minute''s drive from Battery, so excellently located for clients. There is a selection of different suites at different rates. There is also the Restaurant Fratelli offering authentic Italian cuisine, wines and an open kitchen.</p>";}i:2;a:3:{s:11:"Hotel Image";s:34:"20110626025806281275crownmoran.jpg";s:10:"Hotel Name";s:15:"The Crown Moran";s:17:"Hotel Description";s:302:"<p>Located just up the road from Willesden Green in Cricklewood is the famous 4-star Crown Moran. This luxury hotel attracts guests on both business and pleasure stays, and provides over 100 guest rooms, 5 bars and superb cuisine. There is a gymnasium, 12 metre swimming pool, sauna and steam room.</p>";}i:3;a:3:{s:11:"Hotel Image";s:36:"201106260258222969137bestwestern.jpg";s:10:"Hotel Name";s:12:"Best Western";s:17:"Hotel Description";s:553:"<p><br /><br />4 Adamson Road, Swiss Cottage, London, NW3 3HP<br />020 77222281. www.bw-swisscottage.co.uk<br /><br />The 3-star Best Western is located in Swiss Cottage just a few stops South on the Jubilee line. It is set in a charming Victorian townhouse, well-positioned between both the studio in Willesden and Central London. The hotel is bursting with character thanks to a large collection of antiques. The 59 en-suite rooms come with all the mod-cons, breakfast is served daily in the restaurant and the stylish bar/lounge is open 24 hours.</p>";}i:4;a:3:{s:11:"Hotel Image";s:32:"201106260258342654301langorf.jpg";s:10:"Hotel Name";s:11:"The Langorf";s:17:"Hotel Description";s:458:"<p><br />20 Frognal, Hampstead, London, NW3 6AG<br />(0)207 794 4483. www.langorfhotel.com</p>\r\n<p>The Langorf is a 4-star establishment in Hampstead, located close to Finchley Road underground station (3 stops from Willesden Green). There are 31 exquisite en-suite rooms, with some overlooking the property''s beautiful gardens. For longer stays, clients may wish to enquire after the hotel''s exquisite apartments, ranging from studio flats up to 2-beds.</p>";}i:5;a:3:{s:11:"Hotel Image";s:43:"201106260258492721758hampsteadbrittania.jpg";s:10:"Hotel Name";s:19:"Hampstead Britannia";s:17:"Hotel Description";s:499:"<p>Primrose Hill Road, NW3 3NA.<br />0207 586 2233. www.britanniahotels.com</p>\r\n<p><br />Situated to the East of Willesden, and North-West of Camden Town, this 3-star is in a quiet location within walking distance of some of London''s famous designer stores, as well as the bars and restaurants of Hampstead Village, St. Johns High Street and the A-list celebrity hideaway of Primrose Hill. Willesden Green is around 15 minutes away by public transport. Central London is also easily accessible.</p>";}i:6;a:3:{s:11:"Hotel Image";s:31:"201106260259062672006dawson.jpg";s:10:"Hotel Name";s:22:"The Dawson House Hotel";s:17:"Hotel Description";s:417:"<p><br />72 Canfield Gardens, South Hampstead, London, NW6 3EG<br />020 7624 0079. www.dawsonhousehotel.com<br /><br />The Dawson House Hotel lives up to the expectations of the desirable area of Hampstead in which it is located. Set in a beautiful Victorian house, it is essentially a B&amp;B, but one at the higher end of the scale. The nearest tube stop is Finchley Road, three stops away from Willesden Green.</p>";}i:7;a:3:{s:11:"Hotel Image";s:44:"201106260259212661237charlotteguesthouse.jpg";s:10:"Hotel Name";s:25:"The Charlotte Guest House";s:17:"Hotel Description";s:424:"<p>195 - 197 Sumatra Road, London NW6 1PF<br /> (0)20 7794 6476. <a href="http://www.charlotteguesthouse.co.uk/">www.charlotteguesthouse.co.uk</a></p>\r\n<p><br />Perfect for a cheap stop-off for short stays, this pleasant B&amp;B does exactly what it says on the tin, no extras. It is based two stops away from Willesden Green in the classy and vibrant area of West Hampstead, with its many upmarket bars and restaurants.</p>";}i:8;a:3:{s:11:"Hotel Image";s:31:"2011062602593829477russells.jpg";s:10:"Hotel Name";s:20:"Russell''s of Clapton";s:17:"Hotel Description";s:437:"<p><br />Chatsworth Road, London E5 0LA<br />+44 (0)797 666 9906<br />russellsofclapton.com<br /><br />Russell''s of Clapton is a new upmarket B&amp;B in East London run by ex-music industry pro Annette Russell. It is a modern-update of a traditional B&amp;B, following examples in cities such as New York, Berlin and Barcelona. Based in Clapton in East London, this chic and charming house is reached via the North London Overground.</p>";}}}s:2:"fr";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:0:"";}}s:6:"group2";a:8:{i:1;a:3:{s:11:"Hotel Image";s:42:"201106260257512929305marriottmaldavale.jpg";s:10:"Hotel Name";s:0:"";s:17:"Hotel Description";s:0:"";}i:2;a:3:{s:11:"Hotel Image";s:34:"20110626025806281275crownmoran.jpg";s:10:"Hotel Name";s:0:"";s:17:"Hotel Description";s:0:"";}i:3;a:3:{s:11:"Hotel Image";s:36:"201106260258222969137bestwestern.jpg";s:10:"Hotel Name";s:0:"";s:17:"Hotel Description";s:0:"";}i:4;a:3:{s:11:"Hotel Image";s:32:"201106260258342654301langorf.jpg";s:10:"Hotel Name";s:0:"";s:17:"Hotel Description";s:0:"";}i:5;a:3:{s:11:"Hotel Image";s:43:"201106260258492721758hampsteadbrittania.jpg";s:10:"Hotel Name";s:0:"";s:17:"Hotel Description";s:0:"";}i:6;a:3:{s:11:"Hotel Image";s:31:"201106260259062672006dawson.jpg";s:10:"Hotel Name";s:0:"";s:17:"Hotel Description";s:0:"";}i:7;a:3:{s:11:"Hotel Image";s:44:"201106260259212661237charlotteguesthouse.jpg";s:10:"Hotel Name";s:0:"";s:17:"Hotel Description";s:0:"";}i:8;a:3:{s:11:"Hotel Image";s:31:"2011062602593829477russells.jpg";s:10:"Hotel Name";s:0:"";s:17:"Hotel Description";s:0:"";}}}}', NULL);
INSERT INTO `pages` (`id`, `studio_id`, `page_layout_id`, `content`, `additional_content`) VALUES (50, 13, 34, 'a:1:{s:2:"en";a:3:{s:6:"group1";a:1:{i:1;a:1:{s:10:"Intro Text";s:704:"<p>The Garden studio is located in the heart of Shoreditch, and, for those of you who don''t know, this area is fast becoming one of the most vibrant parts of London. It&rsquo;s full to bursting with cutting edge art galleries, creative studios, buzzing bars, gourmet restaurants and fashionable shops, and all within walking distance of Liverpool Street and the City, the financial heart of Europe. The area is also extremely well served by trains, buses, taxis and hotels.<br /><br />The selection of places to eat and drink is vast, with every type of diet, culture and vibe catered to in abundance. We''ve found a few to choose from but there are plenty more in the area should you wish to explore.</p>";}}s:6:"group2";a:11:{i:1;a:6:{s:11:"Place Image";s:34:"201106260636542852083whitecube.jpg";s:5:"Title";s:12:"White Cube2 ";s:7:"Address";s:25:"48 Hoxton Square, N1 6PB ";s:12:"Phone Number";s:0:"";s:7:"Website";s:25:"http://www.whitecube.com/";s:11:"Description";s:371:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Jay Joplin''s second (and now sole) gallery, specialising in freakishly hyped, influential and occasionally innovative artwork. From Hirst to Emin, Quinn to Harvey, if it''s shamelessly provocative Brit Art you''re after then look no further. Practically next door to Miloco 3.</span></p>";}i:2;a:6:{s:11:"Place Image";s:35:"201106260637142364503ironmonger.jpg";s:5:"Title";s:20:"Ironmonger Row Baths";s:7:"Address";s:36:"1-11 Ironmonger Row, London EC1V 3QF";s:12:"Phone Number";s:0:"";s:7:"Website";s:39:"http://www.aquaterra.org/Islington/IRB/";s:11:"Description";s:530:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">A haven of relaxation, the Turkish Baths at Ironmonger Row have been described by the Evening Standard as "the best value-for-money stress-busting technique in town".&nbsp;<br />The suite includes a steam room, a series of three hot rooms of varying temperature, marble slabs for massage and body scrubbing and an icy plunge pool. There are also two relaxation areas. They offer men only, women only and mixed sessions...&nbsp;<br /></span></p>";}i:3;a:6:{s:11:"Place Image";s:32:"201106260637332630787stpauls.jpg";s:5:"Title";s:19:"St Paul''s Cathedral";s:7:"Address";s:11:"London EC4 ";s:12:"Phone Number";s:0:"";s:7:"Website";s:25:"http://www.stpauls.co.uk/";s:11:"Description";s:402:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">For a slice of history head to the banks of the Thames to where Charles and Di tied the knot in 1981. Underneath Sir Christopher Wren''s famous dome (the biggest in the world after St Peter''s in Rome) you should beware the whispering gallery, which reputedly carries softly spoken words far and wide.&nbsp;</span></p>";}i:4;a:6:{s:11:"Place Image";s:35:"20110626063753215483spitafields.jpg";s:5:"Title";s:19:"Spitalfields Market";s:7:"Address";s:28:"Commercial Street, London E1";s:12:"Phone Number";s:0:"";s:7:"Website";s:31:"http://www.spitalfields.org.uk/";s:11:"Description";s:512:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Escape from the clones'' high street and discover some hidden gems from the world of fashion, the arts and interiors. Old Spitalfields market is open 7 days a week, and a few of the highlights include a Deli market every Wednesday and a book &amp; record fair every 1st and 3rd Wednesday of the month. Thursday boasts an antiques market while Friday sees the arrival of a shed load of fashion and arts paraphernalia.</span></p>";}i:5;a:6:{s:11:"Place Image";s:39:"201106260638122499218museumoflondon.jpg";s:5:"Title";s:17:"Museum Of London ";s:7:"Address";s:29:"London Wall, London EC2Y 5HN ";s:12:"Phone Number";s:0:"";s:7:"Website";s:33:"http://www.museumoflondon.org.uk/";s:11:"Description";s:483:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Film footage, photography, oral history recordings and more than 3000 objects are all laid on to evoke the capital''s history between the French Revolution and World War I. Elsewhere, a ''Victorian Walk'' of original shop-fronts and workshops recreates the atmosphere of the 19th century while a prehistoric gallery casts light on life on the Thames Valley over a half a million years ago.</span></p>";}i:6;a:6:{s:11:"Place Image";s:35:"201106260638312277670comedycafe.jpg";s:5:"Title";s:11:"Comedy Cafe";s:7:"Address";s:31:"66 Rivington Street, London EC2";s:12:"Phone Number";s:0:"";s:7:"Website";s:34:"http://www.comedycafe.fsnet.co.uk/";s:11:"Description";s:351:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Comedy Cafe is one of the few purpose-built comedy clubs in London , so limber up your chuckle muscles and come on down to Shoreditch. You''re not just booking dinner, though, but an entire evening of nice nosh, cocktails, stand-up, and funky music...</span></p>";}i:7;a:6:{s:11:"Place Image";s:31:"20110626063853242365333clun.jpg";s:5:"Title";s:8:"333 Club";s:7:"Address";s:36:"333 Old Street, Shoreditch, EC1V 9LE";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:489:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">333 is a triple floor, multi-themed playground of a club that sums up Shoreditch perfectly. Located only a couple of doors away from our Hoxton Square studios, it''s scruffy, noisy and packed with crazy kids wearing crazy clothes and bouncing up and down to weird and wonderful tunes (The Cross it is not...) If you like clubbing to be a full body immersion experience then the 333 is for you.</span></p>";}i:8;a:6:{s:11:"Place Image";s:30:"201106260639102478414cargo.jpg";s:5:"Title";s:6:"Cargo ";s:7:"Address";s:37:"83 Rivington Street, Shoreditch, EC2A";s:12:"Phone Number";s:0:"";s:7:"Website";s:28:"http://www.cargo-london.com/";s:11:"Description";s:498:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Offering some of the same as the 333, and plenty of other stuff, Cargo complements the Shoreditch scene perfectly. Housing a bar and a cafe as well as a live music and club space, it''s definitely a multi-tasker. Expect anything from nu-disco to melodic latino soul.<br style="clear: both;" /></span></p>\r\n<div><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><br /></span></div>";}i:9;a:6:{s:11:"Place Image";s:27:"201106260639272818623sh.jpg";s:5:"Title";s:3:"Sh!";s:7:"Address";s:33:"39 Coronet Street, Shoreditch, N1";s:12:"Phone Number";s:0:"";s:7:"Website";s:29:"http://www.sh-womenstore.com/";s:11:"Description";s:314:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Sh! (pronounced shush) is a sex shop for women, run by women. They stock a bewildering variety of sex toys, from edible knickers to dildos and bondage gear. Men aren''t allowed in unless they''re accompanied by a woman.</span></p>";}i:10;a:6:{s:11:"Place Image";s:36:"201106260639432538096roughttrade.jpg";s:5:"Title";s:16:"Rough Trade East";s:7:"Address";s:60:"Dray Walk, Old Truman Brewery, 91 Brick Lane, London, E1 6QL";s:12:"Phone Number";s:14:"020 7392 7788 ";s:7:"Website";s:59:"http://www.roughtrade.com/site/content.lasso?page=east.html";s:11:"Description";s:287:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The legendary independent label and store''s East End site is located just off Brick Lane. Apart from the obvious - selling records - the shop also hosts numerous early evening showcase gigs.</span></p>";}i:11;a:6:{s:11:"Place Image";s:40:"201106260640012193502bircklanemarket.jpg";s:5:"Title";s:17:"Brick Lane Market";s:7:"Address";s:50:"Brick Lane London E1. Open Sunday Dawn to 12:00 pm";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:526:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Brick Lane is a great place to head even if you haven''t got anything on your shopping list! Located to the north of the railway bridge, it spills out onto Cygnet Street, Sclater Street and Bacon Street where you''ll find a bewildering variety of stuff on sale, including: meat, fruit and veg; electrical goods, tools and household essentials; bikes, jewellery and clothes (from street wear to the best second-hand bargains).&nbsp;</span></p>";}}s:6:"group3";a:20:{i:1;a:6:{s:11:"Place Image";s:32:"201106260654232871170fifteen.jpg";s:5:"Title";s:7:"Fifteen";s:7:"Address";s:32:"15 Westland Place, Shoreditch N1";s:12:"Phone Number";s:15:"(020) 7251 1515";s:7:"Website";s:26:"www.fifteenrestaurant.com/";s:11:"Description";s:437:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Jamie Oliver''s massively publicised new restaurant has been met with critical acclaim. The cooking owes a lot to his mentors (Gennaro Contaldo of Passione, and Ruth Rogers and Rose Gray of the River Cafe in particular) but it''s an impressive achievement from a guy of his years. Definitely worth a visit, but you''ll have to book well ahead.</span></p>";}i:2;a:6:{s:11:"Place Image";s:35:"201106260654422161535cantaloupe.jpg";s:5:"Title";s:10:"Cantaloupe";s:7:"Address";s:42:"35-42 Charlotte Road, Shoreditch, EC2A 3PD";s:12:"Phone Number";s:15:"(020) 7729 5566";s:7:"Website";s:21:"www.cantaloupe.co.uk/";s:11:"Description";s:265:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This bar cum restaurant establishment always feels buzzy. The food is international, with elements of Pacific Rim and Mexican usually on offer. Good value and good fun.</span></p>";}i:3;a:6:{s:11:"Place Image";s:33:"201106260655002345755Eyrebro3.jpg";s:5:"Title";s:13:"Eyre Brothers";s:7:"Address";s:39:"70 Leonard Street, Shoreditch, EC2A 4QX";s:12:"Phone Number";s:15:"(020) 7613 5346";s:7:"Website";s:23:"www.eyrebrothers.co.uk/";s:11:"Description";s:248:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This operation is run by the guys responsible for the hugely successful Eagle gastropub. The theme here is Spanish and Italian, and the food is superb.</span></p>";}i:4;a:6:{s:11:"Place Image";s:34:"201106260655152617104elbowroom.jpg";s:5:"Title";s:14:"The Elbow Room";s:7:"Address";s:40:"97-113 Curtain Road, Shoreditch EC2A 3BS";s:12:"Phone Number";s:13:"020 7613 1316";s:7:"Website";s:23:"www.theelbowroom.co.uk/";s:11:"Description";s:569:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Owned by music industry legend Arthur Baker, features 7 purple-baize pool tables, an abundance of leather sofas, waitress service, and an eclectic music policy to keep the party swinging right through till 2am, and entry is free. There''s also a full modern American char-grilled menu throughout the day and evening, including The Independent''s recent Top Ten Burgers in Britain, as well as light bites, fajitas, drunken chicken wings and Jamaican jerk chicken et al.&nbsp;</span></p>";}i:5;a:6:{s:11:"Place Image";s:34:"201106260655372637346rivington.jpg";s:5:"Title";s:21:"Rivington Bar & Grill";s:7:"Address";s:39:"70 Leonard Street, Shoreditch, EC2A 4QX";s:12:"Phone Number";s:15:"(020) 7613 5346";s:7:"Website";s:25:"www.rivingtongrill.co.uk/";s:11:"Description";s:449:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Rivington Bar &amp; Grill is far more than that. It''s: a lounge bar; a restaurant with a "comforting, easygoing" menu; and, during the week, a deli for shopping and take-away. The restaurant''s open Mon to Fri 8.00am to midnight (bar menu only: 15.00-18.30), and noon to midnight Sat and Sun. The Deli is open Mon to Fri from 7.30am to 5.00pm.&nbsp;</span></p>";}i:6;a:6:{s:11:"Place Image";s:39:"201106260655572634759the real greek.jpg";s:5:"Title";s:14:"The Real Greek";s:7:"Address";s:36:"15 Hoxton Market, Shoreditch, N1 6HG";s:12:"Phone Number";s:15:"(020) 7739 8212";s:7:"Website";s:23:"www.therealgreek.co.uk/";s:11:"Description";s:399:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The best Greek restaurant in London, bar none. Theodore Kyriakou is a culinary master, and this place has really put Greek cooking on the map. Handy for those of you who book into Miloco no''s 5-9, as it''s so close you will be able to smell the food being cooked! Turn up, smash a plate and have a ball.</span></p>";}i:7;a:6:{s:11:"Place Image";s:36:"201106260656152505470beigel bake.jpg";s:5:"Title";s:11:"Beigel Bake";s:7:"Address";s:30:"159 Brick Lane, Shoreditch, E1";s:12:"Phone Number";s:15:"(020) 7729 0616";s:7:"Website";s:0:"";s:11:"Description";s:401:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">On Brick Lane, but not a curry shop! This 24 hour take-away beigel/bagel shop is something of an institution in these parts. Whether you choose smoked salmon and cream cheese, salt beef and pickles, or prefer them naked as nature intended you''re sure to be impressed. They are the best beigels in the UK.</span></p>";}i:8;a:6:{s:11:"Place Image";s:34:"201106260656402873179cityspice.jpg";s:5:"Title";s:10:"City Spice";s:7:"Address";s:29:"138 Brick Lane, Shoreditch E1";s:12:"Phone Number";s:15:"(020) 7247 1012";s:7:"Website";s:21:"www.city-spice.co.uk/";s:11:"Description";s:365:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">A great place to head for if you''re hoping to seek out truly authentic Bangladeshi cuisine. The menu covers unusual offerings including ureebisi gatta dishes (curries cooked with Bangladeshi runner bean seeds) and shatkora fruit (from the Sylhet region of Bangladesh).</span></p>";}i:9;a:6:{s:11:"Place Image";s:32:"201106260656572514528cafenaz.jpg";s:5:"Title";s:8:"Cafe Naz";s:7:"Address";s:35:"46-48 Brick Lane, Shoreditch E1 6RF";s:12:"Phone Number";s:15:"(020) 7247 0234";s:7:"Website";s:0:"";s:11:"Description";s:285:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Cafe Naz is a contemporary addition to the Brick Lane curry shop roll-call. Focusing on both traditional and more modern interpretations of Indian and Bangladeshi food, it is very popular.</span></p>";}i:10;a:6:{s:11:"Place Image";s:37:"201106260657152361798greateastern.jpg";s:5:"Title";s:26:"Great Eastern Dining Rooms";s:7:"Address";s:45:"54 Great Eastern Street, Shoreditch, EC2A 3QR";s:12:"Phone Number";s:16:"(020) 7613 4545 ";s:7:"Website";s:29:"www.greateasterndining.co.uk/";s:11:"Description";s:349:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Great Eastern Dining Rooms have been a feature in the Shoreditch landscape for a few years now, but they still manage to attract a decent amount of business. This is probably down to the frequently changing menu, attractive decor and helpful staff.</span></p>";}i:11;a:6:{s:11:"Place Image";s:35:"201106260657362408987apostrophe.jpg";s:5:"Title";s:10:"Apostrophe";s:7:"Address";s:45:"42 Great Eastern Street, Shoreditch EC2A 3EP ";s:12:"Phone Number";s:15:"(020) 7739 8412";s:7:"Website";s:21:"www.apostropheuk.com/";s:11:"Description";s:276:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Innovative Paris-style boulangerie-patisserie-cafe. Expect a selection of continental favourites (croissants, brioches and toasties) with plenty of fresh coffee and juice as well.</span></p>";}i:12;a:6:{s:11:"Place Image";s:28:"20110626065757226343yelo.jpg";s:5:"Title";s:4:"Yelo";s:7:"Address";s:37:"8-9 Hoxton Square, Shoreditch, N1 6NU";s:12:"Phone Number";s:15:"(020) 7729 4626";s:7:"Website";s:16:"www.yelothai.com";s:11:"Description";s:440:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Part restaurant, part takeaway, all Thai, Yelo attracts a gastro conscious following of locals and scattered Londoners who appreciate Thai food at reasonable prices. If you''re after a more informal meal then just turn up and be seated at the communal bench seats in the canteen; otherwise you''d better book ahead for a proper table downstairs.</span></p>";}i:13;a:6:{s:11:"Place Image";s:31:"201106260658122813206trafik.jpg";s:5:"Title";s:6:"Trafik";s:7:"Address";s:21:"40 Hoxton Square, N1 ";s:12:"Phone Number";s:15:"(020) 7613 0234";s:7:"Website";s:0:"";s:11:"Description";s:470:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This bar nearly falls into the category of Shoreditch by numbers. Its redeeming quality is its cocktails, which are a cut above most of those available in the surrounding area (Hoxton bars are notorious for regarding rum and coke as a serious cocktail). Regular appearances from decent DJs also help to the atmosphere fresh and funky. Practically next door to our studio 3.</span></p>";}i:14;a:6:{s:11:"Place Image";s:29:"201106260658362466782bluu.jpg";s:5:"Title";s:4:"Bluu";s:7:"Address";s:19:"1 Hoxton Square, N1";s:12:"Phone Number";s:15:"(020) 7613 2793";s:7:"Website";s:15:"www.bluu.co.uk/";s:11:"Description";s:441:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">bluu is definitely at the more comfortable and welcoming end of the Shoreditch bar scene. Admittedly there is still concrete and steel in abundance, but for once you might encounter a reasonable thickness of upholstery ''twixt arse and seat. Cocktails are handled with confidence and comparative dexterity, and you might even find a bite to eat.</span></p>";}i:15;a:6:{s:11:"Place Image";s:35:"20110626065852273295693feeteast.jpg";s:5:"Title";s:12:"93 Feet East";s:7:"Address";s:34:"150 Brick Lane, Shoreditch, E1 6RU";s:12:"Phone Number";s:15:"(020) 7247 3293";s:7:"Website";s:21:"www.93feeteast.co.uk/";s:11:"Description";s:354:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">93 Feet East is another "must visit" East End bar, and pleasantly different from the Vibe across the road. A chic ''n'' spartan interior coupled with an awesome line up of DJs and live music ensure that this nightspot is always packed with an up-for-it crowd.</span></p>";}i:16;a:6:{s:11:"Place Image";s:31:"20110626065910220708vibebar.jpg";s:5:"Title";s:8:"Vibe Bar";s:7:"Address";s:29:"Truman Brewery, 91 brick lane";s:12:"Phone Number";s:15:"(020) 7247 1685";s:7:"Website";s:18:"www.vibe-bar.co.uk";s:11:"Description";s:430:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Vibe Bar sums up all that''s best about scruffy/cool Shoreditch-type boozers. Equipped with arcade games, scuffed leather sofas and extremely laid-back staff, this is the place to go for afternoon Bloody Marys or evening shenanigans. There is also a courtyard out the front that is the focus of the action when it''s hot and sunny.</span></p>";}i:17;a:6:{s:11:"Place Image";s:46:"201106260659322642093hoxtonsqbarandkitchen.jpg";s:5:"Title";s:27:"Hoxton Square Bar & Kitchen";s:7:"Address";s:32:"2-4 Hoxton Square, London N1 6NU";s:12:"Phone Number";s:15:"(020) 7613 0709";s:7:"Website";s:17:"www.barworks.com/";s:11:"Description";s:331:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Definitely more of a bar than a kitchen, this place is not a bad destination if your favoured tipple is lager (their cocktails aren''t much cop). Worth a peek if nothing more. They also server modern European dishes and daily specials.</span></p>";}i:18;a:6:{s:11:"Place Image";s:40:"201106260659572662754bricklayersarms.jpg";s:5:"Title";s:20:"The Bricklayers Arms";s:7:"Address";s:39:"63 Charlotte Road, Shoreditch, EC2A 3PE";s:12:"Phone Number";s:15:"(020) 7739 5245";s:7:"Website";s:45:"www.thebricklayersarmspub.com/bricklayersarms";s:11:"Description";s:547:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">One of those places that attracts people because it attracts attractive people, but it also lures less glamorous media types and even a few locals of long-standing, which all makes for a good, boisterous mix, especially on weekends. The decor is nothing out of the ordinary, but then it doesn''t have to be given the people-show on offer. Added bonuses are the music (varied) and the food (understatedly creative), the latter being available upstairs.</span></p>";}i:19;a:6:{s:11:"Place Image";s:73:"201106260700182880837owl_pussycat_shoreditch_hoxton_london_pub_bar_01.jpg";s:5:"Title";s:24:"The Owl And The Pussycat";s:7:"Address";s:27:"34 Redchurch Street, E2 7DP";s:12:"Phone Number";s:15:"(020) 7613 3628";s:7:"Website";s:0:"";s:11:"Description";s:392:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This little pub is one of the only places in Shoreditch that you can get a pint without having to plough through hundreds of Japanese fashion students or ironic flat hat-wearing types. On that basis alone it should get a gold star... Nice Garden too and Sunday Roasts are not to be missed.&nbsp;</span></p>";}i:20;a:6:{s:11:"Place Image";s:36:"201106260700382801712hoxtontapas.jpg";s:5:"Title";s:12:"Hoxton Tapas";s:7:"Address";s:18:"Hoxton Square, N1.";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:275:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Located opposite The Square, this good value Tapas bar is perfect for a quick bite mid-session. The restaurant''s style is in general keeping with the trendiness of Hoxton Square.</span></p>";}}}}', NULL),
(52, 13, 23, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{i:0;s:5529:"<p>\r\n<p>Day Rate:<span style="white-space: pre;"> </span> <strong>&pound; 600 / day</strong></p>\r\n<p>5-Day Rate:<span style="white-space: pre;"> </span> <strong>&pound; 500 / day</strong></p>\r\n<p>Lockout Rate:<span style="white-space: pre;"> </span><strong> &pound; 200 / day on top of agreed rate</strong></p>\r\n<p>Unsigned (Book It Now Rate):<span style="white-space: pre;"> </span><strong>&pound;400 / day</strong></p>\r\n<p>Unsigned (Flexi Rate):<span style="white-space: pre;"> </span> <strong>&pound;300 / day</strong></p>\r\n<p>Half day Rate:<span style="white-space: pre;"> </span> <strong>&pound; 400 / half day (6 hours)</strong></p>\r\n<p>Hourly Rate:<span style="white-space: pre;"> </span> <strong>&pound; 70 / hour (minimum 3 hours)</strong></p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>What the rates include</strong></p>\r\n<p>Days in The Garden are 12 hour days. The 12 hours begin from when you wish to start.</p>\r\n<p>All the prices exclude VAT which is chargeable at 20%.</p>\r\n<p>The rates include an assistant (unless stated) but not an engineer. You can hire one of our engineers on top of the rate.</p>\r\n<p>All prices exclude tapes/materials, cabs and hire costs.</p>\r\n<p>The rates include the equipment shown on the equipment specification but as you can imagine the gear does break from time to time. If we cannot replace the gear we cannot offer a discount on the rate. Of course in the unlikely scenario that a major breakdown happens during the session (such as the console / tape machine) we shall discuss the time lost.</p>\r\n<p>Any equipment that is ''subject to availability'' on the individual room specifications, needs to be requested prior to the session. This is especially important for guitar amps and backline, which regularly moves around the studios. There may be a delivery charge for this equipment if it is at another studio.</p>\r\n<p>Piano tuning is charged from &pound; 75.00 / call out. We would always recommend that you tune the piano prior to use.</p>\r\n<p>And contrary to some rumours concocted by our competitors tea and coffee is free throughout the day and we may throw in the odd sweet or two if you are good.</p>\r\n<p><strong>Day Rate</strong></p>\r\n<p>This is the day rate of The Garden. The day is a 12 hour day. A lockout day rate (upto 7am the following morning) can be arranged by calling the office prior to the commencement of the session.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Lockout Rate</strong></p>\r\n<p>The Lockout rate for The Garden is another &pound; 200.00 on top of the day rate agreed. This will give you as many hours as you need up to 7am in the morning.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>5 day Rate</strong></p>\r\n<p>We can offer the 5 day rate on all of our rooms for bookings under 5 days. This is a cheaper rate you can book the studio for, but we can only confirm the session 72 hours prior to the start of the session. This allows us to be flexible when a large 7 day booking comes in which needs the same time you may be holding for one day. In the event this occurs we will either offer you another room (which may sometimes be an upgrade) or we shall ask you to re-schedule or you can always pay the Book Rate. If the booking is over 5 consecutive days you can confirm the 5 day rate of the studio at any time.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Unsigned Rate (Flexi Rate)</strong></p>\r\n<p>If you are a band / artist and are unsigned we may be able to offer you our unsigned rate. Please note if you are Radiohead who may not technically need a record deal we do not consider you unsigned! The unsigned rate is only for bands that do not have professional representation and are not signed.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>If you hold studio time at the Unsigned Flexi rate and we receive an enquiry from a client who is prepared to pay and confirm at the full rate for the same dates you have held we will give you the option to match that rate. If you choose not to do this we will try to move you to another suitable studio if there is one available. If no other studios are available we will have to ask you to change your session dates. We will not confirm sessions at the Unsigned Flexi rate until 24 hours before the session and advise that clients do not book transport, hotels etc until your session is confirmed with us.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>If clients booking at the Unsigned Flexi rate bring their own engineer then the studio rate will include an assistant. For an additional &pound;50.00 you can choose to have one of our younger engineers who will work without an assistant, or you can pay for one of our full-rate engineers who will also work without an assistant.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>These costs are all payable in advance of the session and valid credit card details will be needed at the time of confirming the session.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Unsigned Rate (Book It Now)</strong></p>\r\n<p>The ''Book It Now'' unsigned rate has exactly the same terms as the ''Flexi'' unsigned rate as in you must be unsigned! However for an extra charge you can confirm your session in advance of the session dates. This charge varies between &pound;75 or &pound;100 depending on which studio you are booking. Once confirmed and paid for at the ''Book It Now'' rate we will not move your session. These costs are payable when you book the studio and not 24 hours in advance of your session.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>As with the Unsigned Flexi rate we will require valid credit card details at the time of confirming the session.</p>\r\n</p>";}}}}', NULL),
(134, 19, 34, 'a:1:{s:2:"en";a:3:{s:6:"group1";a:1:{i:1;a:1:{s:10:"Intro Text";s:1286:"<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>The Engine Room is located in Bermondsey just off Tower Bridge Road . It''s a wonderfully vibrant area with a real community spirit and a diverse range of cultures, (including a frankly supreme Lebanese grocers). Every Friday there''s an infamous antiques market and there are a large number of quality local restaurants to grace with your stomach''s company.</p>\r\n<p>&nbsp;</p>\r\n<p>In recent years developers have been moving in and building a raft of upmarket dwellings, so, alongside the more traditional feel, the area is starting to benefit from an influx of trendy gastronomic bars and fancy cafes. In summary, the area has a really friendly and eclectic feel.</p>\r\n<p>&nbsp;</p>\r\n<p>Within 10 minutes walk you can find yourself at Tower Bridge, with its large selection of restaurants, bars and hotels. And if you fancy a longer stroll you can head to London Bridge to sample the delights of the Bermondsey market, more restaurants, the Vinopolis wine-tasting emporium, Globe Theatre and Tate Modern.</p>\r\n<p>&nbsp;</p>\r\n<p>In addition to the many activities on offer and the large selection of restaurants and bars catering to palette and thirst, there''s also a good and varied range of hotels. Read on for details, my friends...</p>\r\n<p>&nbsp;</p>";}}s:6:"group2";a:10:{i:1;a:6:{s:11:"Place Image";a:2:{s:3:"img";s:30:"201106260523092927532globe.jpg";s:3:"alt";s:0:"";}s:5:"Title";s:17:"The Globe Theatre";s:7:"Address";s:43:"21 New Globe Walk, Bankside, London SE1 9DT";s:12:"Phone Number";s:13:"020 7902 1400";s:7:"Website";s:35:"http://www.shakespeares-globe.org/ ";s:11:"Description";s:377:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Globe Theatre is a faithful reconstruction of the open-air playhouse, designed in 1599, where Shakespeare plied his trade and for which he wrote many of his greatest plays. You can sit in the gallery or stand in the yard - just as audiences would have done some 400 years ago.</span></p>";}i:2;a:6:{s:11:"Place Image";a:2:{s:3:"img";s:35:"201106260523292267523hmsbelfast.jpg";s:3:"alt";s:0:"";}s:5:"Title";s:14:"H.M.S. Belfast";s:7:"Address";s:44:"Morgan''s Lane, Tooley Street, London SE1 2JH";s:12:"Phone Number";s:13:"0207 940 6300";s:7:"Website";s:29:"http://hmsbelfast.iwm.org.uk/";s:11:"Description";s:333:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Expore all nine decks of Europe''s only surviving big gun battleship from WWII. HMS Belfast was launched in 1938, saw active service in World War II and was decommissioned in 1965. HMS Belfast has been a floating museum since 1971.&nbsp;</span></p>";}i:3;a:6:{s:11:"Place Image";a:2:{s:3:"img";s:37:"20110626052348218668toweroflondon.jpg";s:3:"alt";s:0:"";}s:5:"Title";s:19:"The Tower of London";s:7:"Address";s:35:"HM Tower of London, London EC3N 4AB";s:12:"Phone Number";s:0:"";s:7:"Website";s:22:"http://www.hrp.org.uk/";s:11:"Description";s:402:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Tower of London has been an integral part of British royal history for nearly 1,000 years. Only at the Tower can you marvel at the breathtaking Crown Jewels, stand on the execution site of three English queens and hear the myths and legends that make a visit to the Tower ''a day out to die for''.&nbsp;</span></p>";}i:4;a:6:{s:11:"Place Image";a:2:{s:3:"img";s:39:"201106260524112790009londondungeons.jpg";s:3:"alt";s:0:"";}s:5:"Title";s:18:"The London Dungeon";s:7:"Address";s:32:"28 Tooley Street, London SE1 2SZ";s:12:"Phone Number";s:13:"0871 360 2049";s:7:"Website";s:30:"http://www.london-dungeon.com/";s:11:"Description";s:433:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The London Dungeon combines real history, horror and humour to bring gruesome goings-on back to life in the 21st century. Live/undead actors, a terrifying boat ride, shows and special effects transport you to London''s gory past, and since 2005 there''s also been Labyrinth of the Lost, the world''s largest and scariest Mirror Maze.&nbsp;</span></p>";}i:5;a:6:{s:11:"Place Image";a:2:{s:3:"img";s:34:"201106260524302647580vinopolis.jpg";s:3:"alt";s:0:"";}s:5:"Title";s:9:"Vinopolis";s:7:"Address";s:26:"1 Bank End, London SE1 9BU";s:12:"Phone Number";s:13:"0870 241 4040";s:7:"Website";s:27:"http://www.vinopolis.co.uk/";s:11:"Description";s:410:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">What could be finer than a 2.5 acre space devoted to the world of wine and its associated pleasures? Immerse yourself in the Vinopolis World of Wine tour and enjoy a region-to-region tour of tastes, cultures and history. Discover wine cultures from around the world and the origins of the art of winemaking.&nbsp;</span></p>";}i:6;a:6:{s:11:"Place Image";a:2:{s:3:"img";s:29:"201106260524502645744tate.jpg";s:3:"alt";s:0:"";}s:5:"Title";s:15:"The Tate Modern";s:7:"Address";s:24:"Bankside, London SE1 9TG";s:12:"Phone Number";s:13:"020 7967 8000";s:7:"Website";s:29:"http://www.tate.org.uk/modern";s:11:"Description";s:222:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The world-famous gallery of modern art opened on Bankside in May 2000. It''s full of art. It''s a great building. I''d go.&nbsp;</span></p>";}i:7;a:6:{s:11:"Place Image";a:2:{s:3:"img";s:33:"201106260525062242539aquarium.jpg";s:3:"alt";s:0:"";}s:5:"Title";s:19:"The London Aquarium";s:7:"Address";s:52:"Riverside Building, Westminster Bridge Road, SE1 7PB";s:12:"Phone Number";s:14:"020 7967 8000 ";s:7:"Website";s:32:"http://www.londonaquarium.co.uk/";s:11:"Description";s:411:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">One of the largest aquaria in Europe, containing over 1 million litres of water. Learn all about the world''s oceans, as well as rainforests, tropical freshwater, seashores and beaches. See a recreation of a coral reef and take a gander at the daily expert talks beamed through the video screens in the foyer.&nbsp;</span></p>";}i:8;a:6:{s:11:"Place Image";a:2:{s:3:"img";s:32:"201106260525252636451corsica.jpg";s:3:"alt";s:0:"";}s:5:"Title";s:15:"Corsica Studios";s:7:"Address";s:45:"Unit 5 Farrell Court, Elephant Road, SE17 1LB";s:12:"Phone Number";s:13:"0207 703 4760";s:7:"Website";s:30:"http://www.corsicastudios.com/";s:11:"Description";s:508:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This independent arts organisation has a history of developing creative spaces across London, using empty buildings within areas which are undergoing re-development. So, as the South London area of Elephant and Castle is currently such an area, their latest site has occured there. It caters for a wide range of media and arts activities, music of course being one of them. Check their site for more info.&nbsp;</span></p>";}i:9;a:6:{s:11:"Place Image";a:2:{s:3:"img";s:32:"201106260525412333621coronet.jpg";s:3:"alt";s:0:"";}s:5:"Title";s:11:"The Coronet";s:7:"Address";s:25:"28 New Kent Road, SE1 6TJ";s:12:"Phone Number";s:13:"020 7701 1500";s:7:"Website";s:32:"http://www.coronettheatre.co.uk/";s:11:"Description";s:282:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Generally regarded as one of the most exciting new venues in the city, The Coronet is set within an old art deco cinema, hosting a whole load of innovative and intersting artists.&nbsp;</span></p>";}i:10;a:6:{s:11:"Place Image";a:2:{s:3:"img";s:39:"20110626052559252665ministryofsound.jpg";s:3:"alt";s:0:"";}s:5:"Title";s:17:"Ministry of Sound";s:7:"Address";s:45:"103 Gaunt Street, Elephant and Castle, London";s:12:"Phone Number";s:13:"0870 060 0010";s:7:"Website";s:31:"http://www.ministryofsound.com/";s:11:"Description";s:335:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Clubbing fanatics will need no introduction to Ministry of Sound. It has been one of Europe''s leading clubs for many years, attracting the world''s top DJs week in-week out. It is a short bus ride from Miloco''s Leroy Street premises.&nbsp;</span></p>";}}s:6:"group3";a:8:{i:1;a:6:{s:11:"Place Image";a:2:{s:3:"img";s:35:"201106260526172337212thehartley.jpg";s:3:"alt";s:0:"";}s:5:"Title";s:23:"The Hartley Bar & Grill";s:7:"Address";s:36:"64 Tower Bridge Road, London SE1 4TR";s:12:"Phone Number";s:15:"020 7394 7023  ";s:7:"Website";s:19:"www.thehartley.com ";s:11:"Description";s:335:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Miloco''s official local!! This quality gastropub is a few minutes from the studio and it handily provides an excellent range of food. The name is a reference to the nearby former Hartley''s jam factory, now a residential development.&nbsp;</span></p>";}i:2;a:6:{s:11:"Place Image";a:2:{s:3:"img";s:29:"201106260526382945352sobo.jpg";s:3:"alt";s:0:"";}s:5:"Title";s:20:"Sobo Cafe Restaurant";s:7:"Address";s:36:"83 Tower Bridge Road, London SE1 4TT";s:12:"Phone Number";s:14:"020 7403 5080 ";s:7:"Website";s:29:"http://www.sobogallery.co.uk/";s:11:"Description";s:402:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">SoBo is an imaginative new venture in Tower Bridge Road mixing art and coffee. A special SoBo blend of coffee is supplied by Rizzi Coffee, based just around the corner in Wilds Rents. Muffins, pastries and cakes, delivered daily, are all hand-made using only non-GM and free-range ingredients.&nbsp;<br /></span></p>";}i:3;a:6:{s:11:"Place Image";a:2:{s:3:"img";s:36:"201106260526592224lepontdelatour.jpg";s:3:"alt";s:0:"";}s:5:"Title";s:18:"Le Pont De La Tour";s:7:"Address";s:31:"36d Shad Thames, London SE1 2YE";s:12:"Phone Number";s:15:"020 7403 8403  ";s:7:"Website";s:67:"http://www.conran-restaurants.co.uk/restaurants/restaurants/lepont/";s:11:"Description";s:304:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Conran''s SE1 flagship. Offers private dining for groups of up to 20 in a room with a wall of sheet-glass providing a view of the wine cellar and all those lovely loitering bottles. Set menu for groups of 13+</span></p>";}i:4;a:6:{s:11:"Place Image";a:2:{s:3:"img";s:34:"201106260527182531522allbarone.png";s:3:"alt";s:0:"";}s:5:"Title";s:11:"All Bar One";s:7:"Address";s:30:"34 Shad Thames, London SE1 2YG";s:12:"Phone Number";s:14:"020 7940 9771 ";s:7:"Website";s:0:"";s:11:"Description";s:266:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Riverside location next to the Design Museum. Standard All Bar One setup but in a good spot and features a varied menu alongside the usual beverage suspects.&nbsp;<br /></span></p>";}i:5;a:6:{s:11:"Place Image";a:2:{s:3:"img";s:38:"201106260527422305416bengalclipper.jpg";s:3:"alt";s:0:"";}s:5:"Title";s:14:"Bengal Clipper";s:7:"Address";s:52:"11-12 Cardamom Building, Shad Thames, London SE1 2YR";s:12:"Phone Number";s:14:"0207 357 9001 ";s:7:"Website";s:35:"http://www.bengalrestaurants.co.uk/";s:11:"Description";s:447:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This large and airy restaurant provides daily menus at both &pound;5 (changed weekly) and &pound;10 (changed monthly). Sunday Buffet is &pound;7.75. The ''club'' atmosphere is heightened by the slightly old-fashioned attentive personal service and the cleverly-folded clipper sail napkins. It''s an ideal restaurant for a quiet lunch a deux.&nbsp;<br /></span></p>";}i:6;a:6:{s:11:"Place Image";a:2:{s:3:"img";s:32:"201106260528222588705delfina.jpg";s:3:"alt";s:0:"";}s:5:"Title";s:19:"Delfina Studio Cafe";s:7:"Address";s:36:"50 Bermondsey Street, London SE1 3UD";s:12:"Phone Number";s:14:"020 7357 0244 ";s:7:"Website";s:26:"http://www.delfina.org.uk/";s:11:"Description";s:216:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Acclaimed eatery open weekday lunchtimes and Friday evenings. A good sport for functions and wedding receptions !&nbsp;</span></p>";}i:7;a:6:{s:11:"Place Image";a:2:{s:3:"img";s:33:"201106260528422857262garrison.jpg";s:3:"alt";s:0:"";}s:5:"Title";s:24:"The Garrison Bar & Grill";s:7:"Address";s:36:"99 Bermondsey Street, London SE1 3XB";s:12:"Phone Number";s:14:"020 7089 9355 ";s:7:"Website";s:29:"http://www.thegarrison.co.uk/";s:11:"Description";s:391:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Garrison in Bermondsey Street is the Honest Cabbage re-launched by a new team, and this is very unusual pub. While some of the decor is kept simple and cool with stripped floorboards, the splendid toilets are worth visiting to experience the sensation of being onboard an ocean liner.&nbsp;</span></p>";}i:8;a:6:{s:11:"Place Image";a:2:{s:3:"img";s:33:"201106260529002747702woolpack.jpg";s:3:"alt";s:0:"";}s:5:"Title";s:13:"The Wool Pack";s:7:"Address";s:36:"98 Bermondsey Street, London SE1 3UB";s:12:"Phone Number";s:14:"020 7357 9269 ";s:7:"Website";s:0:"";s:11:"Description";s:268:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Formerly the London Scotia Bar, this is a nice pub that has been completely redecorated and offers food for lunch and in the evening. It has a great beer garden too.&nbsp;</span></p>";}}}}', NULL),
(108, 4, 35, 'a:1:{s:9:"floorplan";a:5:{i:0;a:6:{s:1:"x";s:4:"96.5";s:1:"y";s:3:"198";s:6:"title1";s:7:"Point 1";s:6:"title2";s:7:"Point 1";s:4:"img1";s:32:"201106130526142132076footer2.jpg";s:4:"img2";s:42:"201106130540172897135img_core_featured.jpg";}i:1;a:6:{s:1:"x";s:5:"174.5";s:1:"y";s:2:"68";s:6:"title1";s:7:"Point 2";s:6:"title2";s:7:"Point 2";s:4:"img1";s:7:"Point 2";s:4:"img2";s:0:"";}i:2;a:6:{s:1:"x";s:4:"15.5";s:1:"y";s:2:"96";s:6:"title1";s:7:"Point 3";s:6:"title2";s:7:"Point 3";s:4:"img1";s:7:"Point 3";s:4:"img2";s:0:"";}i:3;a:6:{s:1:"x";s:5:"332.5";s:1:"y";s:3:"257";s:6:"title1";s:7:"Point 4";s:6:"title2";s:7:"Point 4";s:4:"img1";s:7:"Point 4";s:4:"img2";s:0:"";}s:9:"floorplan";s:38:"201106130525452868638floorplan_new.JPG";}}', NULL),
(64, 8, 38, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:4:{s:8:"Postcode";s:7:"SE1 4SP";s:7:"Address";s:23:"36 Leroy Street, London";s:3:"lat";s:10:"51.4941018";s:3:"lng";s:11:" -0.0828757";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Directions";s:1701:"Directions from outside London \r\n\r\nFrom the M4 / M40\r\nFrom the M4 go down the Great West Road, over the Hammersmith roundabout. Then go all the way down the Cromwell Road, which joins the Brompton Road then Knightsbridge on to Hyde Park Corner (do not take the underpass).\r\nFrom the M1 take the Edgware Road to Marble Arch then go down Park Lane to Hyde Park Corner.\r\nFrom the M40 take the Marylebone Road, then right on Baker Street down to Marble Arch. Then go down Park Lane to Hyde Park Corner.\r\nFrom Hyde Park Corner, take the exit on to Constitution Hill past Buckingham Palace, on to The Mall, right on to Horse Guards Road then left onto Great George Street onto Westminster Square.\r\nGo across Westminster Bridge then straight across roundabout onto Westminster Bridge Road. Take that road to St Georges Circus then right onto London Road, which takes you to Elephant & Castle.\r\nTake second exit on to the New Kent Road, follow that to a roundabout with a flyover (don''t go over the flyover).\r\nTake third exit on to the Old Kent Road then Leroy Street is the second on the left (before the bus stop).\r\nMiloco is a white building with a grey roller-shutter next door to a playground.\r\n\r\nFrom the M2\r\n\r\nFrom Dover, take the M2 to London. From the end of the M2, follow the A2 towards the City of London (not West End).\r\nA2 becomes the Old Kent Road. At the end of the Old Kent Road (where it becomes the New Kent Road) there is a roundabout with a flyover. Go all the way round the roundabout until you are travelling back up the Old Kent Road. Leroy Street is the second turning on the left (before the bus stop).\r\nMiloco is a white building with a grey roller-shutter next door to a playground";}}}}', NULL),
(65, 8, 36, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:13:"Contact Email";s:24:"alex@ethercreative.co.uk";}}}}', NULL),
(66, 8, 35, 'a:1:{s:9:"floorplan";a:10:{i:0;a:6:{s:1:"x";s:2:"47";s:1:"y";s:3:"177";s:6:"title1";s:7:"Point 1";s:6:"title2";s:7:"Point 1";s:4:"img1";s:58:"20110612024151219228Screen shot 2011-06-12 at 10.40.43.png";s:4:"img2";s:0:"";}i:1;a:6:{s:1:"x";s:2:"81";s:1:"y";s:3:"123";s:6:"title1";s:7:"Point 1";s:6:"title2";s:7:"Point 1";s:4:"img1";s:7:"Point 1";s:4:"img2";s:0:"";}i:2;a:6:{s:1:"x";s:3:"114";s:1:"y";s:3:"137";s:6:"title1";s:7:"Point 2";s:6:"title2";s:7:"Point 2";s:4:"img1";s:35:"201106300701212401773timthumb-2.jpg";s:4:"img2";s:0:"";}i:3;a:6:{s:1:"x";s:3:"119";s:1:"y";s:3:"179";s:6:"title1";s:7:"Point 3";s:6:"title2";s:7:"Point 3";s:4:"img1";s:35:"201106300700492338015timthumb-3.jpg";s:4:"img2";s:0:"";}i:4;a:6:{s:1:"x";s:3:"103";s:1:"y";s:2:"90";s:6:"title1";s:7:"Point 4";s:6:"title2";s:7:"Point 4";s:4:"img1";s:7:"Point 4";s:4:"img2";s:0:"";}i:5;a:6:{s:1:"x";s:3:"105";s:1:"y";s:2:"37";s:6:"title1";s:7:"Point 5";s:6:"title2";s:7:"Point 5";s:4:"img1";s:7:"Point 5";s:4:"img2";s:0:"";}i:6;a:6:{s:1:"x";s:3:"223";s:1:"y";s:3:"167";s:6:"title1";s:7:"Point 6";s:6:"title2";s:7:"Point 6";s:4:"img1";s:7:"Point 6";s:4:"img2";s:0:"";}i:7;a:6:{s:1:"x";s:3:"236";s:1:"y";s:3:"131";s:6:"title1";s:7:"Point 7";s:6:"title2";s:7:"Point 7";s:4:"img1";s:35:"201106300702152374144timthumb-1.jpg";s:4:"img2";s:0:"";}i:8;a:6:{s:1:"x";s:3:"295";s:1:"y";s:2:"34";s:6:"title1";s:7:"Point 8";s:6:"title2";s:7:"Point 8";s:4:"img1";s:7:"Point 8";s:4:"img2";s:0:"";}s:9:"floorplan";s:59:"201106120239512932289Screen shot 2011-06-12 at 10.39.26.png";}}', NULL),
(67, 17, 20, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:59:"201106120303102121821Screen shot 2011-06-12 at 11.02.55.png";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:1263:"<p>\r\n<p>The Bridge is a newly-reinvented and multifunctional studio which we launched in the summer of 2009. It offers a number of exciting ways to work. It can be used as a large recording space in conjunction with The Engine Room; our flagship SSL studio located next door. However it can also operate as a standalone facility consisting of three different rooms - a main live room, live booth and dead booth - which can be used whichever way the client chooses.</p>\r\n<p>&nbsp;</p>\r\n<p>The Bridge has undergone a large acoustic and cosmetic refurbishment and is now beautifully presented with stunning burgundy panels, new halogen lights and a fresh coat of paint. Combined with The Engine Room, clients will enjoy these 3 fantastic rooms with a spec that boasts an SSL G-series console, exquisite choice of mic-pres and world-class monitors. However if you decide to use The Bridge as a separate, free-standing studio, it comes with a ProTools HD rig, a selection of mic pre''s from SSL, Tubetech, API and Focusrite, a great recording area and a good selection of microphones. Et Voila - you have an overdub/editing/recording studio operating completely independently, and at a much lower price!</p>\r\n<p>&nbsp;</p>\r\n<p>We leave the choice up to you...</p>\r\n</p>";}}}}', NULL);
INSERT INTO `pages` (`id`, `studio_id`, `page_layout_id`, `content`, `additional_content`) VALUES (69, 17, 24, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:9:"Equipment";s:5365:"<p>&nbsp;</p>\r\n<p>The Bridge can be booked with or without the Engine Room. Listed below is the specification without the Engine Room.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>Should clients book The Bridge to be used with The Engine Room, they will of course have access to the full Engine Room spec, which can be viewed here: Engine Room Equipment&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>HARD DISK RECORDING</strong></p>\r\n<p>Protools HD3 Accel with 8 inputs and 16 outputs running on an Apple Mac G5</p>\r\n<p>(see below for full up to date specification)&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>CONSOLE</strong></p>\r\n<p>Mackie Big Knob Monitor Controller</p>\r\n<p>Neve 20-8 Rack Mixer -M ic &amp; Line Input (Subject to additional &pound; 50 / day)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MONITORING</strong></p>\r\n<p>Genelec 1031A monitors</p>\r\n<p>Yamaha NS10 Studios (upon request)</p>\r\n<p>Dynaudio BM15A (upon Request)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MIC AMPS / EQUALISATION / DYNAMICS</strong></p>\r\n<p>API 7600 Mic Amp, EQ &amp; Compressor</p>\r\n<p>Focusrite ISA428 MkII (4 Mic Pre''s)</p>\r\n<p>Tubetech MEC-1A Recording line</p>\r\n<p>SSL XLogic Alpha VHD Pre (4 Mic Pre''s)</p>\r\n<p>SSL FXG384 Stereo Compressor</p>\r\n<p>Joe Meek SC-2 stereo compressor</p>\r\n<p>Ashly SC-50 Compressors (x2)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>REVERBERATION / DELAYS / PROCESSORS</strong></p>\r\n<p>Lexicon PCM70</p>\r\n<p>Yamaha SPX990</p>\r\n<p>&nbsp;</p>\r\n<p><strong>SYNCHRONISATION</strong></p>\r\n<p>Digidesign Sync I/O</p>\r\n<p>MOTU MTP-AV</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>SEQUENCING</strong></p>\r\n<p>Logic Pro v9.0.2 (on request)&nbsp;</p>\r\n<p>Protools v8.0.1 / v7.4.2</p>\r\n<p>&nbsp;</p>\r\n<p><strong>KEYBOARDS / MODULES</strong></p>\r\n<p>(On request / Subject to Availability)</p>\r\n<p>John Brinsmead 73 key Upright Acoustic Piano</p>\r\n<p>Casio CZ5000</p>\r\n<p>Mini Moog with Kenton Pro Solo</p>\r\n<p>Nord Lead Keyboard</p>\r\n<p>Nord Rack</p>\r\n<p>Korg MS20</p>\r\n<p>Roland D50</p>\r\n<p>Roland SH-101</p>\r\n<p>Roland MPU-101 Midi-CV interface</p>\r\n<p>Korg M1 keyboard</p>\r\n<p>Korg Monopoly</p>\r\n<p>Yamaha CS5</p>\r\n<p>Linn Drum&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MICROPHONE LIST</strong></p>\r\n<p>AKG 414EB (x2)</p>\r\n<p>AKG C28 Valve</p>\r\n<p>AKG 412</p>\r\n<p>AKG 451 (x2)</p>\r\n<p>AKG D12 (x2)</p>\r\n<p>Bruel &amp; Kjaer 4011 (x2)</p>\r\n<p>Crown PZM-30RB (x2)</p>\r\n<p>Electrovoice DS35</p>\r\n<p>Groove Tube GT44 Valve (x2)</p>\r\n<p>Neumann KM54</p>\r\n<p>Neumann M149 Valve</p>\r\n<p>Neumann U87 (x2)</p>\r\n<p>Sanken CU41</p>\r\n<p>Sennheiser MD421 (x2)&nbsp;</p>\r\n<p>Shure SM57 (x4)</p>\r\n<p>Shure SM58</p>\r\n<p>Sony C48</p>\r\n<p>STC 4033 Ribbons (x2)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>PROTOOLS RIG</strong></p>\r\n<p>A Protools HD3 Rig (with 2 Accel Cards). The rig is loaded with a good selection of plug-ins.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>HARDWARE</strong></p>\r\n<p>Apple Dual 2ghz G5 with 2.5 gigabytes of memory</p>\r\n<p>Apple 23" Cinema Display</p>\r\n<p>1 x Glyph GT051 Chassis</p>\r\n<p>Choice of Removable hotswappable firewire Drives from 160 gig to 250 gig</p>\r\n<p>1 x Digidesign 192 I/O interface (8 inputs / 16 outputs)</p>\r\n<p>Digidesign Sync I/O Synchroniser</p>\r\n<p>MOTU Midi Time Piece AV MIDI interface</p>\r\n<p>&nbsp;</p>\r\n<p><strong>SOFTWARE</strong></p>\r\n<p>Mac OSX 10.5.8</p>\r\n<p>Protools v8.0.1 Protools v7.4.2</p>\r\n<p>Logic v9.0.2 (on request)</p>\r\n<p>BFD Lite 1.5.0.45</p>\r\n<p>Sampletank 2.x.SE&nbsp;</p>\r\n<p>Amplitube LE 1.x</p>\r\n<p>T-Racks 1.xEQ</p>\r\n<p>&nbsp;</p>\r\n<p><strong>PLUG-INS</strong></p>\r\n<p>Access Music Indigo</p>\r\n<p>Amp Farm</p>\r\n<p>Autotune Evo</p>\r\n<p>Bomb Factory BF76</p>\r\n<p>Bomb Factory Clip remover</p>\r\n<p>Bomb Factory Correlation Meter</p>\r\n<p>Bomb Factory Meter Bridge</p>\r\n<p>Bomb Factory Noise Meter</p>\r\n<p>Bomb Factory Tuner</p>\r\n<p>Bombfactory BF-3A</p>\r\n<p>Channel G</p>\r\n<p>Cosmonaut Voice</p>\r\n<p>D-fi</p>\r\n<p>DigiRack Chorus</p>\r\n<p>DigiRack Click</p>\r\n<p>DigiRack D-Verb</p>\r\n<p>DigiRack DigiReWire</p>\r\n<p>DigiRack Dither</p>\r\n<p>DigiRack Dynamics III</p>\r\n<p>DigiRack EQ III</p>\r\n<p>DigiRack Flanger</p>\r\n<p>DigiRack Invert/Duplicate</p>\r\n<p>DigiRack Mod Delay II</p>\r\n<p>DigiRack Multi-Tap Delay</p>\r\n<p>DigiRack Normalize-Gain Change</p>\r\n<p>DigiRack Ping-Pong Delay</p>\r\n<p>DigiRack Pitch</p>\r\n<p>DigiRack Reverse-DC Removal</p>\r\n<p>DigiRack Signal Generator</p>\r\n<p>DigiRack Time Comp-Exp-Pitch Shift</p>\r\n<p>DigiRack TimeAdjuster</p>\r\n<p>DigiRack Trim</p>\r\n<p>EMI TG12413</p>\r\n<p>Eventide H3000</p>\r\n<p>Fairchild 660</p>\r\n<p>Fairchild 670</p>\r\n<p>Focusrite D2</p>\r\n<p>Focusrite D3</p>\r\n<p>Hybrid</p>\r\n<p>Funk Logic Masterer</p>\r\n<p>Joe Meek SC2 Compressor</p>\r\n<p>Joe Meek VC5 Meequalizer</p>\r\n<p>Massey CT4 Compressor</p>\r\n<p>Massey De:Esser</p>\r\n<p>Massey L2007 Mastering Limiter</p>\r\n<p>Massey TD5 Tape Delay</p>\r\n<p>Massey THC Distortion Stompbox</p>\r\n<p>Massey Tape-Head Saturation</p>\r\n<p>Massey VT3 Equalizer</p>\r\n<p>Master X</p>\r\n<p>Maxim</p>\r\n<p>MC2000</p>\r\n<p>MDW EQ3B</p>\r\n<p>MDW EQ5B</p>\r\n<p>Moogerfooger Low Pass Filter</p>\r\n<p>Pultec EQP-1A</p>\r\n<p>Pultec EQH-2</p>\r\n<p>Pultec MEQ-5</p>\r\n<p>Revibe</p>\r\n<p>Sansamp PSA-1</p>\r\n<p>Smack</p>\r\n<p>Signal Tools</p>\r\n<p>Sony Oxford EQ</p>\r\n<p>Speed</p>\r\n<p>SST-282</p>\r\n<p>Tel-Ray variable delay</p>\r\n<p>TL Space</p>\r\n<p>Time Shift</p>\r\n<p>Voc Align</p>\r\n<p>Voce Chorus / Spin</p>\r\n<p>Waves Platinum</p>\r\n<p>Waves L3</p>\r\n<p>Waves Tune LT</p>\r\n<p>Waves Doubler</p>\r\n<p>Waves IR</p>\r\n<p>Xpand!</p>\r\n<p>&nbsp;</p>";}}}}', NULL),
(70, 17, 23, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{i:0;s:4646:"<p>\r\n<p><strong>What the rates include</strong></p>\r\n</p>\r\n<ul>\r\n<li>Days in the Bridge are 12 hour days. The 12 hours begin from when you wish to start.</li>\r\n<li>All the prices exclude VAT which is chargeable at 20%.</li>\r\n<li>The rates include an assistant (unless stated) but not an engineer. You can hire one of our engineers on top of the rate.</li>\r\n<li>All prices exclude tapes/materials, cabs and hire costs.</li>\r\n<li>The rates include the equipment shown on the equipment specification but as you can imagine the gear does break from time to time. If we cannot replace the gear we cannot offer a discount on the rate. Of course in the unlikely scenario that a major breakdown happens during the session (such as the console / tape machine) we shall discuss the time lost.</li>\r\n<li>Any equipment that is ''subject to availability'' on the individual room specifications, needs to be requested prior to the session. This is especially important for guitar amps and backline, which regularly moves around the studios. There may be a delivery charge for this equipment if it is at another studio.</li>\r\n<li>And contrary to some rumours concocted by our competitors tea and coffee is free throughout the day and we may throw in the odd sweet or two if you are good.</li>\r\n</ul>\r\n<p>\r\n<p><strong>Day Rate</strong></p>\r\n<p>This is the day rate of The Bridge. The day is a 12 hour day. A lockout day rate (upto 7am the following morning) can be arranged by calling the office prior to the commencement of the session.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Lockout Rate</strong></p>\r\n<p>The Lockout rate for The Bridge is another &pound; 150.00 on top of the day rate agreed. This will give you as many hours as you need up to 7am in the morning.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>5 day Rate</strong></p>\r\n<p>We can offer the 5 day rate on all of our rooms for bookings under 5 days. This is a cheaper rate you can book the studio for, but we can only confirm the session 72 hours prior to the start of the session. This allows us to be flexible when a large 7 day booking comes in which needs the same time you may be holding for one day. In the event this occurs we will either offer you another room (which may sometimes be an upgrade) or we shall ask you to re-schedule or you can always pay the Book Rate. If the booking is over 5 consecutive days you can confirm the 5 day rate of the studio at any time.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Unsigned Rate (Flexi Rate)</strong></p>\r\n<p>If you are a band / artist and are unsigned we may be able to offer you our unsigned rate. Please note if you are Radiohead who may not technically need a record deal we do not consider you unsigned! The unsigned rate is only for bands that do not have professional representation and are not signed.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>If you hold studio time at the Unsigned Flexi rate and we receive an enquiry from a client who is prepared to pay and confirm at the full rate for the same dates you have held we will give you the option to match that rate. If you choose not to do this we will try to move you to another suitable studio if there is one available. If no other studios are available we will have to ask you to change your session dates. We will not confirm sessions at the Unsigned Flexi rate until 24 hours before the session and advise that clients do not book transport, hotels etc until your session is confirmed with us.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>If clients booking at the Unsigned Flexi rate bring their own engineer then the studio rate will include an assistant. For an additional &pound;50.00 you can choose to have one of our younger engineers who will work without an assistant, or you can pay for one of our full-rate engineers who will also work without an assistant.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>These costs are all payable in advance of the session and valid credit card details will be needed at the time of confirming the session.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Unsigned Rate (Book It Now)</strong></p>\r\n<p>The ''Book It Now'' unsigned rate has exactly the same terms as the ''Flexi'' unsigned rate as in you must be unsigned! However for an extra charge you can confirm your session in advance of the session dates. This charge varies between &pound;75 or &pound;100 depending on which studio you are booking. Once confirmed and paid for at the ''Book It Now'' rate we will not move your session. These costs are payable when you book the studio and not 24 hours in advance of your session.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>As with the Unsigned Flexi rate we will require valid credit card details at the time of confirming the session.</p>\r\n</p>";}}}}', NULL),
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(74, 7, 35, 'a:1:{s:9:"floorplan";a:8:{i:0;a:6:{s:1:"x";s:2:"66";s:1:"y";s:3:"117";s:6:"title1";s:7:"Point 1";s:6:"title2";s:7:"Point 1";s:4:"img1";s:47:"201106230704012411480Miloco-FisherLane-4090.jpg";s:4:"img2";s:0:"";}i:1;a:6:{s:1:"x";s:3:"111";s:1:"y";s:2:"18";s:6:"title1";s:7:"Point 2";s:6:"title2";s:7:"Point 2";s:4:"img1";s:47:"201106230705352388462Miloco-FisherLane-3998.jpg";s:4:"img2";s:0:"";}i:2;a:6:{s:1:"x";s:3:"201";s:1:"y";s:2:"59";s:6:"title1";s:7:"Point 3";s:6:"title2";s:7:"Point 3";s:4:"img1";s:47:"201106230706572585262Miloco-FisherLane-4025.jpg";s:4:"img2";s:0:"";}i:3;a:6:{s:1:"x";s:3:"168";s:1:"y";s:3:"122";s:6:"title1";s:7:"Point 4";s:6:"title2";s:7:"Point 4";s:4:"img1";s:47:"201106230708162887628Miloco-FisherLane-4061.jpg";s:4:"img2";s:0:"";}i:4;a:6:{s:1:"x";s:3:"316";s:1:"y";s:2:"20";s:6:"title1";s:7:"Point 5";s:6:"title2";s:7:"Point 5";s:4:"img1";s:47:"201106230709332184791Miloco-FisherLane-3916.jpg";s:4:"img2";s:0:"";}i:5;a:6:{s:1:"x";s:3:"317";s:1:"y";s:3:"111";s:6:"title1";s:7:"Point 6";s:6:"title2";s:7:"Point 6";s:4:"img1";s:47:"201106230710362883828Miloco-FisherLane-3925.jpg";s:4:"img2";s:0:"";}i:6;a:6:{s:1:"x";s:3:"319";s:1:"y";s:3:"183";s:6:"title1";s:7:"Point 7";s:6:"title2";s:7:"Point 7";s:4:"img1";s:47:"201106230711342584243Miloco-FisherLane-4355.jpg";s:4:"img2";s:0:"";}s:9:"floorplan";s:59:"201106120354202775321Screen shot 2011-06-12 at 11.54.06.png";}}', NULL),
(71, 17, 35, 'a:1:{s:9:"floorplan";a:6:{i:0;a:6:{s:1:"x";s:2:"29";s:1:"y";s:2:"24";s:6:"title1";s:7:"Point 1";s:6:"title2";s:7:"Point 1";s:4:"img1";s:36:"201106230802472479887Miloco-0540.jpg";s:4:"img2";s:0:"";}i:1;a:6:{s:1:"x";s:3:"195";s:1:"y";s:2:"29";s:6:"title1";s:7:"Point 2";s:6:"title2";s:7:"Point 2";s:4:"img1";s:35:"20110623080506213096Miloco-0510.jpg";s:4:"img2";s:0:"";}i:2;a:6:{s:1:"x";s:3:"322";s:1:"y";s:2:"58";s:6:"title1";s:7:"Point 3";s:6:"title2";s:7:"Point 3";s:4:"img1";s:35:"20110623080602239799Miloco-0487.jpg";s:4:"img2";s:0:"";}i:3;a:6:{s:1:"x";s:3:"313";s:1:"y";s:3:"233";s:6:"title1";s:7:"Point 4";s:6:"title2";s:7:"Point 4";s:4:"img1";s:36:"201106230807112556700Miloco-0480.jpg";s:4:"img2";s:0:"";}i:4;a:6:{s:1:"x";s:2:"36";s:1:"y";s:3:"248";s:6:"title1";s:7:"Point 5";s:6:"title2";s:7:"Point 5";s:4:"img1";s:36:"201106230803462701899Miloco-0515.jpg";s:4:"img2";s:0:"";}s:9:"floorplan";s:57:"2011061203091423154Screen shot 2011-06-12 at 11.08.53.png";}}', NULL),
(72, 17, 34, 'a:1:{s:2:"en";a:3:{s:6:"group1";a:1:{i:1;a:1:{s:10:"Intro Text";s:724:"<p>&nbsp;</p>\r\n<p>The Bridge is located in Bermondsey just off Tower Bridge Road . It''s a wonderfully vibrant area and in recent years developers have been moving in and building a raft of upmarket dwellings which has led to an influx of trendy gastronomic bars and fancy cafes. In summary, the area has a really friendly and eclectic feel.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>Within 10 minutes walk you can find yourself at Tower Bridge, with its large selection of restaurants, bars and hotels. And if you fancy a longer stroll you can head to London Bridge to sample the delights of the Bermondsey market, more restaurants, the Vinopolis wine-tasting emporium, Globe Theatre, Tate Modern and much much more...</p>\r\n<p>&nbsp;</p>";}}s:6:"group2";a:10:{i:1;a:6:{s:11:"Place Image";s:30:"201106260523092927532globe.jpg";s:5:"Title";s:17:"The Globe Theatre";s:7:"Address";s:43:"21 New Globe Walk, Bankside, London SE1 9DT";s:12:"Phone Number";s:13:"020 7902 1400";s:7:"Website";s:35:"http://www.shakespeares-globe.org/ ";s:11:"Description";s:377:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Globe Theatre is a faithful reconstruction of the open-air playhouse, designed in 1599, where Shakespeare plied his trade and for which he wrote many of his greatest plays. You can sit in the gallery or stand in the yard - just as audiences would have done some 400 years ago.</span></p>";}i:2;a:6:{s:11:"Place Image";s:35:"201106260523292267523hmsbelfast.jpg";s:5:"Title";s:14:"H.M.S. Belfast";s:7:"Address";s:44:"Morgan''s Lane, Tooley Street, London SE1 2JH";s:12:"Phone Number";s:13:"0207 940 6300";s:7:"Website";s:29:"http://hmsbelfast.iwm.org.uk/";s:11:"Description";s:333:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Expore all nine decks of Europe''s only surviving big gun battleship from WWII. HMS Belfast was launched in 1938, saw active service in World War II and was decommissioned in 1965. HMS Belfast has been a floating museum since 1971.&nbsp;</span></p>";}i:3;a:6:{s:11:"Place Image";s:37:"20110626052348218668toweroflondon.jpg";s:5:"Title";s:19:"The Tower of London";s:7:"Address";s:35:"HM Tower of London, London EC3N 4AB";s:12:"Phone Number";s:0:"";s:7:"Website";s:22:"http://www.hrp.org.uk/";s:11:"Description";s:402:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Tower of London has been an integral part of British royal history for nearly 1,000 years. Only at the Tower can you marvel at the breathtaking Crown Jewels, stand on the execution site of three English queens and hear the myths and legends that make a visit to the Tower ''a day out to die for''.&nbsp;</span></p>";}i:4;a:6:{s:11:"Place Image";s:39:"201106260524112790009londondungeons.jpg";s:5:"Title";s:18:"The London Dungeon";s:7:"Address";s:32:"28 Tooley Street, London SE1 2SZ";s:12:"Phone Number";s:13:"0871 360 2049";s:7:"Website";s:30:"http://www.london-dungeon.com/";s:11:"Description";s:433:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The London Dungeon combines real history, horror and humour to bring gruesome goings-on back to life in the 21st century. Live/undead actors, a terrifying boat ride, shows and special effects transport you to London''s gory past, and since 2005 there''s also been Labyrinth of the Lost, the world''s largest and scariest Mirror Maze.&nbsp;</span></p>";}i:5;a:6:{s:11:"Place Image";s:34:"201106260524302647580vinopolis.jpg";s:5:"Title";s:9:"Vinopolis";s:7:"Address";s:26:"1 Bank End, London SE1 9BU";s:12:"Phone Number";s:13:"0870 241 4040";s:7:"Website";s:27:"http://www.vinopolis.co.uk/";s:11:"Description";s:410:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">What could be finer than a 2.5 acre space devoted to the world of wine and its associated pleasures? Immerse yourself in the Vinopolis World of Wine tour and enjoy a region-to-region tour of tastes, cultures and history. Discover wine cultures from around the world and the origins of the art of winemaking.&nbsp;</span></p>";}i:6;a:6:{s:11:"Place Image";s:29:"201106260524502645744tate.jpg";s:5:"Title";s:15:"The Tate Modern";s:7:"Address";s:24:"Bankside, London SE1 9TG";s:12:"Phone Number";s:13:"020 7967 8000";s:7:"Website";s:29:"http://www.tate.org.uk/modern";s:11:"Description";s:222:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The world-famous gallery of modern art opened on Bankside in May 2000. It''s full of art. It''s a great building. I''d go.&nbsp;</span></p>";}i:7;a:6:{s:11:"Place Image";s:33:"201106260525062242539aquarium.jpg";s:5:"Title";s:19:"The London Aquarium";s:7:"Address";s:52:"Riverside Building, Westminster Bridge Road, SE1 7PB";s:12:"Phone Number";s:14:"020 7967 8000 ";s:7:"Website";s:32:"http://www.londonaquarium.co.uk/";s:11:"Description";s:411:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">One of the largest aquaria in Europe, containing over 1 million litres of water. Learn all about the world''s oceans, as well as rainforests, tropical freshwater, seashores and beaches. See a recreation of a coral reef and take a gander at the daily expert talks beamed through the video screens in the foyer.&nbsp;</span></p>";}i:8;a:6:{s:11:"Place Image";s:32:"201106260525252636451corsica.jpg";s:5:"Title";s:15:"Corsica Studios";s:7:"Address";s:45:"Unit 5 Farrell Court, Elephant Road, SE17 1LB";s:12:"Phone Number";s:13:"0207 703 4760";s:7:"Website";s:30:"http://www.corsicastudios.com/";s:11:"Description";s:508:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This independent arts organisation has a history of developing creative spaces across London, using empty buildings within areas which are undergoing re-development. So, as the South London area of Elephant and Castle is currently such an area, their latest site has occured there. It caters for a wide range of media and arts activities, music of course being one of them. Check their site for more info.&nbsp;</span></p>";}i:9;a:6:{s:11:"Place Image";s:32:"201106260525412333621coronet.jpg";s:5:"Title";s:11:"The Coronet";s:7:"Address";s:25:"28 New Kent Road, SE1 6TJ";s:12:"Phone Number";s:13:"020 7701 1500";s:7:"Website";s:32:"http://www.coronettheatre.co.uk/";s:11:"Description";s:282:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Generally regarded as one of the most exciting new venues in the city, The Coronet is set within an old art deco cinema, hosting a whole load of innovative and intersting artists.&nbsp;</span></p>";}i:10;a:6:{s:11:"Place Image";s:39:"20110626052559252665ministryofsound.jpg";s:5:"Title";s:17:"Ministry of Sound";s:7:"Address";s:45:"103 Gaunt Street, Elephant and Castle, London";s:12:"Phone Number";s:13:"0870 060 0010";s:7:"Website";s:31:"http://www.ministryofsound.com/";s:11:"Description";s:335:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Clubbing fanatics will need no introduction to Ministry of Sound. It has been one of Europe''s leading clubs for many years, attracting the world''s top DJs week in-week out. It is a short bus ride from Miloco''s Leroy Street premises.&nbsp;</span></p>";}}s:6:"group3";a:8:{i:1;a:6:{s:11:"Place Image";s:35:"201106260526172337212thehartley.jpg";s:5:"Title";s:23:"The Hartley Bar & Grill";s:7:"Address";s:36:"64 Tower Bridge Road, London SE1 4TR";s:12:"Phone Number";s:15:"020 7394 7023  ";s:7:"Website";s:19:"www.thehartley.com ";s:11:"Description";s:335:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Miloco''s official local!! This quality gastropub is a few minutes from the studio and it handily provides an excellent range of food. The name is a reference to the nearby former Hartley''s jam factory, now a residential development.&nbsp;</span></p>";}i:2;a:6:{s:11:"Place Image";s:29:"201106260526382945352sobo.jpg";s:5:"Title";s:20:"Sobo Cafe Restaurant";s:7:"Address";s:36:"83 Tower Bridge Road, London SE1 4TT";s:12:"Phone Number";s:14:"020 7403 5080 ";s:7:"Website";s:29:"http://www.sobogallery.co.uk/";s:11:"Description";s:402:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">SoBo is an imaginative new venture in Tower Bridge Road mixing art and coffee. A special SoBo blend of coffee is supplied by Rizzi Coffee, based just around the corner in Wilds Rents. Muffins, pastries and cakes, delivered daily, are all hand-made using only non-GM and free-range ingredients.&nbsp;<br /></span></p>";}i:3;a:6:{s:11:"Place Image";s:36:"201106260526592224lepontdelatour.jpg";s:5:"Title";s:18:"Le Pont De La Tour";s:7:"Address";s:31:"36d Shad Thames, London SE1 2YE";s:12:"Phone Number";s:15:"020 7403 8403  ";s:7:"Website";s:67:"http://www.conran-restaurants.co.uk/restaurants/restaurants/lepont/";s:11:"Description";s:304:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Conran''s SE1 flagship. Offers private dining for groups of up to 20 in a room with a wall of sheet-glass providing a view of the wine cellar and all those lovely loitering bottles. Set menu for groups of 13+</span></p>";}i:4;a:6:{s:11:"Place Image";s:34:"201106260527182531522allbarone.png";s:5:"Title";s:11:"All Bar One";s:7:"Address";s:30:"34 Shad Thames, London SE1 2YG";s:12:"Phone Number";s:14:"020 7940 9771 ";s:7:"Website";s:0:"";s:11:"Description";s:266:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Riverside location next to the Design Museum. Standard All Bar One setup but in a good spot and features a varied menu alongside the usual beverage suspects.&nbsp;<br /></span></p>";}i:5;a:6:{s:11:"Place Image";s:38:"201106260527422305416bengalclipper.jpg";s:5:"Title";s:14:"Bengal Clipper";s:7:"Address";s:52:"11-12 Cardamom Building, Shad Thames, London SE1 2YR";s:12:"Phone Number";s:14:"0207 357 9001 ";s:7:"Website";s:35:"http://www.bengalrestaurants.co.uk/";s:11:"Description";s:447:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This large and airy restaurant provides daily menus at both &pound;5 (changed weekly) and &pound;10 (changed monthly). Sunday Buffet is &pound;7.75. The ''club'' atmosphere is heightened by the slightly old-fashioned attentive personal service and the cleverly-folded clipper sail napkins. It''s an ideal restaurant for a quiet lunch a deux.&nbsp;<br /></span></p>";}i:6;a:6:{s:11:"Place Image";s:32:"201106260528222588705delfina.jpg";s:5:"Title";s:19:"Delfina Studio Cafe";s:7:"Address";s:36:"50 Bermondsey Street, London SE1 3UD";s:12:"Phone Number";s:14:"020 7357 0244 ";s:7:"Website";s:26:"http://www.delfina.org.uk/";s:11:"Description";s:216:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Acclaimed eatery open weekday lunchtimes and Friday evenings. A good sport for functions and wedding receptions !&nbsp;</span></p>";}i:7;a:6:{s:11:"Place Image";s:33:"201106260528422857262garrison.jpg";s:5:"Title";s:24:"The Garrison Bar & Grill";s:7:"Address";s:36:"99 Bermondsey Street, London SE1 3XB";s:12:"Phone Number";s:14:"020 7089 9355 ";s:7:"Website";s:29:"http://www.thegarrison.co.uk/";s:11:"Description";s:391:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Garrison in Bermondsey Street is the Honest Cabbage re-launched by a new team, and this is very unusual pub. While some of the decor is kept simple and cool with stripped floorboards, the splendid toilets are worth visiting to experience the sensation of being onboard an ocean liner.&nbsp;</span></p>";}i:8;a:6:{s:11:"Place Image";s:33:"201106260529002747702woolpack.jpg";s:5:"Title";s:13:"The Wool Pack";s:7:"Address";s:36:"98 Bermondsey Street, London SE1 3UB";s:12:"Phone Number";s:14:"020 7357 9269 ";s:7:"Website";s:0:"";s:11:"Description";s:268:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Formerly the London Scotia Bar, this is a nice pub that has been completely redecorated and offers food for lunch and in the evening. It has a great beer garden too.&nbsp;</span></p>";}}}}', NULL),
(75, 21, 35, 'a:1:{s:9:"floorplan";a:8:{i:0;a:6:{s:1:"x";s:2:"55";s:1:"y";s:2:"39";s:6:"title1";s:7:"Point 1";s:6:"title2";s:7:"Point 1";s:4:"img1";s:33:"201106230757342192689_MG_8308.jpg";s:4:"img2";s:0:"";}i:1;a:6:{s:1:"x";s:3:"268";s:1:"y";s:3:"110";s:6:"title1";s:7:"Point 2";s:6:"title2";s:7:"Point 2";s:4:"img1";s:33:"201106230755392413364_MG_8355.jpg";s:4:"img2";s:0:"";}i:2;a:6:{s:1:"x";s:3:"281";s:1:"y";s:3:"100";s:6:"title1";s:7:"Point 3";s:6:"title2";s:7:"Point 3";s:4:"img1";s:35:"201106230756172115759_MG_8327-2.jpg";s:4:"img2";s:0:"";}i:3;a:6:{s:1:"x";s:3:"283";s:1:"y";s:2:"74";s:6:"title1";s:7:"Point 4";s:6:"title2";s:7:"Point 4";s:4:"img1";s:36:"201106230756592868144_MG_8342-2a.jpg";s:4:"img2";s:0:"";}i:4;a:6:{s:1:"x";s:3:"253";s:1:"y";s:2:"13";s:6:"title1";s:7:"Point 5";s:6:"title2";s:7:"Point 5";s:4:"img1";s:37:"201106230758372448385sofasound2.1.jpg";s:4:"img2";s:0:"";}i:5;a:6:{s:1:"x";s:3:"254";s:1:"y";s:2:"31";s:6:"title1";s:7:"Point 6";s:6:"title2";s:7:"Point 6";s:4:"img1";s:32:"20110623075931285170_MG_8335.jpg";s:4:"img2";s:0:"";}i:6;a:6:{s:1:"x";s:3:"195";s:1:"y";s:2:"83";s:6:"title1";s:7:"Point 7";s:6:"title2";s:7:"Point 7";s:4:"img1";s:35:"201106230754452609250sofasound3.jpg";s:4:"img2";s:0:"";}s:9:"floorplan";s:58:"20110612040243267777Screen shot 2011-06-12 at 11.59.39.png";}}', NULL),
(76, 20, 35, 'a:1:{s:9:"floorplan";a:9:{i:0;a:6:{s:1:"x";s:3:"101";s:1:"y";s:2:"75";s:6:"title1";s:7:"Point 1";s:6:"title2";s:7:"Point 1";s:4:"img1";s:41:"201106230719372676620musikbox_MG_4143.jpg";s:4:"img2";s:0:"";}i:1;a:6:{s:1:"x";s:2:"51";s:1:"y";s:3:"115";s:6:"title1";s:7:"Point 2";s:6:"title2";s:7:"Point 2";s:4:"img1";s:43:"201106230720462921896musikbox_MG_4153.1.jpg";s:4:"img2";s:0:"";}i:2;a:6:{s:1:"x";s:2:"64";s:1:"y";s:3:"144";s:6:"title1";s:7:"Point 3";s:6:"title2";s:7:"Point 3";s:4:"img1";s:41:"201106230721412481694musikbox_MG_4221.jpg";s:4:"img2";s:0:"";}i:3;a:6:{s:1:"x";s:3:"140";s:1:"y";s:3:"129";s:6:"title1";s:7:"Point 4";s:6:"title2";s:7:"Point 4";s:4:"img1";s:41:"201106230722452620290musikbox_MG_4237.jpg";s:4:"img2";s:0:"";}i:4;a:6:{s:1:"x";s:3:"239";s:1:"y";s:2:"46";s:6:"title1";s:7:"Point 5";s:6:"title2";s:7:"Point 5";s:4:"img1";s:40:"20110623072342216986musikbox_MG_4205.jpg";s:4:"img2";s:0:"";}i:5;a:6:{s:1:"x";s:3:"259";s:1:"y";s:3:"105";s:6:"title1";s:7:"Point 6";s:6:"title2";s:7:"Point 6";s:4:"img1";s:41:"201106230724562474669musikbox_MG_4259.jpg";s:4:"img2";s:0:"";}i:6;a:6:{s:1:"x";s:3:"288";s:1:"y";s:3:"129";s:6:"title1";s:7:"Point 7";s:6:"title2";s:7:"Point 7";s:4:"img1";s:41:"201106230725542457646musikbox_MG_4316.jpg";s:4:"img2";s:0:"";}i:7;a:6:{s:1:"x";s:3:"327";s:1:"y";s:2:"26";s:6:"title1";s:7:"Point 8";s:6:"title2";s:7:"Point 8";s:4:"img1";s:41:"201106230727102447134musikbox_MG_4286.jpg";s:4:"img2";s:0:"";}s:9:"floorplan";s:59:"201106230716502342813Screen shot 2011-06-23 at 15.17.06.png";}}', NULL),
(77, 20, 20, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:59:"201106120413132298734Screen shot 2011-06-12 at 12.12.56.png";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:1408:"<p>\r\n<p>Musikbox Recording Studio is Miloco''s premier Neve VR mixing studio which has been part of our group since the end of 2006. Based in Kentish Town, North London we are just a stone''s throw from the Forum and a great selection of restaurants. The studio was designed by Recording Architecture and so unsurprisingly the monitoring is superb making it ideal for mixing projects. However for those requiring a bit of privacy the secluded nature of the studio also makes it perfect for vocal , writing and overdubbing sessions.</p>\r\n<p>&nbsp;</p>\r\n<p>The control room is daylit, has been beautifully furnished and is based around the legendary "warm" sound of the Neve VR60 , Protools HD3 and ATC SCM150 Monitors. Add to this a good complement of outboard including an EMT plate, a comprehensive selection of plug-ins and you are equipped for getting the perfect mix. Alternatively you can use the large selection of analogue keyboards (Moog, Oberheims, ARP, Korg ) at your disposal for all your programming needs. Add a vocal booth, open plan rec room with SKY TV , a kitchen as well as secure private parking and the space becomes a perfect creative mecca.</p>\r\n<p>&nbsp;</p>\r\n<p>But don''t just take our word for it, ask some of our recent producers and artists - Jay Electronica, KT Tunstall, Jeymes Samuel, Adele, La Roux, Corinne Bailey Rae, UNKLE, Faithless, Clare Maguire and many more ...</p>\r\n</p>";}}}}', NULL),
(190, 11, 28, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:4:{s:11:"Client Name";s:0:"";s:12:"Client Image";s:0:"";s:18:"Client Description";s:0:"";s:10:"Client URL";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:13:"Other Clients";s:180:"<p>\r\n<p>Black Rebel Motorcycle Club</p>\r\n<p>Hollie Cook</p>\r\n<p>Little Roy</p>\r\n<p>Mafia &amp; Fluxy</p>\r\n<p>Manu Chao</p>\r\n<p>Nick Cave</p>\r\n<p>UNKLE</p>\r\n<p>White Denim</p>\r\n</p>";}}}}', NULL),
(191, 11, 34, 'a:1:{s:2:"en";a:3:{s:6:"group1";a:1:{i:1;a:1:{s:10:"Intro Text";s:491:"<p>Brighton is brimming with things to do. The vibrant atmosphere is centred around The Laines and the seafront where there are countless bars, pubs, restaurants, cafes and music venues that account for Brighton''s famous and ever-popular nightlife. You can visit Brighton Pier, one of the UK''s most iconic landmarks or make use of the beach for sunbathing or walking.</p>\r\n<p>&nbsp;</p>\r\n<p>Scroll down to view a selection of places in Brighton we''d recommend you visit...</p>\r\n<p>&nbsp;</p>";}}s:6:"group2";a:5:{i:1;a:6:{s:11:"Place Image";s:37:"201106260733442850675brightonpier.jpg";s:5:"Title";s:13:"Brighton Pier";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:278:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The iconic pier is Brighton''s ultimate landmark. Take a walk for over half a kilometer into the channel to taste the sea breeze, and enjoy the rides, pubs and coastal views...&nbsp;</span></p>";}i:2;a:6:{s:11:"Place Image";s:38:"201106260734002242213brightonbeach.jpg";s:5:"Title";s:14:"Brighton Beach";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:279:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Brighton''s large beach is always full on sunny days. It''s also a great spot for a walk to blast out the cobwebs, although we wouldn''t recommend taking a dip in the shallows...!&nbsp;</span></p>";}i:3;a:6:{s:11:"Place Image";s:31:"201106260734172936958marina.jpg";s:5:"Title";s:15:"Brighton Marina";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:341:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Slightly further out of town is the artificial marina - one of the largest marinas in England. There is a also a selection of boutique shops, restaurants and bars, a hotel, a bowling alley, a health club, a casino, and a multiplex cinema.&nbsp;</span></p>";}i:4;a:6:{s:11:"Place Image";s:41:"201106260734412851418museumandgallery.jpg";s:5:"Title";s:31:"Brighton Museum and Art Gallery";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:243:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Brighton Museum and Art Gallery is located in the city''s cultural corner. There''s a great selection of exhibitions and entrance is free.&nbsp;</span></p>";}i:5;a:6:{s:11:"Place Image";s:33:"201106260735012710173pavilion.jpg";s:5:"Title";s:18:"The Royal Pavilion";s:7:"Address";s:41:"4/5 Pavilion Buildings, Brighton, BN1 1EE";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:362:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">An extraordinary building, built for The Prince Regent at the turn of the 19th Century, The Royal Pavilion looks more akin to regal China than the south coast of England. No surprise then that it houses some of the finest chinoiserie exhibitions in Britain...&nbsp;</span></p>";}}s:6:"group3";a:10:{i:1;a:6:{s:11:"Place Image";s:42:"201106260735192843328battleoftrafalgar.jpg";s:5:"Title";s:19:"Battle of Trafalgar";s:7:"Address";s:49:"34 Guildford Road, Brighton, East Sussex, BN1 3LW";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:317:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Traflagar is a Brighton classic. A traditional theme pub with plenty of character, there''s a good selection of real ales. Just up the hill from the train station and always guaranteeing a good atmosphere.&nbsp;<br /></span></p>";}i:2;a:6:{s:11:"Place Image";s:37:"201106260735382557410greateastern.jpg";s:5:"Title";s:17:"The Great Eastern";s:7:"Address";s:52:"103 Trafalgar Street, Brighton, East Sussex, BN1 4ER";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:326:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Great Eastern is very local to The Ironworks. A quaint "local feel" pub with a good selection of ales, and an equally impressive choice of Bourbon, should you require a quick chaser after sampling the local brews!&nbsp;<br /></span></p>";}i:3;a:6:{s:11:"Place Image";s:34:"201106260735552610093mangetout.jpg";s:5:"Title";s:10:"Mange Tout";s:7:"Address";s:51:"81 Trafalgar Street, North Laine, Brighton, BN1 4EB";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:335:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">A very popular restaurant on Trafalgar Street serving a great selection of authentic French dishes. Notoriosly friendly and efficient service compliments the high standard of food, plus it''s just around the corner from the studio...&nbsp;</span></p>";}i:4;a:6:{s:11:"Place Image";s:34:"201106260736152992668lainedeli.jpg";s:5:"Title";s:14:"The Laine Deli";s:7:"Address";s:38:"31 Trafalgar Street, Brighton BN1 4ED ";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:328:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">A small and friendly cafe and delicatessen open for breakfast, lunch and afternoon tea. Freshly-made sandwiches and a range of hot drinks are on offer. It is based on Trafalgar Street just a couple of minutes from the studio.&nbsp;</span></p>";}i:5;a:6:{s:11:"Place Image";s:33:"20110626073633279610coffee@33.jpg";s:5:"Title";s:11:"Coffee @ 33";s:7:"Address";s:33:"33 Trafalgar St, Brighton BN1 4ED";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:269:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Coffee @ 33 is a small, trendy and friendly coffee house. A stone''s throw from The Ironworks it is the ideal stop for a much-needed latte, cappucino or other...&nbsp;<br /></span></p>";}i:6;a:6:{s:11:"Place Image";s:35:"201106260736482548051carluccios.jpg";s:5:"Title";s:10:"Carluccios";s:7:"Address";s:42:"Jubilee St, Brighton, East Sussex, BN1 1GE";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:229:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The UK''s largest and arguably most popular authentic Italian food chain is not far from Ironworks, in the heart of The Laines.<br /></span></p>";}i:7;a:6:{s:11:"Place Image";s:37:"201106260737072648064pizzaexpress.jpg";s:5:"Title";s:13:"Pizza Express";s:7:"Address";s:42:"A3 Block, Jubilee Street, Brighton BN1 1GE";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:246:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">There''s a new Pizza Express based on an attractive plaza on Jubilee Street, which has been redeveloped to house a number of modern restaurants.&nbsp;</span></p>";}i:8;a:6:{s:11:"Place Image";s:33:"201106260737262851778wagamama.jpg";s:5:"Title";s:8:"Wagamama";s:7:"Address";s:55:"30 Kensington Street, Off North Road, Brighton, BN1 4AJ";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:213:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">5 minutes from the studio is a trusty Wagamama, should you fancy some Japanese or oriental food one evening...&nbsp;</span></p>";}i:9;a:6:{s:11:"Place Image";s:31:"201106260737412415906dorset.jpg";s:5:"Title";s:10:"The Dorset";s:7:"Address";s:46:"28 North Road, North Laines, Brighton, BN1 1YB";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:211:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Popular pub on the bustling North Road. There''s a good selection of beers and wines, and a decent food menu.&nbsp;</span></p>";}i:10;a:6:{s:11:"Place Image";s:31:"201106260737582150496bill''s.jpg";s:5:"Title";s:6:"Bill''s";s:7:"Address";s:66:"Bill''s Produce Store, The Depot, 100 North Road, Brighton BN1 1YE ";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:372:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">One of the town''s most famous and popular hangouts is Bill''s, a unique cafe and produce store on North Road. It is set within an old depot building and attracts crowds throughout the day, especially for breakfast when they churn out the ultimate hangover fry-ups.&nbsp;<br /></span></p>";}}}}', NULL),
(79, 20, 24, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:9:"Equipment";s:6724:"<p>\r\n<p><strong>CONTROL ROOM</strong>: 5.3m x 5.5m (17'' x 18'')</p>\r\n<p>BOOTH 1: 4.2m x 2.4m (14'' x 8'')</p>\r\n<p>BOOTH 2: 4.2m x 2.0m (14'' x 6.5'')</p>\r\n<p>LOUNGE: 6.7m x 3.7m (22'' x 12'')</p>\r\n<p>&nbsp;</p>\r\n<p><strong>LATEST PURCHASES:</strong></p>\r\n<p>Audioease Altiverb 6XL</p>\r\n<p>Audioease Speakerphone</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>CONSOLE</strong></p>\r\n<p>Neve VR60 with Flying Faders and total recall</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MULTITRACK / HARD DISK RECORDING</strong></p>\r\n<p>Protools HD3 Accel Rig running v7.4 or v9 with 3 x 192s</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MONITORING</strong></p>\r\n<p>ATC SCM300A Active Monitors</p>\r\n<p>Yamaha NS10M Studios</p>\r\n<p>Genelec 1031''s</p>\r\n<p>Auratones</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MASTERING</strong></p>\r\n<p>Sony PCM R500 DAT</p>\r\n<p>Panasonic SV3800 DAT Player</p>\r\n<p>HHB CDR-850 CD-R</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DYNAMICS</strong></p>\r\n<p>Tubetech LCA2B Valve Compressor</p>\r\n<p>SSL Stereo Compressor</p>\r\n<p>Urei 1176 (x2)</p>\r\n<p>Urei LA4</p>\r\n<p>Chiswick Reach Valve Compressor</p>\r\n<p>DBX 160A (x2)</p>\r\n<p>DBX 162</p>\r\n<p>Alesis 3630 compressor</p>\r\n<p>CLM Dynamics Expounder</p>\r\n<p>DBX 902 De-essers (x4)</p>\r\n<p>Drawmer DS201 (x2)</p>\r\n<p>Empirical Labs Distressor (x1)&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>EQUALISATION</strong></p>\r\n<p>Massenberg (GML) 8200</p>\r\n<p>Neve 33122 (x2)</p>\r\n<p>Neve 33114 (x2)</p>\r\n<p>Focusrite ISA215&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>REVERBERATION</strong></p>\r\n<p>Lexicon 480L</p>\r\n<p>Lexicon 224</p>\r\n<p>Lexicon PCM80 (x2)</p>\r\n<p>Lexicon PCM70</p>\r\n<p>Ursa Major Space Station</p>\r\n<p>EMT 140 Plate&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DELAYS / PROCESSORS</strong></p>\r\n<p>Eventide DSP4000</p>\r\n<p>AMS 1580S</p>\r\n<p>Yamaha SPX990</p>\r\n<p>TC Fireworx</p>\r\n<p>Roland SDE330</p>\r\n<p>AMS Phaser</p>\r\n<p>Aphex Compellor</p>\r\n<p>Moog 12 Stage Phaser</p>\r\n<p>Roland Dimension D</p>\r\n<p>Roland SRE555</p>\r\n<p>Mutronics Mutator</p>\r\n<p>Roland SBF 325&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>SYNCHRONISATION</strong></p>\r\n<p>Digidesign Sync I/O</p>\r\n<p>Digidesign MIDI I/O (x2)</p>\r\n<p>Rosandahl Nanosyncs Master Clock Generator</p>\r\n<p>&nbsp;</p>\r\n<p><strong>SEQUENCING</strong></p>\r\n<p>Protools v7.4 or v8&nbsp;</p>\r\n<p>Logic Pro v8 (on request)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>ANALOGUE KEYBOARDS</strong></p>\r\n<p>Moog Minimoog (x2)</p>\r\n<p>Obverheim Matrix 12</p>\r\n<p>Oberheim OB-8</p>\r\n<p>Oberheim OB-Mx 12 Voice</p>\r\n<p>ARP 2600</p>\r\n<p>Korg MS20</p>\r\n<p>Korg Poly 6</p>\r\n<p>Roland Jupiter 6</p>\r\n<p>Roland MKS80 + MPG80</p>\r\n<p>Studio Electronics SE1x</p>\r\n<p>JoMox SunSyn</p>\r\n<p>Roland TB303</p>\r\n<p>&nbsp;</p>\r\n<p><strong>OTHER KEYBOARDS / MODULES / SAMPLERS</strong></p>\r\n<p>Roland JD800</p>\r\n<p>Roland JP8000</p>\r\n<p>Roland JV1080</p>\r\n<p>Waldorf Microwave XT</p>\r\n<p>Korg Prophecy</p>\r\n<p>Korg Minikorg</p>\r\n<p>EMU Vintage Keys</p>\r\n<p>Akai MPC 4000</p>\r\n<p>Akai MPC3000</p>\r\n<p>Akai MPC2000</p>\r\n<p>EMU SP1200</p>\r\n<p>Akai S6000</p>\r\n<p>Roland VP600 Variphase</p>\r\n<p>Roland TR-808</p>\r\n<p>Roland TR-909</p>\r\n<p>Roland CR-78&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MICROPHONE LIST</strong></p>\r\n<p>AKG C414B XLII (x2)</p>\r\n<p>AKG D112</p>\r\n<p>AKG 451B</p>\r\n<p>Peluso 22 251</p>\r\n<p>Sennheiser MD421 (x3)</p>\r\n<p>Shure SM57 (x2)</p>\r\n<p>&nbsp;</p>\r\n<p>Other Microphones maybe available on request subject to availability.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>PROTOOLS RIG</strong></p>\r\n<p>Protools HD3 Accel Rig on an Intel MacPro</p>\r\n<p>&nbsp;</p>\r\n<p><strong>HARDWARE</strong></p>\r\n<p>Apple Intel MacPro 2.66 ghz 4 Core</p>\r\n<p>23" Apple Cinema Display&nbsp;</p>\r\n<p>3 x Digidesign 192 interfaces with 16 outputs each</p>\r\n<p>Digidesign MIDI I/O interface</p>\r\n<p>Digidesign SYNC I/O synchroniser</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>BACKUP</strong></p>\r\n<p>Usually done the following day with a choice of:</p>\r\n<p>CD-R</p>\r\n<p>DVD-R</p>\r\n<p>AIT4</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>SOFTWARE</strong></p>\r\n<p>OSX 10.6.6</p>\r\n<p>Protools v7.4cs7 / 9.0.1</p>\r\n<p>Logic Pro v9.0.2 (on request)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>PLUG-INS</strong></p>\r\n<p>Access Music Indigo</p>\r\n<p>Air Effects Bundle</p>\r\n<p>Altiverb 6XL</p>\r\n<p>Amp farm</p>\r\n<p>Autotune Evo</p>\r\n<p>Bomb Factory BF-3A</p>\r\n<p>Bomb Factory BF-76</p>\r\n<p>BF Essentials</p>\r\n<p>Broadband Noise Reduction</p>\r\n<p>Bruno/Reso</p>\r\n<p>Cranesong Phoenix</p>\r\n<p>Cosmonaut Voice</p>\r\n<p>D-fi</p>\r\n<p>DigiRack Chorus</p>\r\n<p>DigiRack Click</p>\r\n<p>DigiRack D-Verb</p>\r\n<p>DigiRack DigiReWire</p>\r\n<p>DigiRack Dither</p>\r\n<p>DigiRack Dynamics III</p>\r\n<p>DigiRack EQ III</p>\r\n<p>DigiRack Flanger</p>\r\n<p>DigiRack Invert/Duplicate</p>\r\n<p>DigiRack Mod Delay II</p>\r\n<p>DigiRack Multi-Tap Delay</p>\r\n<p>DigiRack Normalize-Gain Change</p>\r\n<p>DigiRack Ping-Pong Delay</p>\r\n<p>DigiRack Pitch</p>\r\n<p>DigiRack Reverse-DC Removal</p>\r\n<p>DigiRack Signal Generator</p>\r\n<p>DigiRack Time Comp-Exp-Pitch Shift</p>\r\n<p>DigiRack TimeAdjuster</p>\r\n<p>DigiRack Trim</p>\r\n<p>EMI TG 12413 1969 Limiter</p>\r\n<p>EMI TG 12413 2005 Limiter</p>\r\n<p>Fairchild 660</p>\r\n<p>Fairchild 670</p>\r\n<p>Filterbank</p>\r\n<p>Focusrite D2</p>\r\n<p>Focusrite D3</p>\r\n<p>Funk Logic Masteriser</p>\r\n<p>Hybrid</p>\r\n<p>Impact</p>\r\n<p>Joe Meek SC2 Compressor</p>\r\n<p>Joe Meek VC5 Meequalizer</p>\r\n<p>Massey CT4 Compressor</p>\r\n<p>Massey De:Esser</p>\r\n<p>Massey L2007 Mastering Limiter</p>\r\n<p>Massey TD5 Tape Delay</p>\r\n<p>Massey THC Distortion Stompbox</p>\r\n<p>Massey Tape-Head Saturation</p>\r\n<p>Massey VT3 Equalizer</p>\r\n<p>Master X</p>\r\n<p>Maxim</p>\r\n<p>MDW 3B Equaliser</p>\r\n<p>MDW 5B Equaliser</p>\r\n<p>Melodyne</p>\r\n<p>Metric Halo Channel Strip</p>\r\n<p>moogerfooger Lowpass filter</p>\r\n<p>moogerfooger 12-stage phaser</p>\r\n<p>moogerfooger Ring Modulator</p>\r\n<p>moogerfooger Analog delay</p>\r\n<p>Pultec EQH-2</p>\r\n<p>Pultec EQP-1A</p>\r\n<p>Pultec MEQ-5</p>\r\n<p>Purple Audio MC77</p>\r\n<p>Reverb One</p>\r\n<p>Revibe</p>\r\n<p>Sansamp PSA-1</p>\r\n<p>Slightly Rude Compressor</p>\r\n<p>Smack!</p>\r\n<p>Sound Replacer</p>\r\n<p>Soundtoys FX Bundle 4 TDM</p>\r\n<p>Soundtoys Crystallizer</p>\r\n<p>Soundtoys Decapitator</p>\r\n<p>Soundtoys Echo Boy</p>\r\n<p>Soundtoys Filter Freak</p>\r\n<p>Soundtoys Pan Man Soundtoys Phase Mistress</p>\r\n<p>Soundtoys Pitch Blender</p>\r\n<p>Soundtoys Pitch Doctor</p>\r\n<p>Soundtoys Pure Pitch</p>\r\n<p>Soundtoys Speed</p>\r\n<p>Soundtoys Time Blender</p>\r\n<p>Soundtoys Tremolator</p>\r\n<p>Speakerphone</p>\r\n<p>Synchronic</p>\r\n<p>TC MD3 Multiband Dynamics</p>\r\n<p>Tel-Ray Variable Delay</p>\r\n<p>TL Aggro</p>\r\n<p>TL DrumRehab</p>\r\n<p>TL Everyphase</p>\r\n<p>TL InTune</p>\r\n<p>TL Mastermeter</p>\r\n<p>TL Metro</p>\r\n<p>TL Space</p>\r\n<p>URS M Series EQ</p>\r\n<p>Voc Align</p>\r\n<p>Voce Spin</p>\r\n<p>Voce Chorus/Vibrato</p>\r\n<p>Waves Platinum</p>\r\n<p>Waves SSL Bundle V8</p>\r\n</p>";}}}}', NULL);
INSERT INTO `pages` (`id`, `studio_id`, `page_layout_id`, `content`, `additional_content`) VALUES (80, 20, 37, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:32:{i:1;a:2:{s:5:"Image";s:41:"201106240544022912786musikbox_MG_4205.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:41:"201106240544022912786musikbox_MG_4255.jpg";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:41:"201106240544022912786musikbox_MG_4259.jpg";s:17:"Image Description";s:0:"";}i:4;a:2:{s:5:"Image";s:41:"201106240544022912786musikbox_MG_4278.jpg";s:17:"Image Description";s:0:"";}i:5;a:2:{s:5:"Image";s:41:"201106240544592991478musikbox_MG_4141.jpg";s:17:"Image Description";s:0:"";}i:6;a:2:{s:5:"Image";s:41:"201106240544592991478musikbox_MG_4143.jpg";s:17:"Image Description";s:0:"";}i:7;a:2:{s:5:"Image";s:41:"201106240544592991478musikbox_MG_4151.jpg";s:17:"Image Description";s:0:"";}i:8;a:2:{s:5:"Image";s:43:"201106240544592991478musikbox_MG_4153.1.jpg";s:17:"Image Description";s:0:"";}i:9;a:2:{s:5:"Image";s:41:"201106240544592991478musikbox_MG_4153.jpg";s:17:"Image Description";s:0:"";}i:10;a:2:{s:5:"Image";s:43:"201106240544592991478musikbox_MG_4171.1.jpg";s:17:"Image Description";s:0:"";}i:11;a:2:{s:5:"Image";s:41:"201106240544592991478musikbox_MG_4171.jpg";s:17:"Image Description";s:0:"";}i:12;a:2:{s:5:"Image";s:43:"201106240544592991478musikbox_MG_4171LO.jpg";s:17:"Image Description";s:0:"";}i:13;a:2:{s:5:"Image";s:41:"201106240544592991478musikbox_MG_4181.jpg";s:17:"Image Description";s:0:"";}i:14;a:2:{s:5:"Image";s:41:"201106240544592991478musikbox_MG_4193.jpg";s:17:"Image Description";s:0:"";}i:15;a:2:{s:5:"Image";s:43:"201106240544592991478musikbox_MG_4207-2.jpg";s:17:"Image Description";s:0:"";}i:16;a:2:{s:5:"Image";s:41:"201106240544592991478musikbox_MG_4221.jpg";s:17:"Image Description";s:0:"";}i:17;a:2:{s:5:"Image";s:41:"201106240544592991478musikbox_MG_4237.jpg";s:17:"Image Description";s:0:"";}i:18;a:2:{s:5:"Image";s:41:"201106240547252572518musikbox_MG_4340.jpg";s:17:"Image Description";s:0:"";}i:19;a:2:{s:5:"Image";s:41:"201106240547252572518musikbox_MG_4344.jpg";s:17:"Image Description";s:0:"";}i:20;a:2:{s:5:"Image";s:41:"201106240547252572518musikbox_MG_4346.jpg";s:17:"Image Description";s:0:"";}i:21;a:2:{s:5:"Image";s:41:"201106240547252572518musikbox_MG_4353.jpg";s:17:"Image Description";s:0:"";}i:22;a:2:{s:5:"Image";s:41:"201106240547252572518musikbox_MG_4360.jpg";s:17:"Image Description";s:0:"";}i:23;a:2:{s:5:"Image";s:41:"201106240547252572518musikbox_MG_4362.jpg";s:17:"Image Description";s:0:"";}i:24;a:2:{s:5:"Image";s:41:"201106240547252572518musikbox_MG_4365.jpg";s:17:"Image Description";s:0:"";}i:25;a:2:{s:5:"Image";s:41:"201106240547252572518musikbox_MG_4378.jpg";s:17:"Image Description";s:0:"";}i:26;a:2:{s:5:"Image";s:41:"201106240547252572518musikbox_MG_4395.jpg";s:17:"Image Description";s:0:"";}i:27;a:2:{s:5:"Image";s:41:"201106240547252572518musikbox_MG_4402.jpg";s:17:"Image Description";s:0:"";}i:28;a:2:{s:5:"Image";s:41:"201106240549542440627musikbox_MG_4266.jpg";s:17:"Image Description";s:0:"";}i:29;a:2:{s:5:"Image";s:41:"201106240549542440627musikbox_MG_4286.jpg";s:17:"Image Description";s:0:"";}i:30;a:2:{s:5:"Image";s:41:"201106240549542440627musikbox_MG_4316.jpg";s:17:"Image Description";s:0:"";}i:31;a:2:{s:5:"Image";s:41:"201106240549542440627musikbox_MG_4323.jpg";s:17:"Image Description";s:0:"";}i:32;a:2:{s:5:"Image";s:41:"201106240549542440627musikbox_MG_4333.jpg";s:17:"Image Description";s:0:"";}}}}', NULL),
(81, 20, 23, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{i:0;s:5451:"<p>\r\n<p><strong>Musikbox Rates</strong></p>\r\n<p>&nbsp;</p>\r\n<p>Day Rate:<span style="white-space: pre;"> </span> <strong>&pound; 600 / day</strong></p>\r\n<p>5-Day Rate:<span style="white-space: pre;"> </span> <strong>&pound; 500 / day</strong></p>\r\n<p>Lockout Rate:<span style="white-space: pre;"> </span> <strong>&pound; 200 / day on top of agreed rate</strong></p>\r\n<p>Unsigned (Book It Now Rate):<span style="white-space: pre;"> </span><strong>&pound;400 / day</strong></p>\r\n<p>Unsigned (Flexi Rate):<span style="white-space: pre;"> </span> <strong>&pound;300 / day</strong></p>\r\n<p>Half day Rate:<span style="white-space: pre;"> </span><strong> &pound; 300 / half day (6 hours)</strong></p>\r\n<p>Hourly Rate:<span style="white-space: pre;"> </span><strong> &pound; 60 / hour (minimum 3 hours)</strong></p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>What the rates include</strong></p>\r\n<p>Days in Musikbox are 12 hour days. The 12 hours begin from when you wish to start.</p>\r\n<p>All the prices exclude VAT which is chargeable at 20%.</p>\r\n<p>The rates include an assistant (unless stated) but not an engineer. You can hire one of our engineers on top of the rate.</p>\r\n<p>All prices exclude tapes/materials, cabs and hire costs.</p>\r\n<p>The rates include the equipment shown on the equipment specification but as you can imagine the gear does break from time to time. If we cannot replace the gear we cannot offer a discount on the rate. Of course in the unlikely scenario that a major breakdown happens during the session (such as the console / tape machine) we shall discuss the time lost.</p>\r\n<p>Any equipment that is ''subject to availability'' on the individual room specifications, needs to be requested prior to the session. This is especially important for guitar amps and backline, which regularly moves around the studios. There may be a delivery charge for this equipment if it is at another studio.</p>\r\n<p>And contrary to some rumours concocted by our competitors tea and coffee is free throughout the day and we may throw in the odd sweet or two if you are good.</p>\r\n<p><strong>Day Rate</strong></p>\r\n<p>This is the day rate of Musikbox. The day is a 12 hour day. A lockout day rate (upto 7am the following morning) can be arranged by calling the office prior to the commencement of the session.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Lockout Rate</strong></p>\r\n<p>The Lockout rate for Musikbox is another &pound; 200.00 on top of the day rate agreed. This will give you as many hours as you need up to 7am in the morning.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>5 day Rate</strong></p>\r\n<p>We can offer the 5 day rate on all of our rooms for bookings under 5 days. This is a cheaper rate you can book the studio for, but we can only confirm the session 72 hours prior to the start of the session. This allows us to be flexible when a large 7 day booking comes in which needs the same time you may be holding for one day. In the event this occurs we will either offer you another room (which may sometimes be an upgrade) or we shall ask you to re-schedule or you can always pay the Book Rate. If the booking is over 5 consecutive days you can confirm the 5 day rate of the studio at any time.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Unsigned Rate (Flexi Rate)</strong></p>\r\n<p>If you are a band / artist and are unsigned we may be able to offer you our unsigned rate. Please note if you are Radiohead who may not technically need a record deal we do not consider you unsigned! 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(86, 5, 23, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{i:0;s:4484:"<p><strong>What the rates include</strong></p>\r\n<ul>\r\n<li>Days in The Yard are 12 hour days. The 12 hours begin from when you wish to start.</li>\r\n<li>All the prices exclude VAT which is chargeable at 20%.</li>\r\n<li>The rates include an assistant (unless stated) but not an engineer. You can hire one of our engineers on top of the rate.</li>\r\n<li>All prices exclude tapes/materials, cabs and hire costs.</li>\r\n<li>The rates include the equipment shown on the equipment specification but as you can imagine the gear does break from time to time. If we cannot replace the gear we cannot offer a discount on the rate. Of course in the unlikely scenario that a major breakdown happens during the session (such as the console / tape machine) we shall discuss the time lost.</li>\r\n<li>Any equipment that is ''subject to availability'' on the individual room specifications, needs to be requested prior to the session. This is especially important for guitar amps and backline, which regularly moves around the studios. There may be a delivery charge for this equipment if it is at another studio.</li>\r\n<li>And contrary to some rumours concocted by our competitors tea and coffee is free throughout the day and we may throw in the odd sweet or two if you are good.</li>\r\n</ul>\r\n<p><strong>Day Rate</strong></p>\r\n<p>This is the day rate of The Yard. The day is a 12 hour day. A lockout day rate (upto 7am the following morning) can be arranged by calling the office prior to the commencement of the session.</p>\r\n<p><strong>Lockout Rate</strong></p>\r\n<p>The Lockout rate for The Yard is another &pound; 150.00 on top of the day rate agreed. This will give you as many hours as you need up to 7am in the morning.</p>\r\n<p><strong>5 day Rate</strong></p>\r\n<p>We can offer the 5 day rate on all of our rooms for bookings under 5 days. This is a cheaper rate you can book the studio for, but we can only confirm the session 72 hours prior to the start of the session.</p>\r\n<p>This allows us to be flexible when a large 7 day booking comes in which needs the same time you may be holding for one day. In the event this occurs we will either offer you another room (which may sometimes be an upgrade) or we shall ask you to re-schedule or you can always pay the Book Rate. If the booking is over 5 consecutive days you can confirm the 5 day rate of the studio at any time.</p>\r\n<p><strong>Unsigned Rate (Flexi Rate)</strong></p>\r\n<p>If you are a band / artist and are unsigned we may be able to offer you our unsigned rate. Please note if you are Radiohead who may not technically need a record deal we do not consider you unsigned! The unsigned rate is only for bands that do not have professional representation and are not signed.</p>\r\n<p>If you hold studio time at the Unsigned Flexi rate and we receive an enquiry from a client who is prepared to pay and confirm at the full rate for the same dates you have held we will give you the option to match that rate. If you choose not to do this we will try to move you to another suitable studio if there is one available. If no other studios are available we will have to ask you to change your session dates. We will not confirm sessions at the Unsigned Flexi rate until 24 hours before the session and advise that clients do not book transport, hotels etc until your session is confirmed with us.</p>\r\n<p>If clients booking at the Unsigned Flexi rate bring their own engineer then the studio rate will include an assistant. For an additional &pound;50.00 you can choose to have one of our younger engineers who will work without an assistant, or you can pay for one of our full-rate engineers who will also work without an assistant.</p>\r\n<p>These costs are all payable in advance of the session and valid credit card details will be needed at the time of confirming the session.</p>\r\n<p><strong>Unsigned Rate (Book It Now)</strong></p>\r\n<p>The ''Book It Now'' unsigned rate has exactly the same terms as the ''Flexi'' unsigned rate as in you must be unsigned! However for an extra charge you can confirm your session in advance of the session dates. This charge varies between &pound;75 or &pound;100 depending on which studio you are booking.</p>\r\n<p>Once confirmed and paid for at the ''Book It Now'' rate we will not move your session. These costs are payable when you book the studio and not 24 hours in advance of your session.   As with the Unsigned Flexi rate we will require valid credit card details at the time of confirming the session.</p>";}}}}', NULL),
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(88, 5, 28, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:4:{i:1;a:4:{s:11:"Client Name";s:13:"Barry Adamson";s:12:"Client Image";s:59:"201106120453462539128Screen shot 2011-06-12 at 12.53.32.png";s:18:"Client Description";s:655:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Barry Admason''s contributions to bands Magazine, Visage, Nick Cave and the Bad Seeds and Pan Sonic have earned him a status as one of Britan''s most acclaimed veterans to be born out of the punk era. After phasing out his time as a band member, he re-introduced himself as a solo artist working with alternative jazz and electronica. He is also a renowned film composer, credited on the scores of&nbsp;<em>Gas Food Lodging</em>&nbsp;and<em>Lost Highway</em>. He mixed his ninth solo album,&nbsp;<em>Back to the Cat</em>&nbsp;in The Yard in October 2007.&nbsp;</span></p>";s:10:"Client URL";s:64:"http://www.miloco.co.uk/clients/recent_clients/Barry_Adamson.php";}i:2;a:4:{s:11:"Client Name";s:15:"Crystal Castles";s:12:"Client Image";s:0:"";s:18:"Client Description";s:529:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The multi-instrumental electro duo Crystal Castles have won plaudits and friends alike upon their arrival in the UK from their home city of Toronto. Their self-titled debut album - mixed in The Yard - is one of the most eagerly-anticipated debuts of 2008, however their remixing abilities have hooked them up with the likes of GoodBooks, Bloc Party and Klaxons, all of which too have their own recording relationships with us.&nbsp;</span></p>";s:10:"Client URL";s:66:"http://www.miloco.co.uk/clients/recent_clients/Crystal_Castles.php";}i:3;a:4:{s:11:"Client Name";s:10:"IV Thieves";s:12:"Client Image";s:0:"";s:18:"Client Description";s:464:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">IV Thieves took the trip from Texas to Highbury to mix the album&nbsp;<em>If We Can''t Escape My Pretty</em>. They follow their influences closely - big Led Zep riffs and energetic vocals from the shared lead-singership of Shane Lawlor and Glynn Wedgewood, make for a fun listen. The album was produced by Chris Sheldon and released on One Little Indian in 2007.&nbsp;</span></p>";s:10:"Client URL";s:61:"http://www.miloco.co.uk/clients/recent_clients/IV_Thieves.php";}i:4;a:4:{s:11:"Client Name";s:14:"The King Blues";s:12:"Client Image";s:0:"";s:18:"Client Description";s:599:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The burgeoning London ska band, The King Blues, are set to release their second Long-Player later in 2008. The festival season of 2007 saw the 5-piece hotly-tipped to build on the hype created by their 2006 debut&nbsp;<em>Under the Fog</em>, which included the single ''Mr Music Man'' - the winner of Radio One''s ''Best Punk Song'' for 2006. They have been recording and mixing the follow-up in The Square and The Yard with producer Clive Langer and Interface engineer Finn Eiles in early 2008.&nbsp;<br /></span></p>";s:10:"Client URL";s:65:"http://www.miloco.co.uk/clients/recent_clients/The_King_Blues.php";}}s:6:"group2";a:1:{i:1;a:1:{s:13:"Other Clients";s:0:"";}}}}', NULL),
(89, 5, 30, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:293:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">There is a large selection of takeaway menus in the area. All the usual suspects are available. Here is a selection of some of the most commonly used. Click on the logo to download the menu.&nbsp;</span></p>";}}s:6:"group2";a:1:{i:1;a:2:{s:10:"Meal Image";s:59:"201106120456132821868Screen shot 2011-06-12 at 12.56.02.png";s:16:"Meal Description";s:397:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Xiong Mao<br /></strong><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.xiong-mao.co.uk/" target="blank">www.xiong-mao.co.uk</a><br />324 Essex Road, London N1 3PB Tel: 020 7359 9100<br /><br />Chinese and Thai delivery service that loves pandas...&nbsp;</span></p>";}}}}', NULL),
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(99, 14, 20, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:44:"201107050916332599814angelic-homepage-js.swf";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:1634:"<p>&nbsp;</p>\r\n<p><strong>Angelic Studios is an excellent new residential recording studio located near Banbury</strong>. We are honoured to be representing Angelic in partnership with producer and former-Jamiroquai keyboardist and songwriter,<strong> Toby Smith</strong>.</p>\r\n<p>Hidden away in the heart of rural England, Angelic was opened as a brand new residential in 2009 to provide artists with a completely exclusive and idyllic setting to record in. Based in two beautiful farm buildings, it has been converted and refurbished to perfection. The studio is built around a large and spacious control room featuring an SSL SL8072 G+ console, powerful monitoring and an amazing collection of outboard including many original vintage neve modules. The first of two recording rooms features a high, gabled roof, original stone walls and vast curtained windows, and therefore offers a diverse range of live and dead sounds. The second recording room is a guitarist''s dream, filled with a collection of rare guitars, bass guitars and amplifiers. The studio also boasts Toby''s career-collection of keyboards, synths and guitar pedals.</p>\r\n<p>In a separate building is the accommodation, featuring 6 modern and chic bedrooms. There is a large kitchen with all the mod cons, and a huge, relaxing lounge complete with home cinema, table tennis, PS3 and dining area. There''s a perfect balance of contemporary chic and original antique features throughout the house and studio, depicting Angelic''s unique character and first-class appeal... We are thrilled to present the UK''s latest and greatest residential retreat...</p>\r\n<p>&nbsp;</p>";}}}}', NULL);
INSERT INTO `pages` (`id`, `studio_id`, `page_layout_id`, `content`, `additional_content`) VALUES (189, 11, 23, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{i:0;s:2203:"<p>\r\n<p><strong>What the rates include</strong></p>\r\n</p>\r\n<ul>\r\n<li>Days in The Ironworks are 12 hour days. The 12 hours begin from when you wish to start.</li>\r\n<li>We may from time to time offer an unsigned rate depending on the time needed. Please call to discuss.</li>\r\n<li>All the prices exclude VAT which is chargeable at 20%.</li>\r\n<li>The rates include an assistant or an engineer not both. You can hire one other engineers on top of the rate.</li>\r\n<li>All prices exclude tapes/materials, cabs and hire costs.</li>\r\n<li>The rates include the equipment shown on the equipment specification but as you can imagine the gear does break from time to time. If we cannot replace the gear we cannot offer a discount on the rate. Of course in the unlikely scenario that a major breakdown happens during the session (such as the console / tape machine) we shall discuss the time lost.</li>\r\n<li>Any equipment that is ''subject to availability'' on the individual room specifications, needs to be requested prior to the session. This is especially important for guitar amps and backline, which regularly moves around the studios. There may be a delivery charge for this equipment if it is at another studio.</li>\r\n</ul>\r\n<p>\r\n<p><strong>Day Rate</strong></p>\r\n<p>This is the day rate of The Ironworks. The day is a 12 hour day. A lockout day rate (upto 7am the following morning) can be arranged by calling the office prior to the commencement of the session.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Lockout Rate</strong></p>\r\n<p>The Lockout rate for The Ironworks is another &pound; 200.00 on top of the day rate agreed. This will give you as many hours as you need up to 7am in the morning.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>5 day Rate</strong></p>\r\n<p>The 5-Day Rate offers a slightly cheaper rate than the day rate. If you want this rate and are doing under 5 days it may be possible to achieve this as long as you can be flexible with your booking. If we do not have to turn away a larger session we can offer you the studio at this rate. If another session does come in you may be asked to either pay the higher day rate, move your session to another date or move to another studio if we have one free.</p>\r\n</p>";}}}}', NULL),
(101, 14, 24, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:9:"Equipment";s:8040:"<p>&nbsp;</p>\r\n<p><strong>Desk:</strong></p>\r\n<p><strong>&nbsp;</strong>Solid State Logic SL8072 G+, Total Recall, Ultimation (Ex Townhouse console)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Monitoring:</strong></p>\r\n<p>ATC SCM200</p>\r\n<p>Barefoot MicroMain 27s</p>\r\n<p>Yamaha NS10M</p>\r\n<p>Auratones</p>\r\n<p>Amps: Quad 520F / ATC 8</p>\r\n<p>Headphones: Hearback System with 6 monitor mixers</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DAW Hardware:</strong></p>\r\n<p>Apple MacPro 2x3.2 Quad-Core, 10GB RAM</p>\r\n<p>Apogee Rosettas (x2) / Digidesign 192''s (x3) providing 48 inputs and 56 outputs</p>\r\n<p>Digidesign ProTools HD3 PCIe</p>\r\n<p>Digidesign Sync I/O</p>\r\n<p>Big Ben Clock</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Dynamics:</strong></p>\r\n<p>API 2500 Stereo Compressor</p>\r\n<p>Chandler TG2 Stereo Compressor</p>\r\n<p>Drawmer DS201 Gate</p>\r\n<p>DBX 160 Compressors (x2)</p>\r\n<p>EAR 660 Compressor</p>\r\n<p>EL Distressors (x3) (2 x EL8-SX Brit mod versions)</p>\r\n<p>EL Fatso</p>\r\n<p>Neve 2254 Compressors (x2)</p>\r\n<p>Neve Portico 5063 stereo compressor</p>\r\n<p>Pye Buss Compressors (x2)</p>\r\n<p>SPL De-esser</p>\r\n<p>SPL Transient Designer</p>\r\n<p>SSL Smart c2 Stereo Compressor</p>\r\n<p>Summit TLA-100A Limiting Amplifiers (X2)</p>\r\n<p>Teletronix LA2A Compressor</p>\r\n<p>TubeTech SMC 2B Multiband Compressor</p>\r\n<p>Urei 1176 Black Face (x2)</p>\r\n<p>Urei 1176 Blue Face (x2)</p>\r\n<p>Valley People Dyna-mite</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Mic-Pre''s &amp; EQ''s:</strong></p>\r\n<p>API 550a EQ (x4)</p>\r\n<p>Klein And Hummel 100UE Tube Mastering EQs (x2)</p>\r\n<p>Massenberg GML 8200</p>\r\n<p>Manley Massive Passive</p>\r\n<p>Neve 1084 (x4)</p>\r\n<p>Neve 1100 (x6)</p>\r\n<p>Neve 33114 (x8)</p>\r\n<p>Pultec EQP-1A</p>\r\n<p>Ridge Farm Gas Cooker Mic Pre/DI</p>\r\n<p>Telefunken V72 (x2)</p>\r\n<p>Telefunken V76 (x4)</p>\r\n<p>Thermionic Culture Vulture</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Effects:</strong></p>\r\n<p>AMS 1580S</p>\r\n<p>EMS 2000 Vocoder</p>\r\n<p>EMT 140 Plate Reverb</p>\r\n<p>Eventide Eclipse</p>\r\n<p>Eventide H3000</p>\r\n<p>Eventide H910</p>\r\n<p>Fulltone Tube Echo.Tape Delay</p>\r\n<p>Ibanez AD-202 Analogue Modeler</p>\r\n<p>Lexicon 200</p>\r\n<p>Lexicon PCM91</p>\r\n<p>Lexicon PCM60</p>\r\n<p>Motherload Speaker Simulator</p>\r\n<p>Palmer Speaker Simulator</p>\r\n<p>Roland 555 Tape Delay</p>\r\n<p>Schippmann Ebbe Und Flut Filter Bank</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DI boxes and tools:</strong></p>\r\n<p>Little Labs IBP Phase Tools (x4)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Microphones:</strong></p>\r\n<p>AKG C28 Valve</p>\r\n<p>AKG 451</p>\r\n<p>AKG D19</p>\r\n<p>AKG 414 TL II Gold Top (x2)</p>\r\n<p>AKG 414 (x2)</p>\r\n<p>AEA R84 DJV</p>\r\n<p>B &amp; K 4011</p>\r\n<p>Coles 4038 (x2)</p>\r\n<p>Electrovoice RE20</p>\r\n<p>Korby KAT5 with switchable heads KAT12 / KAT47 / KAT67 / KAT251 / KAT800</p>\r\n<p>Lomo 19a-4 (x2)</p>\r\n<p>MXL 603</p>\r\n<p>Neumann CMV 563</p>\r\n<p>Neumann K84</p>\r\n<p>Neumann SM69 Tube</p>\r\n<p>Neumann TLM 103T</p>\r\n<p>Neumann U47 Valve</p>\r\n<p>Neumann U67 Valve</p>\r\n<p>Neumann U87 (x3)</p>\r\n<p>Neumann UM57</p>\r\n<p>Neumann Geffell M94 (x2)</p>\r\n<p>Royer SF24 Stereo Ribbon</p>\r\n<p>Schoeps CM5 (x2)</p>\r\n<p>SE Gemini</p>\r\n<p>Sennheiser MD421 (x4)</p>\r\n<p>Sennheiser MD441 (x4)</p>\r\n<p>Shure SM7</p>\r\n<p>Shure SM57 (x2)</p>\r\n<p>Shure SM57 Beta</p>\r\n<p>Shure SM58 (x2)</p>\r\n<p>STC Ball and Biscuit</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Keyboards:</strong></p>\r\n<p>ARP 2600</p>\r\n<p>ARP odyssey</p>\r\n<p>ARP Solina</p>\r\n<p>Circuit Bent Casio Sampling Keyboard</p>\r\n<p>EMS Synthi AKS</p>\r\n<p>Hammond M102, leslie 147</p>\r\n<p>Honer clavinet</p>\r\n<p>Korg MS-20</p>\r\n<p>Moog Memory Moog Plus</p>\r\n<p>Moog Source (x2)</p>\r\n<p>Nord lead</p>\r\n<p>Oberheim OBX-a</p>\r\n<p>Oscar</p>\r\n<p>Rhodes 73</p>\r\n<p>Rhodes 88 suitcase</p>\r\n<p>Roland CR78 drum machine</p>\r\n<p>Roland CR8000 drum machine</p>\r\n<p>Roland SH07</p>\r\n<p>Roland SH1000</p>\r\n<p>Roland Jupiter 8</p>\r\n<p>Sequential Circuits Prophet</p>\r\n<p>Sequential Circuits t8</p>\r\n<p>Wurlitzer 200, recently completely overhauled, new tube amp, stereo trem etc</p>\r\n<p>Yamaha CP-80 Electric Piano</p>\r\n<p>Yamaha Motif 7</p>\r\n<p>Yamaha g3 Grand Piano</p>\r\n<p>Yamaha Upright Piano</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Guitars And Amplifiers:</strong></p>\r\n<p>70''s Bass</p>\r\n<p>Ampeg B15</p>\r\n<p>Ampeg Rocket Combo</p>\r\n<p>Baldwin Vibroslim</p>\r\n<p>Divided by 13 JRT 9-15 head+cab</p>\r\n<p>Fender Active p-bass</p>\r\n<p>Fender Stratocaster</p>\r\n<p>Fender Telecasters (x2)</p>\r\n<p>Fender Twin (1974)</p>\r\n<p>Hiwatt Cab with 4*12 Celestions</p>\r\n<p>Marshall Superbass (1969)</p>\r\n<p>Martin D19</p>\r\n<p>Rickenbacker Rickosound</p>\r\n<p>Roland GR guitar synth</p>\r\n<p>SWART Spacetone</p>\r\n<p>Vox AC30 (1963) Blues</p>\r\n<p>Yamaha Vintage Semi</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Guitar Pedals:</strong></p>\r\n<p>B&amp;M Champion Fuzz Unit</p>\r\n<p>Boss 59 Bassman</p>\r\n<p>Boss Chorus Ensemble</p>\r\n<p>Boss Digital Delay DD3</p>\r\n<p>Boss t-wat</p>\r\n<p>Chandler Industries Tube Driver</p>\r\n<p>Electro Harmonix Big Muff Pi (Russian)</p>\r\n<p>Electro Harmonix Deluxe Electric Mistress</p>\r\n<p>Electro Harmonix Double Muff</p>\r\n<p>Electro Harmonix Small Stone</p>\r\n<p>Fulltone Fulldrive2 Overdrive</p>\r\n<p>Fulltone OCD</p>\r\n<p>HBE Power Screamer</p>\r\n<p>Ibanez af9 Auto filter</p>\r\n<p>Ibanez ts9 Tube Screemer</p>\r\n<p>Klon Centaur</p>\r\n<p>Mutron Phaser</p>\r\n<p>MXR Micro Amp</p>\r\n<p>MXR Flanger</p>\r\n<p>MXR Zakk Wylde Overdrive</p>\r\n<p>Proco RAT 2</p>\r\n<p>Proco RAT 2 with Keeley mod</p>\r\n<p>Robert Keeley Keeley Compressor</p>\r\n<p>Roger Mayer Axis</p>\r\n<p>Roger Mayer Classic</p>\r\n<p>Roger Mayer Mongoose</p>\r\n<p>Roger Mayer Octavia</p>\r\n<p>Route 66 Distortion/ Compressor</p>\r\n<p>Smart People Factory Green Line Overdrive</p>\r\n<p>Storm Octavia</p>\r\n<p>Swart Atomic Top Boost</p>\r\n<p>Z Vex Fuzz Factory</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Software:</strong></p>\r\n<p>OSX 10.5.3</p>\r\n<p>Pro Tools HD 8.0.1</p>\r\n<p>Logic Pro</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Plug-ins:</strong></p>\r\n<p>Air Effects Bundle</p>\r\n<p>Altiverb</p>\r\n<p>Analog Channel</p>\r\n<p>Antares Autotune Evo</p>\r\n<p>Bomb Factory BF76</p>\r\n<p>Bomb Factory Clip remover</p>\r\n<p>Bomb Factory Correlation Meter</p>\r\n<p>Bomb Factory Meter Bridge</p>\r\n<p>Bomb Factory Noise Meter</p>\r\n<p>Bomb Factory Tuner</p>\r\n<p>Boom</p>\r\n<p>DB-33</p>\r\n<p>Di-Fi</p>\r\n<p>DigiRack Chorus</p>\r\n<p>DigiRack Click</p>\r\n<p>DigiRack D-Verb</p>\r\n<p>DigiRack DigiReWire</p>\r\n<p>DigiRack Dither</p>\r\n<p>DigiRack Dynamics III</p>\r\n<p>DigiRack EQ III</p>\r\n<p>DigiRack Flanger</p>\r\n<p>DigiRack Invert/Duplicate</p>\r\n<p>DigiRack Mod Delay II</p>\r\n<p>DigiRack Multi-Tap Delay</p>\r\n<p>DigiRack Normalize-Gain Change</p>\r\n<p>DigiRack Ping-Pong Delay</p>\r\n<p>DigiRack Pitch</p>\r\n<p>DigiRack Reverse-DC Removal</p>\r\n<p>DigiRack Signal Generator</p>\r\n<p>DigiRack Time Comp-Exp-Pitch Shift</p>\r\n<p>DigiRack TimeAdjuster</p>\r\n<p>DigiRack Trim</p>\r\n<p>Drumagog</p>\r\n<p>Elastic Audio</p>\r\n<p>Eleven</p>\r\n<p>EMI TG 12412</p>\r\n<p>EMI TG 12413</p>\r\n<p>EMI TG 12414</p>\r\n<p>Funk Logic Mastererizer</p>\r\n<p>Kontakt 3</p>\r\n<p>Massey CT4</p>\r\n<p>Massey DeEsser</p>\r\n<p>Massey DTM</p>\r\n<p>Massey TD5</p>\r\n<p>Massey L2007</p>\r\n<p>Massey TD5</p>\r\n<p>Massey THC</p>\r\n<p>Massey Tapehead</p>\r\n<p>Maxim</p>\r\n<p>MiniGrand</p>\r\n<p>Moogerfooger 12-Stage Phaser</p>\r\n<p>Moogerfooger Analog Delay</p>\r\n<p>Moogerfooger Lowpass Filter</p>\r\n<p>Moogerfooger Ring Modulator</p>\r\n<p>Native Instruments Battery 3</p>\r\n<p>Princeton Digital SST-282 Space Station</p>\r\n<p>Pultec EQH-2</p>\r\n<p>Pultec EQP-1A</p>\r\n<p>Pultec MEQ-5</p>\r\n<p>Reverb One</p>\r\n<p>Revibe</p>\r\n<p>SansAmp PSA-1</p>\r\n<p>Smack!</p>\r\n<p>Soundtoys FX Bundle TDM</p>\r\n<p>Soundtoys Crystallizer</p>\r\n<p>Soundtoys Echo Boy</p>\r\n<p>Soundtoys Filter Freak</p>\r\n<p>Soundtoys Phase Mistress</p>\r\n<p>Soundtoys Pitch Blender</p>\r\n<p>Soundtoys Pitch Doctor</p>\r\n<p>Soundtoys Pure Pitch</p>\r\n<p>Soundtoys Speed</p>\r\n<p>Soundtoys Time Blender</p>\r\n<p>Soundtoys Tremolator</p>\r\n<p>Structure</p>\r\n<p>Tel-Ray Variable Delay</p>\r\n<p>TL Autopan</p>\r\n<p>TL EveryPhase</p>\r\n<p>TL Space</p>\r\n<p>TL Utilities</p>\r\n<p>Vacuum</p>\r\n<p>Voce Chorus/Vibrato&nbsp;</p>\r\n<p>Voce Spin</p>\r\n<p>Waves Mercury Bundle TDM</p>\r\n<p>Waves SSL Bundle TDM</p>\r\n<p>Xpand!</p>\r\n<p>&nbsp;</p>";}}}}', NULL),
(102, 14, 31, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:10:"Intro Text";s:436:"<p>&nbsp;</p>\r\n<p>Angelic''s accommodation includes six bedrooms. One bedroom is for the assistant and the second can be for the engineer - they are located in a separate annex to the main house. The other four bedrooms are for guests. Each of the rooms have been decorated and furnished with style and comfort in mind...</p>\r\n<p>&nbsp;</p>\r\n<p>Please click on the images below for further information on each bedroom.</p>\r\n<p>&nbsp;</p>";}}s:6:"group2";a:6:{i:1;a:4:{s:12:"Bedroom Name";s:9:"Bedroom 1";s:16:"Bedroom Location";s:11:"Staff Annex";s:13:"Bedroom Image";s:58:"20110612064811272112Screen shot 2011-06-12 at 14.48.04.png";s:19:"Bedroom Description";s:57:"Double room which can be reserved for visiting engineers.";}i:2;a:4:{s:12:"Bedroom Name";s:9:"Bedroom 2";s:16:"Bedroom Location";s:11:"Staff Annex";s:13:"Bedroom Image";s:59:"201106120653322102786Screen shot 2011-06-12 at 14.48.53.png";s:19:"Bedroom Description";s:47:"Double room occupied by the in-house assistant.";}i:3;a:4:{s:12:"Bedroom Name";s:9:"Bedroom 3";s:16:"Bedroom Location";s:11:"Guest House";s:13:"Bedroom Image";s:59:"201106200322092770073Screen shot 2011-06-20 at 11.20.56.png";s:19:"Bedroom Description";s:32:"A Twin Room on the ground floor.";}i:4;a:4:{s:12:"Bedroom Name";s:9:"Bedroom 4";s:16:"Bedroom Location";s:11:"Guest House";s:13:"Bedroom Image";s:59:"201106200322482524454Screen shot 2011-06-20 at 11.21.09.png";s:19:"Bedroom Description";s:31:"A Twin Room on the ground floor";}i:5;a:4:{s:12:"Bedroom Name";s:9:"Bedroom 5";s:16:"Bedroom Location";s:11:"Guest House";s:13:"Bedroom Image";s:59:"201106200323082533018Screen shot 2011-06-20 at 11.21.20.png";s:19:"Bedroom Description";s:59:"A double room located on the first floor of the guest house";}i:6;a:4:{s:12:"Bedroom Name";s:9:"Bedroom 6";s:16:"Bedroom Location";s:11:"Guest House";s:13:"Bedroom Image";s:39:"201106200323272424436bedroom6_index.jpg";s:19:"Bedroom Description";s:59:"A double room located on the first floor of the guest house";}}}}', NULL),
(197, 30, 25, 'a:2:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:4:{s:5:"Image";a:2:{s:3:"img";s:32:"201106210534202430219footer3.jpg";s:3:"alt";s:11:"press 1 alt";}s:5:"Title";s:12:"test content";s:11:"Description";s:26:"<p>test contenttttzzzz</p>";s:13:"File Location";s:28:"201106210623002347480doc.pdf";}}}s:2:"fr";a:1:{s:6:"group1";a:1:{i:1;a:4:{s:5:"Image";s:32:"201106210534202430219footer3.jpg";s:5:"Title";s:0:"";s:11:"Description";s:0:"";s:13:"File Location";s:28:"201106210623002347480doc.pdf";}}}}', NULL),
(198, 33, 41, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:6:{i:1;a:2:{s:5:"Image";s:0:"";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:34:"201106211304452823180overview2.jpg";s:17:"Image Description";s:13:"The live room";}i:3;a:2:{s:5:"Image";s:34:"201106211304452823180overview1.jpg";s:17:"Image Description";s:0:"";}i:4;a:2:{s:5:"Image";s:34:"201106211304452823180overview4.jpg";s:17:"Image Description";s:16:"the tape machine";}i:5;a:2:{s:5:"Image";s:34:"201106211304452823180overview3.jpg";s:17:"Image Description";s:0:"";}i:6;a:2:{s:5:"Image";s:34:"201106211304452823180overview5.jpg";s:17:"Image Description";s:16:"the control room";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:29:"<p>kdjfkaeblkjadfblkjbfad</p>";}}}}', NULL),
(104, 14, 25, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:4:{s:5:"Image";s:59:"201106120708222207483Screen shot 2011-06-12 at 15.08.06.png";s:5:"Title";s:33:"Pro Sound News Europe, April 2011";s:11:"Description";s:247:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">David Davies from PSNE made the trip to Northants to meet Toby Smith at Angelic. The result was this feature in the magazine''s April 2010 issue.&nbsp;</span></p>";s:13:"File Location";s:71:"http://www.miloco.co.uk/studios/press_cuttings/angelic_psne_apr2010.pdf";}}}}', NULL),
(105, 14, 37, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:42:{i:1;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5074.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:13:"Studio Lounge";}i:2;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5092.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:13:"Studio Lounge";}i:3;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5105.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:10:"Pool Table";}i:4;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5119.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:26:"Live Room 1 - Balcony View";}i:5;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5147.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:28:"Live Room 1 - Balcony View 2";}i:6;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5161.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:21:"Control Room - View 1";}i:7;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5174.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:21:"Control Room - View 2";}i:8;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5192.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:21:"Control Room - View 3";}i:9;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5200.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:21:"Control Room - View 4";}i:10;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5204.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:21:"Control Room - View 5";}i:11;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5239.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:11:"Live Room 1";}i:12;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5266.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:11:"Live Room 2";}i:13;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5278.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:15:"Isolation Booth";}i:14;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5279.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:24:"Isolation Booth - View 2";}i:15;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5282.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:24:"Isolation Booth - View 3";}i:16;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5288.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:24:"Isolation Booth - View 4";}i:17;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5296.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:22:"Bedroom 3 - Twin Room ";}i:18;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5299.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:22:"Bedroom 3 - Twin Room ";}i:19;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5302.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:22:"Bedroom 3 - Twin Room ";}i:20;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5305.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:22:"Bedroom 4 - Twin Room ";}i:21;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5348.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:11:"Dining Area";}i:22;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5351.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:11:"Home Cinema";}i:23;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5352.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:29:"Accommodation Lounge - View 1";}i:24;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5359.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:29:"Accommodation Lounge - View 2";}i:25;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5362.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:29:"Accommodation Lounge - View 3";}i:26;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5369.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:12:"Wood Burner ";}i:27;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5375.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:10:"Bathroom 2";}i:28;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5399.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:9:"Bedroom 5";}i:29;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5400.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:10:"Bathroom 3";}i:30;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5423.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:31;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5431.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:32;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5438.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:33;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5443.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:34;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5449.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:35;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5458.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:36;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5465.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:37;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5472.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:38;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5477.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:39;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5486.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:40;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5492.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:41;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5501.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:42;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106240524032571714miloco-5513.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}}}}', NULL),
(106, 14, 23, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{i:0;s:2478:"<p>\r\n<p>* Prices including catering for up to 5 people and accommodation unless specified.</p>\r\n<p>* Days are 24 hours with accommodation and catering, and 12 hours without accommodation.</p>\r\n<p>* For more than 5 people an additional &pound;20 per person a day for food. &pound;40 per person food and accommodation.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>What the rates include</strong></p>\r\n</p>\r\n<ul>\r\n<li>Angelic Residential studios is booked as 24 hour day when accommodation and catering is required. If accommodation and catering is not required the length of day will be a 12 hour day.</li>\r\n<li>All the prices exclude VAT which is chargeable at 20%.</li>\r\n<li>The rates include an assistant (unless stated) but not an engineer. You can hire one of our engineers on top of the rate.</li>\r\n<li>All prices exclude tapes/materials, cabs and hire costs.</li>\r\n<li>The rates include the equipment shown on the equipment specification but as you can imagine the gear does break from time to time. If we cannot replace the gear we cannot offer a discount on the rate. Of course in the unlikely scenario that a major breakdown happens during the session (such as the console / tape machine) we shall discuss the time lost.</li>\r\n<li>Any equipment that is ''subject to availability'' on the individual room specifications, needs to be requested prior to the session.</li>\r\n<li>Piano tuning is charged from &pound; 60.00 / call out. We would always recommend that you tune the piano prior to use.</li>\r\n<li>And contrary to some rumours concocted by our competitors tea and coffee is free throughout the day and we may throw in the odd sweet or two if you are good.</li>\r\n</ul>\r\n<p>\r\n<p><strong>Day Rate</strong></p>\r\n<p>This is the official day rate of Angelic studio without accommodation and catering. If you are booking Angelic without accommodation or catering the rate wil be for a 12 hour day. A lockout day rate can be arranged by calling the office prior to the commencement of the session.</p>\r\n<p><strong>Lockout Rate</strong></p>\r\n<p>The Lockout rate for Angelic Studio is as you can imagine the rate to guarantee a 24 hour day (depending on your start time). This will also include accommodation and catering for up to 5 people. For numbers over 5 people the charge will be twenty pounds per person per day.</p>\r\n<p><strong>10 day Rate</strong></p>\r\n<p>The 10-Day Rate offers a slightly cheaper rate on the lockout rate. This again includes accommodation and catering.</p>\r\n</p>";}}}}', NULL),
(107, 14, 34, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:10:"Intro Text";s:765:"<p>&nbsp;</p>\r\n<p>Angelic''s appeal is of course its remote and beautiful countryside location, however although the studio and house are surrounded by acres upon acres of rural land, there is still plenty to do if you take some time out from the session. There''s a bagful of countryside activities all nearby, such as Tank Driving and Golf, and the towns of Banbury, Oxford and Milton Keynes are all roughly half an hour''s drive away.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>Below is a selection of local pubs in the neighbouring villages to Angelic. There are of course plenty more bars and pubs to explore in Banbury, Milton Keynes and Oxford; the latter is also rich in historic University haunts. We''ve also listed some local activities to be enjoyed...</p>\r\n<p>&nbsp;</p>";}}s:6:"group2";a:11:{i:1;a:6:{s:11:"Place Image";s:32:"201106201529572444344The Pub.jpg";s:5:"Title";s:7:"The Inn";s:7:"Address";s:34:"Greatworth, Banbury, Oxon OX17 2DT";s:12:"Phone Number";s:19:"+44 (0) 1295 710976";s:7:"Website";s:0:"";s:11:"Description";s:445:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">If you fancy a walk to the local pub (perhaps with torch!), the nearest is The Inn, located in the nearby village of Greatworth. This is a really traditional English country pub, with Real Ales and home-cooked food. There is a beautiful beer garden and a number of games: Darts, Skittles and Nintendo Wii amongst them. Sky Sports is screened.&nbsp;</span></p>";}i:2;a:6:{s:11:"Place Image";s:28:"201106201450052214411pub.jpg";s:5:"Title";s:15:"The Marston Inn";s:7:"Address";s:41:"Marston St Lawrence, Oxfordshire OX17 2DB";s:12:"Phone Number";s:12:"01295 711906";s:7:"Website";s:28:"http://www.marstoninn.co.uk/";s:11:"Description";s:331:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">To the West of Greatworth in the neighbouring village of Marston St Lawrence is The Marston Inn, another traditional English country pub dating back to the fifteenth century, which serves ales from the local Hook Norton brewery.&nbsp;</span></p>";}i:3;a:6:{s:11:"Place Image";s:70:"201106201451352584007the-three-conies-pub-thorpe-mandeville-130149.jpg";s:5:"Title";s:16:"The Three Conies";s:7:"Address";s:36:"Thorpe Manderville, Banbury OX17 2EX";s:12:"Phone Number";s:12:"01295 711025";s:7:"Website";s:29:"http://www.threeconies.co.uk/";s:11:"Description";s:362:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">10 minutes from the local town of Banbury is The Three Conies - a friendly village local with a great range of real ales and wines, and a fantastic menu made from fresh local produce. There is a huge beer garden which is perfect for the summer months...&nbsp;<br /></span></p>";}i:4;a:6:{s:11:"Place Image";s:32:"201106201453082222486bb74841.jpg";s:5:"Title";s:12:"The Star Inn";s:7:"Address";s:49:"Manor Road, Sulgrave, Northamptonshire, OX17 2SA ";s:12:"Phone Number";s:12:"01295 711025";s:7:"Website";s:30:"http://thestarinnsulgrave.com/";s:11:"Description";s:263:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Star Inn is in Sulgrave, a village to the North of Angelic. It is another historic pub with a separate restaurant area and notoriously friendly staff.&nbsp;<br /></span></p>";}i:5;a:6:{s:11:"Place Image";s:45:"201106201453312917151tankdrivingnorthants.jpg";s:5:"Title";s:25:"Tank Driving in Northants";s:7:"Address";s:24:"Near Brackley, Northants";s:12:"Phone Number";s:12:"01959 578100";s:7:"Website";s:89:"http://www.intotheblue.co.uk/driving-experiences/tanks/drive-tank/tank-driving-northants/";s:11:"Description";s:368:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">If you fancy testing your driving skills behind the wheels of such vehicles as a Russian TS2 Gvozdika and Lance Missile Carrier, then you can head down to the Tank Driving site near Brackley. Other activities include an SAS Woodland Patrol and Clay Pigeon Shooting.&nbsp;</span></p>";}i:6;a:6:{s:11:"Place Image";s:57:"201106201456232304812buckingham-golf-club_020495_full.jpg";s:5:"Title";s:20:"Buckingham Golf Club";s:7:"Address";s:36:"Tingewick Road, Buckingham MK18 4AE ";s:12:"Phone Number";s:12:"01280 815566";s:7:"Website";s:36:"http://www.buckinghamgolfclub.co.uk/";s:11:"Description";s:298:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">One of several local golf clubs, this 18-hole course offers keen club swingers the perfect getaway for a few hours. There are two bars, a restaurant, practice range, putting green and buggy hire.&nbsp;</span></p>";}i:7;a:6:{s:11:"Place Image";s:36:"201106201458132870384tennis-club.jpg";s:5:"Title";s:20:"Brackley Tennis Club";s:7:"Address";s:35:"Westminster Road, Brackley NN13 7EB";s:12:"Phone Number";s:12:"01280 703049";s:7:"Website";s:47:"http://www.brackleytennisclub.co.uk/default.php";s:11:"Description";s:270:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Polish-up your top-spin and drop shots down at the Brackley Tennis Club - a short drive from Angelic. The club comprises floodlit, all-weather artificial grass courts.&nbsp;</span></p>";}i:8;a:6:{s:11:"Place Image";s:32:"201106201500342770840daytona.jpg";s:5:"Title";s:18:"Daytona Go-Karting";s:7:"Address";s:49:"H4 Dansteed Way, Rooksley, Milton Keynes MK13 8NP";s:12:"Phone Number";s:13:"0845 644 5503";s:7:"Website";s:55:"http://www.daytona.co.uk/venues/miltonkeynes/index.html";s:11:"Description";s:301:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This is the biggest Daytona Go-Karting circuit in the UK, and features three circuits of various lengths and difficulty. The circuits are floodlit, so can be used by day or night... on your marks...&nbsp;</span></p>";}i:9;a:6:{s:11:"Place Image";s:31:"201106201501402395209xscape.jpg";s:5:"Title";s:21:"Xscape Milton Keynes ";s:7:"Address";s:63:"Xscape Ltd, 602 Marlborough Gate, Central Milton Keynes MK9 3XS";s:12:"Phone Number";s:14:"0871 200 3220 ";s:7:"Website";s:38:"http://www.xscape.co.uk/milton-keynes/";s:11:"Description";s:325:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The ultimate indoor activity centre is found in Milton Keynes, featuring all of the following: Skiing and snowboarding, indoor skydiving, bowling, rock climbing, cinema, health and fitness, shopping, drinking &amp; dining.&nbsp;</span></p>";}i:10;a:6:{s:11:"Place Image";s:28:"201106201509302433264ice.jpg";s:5:"Title";s:10:"Planet Ice";s:7:"Address";s:49:"Leisure Plaza, 1 South Row, Milton Keynes MK9 1DL";s:12:"Phone Number";s:12:"01908 696696";s:7:"Website";s:47:"http://www.planet-ice.co.uk/arena/Milton+Keynes";s:11:"Description";s:202:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Strap on your blades and show us your figure skating moves down at Milton Keynes'' Planet Ice arena.&nbsp;</span></p>";}i:11;a:6:{s:11:"Place Image";s:30:"201106201517262745803view1.jpg";s:5:"Title";s:23:"Country walks / cycling";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:335:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The farmland at Angelic spreads across a vast 400 acres! So there''s plenty of space for you to burn off a few calories. There''s also a few bikes on site should you want to take in this beautiful part of the world whilst pedalling...&nbsp;</span></p>";}}}}', NULL),
(109, 5, 36, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:13:"Contact Email";s:20:"richard@miloco.co.uk";}}}}', NULL),
(110, 5, 34, 'a:1:{s:2:"en";a:3:{s:6:"group1";a:1:{i:1;a:1:{s:10:"Intro Text";s:0:"";}}s:6:"group2";a:6:{i:1;a:6:{s:11:"Place Image";s:41:"201106140326552957451the yard arsenal.jpg";s:5:"Title";s:21:"Arsenal Football Club";s:7:"Address";s:38:"Emirates Stadium, Ashburton Grove, N7.";s:12:"Phone Number";s:18:"Tel: 020 7704 4040";s:7:"Website";s:15:"www.arsenal.com";s:11:"Description";s:473:"<p>Arsenal are one of the giants of European football and have achieved much success in domestic competitions over the last ten years. For admirers of the Gunners, you can always try to get your hands on some match tickets although this can be hard to do, especially for Premiership games. For those who are not so keen, Emirates Stadium serves as a fairly large target for egg throwing (Miloco will not be held responsible for any arrests due to client hooliganism!!).</p>";}i:2;a:6:{s:11:"Place Image";s:50:"201106140329282626558the yard carling academyf.jpg";s:5:"Title";s:25:"Carling Academy Islington";s:7:"Address";s:39:"N1 Centre, 16 Parkfield Street, N1 OPS.";s:12:"Phone Number";s:18:"Tel: 020 7787 3131";s:7:"Website";s:27:"www.islington-academy.co.uk";s:11:"Description";s:487:"<p>A part of the Carling Academy group, the Islington Academy is one of the newest additions to the group. In the heart of the trendy area of Angel, the venue is split into two stages; the main stage hosts high-profile and established artists, and the smaller stage puts on up-and-coming artists. If you have trouble finding it after a few beers in the bars of Angel (speaking from experience here!), just try to remember that it is actually in the shopping centre. Strange, we know!</p>";}i:3;a:6:{s:11:"Place Image";s:47:"201106140331552749174the yard electricwerkz.jpg";s:5:"Title";s:12:"Electrowerkz";s:7:"Address";s:27:"7 Torrens Street, EC1V 1NQ.";s:12:"Phone Number";s:18:"Tel: 020 7837 6419";s:7:"Website";s:20:"www.electrowerkz.com";s:11:"Description";s:529:"<p>If your nightlife tastes aren''t so fussed about glamour and, well, cleanliness, then this unique nightclub might be right up your street. The aptly named Slimelight night is London''s biggest goth night, although you need membership to get in (they actually do check applicants out to see if their image is ''appropriate''). People who have a tendency to fall over in clubs beware: unless you want your mum to shout at you the next time she does the washing, wear clothes you don''t mind throwing out at the end of the night!!</p>";}i:4;a:6:{s:11:"Place Image";s:45:"201106140333072347532the yard buffalo bar.jpg";s:5:"Title";s:11:"Buffalo Bar";s:7:"Address";s:21:"259 Upper Street, N1.";s:12:"Phone Number";s:18:"Tel: 020 7359 6191";s:7:"Website";s:20:"www.buffalobar.co.uk";s:11:"Description";s:490:"<p>Situated on Highbury Corner underneath The Famous Cock Tavern, Buffalo Bar is one of the top London venues for new music. With some brilliant new music every night of the week, what makes this venue even better for Yard clients is that it is basically next door to the studio, perfect for after long tiring sessions, to go and have some beers and unwind. From Kings Cross, it is one stop North on the Victoria Line to Highbury and Islington. Buffalo Bar is right next to the station.</p>";}i:5;a:6:{s:11:"Place Image";s:46:"201106140334272920818the yard union chapel.jpg";s:5:"Title";s:12:"Union Chapel";s:7:"Address";s:35:"The Vestry, Compton Avenue, N1 2XD.";s:12:"Phone Number";s:18:"Tel: 020 7226 1686";s:7:"Website";s:22:"www.unionchapel.org.uk";s:11:"Description";s:414:"<p>Another live venue with a unique twist, the Union Chapel is both a fully functioning church as well as a venue for a wide variety of live music. In Autumn 2006, Union Chapel teamed up with learning disability charity MENCAP to put on a series of events raising money and awareness. Names as big as Noel Gallagher, Chris Martin, Lily Allen, The Fratellis, The Kooks, KT Tunstall, James Morrison and Kasabian.</p>";}i:6;a:6:{s:11:"Place Image";s:34:"201106300354382350454thegarage.jpg";s:5:"Title";s:10:"The Garage";s:7:"Address";s:30:"20-22 Highbury Corner, N5 1RD.";s:12:"Phone Number";s:18:"Tel: 020 7607 1818";s:7:"Website";s:19:"www.meanfiddler.com";s:11:"Description";s:410:"<p>One of the smaller venues of the Mean Fiddler chain, The Garage is situated on Highbury Corner, virtually opposite Highbury and Islington station. Specialising in alternative music, Creation records founder Alan McGee hosts a night at the venue called ''Now We''re Off To Rehab'', and Radio One DJ Steve Lamacq has a night called ''Steve Lamacq''s Punk Rock Karaoke''. Confused? Well go down and check it out.</p>";}}s:6:"group3";a:18:{i:1;a:6:{s:11:"Place Image";s:34:"201106300355092327356matt&matt.jpg";s:5:"Title";s:11:"Matt & Matt";s:7:"Address";s:31:"112 Upper Street, Islington, N1";s:12:"Phone Number";s:16:"(020) 7226 6035 ";s:7:"Website";s:0:"";s:11:"Description";s:397:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Miloco boasts two engineers trading under the Christian name Matt (Messrs Hyde and Foster) so it would be pretty remiss of us not to recommend this funky bar and namesake. Matt &amp; Matt knocks out decent drinks and top tunes in equal measure. If you''re feeling jaded then pop in for a few rounds...</span></p>";}i:2;a:6:{s:11:"Place Image";s:36:"201106300355202201552comptonarms.jpg";s:5:"Title";s:16:"The Compton Arms";s:7:"Address";s:32:"4 Compton Avenue, London, N1 2XD";s:12:"Phone Number";s:15:"(020) 7359 6883";s:7:"Website";s:0:"";s:11:"Description";s:155:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Small, smokey, delicious and with a superfriendly landlord</span></p>";}i:3;a:6:{s:11:"Place Image";s:32:"201106300355522914105lushbar.jpg";s:5:"Title";s:8:"Lush Bar";s:7:"Address";s:29:"235, Upper St, London, N1 1RU";s:12:"Phone Number";s:15:"(020) 7704 6977";s:7:"Website";s:0:"";s:11:"Description";s:297:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">A great venue on Upper St. Excellent bar, not too packed and boasting the ever-splendid Leffe. Funky house DJs play on Saturdays and the live music ''continues to get better week by week'', so they say.</span></p>";}i:4;a:6:{s:11:"Place Image";s:39:"201106300356082175712henandchickens.jpg";s:5:"Title";s:20:"The Hen and Chickens";s:7:"Address";s:34:"109 St Paul''s Road, London, N1 2NA";s:12:"Phone Number";s:15:"(020) 7704 2001";s:7:"Website";s:0:"";s:11:"Description";s:152:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Handy-for-the-station standard pub scenario&nbsp;<br /></span></p>";}i:5;a:6:{s:11:"Place Image";s:42:"201106300356192788597baranddininghouse.jpg";s:5:"Title";s:30:"Bar and dining house Islington";s:7:"Address";s:39:"2 Essex Road, Islington, London, N1 8LN";s:12:"Phone Number";s:13:"0871 075 1688";s:7:"Website";s:1:" ";s:11:"Description";s:405:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Very now, very dark laminate, very Robin Day chair-filled, very modish lighting-enhanced, this great restaurant and bar (situated alongside Islington Green) serves up some very tasty food. Add a relaxed funky atmosphere, great drinks and music and it rapidly sounds like a great excuse for a night out.<br /></span></p>";}i:6;a:6:{s:11:"Place Image";s:40:"201106300356332967877dukeofcambridge.jpg";s:5:"Title";s:21:"The Duke of Cambridge";s:7:"Address";s:35:"30 St Peter''s Street, Islington, N1";s:12:"Phone Number";s:15:"(020) 7359 3066";s:7:"Website";s:0:"";s:11:"Description";s:337:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Unlike many of the local pubs scattered in and around Islington, the Duke of Cambridge takes pride in its beer. This comes courtesy of the St Peter''s Brewery, and is utterly sublime. Everything is organic here, and the food is a winner too.</span></p>";}i:7;a:6:{s:11:"Place Image";s:56:"201106300356472463324mem_laz_restaurant_angel_london.jpg";s:5:"Title";s:9:"Mem & Laz";s:7:"Address";s:29:"8 Theberton Street, London N1";s:12:"Phone Number";s:16:"(020) 7704 9089 ";s:7:"Website";s:0:"";s:11:"Description";s:376:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Serving a wide selection of dishes at great value for money, Mem &amp; Laz is a small Mediterranean brasserie packing a full house on most nights due to its simple combination of great food, fantastic service and a very laid-back atmosphere, reflected in the vintage decor.&nbsp;</span></p>";}i:8;a:6:{s:11:"Place Image";s:35:"201106300357122107005desperados.jpg";s:5:"Title";s:10:"Desperados";s:7:"Address";s:27:"127 Upper Street, London N1";s:12:"Phone Number";s:15:"(020) 7226 3222";s:7:"Website";s:0:"";s:11:"Description";s:352:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This Tex Mex restaurant/bar thrives on the vibrant and colourful character of Latin America. It boasts a vast menu of Mexican food complimented with a choice of native beers and an impressive cocktail list. Look out for their tequila-flavoured beer!&nbsp;</span></p>";}i:9;a:6:{s:11:"Place Image";s:39:"20110630035729242031gallipolibazaar.jpg";s:5:"Title";s:16:"Gallipoli Bazaar";s:7:"Address";s:38:"102 Upper Street, Islington, London N1";s:12:"Phone Number";s:15:"(020) 7359 0630";s:7:"Website";s:0:"";s:11:"Description";s:259:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Gallipoli Bazaar is a Turkish restaurant on Upper Street that knocks out some damned tasty food at great prices. Fresh and exotic dishes are the order of the day.</span></p>";}i:10;a:6:{s:11:"Place Image";s:43:"201106300357482935905Giraffe restaurant.jpg";s:5:"Title";s:8:"Giraffe ";s:7:"Address";s:38:"29-31 Essex Road, Islington, London N1";s:12:"Phone Number";s:15:"(020) 7359 5999";s:7:"Website";s:0:"";s:11:"Description";s:334:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This charmingly peculiar restaurant is famed for its tasty and, dare I say it, healthy menu. Popular with young parents (Giraffe is well-known for its kid-friendly tendencies) and young at hearts generally, it''s definitely worth a visit.</span></p>";}i:11;a:6:{s:11:"Place Image";s:35:"201106300358032507346fredericks.jpg";s:5:"Title";s:10:"Fredericks";s:7:"Address";s:25:"Camden Passage, London N1";s:12:"Phone Number";s:15:"(020) 7359 2888";s:7:"Website";s:0:"";s:11:"Description";s:300:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">One of Islington''s best restaurants (if not the best), Fredericks serves up fantastic modern euro food, and the 200 plus bottle wine list is exceptional. It should be right at the top of your list!<br /></span></p>";}i:12;a:6:{s:11:"Place Image";s:34:"201106300358212152870lemercury.jpg";s:5:"Title";s:10:"Le Mercury";s:7:"Address";s:39:"140a Upper Street, Islington, London N1";s:12:"Phone Number";s:15:"(020) 7354 4088";s:7:"Website";s:0:"";s:11:"Description";s:314:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Le Mercury is a friendly and fairly romantic French restaurant on Upper Street. It''s pretty popular, and can be pretty busy in the evenings. Still, a candlelit table for two should still ensure maximum brownie points!</span></p>";}i:13;a:6:{s:11:"Place Image";s:36:"20110630035839232044thenorthstar.jpg";s:5:"Title";s:14:"The North Star";s:7:"Address";s:36:"188-190 New North Road, Islington N1";s:12:"Phone Number";s:15:"(020) 7354 5400";s:7:"Website";s:0:"";s:11:"Description";s:231:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This excellent gastropub is always a winner. Great menu in nice relaxed surroundings ensure that it''s always pretty busy. Recommended.</span></p>";}i:14;a:6:{s:11:"Place Image";s:35:"201106300358582252292thaisquare.jpg";s:5:"Title";s:11:"Thai Square";s:7:"Address";s:35:"347-349 Upper Street, London N1 0PD";s:12:"Phone Number";s:13:"020 7704 2000";s:7:"Website";s:0:"";s:11:"Description";s:465:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Arguably one of the most established Thai restaurants in town, Thai Square instantly makes an impression as soon as you walk through the door, with its striking golden decor and far-eastern ornaments. The food is exquisitley cooked from starters through to desert. The service always seems to tick the right boxes and the Harbin beer certainly goes down the right way!</span></p>";}i:15;a:6:{s:11:"Place Image";s:35:"201106300359162885439masalazone.jpg";s:5:"Title";s:11:"Masala Zone";s:7:"Address";s:30:"80 Upper Street, London N1 0NP";s:12:"Phone Number";s:13:"020 7359 3399";s:7:"Website";s:0:"";s:11:"Description";s:385:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This restaurant is more at the budget end of the Indian cuisine spectrum, although the food and atmosphere remain at a consistently decent level. There is a large outdoor terrace at the front, so you can eat your curry as you watch the hustle and bustle of Upper Street pass you by.&nbsp;</span></p>";}i:16;a:6:{s:11:"Place Image";s:31:"201106300359352795414itsuka.jpg";s:5:"Title";s:6:"Itsuka";s:7:"Address";s:39:"54 Islington Park Street, London N1 1PX";s:12:"Phone Number";s:13:"020 7354 5717";s:7:"Website";s:0:"";s:11:"Description";s:244:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">A hop, skip and jump from Ah-So is another fine Japanese restarant. The tuna dishes and selection of Japanese beer seem to be particularly popular.</span></p>";}i:17;a:6:{s:11:"Place Image";s:31:"201106300359502932065youngs.jpg";s:5:"Title";s:7:"Young''s";s:7:"Address";s:31:"154 Upper Street, London N1 1RA";s:12:"Phone Number";s:14:"020 7226 8760 ";s:7:"Website";s:0:"";s:11:"Description";s:311:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Young''s has been many people''s first choice Islington Chinese restaurant over the last ten years. It has an extensive menu offering plenty of options, and the service is well-renowned as being very efficient.&nbsp;</span></p>";}i:18;a:6:{s:11:"Place Image";s:37:"201106300400052344325rodizio rico.jpg";s:5:"Title";s:12:"Rodizio Rico";s:7:"Address";s:30:"77 Upper Street, London N1 0NU";s:12:"Phone Number";s:13:"020 7354 1076";s:7:"Website";s:0:"";s:11:"Description";s:453:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">You won''t find many places like this. Rodizio Rico is one of the only Brazilian Churrascaria (barbecue) restaurants in London, and what makes it really unique is the rotation of their passador waiters moving from table to table carving delicious selections of meat - cooked to your taste - onto your plate. You probably won''t need to eat again for a week!!</span></p>";}}}}', NULL),
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(117, 30, 36, 'a:2:{s:2:"en";a:1:{s:6:"group1";a:3:{i:1;a:1:{s:13:"Contact Email";s:24:"matt@ethercreative.co.uk";}i:2;a:1:{s:13:"Contact Email";s:25:"glenn@ethercreative.co.uk";}i:3;a:1:{s:13:"Contact Email";s:24:"alex@ethercreative.co.uk";}}}s:2:"fr";a:1:{s:6:"group1";a:3:{i:1;a:1:{s:13:"Contact Email";s:0:"";}i:2;a:1:{s:13:"Contact Email";s:0:"";}i:3;a:1:{s:13:"Contact Email";s:0:"";}}}}', NULL),
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INSERT INTO `pages` (`id`, `studio_id`, `page_layout_id`, `content`, `additional_content`) VALUES (120, 30, 35, 'a:1:{s:9:"floorplan";a:6:{i:0;a:6:{s:1:"x";s:5:"105.5";s:1:"y";s:2:"44";s:6:"title1";s:7:"Point 1";s:6:"title2";s:7:"Point 1";s:4:"img1";s:34:"201106190321372334066home_img1.jpg";s:4:"img2";s:0:"";}i:1;a:6:{s:1:"x";s:4:"54.5";s:1:"y";s:3:"142";s:6:"title1";s:7:"Point 2";s:6:"title2";s:7:"Point 2";s:4:"img1";s:7:"Point 2";s:4:"img2";s:0:"";}i:2;a:6:{s:1:"x";s:5:"330.5";s:1:"y";s:3:"232";s:6:"title1";s:7:"Point 3";s:6:"title2";s:7:"Point 3";s:4:"img1";s:7:"Point 3";s:4:"img2";s:0:"";}i:3;a:6:{s:1:"x";s:5:"274.5";s:1:"y";s:3:"322";s:6:"title1";s:7:"Point 4";s:6:"title2";s:7:"Point 4";s:4:"img1";s:7:"Point 4";s:4:"img2";s:0:"";}s:9:"floorplan";s:37:"201106190320122287535ground_floor.png";s:15:"large_floorplan";s:38:"201107050620022285798floorplan_new.JPG";}}', NULL),
(121, 2, 30, 'a:2:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:211:"<p>Like most places in London, Willesden''s take-aways range from the magnificent to the avoidable. The following menus we have picked out to suggest, are all tried, tested and consequently worshipped!!&nbsp;</p>";}}s:6:"group2";a:18:{i:1;a:2:{s:10:"Meal Image";s:59:"201106190318572101667Screen shot 2011-06-19 at 11.19.05.png";s:16:"Meal Description";s:651:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: small;"><span style="font-size: 12px;"><strong><span style="font-weight: normal;"><strong>The Bombay Bicycle Club<br /></strong><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.thebombaybicycleclub.com/" target="blank">www.thebombaybicycleclub.com</a><br />Tel: 0845 478 8209<br /><br />Not necessarily linked to the band of the same name, although we know one thing - this is a great Indian takeaway. For the incredibly organised hungry, orders can be made online up to 7 days in advance.&nbsp;</span><br /></strong></span></span></p>";}i:2;a:2:{s:10:"Meal Image";s:59:"201106190322302566964Screen shot 2011-06-19 at 11.21.14.png";s:16:"Meal Description";s:466:"<p>&nbsp;</p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Pizza Teca<br /></strong><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.pizzateca.net/" target="blank">www.pizzateca.net</a><br />Tel: 0207 624 5518<br /><br />You will not need to eat for weeks after scoffing one of these ''pizza al metro'', which can apparently come up to a metre long!&nbsp;</span></p>\r\n<p>&nbsp;</p>";}i:3;a:2:{s:10:"Meal Image";s:59:"201106190325492312334Screen shot 2011-06-19 at 11.23.01.png";s:16:"Meal Description";s:597:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Mango Grills<br /></strong><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.mangogrill.co.uk/" target="blank">www.mangogrill.co.uk</a><br />58 Cricklewood Broadway, London NW2 3ET</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Tel: 0208 450 9999</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><br />Excellent Lebanese cuisine. Healthy as you like!&nbsp;</span></p>";}i:4;a:2:{s:10:"Meal Image";s:59:"201106190327162257028Screen shot 2011-06-19 at 11.23.09.png";s:16:"Meal Description";s:371:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Hana<br /></strong><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.hanajapanese.co.uk/" target="blank">www.hanajapanese.co.uk</a><br />Tel: 020 8964 3333<br /><br />If you''re into your Japanese food, then Bob''s your Uncle.&nbsp;</span></p>";}i:5;a:2:{s:10:"Meal Image";s:59:"201106190327572864787Screen shot 2011-06-19 at 11.23.16.png";s:16:"Meal Description";s:227:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>The Good Earth<br /></strong>Tel: 020 7433 3111<br /><br />If you''re into your Chinese food, then Terry''s your Aunt!&nbsp;</span></p>";}i:6;a:2:{s:10:"Meal Image";s:59:"201106190328302931973Screen shot 2011-06-19 at 11.23.26.png";s:16:"Meal Description";s:415:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Lupa<br /></strong><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.lupa.co.uk/" target="blank">www.lupa.co.uk</a><br />255 West End Lane, London NW6 Tel: 020 7431 5222<br /><br />Award-winning authentic gourmet pizza, ie. the posher end of the pizza delivery sector.&nbsp;</span></p>";}i:7;a:2:{s:10:"Meal Image";s:58:"20110619032908264665Screen shot 2011-06-19 at 11.23.34.png";s:16:"Meal Description";s:468:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Bawarchi<br /></strong><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.bawarchirestaurant.com/" target="blank">www.bawarchirestaurant.com</a><br />68 Chamberlayne Road, London NW10 3JJ Tel: 020 8960 9608<br /><br />Some great discounts are available at this award-winning Indian take-away, located on Chamberlayne Road.&nbsp;</span></p>";}i:8;a:2:{s:10:"Meal Image";s:58:"20110619032933233786Screen shot 2011-06-19 at 11.23.54.png";s:16:"Meal Description";s:363:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Boys Cafe<br /></strong><br />615 Harrow Road, London W10 Tel: 020 8969 9132<br /><br />Authentic Thai Cuisine, as endorsed by the critics at&nbsp;<em>TimeOut London</em>, and the<em>Evening Standard</em>&nbsp;(see front of menu for further details!!!)&nbsp;</span></p>";}i:9;a:2:{s:10:"Meal Image";s:59:"201106190330082832751Screen shot 2011-06-19 at 11.24.10.png";s:16:"Meal Description";s:296:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Chinese Express<br /></strong><br />259 High Road, London NW10 2RX Tel: 020 8451 0783<br /><br />Good value, run-of-the-mill Chinese takeaway. Free delivery on orders over &pound; 7.00.&nbsp;</span></p>";}i:10;a:2:{s:10:"Meal Image";s:59:"201106190330442737727Screen shot 2011-06-19 at 11.24.21.png";s:16:"Meal Description";s:268:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Golden Dish<br /></strong><br />113 High Road, Willesden, London NW10 2SL Tel: 020 8451 0783<br /><br />Another Chinese, catering for all the usual requests!&nbsp;</span></p>";}i:11;a:2:{s:10:"Meal Image";s:59:"201106190331152255388Screen shot 2011-06-19 at 11.24.30.png";s:16:"Meal Description";s:442:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Kadiris<br /></strong><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.kadiris.com/" target="blank">www.kadiris.com</a><br /><br />26 High Road, Willesden, London NW10 2SL Tel: 020 8459 0936<br /><br />An intriguing menu of ethnic dishes, truly providing, quote, "food for the heart and soul"!!&nbsp;</span></p>";}i:12;a:2:{s:10:"Meal Image";s:59:"201106190331542834068Screen shot 2011-06-19 at 11.24.41.png";s:16:"Meal Description";s:490:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Kovalam<br /></strong><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.kovalamrestaurant.co.uk/" target="blank">www.kovalamrestaurant.co.uk</a><br /><br />12 Willesden Lane, London NW6 7SR Tel: 020 7625 4761<br /><br />Beautiful exotic food influenced by the Southern regions of the sub-continent, with all the popular Anglo-fied touches too!&nbsp;</span></p>";}i:13;a:2:{s:10:"Meal Image";s:59:"201106190332232241901Screen shot 2011-06-19 at 11.24.52.png";s:16:"Meal Description";s:465:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>La Basque<br /></strong><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.labasque.just-eat.co.uk/" target="blank">www.labasque.just-eat.co.uk</a><br /><br />286 High Road, Willesden, London NW10 2EU Tel: 020 8451 4761<br /><br />Another wood fire pizzeria in the area, knocking out tasty posh pizzas for a good price.&nbsp;</span></p>";}i:14;a:2:{s:10:"Meal Image";s:58:"20110619033302252465Screen shot 2011-06-19 at 11.25.01.png";s:16:"Meal Description";s:450:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Neds Noodle Bar<br /></strong><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.nedsnoodlebar.com/" target="blank">www.nedsnoodlebar.com</a><br /><br />95 Westbourne Grove, London W2 4UW Tel: 020 7034 0089<br /><br />Ned provides Noodles galore! A good range of popular noodle dishes at standard prices.&nbsp;</span></p>";}i:15;a:2:{s:10:"Meal Image";s:59:"201106190333312539588Screen shot 2011-06-19 at 11.25.09.png";s:16:"Meal Description";s:606:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Pizza Hut<br /></strong><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.pizzahut.co.uk/" target="blank">www.pizzahut.co.uk</a><br /><br />7 Walm Lane, Willesden, London NW2 5SJ Tel: 020 8451 2244<br /><br />You''ve all seen the Pasta Hut adverts, and no-doubt have had a conversation along the lines of "... have they really changed their name to that!!". No they haven''t, but they do have a range of new pasta dishes which can now be delivered to your door.&nbsp;</span></p>";}i:16;a:2:{s:10:"Meal Image";s:59:"201106190334062615121Screen shot 2011-06-19 at 11.25.17.png";s:16:"Meal Description";s:300:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Sushi Gen<br /></strong><br />243 West End Lane, London NW6 1XN Tel: 020 7431 4031<br /><br />Good quality Sushi bar, based in West Hampstead but will make the trip up the road to Willesden&nbsp;</span></p>";}i:17;a:2:{s:10:"Meal Image";s:59:"201106190334362546966Screen shot 2011-06-19 at 11.25.28.png";s:16:"Meal Description";s:282:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Ukai Sushi<br /></strong><br />223 Portobello Road, London W11 Tel: 020 7727 8222<br /><br />Another popular trendy West London Sushi bar, with a vast selection of dishes.&nbsp;</span></p>";}i:18;a:2:{s:10:"Meal Image";s:59:"201106190335202657530Screen shot 2011-06-19 at 11.25.36.png";s:16:"Meal Description";s:357:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Vijay India<br /></strong><br />49 Willesden Lane, London NW6 7RF Tel: 020 7328 1087<br /><br />Lots of interesting South Indian dishes for very reasonable prices. If you fancy going to the restaurant, they do a lunchtime buffet for &pound; 5.99.&nbsp;</span></p>";}}}s:2:"fr";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:0:"";}}s:6:"group2";a:18:{i:1;a:2:{s:10:"Meal Image";s:59:"201106190318572101667Screen shot 2011-06-19 at 11.19.05.png";s:16:"Meal Description";s:0:"";}i:2;a:2:{s:10:"Meal Image";s:0:"";s:16:"Meal Description";s:0:"";}i:3;a:2:{s:10:"Meal Image";s:0:"";s:16:"Meal Description";s:0:"";}i:4;a:2:{s:10:"Meal Image";s:0:"";s:16:"Meal Description";s:0:"";}i:5;a:2:{s:10:"Meal Image";s:0:"";s:16:"Meal Description";s:0:"";}i:6;a:2:{s:10:"Meal Image";s:0:"";s:16:"Meal Description";s:0:"";}i:7;a:2:{s:10:"Meal Image";s:0:"";s:16:"Meal Description";s:0:"";}i:8;a:2:{s:10:"Meal Image";s:0:"";s:16:"Meal Description";s:0:"";}i:9;a:2:{s:10:"Meal Image";s:0:"";s:16:"Meal Description";s:0:"";}i:10;a:2:{s:10:"Meal Image";s:0:"";s:16:"Meal Description";s:0:"";}i:11;a:2:{s:10:"Meal Image";s:0:"";s:16:"Meal Description";s:0:"";}i:12;a:2:{s:10:"Meal Image";s:0:"";s:16:"Meal Description";s:0:"";}i:13;a:2:{s:10:"Meal Image";s:0:"";s:16:"Meal Description";s:0:"";}i:14;a:2:{s:10:"Meal Image";s:0:"";s:16:"Meal Description";s:0:"";}i:15;a:2:{s:10:"Meal Image";s:0:"";s:16:"Meal Description";s:0:"";}i:16;a:2:{s:10:"Meal Image";s:0:"";s:16:"Meal Description";s:0:"";}i:17;a:2:{s:10:"Meal Image";s:0:"";s:16:"Meal Description";s:0:"";}i:18;a:1:{s:16:"Meal Description";s:0:"";}}}}', NULL),
(274, 32, 20, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:31:"<p>dr thrt jdr j dry jdry j</p>";}}}}', NULL),
(275, 32, 36, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:13:"Contact Email";s:24:"alex@ethercreative.co.uk";}}}}', NULL),
(276, 30, 33, 'a:2:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:0:"";}}s:6:"group2";a:2:{i:1;a:3:{s:11:"Hotel Image";a:2:{s:3:"img";s:32:"201107110906292954264footer4.jpg";s:3:"alt";s:14:"image alt text";}s:10:"Hotel Name";s:6:"Hilton";s:17:"Hotel Description";s:114:"<p>description description description description description description description description description</p>";}i:2;a:3:{s:11:"Hotel Image";a:2:{s:3:"img";s:32:"201107110915412960375MG_7203.jpg";s:3:"alt";s:0:"";}s:10:"Hotel Name";s:4:"blah";s:17:"Hotel Description";s:14:"<p>blaaaah</p>";}}}s:2:"fr";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:0:"";}}s:6:"group2";a:2:{i:1;a:3:{s:11:"Hotel Image";a:1:{s:3:"img";s:5:"Array";}s:10:"Hotel Name";s:0:"";s:17:"Hotel Description";s:0:"";}i:2;a:3:{s:11:"Hotel Image";a:1:{s:3:"img";s:0:"";}s:10:"Hotel Name";s:0:"";s:17:"Hotel Description";s:0:"";}}}}', NULL),
(277, 31, 41, 'a:2:{s:2:"en";a:2:{s:6:"group1";a:3:{i:1;a:2:{s:5:"Image";a:2:{s:3:"img";s:29:"201107111553422414645back.png";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:35:"201107111554162119366aandb_icon.jpg";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:0:"";s:17:"Image Description";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:0:"";}}}s:2:"it";a:2:{s:6:"group1";a:3:{i:1;a:2:{s:5:"Image";a:1:{s:3:"img";s:29:"201107111553422414645back.png";}s:17:"Image Description";s:0:"";}i:2;a:1:{s:17:"Image Description";s:0:"";}i:3;a:1:{s:17:"Image Description";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:0:"";}}}}', NULL),
(122, 16, 20, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:40:"201107061405332729240ab2-homepage-js.swf";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:1504:"<p>&nbsp;</p>\r\n<p><strong>Assault &amp; Battery 2</strong> is the tracking studio everyone''s been waiting for. Opened as a joint venture between Miloco and leading producers Flood and Alan Moulder, Assault &amp; Battery 2 proudly offers the complete recording experience.</p>\r\n<p>&nbsp;</p>\r\n<p>Based in the revitalised Battery complex, this is truly one of the last great sounding recording spaces left in London. The vast high-ceiling and day-lit live room is at the heart of the studio, and caters for both large bands and even small orchestras. To one side are two large isolation booths; the first is a bright room ideal for getting exciting drum sounds and the other houses a great vintage keyboard collection, featuring a Roland system 700 modular systems and a wealth of other rare analogue delights...</p>\r\n<p>&nbsp;</p>\r\n<p>The control room is centered around a newly installed Neve VR60, Protools HD3 Accel running on an Intel 8-core mac and Quested monitors. Enhancing the spec is Flood and Alan''s outstanding selection of microphones, mic amps and outboard, plus an arsenal of backline comprising a beautiful collection of guitars, amps and pedals.</p>\r\n<p>&nbsp;</p>\r\n<p>The studio''s unstoppable formula of vast recording spaces and awesome equipment selections has been masterminded by two of the world''s most respected and influential producers. You can now understand why Assault &amp; Battery 2 ranks as one of the most inspirational recording environments in the UK.</p>\r\n<p>&nbsp;</p>";}}}}', NULL),
(187, 11, 20, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:33:"201106221418172799076_MG_5298.jpg";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:1851:"<p>&nbsp;</p>\r\n<p><strong>Loopmasters and Drumdrops in association with Miloco present The Ironworks</strong>. This incredible sounding recording studio is based in the North Laine of Brighton. It is the brainchild of producer and engineer, Mike Pelanconi, and is Miloco''s very first venture into the city.</p>\r\n<p>&nbsp;</p>\r\n<p>The studio concept was to bring together a classic West Coast-style control and live room combo with a modern spec, and was designed and built by Mike Craig, an ex-tech from Olympic Studios. The room was originally set up to record Mike''s Drumdrops sample library; the large live space was optimised for drum recordings ranging from dry sounds to huge 60s ambience. However it soon became apparent that a studio had been created with a very special range of acoustics that could do so much more. Word got out and in the first six months in came Manu Chao, Unkle, Nick Cave, Black Rebel Motor Cycle Club, White Denim, Little Roy, Mafia &amp; Fluxy and more.</p>\r\n<p>&nbsp;</p>\r\n<p>The control room is a chilled space to work in, and has been treated to provide the ultimate mix environment with a flat even frequency response. It is based around a 1970s custom 28 Channel Vintage BBC Class A console, with monitoring provided by Tannoy Golds and Yamaha NS10''s. Recording is done on an Ampex M1200 16 track 2" - the ultimate American multitrack guaranteeing phat and fierce results.</p>\r\n<p>&nbsp;</p>\r\n<p>The Ironworks goal is simple: provide a sonic quality that no-one can match. The studio''s package includes a no fuss, no distractions, laid back vibe, assistant / inhouse engineer if required, or the services of Mike Pelanconi himself - the master of Dub, Pop and drum recording...</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Welcome to The Ironworks recording studio, where it''s all about the sound...</strong></p>\r\n<p>&nbsp;</p>";}}}}', NULL),
(188, 11, 24, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:9:"Equipment";s:3450:"<p>\r\n<p><strong>Control Room:</strong> 6m x 6m, daylight</p>\r\n<p><strong>Live Room:</strong> 7.5m x 7.5m, daylight</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Desk:</strong></p>\r\n<p>Custom 28 Channel Vintage BBC Class A Console from the late 70s</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Monitoring:</strong></p>\r\n<p>Tannoy Golds</p>\r\n<p>Yamaha NS10M</p>\r\n<p>Amps: Quad 520F - BBC Modded</p>\r\n<p>Yamaha P3500S</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Tape Machine:</strong></p>\r\n<p>Ampex M1200 16 Track 2" (the ultimate american multitrack tape machine)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Mastering:</strong> Studer A807 1/4"</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DAW Hardware:</strong></p>\r\n<p>Apple MacPro</p>\r\n<p>Protools LE with 16 ins and outs</p>\r\n<p>Digi 003</p>\r\n<p>Apogee AD8000 8 Input A/D Convertor</p>\r\n<p>8 Channel Focusrite Octopre</p>\r\n<p>Stereo D/A Benchmark Convertor</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Upon Request:</strong></p>\r\n<p>Protools HD 7 or 8 running on an Apple G5 with 16 ins and outs and Waves Platinum</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Dynamics:</strong></p>\r\n<p>Chiswick Reach Stereo Valve Compressor</p>\r\n<p>DBX 160</p>\r\n<p>EMI Chandler TG1</p>\r\n<p>Gates Broadcast Limiters</p>\r\n<p>Urei 1176 (Black Face)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>EQ''s:</strong></p>\r\n<p>API 550A EQ (x10)</p>\r\n<p>Lang PEQ-2</p>\r\n<p>Langevin EQ-258</p>\r\n<p>Summit EQP-200</p>\r\n<p>Tubetech PE1C (x2)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Effects:</strong></p>\r\n<p>Dynacord Echocord Tube Tape Echo</p>\r\n<p>Dynacord VRS23 Delay</p>\r\n<p>EMT240 Plate Reverb</p>\r\n<p>Fairchild Spring Reverb</p>\r\n<p>Fender Spring Reverb</p>\r\n<p>Fischer Space Expander Spring Reverb</p>\r\n<p>Grampian 636 Spring Reverb</p>\r\n<p>Marshall Time Modulator Delay</p>\r\n<p>Orban 106C Spring Reverb</p>\r\n<p>Thermionic Culture Vulture</p>\r\n<p>Ursa Major Space Station Reverb</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Microphones:</strong></p>\r\n<p>AKG 414 (x2)</p>\r\n<p>AKG D25</p>\r\n<p>AKG D130</p>\r\n<p>AKG D190E (x2)</p>\r\n<p>AKG C1000S</p>\r\n<p>AKG D3300S</p>\r\n<p>Audio Technica AE5200</p>\r\n<p>Audio Technica AT4035 (x2)</p>\r\n<p>Audix F10 (x3)</p>\r\n<p>Audix F12</p>\r\n<p>BeyerDynamic M201TG</p>\r\n<p>Calrec CB21C</p>\r\n<p>Groove Tubes Model 1B</p>\r\n<p>Neumann U67 Valve</p>\r\n<p>Neumann U87 (x2)</p>\r\n<p>Rode N1</p>\r\n<p>Shure SM57</p>\r\n<p>Shure SM58</p>\r\n<p>Sontronics Sigma Ribbon Microphones (x2)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Keyboards:</strong></p>\r\n<p>Arp Odyssey</p>\r\n<p>Fender Rhodes (subject to availability)</p>\r\n<p>Hammond B3 and Leslie 147 (subject to availability)</p>\r\n<p>Hohner Clavinet/Pianet Duo</p>\r\n<p>Korg Monopoly</p>\r\n<p>Wurlitzer</p>\r\n<p>Yamaha YC45D organ</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Backline:</strong></p>\r\n<p>Vintage Rogers Drumkit</p>\r\n<p>Fender Jazz Bass</p>\r\n<p>Gibson EBO Bass</p>\r\n<p>Zeta electric upright bass</p>\r\n<p>Gibson J100</p>\r\n<p>Vox AC30 (subject to availability)</p>\r\n<p>Danelectro DM10</p>\r\n<p>Silvertone 1457</p>\r\n<p>Marshall Master Volume MkII</p>\r\n<p>WEM Westminster</p>\r\n<p>Palmer Speaker Simulator PDI-03</p>\r\n<p>&nbsp;</p>\r\n<p>There are also other rare and unusual guitars, basses, amps, plus percussion and other minor instruments</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Guitar Pedals:</strong></p>\r\n<p>Electro Harmonix Bad Stone</p>\r\n<p>Electro Harmonix Small Stone</p>\r\n<p>Electro Harmonix Black Finger</p>\r\n<p>Fender Rhodes Phaser</p>\r\n<p>Super Fuzz</p>\r\n<p>Cry Baby</p>\r\n<p>Big Muff</p>\r\n<p>Jim Dunlop Fuzz Face</p>\r\n<p>MuTron Bi-Phase</p>\r\n<p>Tone Bender</p>\r\n<p>&nbsp;</p>\r\n<p>Plus many more......</p>\r\n</p>";}}}}', NULL),
(124, 16, 24, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:9:"Equipment";s:9154:"<p>\r\n<p><strong>Control Room:</strong> 6m x 6m (19.7'' x 19.7'')&nbsp;</p>\r\n<p><strong>Live Room:</strong> 11m x 7m (36'' x 23'')&nbsp;</p>\r\n<p><strong>Live Booth:</strong> 6m x 5m (19.7'' x 16.4'')</p>\r\n<p><strong>Dry Booth:</strong> 6m x 5m (19.7'' x 16.4'')</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Desk:</strong></p>\r\n<p>Neve VR60 60 channel console with Flying Faders, Total Recall &amp; Events Automation</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Monitoring:</strong></p>\r\n<p>Quested 412 Monitors quad amped with 4 x Chevin A3000 amplifiers.</p>\r\n<p>Quested S8''s</p>\r\n<p>BSS FDS-360 Crossovers (x2)</p>\r\n<p>Yamaha NS10M Studio Monitors</p>\r\n<p>Auratone 5C-Super-Sound-Cube speaker</p>\r\n<p>KRK7000</p>\r\n<p>DynAudio BM 15As</p>\r\n<p>7 x Beyer Dynamic DT100 headphones</p>\r\n<p>5 x Sony MDR-7505 headphones</p>\r\n<p>Hearback Monitoring System</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>5.1 Monitoring:</strong></p>\r\n<p>A 5.1 system can be setup on demand (subject to availability)</p>\r\n<p>5 x Dynaudio BM15a loudspeakers</p>\r\n<p>Adam Sub 12</p>\r\n<p>Audient ASP510 Surround Sound Controller</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Multitracks:</strong></p>\r\n<p>Studer A800 Mk3 24-track 2" with 16-track headblock</p>\r\n<p>Dolby SR XP Rack</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Converters, Clock &amp; 2-Track:</strong></p>\r\n<p>Rosendahl Nanosync</p>\r\n<p>Digidesign Sync I/O</p>\r\n<p>Digidesign 192 (x3), 24 inputs &amp; 48 outputs</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Dynamics:</strong></p>\r\n<p>Anthony DeMaria Labs 1000s (x2)</p>\r\n<p>Alan Smart Compressor</p>\r\n<p>Audio &amp; Design Recording F769-XR Vocal Stresser</p>\r\n<p>Chandler TG1</p>\r\n<p>DBX 160 (x4)</p>\r\n<p>DBX 166 Stereo Compressor</p>\r\n<p>DBX 263</p>\r\n<p>DBX 902 (x4)</p>\r\n<p>DBX 904 (x2)</p>\r\n<p>Drawmer DS201 (x3)</p>\r\n<p>Drawmer DF320</p>\r\n<p>Drawmer MX30</p>\r\n<p>Empirical Labs Distressor (x2)</p>\r\n<p>Manley Vari-Mu</p>\r\n<p>Vac Rac Limiter</p>\r\n<p>Universal Audio 1176 (x2)</p>\r\n<p>SPL Transient Designer</p>\r\n<p>Aphex Aural Exciter Type ''C''</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Mic-Pre''s &amp; EQ''s:</strong></p>\r\n<p>API 3124+ (4 mic amps)</p>\r\n<p>API 550A (x2)</p>\r\n<p>API 550B (x2)</p>\r\n<p>API 560B (x2)</p>\r\n<p>Avalon 737sp</p>\r\n<p>Chandler TG2</p>\r\n<p>Focusrite ISA-115</p>\r\n<p>Helios Type 69 Mic Pre/Eq Modules (x4)</p>\r\n<p>Neve 1272 Mic Amps (x6)</p>\r\n<p>Neve 1073 DPA (2 mic amps)</p>\r\n<p>Manley Massive Passive</p>\r\n<p>Summit Audio TPA-200B Dual Pre-amplifier</p>\r\n<p>TL Audio N1 Mic Pre-amp/Equaliser</p>\r\n<p>Stereo Trident MTA Series A Mic Pre-amps (x3)</p>\r\n<p>Vac Rac Equaliser</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DI Boxes:</strong></p>\r\n<p>Avalon U5</p>\r\n<p>ADL Stereo Tube Direct (x2)</p>\r\n<p>Chandler TG2</p>\r\n<p>Little Labs PCPGTR Splitter DI</p>\r\n<p>Little Labs Analogue Phase Alignment (x4)</p>\r\n<p>Sans Amp Bass Driver</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Effects:</strong></p>\r\n<p>Alesis Quadraverb</p>\r\n<p>DBX 120XP</p>\r\n<p>Dolby A Units customised (x2)</p>\r\n<p>Eventide DSP4000</p>\r\n<p>Eventide H3000 D/SE</p>\r\n<p>Electrix Eq Killer</p>\r\n<p>Electrix Filter Queen</p>\r\n<p>Eventide H8000</p>\r\n<p>Korg SD3000</p>\r\n<p>Lexicon Primetime</p>\r\n<p>Lexicon 480L and LARC remote control</p>\r\n<p>Roland RE201 Space Echo</p>\r\n<p>Roland RE501 Chorus Echo</p>\r\n<p>Sansamp PSA-1 Guitar Preamp</p>\r\n<p>Yamaha SPX90 (x2)</p>\r\n<p>Yamaha SPX990</p>\r\n<p>Yamaha Rev7&nbsp;</p>\r\n<p>WEM Copycat</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Keyboards and Sound Modules:</strong></p>\r\n<p>Akai S1000 Sampler (x2)</p>\r\n<p>Akai S5000 Sampler</p>\r\n<p>ARP 2600</p>\r\n<p>Korg Polysix</p>\r\n<p>Kurzweil K2000RS</p>\r\n<p>Moog Series 3 Modular Synth</p>\r\n<p>Minimoog</p>\r\n<p>Roland Juno 106 (request only)</p>\r\n<p>Roland Super Jupiter MPG80</p>\r\n<p>Roland System 700</p>\r\n<p>Sid Station MOS 6581</p>\r\n<p>EMS The Putney VCS3</p>\r\n<p>Yamaha SK10</p>\r\n<p>Roland Vocoder VP330</p>\r\n<p>Nord Lead 2</p>\r\n<p>Nord Modular</p>\r\n<p>Sequential Circuits Pro 1</p>\r\n<p>ARP Sequencer</p>\r\n<p>Quasimidi Polymorph</p>\r\n<p>Quasimidi Raveolution</p>\r\n<p>Emulator Emax</p>\r\n<p>Oberheim Expander</p>\r\n<p>Oberheim SEM 8 Voice</p>\r\n<p>OSCar</p>\r\n<p>ARP Odyssey</p>\r\n<p>EMS Vocoder</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Guitars &amp; Amplifiers:</strong></p>\r\n<p>Ampeg SVT810E</p>\r\n<p>Audio Kitchen Amplifier</p>\r\n<p>Binson Echorec</p>\r\n<p>Fender Jazzmaster (Special Request)</p>\r\n<p>Fender Jaguar (Special Request)</p>\r\n<p>Fender Stratocaster (Special Request)</p>\r\n<p>Gibson Les Paul Custom</p>\r\n<p>Gibson Les Paul Recording Bass</p>\r\n<p>Gibson 335</p>\r\n<p>Gretsch Anniversary Guitar</p>\r\n<p>Epiphone SemiAcoustic</p>\r\n<p>Gibson Flying V</p>\r\n<p>Maestro Amplifier</p>\r\n<p>Marshall JCM800 Head &amp; Cab</p>\r\n<p>Mesa Boogie Studio Pre-amp</p>\r\n<p>Paul Reed Smith Black Guitar</p>\r\n<p>Roland Jazz Chorus-120</p>\r\n<p>Vox AC30</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Guitar Effects and Pedals:</strong></p>\r\n<p>Ampulator</p>\r\n<p>Boss HM-2</p>\r\n<p>Boss OD-2R</p>\r\n<p>Cry Baby GCB-95</p>\r\n<p>DOD FX17</p>\r\n<p>DOD FX86</p>\r\n<p>DOD FX92</p>\r\n<p>Electro Harmonix Big Muff</p>\r\n<p>Electrix EQ</p>\r\n<p>Electrix Filter</p>\r\n<p>EMO Systems EE725</p>\r\n<p>Ibanez TS5 Pedal</p>\r\n<p>Jim Dunlop Jimi Hendrix JH-1</p>\r\n<p>Leem Pro B-200</p>\r\n<p>Lovetone Big Cheese</p>\r\n<p>Lovetone Brown Source</p>\r\n<p>Lovetone Doppelganger</p>\r\n<p>Lovetone Flange</p>\r\n<p>Lovetone Meatball</p>\r\n<p>Lovetone Wobulator</p>\r\n<p>Marshall Drive Master</p>\r\n<p>Metasonix TM1</p>\r\n<p>Metasonix TM2</p>\r\n<p>Metasonix TM3 Gas Tube Dual</p>\r\n<p>Metasonix TM5</p>\r\n<p>Moog Moogerfooger</p>\r\n<p>Palmer Speaker Simulator</p>\r\n<p>Realistic Megaphone</p>\r\n<p>Tubeworks Real Tube</p>\r\n<p>Zoom 9010 (x2)</p>\r\n<p>Zoom Pro</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Other Instruments</strong></p>\r\n<p>Berry from London Upright Piano</p>\r\n<p>Hammond A100 with valve Leslie 145</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Microphones:</strong></p>\r\n<p>Aea R84</p>\r\n<p>Akg 414b-Uls&nbsp;</p>\r\n<p>Akg C451e</p>\r\n<p>Akg D202cs</p>\r\n<p>Audio Technica At4031 (X2)</p>\r\n<p>Beyer Dynamic M160n(C) (X2)</p>\r\n<p>Calrec Soundfiled Mk V</p>\r\n<p>C-Ducer Cp (X18)</p>\r\n<p>Coles 4038 (X2)</p>\r\n<p>Electrovoice RE20</p>\r\n<p>Heil Pr-30</p>\r\n<p>Heil Pr-35</p>\r\n<p>Heil Pr-40</p>\r\n<p>Lomo 19a19</p>\r\n<p>Lomo 19a4</p>\r\n<p>Meico Microphone</p>\r\n<p>Microtech Gefell Mv692 With M93 Capsules (X2)</p>\r\n<p>Neumann Cmv563 With; (X4)</p>\r\n<p>M55k Capsules (X2)</p>\r\n<p>M7 Capsules (X3)</p>\r\n<p>M7s Capsule</p>\r\n<p>Neumann Km84i (X2)</p>\r\n<p>Neumann Km184</p>\r\n<p>Neumann Ku100 Dummy Head Binaural Microphone</p>\r\n<p>Neumann M582 With M62 Capsules (X2)</p>\r\n<p>Neumann U47 Fet (X2)</p>\r\n<p>Neumann U64 (X2)</p>\r\n<p>Neumann U67</p>\r\n<p>Neumann U87 (X3)</p>\r\n<p>Neumann U87ai</p>\r\n<p>Prinzsound Dm20</p>\r\n<p>Sennheiser Blackfire 509</p>\r\n<p>Sennheiser Md421 (X5)</p>\r\n<p>Sennheiser Md441 (X2)</p>\r\n<p>Shure Beta 52a</p>\r\n<p>Shure Beta 57a</p>\r\n<p>Shure Beta 58a (X5)</p>\r\n<p>Shure Sm57 (X4)</p>\r\n<p>Shure Sm58 (X5)</p>\r\n<p>Shure SM7B</p>\r\n<p>Sontronics Delta (x3)</p>\r\n<p>Sontronics Helios (x2)</p>\r\n<p>Sontronics Orpheus (x2)</p>\r\n<p>Sontronics Sigma (x2)</p>\r\n<p>Sontronics STC-1</p>\r\n<p>T-Bone Gm55&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DAW Hardware:</strong></p>\r\n<p>Apple MacPro 2 x 2.8ghz Quad-Core, 4GB RAM, 300GB HD, 2x 500GB HD, AirPort, 30" Apple display</p>\r\n<p>Digidesign ProTools HD4 PCIe</p>\r\n<p>Digidesign MIDI I/O</p>\r\n<p>Digidesign Sync HD</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Software:</strong></p>\r\n<p>OSX 10.5.3</p>\r\n<p>Pro Tools HD 7.4.2</p>\r\n<p>Logic Pro 8.02 (on request)</p>\r\n<p>Roxio Toast 9.0.1</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Plug-ins:</strong></p>\r\n<p>Antares Autotune 5 TDM v5.1.0</p>\r\n<p>Aphex Aural Exciter v7.3</p>\r\n<p>Aphex Big Bottom v7.3</p>\r\n<p>Bomb Factory BF76 v7.3</p>\r\n<p>Bomb Factory Essentials v7.3</p>\r\n<p>Bruno/Reso v7.3</p>\r\n<p>Digidesign D-Fi v7.4</p>\r\n<p>Digidesign DINR v7.3</p>\r\n<p>Digidesign Digirack v7.3</p>\r\n<p>Digidesign Drawmer Dynamics v7.3</p>\r\n<p>Digidesign Focusrite D2/D3 v7.3</p>\r\n<p>Digidesign Maxim v7.4</p>\r\n<p>Eventide Band Delays v1.3.2</p>\r\n<p>Eventide E-Channel v1.1.1</p>\r\n<p>Eventide EQ45 v1.1.1</p>\r\n<p>Eventide EQ65 v1.1.1</p>\r\n<p>Eventide Factory v1.1.1</p>\r\n<p>Eventide H910 v1.4.2</p>\r\n<p>Eventide H949 v1.4.3</p>\r\n<p>Eventide Instant Flanger v1.4.2</p>\r\n<p>Eventide Instant Phaser v1.4.2</p>\r\n<p>Eventide Octavox v1.3.1</p>\r\n<p>Eventide Omnipressor v1.4.2</p>\r\n<p>Eventide Precision Time Align v1.1.1</p>\r\n<p>Eventide Quadravox v1.1.2</p>\r\n<p>Eventide Ultra Channel v1.1.2</p>\r\n<p>Line 6 Amp Farm v3.1</p>\r\n<p>Line 6 Echo Farm v2.3</p>\r\n<p>McDSP Filterbank v4.2x18</p>\r\n<p>McDSP M2000 v3.2x18</p>\r\n<p>MDW Massenburg EQ v2.0.2r44</p>\r\n<p>Serato Pitch and Time v2.4.0.8</p>\r\n<p>Sonnox Sony Oxford GML EQ v2.6.2</p>\r\n<p>Soundtoys FX Bundle TDM</p>\r\n<p>Soundtoys Crystallizer</p>\r\n<p>Soundtoys Echo Boy</p>\r\n<p>Soundtoys Filter Freak</p>\r\n<p>Soundtoys Phase Mistress</p>\r\n<p>Soundtoys Pitch Blender</p>\r\n<p>Soundtoys Pitch Doctor</p>\r\n<p>Soundtoys Pure Pitch</p>\r\n<p>Soundtoys Speed</p>\r\n<p>Soundtoys Time Blender</p>\r\n<p>Soundtoys Tremolator</p>\r\n<p>TC Electronics Master X v4.0.01</p>\r\n<p>Waves Platinum</p>\r\n<p>Waves Rennaisance Bundle v5.9.7</p>\r\n</p>";}}}}', NULL),
(125, 16, 23, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{i:0;s:233:"<p>\r\n<p>Due to the studio being used by Alan Moulder and Flood for a large part of the year, rates are subject to application.</p>\r\n<p>&nbsp;</p>\r\n<p>Please call +44 (0) 207 232 0008 for further information on studio rates.</p>\r\n</p>";}}}}', NULL),
(126, 16, 28, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:4:{s:11:"Client Name";s:0:"";s:12:"Client Image";s:0:"";s:18:"Client Description";s:0:"";s:10:"Client URL";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:13:"Other Clients";s:857:"<p>&nbsp;</p>\r\n<p>Amy Winehouse</p>\r\n<p>Asian Dub Foundation</p>\r\n<p>Editors</p>\r\n<p>Friendly Fires</p>\r\n<p>Goldfrapp</p>\r\n<p>Chapel Club</p>\r\n<p>Dakota</p>\r\n<p>Faryl Smith</p>\r\n<p>Foals</p>\r\n<p>Gianna Nannini</p>\r\n<p>Glasvegas</p>\r\n<p>Goldhawks</p>\r\n<p>Grinderman</p>\r\n<p>Howard Jones</p>\r\n<p>The Hours</p>\r\n<p>Ian Brown</p>\r\n<p>I Blame Coco</p>\r\n<p>McFly</p>\r\n<p>Mike Skinner</p>\r\n<p>Mission District</p>\r\n<p>Mr Hudson</p>\r\n<p>Newton Faulkner</p>\r\n<p>Ndubz</p>\r\n<p>Official Secrets Act</p>\r\n<p>Noisettes</p>\r\n<p>THe Jim Jones Revue</p>\r\n<p>Passion Pit</p>\r\n<p>Paulo Nuttini</p>\r\n<p>Placebo</p>\r\n<p>Portishead</p>\r\n<p>Razorlight</p>\r\n<p>The Saturdays</p>\r\n<p>Spandau Ballet</p>\r\n<p>Sugababes</p>\r\n<p>Supergrass</p>\r\n<p>Temper Trap</p>\r\n<p>Tiffany Page</p>\r\n<p>U2</p>\r\n<p>The View</p>\r\n<p>White Lies</p>\r\n<p>Younger Brother</p>\r\n<p>Zero 7</p>\r\n<p>&nbsp;</p>";}}}}', NULL),
(127, 16, 34, 'a:1:{s:2:"en";a:3:{s:6:"group1";a:1:{i:1;a:1:{s:10:"Intro Text";s:994:"<p>\r\n<p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 12.0px Arial;"><span style="text-shadow: 0.0px -0.0px 1.0px #ffffff;">Assault &amp; Battery 2 is located just down the road from Willesden Green underground station, and the main town centre of Willesden with its selection of pubs and eateries. Further South in Kensal Green is a great selection of revitalised gastro pubs with great food and drink menus.&nbsp;</span></p>\r\n<p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 12.0px Arial;"><span style="text-shadow: 0.0px -0.0px 1.0px #ffffff;">&nbsp;</span></p>\r\n<p style="margin: 0.0px 0.0px 0.0px 0.0px; line-height: 20.0px; font: 12.0px Arial;"><span style="text-shadow: 0.0px -0.0px 1.0px #ffffff;">Other nearby sites and attractions include the world-famous Wembley Stadium and Hampstead Heath, as well as a scattering of smaller activites. Here we have picked out a selection of recommendable places to go in your free time...</span></p>\r\n</p>";}}s:6:"group2";a:7:{i:1;a:6:{s:11:"Place Image";s:32:"201106201545122547320wembley.jpg";s:5:"Title";s:7:"Wembley";s:7:"Address";s:54:"Wembley National Stadium Ltd, Wembley, London, HA9 0WS";s:12:"Phone Number";s:23:"Telephone 0844 980 8001";s:7:"Website";s:30:"http://www.wembleystadium.com/";s:11:"Description";s:274:"<p>The home of football hosts a fair few English victories, albeit currently outweighed by defeats! All the same, Wembley is one of the largest and most spectacular stadiums in the world. It''s a short bus ride away from the studio, so check out any matches being played.</p>";}i:2;a:6:{s:11:"Place Image";s:30:"201106201552322146478lords.jpg";s:5:"Title";s:5:"Lords";s:7:"Address";s:53:"Lord''s Cricket Ground, St John''s Wood, London NW8 8QN";s:12:"Phone Number";s:13:"020 7616 8500";s:7:"Website";s:25:"http://www.www.lords.org/";s:11:"Description";s:445:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">If you visit in the summer, you may want to investigate spending a day at the world''s most famous cricket ground. If you''re timing is extra lucky (and you have a some spare cash to find something for), you may want to join the rat race for a day at an England test match, although Middlesex county are often in town too throughout the summer.&nbsp;</span></p>";}i:3;a:6:{s:11:"Place Image";s:30:"201106201555112460283brent.jpg";s:5:"Title";s:22:"Brent Artists Resource";s:7:"Address";s:74:"The Gallery, Willesden Green Library Centre, 95 High Road, London NW10 2SF";s:12:"Phone Number";s:13:"020 8459 1421";s:7:"Website";s:39:"http://www.brentartistsresource.org.uk/";s:11:"Description";s:185:"<p>The Brent Artists Resource promotes a wide variation of works by artists in Brent. It is based in the gallery in Willesden Library Centre, less than five minutes from the studio.</p>";}i:4;a:6:{s:11:"Place Image";s:33:"201106201556052803399hamstead.jpg";s:5:"Title";s:15:"Hampstead Heath";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:326:"<p>North-West London (Hampstead/Highgate/Kentish Town).  Even studio boffs need to treat their skin to some sun once in a while! Hampstead Heath is probably the closest of London''s famous parklands. A good option for a summer''s afternoon, the Heath is not too far by tube/bus, and the views across the city are tremendous.</p>";}i:5;a:6:{s:11:"Place Image";s:37:"201106201558102912819brent-museum.jpg";s:5:"Title";s:12:"Brent Museum";s:7:"Address";s:75:"Brent Museum, Willesden Green Library Centre, 95 High Road, London NW10 2SF";s:12:"Phone Number";s:13:"020 8459 1421";s:7:"Website";s:36:"http://www.brent.gov.uk/heritage.nsf";s:11:"Description";s:240:"<p>Brent Muesum is another new cultural addition to Willesden, showcasing a vast array of artefacts linked to the local area. Like the Artist Resource, it is based in the Willesden Library Centre, just around the corner from the studio.</p>";}i:6;a:6:{s:11:"Place Image";s:36:"201106201601352730954kensalgreen.jpg";s:5:"Title";s:33:"Kensal Green (All Souls) Cemetery";s:7:"Address";s:63:"Harrow Road, London, W10 4RA (Kensal Green Underground Station)";s:12:"Phone Number";s:15:"(0)20 8969 0152";s:7:"Website";s:1:" ";s:11:"Description";s:180:"<p>Queen fans can visit the gravestone of Freddie Mercury at the Kensal Green cemetery. The burial ground contains an interesting variety of Victorian memorials and mausoleums.</p>";}i:7;a:6:{s:11:"Place Image";s:36:"2011063006465725661kilburnmarket.jpg";s:5:"Title";s:14:"Kilburn Market";s:7:"Address";s:39:"Kilburn High Road, Kilburn, London NW6.";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:0:"";}}s:6:"group3";a:16:{i:1;a:6:{s:11:"Place Image";s:35:"201106300647152152909queensbury.jpg";s:5:"Title";s:14:"The Queensbury";s:7:"Address";s:48:"110 Walm Lane, Willesden Green, London, NW2 4RS.";s:12:"Phone Number";s:13:"020 8452 0171";s:7:"Website";s:21:"www.thequeensbury.net";s:11:"Description";s:353:"<p>After fighting your way out of Willesden Green tube station, you might be glad to see this haunt sitting next door! It serves anything from brunch in the morning, through to roasts on a Sunday. There''s a large wine and cocktail menu, (never a bad thing), a pub garden and all the spiffing interiors you''d expect for a top of the range gastro pub.</p>";}i:2;a:6:{s:11:"Place Image";s:33:"201106300647342936996paradise.jpg";s:5:"Title";s:12:"The Paradise";s:7:"Address";s:32:"19 Kilburn Lane, London, W10 4AE";s:12:"Phone Number";s:13:"020 8969 0098";s:7:"Website";s:29:"http://www.theparadise.co.uk/";s:11:"Description";s:389:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Since being taken over by new management in August ''07 (and briefly refurbished in April ''08 when this photo was taken!), The Paradise has shot-up in the opinions of local residents and workers. The food and drink is great, as is the music. The frequent cabaret nights seem popular too.&nbsp;</span></p>";}i:3;a:6:{s:11:"Place Image";s:34:"201106300648572427964greyhound.jpg";s:5:"Title";s:13:"The Greyhound";s:7:"Address";s:39:"64 Chamberlayne Road, London, NW10 3JJ.";s:12:"Phone Number";s:13:"020 8969 8080";s:7:"Website";s:0:"";s:11:"Description";s:273:"<p>One of the several gastro-pubs engulfing Kensal Green (a short bus ride south of Willesden), The Greyhound attracts a young and trendy crowd throughout the week. There is a pleasant beer garden out the back, supplementing the covered terrace at the front of the pub.</p>";}i:4;a:6:{s:11:"Place Image";s:37:"201106300649162474898chamberlayne.jpg";s:5:"Title";s:17:"The Chamberlayne ";s:7:"Address";s:30:"83 Chamberlayne Road, NW10 3ND";s:12:"Phone Number";s:14:"020 8960 4311 ";s:7:"Website";s:0:"";s:11:"Description";s:289:"<p>The Chamberlayne serves as another option to those seeking a haunt for eating, drinking or both. Set on the corner of an attractive tree-lined street, the entire side of the pub is lined by its popular terrace. The steaks have certainly acquired fans on the London pub blogosphere!!</p>";}i:5;a:6:{s:11:"Place Image";s:35:"201106300650042879524masonsarms.jpg";s:5:"Title";s:15:"The Masons Arms";s:7:"Address";s:47:"665 Harrow Road, Kensal Green, London, NW10 5NU";s:12:"Phone Number";s:14:"020 8960 2278 ";s:7:"Website";s:0:"";s:11:"Description";s:318:"<p>Boasting one of the best beer gardens in the area, The Masons Arms'' popularity seems to be ever-growing. In keeping with the interests of most of the pubs in this area, it prides itself on a great food and drink menu. There is a private hire room upstairs, whereas downstairs boasts a fantastic interior design.</p>";}i:6;a:6:{s:11:"Place Image";s:28:"201106300650182683097WIV.jpg";s:5:"Title";s:10:"William IV";s:7:"Address";s:33:"786 Harrow Road, London, NW10 5JX";s:12:"Phone Number";s:15:"020 8969 5944  ";s:7:"Website";s:0:"";s:11:"Description";s:305:"<p>The William IV has too undergone many changes of late, much to the approval of its clientele. The food menu now ranges from traditional pub nosh through to Tapas, with the Sunday Roast as popular as ever. This is another pub with a very likeable beer garden. The smoking ban has never been so easy!</p>";}i:7;a:6:{s:11:"Place Image";s:34:"201106300650332988629risingsun.jpg";s:5:"Title";s:14:"The Rising Sun";s:7:"Address";s:35:"25 Harlesden Road, London, NW10 2BY";s:12:"Phone Number";s:12:"020 8490 806";s:7:"Website";s:0:"";s:11:"Description";s:252:"<p>Less than 5-minutes away from the studio is The Rising Sun. More of a traditional pub that hasn''t caught onto the burgeoning gastro seen of the area, the food portions here are generous for a reasonable price. The staff are notoriously friendly.</p>";}i:8;a:6:{s:11:"Place Image";s:32:"201106300650432312699organic.jpg";s:5:"Title";s:17:"Organic For Life ";s:7:"Address";s:44:"80 Harlesden Road, Willesden Green, NW10 2BE";s:12:"Phone Number";s:14:"020 8459 3334 ";s:7:"Website";s:32:"http://www.organic-for-life.com/";s:11:"Description";s:264:"<p>Stocking over 1000 products of only organic food, this small characteristic shop offers a completely healthy option to the usual double-stuffed crust pizza and doner kebab!! Selling everything from the freshest fruit, veg and meats, to vegan and baby foods.</p>";}i:9;a:6:{s:11:"Place Image";s:35:"201106300650532398740littlestar.jpg";s:5:"Title";s:16:"The Little Star ";s:7:"Address";s:51:"26 Station Parade, Willesden Green, London, NW2 4NH";s:12:"Phone Number";s:15:"020 8830 5221  ";s:7:"Website";s:0:"";s:11:"Description";s:277:"<p>This terrific little restaurant is tucked behind Willesden Green station, and is renowned for great food at great prices. Some offers even include an incredible two course for &pound;5.50! An endearing element to the restaurant is its cosy and characteristic atmosphere.</p>";}i:10;a:6:{s:11:"Place Image";s:33:"201106300651052478942sushisay.jpg";s:5:"Title";s:9:"Sushi Say";s:7:"Address";s:30:"33b Walm Lane, London, NW2 5SH";s:12:"Phone Number";s:15:"020 8459 2971  ";s:7:"Website";s:0:"";s:11:"Description";s:225:"<p>The favourite local sushi bar by a long shot. Not only is the food great, but the staff are true pros, sharing their passion for their menus by explaining the qualities of each dish they serve, should you want them to.</p>";}i:11;a:6:{s:11:"Place Image";s:35:"201106300651412922861nikinoodle.jpg";s:5:"Title";s:11:"Niki Noodle";s:7:"Address";s:43:"53 Salusbury Road, West Hampstead, NW6 6NJ ";s:12:"Phone Number";s:14:"020 7372 5999 ";s:7:"Website";s:22:"http://nikinoodle.com/";s:11:"Description";s:201:"<p>This colourfully decorated noodle bar serves a wide range of good quality oriental cuisine. The Queens Park restaurant is the latest of several newly-opened London restaurants in the same chain.</p>";}i:12;a:6:{s:11:"Place Image";s:38:"201106300651552478160bakerandspice.jpg";s:5:"Title";s:16:"Baker and Spice ";s:7:"Address";s:34:"75 Salusbury Road, London, NW6 6NH";s:12:"Phone Number";s:13:"020 8830 5221";s:7:"Website";s:29:"http://www.bakerandspice.com/";s:11:"Description";s:288:"<p>The hugley-popular organic bakery/restaurant has a branch on Salusbury Road near Queens Park tube station. The company pride themselves on serving the freshest organic food, cooked daily and concocting delcious recipes from around the world, as well as selected seasonal varieties.</p>";}i:13;a:6:{s:11:"Place Image";s:37:"201106300652072645088salesburypub.jpg";s:5:"Title";s:34:"The Salusbury Pub and Dining Room ";s:7:"Address";s:38:"50-52 Salusbury Road, London, NW6 6NN ";s:12:"Phone Number";s:14:"020 7328 3286 ";s:7:"Website";s:0:"";s:11:"Description";s:280:"<p>An upmarket pub and diner, seemingly steering away from your bog-standard bangers &amp; mash, and opting for the slightly more sophisticated menu of pappardelle with hare in game sauce, and roast duck leg with sage and balsamic vinegar. Meals cost roughly &pound;18 / head.</p>";}i:14;a:6:{s:11:"Place Image";s:35:"201106300652192935873corribrest.jpg";s:5:"Title";s:15:"The Corrib Rest";s:7:"Address";s:35:"76 Salusbury Road, London, NW6 6PA ";s:12:"Phone Number";s:14:"020 76259585  ";s:7:"Website";s:0:"";s:11:"Description";s:286:"<p>Widely-appreciated as one of the best sports pubs in the North-West, The Corrib Rest provides a lively atmosphere on matchdays, however the staff still ensure that the often-large crowds are served quickly and efficiently. The food portions are reported to be more-than generous!</p>";}i:15;a:6:{s:11:"Place Image";s:38:"201106300652302925439princeofwales.jpg";s:5:"Title";s:19:"The Prince of Wales";s:7:"Address";s:35:"101 Willesden Lane, London, NW6 7SD";s:12:"Phone Number";s:14:"020 7624 9161 ";s:7:"Website";s:0:"";s:11:"Description";s:237:"<p>Since recently changing hands The Prince of Wales has gone up sharply in people''s opinions. There is a Chinese buffet on weekdays, and a very popular roast carvery on Sundays. The Saturday night Karaoke may be of interest to some.</p>";}i:16;a:6:{s:11:"Place Image";s:33:"201106300652512378636goodship.jpg";s:5:"Title";s:14:"The Good Ship ";s:7:"Address";s:47:"289 Kilburn High Road, Kilburn, London, NW6 7JR";s:12:"Phone Number";s:14:"020 8208 9292 ";s:7:"Website";s:29:"http://www.thegoodship.co.uk/";s:11:"Description";s:220:"<p>One of the Lumianire''s closest neighbours, The Good Ship has established a rapidly growing reputation for attracting great bands and artists since its opening in 2005. Their upcoming listings are on their website.</p>";}}}}', NULL),
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(273, 30, 45, 'a:2:{s:2:"en";a:1:{s:6:"group1";a:4:{i:1;a:2:{s:5:"Image";a:2:{s:3:"img";s:32:"201107070436512633713footer1.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";a:2:{s:3:"img";s:32:"201107070436512633713footer2.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";a:2:{s:3:"img";s:32:"201107070436512633713footer3.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:4;a:2:{s:5:"Image";a:2:{s:3:"img";s:32:"201107070436512633713footer4.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}}}s:2:"fr";a:1:{s:6:"group1";a:4:{i:1;a:2:{s:5:"Image";a:1:{s:3:"img";s:5:"Array";}s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";a:1:{s:3:"img";s:5:"Array";}s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";a:1:{s:3:"img";s:5:"Array";}s:17:"Image Description";s:0:"";}i:4;a:2:{s:5:"Image";a:1:{s:3:"img";s:5:"Array";}s:17:"Image Description";s:0:"";}}}}', NULL);
INSERT INTO `pages` (`id`, `studio_id`, `page_layout_id`, `content`, `additional_content`) VALUES (128, 16, 33, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:236:"<p>If you need a hotel there are plenty to be found not too far away, mainly in the areas of Hampstead and Swiss Cottage. We have picked out a few recommendations here, ranging from budget B&amp;Bs up to luxury establishments.&nbsp;</p>";}}s:6:"group2";a:8:{i:1;a:3:{s:11:"Hotel Image";s:42:"201106260255222934866marriottmaldavale.jpg";s:10:"Hotel Name";s:23:"The Marriott Maida Vale";s:17:"Hotel Description";s:646:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Plaza Parade, Maida Vale, London NW6 5RP<br />0845 456 6399.&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="https://www.marriott.co.uk/hotels/travel/lonwh-london-marriott-hotel-maida-vale/">Website</a><br /><br />The Marriott Maida Vale is located on the Kilburn High Road and is roughly 5 minute''s drive from Battery, so excellently located for clients. There is a selection of different suites at different rates. There is also the Restaurant Fratelli offering authentic Italian cuisine, wines and an open kitchen.</span></p>";}i:2;a:3:{s:11:"Hotel Image";s:35:"201106260255462706018crownmoran.jpg";s:10:"Hotel Name";s:15:"The Crown Moran";s:17:"Hotel Description";s:610:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">142-152 Cricklewood Broadway, London, NW2 3ED<br />0845 456 6399.&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.crownmoranhotel.com/">www.crownmoranhotel.com</a><br /><br />Located just up the road from Willesden Green in Cricklewood is the famous 4-star Crown Moran. This luxury hotel attracts guests on both business and pleasure stays, and provides over 100 guest rooms, 5 bars and superb cuisine. There is a gymnasium, 12 metre swimming pool, sauna and steam room.</span></p>";}i:3;a:3:{s:11:"Hotel Image";s:36:"201106260256022475607bestwestern.jpg";s:10:"Hotel Name";s:13:"Best Western ";s:17:"Hotel Description";s:750:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">4 Adamson Road, Swiss Cottage, London, NW3 3HP<br />020 77222281.&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.bw-swisscottage.co.uk/">www.bw-swisscottage.co.uk</a><br /><br />The 3-star Best Western is located in Swiss Cottage just a few stops South on the Jubilee line. It is set in a charming Victorian townhouse, well-positioned between both the studio in Willesden and Central London. The hotel is bursting with character thanks to a large collection of antiques. The 59 en-suite rooms come with all the mod-cons, breakfast is served daily in the restaurant and the stylish bar/lounge is open 24 hours.</span></p>";}i:4;a:3:{s:11:"Hotel Image";s:32:"201106260256142768109langorf.jpg";s:10:"Hotel Name";s:11:"The Langorf";s:17:"Hotel Description";s:659:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">20 Frognal, Hampstead, London, NW3 6AG<br />(0)207 794 4483.&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.langorfhotel.com/">www.langorfhotel.com</a><br /><br />The Langorf is a 4-star establishment in Hampstead, located close to Finchley Road underground station (3 stops from Willesden Green). There are 31 exquisite en-suite rooms, with some overlooking the property''s beautiful gardens. For longer stays, clients may wish to enquire after the hotel''s exquisite apartments, ranging from studio flats up to 2-beds.</span></p>";}i:5;a:3:{s:11:"Hotel Image";s:43:"201106260256302882333hampsteadbrittania.jpg";s:10:"Hotel Name";s:19:"Hampstead Britannia";s:17:"Hotel Description";s:709:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Primrose Hill Road, NW3 3NA.&nbsp;<br />0207 586 2233.&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.britanniahotels.com/">www.britanniahotels.com</a><br /><br />Situated to the East of Willesden, and North-West of Camden Town, this 3-star is in a quiet location within walking distance of some of London''s famous designer stores, as well as the bars and restaurants of Hampstead Village, St. Johns High Street and the A-list celebrity hideaway of Primrose Hill. Willesden Green is around 15 minutes away by public transport. Central London is also easily accessible.</span></p>";}i:6;a:3:{s:11:"Hotel Image";s:31:"201106260256452657048dawson.jpg";s:10:"Hotel Name";s:23:"The Dawson House Hotel ";s:17:"Hotel Description";s:619:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">72 Canfield Gardens, South Hampstead, London, NW6 3EG<br />020 7624 0079.&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.dawsonhousehotel.com/">www.dawsonhousehotel.com</a><br /><br />The Dawson House Hotel lives up to the expectations of the desirable area of Hampstead in which it is located. Set in a beautiful Victorian house, it is essentially a B&amp;B, but one at the higher end of the scale. The nearest tube stop is Finchley Road, three stops away from Willesden Green.</span></p>";}i:7;a:3:{s:11:"Hotel Image";s:44:"201106260257002890602charlotteguesthouse.jpg";s:10:"Hotel Name";s:25:"The Charlotte Guest House";s:17:"Hotel Description";s:581:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">195 - 197 Sumatra Road, London NW6 1PF<br />(0)20 7794 6476.&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.charlotteguesthouse.co.uk/">www.charlotteguesthouse.co.uk</a><br /><br />Perfect for a cheap stop-off for short stays, this pleasant B&amp;B does exactly what it says on the tin, no extras. It is based two stops away from Willesden Green in the classy and vibrant area of West Hampstead, with its many upmarket bars and restaurants.</span></p>";}i:8;a:3:{s:11:"Hotel Image";s:33:"201106260257162495589russells.jpg";s:10:"Hotel Name";s:20:"Russell''s of Clapton";s:17:"Hotel Description";s:637:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Chatsworth Road, London E5 0LA<br />+44 (0)797 666 9906<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://russellsofclapton.com/">russellsofclapton.com</a><br /><br />Russell''s of Clapton is a new upmarket B&amp;B in East London run by ex-music industry pro Annette Russell. It is a modern-update of a traditional B&amp;B, following examples in cities such as New York, Berlin and Barcelona. Based in Clapton in East London, this chic and charming house is reached via the North London Overground.&nbsp;</span></p>";}}}}', NULL),
(199, 33, 20, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:35:"201106211024142867834intro-demo.jpg";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:47:"<p>The Bunker studio is based in London SE1</p>";}}}}', NULL),
(200, 9, 33, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:745:"<p>&nbsp;</p>\r\n<p>During your session at the Motor Museum there''s every chance you''ll need local accommodation. We''ve scouted the city to pick out a selection of hotels ranging from budget to higher-end, which you should find helpful in picking the best accommodation for your needs.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>Below is a list of hotels in different locations in the city: the nearby hotels are more-or-less within walking distance from the Motor Museum, and are mostly based in the leafy suburban roads around the edges of Sefton Park. However we have also listed a selection of hotels which are based in the midst of the vibrant city centre, but are still only a short journey from the studio by car or public transport...</p>\r\n<p>&nbsp;</p>";}}s:6:"group2";a:12:{i:1;a:3:{s:11:"Hotel Image";s:33:"201106300315162382348parklane.jpg";s:10:"Hotel Name";s:19:"The Park Lane Hotel";s:17:"Hotel Description";s:636:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">23 Aigburth Drive, Sefton Park, Liverpool, L17 4JQ<br />Telephone (0)151 727 4754<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.theparklanehotel.co.uk/">www.theparklanehotel.co.uk</a><br /><br />The Park Lane is based in a classic Victorian Grade II listed building overlooking the beautiful open spaces of Sefton Park, 5 minutes East of the studio. There are 17 en-suite rooms taking a modern twist on Victorian interiors. There is a full English breakfast served to guests each morning.&nbsp;</span></p>";}i:2;a:3:{s:11:"Hotel Image";s:77:"201106300315302548579blenheim-lakeside-hotel-liverpool_140520092115211067.jpg";s:10:"Hotel Name";s:27:"The Blenheim Lakeside Hotel";s:17:"Hotel Description";s:724:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">7 Aigburth Drive, Aigburth, Liverpool, L17 4JE<br />Telephone (0)151 727 7380<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.blenheimlakesidehotel.co.uk/">www.blenheimlakesidehotel.co.uk</a><br /><br />This restored Victorian villa sits at the bottom of Sefton Park and overlooks the Boating Lake. It is the former home of original Beatle Stuart Sutcliffe. Today it acts as a good value hotel with a range of prices across its rooms. Other features include a breakfast room, lounge and Stui''s bar (named after its former famous resident), which also regularly shows live sport.&nbsp;</span></p>";}i:3;a:3:{s:11:"Hotel Image";s:36:"201106300315442714093bestwestern.jpg";s:10:"Hotel Name";s:19:"Best Western Alicia";s:17:"Hotel Description";s:716:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">3 Aigburth Drive, Liverpool, L17 3AA&nbsp;<br />Telephone 0151 727 4411<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.bestwestern.co.uk/Hotels/Best-Western-Alicia-Hotel-83818/Hotel-Info/Default.aspx">Website</a><br /><br />You''ll find a trusty Best Western also on the borders of the picturesque Sefton Park. It is perfectly positioned between The Motor Museum and city centre. It features the acclaimed Glasshouse Restaurant and lavishly furnished Edwardian Bar. Executive rooms have their own Playstations and mini-systems with a free library of CDs and games.&nbsp;<br /></span></p>";}i:4;a:3:{s:11:"Hotel Image";s:30:"201106300315562268239solna.jpg";s:10:"Hotel Name";s:15:"The Solna Hotel";s:17:"Hotel Description";s:727:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">4 Croxteth Drive, Sefton Park, Liverpool, L17 3AD<br />Telephone: (0)151 734 3398<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.miloco.co.uk/studios/www.thesolnahotel.co.uk">www.thesolnahotel.co.uk</a><br /><br />On the North side of Sefton Park is The Solna. The hotel is suitably located for the city centre and the studio, and of course has the benefit of the stunning park views! Its moderate size helps create a more personable feel, whether you''re staying in one of the luxury deluxe suites or one of the standard rooms. There is a selection of bars and restaurants onsite.&nbsp;</span></p>";}i:5;a:3:{s:11:"Hotel Image";s:34:"201106300316092204822greenpark.jpg";s:10:"Hotel Name";s:20:"The Green Park Hotel";s:17:"Hotel Description";s:682:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">4-6 Greenbank Drive, Liverpool, L17 1AW<br />Telephone (0)151 733 3382<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.thegreenpark-hotel.co.uk/">www.thegreenpark-hotel.co.uk</a><br /><br />The Green Park Hotel on the North East corner of Sefton Park offers accommodation on the cheaper end of the scale.	There are 21 en-suite rooms in total, plus a residents'' bar and private parking facilities. It is close to the city centre, and roughly 15 minutes from the studio. Beatles enthusiasts may well be interested in visiting nearby Penny Lane!</span></p>";}i:6;a:3:{s:11:"Hotel Image";s:33:"20110630031622292831malmaison.jpg";s:10:"Hotel Name";s:19:"Malmaison Liverpool";s:17:"Hotel Description";s:705:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">William Jessop Way, Princes Dock, Liverpool, L3 1QZ<br />Telephone (0)151 229 5000<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.malmaison-liverpool.com/">www.malmaison-liverpool.com</a><br /><br />The Malmaison is situated on Princes Dock by the River Mersey, and stands as one of Liverpool''s more upscale hotels. Designed in a modern chic style, guests can indulge in the hotel''s brasserie and champagne bar, as well as the dazzling bedrooms which come with drench showers and all of the faciltities needed to make your stay that extra bit more luxurious.&nbsp;</span></p>";}i:7;a:3:{s:11:"Hotel Image";s:42:"201106300316392657922liverpoolmarriott.jpg";s:10:"Hotel Name";s:18:"Liverpool Marriott";s:17:"Hotel Description";s:708:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">One Queen Square, Liverpool, L1 1RH<br />Telephone (0)151 476 8000<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.marriott.co.uk/hotels/travel/lpllp-liverpool-marriott-hotel-city-centre/">Website</a><br /><br />In the heart of the city you''ll find the Liverpool Marriott. It comes with all the home comforts expected within the Marriott chain, plus a swimming pool, leisure centre, restaurant, bar and lounge. The suites have their own marble-tiled bathrooms, satellite TV and pay-per-view film service. Liverpool Lime Street Station is within walking distance.&nbsp;</span></p>";}i:8;a:3:{s:11:"Hotel Image";s:34:"201106300316502141221sirthomas.jpg";s:10:"Hotel Name";s:16:"Sir Thomas Hotel";s:17:"Hotel Description";s:702:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">24 Sir Thomas Street, Liverpool, L1 6JB<br />Telephone 0151 236 1366<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://sirthomashotel.co.uk/">sirthomashotel.co.uk</a><br /><br />Surrounded by the vibrant nightlife, shopping centres and business district of Liverpool, the Sir Thomas is right in the thick of the action. There is a range of premium luxury suites and standard rooms catering for all budgets. There is a stylish champagne and cocktail bar and the very popular St John restaurant on site as well. The studio is roughly a 10 minute drive South.&nbsp;<br /></span></p>";}i:9;a:3:{s:11:"Hotel Image";s:38:"201106300317022778249harddaysnight.jpg";s:10:"Hotel Name";s:21:"Hard Days Night Hotel";s:17:"Hotel Description";s:664:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">9 N John St Liverpool, Liverpool, L2<br />Telephone (0)151 236 1964<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.harddaysnighthotel.com/">www.harddaysnighthotel.com</a><br /><br />A fitting tribute to Liverpool''s four most famous sons is this 4-star Grade II listed hotel, one of the finest in the city. Besides the numerous classy bars and restaurants, you have the choice of standard, luxury and deluxe rooms, or if you really want to push the boat out, why not try booking either the Lennon or McCartney suites?!&nbsp;</span></p>";}i:10;a:3:{s:11:"Hotel Image";s:42:"201106300317212442136britannia adelphi.jpg";s:10:"Hotel Name";s:17:"Britannia Adelphi";s:17:"Hotel Description";s:675:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Ranelagh Place, Liverpool, L3 5UL<br />Telephone 0871 222 0029<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.britanniahotels.com/hotel_home.asp?page=45">Website</a><br /><br />The 402-bedroom Adelphi is right in the centre of town, just 3 minutes walk away from Lime Street Station. Each of the beautiful Edwardian-style rooms have their own en-suite, TV and free WIFI service. There''s a whole host of bars and eateries too: WAVE Bar and Pizzeria, Friday''s Bar, Residents'' Bar, Jenny''s Carvery and Crompton''s French Restaurant.&nbsp;</span></p>";}i:11;a:3:{s:11:"Hotel Image";s:66:"201106300317322139265crowne-plaza-liverpool_030320091736384027.jpg";s:10:"Hotel Name";s:22:"Crowne Plaza Liverpool";s:17:"Hotel Description";s:616:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">St.Nicholas Place, Princes Dock, Pier Head, Liverpool, L3 1QW<br />Telephone (0)151 243 8000<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.cpliverpool.com/">www.cpliverpool.com</a><br /><br />The Crowne Plaza is located next to the world famous Royal Liver Building in the Liverpool Docks overlooking the River Mersey. The 149 guest rooms have Mini-bars, LCD TVs and radio, high speed internet access, satellite and in-house movies. There is a gym and health spa too!!&nbsp;</span></p>";}i:12;a:3:{s:11:"Hotel Image";s:53:"201106300317412303251premier-travel-inn-liverpool.jpg";s:10:"Hotel Name";s:18:"Premier Travel Inn";s:17:"Hotel Description";s:592:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Britannia Pavilion, Albert Dock, Liverpool, L3 4AD<br />Telephone 0870 242 8000<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.premierinn.com/">www.premierinn.com</a><br /><br />The Premier Inn is also located in the cultural docklands of Liverpool, close to bars, restaurants, The Echo Arena and the Liverpool Tate. Like all Premier hotels, the Liverpool branch provides good value for money with modern facilities and decent catering services.&nbsp;</span></p>";}}}}', NULL),
(129, 19, 37, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:13:{i:1;a:2:{s:5:"Image";s:33:"201106190449302231377_MG_7135.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:33:"201106190449302231377_MG_7203.jpg";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:33:"201106190449302231377_MG_7218.jpg";s:17:"Image Description";s:0:"";}i:4;a:2:{s:5:"Image";s:33:"201106190449302231377_MG_7257.jpg";s:17:"Image Description";s:0:"";}i:5;a:2:{s:5:"Image";s:33:"201106190449302231377DSC_2899.JPG";s:17:"Image Description";s:0:"";}i:6;a:2:{s:5:"Image";s:33:"201106190449302231377DSC_2906.JPG";s:17:"Image Description";s:0:"";}i:7;a:2:{s:5:"Image";s:33:"201106190449302231377DSC_2912.JPG";s:17:"Image Description";s:0:"";}i:8;a:2:{s:5:"Image";s:33:"201106190449302231377DSC_2917.JPG";s:17:"Image Description";s:0:"";}i:9;a:2:{s:5:"Image";s:33:"201106190449302231377DSC_2918.JPG";s:17:"Image Description";s:0:"";}i:10;a:2:{s:5:"Image";s:33:"201106190449302231377DSC_2927.JPG";s:17:"Image Description";s:0:"";}i:11;a:2:{s:5:"Image";s:33:"201106190449302231377DSC_2930.JPG";s:17:"Image Description";s:0:"";}i:12;a:2:{s:5:"Image";s:33:"201106190449302231377DSC_2931.JPG";s:17:"Image Description";s:0:"";}i:13;a:2:{s:5:"Image";s:33:"201106190449302231377DSC_2933.JPG";s:17:"Image Description";s:0:"";}}}}', NULL),
(130, 19, 20, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:32:"201107110845162182471MG_7203.jpg";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:2472:"<p>&nbsp;</p>\r\n<p style="text-align: justify;">The Engine Room is Miloco''s flagship mix room. This July we rescued the infamous SSL4056 G-Series console from Olympic''s Studio 2 and after completely refurbishing it, made it the centrepiece of The Engine room. The desk has been loaded with 48 mono channels (36 G EQ and 12 blackface E EQ) and 8 stereo channels making it a flexible mixing tool. The 8 core Intel Pro Tools HD rig offers 24 inputs and 48 outputs and comes maxed out with plug ins running on Pro Tools 8 or 7.4.</p>\r\n<p style="text-align: justify;">&nbsp;</p>\r\n<p style="text-align: justify;">The much celebrated monitoring system consists of customised Munro M4s running off chevin amplification and are regularly checked and calibrated by acoustician Nick Whitaker. We also offer a wide range of nearfield monitors including Yamaha NS10''s, Adam S3A''s, Dynaudio BM15s and Genelec 1031''s running off a choice of Bryston, Yamaha or Quad amps which we believe makes it one of the most accurate monitoring environments in London.</p>\r\n<p style="text-align: justify;">&nbsp;</p>\r\n<ol>\r\n<li>The extensive outboard contains many of the toys you''d expect in a world class mix room as well as some great modern additions. In addition to the Massenberg, Tubetech, EAR, Summit, and Urei names, we have recently added some of the best newcomers, including Empirical Labs, Manley, and EMI Chandler. We also offer some more unusual effects such as the Moog 12 Stage Phaser the Marshall Time Modulator not to mention an exquisite EMT plate reverb.</li>\r\n<li>The room has a history of delivering hit records including Oasis'' What''s The Morning Glory and Be Here Now, all the Chemical Brothers albums, Slipknot''s 2008 no.1 U.S. album All Hope Is Gone and more recently the Mercury-nominated Villagers album Becoming A Jackal. It is also a favourite of a variety of producer / mixers including Ben Hillier, Phill Brown, Colin Richardson, Mike Crossey and Steve Dub.</li>\r\n</ol>\r\n<p style="text-align: justify;">&nbsp;</p>\r\n<ul>\r\n<li>The large air-conditioned, daylit control room was refurbished in 2009 and has a very clean, minimalistic feel making it a breeze to work in. We don''t reside in a trendy postcode but what we do have is one of the best mixing studios in the world in a creative and vibrant building home to some of the best producers in the UK today... Come and try it for yourself. Hearing is believing !</li>\r\n</ul>\r\n<p style="text-align: justify;">&nbsp;</p>";}}}}', NULL),
(131, 13, 28, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:5:{i:1;a:4:{s:11:"Client Name";s:14:"Arctic Monkeys";s:12:"Client Image";s:0:"";s:18:"Client Description";s:687:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">What more can be said about the unrivalled modern-day success of the Arctic Monkeys? Well, as always their continuing story is in no-one else''s hands but their own, although two Mercury Prize nominations (including one win), over ten other major British awards, international platinum sales, world tours, Glastonbury headline slots, and of course the odd entry in the Guinness Book Of Records, already paints a clear picture. Their hugely successful second album,&nbsp;<em>Favourite Worst Nightmare</em>&nbsp;was tracked in The Garden by producers James Ford and Mike Crossey in 2006.&nbsp;</span></p>";s:10:"Client URL";s:65:"http://www.miloco.co.uk/clients/recent_clients/Arctic_Monkeys.php";}i:2;a:4:{s:11:"Client Name";s:16:"The Long Blondes";s:12:"Client Image";s:0:"";s:18:"Client Description";s:666:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Drawing from a stand-out combination of Punk, Electro and New Wave, The Long Blondes have shot to being one of the most definable and acclaimed bands of the UK indie scene of the mid-to-late 2000s. Hailing from Sheffield, they stayed close to home for their first album,&nbsp;<em>Someone To Drive You Home</em>, choosing former Pulp bassist and Miloco client Steve Mackey to produce the record. The follow-up,&nbsp;<em>Couples</em>, released in April 2008, saw producer Erol Alkan enter the fold.&nbsp;<em>Couples</em>&nbsp;was tracked in The Garden in late 2007.&nbsp;</span></p>";s:10:"Client URL";s:63:"http://www.miloco.co.uk/clients/recent_clients/Long_Blondes.php";}i:3;a:4:{s:11:"Client Name";s:7:"Gallows";s:12:"Client Image";s:0:"";s:18:"Client Description";s:619:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Hertfordshire punks Gallows were in The Garden in 2007 with Interface engineer Matt Hyde, mixing a selection of tracks which would go on to appear on their groundbreaking debut album&nbsp;<em>Orchestra of Wolves</em>. Their scintillating live shows became one of the most prominent and exciting undercurrents to the 2007 music scene, promoting their original strand of hardcore to audiences across the globe. Lead-singer Frank Carter topped the NMEs coveted ''Cool List'' at the end of an incredible year for the band.&nbsp;</span></p>";s:10:"Client URL";s:58:"http://www.miloco.co.uk/clients/recent_clients/Gallows.php";}i:4;a:4:{s:11:"Client Name";s:13:"Happy Mondays";s:12:"Client Image";s:0:"";s:18:"Client Description";s:519:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The pioneering act of the iconic Madchester scene of the late 1980s, Happy Mondays have confirmed their place in the history books of British popular music. Producer Howie B mixed their fifth studio album,&nbsp;<em>Uncle Dysfunktional</em>&nbsp;in The Garden in 2006. The album was described by lead singer Shaun Ryder as being "better" than the Mondays'' 1990 classic,&nbsp;<em>Pills ''n'' Thrills and Bellyaches</em>.&nbsp;</span></p>";s:10:"Client URL";s:64:"http://www.miloco.co.uk/clients/recent_clients/Happy_Mondays.php";}i:5;a:4:{s:11:"Client Name";s:27:"Nick Cave and the Bad Seeds";s:12:"Client Image";s:0:"";s:18:"Client Description";s:530:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The legendary career of Nick Cave and the Bad Seeds has forged one of the great Rock n'' Roll tales over the many fruitful years of the band''s existence. The Bad Seeds continue to push musical boundaries to the very day, whether under the official brand, or Cave''s ''Mini-Seeds'' project, Grinderman. Their fourteenth studio album in 24 years,<em>Dig!!! Lazurus Dig!!!</em>, came to The Garden for the overdub stage of production.&nbsp;</span></p>";s:10:"Client URL";s:60:"http://www.miloco.co.uk/clients/recent_clients/Nick_Cave.php";}}s:6:"group2";a:1:{i:1;a:1:{s:13:"Other Clients";s:0:"";}}}}', NULL),
(132, 13, 38, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:4:{s:8:"Postcode";s:8:"EC2A 3ET";s:7:"Address";s:26:"No.1 Holywell Lane, London";s:3:"lat";s:10:"51.5238396";s:3:"lng";s:11:" -0.0784411";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Directions";s:4279:"<p> </p>\r\n<p><strong>By Car</strong></p>\r\n<p><strong>From Gatwick Airport, North Terminal, W Sussex</strong></p>\r\n<p> </p>\r\n<ul>\r\n<li>Follow exit signs to leave by the terminal slip road. At the roundabout take 3rd exit A23 (sign posted M23). Follow the A23. At the roundabout take 1st exit (sign posted London) to join Motorway M23 Spur.</li>\r\n<li>Continue along the M23 until it becomes the A23, then follow the signs for London (A23). After approx 6 miles you will reach Waddon, continue over the railway bridge then at the traffic lights bear right.</li>\r\n<li>After another mile and a half is the Lombard roundabout (Junction with A236) take the 2nd exit, continuing along the A23.</li>\r\n<li>At the junction of A235 / B266 turn left (one way) then right, then left again, continue along the A23 until Streatham Common, at the traffic lights continue forward and follow the signs for Central London, Brixton A23.</li>\r\n<li>Continue straight over the traffic lights at the Crown and Septre Pub. After a mile you will reach Brixton and a set of traffic lights. Go straight over the traffic lights (Sign posted Central London) and under a railway bridge.</li>\r\n<li>You will then enter Kennington. At the Junction with the A3 and A202, go straight over at the traffic lights (sign posted A3) and get into the right hand lanes.</li>\r\n<li>Continue along the A3 until you reach Elephant and Castle, at the first roundabout take the first exit, at the next take the second exit sign posted for the city.</li>\r\n<li>You will then reach The Borough and St Georges Church, at the crossroads continue straight over to enter Borough High Street, at the junction with the A1202 continue straight over the traffic lights onto London Bridge from the north side into King William Street.</li>\r\n<li>At Monument underground station take the right hand lane and bear right then left into Gracechurch Street (A10). At the junction with Fenchurch Street continue forward, (Sign posted Shoreditch), along Bishopsgate and past Liverpool Street Station, (On Left), until you reach the junction with the A1202, turn left into Great Eastern Street (One Way).</li>\r\n<li>Take the first right into Holywell lane, Miloco 4 (The Garden) is No 1, the black building at the end of the road.</li>\r\n</ul>\r\n<p>\r\n<p><strong>From Birmingham, W Mids.</strong></p>\r\n</p>\r\n<ul>\r\n<li>Follow the signs The North and M6 to leave by Moor Street Queensway. At Lancaster Circus (Junction with A38) branch left (signposted Motorway M6, Lichfield A38) and at roundabout take the 3rd main exit A38.</li>\r\n<li>At Dartmouth Circus (Junction with A4540/A5127) keep forward into Aston Expressway A38(M). Continue for approx two miles and follow the signs for London (M1) to join the M6.</li>\r\n<li>Continue for another 30 miles and join the M1 at the junction with A14/M1. There are service areas at Watford Gap, Rothersthorpe (Jct 15a), Newport Pagnell and Toddington.</li>\r\n<li>At Junction 7 of the M1 (M10) move into the right hand lanes to continue along the M1. When you reach junction 2 (A1) leave main motorway (signposted North Circular Road, East). At the fiveways junction continue forward to join the A1.</li>\r\n<li>After a mile join the A406 North Circular Road, you will then reach the junction with the A598 (Regents Park Road). At the traffic signals continue forward then take the right-hand lanes and branch right onto the A1 (sign posted City)</li>\r\n<li>Continue forward for approx 2.5 miles, through Highgate, at the cross roads with the woodman hotel, continue straight over. After a mile you will reach the junction with A400 continue Forward (one-way) then bear right then left.</li>\r\n<li>Continue along the A1 through Holloway until Highbury Corner take the second exit A1200 (sign posted Shoreditch) then over crossroads and keep left. Continue past Essex Road tube station and at junction with the Moorfield Eye Hospital (on right) join the A501 city road.</li>\r\n<li>You will then reach Old Street tube and a roundabout, take the first exit into Old Street (A5201). Take the second right into Great Eastern Street. Holywell Lane is the seventh turning on the left, just before the cross roads with Shoreditch High Street. Miloco 4 (The Garden) is No 1, the black building at the end of the road.</li>\r\n</ul>";}}}}', NULL),
(133, 19, 23, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{i:0;s:6530:"<p>\r\n<p>The Engine Room as a Mix Room (without The Bridge / Live Space)</p>\r\n<p>&nbsp;</p>\r\n<p>Day Rate:<span style="white-space: pre;"> </span><strong>&pound; 450 / day</strong></p>\r\n<p>5-day Rate:<span style="white-space: pre;"> </span><strong>&pound; 400 / day</strong></p>\r\n<p>Lockout Rate:<span style="white-space: pre;"> </span><strong>&pound; 200 / day on top of agreed rate</strong></p>\r\n<p>Unsigned (Book It Now Rate):<span style="white-space: pre;"> </span><strong>&pound;350 / day</strong></p>\r\n<p>Unsigned (Flexi Rate):<span style="white-space: pre;"> </span><strong> &pound;275 / day</strong></p>\r\n<p>Half day Rate:<span style="white-space: pre;"> </span><strong> &pound; 250 / half day (6 hours)</strong></p>\r\n<p>Hourly Rate:<span style="white-space: pre;"> </span><strong> &pound; 50 / hour (minimum 3 hours)</strong></p>\r\n<p>&nbsp;</p>\r\n<p>The Engine Room as a Tracking Room (With The Bridge / Live Space)</p>\r\n<p>&nbsp;</p>\r\n<p>Day Rate:<span style="white-space: pre;"> </span><strong>&pound; 500 / day</strong></p>\r\n<p>5-day Rate:<span style="white-space: pre;"> </span><strong>&pound; 450 / day</strong></p>\r\n<p>Lockout Rate:<span style="white-space: pre;"> </span><strong>&pound; 200 / day on top of agreed rate</strong></p>\r\n<p>Unsigned (Book It Now Rate):<span style="white-space: pre;"> </span><strong>&pound;375 / day</strong></p>\r\n<p>Unsigned (Flexi Rate):<span style="white-space: pre;"> </span><strong>&pound;325 / day</strong></p>\r\n<p>Half day Rate:<span style="white-space: pre;"> </span><strong>&pound; 300 / half day (6 hours)</strong></p>\r\n<p>Hourly / Rate:<span style="white-space: pre;"> </span><strong> &pound; 60 / hour (minimum 3 hours)</strong></p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>What the rates include</strong></p>\r\n</p>\r\n<ul>\r\n<li>The Engine Room is booked as a 12 hour day. The 12 hours begin from when you wish to start.</li>\r\n<li>All the prices exclude VAT which is chargeable at 20%.</li>\r\n<li>The rates include an assistant (unless stated) but not an engineer. You can hire one of our engineers on top of the rate.</li>\r\n<li>All prices exclude tapes/materials, cabs and hire costs.</li>\r\n<li>The rates include the equipment shown on the equipment specification but as you can imagine the gear does break from time to time. If we cannot replace the gear we cannot offer a discount on the rate. Of course in the unlikely scenario that a major breakdown happens during the session (such as the console / tape machine) we shall discuss the time lost.</li>\r\n<li>Any equipment that is ''subject to availability'' on the individual room specifications, needs to be requested prior to the session. This is especially important for guitar amps and backline, which regularly moves around the studios. There may be a delivery charge for this equipment if it is at another studio.</li>\r\n<li>Piano tuning is charged from &pound; 75.00 / call out. We would always recommend that you tune the piano prior to use.</li>\r\n<li>Contrary to some rumours concocted by our competitors, tea and coffee is free throughout the day and we may throw in the odd sweet or two if you are good.</li>\r\n</ul>\r\n<p>\r\n<p><strong>Day Rate</strong></p>\r\n<p>This is the day rate of The Engine Room. The day is a 12 hour day. A lockout day rate (upto 7am the following morning) can be arranged by calling the office prior to the commencement of the session.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Lockout Rate</strong></p>\r\n<p>The Lockout rate for The Engine Room is another &pound; 200.00 on top of the day rate agreed. This will give you as many hours as you need up to 7am in the morning.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>5 day Rate</strong></p>\r\n<p>We can offer the 5 day rate on all of our rooms for bookings under 5 days. This is a cheaper rate you can book the studio for, but we can only confirm the session 72 hours prior to the start of the session. This allows us to be flexible when a large 7 day booking comes in which needs the same time you may be holding for one day. In the event this occurs we will either offer you another room (which may sometimes be an upgrade) or we shall ask you to re-schedule or you can always pay the Book Rate. If the booking is over 5 consecutive days you can confirm the 5 day rate of the studio at any time.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Unsigned Rate (Flexi Rate)</strong></p>\r\n<p>If you are a band / artist and are unsigned we may be able to offer you our unsigned rate. Please note if you are Radiohead who may not technically need a record deal we do not consider you unsigned! The unsigned rate is only for bands that do not have professional representation and are not signed.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>If you hold studio time at the Unsigned Flexi rate and we receive an enquiry from a client who is prepared to pay and confirm at the full rate for the same dates you have held we will give you the option to match that rate. If you choose not to do this we will try to move you to another suitable studio if there is one available. If no other studios are available we will have to ask you to change your session dates. We will not confirm sessions at the Unsigned Flexi rate until 24 hours before the session and advise that clients do not book transport, hotels etc until your session is confirmed with us.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>If clients booking at the Unsigned Flexi rate bring their own engineer then the studio rate will include an assistant. For an additional &pound;50.00 you can choose to have one of our younger engineers who will work without an assistant, or you can pay for one of our full-rate engineers who will also work without an assistant.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>These costs are all payable in advance of the session and valid credit card details will be needed at the time of confirming the session.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Unsigned Rate (Book It Now)</strong></p>\r\n<p>The ''Book It Now'' unsigned rate has exactly the same terms as the ''Flexi'' unsigned rate as in you must be unsigned! However for an extra charge you can confirm your session in advance of the session dates. This charge varies between &pound;75 or &pound;100 depending on which studio you are booking. Once confirmed and paid for at the ''Book It Now'' rate we will not move your session. These costs are payable when you book the studio and not 24 hours in advance of your session.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>As with the Unsigned Flexi rate we will require valid credit card details at the time of confirming the session.</p>\r\n<div></div>\r\n</p>";}}}}', NULL),
(135, 16, 38, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:4:{s:8:"Postcode";s:8:"NW10 2NB";s:7:"Address";s:25:"1 Maybury Gardens, London";s:3:"lat";s:10:"51.5464511";s:3:"lng";s:11:" -0.2343622";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Directions";s:2075:"<p>\r\n<p><strong>Directions from outside London </strong></p>\r\n<p><strong>From the M1 (Luton)</strong></p>\r\n</p>\r\n<ul>\r\n<li>For the M1 from Luton, travel southbound for roughly 23 miles past Harpenden, Redbourn, Hemel Hempstead, Abbots Langley, and across M25 into London.</li>\r\n<li>Approaching Brent Cross, take the exit at Junction 1 towards A40/M4/Wembley</li>\r\n<li>You will come to a roundabout. Take the third exit onto the North Circular Road, and continue for about half a mile.</li>\r\n<li>At the next roundabout, take the first exit onto the A5/Edgware Road ramp.</li>\r\n<li>Take a slight right at the A5/Edgware Road, and continue to follow the A5 for about a mile.</li>\r\n<li>Turn right at Chichele Road/A407 and continue for just under a mile.</li>\r\n<li>Turn right onto Willesden Lane and continue for just under half a mile</li>\r\n<li>You will go past Willesden Green underground station on your right, then shortly after is Maybury Gardens on the left. Assault & Battery 2 is located in a charcoal blue building on the right-hand side of the road.</li>\r\n</ul>\r\n<p>\r\n<p><strong>From the M4 (Heathrow)</strong></p>\r\n</p>\r\n<ul>\r\n<li>For the M4 from Heathrow, travel East towards Central London</li>\r\n<li>Exit the motorway at Junction 2 onto the A4 towards the A406, and then join the A406 by taking the first exit at Chiswick roundabout.</li>\r\n<li>Continue along the A406/North Circular Road for roughly 6 miles, and then exit onto Neasden Lane/A4088</li>\r\n<li>Once on the A4088, continue for a mile. You will go through one roundabout, and then turn left at the A407/High Road.</li>\r\n<li>Maybury Gardens is less than half a mile along the High Road on the right. The studio is located in a charcoal blue building on the right side of the road.</li>\r\n</ul>\r\n<p>\r\n<p><strong>By Cab</strong></p>\r\n<ul>\r\n<li>By cab ask to go to Willesden Green underground station. Once at the station, continue West along Walm Lane momentarily, and then take a right onto the High Road at the traffic lights. From there, Maybury Gardens is the fifth turning on the left.</li>\r\n</ul>\r\n</p>";}}}}', NULL),
(136, 13, 33, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:289:"<p>There is a good and varied selection of hotels near The Garden, from the top end splendour of The Great Eastern at Liverpool Street and the wonderful new Hotel St Gregory, to places a little further down the scale like Holiday Inn Express and its cronies. A selection is as follows:</p>";}}s:6:"group2";a:6:{i:1;a:3:{s:11:"Hotel Image";s:33:"201106260701512284771russells.jpg";s:10:"Hotel Name";s:20:"Russell''s of Clapton";s:17:"Hotel Description";s:656:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Chatsworth Road, London E5 0LA<br />+44 (0)797 666 9906<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://russellsofclapton.com/">russellsofclapton.com</a><br /><br />Russell''s of Clapton is a new upmarket B&amp;B in East London run by ex-music industry pro Annette Russell. It is a modern-update of a traditional B&amp;B, following examples in cities such as New York, Berlin and Barcelona. Based in Clapton, this chic and charming house is a perfect place to stay for those wishing to avoid London''s tourist traps.&nbsp;</span></p>";}i:2;a:3:{s:11:"Hotel Image";s:31:"201106260717352707859conran.jpg";s:10:"Hotel Name";s:16:"Conran Boundary ";s:17:"Hotel Description";s:548:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">2-4 Boundary Street, Shoreditch, London E2 7JE<br />(0)20 7729 1051<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.theboundary.co.uk/">www.theboundary.co.uk</a><br /><br />Opened in 2009, The Boundary is a unique and very trendy warehouse conversion featuring a 17-bed hotel, bar, restaurant and rooftop terrace. There''s a very green theme throughout, plus an impressive range of contemporary artwork.&nbsp;</span></p>";}i:3;a:3:{s:11:"Hotel Image";s:30:"201106260718392645151andaz.jpg";s:10:"Hotel Name";s:35:"Andaz Liverpool Street London Hotel";s:17:"Hotel Description";s:740:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Liverpool Street, London EC2M 7QN<br />(020) 7961 1234<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://london.liverpoolstreet.andaz.com/">london.liverpoolstreet.andaz.com</a><br /><br />Loitering at the luxurious end of the scale the Andaz Liverpool Street boasts: widescreen TV, ergonomic workstations with dataports, queen and king-sized beds, swanky furnishings, a DVD library and host of other quality amenities. Their website''s suitably flashy but not that easy to navigate, while it''s currently unclear whether or not your clothes have to match the decor (see photo). Approximately 20 minutes walk.</span></p>";}i:4;a:3:{s:11:"Hotel Image";s:35:"201106260718532518544crownplaza.jpg";s:10:"Hotel Name";s:22:"Crown Plaza Shoreditch";s:17:"Hotel Description";s:656:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">100 Shoreditch High St, London E1 6JQ<br />08707 544 447<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.crowneplaza.co.uk/">www.crowneplaza.co.uk</a><br /><br />Formerly the renowned ''Hotel Saint Gregory'', 100 Shoreditch High Street now comes in the form of a 4-star Crown Plaza. A six-minute walk exactly (!) from London''s Liverpool Street station, this high-standard hotel is brilliantly positioned for the bustling East End, Miloco''s Square and Garden studios, and inner-city and National Rail train connections.</span></p>";}i:5;a:3:{s:11:"Hotel Image";s:36:"201106260719082227563hoxtonhotel.jpg";s:10:"Hotel Name";s:16:"The Hoxton Hotel";s:17:"Hotel Description";s:605:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">81 Great Eastern Street, London EC2A 3HU<br />(020) 7550 1000<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.hoxtonhotels.com/">http://www.hoxtonhotels.com</a><br /><br />A new venture from the Pret A Manger empire, the hotel is said to be "where urban living meets country lodge lounging." They boast "roaring fires and cool cocktails, Frette linen and flat screen TV''s." There''s a great bar and restaurant too and, rather fabulously, "amazing cheap rates."&nbsp;</span></p>";}i:6;a:3:{s:11:"Hotel Image";s:36:"201106260719362848826bishopsgate.jpg";s:10:"Hotel Name";s:16:"196 Bishopsgate ";s:17:"Hotel Description";s:825:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">196 Bishopsgate, Liverpool Street, London, England EC2M 4NR<br />(020) 7621 8788<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.196bishopsgate.com/">http://www.196bishopsgate.com/</a><br /><br />Somerset Bishopgate provides a home away from home providing the perfect location for both corporate and tourist alike. Perfect if travelling alone, their extensive cooking facilities (provided in every apartment) allow you to cook for yourself. A very secure environment with contemporary decor and in a great location, Somerset Bishopgate has the style of a hotel and the freedom of an apartment. 24-hour portage and reception is also available along with a local health club for guests.</span></p>";}}}}', NULL),
(137, 6, 24, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:9:"Equipment";s:4150:"<p><strong>Plug-Ins</strong></p>\r\n<p>Antares Auto-Tune TDM</p>\r\n<p>Aphex Aural Exciter</p>\r\n<p>Aphex Big Bottom</p>\r\n<p>Avid  Bomb Factory Funk Logic Masterizer</p>\r\n<p>Avid Bomb Factory BF-2A</p>\r\n<p>Avid Bomb Factory BF-3A</p>\r\n<p>Avid Bomb Factory BF76</p>\r\n<p>Avid Bomb Factory Cosmonaut Voice</p>\r\n<p>Avid Bomb Factory Fairchild 660</p>\r\n<p>Avid Bomb Factory Fairchild 670</p>\r\n<p>Avid Bomb Factory JOEMEEK SC2</p>\r\n<p>Avid Bomb Factory JOEMEEK VC5</p>\r\n<p>Avid Bomb Factory Moogerfooger 12-Stage Phaser</p>\r\n<p>Avid Bomb Factory Moogerfooger Analog Delay</p>\r\n<p>Avid Bomb Factory Moogerfooger Lowpass Filter</p>\r\n<p>Avid Bomb Factory Moogerfooger Ring Modulator</p>\r\n<p>Avid Bomb Factory Pultec EQH-2</p>\r\n<p>Avid Bomb Factory Pultec EQP-1A</p>\r\n<p>Avid Bomb Factory Pultec MEQ-5</p>\r\n<p>Avid Bomb Factory Purple Audio MC77</p>\r\n<p>Avid Bomb Factory Sansamp PSA-1</p>\r\n<p>Avid Bomb Factory Slightly Rude Compressor</p>\r\n<p>Avid Bomb Factory Tel-Ray Variable Delay</p>\r\n<p>Avid Bomb Factory Voce Chorus/Vibrato</p>\r\n<p>Avid Bomb Factory Voce Spin</p>\r\n<p>Avid Bruno/ Reso</p>\r\n<p>Avid D-Fi</p>\r\n<p>Avid DigiRack Chorus</p>\r\n<p>Avid DigiRack Click</p>\r\n<p>Avid DigiRack D-Verb</p>\r\n<p>Avid DigiRack DigiReWire</p>\r\n<p>Avid DigiRack Dither</p>\r\n<p>Avid DigiRack Dynamics III</p>\r\n<p>Avid DigiRack EQ III</p>\r\n<p>Avid DigiRack Flanger</p>\r\n<p>Avid DigiRack Invert/Duplicate</p>\r\n<p>Avid DigiRack Mod Delay II</p>\r\n<p>Avid DigiRack Normalize-Gain Change</p>\r\n<p>Avid DigiRack Ping-Pong Delay</p>\r\n<p>Avid DigiRack Pitch</p>\r\n<p>Avid DigiRack Reverse-DC Removal</p>\r\n<p>Avid DigiRack Signal Generator</p>\r\n<p>Avid DigiRack Time Comp-Exp-Pitch Shift</p>\r\n<p>Avid DigiRack TimeShift</p>\r\n<p>Avid DigiRack Trim</p>\r\n<p>Avid Maxim</p>\r\n<p>Avid Reverb One</p>\r\n<p>Avid Smack!</p>\r\n<p>Avid SoundReplacer</p>\r\n<p>Avid Synchro Arts VocALign</p>\r\n<p>Cranesong Phoenix</p>\r\n<p>Drawmer Dynamics</p>\r\n<p>Eventide H949 Harmonizer</p>\r\n<p>Focusrite D2</p>\r\n<p>Focusrite D3</p>\r\n<p>Line 6 Amp Farm</p>\r\n<p>Line 6 Echo Farm</p>\r\n<p>Massenburg DesignWorks MDW EQ 2</p>\r\n<p>McDSP FilterBank</p>\r\n<p>McDSP MC2000</p>\r\n<p>Sonnox Oxford EQ</p>\r\n<p>Soundtoys Crystallizer</p>\r\n<p>Soundtoys EchoBoy</p>\r\n<p>Soundtoys FilterFreak</p>\r\n<p>Soundtoys PhaseMistress</p>\r\n<p>Soundtoys PitchBlender</p>\r\n<p>Soundtoys PitchDoctor</p>\r\n<p>Soundtoys PurePitch</p>\r\n<p>Soundtoys Speed</p>\r\n<p>Soundtoys TimeBlender</p>\r\n<p>Soundtoys Tremolator</p>\r\n<p>TC Electronic MasterX3</p>\r\n<p>URS A10 Series EQ</p>\r\n<p>URS N12 Series EQ</p>\r\n<p>Waves AudioTrack</p>\r\n<p>Waves C1 Comp &amp; Sidechain</p>\r\n<p>Waves C1 Comp-Gate</p>\r\n<p>Waves C1 Gate</p>\r\n<p>Waves C1 Parametric Compander</p>\r\n<p>Waves C4 MultiBand Compressor</p>\r\n<p>Waves DeEsser</p>\r\n<p>Waves Doppler</p>\r\n<p>Waves Doubler</p>\r\n<p>Waves Enigma</p>\r\n<p>Waves H-Comp Hybrid Compressor</p>\r\n<p>Waves H-Delay Hybrid Delay</p>\r\n<p>Waves IR-L Parametric Convolution Reverb</p>\r\n<p>Waves L1 Ultramaximizer</p>\r\n<p>Waves L2 Ultramaximizer</p>\r\n<p>Waves L3 Ultramaximizer</p>\r\n<p>Waves L3-LL Ultramaximizer</p>\r\n<p>Waves Linear Phase Equalizer Broadband</p>\r\n<p>Waves Linear Phase Equalizer Lowband</p>\r\n<p>Waves Linear Phase MultiBand</p>\r\n<p>Waves MV2 Dynamics Processor</p>\r\n<p>Waves MaxxBass</p>\r\n<p>Waves MaxxVolume</p>\r\n<p>Waves MetaFlanger</p>\r\n<p>Waves MondoMod</p>\r\n<p>Waves PAZ Analyzer</p>\r\n<p>Waves PS22 Stereo Maker</p>\r\n<p>Waves Platinum Bundle</p>\r\n<p>Waves PuigTec EQP-1A</p>\r\n<p>Waves PuigTec MEQ-5</p>\r\n<p>Waves Q10 Paragraphic Equalizer</p>\r\n<p>Waves Renaissance Axx</p>\r\n<p>Waves Renaissance Bass</p>\r\n<p>Waves Renaissance Channel</p>\r\n<p>Waves Renaissance Compressor</p>\r\n<p>Waves Renaissance DeEsser</p>\r\n<p>Waves Renaissance Equalizer</p>\r\n<p>Waves Renaissance Reverb</p>\r\n<p>Waves Renaissance Vox</p>\r\n<p>Waves S1 Stereo Imager</p>\r\n<p>Waves S1 Stereo Matrix</p>\r\n<p>Waves S1 Stereo Shuffler</p>\r\n<p>Waves SuperTap 2-Tap</p>\r\n<p>Waves SuperTap 6-Tap</p>\r\n<p>Waves TrueVerb</p>\r\n<p>Waves Tune LT</p>\r\n<p>Waves UltraPitch</p>\r\n<p>Waves V-Comp</p>\r\n<p>Waves V-EQ3</p>\r\n<p>Waves V-EQ4</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Soft&nbsp;Synths</strong></p>\r\n<p>Access Virus Indigo</p>\r\n<p>Avid A.I.R Xpand!</p>\r\n<p>&nbsp;</p>";}}}}', NULL);
INSERT INTO `pages` (`id`, `studio_id`, `page_layout_id`, `content`, `additional_content`) VALUES (138, 6, 30, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:857:"<p>&nbsp;</p>\r\n<p>In keeping with the 5-star accommodation at El Cortijo, the villa''s kitchen prides itself on a menu of delicious food. There are highly-skilled chefs working at the villa, who prepare evening meals for guests everyday of the week using only fresh local ingredients. These meals alternate between classsic Spanish and French dishes. Breakfast and lunch at El Cortijo are self-service, although we can run a shopping list order and retrieve any food or drink that clients would like. Left-overs from evening meals are kept for up to 24 hours.&nbsp;</p>\r\n<p>Here are a selection of Tapas recipes to give you an idea of the exquisite cuisine you will be treated to during your stay at El Cortijo. You may even fancy a go at cooking these before you leave - you''ll be guaranteed to arrive in true Mediterranean sprits!!&nbsp;</p>\r\n<p>&nbsp;</p>";}}s:6:"group2";a:7:{i:1;a:2:{s:10:"Meal Image";s:39:"201106260322182124819PATATAS BRAVAS.jpg";s:16:"Meal Description";s:853:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>PATATAS BRAVAS</strong>&nbsp;-&nbsp;<em>Serves 2 as starter</em><br />2 large old potatoes / 4 tablesoons olive oil / 1 teaspoon paprika /&nbsp;<br /><sup>1</sup>&frasl;<sub>4</sub>&nbsp;teaspoon cayenne pepper / salt&nbsp;<br /><br />Preheat the oven to gas mark 8. Peel the potatoes and cut them into thick wedges. Pour half of the olive oil into a small gratin dish. Put the dish in the oven and leave until the oil is smoking. Arrange the potatoes in the hot oil in a single layer. Trickle on the rest of the oil, sprinkle with salt and return to the oven. Cook the potatoes until soft inside and crisp on the outside - this will take 25 - 30 minutes. Mix together the paprika and cayenne pepper and sprinkle over the potatoes. Serve hot.&nbsp;</span></p>";}i:2;a:2:{s:10:"Meal Image";s:33:"201106260322542637839DSC00484.JPG";s:16:"Meal Description";s:892:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>AUBERGINE FRITTERS</strong>&nbsp;-&nbsp;<em>Serves 2 as a starter</em><br />1 large aubergine / 2 tablespoons milk / 2 tablespoons plain flour /&nbsp;<br />2 teaspoon paprika oil for shallow-frying / salt&nbsp;<br /><br />Wipe and hull the aubergine and cut into thin slices. Salt the slices and put them in a colander to drain for half an hour. Rinse and pat dry. Pour the milk onto a flat plate. Spread the flour onto another plate and mix in the paprika. Heat a finger''s width of oil in a frying pan. When it hazes with blue smoke, dip the slices of aubergine first in the milk and then in the flour, and then slip them into the hot oil. Fry them until they are crisp. Transfer to kitchen paper to drain. Continue until all the aubergine is done. Serve the fritters immediately.&nbsp;</span></p>";}i:3;a:2:{s:10:"Meal Image";s:66:"201106260323222407416how-to-make-patatas-a-lo-pobre.WidePlayer.jpg";s:16:"Meal Description";s:776:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>PATATAS A LO POBRE (Poor Man''s Potatoes)</strong>&nbsp;-&nbsp;<em>Serves 4</em><br />1 kg potatoes / 100ml olive oil / 10 peppercorns / 2 cloves garlic /&nbsp;<br /><sup>1</sup>&frasl;<sub>4</sub>&nbsp;teaspoon cumin /&nbsp;<sup>1</sup>&frasl;<sub>2</sub>&nbsp;teaspoon paprika / 50ml water /&nbsp;<br />1 teaspoon salt / 1 tablespoon vinegar&nbsp;<br /><br />Peel potatoes and slice. Heat the oil in a frying pan and fry them slowly, turning frequently, until they are tender and slightly brown. In the mortar, grind the peppercorns, garlic, cumin and paprika. Dissolve in water and add to the potatoes with salt and vinegar. Cook a few minutes more and serve hot.&nbsp;</span></p>";}i:4;a:2:{s:10:"Meal Image";s:35:"201106260326412653229mushrooms1.jpg";s:16:"Meal Description";s:799:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>SETAS AL JEREZ (Wild Mushrooms with Sherry)</strong>&nbsp;-&nbsp;<em>Serves 6</em><br />500g wild mushrooms / 50ml olive oil / 1 kg potatoes / 100ml olive oil /&nbsp;<br /><sup>1</sup>&frasl;<sub>2</sub>&nbsp;onion chopped / 2 cloves garlic, chopped / 125ml dry sherry / salt and pepper /&nbsp;<br />1 hard boiled egg / chopped parsley&nbsp;<br /><br />Cut the mushrooms into regular size pieces. Heat the oil in a frying pan and put in the mushrooms. Fry them until they stop sweating out liquid (can take around 20 minutes). Add the chopped tomatoes and garlic. When it is browned, add the sherry, salt and pepper and simmer for 10 minutes. Serve sprinkled with chopped egg and parsley.&nbsp;</span></p>";}i:5;a:2:{s:10:"Meal Image";s:43:"201106260327572813288croquetas-de-pollo.jpg";s:16:"Meal Description";s:1809:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>CROQUETAS DE POLLO (Good for the freezer)</strong>&nbsp;-&nbsp;<em>Makes 20-25 croquettes</em><br />5 tbsp olive oil or 125g butter / 4 rounded tbsp plain flour / 450ml chicken stock&nbsp;<br />or milk / 125g cooked chicken breast, finely chopped / 1 tbsp chopped parsley /&nbsp;<br /><sup>1</sup>&frasl;<sub>2</sub>&nbsp;teaspoon grated nutmeg / salt and pepper&nbsp;<br /><br /><strong>The Coating</strong>: 3-4 tablespoons seasoned plain flour, 1 egg beaten with 2 tablespoons milk, 4-5 tablespoons toasted breadcrumbs, oil for frying.&nbsp;<br /><br />Heat the oil or butter in saucepan. Stir in flour and let it froth up for a moment. Beat in the stock gradually with a wooden spoon. Cook over a gentle heat until you have a very thick soft sauce. Stir in the chopped chicken, parslet and nutmeg. Taste and add salt and pepper. Spreas the mixture on a plate and cover it with another inverted plate. Leave to cool and firm in the fridge for an hour or two - overnight if possible. When you are ready to cook, spread the seasoned flour on one plate, the egg and milk on a second plate, and the breadcrumbs on a third. With a knife, marj the chicken sauce into 20-25 short stubby fingers, Roll each finger first in the flour, and then in the egg mixture, and finally press it firmly into the breadcrumbs.&nbsp;<br /><br />All surfaces should be well coated or the croquette will burst in the hot oil. Continue util all the sauce is used up. Heat two fingers depth of oil in a frying pan. Whe it is lightly hazed with blue smoke, slip in the croquettes a few at a time - not too many or the oil temperature will drop. Fry them until crisp and golden brown. Serve the croquettes piping hot from the pan.</span></p>";}i:6;a:2:{s:10:"Meal Image";s:46:"201106260328122127323tortillitas-camarones.jpg";s:16:"Meal Description";s:947:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>TORTILLAS DE CAMARONES A LA CADITANA (Shrimp Fritters, Cadiz Style)</strong><em>Makes 3 dozen</em><br /><sup>1</sup>&frasl;<sub>2</sub>&nbsp;onion, minced / 2 tbsp parsley /&nbsp;<sup>1</sup>&frasl;<sub>4</sub>&nbsp;teaspoon baking powder /&nbsp;<sup>1</sup>&frasl;<sub>2</sub>&nbsp;ltr water /&nbsp;<br />50 ml white wine / 1 teaspoon salt / oil for frying / dash of cayenne pepper.&nbsp;<br /><br />Mix the minced onion and choopped parsley with the shrimp. Add the flour and baking powder, then stir in the water and wine to make a heavy batter. Season with salt and a dash of cayenne pepper. Cover and let set refrigerated for 3 hours. Heat the oil about 2cm deep in a frying pan. Drop spoonfuls of the batter into the oil and fry until golden brown, turning to fry the other side. Remove and drain on paper towelling and serve hot.&nbsp;</span></p>";}i:7;a:2:{s:10:"Meal Image";s:43:"201106260328292668121ASPARAGUS TIMBALES.jpg";s:16:"Meal Description";s:974:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>ASPARAGUS TIMBALES</strong>&nbsp;-&nbsp;<em>Serves 6</em><br />500g fresh asparagus spears / 30g butter / 2 tbsp wholemeal flour /&nbsp;<br />1 medium onion chopped / 1 cup grated tasty cheese / 4 eggs, lightly beaten /&nbsp;<sup>1</sup>&frasl;<sub>2</sub>&nbsp;large vegetable stock cube / pink ground nutmeg.&nbsp;<br /><br />Boil or steam asparagus until tender, drain. Melt the butter in small frying pan, add onion, stir over medium heat for one minute, transfer to large bowl. Blend asparagus until smooth, add to bowl with cheese, eggs, stock cube and nutmeg, mix well. Pour mixture into 6 greased timbale moulds (<sup>1</sup>&frasl;<sub>2</sub>&nbsp;cup capacity), cover each mould with tinfoil. Place moulds in a baking dish, pour in enough boiling water to come half way up sides of moulds. Bake in moderately slow oven for about 45 minutes or until well set.</span></p>";}}}}', NULL),
(139, 6, 23, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{i:0;s:1152:"<p>\r\n<p><strong>What the rates include</strong></p>\r\n</p>\r\n<ul>\r\n<li>All days are 24 hour lockout days.</li>\r\n<li>All the prices exclude VAT which is chargeable at 20%.</li>\r\n<li>The rates do not incude an assistant or engineer. You can hire one of our engineers and/or assistants on top of the rate.</li>\r\n<li>A maintenance engineer will be on hand to start the session and on call there after</li>\r\n<li>All prices exclude tapes/materials, cabs and hire costs.</li>\r\n<li>The rates include the equipment shown on the equipment specification but as you can imagine the gear does break from time to time. If we cannot replace the gear we cannot offer a discount on the rate. Of course in the unlikely scenario that a major breakdown happens during the session (such as the console / tape machine) we shall discuss the time lost.</li>\r\n<li>Any equipment that is ''subject to availability'' on the individual room specifications, needs to be requested prior to the session.</li>\r\n<li>Accommodation is included for up to 5 people. For any extra people the rate will be &pound; 60 pppd.</li>\r\n<li>Catering is Amazing ! Chargeable @ &pound; 32 pppd.</li>\r\n</ul>";}}}}', NULL),
(140, 6, 38, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:4:{s:8:"Postcode";s:18:"Malaga 29679 spain";s:7:"Address";s:66:"Urb El Madronal, Entrada 6 Casa 85, Benahavis, Malaga 29679, Spain";s:3:"lat";s:18:"36.536255749822246";s:3:"lng";s:18:"-4.999410550759876";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Directions";s:4038:"<p>\r\n<p>El Cortijo is equidistant between Malaga and Gibraltar Airports. Malaga is generally slightly quicker as you do not have to cross a border and there are more flights from the UK to Malaga. There are various carriers that fly to Malaga. They include:-</p>\r\n<p>BMI, Monarch, BA, Easyjet, Jet2, Air Malta, Aer Lingus, Ryan Air & Flybe. Monarch and British Airways fly to Gibraltar from the UK. </p>\r\n<p><strong>From Malaga Airport (Journey time approx. 45 minutes)</strong></p>\r\n<p>From the airport keep right, passing the San Miguel Brewery. Once you have passed the airport on your right hand side, stay right to take the A7/E15 in the direction of Benalmadena/Algeciras/Cadiz. Near the exit to Mijas and Fuengirola, keep left to follow the motorway (peaje) AP7/E15. You will pass the first tollbooth at Calahonda where you pay a maximum of €5.30. Continue on the motorway, pass Marbella and again keep left when the road splits into A7/N-340 and peaje, following AP7/E15 to Algeciras/Cadiz. Before the next tollbooth take exit 217 signposted to Ronda/San Pedro de Alcantara. Here you pay a maximum of €2,30. </p>\r\n<p>When leaving the motorway you come to the provincial road A-376. Drive down to the first roundabout and go all the way round it in order to take the road in the opposite direction, towards Ronda. Follow this road up the hill, pass La Perla de la Heredia on your right and continue. You will pass the first entrance to El Madronal estate on your right and a restaurant called "El Coto" on your left, continue past entrances 2, 3, 4 and 5 and turn right into entrance 6 of El Madronal called ''Loma de las Colmenas''. To the left of the entrance gate is a post with a speakerphone on it. Press the button, and when they answer, tell them that you are going to No.85 (Senor Morais). They should then open the gate. Follow the road down and "El Cortijo" is the fifth house on the left.</p>\r\n<p>Malaga Airport has a number of Car Hire companies located in it. Avis operates from the airport and you can hire a car by registering and booking online at <strong>www.avis.co.uk/CarHire/Europe/Spain/Malaga/Malaga-Airport.</strong></p>\r\n<p>A popular alternative seems to be Car Jet, which you can investigate at <strong>www.carjet.co.uk/car-hire/spain/malaga-airport. </strong></p>\r\n<p><strong>From Gibraltar Airport (Journey time approx. 45 minutes)</strong></p>\r\n<p>After crossing the border and exiting Gibraltar, turn right, go to the first roundabout and go all the way round so that you are heading back the way you came. Continue on this dual carriageway all the way along La Linea seafront and on through a small town. After a while you will pass the oil refinery on your left, and a short while later the road goes up a long hill. Near the top of the hill, take the Carretera de Cadiz N-340 in the direction of Estepona/Malaga. When the road splits into the A7 and AP7, keep left and take the motorway (peaje) AP7 towards Malaga. Before the next tollbooth you take the exit signposted to Ronda/San Pedro de Alcantara. Here you pay a maximum of €2.40. When leaving the motorway you come to the provincial road A-376. Drive down to the first roundabout and go all the way round it in order to take the road in the opposite direction, towards Ronda. Follow this road up the hill, pass La Perla de la Heredia on your right and continue. You will pass the first entrance to El Madronal estate on your right and a restaurant called "El Coto" on your left, continue past entrances 2, 3, 4 and 5 and turn right into entrance 6 of El Madronal called ''Loma de las Colmenas''. To the left of the entrance gate is a post with a speakerphone on it. Press the button, and when they answer, tell them that you are going to No.85 (Senor Morais). They should then open the gate. Follow the road down and "El Cortijo" is the fifth house on the left.</p>\r\n<p>Car Jet also operate from Gibraltar Airport. For rates and enquiries for car hires go to <strong>www.carjet.co.uk/car-hire/spain/gibraltar-airport</strong></p>\r\n</p>";}}}}', NULL),
(141, 6, 34, 'a:1:{s:2:"en";a:3:{s:6:"group1";a:1:{i:1;a:1:{s:10:"Intro Text";s:810:"<p>&nbsp;</p>\r\n<p>Andalucia is a large region of Southern Spain and is littered with historic towns and cities, each with their own sites, attractions and activities. The cities of Seville, Granada, Cadiz, Ronda and Malaga are situated in Andalucia, and are all reachable from El Cortijo should you want to pay a visit, although some are a few hours drive away.&nbsp;</p>\r\n<p>Below is a selection of sites and attractions all within an hour''s drive from El Cortijo. Whether you are looking for a fashionable bar and restaurant in Puerto Banus, an afternoon lazing around on the beaches of Marbella, a round of golf at one of the area''s many beautiful courses, or perhaps a day of whale watching in Tarifa, you should have no problems in finding the ideal place to enjoy your free time.&nbsp;</p>\r\n<p>&nbsp;</p>";}}s:6:"group2";a:8:{i:1;a:6:{s:11:"Place Image";s:32:"201106241306422148745beaches.jpg";s:5:"Title";s:35:"The Marbella Beaches / Water Sports";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:675:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Marbella has around 27 kms of beaches. Some of the most popular are in Guadalmina, Linda Vista, Rio Verdi and Puerto Banus. There a variety of water sports on most of the beaches in Marbella, including water skiing, jet skiing, parasailing and pedalos. The beaches are of different sizes, but they are all made up of the thick golden sand so typical of the Mediterranean. The sea water is notoriously clean along the Costa del Sol, which contributes to making these shores some of Europe''s most beautiful. The Marbella coastline is a 15-minute drive from El Cortijo.&nbsp;<br /></span></p>";}i:2;a:6:{s:11:"Place Image";s:29:"201106241307042581104golf.jpg";s:5:"Title";s:5:"Golf ";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:23:"http://www.rioreal.com/";s:11:"Description";s:527:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Golf is hugely popular in the region, hence the area is spoiled with great courses. You will find many of these occupied by serious golfers taking golf package holidays, but this should not put you off experiencing these sublime courses yourself. Some clubs cater for the less-serious golfer wanting an afternoon round, and they include the Rio Real (pictured) and Marbella Golf Club, which will cost 60 to 100 euros for 18 holes.</span></p>";}i:3;a:6:{s:11:"Place Image";s:41:"201106241307272912544dolphin-watching.jpg";s:5:"Title";s:35:"Whale and Dolphin watching, Tarifa.";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:506:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Tarifa is a town on the Spanish mainland to the West of Gibraltar, which looks out across the Strait of Gibraltar to the North coast of Morocco. The Strait is renowned as being a fantastic place to spot whales and dolphins, so much so that The Blue Planet TV series was filmed at this location. Tarifa is also famous as a world championship wind surfing course, and is also very popular for parasailing.&nbsp;</span></p>";}i:4;a:6:{s:11:"Place Image";s:32:"2011062413075021114373524025.jpg";s:5:"Title";s:27:"Marbella Gun & Country Club";s:7:"Address";s:41:"Cuesta de la Herrera, 29110 Monda, Malaga";s:12:"Phone Number";s:16:"+34 95 211 2161 ";s:7:"Website";s:41:"http://www.marbellagunandcountryclub.com/";s:11:"Description";s:503:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">If you fancy something a bit different, you can always have a go at clay pigeon shooting. This shooting club is one of the best in Europe and provides one of the most stunning backdrops to a shooting range you will ever see. Other activites on offer here are air pistol and crossbow ranges, quadbiking and horseriding. The restaurant has regular BBQ''s and a carvery on Sundays. Accommodation on-site.&nbsp;</span></p>";}i:5;a:6:{s:11:"Place Image";s:32:"201106241308152446460picasso.jpg";s:5:"Title";s:27:"The Picasso Museum, Malaga.";s:7:"Address";s:53:"Palacio de Buenavista, c/ San Agustin, 8 29015 Malaga";s:12:"Phone Number";s:14:"+34 952 127600";s:7:"Website";s:34:"http://www.museopicassomalaga.org/";s:11:"Description";s:389:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">5 minutes from Picassso''s birthplace, this magnificent art gallery showcases much of the art from his illustrious career. Situated within the Palacio de Buenavista, there are roughly 200 works across the museum''s 12 halls. The Palacio is situated in Malaga''s historic town centre.&nbsp;<br /></span></p>";}i:6;a:6:{s:11:"Place Image";s:29:"2011062413084827142image1.jpg";s:5:"Title";s:26:"Gibralfaro Castle, Malaga ";s:7:"Address";s:31:"Camino Gibralfaro, Malaga 29016";s:12:"Phone Number";s:18:"+34 (0)95 213 5502";s:7:"Website";s:0:"";s:11:"Description";s:469:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Gibralfaro Castle is one of the oldest sites in the area and dates from the 8th century when it was originally built by the Moors. It was rebuilt in the 14th and 15th centuries and was importantly used in the Spanish Civil War. Today there is a museum within the castle explaining the history of Malaga. A wall connects the castle with the Arabic fortress, Alcazaba.&nbsp;</span></p>";}i:7;a:6:{s:11:"Place Image";s:32:"201106241310202708787images2.jpg";s:5:"Title";s:16:"Alcazaba, Malaga";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:421:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Built in 1057, the Alcazaba is one of the prominent features of Malaga left by its Arabic rulers of the time. It sits on the lower part of the ridge to the Gibralfaro Castle and is connected to it by a long rampart providing stunning views across Malaga. One of the most popular features of the fortress is the garden.&nbsp;</span></p>";}i:8;a:6:{s:11:"Place Image";s:31:"201106241312492151349images.jpg";s:5:"Title";s:17:"Alhambra, Granada";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:688:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Alhambra palace and fortress is one of the most famous buildings in Andalucia. Located in the city of Granada, its first historical references arose during the war between the Arabs and Muladies in the 800s, and it has been occupied by Moors, Arabs and Christian rulers during its time. It has been developed into a complex over the centuries which incorporates a Renaissance palace, Muslim court and Moorish fortress. Today it is a museum exhibiting exquisite Islamic architecture thought to be hugely influential due to many 19th and 20th century interpretations of the building.&nbsp;</span></p>";}}s:6:"group3";a:6:{i:1;a:6:{s:11:"Place Image";s:36:"201106260249262475903trader-vics.jpg";s:5:"Title";s:25:"Trader Vics, Puerto Banus";s:7:"Address";s:45:"Urbanizacion Alcazaba, Puerto Banus, Marbella";s:12:"Phone Number";s:15:"+34 952 816 100";s:7:"Website";s:44:"http://www.tradervics.com/rest-marbella.html";s:11:"Description";s:431:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Trader Vics has become a hugely popular bar and restaurant in Puerto Banus. The diverse food menu includes a wide selection of wok dishes and wood fired oven meals, and the venue has one of the most famous cocktail menus around. Located within the Alcazaba complex, the venue is surrounded by tropical gardens, pools and rivers.&nbsp;</span></p>";}i:2;a:6:{s:11:"Place Image";s:38:"201106260250262390829homepage_shot.jpg";s:5:"Title";s:25:"The Beach House, Marbella";s:7:"Address";s:62:"Urb. Coto de los Dolores, Elviria Hills, Marbella East, 29600.";s:12:"Phone Number";s:15:"+34 952 839 458";s:7:"Website";s:37:"http://www.thebeachhousemarbella.com/";s:11:"Description";s:541:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Beach House is in the Elviria Hills part of Marbella and sits on its own sheltered part of the beach. It serves a wide selection of Spanish and International food, with the various fish dishes apparently a firm favourite. Many guests tend to use this venue as a place to spend the day - a sports club gives customers the option to do water sports around the bay, and the restaurant provides sun-recliners for just a few euros per day.&nbsp;</span></p>";}i:3;a:6:{s:11:"Place Image";s:52:"201106260251162752240Terra Sana, Nueva Andalucia.jpg";s:5:"Title";s:27:"Terra Sana, Nueva Andalucia";s:7:"Address";s:50:"Next to Casino Marbella, Nueva Andalucia, Marbella";s:12:"Phone Number";s:15:"+34 952 906 205";s:7:"Website";s:25:"http://www.terrasana.net/";s:11:"Description";s:482:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">One of many trendy hangouts in and around Puerto Banus, Terra Sana (literally translated to ''Healthy Earth''), is set out across two floors and features an outdoor terrace. Dedicated to serving the freshest food from the best ingredients in the area, Terra Sana leaves clients feeling as healthy as can be. Look out for their ''Catch of the Day'' fish dishes and shots of Vitamin C.&nbsp;</span></p>";}i:4;a:6:{s:11:"Place Image";s:60:"201106260252282206713marbellagrillMOS_428x269_to_468x312.jpg";s:5:"Title";s:24:"The Marbella Club Grill ";s:7:"Address";s:33:"Crta. de Cadiz, km. 178, Marbella";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:533:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Start your evening at the Marbella Club Grill in the beautiful cocktail garden, and then move to your table to indulge in the excellent and innovative grill menu boasting both Spanish and International dishes. First-class waiters are on hand to guide you through the encyclopedic wine menu, and when the spectacular terrace opens in the summer months, you can see why this is one of the true gems of the Marbella restaurant scene.&nbsp;</span></p>";}i:5;a:6:{s:11:"Place Image";s:37:"201106260253232925848La Meridiana.jpg";s:5:"Title";s:12:"La Meridiana";s:7:"Address";s:28:"Camino De La Cruz, Marbella.";s:12:"Phone Number";s:17:"+34 952 776 190	 ";s:7:"Website";s:31:"http://www.meridiana-notte.com/";s:11:"Description";s:592:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">La Meridiana serves quality Spanish cuisine from an extensive menu. The atmosphere of this restaurant is truly unique - the decorations have a very colonial feel, and the dining areas span out into some beautiful Roman gardens. Another endearing element to this place is that most of the staff have worked there since the restaurant was opened over twenty years ago, hence the service is of the highest standard. From 11pm the clientele begin to move next door to the elegant La Notte nightclub.</span></p>";}i:6;a:6:{s:11:"Place Image";s:35:"20110626025446243630MainPicture.jpg";s:5:"Title";s:19:"Sukhothai, Marbella";s:7:"Address";s:47:"Centro Comercial, Marbellamar, L-3 A, Marbella.";s:12:"Phone Number";s:16:"+34 952 770 550 ";s:7:"Website";s:0:"";s:11:"Description";s:437:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This is regarded as one of the best Thai restaurants in town, and is famed for its incredibly flavoursome food. Serving a selection of oriental curries, dryer dishes and seafood, customers are spoiled for choice with what to order. The restaurant is fairly small but hugely popular, so you might want to book a table to avoid queuing.&nbsp;</span></p>";}}}}', NULL),
(142, 6, 33, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:291:"<p>El Cortijo of course offers a 5-star accommodation of its very own. However should larger groups require extra or alternative places to stay, there are some excellent hotels spread across the region. We have picked out some of the popular hotels located near to the villa below.&nbsp;</p>";}}s:6:"group2";a:6:{i:1;a:3:{s:11:"Hotel Image";s:33:"2011062602570128527948B9D4586.JPG";s:10:"Hotel Name";s:32:"Kempinski Hotel Bahia, Estepona ";s:17:"Hotel Description";s:672:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.kempinski-spain.com/">www.kempinski-spain.com</a><br />Costa del Sol Ctra. de Cadiz, km. 159 - Playa El Padron, 29680 Estepona, Malaga. Telephone +34 952 809 400<br /><br />Deemed one of the most exclusive hotels along this stretch of the Med, the rooms and suites at the Kempinski boast exquisite interiors and breathtaking ocean views. The hotel includes 3 marvelous swimming pools, beautiful gardens, a health-spa and a number of live jazz evenings in its bars and eateries.&nbsp;<br /></span></p>";}i:2;a:3:{s:11:"Hotel Image";s:37:"201106260259052391892image_147715.jpg";s:10:"Hotel Name";s:20:"Hotel Puente Romano ";s:17:"Hotel Description";s:646:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.puenteromano.com/">www.puenteromano.com</a><br />Carretera de Cadiz, km. 177, 29600 Marbella. Telephone +34 952 82 09 00<br /><br />The Puente Romano is one of the most luxurious hotels in town and comes with everything you''d expect for a Mediterranean 5-star. It contains a number of restaurants including Roberto''s - an excellent a la carte Italian. There are also occasional gigs by the likes of George Benson, Elton John and Jose Feliciano at the hotel.&nbsp;</span></p>";}i:3;a:3:{s:11:"Hotel Image";s:31:"201106260259452837259002892.jpg";s:10:"Hotel Name";s:19:"Marbella Club Hotel";s:17:"Hotel Description";s:577:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.marbellaclub.com/">www.marbellaclub.com</a><br />Bulevar Principe Alfonso von Hohenlohe, 29600 Marbella.&nbsp;<br />Telephone +34 95 282 2211<br /><br />Another beach-dwelling 5-star. A paradisal golf club (comes as standard!), riding stables and thalasso spa accompany the top-notch accommoadtion at this popular hotel. It also features one of the most acclaimed restaurants in Marbella.&nbsp;</span></p>";}i:4;a:3:{s:11:"Hotel Image";s:46:"201106260300432283116p-lasdunasbeachhotel2.jpg";s:10:"Hotel Name";s:21:"Las Dunas Beach Hotel";s:17:"Hotel Description";s:632:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.las-dunas.com/">www.las-dunas.com</a><br />Urb. La Boladilla Baja, Ctra. Cadiz, Km 163,500, 29689 Estepona, Marbella. Telephone +34 95 280-9500<br /><br />A luxurious 5-star located on the shore slightly to the West of Marbella, on the way out towards the town of Estepona. Las Dunas includes a magnificent health-spa, golf course, a luxury car hire, several restaurants and a range of stunning suites and apartments. 3-day stay minimum.&nbsp;<br /></span></p>";}i:5;a:3:{s:11:"Hotel Image";s:44:"201106260301382787827ESCastillodeMonda61.jpg";s:10:"Hotel Name";s:23:"Hotel Castillo de Monda";s:17:"Hotel Description";s:717:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.castillodemonda.es/english">www.castillodemonda.es</a><br />s/n 29110, Monda, Malaga. Telephone +34 952 457 142<br /><br />Overlooking the white village of Monda, the Castillo is a former Arabic fortress. The hotel has 27 rooms including two suites with their own, jacuzzis, saunas, kitchens and terraces. There are additional deluxe rooms, double rooms and single rooms. The exquisite restaurant serves a range of Andalucian, Mediterranean and Arabic dishes, and all sides of the hotel provide views of the surrounding valleys.&nbsp;</span></p>";}i:6;a:3:{s:11:"Hotel Image";s:51:"201106260302162352330000019520_listing_11279181.jpg";s:10:"Hotel Name";s:21:"Hotel Claude Marbella";s:17:"Hotel Description";s:720:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.hotelclaudemarbella.com/">www.hotelclaudemarbella.com</a><br />Casco Antiguo, Calle San Francisco No.5, 29601 Marbella.&nbsp;<br />Telephone 0034 952 900840<br /><br />This boutique-like hotel is another which dates back several centuries. It was the residence of the famous opera singer Claude Devoize, who it was named after once it became a hotel. There are 6 beautiful double-rooms and a luxury suite, each having been individually decorated and styled from exclusive materials to the region. It is found in the Old Town of Marbella.</span></p>";}}}}', NULL),
(143, 7, 23, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{i:0;s:2991:"<p>\r\n<p>Day Rate<span style="white-space: pre;"> </span><strong> &pound; 500.00 / (12 hour day no accommodation or catering)</strong></p>\r\n<p>5-Day Rate<span style="white-space: pre;"> </span><strong>&pound; 600.00 / (24 hour day including accommodation and catering)</strong></p>\r\n<p>Lockout Rate<span style="white-space: pre;"> </span><strong>&pound; 700.00 / (24 hour day includes use of the backline at no charge)</strong></p>\r\n<p>Half day Rate<span style="white-space: pre;"> </span><strong>NOT AVAILABLE</strong></p>\r\n<p>Hourly Rate<span style="white-space: pre;"> </span><strong>&pound; 80.00 (minimum 3 hours)</strong></p>\r\n<p>&nbsp;</p>\r\n<p>* Prices including catering for up to 5 people and accommodation unless specified</p>\r\n<p>* Days are 24 hours with accommodation and catering, and 12 hours without accommodation</p>\r\n<p>* For more than 5 people an additional &pound;20 per person a day for food. &pound;40 per person food and accommodation.</p>\r\n<p>* Bookings under 5 days cannot use the accommodation</p>\r\n<p><strong>What the rates include</strong></p>\r\n</p>\r\n<ul>\r\n<li>Fisher Lane is booked as 24 hour day when accommodation and catering is required. If accommodation and catering is not required the length of day will be a 12 hour day.</li>\r\n<li>All the prices exclude VAT which is chargeable at 20%.</li>\r\n<li>The rates include an assistant (unless stated) but not an engineer. You can hire one of our engineers on top of the rate.</li>\r\n<li>All prices exclude tapes/materials, cabs and hire costs.</li>\r\n<li>The rates include the equipment shown on the equipment specification but as you can imagine the gear does break from time to time. If we cannot replace the gear we cannot offer a discount on the rate. Of course in the unlikely scenario that a major breakdown happens during the session (such as the console / tape machine) we shall discuss the time lost.</li>\r\n<li>Any equipment that is ''subject to availability'' on the individual room specifications, needs to be requested prior to the session.</li>\r\n<li>Piano tuning is charged from &pound; 75.00 / call out. We would always recommend that you tune the piano prior to use.</li>\r\n<li>And contrary to some rumours concocted by our competitors tea and coffee is free throughout the day and we may throw in the odd sweet or two if you are good.</li>\r\n</ul>\r\n<p>\r\n<p><strong>Day Rate</strong></p>\r\n<p>This is the official day rate of Fisher Lane without accommodation and catering. If you are booking Fisher Lane without accommodation or catering the rate wil be for a 12 hour day. A lockout day rate can be arranged by calling the office prior to the commencement of the session.</p>\r\n<p><strong>Lockout Rate</strong></p>\r\n<p>The Lockout rate for Fisher Lane Studio is as you can imagine the rate to guarantee a 24 hour day (depending on your start time). This will also include accommodation and catering for up to 5 people. For numbers over 65people the charge will be &pound;40.00 per person per day.</p>\r\n</p>";}}}}', NULL),
(144, 7, 38, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:4:{s:8:"Postcode";s:7:"GU8 4TB";s:7:"Address";s:35:"Fisher Lane, Chiddingfold, GU8 4TB ";s:3:"lat";s:10:"51.0891882";s:3:"lng";s:11:" -0.6099135";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Directions";s:3792:"<p>\r\n<p>Fisher Lane Studios is on the South-East side of Chiddingfold, near Guildford. It is roughly an hours drive from West London, which is ideal for the many record labels based in the area. However it is also conveneintly placed for those coming from the South Coast. Here are some basic driving directions from West London and Brighton. </p>\r\n<p>There are plenty of parking spaces available on site. </p>\r\n<p><strong>By Train </strong></p>\r\n<p>The nearest train station is in Haslemere, which can be reached from London Waterloo. Once at Haslemere station Fisher Lane is 10 to 15 minutes drive away. </p>\r\n<p>You can also get a train to Guildford from Waterloo, which is a more frequent service. Guildford is a 20-25 minute drive from Fisher Lane, and in some circumstances we may be able to arrange a cab from the station. </p>\r\n<p><strong>Directions by Car: </strong></p>\r\n<p><strong>From London / Fulham Broadway (roughly 1 hour)</strong></p>\r\n</p>\r\n<ul>\r\n<li>Head northwest on A304/Fulham Broadway toward Argon Mews. Continue to follow A304 for just under a mile.</li>\r\n<li>At the roundabout, take the 1st exit onto A219/Fulham High St. Continue to follow A219 for roughly 1.75 miles.</li>\r\n<li>At Tibbets Corner, take the 3rd exit onto the A3/Kingston Rd ramp and continue for around 100 yards.</li>\r\n<li>Merge onto A3/Kingston Rd. Continue to follow A3 and drive for 30 miles across the M25, towards and past Guildford.</li>\r\n<li>When you approach Godalming take the exit toward Milford/Petworth/A283/Haslemere/A286/Elstead/B3001, and continue straight.</li>\r\n<li>At the roundabout, take the 1st exit onto A283 and continue for roughly half a mile.</li>\r\n<li>Take a slight right at A283/Guildford and Godalming Bypass Rd.</li>\r\n<li>Turn right at A283/Portsmouth Rd and shortly after turn left at A283. Travel for just over 4.5 miles (you will go over one roundabaout).</li>\r\n<li>When you approach Chiddingfold take a slight left toward Pickhurst Rd.</li>\r\n<li>Continue straight onto Pickhurst Rd for slightly less than 2 miles.</li>\r\n<li>Turn left onto Fisher Lane. The studio is on the left hand side of the road roughly half a mile on.</li>\r\n</ul>\r\n<p>\r\n<p><strong>From Brighton / Sea Front (roughly 1 hour)</strong></p>\r\n</p>\r\n<ul>\r\n<li>From Grand Junction Road, continue West along the sea front: Kings Road / Kingsway / A259. Continue for slightly over 6 miles.</li>\r\n<li>Once at Shoreham-by-sea, you will come to a roundabout where Brighton Road meets Old Shoreham Road. Take the 2nd exit onto Old Shoreham Road/A283/High St. Continue to follow A283 for roughly 8 miles.</li>\r\n<li>When you approach Wiston, take a right at Water Lane and continue for roughly half a mile.</li>\r\n<li>Take a left at Hole Street and continue for just over a mile towards London Road. Continue along London Road, through the village of Ashington, for roughly half a mile.</li>\r\n<li>At the far end of Ashington you will come to a roundabout. Take the 2nd exit onto B2133/Billingshurst Rd. Continue to follow B2133 for 2.5 miles.</li>\r\n<li>Turn left at B2139/Coolham Rd, and then immediately turn right at B2133/Harbolets Rd. Continue to follow B2133 for 3.5 miles.</li>\r\n<li>Turn right at A29/Stane St and then immediately left at B2133/Lordings Rd. After 1.5 miles take a slight left at A272/New Bridge Rd.</li>\r\n<li>Turn right at B2133 at continue for 3.5 miles.</li>\r\n<li>Turn left onto Plaistow Road and travel through Ifold, and then after 1.5 miles take another left at Loxwood Road.</li>\r\n<li>Travel for a mile into Plaistow. Turn right at The St and then immediately left at Dunsfold Road.</li>\r\n<li>After roughly 1.75 miles you will come to Fisher Lane on the left.</li>\r\n<li>Turn onto Fisher Lane. The Studio is just under 1.5 miles on the right-hand side of the road.</li>\r\n</ul>";}}}}', NULL),
(145, 7, 34, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:10:"Intro Text";s:844:"<p>&nbsp;</p>\r\n<p>Chiddingfold is a quintessential English country village, and boasts several highly-rated pubs/restaurants should clients want an evening away from the studio and cottages. There is also a beautiful golf course just to the south of the village. Most of the Chiddingfold''s notable spots are situated along the Petworth Road which runs through the heart of the village. Your studio assistant can transport you to and from the pubs, although you may opt to take a quiet country walk into the village.&nbsp;</p>\r\n<p>Below is a selection of places to go and things to do in Chiddingfold, although you should be aware that the neighbouring villages of Haslemere and Hindhead have plenty to offer too, should you fancy a bit of variety at any time. The town of Guildford can be reached in roughly 15 minutes.&nbsp;</p>\r\n<p>&nbsp;</p>";}}s:6:"group2";a:6:{i:1;a:6:{s:11:"Place Image";s:33:"201106260310282701818Crowninn.jpg";s:5:"Title";s:13:"The Crown Inn";s:7:"Address";s:51:"The Green, Chiddingfold, Godalming, Surrey, GU8 4TX";s:12:"Phone Number";s:13:"01428 682255 ";s:7:"Website";s:0:"";s:11:"Description";s:460:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">One of the oldest coaching inns in England, The Crown Inn has been dated back to the 1200s. As of the 2008 summer, The Crown Inn has re-established itself as one of the village''s most popular haunts thanks to a new era under new ownership. There is a wide range of ales and lagers on tap, and a good food menu with all recipes made from fresh local produce.&nbsp;</span></p>";}i:2;a:6:{s:11:"Place Image";s:32:"201106260310472216426swaninn.jpg";s:5:"Title";s:12:"The Swan Inn";s:7:"Address";s:55:"Petworth Road, Chiddingfold, Godalming, Surrey, GU8 4TY";s:12:"Phone Number";s:13:"01428 682073 ";s:7:"Website";s:0:"";s:11:"Description";s:452:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This charming and immaculately refurbished village pub is on Petworth Road in the heart of Chiddingfold. Dating back to the 14th century, the new-look Swan has crossed a tradtional theme with modern and classy interiors. The food menus offer anything from Ham, Egg and Chips to Duck Leg Congit, and there is a very good selection of beers and wines.&nbsp;</span></p>";}i:3;a:6:{s:11:"Place Image";s:38:"201106260311002497933wintertonarms.jpg";s:5:"Title";s:19:"The Winterton Arms ";s:7:"Address";s:53:"Petworth Rd, Chiddingfold, Godalming, Surrey, GU8 4UU";s:12:"Phone Number";s:13:"01428 683221 ";s:7:"Website";s:0:"";s:11:"Description";s:456:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Further up Petworth Road is Chiddingfold''s third traditional country haunt, The Winterton Arms, which sits on the North borders of the village. Another pub which has recently changed hands, the local verdict seems to suggest that the food menus have improved considerably, and all for a very good price. The steaks seem to be particularly popular.&nbsp;<br /></span></p>";}i:4;a:6:{s:11:"Place Image";s:36:"201106260311152759025mulberryinn.jpg";s:5:"Title";s:17:"The Mulberry Inn ";s:7:"Address";s:45:"Petworth Road, Chiddingfold, Surrey, GU8 4SS ";s:12:"Phone Number";s:13:"01428 644460 ";s:7:"Website";s:0:"";s:11:"Description";s:472:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Formerly known as The Rams Nest Inn, The Mulberry now serves as a pub/restaurant, as sits just to the South of Chiddingfold past the Chiddingfold Golf Course. There is a Sunday carvery which is growing in popularity, whereas on week days punters might well wish to dig into dishes such as Salmon and Prawn Fish Cakes. There is a beautiful beer garden and terrace.&nbsp;<br /></span></p>";}i:5;a:6:{s:11:"Place Image";s:47:"201106260311302474697chiddingfordgolfcourse.jpg";s:5:"Title";s:24:"Chiddingfold Golf Course";s:7:"Address";s:69:"Chiddingfold Golf Club, Petworth Road, Chiddingfold, Surrey, GU8 4SL.";s:12:"Phone Number";s:14:"01428 685 888 ";s:7:"Website";s:32:"http://www.chiddingfoldgc.co.uk/";s:11:"Description";s:370:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The local golf club spreads across the beautiful hills and woodlands in the area. Course fees are reasonable, so its certainly worth heading down on a free afternoon if you fancy a round. The clubhouse includes a bar, restaurant and private bathroom facilities.&nbsp;<br /></span></p>";}i:6;a:6:{s:11:"Place Image";s:42:"201106260311452151000surreycountryside.jpg";s:5:"Title";s:14:"Country Walks ";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:490:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">There''s no better place to burn off the calories than in a quintessential slice of the English countryside. Luckily, Fisher Lane is immersed in it. There are beautiful fields and meadows engulfing the house and studio, and a woodland area behind the house''s paddock which grazes sheep. Of course you may fancy a walk into the village to spend an evening at one of the above 4 pubs!&nbsp;<br /></span></p>";}}}}', NULL),
(146, 7, 30, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:502:"<p>&nbsp;</p>\r\n<p>During your stay at Fisher Lane, you will have the pleasure of having a variety of meals cooked for you daily by the excellent in-house cook. The meals are cooked and served at the cottages in the main kitchen and living area.&nbsp;</p>\r\n<p>Clients will have breakfast, lunch and dinner provided at Fisher Lane. Below is a selection of the kinds of main meals you can expect to enjoy during your session. Please note, it is not an official menu to order from!&nbsp;</p>\r\n<p>&nbsp;</p>";}}s:6:"group2";a:8:{i:1;a:2:{s:10:"Meal Image";s:32:"201106260338582551937chicken.jpg";s:16:"Meal Description";s:317:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Chicken Dishes</strong><br /><br />Roast Chicken<br />Casserole<br />Chicken Chilli &amp; Lime<br />Chicken Sundried Tomatoes and Olives<br />Chicken Curry<br />Chicken Lasagne<br />Chicken in Savoury Sauce&nbsp;</span></p>";}i:2;a:2:{s:10:"Meal Image";s:33:"201106260339242192831porkdish.jpg";s:16:"Meal Description";s:277:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Pork Dishes</strong><br /><br />Roast Pork<br />Pork Chops<br />Pork Fillets<br />Pork Apricot Casserole<br />Pork Apple Casserole<br />Meat Balls<br />Sausages Onion Gravy</span></p>";}i:3;a:2:{s:10:"Meal Image";s:33:"201106260339512303048beefdish.jpg";s:16:"Meal Description";s:433:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Beef Dishes</strong><br /><br />Roast Beef<br />Beef Curry<br />Shepherds Pie<br />Beef Lasagne<br />Steak &amp; Kidney Pie<br />Beef in Ale Pie<br />Beef Casserole<br />Chilli Con Carne&nbsp;<br style="clear: both;" /></span></p>\r\n<div><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><br /></span></div>";}i:4;a:2:{s:10:"Meal Image";s:28:"20110626034103247409lamb.jpg";s:16:"Meal Description";s:169:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Lamb Dishes</strong><br /><br />Roast Lamb<br />Cajun Lamb&nbsp;</span></p>";}i:5;a:2:{s:10:"Meal Image";s:33:"201106260340132198904fishdish.jpg";s:16:"Meal Description";s:193:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Fish Dishes</strong><br /><br />Fish Pie<br />Salmon Fillets<br />Fish Cakes&nbsp;<br /></span></p>";}i:6;a:2:{s:10:"Meal Image";s:30:"201106260341212177917pasta.jpg";s:16:"Meal Description";s:212:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Pasta Dishes</strong><br /><br />Spaghetti Bolognese<br />Pasta &amp; Tuna<br />Pasta assorted sauces&nbsp;</span></p>";}i:7;a:2:{s:10:"Meal Image";s:32:"201106260341412363352vegdish.jpg";s:16:"Meal Description";s:487:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Vegetarian Dishes</strong><br /><br />Sweet Potato &amp; Pea Aubergine Curry<br />Mixed Vegetable Curry<br />Mixed Vegetable Lasagne<br />Spicy 3 Bean Salad + Halloumi Cheese<br />Garden Pizza<br />Vegetable Spaghetti<br />Vegetable Stew<br />Chinese Noodles<br />Layered Aubergine Potato &amp; Tomato Casserole<br />Spaghetti with Tomato Bake<br />Potato Topped Vegetable Pie&nbsp;</span></p>";}i:8;a:2:{s:10:"Meal Image";s:32:"201106260342162408535dessert.jpg";s:16:"Meal Description";s:257:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Desserts</strong><br /><br />Assorted crumbles<br />Assorted Cheese Cakes<br />Tiramasu<br />Assorted Trifles<br />Jam Roly Poly<br />Spotted Dick&nbsp;</span></p>";}}}}', NULL);
INSERT INTO `pages` (`id`, `studio_id`, `page_layout_id`, `content`, `additional_content`) VALUES (147, 5, 38, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:4:{s:8:"Postcode";s:20:"13 Swan Yard, London";s:7:"Address";s:33:"13 Swan Yard, London, N1, England";s:3:"lat";s:10:"51.5457026";s:3:"lng";s:11:" -0.1039534";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Directions";s:5074:"<p> </p>\r\n<p><strong>Directions from outside London </strong></p>\r\n<p><strong>By Car</strong></p>\r\n<p><strong>From The M1</strong></p>\r\n<p> </p>\r\n<ul>\r\n<li>Leave the M1 at junction M1 J2 and straight ahead into A1 (Great North Way/Barnet Bypass) (signposted Central London, The City, Holloway, N Circular, A406 East)</li>\r\n<li>At traffic signals continue forward (signposted Central London)</li>\r\n<li>At Henlys Corner continue forward then take right-hand lanes and branch right onto Falloden Way - A1 (signposted Central London, Holloway)</li>\r\n<li>Continue forward onto Lyttelton Road - A1. Entering East Finchley. At Highgate gyratory bear right (one-way) then keep forward onto Archway Road - A1 (signposted Central London, Holloway, Archway)</li>\r\n<li>Continue forward onto Archway Road - A1. Entering Highgate. Continue forward onto Archway Road - A1. Entering Holloway. At Archway bear left (one-way) then... A1. Bear right then...</li>\r\n<li>Bear left onto the A1 (signposted Central London, Holloway) A1. Keep in right hand lanes then at traffic signals continue forward (signposted Central London, Islington, Highbury)</li>\r\n<li>At next traffic signals continue forward until Holloway Road Underground Station.</li>\r\n<li>Turn right into B515 Liverpool Road. Take 6th road on left onto Highbury Station Road</li>\r\n<li>Take first right at bottom of Highbury Station Road onto small road Swan Yard (no street sign)</li>\r\n<li>Studio on left blue sign 13 Swan Yard. Buzzer no 1 this is the home of Miloco 5. </li>\r\n</ul>\r\n<p> </p>\r\n<p><strong>From Blackfriars Bridge</strong></p>\r\n<p> </p>\r\n<ul>\r\n<li>Head North on Blackfriars Bridge Central London Congestion Charges Apply Mon-Fri 7am-6:30pm</li>\r\n<li>Bear left onto A201 Entering City of London. Continue forward (signposted Holborn, Kings Cross). Bear left onto New Bridge Street - A201. Branch left. At Ludgate Circus continue forward</li>\r\n<li>At traffic signals turn right onto Clerkenwell Road - A5201 (signposted Shoreditch)</li>\r\n<li>At traffic signals continue forward onto Old Street<span style="white-space: pre;"> </span>A5201</li>\r\n<li>At Old Street Roundabout take the 1st exit onto City Road - A501 (signposted Ring Road W)</li>\r\n<li>Bear left onto Wakley Street (one-way) (signposted Ring Road) A501</li>\r\n<li>At traffic signals turn right onto Goswell Road - A501 (signposted Ring Road, Islington A1)</li>\r\n<li>At The Angel turn right onto Upper Street - A1 (signposted The North, Holloway, Islington)</li>\r\n<li>After Town hall on right turn left onto Islington Park Street. Turn right onto Liverpool Road - B515 Take 2nd road on right onto Highbury Station Road.</li>\r\n<li>Take first right at bottom of Highbury Station Road onto small road Swan Yard (no street sign).</li>\r\n<li>Studio on left blue sign 13 Swan Yard. Buzzer no 1. </li>\r\n</ul>\r\n<p> </p>\r\n<p><strong>Parking </strong></p>\r\n<p>There are three public car parks in the area of Highbury and Islington which are conveniently located for The Yard''s clients. They are as follows:</p>\r\n<p> </p>\r\n<ul>\r\n<li><strong>Business Design Centre, 52 Upper Street, Islington, London, N1 0QH. (t) 020 7288 6547</strong> The Business Design Centre is located at the Angel end of Upper Street, and has a 24-hour public car park with 285 spaces. Costs start at £6 p/h for the first two hours, and then £3 p/h for every hour thereafter.</li>\r\n<li><strong>N1 Islington Shopping Centre, 21 Parkfield St, Islington, London, N1 0PS. (t) 020 7359 2674</strong> Islington''s main shopping centre, which is sitaeted next to the Business Design Centre also offers public parking, with 100 parking spaces. The car park is situated in Parkfield Street, which is accessed via Berners Road which runs in-between the shopping centre and the Business Design Centre, off Upper Street. The rates for the car park are as follows: </li>\r\n</ul>\r\n<p><strong>        Monday to Friday before 18:30hrs and Saturday before 13:30hrs:</strong> </p>\r\n<ul>\r\n<li>Up to 1 Hour - £2.30</li>\r\n<li>Up to 2 Hours - £4.60</li>\r\n<li>Up to 3 Hours - £6.90</li>\r\n<li>Up to 4 Hours - £9.20</li>\r\n<li>Up to 6 Hours - £13.80</li>\r\n<li>Up to 9 Hours - £20.00</li>\r\n<li>Up to 11 Hours - £30.00</li>\r\n<li>Overnight (00:30hrs to 07:30hrs) - £15.00 </li>\r\n</ul>\r\n<p> </p>\r\n<p><strong>       £3 for the following times: </strong></p>\r\n<p> </p>\r\n<ul>\r\n<li>Weekday evenings (after 18:30hrs)</li>\r\n<li>Saturday afternoons (after 13:30hrs)</li>\r\n<li>All day Sunday and Bank Holidays</li>\r\n</ul>\r\n<p> </p>\r\n<ul>\r\n<li><strong>Deano''s Car Wash and Valeting Service, 75 - 81 Canonbury Road, N1 2DG. (t) 07973 316 223 </strong>The third option is Deano''s, which for the time-being seems the cheapest of the three. It is located on Canonbury Road, which is one of the roads branching from the Highbury Corner roundabout. It sits on the spot where the old Renault garage used to be. There are roughly 100 spaces at the carpark. The cost is a very reasonable £7 between 7am and 7pm, after which you can of course park on the street.</li>\r\n</ul>\r\n<p> </p>\r\n<p> </p>\r\n<p> </p>";}}}}', NULL),
(151, 3, 20, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:46:"201107061408132448519blackrock-homepage-js.swf";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:1299:"<p>&nbsp;</p>\r\n<p>Black Rock is Miloco''s latest residential getaway, which we are honoured to be representing alongside its owner Kostas Kalimeris. It is located on the majestic Greek island of Santorini in the South Aegean Sea.</p>\r\n<p>&nbsp;</p>\r\n<p>Black Rock holds the key to a world you thought you''d only ever dream of working in. Its sumptuous accommodation, breathtaking surroundings and exquisite studio together embody everything which recording artists desire: complete luxury and bliss combined with top-end studio facilities - the ultimate combination for any creative project. Guests will have the sole pleasure of a stunning 3-storey 6-bedroom Cycladic villa, boasting many tranquil living areas, a luscious pool and Jacuzzi, several outdoor terraces and of course a pristine SSL room with J-series console and Genelec monitoring.</p>\r\n<p>&nbsp;</p>\r\n<p>Sitting high on Santorini''s incredible volcanic landscape and immersed by panoramic views of the sea, neighbouring islands, beautiful historic settlements and spectacular Aegean sunsets, Black Rock sets a supreme new standard for residential studios. A phenomenal recording destination, it provides clients with a creative experience like no other. Take a break from the real world and escape to its paradise...</p>\r\n<p>&nbsp;</p>";}}}}', NULL),
(152, 3, 31, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:10:"Intro Text";s:485:"<p>&nbsp;</p>\r\n<p>The five guest rooms at Black Rock are nothing short of 5-star luxury. They come with beautiful furniture and decorations, chic and contemporary en suite bathrooms, double beds covered in the finest linens and of course the magnificent views of the Aegean surroundings. Some of the rooms even have their own outdoor space. Guests couldn''t wish for a more comforting and sumptuous place to relax and unwind in at the end of the day...</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>";}}s:6:"group2";a:5:{i:1;a:4:{s:12:"Bedroom Name";s:9:"Bedroom 1";s:16:"Bedroom Location";s:11:"First Floor";s:13:"Bedroom Image";s:39:"201106200349052971341bedroom1_index.jpg";s:19:"Bedroom Description";s:62:"Double room with en suite shower room and awe-inspiring views.";}i:2;a:4:{s:12:"Bedroom Name";s:9:"Bedroom 2";s:16:"Bedroom Location";s:12:"Ground Floor";s:13:"Bedroom Image";s:39:"201106200349222486310bedroom2_index.jpg";s:19:"Bedroom Description";s:73:"One of the larger bedrooms has an en suite bathroom and sea-facing views.";}i:3;a:4:{s:12:"Bedroom Name";s:9:"Bedroom 3";s:16:"Bedroom Location";s:12:"Ground Floor";s:13:"Bedroom Image";s:39:"201106200349412391226bedroom3_index.jpg";s:19:"Bedroom Description";s:86:"A double en suite with two different views and the standard touch of Black Rock class.";}i:4;a:4:{s:12:"Bedroom Name";s:9:"Bedroom 4";s:16:"Bedroom Location";s:12:"Lower Ground";s:13:"Bedroom Image";s:39:"201106200349562318766bedroom4_index.jpg";s:19:"Bedroom Description";s:71:"The largest bedroom has and en suite shower and charming outdoor space.";}i:5;a:4:{s:12:"Bedroom Name";s:9:"Bedroom 5";s:16:"Bedroom Location";s:12:"Lower Ground";s:13:"Bedroom Image";s:39:"201106200350112302642bedroom5_index.jpg";s:19:"Bedroom Description";s:87:"Another large and bright double suite, with its own bathroom and amazing oceanic views.";}}}}', NULL),
(153, 3, 24, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:9:"Equipment";s:7702:"<p>\r\n<p><strong>CONSOLE</strong></p>\r\n<p>SSL 9080 J Series with Ultimation and Total Recall&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MULTITRACKS / HARD DISK RECORDING / SYNCHRONISATION</strong></p>\r\n<p>Protools HD2</p>\r\n<p>Digidesign 192 I/O x 3</p>\r\n<p>Apple Mac Pro</p>\r\n<p>Digidesign Sync HD&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MONITORING</strong></p>\r\n<p>Genelec 1035B</p>\r\n<p>KRK E8</p>\r\n<p>Yamaha NS10</p>\r\n<p>Dynaudio BM5A active monitors&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DYNAMICS</strong></p>\r\n<p>Manley ELOP</p>\r\n<p>ADL Stereo tube c/l 1500</p>\r\n<p>Avalon 2044</p>\r\n<p>Focusrite RED 3</p>\r\n<p>Empirical Labs Distressors W/Brit Mod x 2&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>EQUALISATION</strong></p>\r\n<p>Neve 1081 Classic Mic Pre &amp; EQ x 2</p>\r\n<p>Neve 1073 Vintage Classic VM x 6</p>\r\n<p>Neve 1084 Vintage Classic VM x 2</p>\r\n<p>Amek 9098 DMA</p>\r\n<p>Chandler TG-2 EMI Special Edition</p>\r\n<p>Manley Massive Passive Stereo Tube EQ&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>REVERBERATION &amp; PROCESSORS</strong></p>\r\n<p>Lexicon 960L</p>\r\n<p>Eventide Orville</p>\r\n<p>Eventide H8000FW</p>\r\n<p>Lexicon PCM 81</p>\r\n<p>Yamaha SPX 990&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MICROPHONE LIST</strong></p>\r\n<p>AKG C 451 (x3)</p>\r\n<p>AKG D112</p>\r\n<p>Cascade Fathead2 (W/Lundhal Transformers) (matched stereo pair) x 2</p>\r\n<p>Cascade Vinget Long Ribbon (W/Ludhal Transformer)</p>\r\n<p>DPA 4011 (x2)</p>\r\n<p>Electro Voice RE20 (x2)</p>\r\n<p>Microtech Geffel 711</p>\r\n<p>Neumann KM 184 (x2)</p>\r\n<p>Neumann U47 FET</p>\r\n<p>Neumann U87 (x2)</p>\r\n<p>Octava MK 012 Matched stereo pair</p>\r\n<p>Peluso 2247 Special Edition</p>\r\n<p>Royer R121</p>\r\n<p>Sennheiser 421 (x2)</p>\r\n<p>Sennheiser 441</p>\r\n<p>Sennheiser e602</p>\r\n<p>Sennheiser e609</p>\r\n<p>Shure KSM 44</p>\r\n<p>Shure SM57 (x3)</p>\r\n<p>Shure SM58 (x4)</p>\r\n<p>Shure SM7B&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>PLUG-INS</strong></p>\r\n<p><strong>AAS</strong></p>\r\n<p>- Lounge Lizard EP-3</p>\r\n<p>- Strum Acoustic GS-1</p>\r\n<p>- Tassman 4</p>\r\n<p>- Ultra Analog VA-1&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Antares</strong></p>\r\n<p>- Autotune 4&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Arturia</strong></p>\r\n<p>- ARP 2600 V</p>\r\n<p>- CS-80 V</p>\r\n<p>- Minimoog V</p>\r\n<p>- Moog Modular V2&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Audio Damage</strong></p>\r\n<p>- 914</p>\r\n<p>- Chorus</p>\r\n<p>- Discord</p>\r\n<p>- Dr Device</p>\r\n<p>- Dubstation</p>\r\n<p>- Kombinat</p>\r\n<p>- Liquid</p>\r\n<p>- Replicant</p>\r\n<p>- Reverence</p>\r\n<p>- Ricochet</p>\r\n<p>- Vapor&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Cakewalk</strong></p>\r\n<p>- Rapture</p>\r\n<p>- Dimension Pro&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Celemony</strong></p>\r\n<p>- Melodyne plugin&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>D16</strong></p>\r\n<p>- Devastor</p>\r\n<p>- Drumazon</p>\r\n<p>- Fazortan</p>\r\n<p>- Nepheton</p>\r\n<p>- Redoptor&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Pro Tools|HD 2 Digidesign</strong></p>\r\n<p>- d2/d3 by Focusrite</p>\r\n<p>- Moogerfooger Lowpass by Bomb Factory</p>\r\n<p>- Cosmonaut Voice by Bomb Factory&nbsp;</p>\r\n<p>- JOEMEEK Bundle by Bomb Factory&nbsp;</p>\r\n<p>- BF-3A by Bomb Factory</p>\r\n<p>- SansAmp PSA-1 by Bomb Factory</p>\r\n<p>- Virus Indigo by Access</p>\r\n<p>- Amp Farm by Line 6</p>\r\n<p>- Maxim by Digidesign</p>\r\n<p>- D-Fi by Digidesign</p>\r\n<p>- Voce Bundle by Bomb Factory</p>\r\n<p>- Tel-Ray Variable Delay by Bomb Factory&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>FAW</strong></p>\r\n<p>- Circle&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>G Force</strong></p>\r\n<p>- impOSCar</p>\r\n<p>- Minimonsta</p>\r\n<p>- String Machine&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>IK Multimedia</strong></p>\r\n<p>- Ampeg SVX</p>\r\n<p>- AmpliTube2</p>\r\n<p>- AmpliTubeXGEAR</p>\r\n<p>- CSR Reverb Bundle</p>\r\n<p>- Sample Tank</p>\r\n<p>- T-Racks 3&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Koblo</strong></p>\r\n<p>- Vibra 2000</p>\r\n<p>- Vibra 3000&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Luxonix</strong></p>\r\n<p>- Purity&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Lennar Digital</strong></p>\r\n<p>- Sylenth 1&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>McDSP Emerald Pack&nbsp;</strong></p>\r\n<p>&nbsp;</p>\r\n<p><strong>Music Lab</strong></p>\r\n<p>- Real Guitar&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Native Instruments</strong></p>\r\n<p>- Absynth 4</p>\r\n<p>- B4 II</p>\r\n<p>- Battery 3</p>\r\n<p>- FM 8</p>\r\n<p>- Guitar Rig 3</p>\r\n<p>- Kontakt 3</p>\r\n<p>- Pro 53</p>\r\n<p>- Reaktor 5&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Novation</strong></p>\r\n<p>- V-Station</p>\r\n<p>- Bass Station&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Ohmforce</strong></p>\r\n<p>- Hematohm</p>\r\n<p>- Mobilohm</p>\r\n<p>- Ohmboyz</p>\r\n<p>- Ohmicide</p>\r\n<p>- Predatohm</p>\r\n<p>- QuadFrohmage</p>\r\n<p>- Symptohm&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>PSP Audioware</strong></p>\r\n<p>- Lexicon PSP42</p>\r\n<p>- PSP 608 MultiDelay</p>\r\n<p>- PSP 84</p>\r\n<p>- PSP EasyVerb</p>\r\n<p>- PSP Master Q</p>\r\n<p>- PSP MixBass</p>\r\n<p>- PSP MixPressor</p>\r\n<p>- PSP MixSaturator</p>\r\n<p>- PSP MixTreble</p>\r\n<p>- PSP Neon</p>\r\n<p>- PSP Nitro</p>\r\n<p>- PSP sQuad</p>\r\n<p>- PSP Vintage Warmer 2&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Rob Papen:- www.robpapen.com</strong></p>\r\n<p>- Albino</p>\r\n<p>- Blue</p>\r\n<p>- Predator&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Sonalksis</strong></p>\r\n<p>- Sonalksis CQ-1&nbsp;</p>\r\n<p>- Sonalksis DQ-1&nbsp;</p>\r\n<p>- Sonalksis G&nbsp;</p>\r\n<p>- Sonalksis MaxLimit&nbsp;</p>\r\n<p>- Sonalksis MultiLimit&nbsp;</p>\r\n<p>- Sonalksis Stereo Tools&nbsp;</p>\r\n<p>- Sonalksis SV-315Mk2&nbsp;</p>\r\n<p>- Sonalksis SV-517Mk2&nbsp;</p>\r\n<p>- Sonalksis SV-719&nbsp;</p>\r\n<p>- Sonalksis TBK&nbsp;</p>\r\n<p>- Sonalksis TBK2&nbsp;</p>\r\n<p>- Sonalksis TBK3&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Spectrasonics</strong></p>\r\n<p>- Omnisphere</p>\r\n<p>- Stylus RMX + expansions&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Sugar Bytes</strong></p>\r\n<p>- Artillery 2</p>\r\n<p>- Effectrix</p>\r\n<p>- Robotronic</p>\r\n<p>- Unique</p>\r\n<p>- Vouge</p>\r\n<p>- WOW&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Toontrack</strong></p>\r\n<p>- EZ Drummer</p>\r\n<p>- Superior Drummer&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>U-HE</strong></p>\r\n<p>- Zebra2</p>\r\n<p>- Zebralette</p>\r\n<p>- Zrev&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Waves Gold</strong></p>\r\n<p>&nbsp;</p>\r\n<p><strong>WaveArts</strong></p>\r\n<p>- FinalPlug 5</p>\r\n<p>- Master Restoration</p>\r\n<p>- MasterVerb 5</p>\r\n<p>- MR Click</p>\r\n<p>- MR Gate</p>\r\n<p>- MR Hum</p>\r\n<p>- MR Noise</p>\r\n<p>- Multi Dynamics 5</p>\r\n<p>- Panorama 5</p>\r\n<p>- TrackPlug&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Vocal Align&nbsp;</strong></p>\r\n<p>&nbsp;</p>\r\n<p><strong>XLN Audio</strong></p>\r\n<p>- Addictive Drums&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>iZotope</strong></p>\r\n<p>- iDrum</p>\r\n<p>- Ozone 4</p>\r\n<p>- Spectron</p>\r\n<p>- Trash&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>reFX</strong></p>\r\n<p>- Nexus + expansions</p>\r\n<p>- Vanguard&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>UPON REQUEST</strong></p>\r\n<p>The following gear is subject to availability and may be hired for a small additional fee. Call for details.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>AMPS</strong></p>\r\n<p>Marshall Plexi</p>\r\n<p>Mesa Boogie Stiletto trident</p>\r\n<p>Line 6 M13 modeller</p>\r\n<p>Gallien Krueger (bass amp) 4X10&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>GUITARS</strong></p>\r\n<p>Gibson Les Paul Standard</p>\r\n<p>Gibson Les Paul custom black beauty</p>\r\n<p>Fender Telecaster custom shop 62 reissue</p>\r\n<p>Gibson 1982 SG standard&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>Dynaudio BM5A active monitors&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>PROGRAMMING/EDITING STATION</strong></p>\r\n<p>Protools 8 / Logic 8 / MAX MSP / Reason 4 / Final Cut / DVD Studio Pro / Adobe Creative Suite 3</p>\r\n<p>Apple iMac 24inch</p>\r\n<p>3.06GHz Intel Core 2 Duo</p>\r\n<p>4GB 1066MHz DDR3 SDRAM - 2x2GB</p>\r\n<p>1.0TB Serial ATA Drive</p>\r\n<p>NVIDIA GeForce GT 130 512MB&nbsp;</p>\r\n</p>";}}}}', NULL),
(154, 3, 38, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:4:{s:8:"Postcode";s:34:"Akrotiri, 84700, Santorini, Greece";s:7:"Address";s:34:"Akrotiri, 84700, Santorini, Greece";s:3:"lat";s:18:"36.364422488356496";s:3:"lng";s:18:"25.378627454894968";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Directions";s:566:"Santorini is well connected to Greece''s mainland and surrounding islands, with transport links via sea and air operating throughout the year. Flights to the island operate from Athens, Rhodes and Crete, with several more foreign airports in use during the summer months. Ferries and Catamarans travel to and from Athens'' Piraeus port, and there are other sea connections to nearby islands Crete, Rhodes and Mykonos. \r\n\r\nClients will be escorted to and from Black Rock Studios from either Santorini''s port or airport, which is a service included in the overall price.";}}}}', NULL),
(155, 3, 23, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{i:0;s:1141:"<p>\r\n<p><strong>What the rates include</strong></p>\r\n</p>\r\n<ul>\r\n<li>All days are 24 hour lockout days.</li>\r\n<li>All the prices exclude VAT which is chargeable at 20%.</li>\r\n<li>The rates include an assistant (unless stated) but not an engineer. You can hire one of our engineers on top of the rate.</li>\r\n<li>All prices exclude tapes/materials, cabs and hire costs.</li>\r\n<li>The rates include the equipment shown on the equipment specification but as you can imagine the gear does break from time to time. If we cannot replace the gear we cannot offer a discount on the rate. Of course in the unlikely scenario that a major breakdown happens during the session (such as the console / tape machine) we shall discuss the time lost.</li>\r\n<li>Any equipment that is ''subject to availability'' on the individual room specifications, needs to be requested prior to the session.</li>\r\n<li>The Accommodation includes:Use of five double bedrooms with attached bathrooms as shown on our floor plans, Swimming Pool, Continental breakfast, House keeping service, Concierge services, Internet access, satellite TV, Transfers from/to airport</li>\r\n</ul>";}}}}', NULL),
(156, 3, 34, 'a:1:{s:2:"en";a:3:{s:6:"group1";a:1:{i:1;a:1:{s:10:"Intro Text";s:1066:"<p>&nbsp;</p>\r\n<p>From its dynamic nightlife through to its amazing historical sites, Santorini is blessed with great places to go and visit. The island''s capital Fira provides many exquisite restaurants, bars and clubs, which are all positioned to enjoy the incredible views of the caldera, but the smaller and just-as-beautiful villages such as Oia also have their own share of charming haunts. Away from the buzz of the towns, you of course have Santorini''s gorgeous beaches to enjoy, where you can take dips in the sea, go scuba diving or catch a boat trip to the bathing springs of Palea and Nea Kameni. Or perhaps if you fancy getting away from the sand and sea, a walk along the cliffs to sample the mesmerising views of the Aegean, is a another fantastic option.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>Take a look at the list below to get an idea for what''s on offer on Santorini. We''ve picked out a selection of attractions, but of course there''s a whole lot more you can discover for yourselves if you fancy exploring this phenomenal island.&nbsp;</p>\r\n<p>&nbsp;</p>";}}s:6:"group2";a:8:{i:1;a:6:{s:11:"Place Image";s:59:"201106241150302314345Screen shot 2011-06-24 at 19.38.35.png";s:5:"Title";s:18:"Santorini Beaches ";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:690:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Whereas the lagoon on the West side houses Santorini''s harbours, the East and South coasts feature many tranquil beaches varying in size and character. Perhaps the most famous and beautiful is&nbsp;<strong>Red Beach</strong>, which boasts stunning red and black rocks looming over the hot sand. Due to its relatively small size but large notoriety it can be often quite busy, so a trip to some of the larger beaches further up the shore, such as&nbsp;<strong>Perissa</strong>,&nbsp;<strong>Kamari</strong>&nbsp;and&nbsp;<strong>Cape Columbo</strong>, can be fantastic alternatives.&nbsp;<br /></span></p>";}i:2;a:6:{s:11:"Place Image";s:45:"201106241150582165893scubadivingsantorini.jpg";s:5:"Title";s:12:"Scuba Diving";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:606:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">There are a number of scuba diving companies operating on the beaches, notably&nbsp;<strong>Kamari</strong>&nbsp;and&nbsp;<strong>Perissa</strong>. Diving excursions can take you to the West side of the island in the crystal clear waters of the Aegean, or round to the lagoon on the East side, where some marvellous reefs are found near the volcano. Wherever you dive, you''ll experience the magnificent underwater world of Santorini, with its amazing wildlife and incredible lava-formed rock formations.&nbsp;</span></p>";}i:3;a:6:{s:11:"Place Image";s:46:"2011062411522424022444612109278_771a1869c9.jpg";s:5:"Title";s:37:"Bathing Springs, Palea and Nea Kameni";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:520:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Located close to the volcano''s crater are the twin islets of&nbsp;<strong>Palea</strong>&nbsp;and<strong>Nea Kameni</strong>. These two uninhabited islets are home to Santorini''s amazing hot bathing springs, and boat trips from Fira Harbour are frequent. The bluey-green volcanic waters of the springs stay in the region of 100 degrees Farenheit, making them a blissful and luxurious natural bathing spot. A must do!!&nbsp;</span></p>";}i:4;a:6:{s:11:"Place Image";s:35:"201106241152542651045HI40289872.jpg";s:5:"Title";s:18:"Santorini Spa, Oia";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:29:"http://www.santorini-spa.net/";s:11:"Description";s:558:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">If there was a better location for a health spa than Santorini, we''d love to know where it is! The beautiful village of&nbsp;<strong>Oia</strong>&nbsp;on the north of the caldera is home to Santorini Spa, which is based within the Hotel Museum building. This gorgeous spa offers a truly blissful experience: massages, skin and nail care, water therapies, health foods, herbal teas and so on, are all on offer for guests. Head up there for some pampering!!&nbsp;</span></p>";}i:5;a:6:{s:11:"Place Image";s:58:"20110624115311254300Screen shot 2011-06-24 at 19.41.24.png";s:5:"Title";s:16:"Ancient Akrotiri";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:604:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Ancient Akrotiri site contains the remains of Crete''s Minoan outpost of Akrotiri, which was abandoned and buried at the time of the Minoan Eruption. Today it is an excavation site, displaying a fascinating slice of ancient Santorini. It is thought that Akrotiri''s citizens escpaed in time before the eruption, so no bodies were ever found there. There are still pots and tools stood in the places where their owners left them to flee in 1450 BC - one of the many mind-blowing features of the site.&nbsp;</span></p>";}i:6;a:6:{s:11:"Place Image";s:59:"201106241153322216606Screen shot 2011-06-24 at 19.42.40.png";s:5:"Title";s:31:"Santorini Castles and Churches ";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:689:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">During the Venetian rule of 1207-1580, Aegean coastlines came under incessant pirate raids. The residents of Santorini built castles in&nbsp;<strong>Skaros</strong>,<strong>Oia</strong>,&nbsp;<strong>Emporio</strong>,&nbsp;<strong>Pyrgos</strong>&nbsp;and&nbsp;<strong>Akrotiro</strong>, to fortify the island against attacks. The Venetians also brought Catholicism to Santorini, where it lived in peaceful co-existence with the Orthodox peoples of the island. This is reflected in the many still-standing churches featuring dual altars: one for Orthodox, and one for Catholic services.&nbsp;</span></p>";}i:7;a:6:{s:11:"Place Image";s:59:"201106241153522294528Screen shot 2011-06-24 at 19.43.07.png";s:5:"Title";s:11:"Oia Sunsets";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:588:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Santorini lays claim to having some of the most breathtaking sunsets in the entire world, and they come no more spectacular on the island than in the picturesque village of Oia, on the north side of the lagoon. Every evening people turn up in hordes just to experience this phenomenal sight, and all seats, steps, walls and patches of grass are used for traditional picnicking as the sun goes down over the Aegean horizon. Be sure to take part on at least one evening during your stay!&nbsp;</span></p>";}i:8;a:6:{s:11:"Place Image";s:59:"201106241154092992895Screen shot 2011-06-24 at 19.47.47.png";s:5:"Title";s:13:"Cliff Walking";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:503:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">There''s probably no better way to absorb the incredible views from Santorini than to walk along the high cliffs above the lagoon and coastline. There''s miles of terrain perfect for walking - you can either map out your own route, or perhaps go for one of the conventionally recommended stretches, such as the one along the coastline that joins<strong>Fira</strong>&nbsp;and&nbsp;<strong>Oia</strong>.&nbsp;</span></p>";}}s:6:"group3";a:7:{i:1;a:6:{s:11:"Place Image";s:40:"201106241208122180737ImageGen-1.ashx.jpg";s:5:"Title";s:12:"Selene, Fira";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:21:"http://www.selene.gr/";s:11:"Description";s:405:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Established in 1986, this is a popular restaurant in Fira enjoying wonderful views of the caldera. The restaurant serves menus of traditional Greek and Santorinian dishes made from fresh local produce. The restaurant regularly receives complimentary reviews from both the Greek and International press.&nbsp;</span></p>";}i:2;a:6:{s:11:"Place Image";s:33:"201106241209462329364DSCN3773.JPG";s:5:"Title";s:15:"Calderimi, Fira";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:417:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Calderimi has a menu made up of many exquisite international dishes. An evening meal and glass of wine, whilst looking out over the sunset on the lagoon, will no doubt prove to be a memorable dining experience. The inside of the restaurant comprises a beautiful long room with arch-ceiling. A fantastic restaurant!&nbsp;</span></p>";}i:3;a:6:{s:11:"Place Image";s:25:"201106241211232191456.jpg";s:5:"Title";s:18:"Archipelagos, Fira";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:46:"http://www.archipelagos-santorini.com/english/";s:11:"Description";s:512:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">As you can probably begin to tell, it''s hard to find a restaurant in Fira which doesn''t lap up the breathtaking volcanic views from the island. The next one is Archipelagos, which is located high up on the cliffs which Fira is built on. It is located in an old Captain''s house, hence looks down over the harbour. The dishes specialise in seafood and pasta, and there is an extensive wine list of fine quality.&nbsp;</span></p>";}i:4;a:6:{s:11:"Place Image";s:33:"201106241212492806899OIA 1800.jpg";s:5:"Title";s:9:"1800, Oia";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:24:"http://www.oia-1800.com/";s:11:"Description";s:487:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The 1800 restaurant in Oia, is another which has been converted from a former Captain''s house. The highly-rated chefs prepare delicious meals speialising in Greek and other Mediterranean recipes. Make use of the knowledgeable waiters who''ll advise you on the best wine from the cellar to complement your meal, and then after desert, why not sit back with one their fine Cuban cigars?!&nbsp;</span></p>";}i:5;a:6:{s:11:"Place Image";s:64:"20110624121414237448enigma-apartments-santorini-fira-balcony.jpg";s:5:"Title";s:12:"Enigma, Fira";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:35:"http://www.enigmaclubsantorini.com/";s:11:"Description";s:390:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This popular bar and nightclub in Fira is where the party crowds go have been going to dance the night away since 1979. It may be one of the most tranquil island locations on the planet, but Enigma is full proof that the residents of Santorini know how to throw a wild night out as well!&nbsp;</span></p>";}i:6;a:6:{s:11:"Place Image";s:40:"201106241214532109970wide-Bangle-bar.jpg";s:5:"Title";s:16:"Kira Thira, Fira";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:432:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The trendy and colourful Kira Thira is renowned for its eclectic billing of live music and DJs, and puts on mainly Jazz, Latin and African themed nights. The dynamic nature of this very popular venue is reflected in the decorations and furnishings, notably the many different types of instruments adorning the walls and ceilings.&nbsp;</span></p>";}i:7;a:6:{s:11:"Place Image";s:38:"201106241215502298679santorini_074.jpg";s:5:"Title";s:15:"Irish Bar, Fira";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:364:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">They add to the diversity of most towns and cities the world over, and Santorini too has one of its very own!! The Irish bar is always ''on tap'' for those desperate for a Guinness, Caffreys, Baileys or other! A lively atmosphere is guaranteed at this busy haunt.&nbsp;</span></p>";}}}}', NULL),
(157, 3, 33, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:186:"<p>Although Black Rock provides its own 5-star accommodation, we have also provided information on two beautiful nearby hotels in case extra accommodation options are required.&nbsp;</p>";}}s:6:"group2";a:2:{i:1;a:3:{s:11:"Hotel Image";s:47:"201106241204532563371maisondeslys-santorini.jpg";s:10:"Hotel Name";s:24:"Maison Des Lys, Akrotiri";s:17:"Hotel Description";s:621:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.maisondeslys-santorini.com/">www.maisondeslys-santorini.com</a><br /><br />Comprising 15 luxury suites all providing magnificent views of the caldera, the Maison Des Lys is a pure example of Santorini living. Situated on the cliffs of Akrotiri overlooking the lagoon, this small and exclusive hotel features a pool, jacuzzi, cafes and bars. The en-suite rooms have a hydro-massage shower, lounge area, balcony and satellite TV.&nbsp;</span></p>";}i:2;a:3:{s:11:"Hotel Image";s:31:"201106241205392902552321916.jpg";s:10:"Hotel Name";s:17:"Astarte, Akrotiri";s:17:"Hotel Description";s:561:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.astartesuites.gr/">www.astartesuites.gr</a><br /><br />Astarte is another sumptuous hotel located close to Black Rock in Akrotiri. Here''s a taster of what you''ll experience: a beautiful turquoise pool overlooking the lagoon, a private jacuzzi in each suite, your own balcony, discreet room service and a classy restaurant and cocktail bar. A hotel of premium quality!&nbsp;</span></p>";}}}}', NULL),
(158, 12, 20, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:1171:"<p>\r\n<p><strong>Ben Phillips in association with Miloco presents Lightship95</strong>. Welcome to our recording studio on a ship, permanently moored at Trinity Buoy Warf, East London.</p>\r\n<p>&nbsp;</p>\r\n<p>The studio has been built in the hull of the boat, which used to house a huge diesel engine. There is a 300sq ft purpose built control room that is daylit through four portholes. The control room is based around a fantastic sounding Calrec console, Protools HD and a selection of outboard. There is a direct line of sight from the control room through to the 520sq ft live room, which is also naturally lit and boasts a high ceiling, classic 80''s finish and excellent acoustics. The room can easily accommodate a whole band for live tracking; there is a good collection of microphones and a great choice of backline including Fender and Gibson guitars, amps and drums. The recording space also includes some unique reverb chambers.</p>\r\n<p>&nbsp;</p>\r\n<p>On land across the drawbridge, there is free parking and a popular American Diner. You''ll also have panoramic views of the famous Thames docklands... here is a special studio in a special location...</p>\r\n</p>";}}}}', NULL),
(159, 12, 24, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:9:"Equipment";s:2606:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: small;"><span style="font-size: 12px;"><strong>\r\n<p><span style="font-weight: normal;"><strong>Latest Purchases:</strong><br />Early 80s Custom Yamaha Recording kit inc 24x14, 18x16, 14x10, 14x6.5 snare<br />Black Panther Snare Drums<br />Littlelabs Redeye<br /><br /><br /><strong>Desk:</strong><br />Calrec Console 30 inputs, 60 on mix (30 stereo channels), 8 groups, 10 compressors / limiters&nbsp;<br /><br /><strong>Monitoring:</strong><br />Quested VS3208<br />Yamaha NS10m<br />Amps: Hafler<br /><br /><strong>DAW Hardware:</strong><br />Apple Mac G5<br />Protools HD3<br />Lynx Aurora Convertor providing 16 ins and 16 outs<br />Digidesign 96 I/O providing 8 ins and 8 outs<br /><br /><strong>Dynamics / Mic Pre''s / Compressors:</strong><br />API 512c Mic Pre''s (x3)<br />API 525 Compressors (x2)<br />D.A.V. Electronics BG501 Mic Pre''s (x4)<br />Drawmer DS201<br /><br /><strong>Effects:</strong><br />Yamaha Rev 7<br />Yamaha SPX90<br /><br /><strong>Microphones:</strong><br />AKG 414-XLS (x2)<br />AKG 451B (x2)<br />AKG D112<br />Audix i5<br />Beyer Dynamic M160 (x2)<br />Beyer Dynamic M201<br />Coles 4033 Ribbons (x2)<br />DPA 4061 (x2)<br />Electrovoice RE20<br />Neumann U87<br />Rode Nt1 (x2)<br />Sennheiser MD421 (x3)<br />Shure B52A<br />Shure PG52<br />Shure SM7B<br />Shure SM57 (x4)<br /><br /><strong>Instruments:</strong><br />(subject to Availability - please check prior to session)<br />Black Panther Snare Drums (x2)<br />Mapex Brass &amp; Maple Snare<br />Pearl Masters Birch, 22, 12, 16.<br />Noble &amp; Cooley 4 ply maple 22, 12, 13, 16<br />Various cymbals: Zildjian A''s, Sabian hand hammered, Istanbul<br />Early 80s Custom Yamaha Recording kit inc 24x14, 18x16, 14x10, 14x6.5 snare<br />Fender jazz bass<br />Fender Precision bass<br />Fender jagmaster<br />Gibson Marauder<br />Gibson SG<br />Korg MonoPoly synth<br />Fender Twin silverface<br />Marshall JMP<br />Orange 2 x 12 Guitar Cab<br />Orange 4 x 12 Bass Cab<br />Orange 1 x 15 Bass Cab<br />Vox AC30<br />Selmer Treble&amp;Bass (upgraded Valves)<br />Soundcity B120<br />Orange AD200 bass head<br />15" bass cab, Fane driver<br />4x10" bass cab<br />Selmer 4X12 (G12H)<br />Marshall 4x12 (GT75''s)<br />Zvex Mastotron Fuzz Pedal<br /><br /><em>(*) Please check availabilty of instruments before booking should you require a specific item</em><br /><br /><strong>Miscellaneous:</strong><br />Littlelabs Red Eye DI<br /><br /><strong>Software:</strong><br />OSX 10.5.3<br />Pro Tools HD 8.0.1</span></p>\r\n</strong></span></span></p>";}}}}', NULL),
(160, 12, 23, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{i:0;s:1350:"<p>\r\n<p><strong>Locating Trinity Bouy Wharf</strong></p>\r\n<p><strong>By Bus:</strong></p>\r\n<p>Number 277, alighting at the Town Hall on the north side of East India (DLR) station.</p>\r\n<p><strong>By DLR:</strong></p>\r\n<p>To East India, followed by a 10 minute walk. Please do not walk over the footbridge at the station, instead use the stairs to the south exit. Outside of the station follow the blue signs marked either Trinity Buoy Wharf or the Bird Sanctuary.</p>\r\n<p><strong>By Tube:</strong></p>\r\n<p>To Canning Town (Jubilee Line). From there it is a 15 minute walk. Exit from the north end (closest to the ticket office). Go to the large roundabout and turn left leading you over the River Lea bridge. Turn left at the foot of the bridge and follow the Lea to the roundabout with the Esso Station on the right. Keep following the Lea round to the left by PURA Foods and the path emerges onto Orchard Place. Bear right and continue on until you reach Trinity Buoy Wharf at the end.</p>\r\n<p><strong>By Car:</strong></p>\r\n<p>Follow signs to Leamouth on the A13 or from Aspen Way. At the Leamouth roundabout (Esso Petrol Station), take the Lower Lea Crossing exit. Almost immediately, go left after the bridge. At the T-junction turn right onto Orchard Place and follow the road round to Trinity Buoy Wharf. Parking is available on site.</p>\r\n</p>";}}}}', NULL),
(161, 12, 34, 'a:1:{s:2:"en";a:3:{s:6:"group1";a:1:{i:1;a:1:{s:10:"Intro Text";s:0:"";}}s:6:"group2";a:5:{i:1;a:6:{s:11:"Place Image";s:33:"201106260333452239653londono2.jpg";s:5:"Title";s:9:"London O2";s:7:"Address";s:33:"Peninsula Square, London SE10 0DX";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:358:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Voted the best music venue in the world, The O2 is one of London''s key attractions. The main O2 Arena constantly attracts the biggest names in music, however there is also the smaller indigo2, a VUE cinema complex and countless bars and restaurants.&nbsp;<br /></span></p>";}i:2;a:6:{s:11:"Place Image";s:39:"201106260334092992995maritimemuseum.jpg";s:5:"Title";s:24:"National Maritime Museum";s:7:"Address";s:39:"Romney Road, Greenwich, London SE10 9NF";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:332:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">One of the largest museums of its kind in the world, The National Maritime museum forms part of the Greenwich World Heritage site. It can be reached by boat, or from the Greenwich foot tunnel at the south tip of the Isle of Dogs.&nbsp;</span></p>";}i:3;a:6:{s:11:"Place Image";s:36:"201106260334342956147observatory.jpg";s:5:"Title";s:27:"Royal Greenwich Observatory";s:7:"Address";s:42:"Blackheath Ave, Greenwich, London SE10 8XJ";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:298:"<p>The Royal Observatory marks the point where the Prime Meridian line is sourced, giving Greenwich the world-famous title of ''The Home of Time''. Today there is a museum of astronomical and navigational tools. It is sat on a hill in Greenwich Park, and provides one of the best views of London.</p>";}i:4;a:6:{s:11:"Place Image";s:36:"201106260334532520035canarywharf.jpg";s:5:"Title";s:21:"Canary Wharf Shopping";s:7:"Address";s:29:"Canada Square, London E14 5AB";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:235:"<p>Underneath the famous 1 Canada Square tower is the Canary Wharf Shopping Center, where you''ll find all the usual high street suspects, plus a few slightly dearer retailers catering for high-rolling bankers on their lunch breaks!</p>";}i:5;a:6:{s:11:"Place Image";s:41:"201106260335192878432trinitybuoywharf.png";s:5:"Title";s:18:"Trinity Buoy Wharf";s:7:"Address";s:52:"Trinity Buoy Wharf, 64 Orchard Place, London E14 0JW";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:335:"<p>Trinity Buoy Wharf itself is a hub of cultural and artistic activities. Many artists live and work down here, and there are sometimes exhibitions on, including the Longplayer Installation: an ever-evolving musical composition which began in 2000 and will last an entire millenia. It is based in the lighthouse onland (pictured).</p>";}}s:6:"group3";a:8:{i:1;a:6:{s:11:"Place Image";s:32:"201106260335392187389fatboys.jpg";s:5:"Title";s:14:"Fatboy''s Diner";s:7:"Address";s:68:"Fatboys Diner, Trinity Bouy Wharf, 64 Orchard Place, London, E14 OJW";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:318:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The American-themed Fatboy''s Diner is literally on your doorstep, on the other side of the drawbridge. Burgers, Hot Dogs, American breakfasts, milkshakes, sundaes and all sorts of other deliciously fattening treats!&nbsp;</span></p>";}i:2;a:6:{s:11:"Place Image";s:30:"20110626033559224643thegun.png";s:5:"Title";s:7:"The Gun";s:7:"Address";s:30:"27 Coldharbour, London E14 9NS";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:300:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">A highly recommendable pub looking over the river by East India dock. The Gun also comprises an al fresco bar and restaurant called A Grehla which is very popular in the summer for barbecue season.&nbsp;</span></p>";}i:3;a:6:{s:11:"Place Image";s:35:"201106260336172639932lordnelson.jpg";s:5:"Title";s:15:"The Lord Nelson";s:7:"Address";s:48:"1 Manchester Road, Isle of Dogs, London, E14 3BD";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:425:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">I you fancy a stroll down to the southern tip of the Isle of Dogs, you''ll be met by The Lord Nelson. A popular haunt thanks to the efforts taken by the landlords - there''s a good selection of beers and wines and some great pub nosh. Also close to the Greenwich foot tunnel so you can get to the Maritime museum easily too!&nbsp;</span></p>";}i:4;a:6:{s:11:"Place Image";s:42:"201106260336482621659perpper st ontiod.jpg";s:5:"Title";s:17:"Pepper St. Ontiod";s:7:"Address";s:32:"21 Pepper Street, London E14 9RP";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:415:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">One of the Antic pub chain, the Pepper is located on Millwall Inner Dock. There is a cool interior set across two floors (with a games room upstairs). There is also a sunny outside area with some fantastic views. The kitchen serves up some great English dishes, sandwiches and snacks, as well as a selection of pizzas.</span></p>";}i:5;a:6:{s:11:"Place Image";s:34:"201106260337062486173allbarone.png";s:5:"Title";s:24:"All Bar One Canary Wharf";s:7:"Address";s:47:"Canary Wharf, 42 Mackenzie Walk, London E14 5EH";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:266:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Catch a taste of stock-broking hangouts at the All Bar One in the heart of Canary Wharf. Always plenty of offers on at these barrs... does what it says on the tin.&nbsp;</span></p>";}i:6;a:6:{s:11:"Place Image";s:38:"201106260337312578171jamiesitalian.png";s:5:"Title";s:28:"Jamie''s Italian Canary Wharf";s:7:"Address";s:56:"Unit 17, 2 Churchill Place, Canary Wharf, London E14 5RB";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:239:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Canary Wharf branch of Jamie Oliver''s Italian restaurant chain is the first opened in London. It is located in the West India docks.&nbsp;</span></p>";}i:7;a:6:{s:11:"Place Image";s:36:"201106260338152676975canarywharf.png";s:5:"Title";s:23:"Carluccios Canary Wharf";s:7:"Address";s:30:"Reuters Plaza, London, E14 5AJ";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:225:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The UK''s largest and arguably most popular authentic Italian food chain is found in the heart of the Canary Wharf district&nbsp;</span></p>";}i:8;a:6:{s:11:"Place Image";s:35:"201106260338382698221nakhonthai.jpg";s:5:"Title";s:11:"Nakhon Thai";s:7:"Address";s:36:"Royal Docks, 1 Dock Road, London E16";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:257:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">There are a selection of Nakhon Thai restaurants in the area. The closest to Lightship95 is the one in the Royal Victoria Dock slightly to the East.&nbsp;<br /></span></p>";}}}}', NULL);
INSERT INTO `pages` (`id`, `studio_id`, `page_layout_id`, `content`, `additional_content`) VALUES (162, 12, 33, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:184:"<p>Here is a selection of hotels, ranging from budget chains to more expensive ones. There are countless hotels in the Canary Wharf area, but we''ve chosen six to get you started...</p>";}}s:6:"group2";a:6:{i:1;a:3:{s:11:"Hotel Image";s:39:"20110626034831227969travelodgedocks.jpg";s:10:"Hotel Name";s:27:"Travelodge London Docklands";s:17:"Hotel Description";s:388:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">A13, Coriander Avenue, Off East India Dock Road, Docklands, London E14 2AA<br />Tel. 0871 984 6192<br /><br />The nearest Travelodge has a selection of single and double rooms for reasonable prices. There is a bar/cafe, wifi and cheap parking. The hotel do warn of some exterior noise.&nbsp;</span></p>";}i:2;a:3:{s:11:"Hotel Image";s:42:"201106260349022348791holidayinnexpress.jpg";s:10:"Hotel Name";s:39:"Holiday Inn Express, London Royal Docks";s:17:"Hotel Description";s:351:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Silvertown Way, London E16 1EA<br />Tel. +44 (0)207 5404040&nbsp;<br />The Holiday Inn Express is moments from the ship. There is a variety of different rooms (136 in total), a restaurant and bar, and there is a complimentary continental breakfast.&nbsp;</span></p>";}i:3;a:3:{s:11:"Hotel Image";s:29:"201106260349242882285ibis.jpg";s:10:"Hotel Name";s:21:"Ibis London Docklands";s:17:"Hotel Description";s:315:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">1 Baffin Way, Off Preston Road, London E14 9PE&nbsp;<br />Tel. +44 (0)207 5171100<br /><br />Another of the budget hotel chains is nearby. There are 87 rooms in total, wireless internet, cafe, restaurant and bar.&nbsp;</span></p>";}i:4;a:3:{s:11:"Hotel Image";s:33:"201106260349412446880radisson.jpg";s:10:"Hotel Name";s:29:"Radisson New Providence Wharf";s:17:"Hotel Description";s:391:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">5 Fairmont Avenue, Canary Wharf, London E14 9PQ<br />Tel. +44 (0)20 7987 2050<br /><br />A higher class hotel on the bend of the Thames with views of the O2. The rooms are stylish and well equipped. There is a waterside terrace and a spa, as well as the Azura restaurant and cocktail bar.&nbsp;</span></p>";}i:5;a:3:{s:11:"Hotel Image";s:42:"201106260350192231970hiltoncanarywharf.jpg";s:10:"Hotel Name";s:26:"Hilton London Canary Wharf";s:17:"Hotel Description";s:434:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">South Quay, Marsh Wall, London E14 9SH<br />Tel. +44 (0)203 002 2300<br /><br />At the high end of the scale is the Hilton Canary Wharf in the heart of the financial district. The rooms are classy and contemporary, have flat screen TVs, mini bar and high speed internet access. There is the Cinnamon Restaurant Bar and a small gym.&nbsp;</span></p>";}i:6;a:3:{s:11:"Hotel Image";s:46:"20110626035052291332britanniainternational.jpg";s:10:"Hotel Name";s:40:"The Britannia International Canary Wharf";s:17:"Hotel Description";s:337:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Marsh Wall, London E14 9SJ<br />Tel. 0871 222 0042<br /><br />The huge Britannia International has a number of bars and restaurants, a leisure centre with pool. There are 442 rooms, some with spectacular views and their own balconies.&nbsp;</span></p>";}}}}', NULL),
(163, 20, 38, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:4:{s:8:"Postcode";s:7:"NW5 1RS";s:7:"Address";s:56:"1st Floor Rear, Linton House 39-51 Highgate Road, London";s:3:"lat";s:10:"51.5533567";s:3:"lng";s:11:" -0.1434504";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Directions";s:1559:"<p>\r\n<p><strong>Directions from outside London </strong></p>\r\n<p><strong>By Car</strong></p>\r\n</p>\r\n<ul>\r\n<li>Head south on the M1.</li>\r\n<li>Leave the M1 at junction 2, then merge onto Great North Way (signposted A1 North Circular Road East, Central London - The City) Entering Mill Hill, Great North Way</li>\r\n<li>Continue forward onto Great North Way. Entering Hendon, Great North Way</li>\r\n<li>At traffic signals continue forward (signposted Central London), A1</li>\r\n<li>At Henlys Corner continue forward A1. Take right-hand lanes and branch right onto Falloden Way - A1 (signposted Central London, Holloway) A1 Continue forward onto Lyttelton Road A1. Entering East Finchley A1</li>\r\n<li>At Highgate gyratory bear right (one-way) then keep forward onto Archway Road (signposted Central London, Holloway, Archway) A1</li>\r\n<li>Continue forward onto Archway Road. Entering Highgate A1. Continue forward onto Archway Road. Entering Holloway A1</li>\r\n<li>At Archway bear left (one-way) then bear right then A1. Continue fwd onto the A400 (signposted Camden Town, Kentish Town) A400</li>\r\n<li>Continue forward onto Fortess Road A400. Entering Kentish Town A400</li>\r\n<li>At traffic signals turn right onto Highgate Road B518. At the A&A Storage building after turn into Greenwood Place.</li>\r\n<li>Look for a security gate with a doorway to the right. The studio at the end of the car park between two large industrial buildings. It''s on the right hand side and has silver doors. </li>\r\n</ul>\r\n<p>\r\n<p>Journey approx 10 miles, time approx 35 mins.</p>\r\n</p>";}}}}', NULL),
(164, 20, 34, 'a:1:{s:2:"en";a:3:{s:6:"group1";a:1:{i:1;a:1:{s:10:"Intro Text";s:958:"<p>&nbsp;</p>\r\n<p>The Musikbox is situated in the bustling North London pocket of Kentish Town. Forever renowned for its selection of amenities, Kentish Town boasts a wide variety of bars, restaurants, cafes and shops, and is also home to the prestigious London music venue, The Forum. Another well-known landmark in the area is the St. Pancras Public Baths, and of course the coolest hair salon in the galaxy, Flaxon Ptootch.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>Take a short walk south down Kentish Town Road, and you will come across the world famous Camden Town. Renowned for its unique multi-culture and colourful vibrancy, Camden is one London''s key nightlife areas, including music venues KOKO, Dingwalls, The Electric Ballroom and The Roundhouse. Every Saturday, Camden Lock hosts one of Europe''s biggest and bustling markets. You can find pretty much anything you like at the market, so you can head down and hunt for some bargains.&nbsp;</p>\r\n<p>&nbsp;</p>";}}s:6:"group2";a:8:{i:1;a:6:{s:11:"Place Image";s:30:"201106260414232793059forum.jpg";s:5:"Title";s:9:"The Forum";s:7:"Address";s:41:"9-17 Highgate Road, Kentish Town, NW5 1JY";s:12:"Phone Number";s:13:"020 7284 1001";s:7:"Website";s:27:"http://www.meanfiddler.com/";s:11:"Description";s:553:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">At first a cinema, and then the Town and Country club, The Forum is one of the most popular venues on London''s world-renowned music scene. A part of the Mean Fiddler group, The Forum attracts a hugely diverse range of performers. Previous gigs have included Van Morrison, Prince, The Velvet Underground and Oasis. It is still very much at the forefront of today''s music scene, and has recently put on the likes of Arctic Monkeys, Sean Paul and Jay-Z.&nbsp;</span></p>";}i:2;a:6:{s:11:"Place Image";s:35:"201106260414572809130roundhouse.jpg";s:5:"Title";s:14:"The Roundhouse";s:7:"Address";s:24:"Chalk Farm Road, NW1 8EH";s:12:"Phone Number";s:13:"020 7424 9991";s:7:"Website";s:30:"http://www1.roundhouse.org.uk/";s:11:"Description";s:566:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">With its rich history in catering for the arts, The Roundhouse has reached legendary status as a venue which puts on cultural events reaching hugely diverse audiences. Besides its programs in theatre, dance, digital media, circus and youth arts, it has also staged legendary rock artists such as The Rolling Stones, The Doors, Led Zeppelin and David Bowie. It also staged the Ramone''s first performance in Britain, which led to the explosion of the UK punk scene.&nbsp;</span></p>";}i:3;a:6:{s:11:"Place Image";s:29:"201106260415392833089koko.jpg";s:5:"Title";s:4:"Koko";s:7:"Address";s:23:"Camden High Street, NW1";s:12:"Phone Number";s:12:"0870 1451115";s:7:"Website";s:23:"http://www.koko.uk.com/";s:11:"Description";s:657:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The third of London''s premier music venues, which is situated in the area, is the venue formerly known as The Camden Palace. Designed by the prolific architect, W.G.R. Sprague, this Grade II listed building was opened in 1900 and was firstly a theatre and then a picture house. In the 1970s it became a music venue, and was re-named The Music Machine. The name changed again in 1982 to The Camden Palace, when it became one of London''s biggest nightclub venues, It is now of course called KOKO, and recent gigs have included Coldplay, Madonna and Babyshambles.</span></p>";}i:4;a:6:{s:11:"Place Image";s:39:"201106260416152712852thebullandgate.jpg";s:5:"Title";s:17:"The Bull And Gate";s:7:"Address";s:30:"389 Kentish Town Road, NW5 2TJ";s:12:"Phone Number";s:13:"020 7093 4820";s:7:"Website";s:29:"http://www.bullandgate.co.uk/";s:11:"Description";s:461:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Whereas The Forum, Roundhouse and KOKO play host to the stars, the historical venue of The Bull and Gate lays claim to making them. It''s integral role in the developing of acts such as Coldplay, Keane, Blur, Manic Street Preachers, and Skunk Anansie, to name but a few, has earned it the status as one of London''s most popular haunts for new and underground music.</span></p>";}i:5;a:6:{s:11:"Place Image";s:37:"201106260416402230484camdenmarket.jpg";s:5:"Title";s:13:"Camden Market";s:7:"Address";s:11:"Camden, NW1";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:766:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The lively and colourful Camden Market is one of London''s biggest tourist attractions, attracting tens of thousands of people every day throughout the summer months. It is divided into five main sections: Camden Lock Market (crafts), Stables Market (clothes and furniture), Canal Market and Buck Street Market (both clothes), and the indoor Electric Ballroom market. The market is renowned for catering for alternative fashion and culture. It has a particularly established relationship with musicians; Madness bought their loafers from the UK''s original Dr. Marten distributor, the British Boot Company, and The Clash rehearsed in one of the market''s warehouses.&nbsp;</span></p>";}i:6;a:6:{s:11:"Place Image";s:38:"201106260416592277446flaxonptootch.jpg";s:5:"Title";s:14:"Flaxon Ptootch";s:7:"Address";s:30:"237 Kentish Town Road, NW5 2JT";s:12:"Phone Number";s:13:"020 7267 5323";s:7:"Website";s:31:"http://www.flaxonptootch.co.uk/";s:11:"Description";s:495:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This is no ordinary hair salon, as the self-description of ''The Beating Heart of Kentish Town'' would suggest. There is of course the obvious service provided to those who wish to dispose of their locks, yet for those intent on sporting the biggest hair in the land, you can go down to check out the ultra-trendy art gallery. They are also known to throw a good-old knees up from time to time.&nbsp;</span></p>";}i:7;a:6:{s:11:"Place Image";s:45:"201106260417142343816stpancraspublicbaths.jpg";s:5:"Title";s:23:"St Pancras Public Baths";s:7:"Address";s:18:"Kentish Town, NW5 ";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:338:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Laying claim to being the largest municipal building in the area, The St Pancras Public Baths have been around since 1900. Although they closed in January 2007 for refurbishment, you can still go to look at the impressive architecture.<br /></span></p>";}i:8;a:6:{s:11:"Place Image";s:32:"201106260417342573431properc.jpg";s:5:"Title";s:8:"Pro Perc";s:7:"Address";s:30:"205 Kentish Town Road, NW5 2JU";s:12:"Phone Number";s:13:"020 7485 4434";s:7:"Website";s:31:"http://www.propercussion.co.uk/";s:11:"Description";s:324:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">For the mad-hatter drummers amongst you, you will find a whole host of toys at Pro Perc. Established for 25 years, Pro Perc is on of the capital''s most popular drums and percussion stores, catering for the professional drummer.</span></p>";}}s:6:"group3";a:14:{i:1;a:6:{s:11:"Place Image";s:35:"201106260417502942574marioscafe.jpg";s:5:"Title";s:12:"Mario''s Cafe";s:7:"Address";s:23:"6 Kelly Street, NW1 8PH";s:12:"Phone Number";s:13:"020 7284 2066";s:7:"Website";s:26:"http://www.marioscafe.com/";s:11:"Description";s:559:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">With a reputation for serving one of the best breakfasts in the area of Kentish Town, Tufnell Park and Camden Town, Mario''s has grown into quite a cult feature of North London. Founded in the 1950s after an influx of post-war Italian migrants, nowadays the menu combines a healthy selection of homemade Italian and English meals. For any fans of British synth-poppers Saint Etienne, the opening track of their 1993 LP, ''So Tough'', was named after the cafe.&nbsp;</span></p>";}i:2;a:6:{s:11:"Place Image";s:34:"201106260439162785298theoxford.jpg";s:5:"Title";s:10:"The Oxford";s:7:"Address";s:30:"256 Kentish Town Road, NW5 2AA";s:12:"Phone Number";s:13:"020 7485 3521";s:7:"Website";s:0:"";s:11:"Description";s:508:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">One of the latest gastro-pubs to have sprung up in Kentish Town, The Oxford keeps their food menus simple but effective, with the majority of dishes coming from the grill or fryer. There is an additional roast menu on Sundays and smaller bites available throughout the weekdays. Also, for those looking for the lower-key musical entertainment, the pub also stages live music in the evenings, predominantly jazz.</span></p>";}i:3;a:6:{s:11:"Place Image";s:38:"201106260439372913984assemblyhouse.jpg";s:5:"Title";s:18:"The Assembly House";s:7:"Address";s:32:"292-4 Kentish Town Road, NW5 2TG";s:12:"Phone Number";s:14:"020 7485 2031 ";s:7:"Website";s:0:"";s:11:"Description";s:529:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Perfectly located for early evening drinks before heading to The Forum, The Assembly House is another pub leading the way in Kentish Town''s re-vamp. Although it was refurbished a couple of years back, many of the traditional features were kept, and the building benefits form huge high ceilings. The food is good value too - don''t be put off by the fairly expensive prices on the menu, as the huge portions more than make up for it.</span></p>";}i:4;a:6:{s:11:"Place Image";s:33:"201106260439562944580theabbey.jpg";s:5:"Title";s:9:"The Abbey";s:7:"Address";s:30:"124 Kentish Town Road, NW1 9QB";s:12:"Phone Number";s:13:"020 7267 9449";s:7:"Website";s:26:"http://www.abbeypub.co.uk/";s:11:"Description";s:567:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The third gastro pub in the list gives an increasing signal to the amount of redevelopment to Kentish Town''s nightlife, which has occurred in recent years. The Abbey boast a fantastic range of wines and Belgian beers, but if you are looking for a traditional pint of real ale, then you''ve come to the wrong place, as there is none on tap. The Abbey also puts on live music most nights of the week ranging from jazz to soul, from rock to country and from reggae to indie.</span></p>";}i:5;a:6:{s:11:"Place Image";s:39:"201106260440252275002lordpalmerston.jpg";s:5:"Title";s:15:"Lord Palmerston";s:7:"Address";s:31:"33 Dartmouth Park Hill, NW5 1HU";s:12:"Phone Number";s:13:"020 7485 1578";s:7:"Website";s:0:"";s:11:"Description";s:393:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Overlooking the delightful Dartmouth Park Road, the Lord Palmerston offers a quiet and civilised atmosphere for punters. Great food and a top-notch wine list, and although music isn''t played the friendly banter between staff and drinkers more than make up for it with regards to atmosphere.&nbsp;</span></p>";}i:6;a:6:{s:11:"Place Image";s:39:"201106260440442724512junctiontavern.jpg";s:5:"Title";s:19:"The Junction Tavern";s:7:"Address";s:40:"101 Fortress Road, Kentish Town, NW5 1AG";s:12:"Phone Number";s:14:"020 7485 9400 ";s:7:"Website";s:32:"http://www.junctiontavern.co.uk/";s:11:"Description";s:462:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Clearly not interested in the idea of predictability, this local favourite had a daily-changing food menu. On top of that they have new selections of guest ales every week which often get rave reviews. There''s a beer garden for the warm evenings and a conservatory for the slightly cooler ones. Lastly, the grub won a ''Pub Food of the Year'' medal. A popular choice.</span></p>";}i:7;a:6:{s:11:"Place Image";s:36:"201106260441062672173monkeychews.jpg";s:5:"Title";s:12:"Monkey Chews";s:7:"Address";s:38:"2 Queens Crescent, Chalk Farm, NW5 4EP";s:12:"Phone Number";s:13:"0871 4262570 ";s:7:"Website";s:27:"http://www.monkeychews.com/";s:11:"Description";s:530:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Unlikely to have been named by the Tudors, Monkey Chews is a contemporary take on a traditional English pub. Placed between the A-list residences of Primrose Hill and the slightly less-privileged areas east of it, the venue boasts a huge selection of drinks, especially cocktails. You might find yourself going for ''a'' cheeky afternon pint, and then waking up 24 hours later having lost a day of your life!! Not that we''d know.&nbsp;</span></p>";}i:8;a:6:{s:11:"Place Image";s:32:"201106260441232269497thevine.jpg";s:5:"Title";s:8:"The Vine";s:7:"Address";s:33:"86 Highgate Road, London, NW5 1PB";s:12:"Phone Number";s:14:"020 7209 0038 ";s:7:"Website";s:0:"";s:11:"Description";s:431:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Fantastically located for Musikbox clients, The Vine is located further up Highgate Road towards Hampstead Heath. With an impressive international food menu, and good selections of beers, wines and spirits, The Vine has become very popular for both eating and drinking. It comes with a pleasant beer garden and conservatory too.<br /></span></p>";}i:9;a:6:{s:11:"Place Image";s:35:"201106260441582567092pastahabit.jpg";s:5:"Title";s:11:"Pasta Habit";s:7:"Address";s:34:"103 Highgate Road, London, NW5 1TR";s:12:"Phone Number";s:13:"020 7267 9239";s:7:"Website";s:0:"";s:11:"Description";s:359:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Another nearby eaterie to Musikbox, Pasta Habit provide a very wide range of pasta dishes. More at the budget end of the market, this restaurant is perfect for a quick and inexpensive meal mid-session. Good value for money and friendly, entertaining staff.&nbsp;</span></p>";}i:10;a:6:{s:11:"Place Image";s:36:"201106260442112697601pizzapleeze.jpg";s:5:"Title";s:12:"Pizza Pleeze";s:7:"Address";s:33:"163 Fortess Road, London, NW5 2HR";s:12:"Phone Number";s:13:"020 7267 4119";s:7:"Website";s:0:"";s:11:"Description";s:274:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Another value-for-money local restaurant, this time specialising in pizzas. Pizza Pleeze is located further north on Fortess Road, and provides a take-away and delivery service.</span></p>";}i:11;a:6:{s:11:"Place Image";s:33:"201106260442572823333bluemoon.jpg";s:5:"Title";s:20:"Blue Moon Thai Cafe ";s:7:"Address";s:39:"134 Fortess Road, Tufnell Park, NW5 2HP";s:12:"Phone Number";s:12:"0871 0752831";s:7:"Website";s:0:"";s:11:"Description";s:405:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Although one stop up from Kentish Town on the tube, in Tufnell Park, the Blue Moon may well be worth the short commute. Since opening this restaurant has become a firm favourite within North London''s Thai cuisine selection. Furthermore the high standard of food is complimented by the very reasonable prices.</span></p>";}i:12;a:6:{s:11:"Place Image";s:33:"201106260443112637223panevino.jpg";s:5:"Title";s:10:"Pan E Vino";s:7:"Address";s:30:"323 Kentish Town Road, NW5 2TJ";s:12:"Phone Number";s:12:"0871 3327232";s:7:"Website";s:24:"http://www.panevino.net/";s:11:"Description";s:344:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Described by one critic as "the best Sardinian food outside Sardinia", Pan E Vino''s high standards justify the often steep prices. Situated on the doorstep of Kentish Town tube station, it is well located for a once-in-a-while lavish dinner.&nbsp;</span></p>";}i:13;a:6:{s:11:"Place Image";s:31:"201106260443322899338stohns.jpg";s:5:"Title";s:13:"The St. Johns";s:7:"Address";s:25:"91 Junction Road, N19 5QU";s:12:"Phone Number";s:14:"020 7272 1587 ";s:7:"Website";s:0:"";s:11:"Description";s:416:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">One of the first gastro pubs to spring up in the area, The St. Johns is a couple of stops on the tube from Kentish Town, at Archway. With the many additional gastro pubs now in North London, that novelty has somewhat worn off, however it is still a very popular local, which serves excellent food at a good price.<br /></span></p>";}i:14;a:6:{s:11:"Place Image";s:35:"201106260443532798258marineices.jpg";s:5:"Title";s:11:"Marine Ices";s:7:"Address";s:34:"8 Haverstock Hill, London, NW3 2BL";s:12:"Phone Number";s:14:"020 7428 9003 ";s:7:"Website";s:0:"";s:11:"Description";s:486:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">If you find yourself up Chalk Farm way (for the Roundhouse, Enterprise or other), you may want to pop into Marine Ices to indulge in their delicious selections of ice cream. The business has been run by the same Italian family since 1900 (over the generations of course!!), so comitment to high standards is everything! An adjoining Italian restaurant is also very popular with the locals.</span></p>";}}}}', NULL),
(165, 20, 33, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:436:"<p>Although hotel accommodation in the immediate area of Kentish Town is minimal, there are is a wide choice of hotels a little further south in the Camden Town, Euston and Kings Cross areas of the city. Ranging from budget accommodation such as the Camden Lock Hotel to the more luxurious stays at places like Novotel Euston, you will almost be guaranteed to find the right hotel no further than a few stops away on the tube.&nbsp;</p>";}}s:6:"group2";a:10:{i:1;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:22:"Novotel London Euston ";s:17:"Hotel Description";s:704:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.novotel.com/" target="blank">www.novotel.com</a><br />100-110 Euston Road, NW1 2AJ. Tel: 0207 666 9000<br /><br />This 4-star hotel in Euston comprises 312 deluxe furnished guestrooms including colour TV, in-room movies, mini bar and power shower. There is also a spacious health club with sauna and steam room, and Mirrors Bar offers a fine selection of snacks, cocktails and teas. Euston station is a five minute walk away, where you can jump on the Northern Line tube and go two stops north to Kentish Town.&nbsp;</span></p>";}i:2;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:14:"Thistle Euston";s:17:"Hotel Description";s:770:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.thistlehotels.com/" target="blank">www.thistlehotels.com</a><br />Cardington Street, NW1 2LP. Tel: 0870 3339107<br /><br />Perfectly situated for easy access to both Kentish Town and London''s West End, the 4-star Thistle at Euston has 230 deluxe rooms and an additional 100 standard rooms. All rooms consist of high-speed internet connection, cable TV and 24 hour room service. You can also enjoy the elegant Westminster Bar and Palate Restaurant for wining and dining. Euston tube station is a short walk away, with good connections to various destinations, including Kentish Town.</span></p>";}i:3;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:24:"Holiday Inn, Camden Lock";s:17:"Hotel Description";s:901:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.holidayinn.co.uk/" target="blank">www.holidayinn.co.uk&nbsp;</a><br />30 Jamestown Road, NW1 7BY Tel: 0207 833 3900<br /><br />In the heart of trendy Camden Town, this upmarket Holiday Inn overlooks Regents canal, and is a stone''s throw away from Camden''s famous street markets. Offering a variety of rooms, including some exquisite executive suites with balconies overlooking the lock, you can enjoy fast-speed internet connections throughout the building and 24-hour room service. The restaurant serves continental and English food and the bar has a good selection of beers and cocktails. You can walk to Musikbox in less than 20 minutes, or just go one stop on the Northern line from Camden Town tube station.&nbsp;</span></p>";}i:4;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:17:"Camden Lock Hotel";s:17:"Hotel Description";s:626:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">89 Chalk Farm Road, NW1 8AR. Tel: 0207 267 2912<br /><br />Just over the road from the legendary Roundhouse venue, the 3-star Camden Lock Hotel offers great value for money. All rooms are inclusive of an English or continental breakfast, and come with a colour television, 24 hour room service, phone line and free wake-up call. A short walk from the lively nightlife of Camden Town, another benefit is that you''d be able to walk to the Musikbox in less than 20 minutes. If not, it is a very short bus or tube journey away.&nbsp;</span></p>";}i:5;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:19:"Hampstead Britannia";s:17:"Hotel Description";s:711:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.britanniahotels.com/" target="blank">www.britanniahotels.com</a><br />Primrose Hill Road, NW3 3NA. Tel: 0207 586 2233<br /><br />Situated to the West of Kentish Town, and North-West of Camden Town, this 3-star is in a quiet location within walking distance of some of London''s famous designer stores, as well as the bars and restaurants Hampstead Village, St. Johns High Street and the A-list celebrity hideaway of Primrose Hill. Kentish Town is easily reachable as is Camden Town. Central London is also easily accessible.</span></p>";}i:6;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:20:"Mabledon Court Hotel";s:17:"Hotel Description";s:693:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.mabledonhotel.com/" target="blank">www.mabledonhotel.com</a><br />10-11 Mabledon Place, WC1H 9AZ. Tel: 020 7388 3866<br /><br />In the heart of London''s Bloomsbury district, the Mabledon Court is surrounded by transport links to destinations around the city, including Euston and Kings Cross which are 2-3 stops from Kentish Town on the Northern Line. All room prices include breakfast, and rooms come with colour television, internet-access, direct phone line, and coffee and tea making facilities.&nbsp;</span></p>";}i:7;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:11:"Ibis Euston";s:17:"Hotel Description";s:699:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.ibishotel.com/" target="blank">www.ibishotel.com</a><br />3 Cardington Street, NW1 2LW. Tel: 020 7388 7777<br /><br />More at the budget end of the scale, however the Ibis, Euston provides excellent value for money. Amenities include a restaurant and bar, express checkout, indoor parking, as well as in-room TVs, tea and coffee facilities and power shower. The hotel is a stone''s throw away from Euston station, which is ideally located for quick journeys to the city centre and Musikbox in Kentish Town.&nbsp;</span></p>";}i:8;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:13:"Swinton Hotel";s:17:"Hotel Description";s:717:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://http//www.swintonhotel.com" target="blank">www.swintonhotel.com</a><br />18-24 Swinton Street, WC1X 9NX. Tel: 020 7837 1451<br /><br />The 2-star Swinton comes at very affordable prices, but more than caters for all your basic needs. Each room comes with a colour TV, free wireless internet, en-suite bathroom and tea and coffee facilities. Situated very close to Kings Cross station, which has access to many of the London Underground lines, including the Northern, which will take you to Kentish Town in roughly five minutes.&nbsp;</span></p>";}i:9;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:15:"Hotel Meridiana";s:17:"Hotel Description";s:747:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.hotelmeridiana.co.uk/" target="blank">www.hotelmeridiana.co.uk</a><br />43-44 Argyle Square, WC1H 8AL. Tel: 020 7713 0144<br /><br />The Meridiana is another lower-budget hotel in the Euston/Kings Cross area, but comes as excellent value for money. Although it is located very close to the bustling centre of London, Argyle Square is a quiet secluded area, which is very close to the excellent transport links at Euston and Kings Cross. All rooms contain colour TV and tea and coffee making facilities, and an English breakfast is included in the price.&nbsp;</span></p>";}i:10;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:16:"The Garth Hotel ";s:17:"Hotel Description";s:659:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.garth-hotel.co.uk/" target="blank">www.garth-hotel.co.uk</a><br />Cricklewood, 64-76 Hendon Way, NW2 2NL. Tel: 020 8209 1511<br /><br />Located in Cricklewood, on the other side of Hampstead Heath to Kentish Town, this two star hotel is well positioned for easy access to London''s West End, the M1 motorway and of course Musikbox. The hotel has two bars, free parking for up to 60 cars, and all rooms come with standard facilities including private bathroom and TV.&nbsp;</span></p>";}}}}', NULL),
(166, 24, 20, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:695:"<p>\r\n<p>Miloco now provide an Online Mixing service, where we mix records remotely and send them back to clients.</p>\r\n<p>&nbsp;</p>\r\n<p>Online Mixing is a flexible and affordable option for clients who are working on a budget, but who require a professional mix studio and engineer. It also allows clients from anywhere in the world to benefit from our exceptional choice of UK-based mix studios and engineers. All you have to do is send us your tracks via post, courier or web server - we''ll do the rest...</p>\r\n<p>&nbsp;</p>\r\n<p>Navigate through the left-hand sidebar to find out more on our Online Mixing packages and rates, our selection of mixing studios and choice of engineers.</p>\r\n</p>";}}}}', NULL),
(167, 24, 23, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{i:0;s:2003:"<p>\r\n<p><strong>Online Packaging rates start from &pound; 400.00 / track. Rates may vary depending on the engineer you choose for your mix.&nbsp;</strong></p>\r\n<p>&nbsp;</p>\r\n<p>You will be able to select both an engineer and studio for your project. When the booking is made we shall give you a timescale of when we expect to get the mix done by. If there is particular studio wanted / required there may be a delay on the session depending on other projects booked in to that studio. We will always recommend another studio should this not suit the timescale clients are working to.</p>\r\n<p>&nbsp;</p>\r\n<p>When the mix is complete you will receive one stereo file of the master mix and a 16 Bit wav for CD. You will also receive the final mix stems* and the multi track with all plug-in settings and consolidated files as well as an instrumental mix and accapella.</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Other Pricing Options&nbsp;</strong></p>\r\n</p>\r\n<ul>\r\n<li>If you would like an instrumental, accapella or TV mix an additional &pound;20.00 will be charged per mix.</li>\r\n<li>If there are more than 5 or 10 tracks to be mixed the rate per track may be reduced depending on the complexity of the tracks. This can be discussed at the time of booking.</li>\r\n<li>Miloco also offers an online mastering service. Online Mastering prices start from &pound;50.00</li>\r\n<li>The price is for songs with a maximum 48 track count (either mono or stereo). If you have more tracks we can quote on receiving the files. Typically this would be an additional &pound;2 per additional track up to a maximum of 96 tracks.</li>\r\n<li>Stems will be limited to a maximum of 8 stereo files. These can be specified by the client but would normally consist of Drums, Percussion, Bass, Keyboards, Guitars, Lead vocals, Backing vocals, Stereo effects.</li>\r\n</ul>\r\n<p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>Call the Miloco office on <strong>020-7232-0008</strong> if you wish to discuss our Online Mixing packages.</p>\r\n</p>";}}}}', NULL),
(168, 24, 29, 'a:1:{s:2:"en";a:5:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:183:"<p>Our selection of mixing studios available for online mixing packages include SSL and Neve rooms, Pro Tools only rooms and Vintage rooms. See below for more information on each.</p>";}}s:6:"group2";a:4:{i:1;a:2:{s:12:"Studio Image";s:0:"";s:18:"Studio Information";s:664:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.miloco.co.uk/engineroom" target="_blank"><strong><big>The Engine Room - ''Hearing is Believing''</big></strong></a><br />Bermondsey, London SE1<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.miloco.co.uk/engineroom" target="_blank">www.miloco.co.uk/engineroom</a><br /><br /><strong>Our flagship SSL mix room</strong>. Spectacular sounding SSL room with 4056 G with 36 G-series EQs, customised Munro M4''s and stacks of outboard.&nbsp;</span></p>";}i:2;a:2:{s:12:"Studio Image";s:0:"";s:18:"Studio Information";s:611:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.miloco.co.uk/square" target="_blank"><strong><big>The Square - ''Super Sonic Luxury''</big></strong></a><br />Hoxton, London N1<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.miloco.co.uk/square" target="_blank">www.miloco.co.uk/square</a><br /><br /><strong>SSL mix and monitoring excellence</strong>. Combines a G-Series console with ATC, Genelec and Yamaha Monitors.&nbsp;<br /></span></p>";}i:3;a:2:{s:12:"Studio Image";s:0:"";s:18:"Studio Information";s:740:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.miloco.co.uk/fisherlane" target="_blank"><strong><big>Fisher Lane - ''Escape Relax Create''</big></strong></a><br />Chiddingfold, Surrey, UK<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.miloco.co.uk/fisherlane" target="_blank">www.miloco.co.uk/fisherlane</a><br /><br /><strong>Rural Solid State mixing</strong>. SSL E-Series console and Westlake HR1 monitors in an expansive Sam Toyoshima control room.<br /><br /><em>* please note engineer selection for Fisher Lane is restricted to Harry Rutherford</em>.&nbsp;</span></p>";}i:4;a:2:{s:12:"Studio Image";s:0:"";s:18:"Studio Information";s:670:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.miloco.co.uk/assaultandbattery1" target="_blank"><strong><big>Assault &amp; Battery 1 - ''More Than Just A Mix Room''</big></strong></a><br />Willesden Green, London NW10<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.miloco.co.uk/assaultandbattery1" target="_blank">www.miloco.co.uk/assaultandbattery1</a><br /><br /><strong>Outstandingly accurate mixes!</strong>&nbsp;SSL G+ SL4000 72 Channel desk, immense choice of outboard and plug-ins</span></p>";}}s:6:"group3";a:4:{i:1;a:2:{s:12:"Studio Image";s:0:"";s:18:"Studio Information";s:691:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.miloco.co.uk/assaultandbattery" target="_blank"><strong><big>Assault &amp; Battery 2 - ''Fully Charged and No Limits''</big></strong></a><br />Willesden Green, London NW10<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.miloco.co.uk/assaultandbattery" target="_blank">www.miloco.co.uk/assaultandbattery</a><br /><br /><strong>Our first VR60 mix room</strong>. A newly-refurbed VR60 and awesome monitoring system provides another great Miloco Neve mix room.&nbsp;</span></p>";}i:2;a:2:{s:12:"Studio Image";s:0:"";s:18:"Studio Information";s:647:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.miloco.co.uk/musikbox" target="_blank"><strong><big>Musikbox - ''Mixing Outside of the Box''</big></strong></a><br />Kentish Town, London NW5<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.miloco.co.uk/musikbox" target="_blank">www.miloco.co.uk/musikbox</a><br /><br /><strong>Another top-end Neve VR60</strong>. This swish daylit studio in Kentish Town provides a Neve VR60, 48 output HD3 rig and ATC Monitors.&nbsp;</span></p>";}i:3;a:2:{s:12:"Studio Image";s:0:"";s:18:"Studio Information";s:643:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.miloco.co.uk/garden" target="_blank"><strong><big>The Garden - ''Hidden Neve Mix Gem''</big></strong></a><br />Shoreditch, London EC2<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.miloco.co.uk/garden" target="_blank">www.miloco.co.uk/garden</a><br /><br /><strong>A hidden Neve mix gem</strong>. Famous for its tracking capacity, but a 40-channel Neve 8026, Boxer monitors and HD3 also makes it great for mixing.</span></p>";}i:4;a:2:{s:12:"Studio Image";s:0:"";s:18:"Studio Information";s:765:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.miloco.co.uk/motormuseum" target="_blank"><strong><big>The Motor Museum - ''Matchless Mersey Mixes!''</big></strong></a><br />Liverpool, UK<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.miloco.co.uk/motormuseum" target="_blank">www.miloco.co.uk/motormuseum</a><br /><br /><strong>Matchless Mersey Mixes!</strong>&nbsp;Vintage Neve 8232, supreme monitors including ATCs, Yamahas and Tannoys and an expansive array of outboard.<br /><br /><em>* please note engineer selection for The Motor Museum is restricted to Mike Spink</em>.&nbsp;</span></p>";}}s:6:"group4";a:2:{i:1;a:2:{s:12:"Studio Image";s:0:"";s:18:"Studio Description";s:568:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.miloco.co.uk/yard" target="_blank"><strong><big>The Yard - ''Mixing In The Box''</big></strong></a><br />Highbury, London N1<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.miloco.co.uk/yard" target="_blank">www.miloco.co.uk/yard</a><br /><br /><strong>Fantastic ''In The Box'' affordability</strong>. Protools and Monitors included...&nbsp;</span></p>";}i:2;a:2:{s:12:"Studio Image";s:0:"";s:18:"Studio Description";s:604:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.miloco.co.uk/bridge" target="_blank"><strong><big>The Bridge - ''Simple In The Box Mixes''</big></strong></a><br />Bermondsey, London SE1<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.miloco.co.uk/bridge" target="_blank">www.miloco.co.uk/bridge</a><br /><br /><strong>Simple in the box mixes</strong>. Protools HD3 Accel rig, with Genelec, NS10 and Dynaudio monitors.&nbsp;</span></p>";}}s:6:"group5";a:2:{i:1;a:2:{s:12:"Studio Image";s:0:"";s:18:"Studio Description";s:629:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.miloco.co.uk/garden" target="_blank"><strong><big>The Garden - ''Vintage Mixing Heaven''</big></strong></a><br />Highbury, London N1<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.miloco.co.uk/garden" target="_blank">www.miloco.co.uk/garden</a><br /><br /><strong>Vintage mixing heaven</strong>. An excellent studio for classic sounding mixes. Built around a vintage Neve 8026 and Boxer T2 Monitors.</span></p>";}i:2;a:2:{s:12:"Studio Image";s:0:"";s:18:"Studio Description";s:658:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.miloco.co.uk/ironworks" target="_blank"><strong><big>The Ironworks - ''It''s All About The Sound''</big></strong></a><br />Brighton, UK<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.miloco.co.uk/ironworks" target="_blank">www.miloco.co.uk/ironworks</a><br /><br /><strong>Phat and Fierce Mixes Guaranteed!</strong>&nbsp;Tannoy Gold and Yamaha NS10s combine with a flat-even frequency response for supremely accurate mixes.&nbsp;</span></p>";}}}}', NULL);
INSERT INTO `pages` (`id`, `studio_id`, `page_layout_id`, `content`, `additional_content`) VALUES (169, 24, 27, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:13:"Online Mixing";s:465:"<p>Online Mixing clients have an enviable choice of highly gifted engineers to work on their projects. On offer are Miloco''s up-and-coming inhouse engineers, and a selection of guys who are represented by our Producer and Engineer Management Company, Interface. This combination provides you with a choice ranging from some of the brightest young talents to hugely experienced studio professionals. See below for more information on our crew of mix engineers...</p>";}}s:6:"group2";a:8:{i:1;a:2:{s:5:"Image";s:0:"";s:11:"Information";s:955:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.miloco.co.uk/engineers/mattwiggins.php" target="_blank"><strong><big>Matt Wiggins - ''Really Good At Throwing''</big></strong></a><br /><strong>AKA:</strong>&nbsp;Wiggs, Wiggy<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.miloco.co.uk/engineers/mattwiggins.php" target="_blank">Matt''s CV</a>&nbsp;<br /><br /><strong>Influences:</strong>&nbsp;Paul Epworth, Ben Hillier and Spike Stent.<br /><strong>Sounds Like:</strong>&nbsp;genre bending, washed out blissful noise.<br /><strong>Geek Factor:</strong>&nbsp;Guitars through synths through distortion pedals in warehouses.<br /><strong>Favourite Toy:</strong>&nbsp;Space Hopper<br /><strong>Recent Clients:</strong>&nbsp;Graham Coxon, Chapel Club, Nadine Shah, Tinchy Stryder</span></p>";}i:2;a:2:{s:5:"Image";s:0:"";s:11:"Information";s:1205:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.miloco.co.uk/engineers/adrianbreakspear.php" target="_blank"><strong><big>Adrian Breakspear - ''Chop Chop Move''</big></strong></a><br /><strong>AKA:</strong>&nbsp;Ade, Age, psycho_monkey (digital releases only)<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.miloco.co.uk/engineers/adrianbreakspear.php" target="_blank">Adrian''s CV</a>&nbsp;<br /><br /><strong>Influences:</strong>&nbsp;Muse, David Ford, Interpol, Tom Mcrae, The Band and a secret love of well written pop music...<br /><strong>Sounds Like:</strong>&nbsp;The old school meeting the new school with a spiky blonde twist...<br /><strong>Geek Factor:</strong>&nbsp;Encyclopedic knowledge of Pro Tools paired with a vintage microphone obsession<br /><strong>Favourite Toy:</strong>&nbsp;Soundtoys Decapitator or a U47-1073-1176 vocal chain.<br /><strong>Recent Clients:</strong>&nbsp;Domino Go, Exit Calm, Kaz James (Bodyrockers), McFly, The Saturdays, Daniel Johnston, Electric Memory Box, The Fairchilds.<br /></span></p>";}i:3;a:2:{s:5:"Image";s:0:"";s:11:"Information";s:1215:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.miloco.co.uk/engineers/darrenlawson.php" target="_blank"><strong><big>Darren Lawson - ''Distortion Is Your Friend''</big></strong></a><br /><strong>AKA:</strong>&nbsp;Daz<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.miloco.co.uk/engineers/darrenlawson.php" target="_blank">Darren''s CV</a>&nbsp;<br /><br /><strong>Influences:</strong>&nbsp;Moulder''s guitars, Flood''s synths, Barresi''s drums, Eno''s ambience and Strummer''s words<br /><strong>Sounds Like:</strong>&nbsp;Metal to ambient soundscapes and everything in between. A specialist in guitar bands due to the obscene hours put in at Battery.<br /><strong>Geek Factor:</strong>&nbsp;Unhealthy obsession with drum recording and trying to recording guitars that don''t sound like guitars<br /><strong>Favourite Toy:</strong>&nbsp;Culture Vulture, Eventide H3500 or Sound Toys plugins<br /><strong>Recent Clients:</strong>&nbsp;White Lies, The Pains Of Being Pure At Heart, Editors, Asian Dub Foundation, Against Me!, Jim Jones Revue</span></p>";}i:4;a:2:{s:5:"Image";s:0:"";s:11:"Information";s:1073:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.miloco.co.uk/engineers/dangoudie.php" target="_blank"><strong><big>Dan Goudie - ''Unlimited''</big></strong></a><br /><strong>AKA:</strong>&nbsp;Big Dan, Dango<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.miloco.co.uk/engineers/dangoudie.php" target="_blank">Dan''s CV</a>&nbsp;<br /><br /><strong>Influences:</strong>&nbsp;Thrice - The Artist In The Ambulance, Jon Hopkins - Insides, Bach - St Matthew''s Passion No.46 and all sorts in between<br /><strong>Sounds Like:</strong>&nbsp;The sound you have in your head + 1<br /><strong>Geek Factor:</strong>&nbsp;A love of the science/art of mixing, vocal harmony... and incessant phase checking<br /><strong>Favourite Toy:</strong>&nbsp;Empirical Labs Distressor<br /><strong>Recent Clients:</strong>&nbsp;Mystery Jets, KT Tunstall, UNKLE, Hadouken!, Simon Williams, Magnetic Man, Bespoke Union</span></p>";}i:5;a:2:{s:5:"Image";s:0:"";s:11:"Information";s:1217:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.miloco.co.uk/engineers/jarradhearman.php" target="_blank"><strong><big>Jarrad Hearman - ''No Recourse To Public Funds''</big></strong></a><br /><strong>AKA:</strong>&nbsp;Any of the countless ways British people attempt to pronounce Jarrad<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.miloco.co.uk/engineers/jarradhearman.php" target="_blank">Jarrad''s CV</a>&nbsp;<br /><br /><strong>Influences:</strong>&nbsp;Refused: The Shape of Punk to Come / Miles Davis: Bitches Brew / Radiohead: OK Computer / At The Drive-In: Relationships of Command / Beatles: Revolver.<br /><strong>Sounds Like:</strong>&nbsp;JCM800''s + Triple Rectifiers + Sans Amps + Big Muffs + at least a bar of 4/4 to count in.... Most commonly known as Rock!<br /><strong>Geek Factor:</strong>&nbsp;Dual, Triple, and Quad tracked Guitars...<br /><strong>Favourite Toy:</strong>&nbsp;Digidesigns LoFi PlugIn<br /><strong>Recent Clients:</strong>&nbsp;Channel Cairo, Edit Select, Monsters In The Attic, Engine Three Seven</span></p>";}i:6;a:2:{s:5:"Image";s:0:"";s:11:"Information";s:1093:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.interfaceyourmusic.com/PeteHofmann" target="_blank"><strong><big>Pete Hofmann - ''Can We Try One More Harmony?''</big></strong></a><br /><strong>AKA:</strong>&nbsp;Too many to mention, personal favourite "Pete 18-30 Hofmann"<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.interfaceyourmusic.com/PeteHofmann" target="_blank">Pete''s CV</a>&nbsp;<br /><br /><strong>Influences:</strong>&nbsp;Richard X, Lucas Secon, Flood and Alan Moulder, Mike Spencer, Hugh Padgham, Bob Clearmountain...<br /><strong>Sounds Like:</strong>&nbsp;The perfect mix to me.<br /><strong>Geek Factor:</strong>&nbsp;Bringing the best out of vocalists and an obsession with vocal editing, Hi hats and panning...<br /><strong>Favourite Toy:</strong>&nbsp;AMS 1580 no question.<br /><strong>Recent Clients:</strong>&nbsp;Kylie Minogue, Magnetic Man, Katy B, Steve Mason, JLS, Goldfrapp, Skream</span></p>";}i:7;a:2:{s:5:"Image";s:0:"";s:11:"Information";s:1057:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.interfaceyourmusic.com/MattFoster" target="_blank"><strong><big>Matt Foster - ''Don''t Think It, Know It''</big></strong></a><br /><strong>AKA:</strong>&nbsp;Matteus, Mafiaso, Monkeygod, Fat Moster<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.interfaceyourmusic.com/MattFoster" target="_blank">Matt''s CV</a>&nbsp;<br /><br /><strong>Influences:</strong>&nbsp;Soul, Hip Hop, Rock, Reggae and Dance music<br /><strong>Sounds Like:</strong>&nbsp;The bass is about to rip your guts out<br /><strong>Geek Factor:</strong>&nbsp;Obsessive Compulsive Audio Disorder<br /><strong>Favourite Toy:</strong>&nbsp;SSL<br /><strong>Recent Clients:</strong>&nbsp;Professor Green, Wiley, Giggs, Eliza Doolittle, Scorcher, Sugababes, Swedish House Mafia, Blame, Tinie Tempah, Roll Deep, Devlin, Tinch Stryder, JLS, Skepta, Alesha Dixon...<br /></span></p>";}i:8;a:2:{s:5:"Image";s:0:"";s:11:"Information";s:974:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><a style="color: #2b2623; text-decoration: underline; font-weight: bold;" href="http://www.interfaceyourmusic.com/MattLawrence" target="_blank"><strong><big>Matt Lawrence - ''Rolling... Good luck studio''</big></strong></a><br /><strong>AKA:</strong>&nbsp;Louis "bagadoughnuts" Fairchild<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.interfaceyourmusic.com/MattLawrence" target="_blank">Matt''s CV</a>&nbsp;<br /><br /><strong>Influences:</strong>&nbsp;Doves, Tom Mcrae, Electro 9, "On A Boat"<br /><strong>Sounds Like:</strong>&nbsp;Organic perfection with lovely little polish<br /><strong>Geek Factor:</strong>&nbsp;VF14 valve, Patchcords all in order of length<br /><strong>Favourite Toy:</strong>&nbsp;Distressor<br /><strong>Recent Clients:</strong>&nbsp;Ellie Goulding, Magnetic Man, Pixie Lott, Keane, Foals, Mumford &amp; Sons</span></p>";}}}}', NULL),
(170, 24, 22, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:8:"FAQ Area";s:3060:"<p>\r\n<p><strong>When and how do I pay?</strong></p>\r\n<p>Once the session has been agreed and confirmed we shall require full payment in advance of the mix session. We shall send you an invoice and you can either pay via bank transfer, cheque or credit card (please note credit card transactions incur a 2% surcharge). All prices quoted exclude VAT.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>How many tracks can be submitted / how should they be submitted?</strong></p>\r\n<p>Please ensure your track count does not exceed 48. Make sure that every track is labeled correctly. If you are having problems with the track count and need to reduce it we recommend that you bounce down any backing vocals to stereo track.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>How should tracks be formatted?</strong></p>\r\n<p>We mix the tracks in ProTools. The latest version we are currently running is 8.0.3. If the tracks have been done in a recording package other than ProTools please make sure all the tracks are consolidated or bounced down to start from bar 1 beat 1.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Using plug-Ins?</strong></p>\r\n<p>If you have used any plug-ins which you feel are integral to the sound of the mix please send us two versions of that particular track. Please bounce down a dry version without the effect, and a processed version with the Plug-in.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Track acceptance?</strong></p>\r\n<p>Please be aware that the price quoted is to mix the tracks supplied. If there are timing issues, tuning issues, comping or any other preparatory work to be done we shall have to charge a further amount depending on the amount of work involved. Once we receive the track to be mixed, our engineer will let you know if this is the case.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Can Reference Mixes be submitted?</strong></p>\r\n<p>If you have an idea of where your mix should be heading then any monitor mix supplied from home will help the direction the engineer takes. If there is a direction that you want the track to go down, and you can give us a track by an artist to compare it to, then let us know what and we shall give it a listen.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Am I allowed mix revisions?</strong></p>\r\n<p>On every package available there will be one revision allowed to the mix. Please take time to listen to your mix carefully and come up with a full list of changes. Any subsequent changes can be done but there will be a further charge. We will deliver the mix for approval by 8pm and any revisions can then be done overnight or first thing in the morning to avoid recalls.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>How long will the job take?</strong></p>\r\n<p>If you are happy to use a non-specific studio or engineer the turn around time will be 5 days. For specific engineers or specific studios we shall have to schedule the session according to other bookings already taken. At the time of your enquiry we can give you an estimate when the job will be completed.</p>\r\n<p>&nbsp;</p>\r\n<p>Call the Miloco office on 020-7232-0008 if you have any further questions.</p>\r\n</p>";}}}}', NULL),
(171, 21, 20, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:35:"201106300524162857797timthumb-6.jpg";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:1224:"<p>&nbsp;</p>\r\n<p>Sofa Sound provides a top-end SSL mixing studio to add to our diverse range of rooms. It also has a great live room (19'' x 19'') including two additional separation booths for those wanting to record. The control room is based around a fully automated SSL G+ console with 64 mono and 4 stereo channels, Quested monitors and a Protools HD3 Accel rig with Apogee convertors, providing 32 inputs and 48 outputs. Add to this a host of plug-ins, a wide range of outboard equipment including sought after vintage Neve EQ''s, a Studer 24-track 2" and an Ampex ATR100 1/2" (for mastering), and you can see why this is one of West London''s first-choice studios.</p>\r\n<p>&nbsp;</p>\r\n<p>Enhancing the fine technical quality of the studio, there is of course air-conditioning, ample daylight, 24 hour maintenance, plus the use of a shared rec room consisting of a pool table, table football, kitchen preperation area and Sky TV. In the summer months, clients can enjoy a communal roof terrace providing great views across West London. Add to this the local amenities of Chiswick High Road, famed for its exceptional and broad choice of cuisine, and you''ll find this fantastic studio is hard to better.</p>\r\n<p>&nbsp;</p>";}}}}', NULL),
(172, 21, 24, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:9:"Equipment";s:5784:"<p>\r\n<p><strong>Latest Purchases:</strong></p>\r\n<p>Apple Mac Pro 8 Core (2 x 2.4Ghz Quad-Core Intel Xeon), 6GB DDR3 Ram, 4 x 1TB HDD 7200rpm</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>CONSOLE</strong></p>\r\n<p>SSL G+ Series fully automated 64 channel console (+ 4 stereo)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MULTITRACK / HARD DISK RECORDING</strong></p>\r\n<p>Protools HD3 Accel with 32 inputs and 48 outputs</p>\r\n<p>Studer A800 MkIII 24-track 2"</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MONITORING</strong></p>\r\n<p>Quested HQ410 3 Way Monitors</p>\r\n<p>KRK V6</p>\r\n<p>KRK Expose 8</p>\r\n<p>Yamaha NS10M</p>\r\n<p>AR 18LS / Auratones</p>\r\n<p>Sony Mini speakers</p>\r\n<p>Amplifiers: Quested / Bryston</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MASTERING</strong></p>\r\n<p>Ampex ATR102 1/2"</p>\r\n<p>Panasonic SV3800 DAT Player</p>\r\n<p>T ascam DA60 MkII Timecode DAT</p>\r\n<p>HHB CD Recorder</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DYNAMICS</strong></p>\r\n<p>SSL XL Logic Channel Strip</p>\r\n<p>Teletronix LA-2A</p>\r\n<p>Urei 1176LN (x2)</p>\r\n<p>DBX 160 (x2)</p>\r\n<p>DBX 160A (x2)</p>\r\n<p>Empirical Lab Distressors (x2)</p>\r\n<p>AH Mini Limiter (x2)</p>\r\n<p>SPL De-esser</p>\r\n<p>SPL Transient Designer (4 channel Version)</p>\r\n<p>Drawmer DS201 Noise Gates (x2) Gates Sta-Level (Vintage re-issue)</p>\r\n<p>Manley Vari-Mu (Tube limiter/compressor)</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>EQUALISATION / MIC PRE''S</strong></p>\r\n<p>Chandler Germanium Tone Control</p>\r\n<p>Massenberg (GML) 8200</p>\r\n<p>Tubetech PE-1C (x2)</p>\r\n<p>Neve 1064 (x6)</p>\r\n<p>Neve 1081 (x4)</p>\r\n<p>Summit TPA200B Stereo Valve Preamp</p>\r\n<p>Apogee Mini MP Stereo Mic Preamp</p>\r\n<p>Universal Audio 2-610 Valve Preamp&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>REVERBERATION</strong></p>\r\n<p>Lexicon 300</p>\r\n<p>Lexicon 480L</p>\r\n<p>Lexicon PCM90</p>\r\n<p>EMT 140 Plate Reverb</p>\r\n<p>EMT 245 Digital Plate</p>\r\n<p>AMS RMX16</p>\r\n<p>Roland SRV330&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DELAYS / PROCESSORS</strong></p>\r\n<p>AMS DMX 1580S</p>\r\n<p>BEL BF-20 Flanger</p>\r\n<p>Roland SDE330 (x2)</p>\r\n<p>Lexicon PCM42 (x2)</p>\r\n<p>Roland SDE3000</p>\r\n<p>Roland SDE2000</p>\r\n<p>Eventide H3000</p>\r\n<p>Yamaha SPX1000 (x2)</p>\r\n<p>Yamaha SPX90 (x3)</p>\r\n<p>Yamaha SPX900</p>\r\n<p>Yamaha Rev 7 (x2)</p>\r\n<p>Boss CE300 Super Chorus</p>\r\n<p>Roland Space Echo RE201</p>\r\n<p>Roland Chorus Echo RE301</p>\r\n<p>Roland Space Echo RE501</p>\r\n<p>Line6 MM4 Modulation Modeller</p>\r\n<p>Aural Exciter Type C (x2)&nbsp;</p>\r\n<p>Aphex Expressor&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>SYNCHRONISATION</strong></p>\r\n<p>Apogee Big Ben Master Clock</p>\r\n<p>&nbsp;</p>\r\n<p><strong>SEQUENCING</strong></p>\r\n<p>Protools v8.1</p>\r\n<p>&nbsp;</p>\r\n<p><strong>INSTRUMENTS</strong></p>\r\n<p>Yamaha Upright Piano</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MICROPHONE LIST</strong></p>\r\n<p>AKG 414EB</p>\r\n<p>AKG C451E (x2)</p>\r\n<p>AKG D112</p>\r\n<p>AKG D12E</p>\r\n<p>Audio-Technica ATM25 (x2)</p>\r\n<p>Audio-Technica ATM23HE (x2)</p>\r\n<p>Audio-Technica ATM35</p>\r\n<p>Audio-Technica ATM87R</p>\r\n<p>Audio Technica AT4041</p>\r\n<p>Audio Technica AT4050</p>\r\n<p>Coles 4038 Ribbon Mics (x2)</p>\r\n<p>Earthworks TC/40K (x2)&nbsp;</p>\r\n<p>Electrovoice RE20</p>\r\n<p>Neumann KM84i&nbsp;</p>\r\n<p>Neumann KM86i (x2)</p>\r\n<p>Neumann U47 Fet (x2)</p>\r\n<p>Neumann U87i (x4)</p>\r\n<p>Oktava MK219 (x2)</p>\r\n<p>Reslo RBT/H (x2)</p>\r\n<p>Rode NT5 Matched Pair (x2)</p>\r\n<p>Royer R121</p>\r\n<p>SE Electronics SE3 Matched Pair (x2)</p>\r\n<p>SE Electronics Z5600A Valve Mic</p>\r\n<p>SE Electronics Gemini Valve Mic</p>\r\n<p>Sennheiser MD421 (x4)</p>\r\n<p>Shure SM57 (x4)</p>\r\n<p>Shure SM58 (x2)</p>\r\n<p>Shure SM7B</p>\r\n<p>Shure Unidyne 57</p>\r\n<p>&nbsp;</p>\r\n<p>Other Microphones maybe available on request.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>PROTOOLS RIG</strong></p>\r\n<p>Top of the range protools rig based around an HD3 Accel rig running either protools or logic pro software. with Apogee A/D and D/A convertors.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>HARDWARE</strong></p>\r\n<p>Apple Mac Pro 8 Core (2 x 2.4Ghz Quad-Core Intel Xeon), 6GB DDR3 Ram, 4 x 1TB HDD 7200rpm</p>\r\n<p>Apple 20" Cinema Display</p>\r\n<p>3 x Apogee 192 DA16x interfaces providing 48 Outputs</p>\r\n<p>3 x Apogee 192 AD16x interfaces providing 32 Inputs</p>\r\n<p>Apogee Big Ben Master Clock</p>\r\n<p>Digidesign Sync I/O synchroniser</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>BACKUP</strong></p>\r\n<p>Usually done the following day with a choice of:</p>\r\n<p>CD-R</p>\r\n<p>DVD-R</p>\r\n<p>AIT4</p>\r\n<p>&nbsp;</p>\r\n<p><strong>SOFTWARE</strong></p>\r\n<p>OSX 10.6.4</p>\r\n<p>Protools v8.1</p>\r\n<p>Logic Pro v9.1.3 (incompatible with DAE) (on request)</p>\r\n<p>Roxio Toast 9</p>\r\n<p>&nbsp;</p>\r\n<p><strong>PLUG-INS</strong></p>\r\n<p>Access Music Indigo</p>\r\n<p>AIR Plugins</p>\r\n<p>Amp farm</p>\r\n<p>Amplitude</p>\r\n<p>Autotune EVO</p>\r\n<p>Avox Choir</p>\r\n<p>Avox Punch</p>\r\n<p>Band Delays</p>\r\n<p>BF Essentials</p>\r\n<p>Bomb Factory 1176</p>\r\n<p>Bomb Factory BF-3A</p>\r\n<p>Boom</p>\r\n<p>Cosmonaut Voice</p>\r\n<p>D-fi</p>\r\n<p>Digirack Plugins</p>\r\n<p>EMI TG12413</p>\r\n<p>Focusrite D2</p>\r\n<p>Focusrite D3</p>\r\n<p>Funk Logic Masterizer</p>\r\n<p>HEAT</p>\r\n<p>Joe Meek SC2 Compressor</p>\r\n<p>Joe Meek VC5 Meequalizer</p>\r\n<p>Massenburg Design EQ</p>\r\n<p>Massey CT4</p>\r\n<p>Massey De:Esser</p>\r\n<p>Massey L2007</p>\r\n<p>Massey Tapehead</p>\r\n<p>Massey THC</p>\r\n<p>Massey vt3</p>\r\n<p>Maxim</p>\r\n<p>Minigrand</p>\r\n<p>moogerfooger bundle</p>\r\n<p>Pitch</p>\r\n<p>Princetown 2016 Plate Reverb</p>\r\n<p>Pultec EQH-2</p>\r\n<p>Pultec EQP-1A</p>\r\n<p>Pultec MEQ-15</p>\r\n<p>Sansamp PSA-1</p>\r\n<p>Smack!</p>\r\n<p>Soundtoys TDM bundle v3</p>\r\n<p>Spectron SST-282</p>\r\n<p>Tel-Ray Variable Delay</p>\r\n<p>T-Racks EQ</p>\r\n<p>TL Everyphase</p>\r\n<p>TL Space</p>\r\n<p>TL Essentials</p>\r\n<p>URS 1975 Compressor</p>\r\n<p>URS Strip</p>\r\n<p>Vacuum</p>\r\n<p>Voce Spin</p>\r\n<p>Voce Chorus/Vibrato</p>\r\n<p>Waves Platinum</p>\r\n<p>Xpand! 2</p>\r\n</p>";}}}}', NULL),
(173, 21, 38, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:4:{s:8:"Postcode";s:6:"W3 7SY";s:7:"Address";s:41:"Stanley House, 39 Stanley Gardens, London";s:3:"lat";s:10:"51.5042125";s:3:"lng";s:11:" -0.2559085";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Directions";s:2483:"Directions from outside London \r\n\r\nBy Car\r\n\r\nFrom Heathrow Airport, Terminals 1,2 & 3, Hounslow. (M4 route in from West)\r\nFollow exit signs along from Control Tower Road, through Inner Ring W and Tunnel Road W leading onto the A408. Continue along the A408, at the roundabout take 3rd exit onto M4 ramp to Central London/Hammersmith.\r\nMerge onto the M4 and continue for 7-8 miles, and then exit at junction 2 onto A4/Great West Road towards N Circular/S Circular/A406/A205/Chiswick/A315. At the roundabout take the second exit onto Chiswick High Road/A315.\r\nContinue along Chiwsick High Road for around a mile and then turn left at Turnham Green Terrace.\r\nFollow the road up and you will pass Turnham Green tube station on the right. Shortly after, take a right onto Bath road and then the fourth on the left (Emlyn Road).\r\nWhen you reach Cobbold Road, take a left, followed immediatley by a right onto Warple Way. Turn left onto Canham Road and then right onto Stanley Gardens. Sofasound is inside number 29, Stanley House.\r\nFrom the M20 / Dover, Kent. (Route in from South-East). N.B. Central London congestion charge may apply to following route. Check beforehand.\r\nFrom Dover, follow signs to the M20 towards London/Ashford. Continue for 40-50 miles past Ashford and Maidstone, until the M20 becomes the A20.\r\nContinue along the A20 towards South-East London/Lewisham. Go through two roundabouts and follow the road onto the A2/Lewisham Way towards New Cross.\r\nFollow the road round to the left. You will pass New Cross Gate station on your right, continue along A202/Queens Road for 3.5 miles (the road later becomes Peckham Road, and then Camberwell New Road) to Oval station.\r\nPast Oval station, take a slight right at South Lambeth Road and then take a right at Parry Street. Slight right to stay on Parry Street, then turn right at Wandsworth Road, and then left onto Vauxhall Bridge Road. Cross the river.\r\nTake a slight left at Grosvenor Road and drive for a mile to the A3212/Chelsea Embankment. Continue for a mile. Take a slight right at Cheyne Walk and follow round the A3220 towards Holland Park Roundabout.\r\nAt the roundabout take the first exit onto Shepherds Bush Green and follow the road around the green. Take a left onto Uxbridge Road and drive for 1-2 miles. You will pass the St. Johns pub on your right, and then shortly after take a left onto Warple Way. Right at Canham Road and then right again onto Stanley Gardens. Sofasound is number 39, Stanley House";}}}}', NULL),
(174, 21, 23, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{i:0;s:4646:"<p>\r\n<p><strong>What the rates include</strong></p>\r\n</p>\r\n<ul>\r\n<li>Days in Sofa Sound are 12 hour days. The 12 hours begin from when you wish to start.</li>\r\n<li>All the prices exclude VAT which is chargeable at 20%.</li>\r\n<li>The rates include an assistant (unless stated) but not an engineer. You can hire one of our engineers on top of the rate.</li>\r\n<li>All prices exclude tapes/materials, cabs and hire costs.</li>\r\n<li>The rates include the equipment shown on the equipment specification but as you can imagine the gear does break from time to time. If we cannot replace the gear we cannot offer a discount on the rate. Of course in the unlikely scenario that a major breakdown happens during the session (such as the console / tape machine) we shall discuss the time lost.</li>\r\n<li>Any equipment that is ''subject to availability'' on the individual room specifications, needs to be requested prior to the session. This is especially important for guitar amps and backline, which regularly moves around the studios. There may be a delivery charge for this equipment if it is at another studio.</li>\r\n<li>And contrary to some rumours concocted by our competitors tea and coffee is free throughout the day and we may throw in the odd sweet or two if you are good.</li>\r\n</ul>\r\n<p>\r\n<p><strong>Day Rate</strong></p>\r\n<p>This is the day rate of Sofa Sound. The day is a 12 hour day. A lockout day rate (upto 7am the following morning) can be arranged by calling the office prior to the commencement of the session.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Lockout Rate</strong></p>\r\n<p>The Lockout rate for Sofa Sound is another &pound; 200.00 on top of the day rate agreed. This will give you as many hours as you need up to 7am in the morning.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>5 day Rate</strong></p>\r\n<p>We can offer the 5 day rate on all of our rooms for bookings under 5 days. This is a cheaper rate you can book the studio for, but we can only confirm the session 72 hours prior to the start of the session. This allows us to be flexible when a large 7 day booking comes in which needs the same time you may be holding for one day. In the event this occurs we will either offer you another room (which may sometimes be an upgrade) or we shall ask you to re-schedule or you can always pay the Book Rate. If the booking is over 5 consecutive days you can confirm the 5 day rate of the studio at any time.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Unsigned Rate (Flexi Rate)</strong></p>\r\n<p>If you are a band / artist and are unsigned we may be able to offer you our unsigned rate. Please note if you are Radiohead who may not technically need a record deal we do not consider you unsigned! The unsigned rate is only for bands that do not have professional representation and are not signed.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>If you hold studio time at the Unsigned Flexi rate and we receive an enquiry from a client who is prepared to pay and confirm at the full rate for the same dates you have held we will give you the option to match that rate. If you choose not to do this we will try to move you to another suitable studio if there is one available. If no other studios are available we will have to ask you to change your session dates. We will not confirm sessions at the Unsigned Flexi rate until 24 hours before the session and advise that clients do not book transport, hotels etc until your session is confirmed with us.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>If clients booking at the Unsigned Flexi rate bring their own engineer then the studio rate will include an assistant. For an additional &pound;50.00 you can choose to have one of our younger engineers who will work without an assistant, or you can pay for one of our full-rate engineers who will also work without an assistant.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>These costs are all payable in advance of the session and valid credit card details will be needed at the time of confirming the session.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Unsigned Rate (Book It Now)</strong></p>\r\n<p>The ''Book It Now'' unsigned rate has exactly the same terms as the ''Flexi'' unsigned rate as in you must be unsigned! However for an extra charge you can confirm your session in advance of the session dates. This charge varies between &pound;75 or &pound;100 depending on which studio you are booking. Once confirmed and paid for at the ''Book It Now'' rate we will not move your session. These costs are payable when you book the studio and not 24 hours in advance of your session.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>As with the Unsigned Flexi rate we will require valid credit card details at the time of confirming the session.</p>\r\n</p>";}}}}', NULL);
INSERT INTO `pages` (`id`, `studio_id`, `page_layout_id`, `content`, `additional_content`) VALUES (175, 21, 34, 'a:1:{s:2:"en";a:3:{s:6:"group1";a:1:{i:1;a:1:{s:10:"Intro Text";s:999:"<p>&nbsp;</p>\r\n<p>Sofasound is located in West London, wedged between the main roads of Chiswick High Road and The Vale. The diverse west side of the city contains everything from cosmopolitan nightlife areas such as Shepherds Bush and Hammersmith, to relaxing continental themes in Chiswick, to quiet picturesque neighborhoods such as Acton and Ealing. So whether you are after a cheap and cheerful cafe, a loud and lively bar, or a swarve and sophisticated restaurant, there should almost definitely be something for you not far away.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>Perhaps of particular interest to Sofasound clients are the nearby live music venues, of which there are several, most notably the prestigious venues of Shepherd Bush Empire and Hammersmith Apollo.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>Below is a selection of places to go which we have picked out. There are of course plenty of other spots not included, so you can always explore the area yourself to seek out a gem.&nbsp;</p>\r\n<p>&nbsp;</p>";}}s:6:"group2";a:13:{i:1;a:6:{s:11:"Place Image";s:44:"201106280620542787213shepherdsbushempire.jpg";s:5:"Title";s:21:"Shepherds Bush Empire";s:7:"Address";s:29:"Shepherds Bush Green, W12 8TT";s:12:"Phone Number";s:0:"";s:7:"Website";s:39:"http://www.o2shepherdsbushempire.co.uk/";s:11:"Description";s:414:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">As one of London''s most famous music venues, the Shepherds Bush Empire has attracted high profile acts from around the globe for decades. Overlooking Shepherds Bush Green, it is perfectly located for the many bars and restaurants in the area, and is close to both Goldhawk Road and Shepherds Bush tube stations.&nbsp;</span></p>";}i:2;a:6:{s:11:"Place Image";s:45:"201106280621292314339hammersmithapolloext.jpg";s:5:"Title";s:18:"Hammersmith Apollo";s:7:"Address";s:42:"Queen Caroline Street, Hammersmith, W6 9QH";s:12:"Phone Number";s:0:"";s:7:"Website";s:53:"http://www.carling.com/music/venue/hammersmith_apollo";s:11:"Description";s:376:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">A short walk from the pubs and bars of King Street, the Hammersmith Apollo has staged everyone from Lou Reed, to Guns N'' Roses to 50 Cent, and will have an internationally known artist playing there most weeks. It is placed directly behind Hammersmith tube and bus station.&nbsp;</span></p>";}i:3;a:6:{s:11:"Place Image";s:54:"201106280621552894144Earls_Court_Exhibition_Centre.jpg";s:5:"Title";s:29:"Earls Court Exhibition Centre";s:7:"Address";s:21:"Warwick Road, SW5 9TA";s:12:"Phone Number";s:0:"";s:7:"Website";s:21:"http://www.eco.co.uk/";s:11:"Description";s:330:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Venture slightly further towards Central London, and you''ll stumble across another prestigious venue. Although often staging massive concerts, Earls Court also hosts many award ceremonies, exhibitions and the odd beer festival.&nbsp;</span></p>";}i:4;a:6:{s:11:"Place Image";s:33:"201106280622242133677bushhall.jpg";s:5:"Title";s:9:"Bush Hall";s:7:"Address";s:42:"310 Uxbridge Road, Shepherds Bush, W12 7LJ";s:12:"Phone Number";s:0:"";s:7:"Website";s:31:"http://www.bushhallmusic.co.uk/";s:11:"Description";s:321:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">For the more underground and arty gigs, Bush Hall is a highly recommended place to go. The spectacular decor contributes to the overall unique vibes of the venue. It is a short walk along The Vale from Sofasound.&nbsp;<br /></span></p>";}i:5;a:6:{s:11:"Place Image";s:34:"20110628062340268630westbourne.jpg";s:5:"Title";s:18:"Westbourne Studios";s:7:"Address";s:24:"242 Acklam Road, W10 5JJ";s:12:"Phone Number";s:0:"";s:7:"Website";s:33:"http://www.westbournestudios.com/";s:11:"Description";s:403:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This innovative centre combines a working environment with an entertaniment venue catering for photoshoots, events and exhibitions. But if you don''t fancy working or being massively entertained, it also serves well as a general chill-out zone, with a cafe and bar, pool tables and televesion screens.&nbsp;</span></p>";}i:6;a:6:{s:11:"Place Image";s:31:"201106280624032158916tabard.jpg";s:5:"Title";s:14:"Tabard Theatre";s:7:"Address";s:30:"2 Bath Road, Turnham Green, W4";s:12:"Phone Number";s:0:"";s:7:"Website";s:31:"http://www.tabardtheatre.co.uk/";s:11:"Description";s:305:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Situated above the traditional Tabard pub, is this extroadinary "in the round" theatre. Set within a cozy and intimate room, the theatre puts on plays ranging from Shakespeare to modern-day productions.&nbsp;</span></p>";}i:7;a:6:{s:11:"Place Image";s:37:"201106280624252692046lyrictheatre.jpg";s:5:"Title";s:17:"The Lyric Theatre";s:7:"Address";s:47:"Lyric Square, King Street, Hammersmith, W6 0QL ";s:12:"Phone Number";s:0:"";s:7:"Website";s:23:"http://www.lyric.co.uk/";s:11:"Description";s:485:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Lyric theatre is one of the most popular London theatres outside of the West End. Although it displays a contemporary exterior, the inside of the Lyric is more reminiscent of an elaborate 19th century theatre. The Lyric often puts on productions by the world''s better-known playwrites, although they have always put an emphasis on diversity and originality in their productions.&nbsp;</span></p>";}i:8;a:6:{s:11:"Place Image";s:41:"201106280624582574220portobellomarket.jpg";s:5:"Title";s:22:"Portobello Road Market";s:7:"Address";s:37:"Portobello Road, Notting Hill, London";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:500:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This world famous street market (with a little help from Hugh Grant and his blue door in the film ''Notting Hill''), opens every friday and saturday. Selling everything from fruit, to CDs, to antiques from all around the world, the market is a major attraction at the weekends, hence it can get rather busy. The closest tube stations are Ladbroke Grove at one end and Notting Hill Gate at the other.&nbsp;</span></p>";}i:9;a:6:{s:11:"Place Image";s:28:"201106280625212523884QPR.jpg";s:5:"Title";s:33:"Queens Park Rangers Football Club";s:7:"Address";s:35:"Loftus Road, Shepherds Bush, London";s:12:"Phone Number";s:0:"";s:7:"Website";s:33:"http://www.qpr.co.uk/page/Welcome";s:11:"Description";s:409:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">QPR play at the Loftus Road ground in Shepherds Bush. Currently playing in the Championship (the second tier of the English domestic league), they provide a cheaper alternative for football fans to West London''s two Premiership clubs. The stadium also stages international and domestic rugby matches.&nbsp;<br /></span></p>";}i:10;a:6:{s:11:"Place Image";s:31:"201106280625432683485fulham.jpg";s:5:"Title";s:20:"Fulham Football Club";s:7:"Address";s:39:"Craven Cottage, Stevenage Road, SW6 6HH";s:12:"Phone Number";s:0:"";s:7:"Website";s:42:"http://www.fulhamfc.com/Splash/splash.aspx";s:11:"Description";s:478:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">One of the smaller clubs to play in the English Premiership, Fulham are owned by the Egyptian businessman, Mohamed Al Fayed. Their Premiership status means tickets are not all that cheap, although they are one of the easier Premiership teams to get tickets for - which isn''t to say they don''t play entertaining football, they''re just not as good as local arch-rivals Chelsea!&nbsp;</span></p>";}i:11;a:6:{s:11:"Place Image";s:39:"201106280626062436160stamfordbridge.jpg";s:5:"Title";s:21:"Chelsea Football Club";s:7:"Address";s:37:"Stamford Bridge, Fulham Road, SW6 1HS";s:12:"Phone Number";s:0:"";s:7:"Website";s:25:"http://www.chelseafc.com/";s:11:"Description";s:524:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Over the last five years, Chelsea have rapidly risen to become one of the giants of European football, having attracted some of the game''s biggest global stars to their dressing room. Firstly, tickets are expensive. Secondly, they are hard to get hold of, and you have more chance of attending a smaller cup tie than a Premiership fixture. But it is certainly worth a go to get a glimpse of one of the world''s best teams.&nbsp;</span></p>";}i:12;a:6:{s:11:"Place Image";s:31:"201106280626302524196thames.jpg";s:5:"Title";s:16:"The River Thames";s:7:"Address";s:0:"";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:524:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">If paying astronomical prices for match tickets, getting drunk, and screaming at the top of your lungs from the terraces isn''t quite up your street, then the cheaper, quieter and more civilised option would be to go for a walk along the Thames, which in its western stretches not only boasts beautiful scenery, but also stages the world famous University Boat Race, if you happen to be around on that one day of the year.&nbsp;</span></p>";}i:13;a:6:{s:11:"Place Image";s:34:"201106280626552965742actonpark.jpg";s:5:"Title";s:10:"Acton Park";s:7:"Address";s:15:"The Vale, Acton";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:452:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">One of many public parks in the area, Acton Park is closest to Sofasound located on the other side of The Vale to Stanley Gardens. It contains tennis courts, basketballl courts, a playground, and of course the obvious - acres of open green space for picnics, kick-abouts, sunbathing, bird watching, spectating OAPs playing bowls etc. etc......&nbsp;<br /></span></p>";}}s:6:"group3";a:17:{i:1;a:6:{s:11:"Place Image";s:36:"201106280650052726947anglseaarms.jpg";s:5:"Title";s:13:"Anglesea Arms";s:7:"Address";s:23:"35 Wingate Road, W6 OUR";s:12:"Phone Number";s:15:"(020) 8749 1291";s:7:"Website";s:0:"";s:11:"Description";s:409:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Set back from the dust and pollution of Goldhawk Road, this is a pleasant pub which particularly comes into its own on a Sunday afternoon, when the food menu significantly expands, catering for affluent seafood dishes, right through to more traditional pub nosh. A good selection of ales and lagers are on offer.</span></p>";}i:2;a:6:{s:11:"Place Image";s:40:"201106280650322536171brackenburyarms.jpg";s:5:"Title";s:16:"Brackenbury Arms";s:7:"Address";s:42:"163 Goldhawk Road, Shepherds Bush, W12 8EN";s:12:"Phone Number";s:12:"0871 223 503";s:7:"Website";s:0:"";s:11:"Description";s:364:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Having gone through a severe refurb in 2005, this traditional West London pub has recently regained its popularity with local residents. Located on the bustling Goldhawk Road, its selection of widescreen displays make it a particular favourite with sports fans.&nbsp;</span></p>";}i:3;a:6:{s:11:"Place Image";s:40:"201106280650552384160bushbarandgrill.jpg";s:5:"Title";s:18:"Bush Bar and Grill";s:7:"Address";s:26:"45a Goldhawk Road, W12 8QP";s:12:"Phone Number";s:15:"(020) 8746 2111";s:7:"Website";s:25:"http://www.bushbar.co.uk/";s:11:"Description";s:425:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This relaxed, chic venue is situated close to Shepherds Bush Green and tube stations of Goldhawk Road and Shepherds Bush (central line). Perfectly located for pre-gig or after-gig drinks for people going to the prestigious Shepherds Bush Empire, this bar/diner has a great selection of beers, wines, spirits and cocktails.&nbsp;</span></p>";}i:4;a:6:{s:11:"Place Image";s:34:"201106280651222891869caferouge.jpg";s:5:"Title";s:10:"Cafe Rouge";s:7:"Address";s:34:"227-229 Chiswick High Road, W4 2DW";s:12:"Phone Number";s:13:"0208 742 7447";s:7:"Website";s:27:"http://www.caferouge.co.uk/";s:11:"Description";s:420:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Arguably the UK''s most popular chain restaurant specialising in French Cuisine, many of you will need no introduction to Cafe Rouge. Hence many of you will also not be surprised that a few pop up over West London, the closest to Sofasound being on Chiswick High Road, merely ten minutes from the studio. Bon Appetite!&nbsp;</span></p>";}i:5;a:6:{s:11:"Place Image";s:32:"201106280651462240712latasca.jpg";s:5:"Title";s:8:"La Tasca";s:7:"Address";s:34:"404-406 Chiswick High Road, W4 5TF";s:12:"Phone Number";s:13:"0208 994 4545";s:7:"Website";s:25:"http://www.latasca.co.uk/";s:11:"Description";s:387:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">From Le Francais to El Espanol, La Tasca''s hugely succesful chain of restaurants have opened the eyes of The British to the wonders of tapas and sangria. Located a little further west along Chiswick High Road from Cafe Rouge, La Tasca is still in good walking distance from Sofasound.&nbsp;</span></p>";}i:6;a:6:{s:11:"Place Image";s:35:"201106280652302493729carluccios.jpg";s:5:"Title";s:10:"Carluccios";s:7:"Address";s:34:"342-344 Chiswick High Road, London";s:12:"Phone Number";s:14:"020 8995 8073 ";s:7:"Website";s:26:"http://www.carluccios.com/";s:11:"Description";s:468:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Opposite the picturesque spaces of Turnham Green Park, this airy restaurant with well-priced dishes makes for comfortable, relaxed dining. What really stands them out from the ever-growing crowd of Italian chain restaurants, is that in 2007 they introduced a Carluccios Picnic Boxes service, for those who prefer to enjoy their food on one of the many nearby parks.&nbsp;</span></p>";}i:7;a:6:{s:11:"Place Image";s:33:"20110628065342216258smartcafe.jpg";s:5:"Title";s:10:"Smart Cafe";s:7:"Address";s:27:"171 The Vale, Acton, W3 7RD";s:12:"Phone Number";s:15:"(020) 7247 0234";s:7:"Website";s:0:"";s:11:"Description";s:274:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Located a few doors along from More Munchies (see above), Smart Cafe is another cheap and convenient cafe moments from Sofasound, offering a little doorstep variety.&nbsp;<br /></span></p>";}i:8;a:6:{s:11:"Place Image";s:34:"201106280654132334492plum duff.png";s:5:"Title";s:20:"Plum Duff Patisserie";s:7:"Address";s:36:"62 Southfield Road, Chiswick, W4 1BD";s:12:"Phone Number";s:13:"020 8994 4751";s:7:"Website";s:0:"";s:11:"Description";s:326:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Located within the quiet residential streets which separate the main roads of The Vale and Chiswick High Road, this very popluar patisserie is a short walk from Sofasound, and offers a delicious range of cakes and pastries.&nbsp;</span></p>";}i:9;a:6:{s:11:"Place Image";s:33:"201106280654312753070lebanese.png";s:5:"Title";s:20:"Lebanese Food Centre";s:7:"Address";s:27:"153-155 The Vale, Acton, W3";s:12:"Phone Number";s:13:"020 8740 7365";s:7:"Website";s:0:"";s:11:"Description";s:343:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Lebanese Food Centre is a fantastically cheap option for those wiilling to prepare their own lunches. Filled with all the traditional spices and vegetable ingredients associated with Lebanon, this mini market offers a great alternative.&nbsp;</span></p>";}i:10;a:6:{s:11:"Place Image";s:34:"201106280654472684916therocket.jpg";s:5:"Title";s:10:"The Rocket";s:7:"Address";s:39:"11-13 Churchfield Street, Acton, W3 6BD";s:12:"Phone Number";s:13:"020 8993 6123";s:7:"Website";s:29:"http://www.therocketW3.co.uk/";s:11:"Description";s:380:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Take a walk across Acton Park, and you''ll find this great pub in the quaint suburbs around Acton Central station. Well-reputed for its friendly and knowledgable staff, the pub also benefits from a light and airy atmosphere, making it one of the most popular haunts in the area.&nbsp;</span></p>";}i:11;a:6:{s:11:"Place Image";s:35:"201106280655082116842lavacherin.jpg";s:5:"Title";s:11:"Le Vacherin";s:7:"Address";s:36:"76-77 South Parade, Chiswick, W4 5LF";s:12:"Phone Number";s:13:"0208 742 2121";s:7:"Website";s:26:"http://www.levacherin.com/";s:11:"Description";s:527:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Nestled away on the north-west side of Acton Green Common, Le Vacherin French Bistro has become generally regarded as a local gem. Although the menu appears to be fancy, and the surrounding residencies occupied by wealth, the real blessing of this restaurant is the actually very decent prices, and the infamous offer vouchers promoted in the local papers, although we discourage clients from raiding residents'' post boxes!!&nbsp;</span></p>";}i:12;a:6:{s:11:"Place Image";s:32:"201106280655242687972theswan.jpg";s:5:"Title";s:8:"The Swan";s:7:"Address";s:48:"Evershed Walk, 119 Acton Lane, Chiswick, W4 5HH ";s:12:"Phone Number";s:13:"020 8996 0971";s:7:"Website";s:0:"";s:11:"Description";s:441:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Another very popular local spot, The Swan is well worth a visit on the way back or on the way to an eaterie on Chiswick High Road. Boasting good beer, good food, good service, good clientele and a good beer garden for the summer, there wouldn''t be much else you would look for in a traditional British pub. They also regularly show sport.&nbsp;</span></p>";}i:13;a:6:{s:11:"Place Image";s:37:"201106280655512697911thebarleymow.jpg";s:5:"Title";s:14:"The Barley Mow";s:7:"Address";s:37:"9 Barley Mow Passge, Chiswick, W4 4PH";s:12:"Phone Number";s:13:"020 8994 1880";s:7:"Website";s:35:"http://www.barleymowchiswick.co.uk/";s:11:"Description";s:466:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This pub is placed on the corner of Turnham Green Park, and can be accessed from the Chiswick High Road, or the Barley Mow Passage at the rear of the pub. Punters can enjoy a diverse range of wines, beers, and foods, and make use of the attractive beer garden which looks onto the continental High Road. The pub also serves fresh coffee and bakery goods from 9am.&nbsp;</span></p>";}i:14;a:6:{s:11:"Place Image";s:41:"20110628065612282180orientalbrasserie.jpg";s:5:"Title";s:18:"Oriental Brasserie";s:7:"Address";s:36:"18 Devonshire Road, Chiswick, W4 2EU";s:12:"Phone Number";s:14:"020 8747 8899 ";s:7:"Website";s:33:"http://www.orientalbrasserie.com/";s:11:"Description";s:284:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Situated on a picturesque side street off the main high road, the Oriental Brasserie serves a diverse range of Asian cuisine, and even experiment with Eastern/Western fusion dishes.&nbsp;</span></p>";}i:15;a:6:{s:11:"Place Image";s:31:"201106280656292386482strada.JPG";s:5:"Title";s:6:"Strada";s:7:"Address";s:30:"156 Chiswick High Road, W4 1PR";s:12:"Phone Number";s:13:"0208 995 0004";s:7:"Website";s:24:"http://www.strada.co.uk/";s:11:"Description";s:502:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">On the corner of Chiswick High Road and Turnham Green Terrace, is one of three Strada restaurants in West London. Priding themselves on serving simple, traditional Italian dishes using top quality produce, cooked in a wood burning oven, the menu is further complimented by very reasonable prices. As with many restaurants in Chiswick, there is street-seating, magnifying the area''s continental feel.&nbsp;</span></p>";}i:16;a:6:{s:11:"Place Image";s:33:"201106280657082770151goldhawk.jpg";s:5:"Title";s:12:"The Goldhawk";s:7:"Address";s:26:"122 Goldhawk Road, W12 8HH";s:12:"Phone Number";s:13:"020 8576 6921";s:7:"Website";s:0:"";s:11:"Description";s:377:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The good choice of ales, wines and spirits, as well as the relaxed interior of The Goldhawk, is making the pub increasingly popular. It particularly attracts professionals for after-work drinks on most nights, creating a good bustling atmosphere at this time in the evening.&nbsp;</span></p>";}i:17;a:6:{s:11:"Place Image";s:37:"201106280657252771415walkaboutinn.jpg";s:5:"Title";s:13:"Walkabout Inn";s:7:"Address";s:32:"58 Shepherds Bush Green, W12 8QE";s:12:"Phone Number";s:13:"020 8740 4339";s:7:"Website";s:0:"";s:11:"Description";s:407:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Generally regarded as the heart of Australasian London, it is no suprise that Shepherds Bush caters for the biggest Australasian pub in the city. Filled with sports fans watching everything from Aussie Rules to the English Premiership, this vibrant and informal haunt has become an iconic venue in West London.</span></p>";}}}}', NULL),
(260, 17, 38, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:4:{s:8:"Postcode";s:6:"W3 7SY";s:7:"Address";s:41:"Stanley House, 39 Stanley Gardens, London";s:3:"lat";s:10:"51.5042125";s:3:"lng";s:11:" -0.2559085";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Directions";s:1701:"Directions from outside London \r\n\r\nFrom the M4 / M40\r\nFrom the M4 go down the Great West Road, over the Hammersmith roundabout. Then go all the way down the Cromwell Road, which joins the Brompton Road then Knightsbridge on to Hyde Park Corner (do not take the underpass).\r\nFrom the M1 take the Edgware Road to Marble Arch then go down Park Lane to Hyde Park Corner.\r\nFrom the M40 take the Marylebone Road, then right on Baker Street down to Marble Arch. Then go down Park Lane to Hyde Park Corner.\r\nFrom Hyde Park Corner, take the exit on to Constitution Hill past Buckingham Palace, on to The Mall, right on to Horse Guards Road then left onto Great George Street onto Westminster Square.\r\nGo across Westminster Bridge then straight across roundabout onto Westminster Bridge Road. Take that road to St Georges Circus then right onto London Road, which takes you to Elephant & Castle.\r\nTake second exit on to the New Kent Road, follow that to a roundabout with a flyover (don''t go over the flyover).\r\nTake third exit on to the Old Kent Road then Leroy Street is the second on the left (before the bus stop).\r\nMiloco is a white building with a grey roller-shutter next door to a playground.\r\n\r\nFrom the M2\r\n\r\nFrom Dover, take the M2 to London. From the end of the M2, follow the A2 towards the City of London (not West End).\r\nA2 becomes the Old Kent Road. At the end of the Old Kent Road (where it becomes the New Kent Road) there is a roundabout with a flyover. Go all the way round the roundabout until you are travelling back up the Old Kent Road. Leroy Street is the second turning on the left (before the bus stop).\r\nMiloco is a white building with a grey roller-shutter next door to a playground";}}}}', NULL),
(177, 21, 33, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:291:"<p>Coming from afar to sample the delights of Sofasound? Well there are plenty of options for places to stay in the area, ranging from low-budget B&amp;Bs right up to some of the most lavish and affluent hotels in the capital. Here are a selection to give you an idea of what''s on offer:</p>";}}s:6:"group2";a:9:{i:1;a:3:{s:11:"Hotel Image";s:38:"201106280709242923123chiswickmoran.jpg";s:10:"Hotel Name";s:20:"Chiswick Moran Hotel";s:17:"Hotel Description";s:737:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">73 Chiswick High Road, Chiswick, W4 2LS&nbsp;<strong>Tel:</strong>&nbsp;020 8994 1712<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.chiswickmoranhotel.com/">www.chiswickmoranhotel.com</a><br /><br />Located on the Gunnersby end of Chiswick High Road, this spectacular 4-star hotel contains 116 luxurious rooms, each including air-conditioning, flat screen TVs, a splendid amount of daylight, on-demand movies, broadband internet connection, en-suite bathrooms and refreshment facilties. It is well-located to both Sofasound and the fantastic amenities of Chiswick.</span></p>";}i:2;a:3:{s:11:"Hotel Image";s:30:"201106280709372417774kwest.jpg";s:10:"Hotel Name";s:6:"K West";s:17:"Hotel Description";s:775:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Richmond Way, Shepherds Bush, W14 0AX&nbsp;<strong>Tel:</strong>&nbsp;0870 0274343&nbsp;<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.k-west.co.uk/">www.k-west.co.uk</a><br /><br />Situated behind the West 12 shopping centre in Shepherds Bush, is the K West. Another 4-star hotel in the area, yet this one has become particularly synonymous with music industry folks - oh yes you can be sure a few TVs have been hurled out of these windows!! This cool, contemporary and luxurious hotel is one of the hippest in town, and rooms come with mini-bars, satellite, modem points and en-suite bathrooms.&nbsp;</span></p>";}i:3;a:3:{s:11:"Hotel Image";s:38:"201106280709452283140chiswickhotel.jpg";s:10:"Hotel Name";s:14:"Chiswick Hotel";s:17:"Hotel Description";s:769:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">73 Chiswick High Road, Chiswick, W4 2LS&nbsp;<strong>Tel:</strong>&nbsp;020 8994 1712<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.chiswickhotel.co.uk/">www.chiswickhotel.co.uk</a><br /><br />This 4-star hotel is set on a tree-lined stretch of Chiswick High Road, close to all the amenities which line it to the west. Bedrooms range from double and single rooms at competitive prices, to luxury apartments with beautiful landscaped gardens. All rooms include Sky TV, broadband connection, en-suite bathrooms, and direct dial telephones. Turnham Green and Stamford Brook tube stations are nearby.</span></p>";}i:4;a:3:{s:11:"Hotel Image";s:41:"201106280709522317051hiltonkensington.jpg";s:10:"Hotel Name";s:17:"Hilton Kensington";s:17:"Hotel Description";s:755:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">179-199 Holland Park Avenue, W11 4UL&nbsp;<strong>Tel:</strong>&nbsp;020 7603 3355<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.hilton.co.uk/kensington">www.hilton.co.uk/kensington</a><br /><br />Located just past Shepherds Bush in the classy district of Holland Park, the Hilton Kensington is one of the more upmarket options for clients. With luxurious bedrooms ranging from Junior to Executive Suites. All rooms have high-speed internet access, satellite TV, on-demand movies and air conditioning. There are a selection of high standard bars and restaurants in the building too.</span></p>";}i:5;a:3:{s:11:"Hotel Image";s:32:"201106280710052249731novotel.jpg";s:10:"Hotel Name";s:19:"Novotel London West";s:17:"Hotel Description";s:750:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">1 Shortlands, Hammersmith, W6 8DR&nbsp;<strong>Tel:</strong>&nbsp;020 8741 1555<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.novotel.com/">www.novotel.com</a><br /><br />The Novotel London West is a 3-star hotel based in Hammersmith, which is perfectly located for an easy commute to Sofasound, as well as central London. It contains 630 en-suite bedrooms which each include air-con, enhanced lighting, and a TV. The rest of the hotel comprises two restaurants, two bars, a gym and beauty salon, and a larger gym, swimming pool, and sauner can be found nearby at Holmes Place.</span></p>";}i:6;a:3:{s:11:"Hotel Image";s:33:"201106280710132561755stpeters.jpg";s:10:"Hotel Name";s:15:"St Peters Hotel";s:17:"Hotel Description";s:772:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">407-411 Goldhawk Road, Hammersmith, W6 OSA&nbsp;<strong>Tel:</strong>&nbsp;020 8741 4239<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.stpetershotel.co.uk/">www.stpetershotel.co.uk</a><br /><br />This small and friendly family-run hotel is located on a border between Hammersmith, Shepherds Bush and Chiswick, hence is well located to access the amenities of all three. Sofasound is no more than a fifteen minute walk away, and it is also conveniently placed for central London and Heathrow airport. Rooms start at 55 pounds, and all include en-suite bathroom, TV, telephone and tea making facilites</span></p>";}i:7;a:3:{s:11:"Hotel Image";s:30:"201106280710212723329brook.jpg";s:10:"Hotel Name";s:11:"Brook Hotel";s:17:"Hotel Description";s:642:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">52-54 Stamford Brook Road, W6 0XL&nbsp;<strong>Tel:</strong>&nbsp;020 8743 2000<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.thebrookhotel.co.uk/">www.thebrookhotel.co.uk</a><br /><br />This small mid-range hotel comes at good value for money. It is in easy walking distance to Sofasound, and close to Stamford Brook tube station for access to Central London. The bedrooms are kitted out with standard facilities, and the hotel also has a beautiful garden at the back.</span></p>";}i:8;a:3:{s:11:"Hotel Image";s:45:"201106280710282214393chiswick-court-hotel.jpg";s:10:"Hotel Name";s:20:"Chiswick Court Hotel";s:17:"Hotel Description";s:663:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">39 Bath Road, Chiswick, W4 1LJ&nbsp;<strong>Tel:</strong>&nbsp;020 8995 9903<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.chiswickcourthotel.co.uk/">www.chiswickcourthotel.co.uk</a><br /><br />On the smaller budget end of the scale this hotel certainly spares expenses, yet is still a clean and comfortable premises situated on a quiet residential street near Turnham Green station. Its real benefits are the hugely convenient positioning to Sofasound, and the free private car park.<br /></span></p>";}i:9;a:3:{s:11:"Hotel Image";s:35:"201106280710492258144hermajesty.jpg";s:10:"Hotel Name";s:17:"Her Majesty Hotel";s:17:"Hotel Description";s:721:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">49 Shepherds Bush Green, W12 8PS&nbsp;<strong>Tel:</strong>&nbsp;020 8746 2191<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.hermajestyhotel.com/">www.hermajestyhotel.com</a><br /><br /></span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Low-budget accomodation in the heart of Shepherds Bush. Her Majesty Hotel is a good value B&amp;B with 16 rooms. Each room has an en-suite shower, TV and tea/coffee making facilities. Conveniently placed for bus links west to Sofasound.&nbsp;</span>&nbsp;</p>\r\n<p>&nbsp;</p>";}}}}', NULL),
(178, 30, 31, 'a:2:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:10:"Intro Text";s:0:"";}}s:6:"group2";a:1:{i:1;a:4:{s:12:"Bedroom Name";s:8:"bedroom1";s:16:"Bedroom Location";s:0:"";s:13:"Bedroom Image";s:0:"";s:19:"Bedroom Description";s:0:"";}}}s:2:"fr";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:10:"Intro Text";s:0:"";}}s:6:"group2";a:1:{i:1;a:4:{s:12:"Bedroom Name";s:0:"";s:16:"Bedroom Location";s:0:"";s:13:"Bedroom Image";s:0:"";s:19:"Bedroom Description";s:0:"";}}}}', NULL),
(182, 30, 38, 'a:2:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:5:{s:8:"Postcode";s:8:"me14 5hj";s:7:"Address";s:11:"ADDRESSSSS!";s:3:"lat";s:10:"51.2833359";s:3:"lng";s:10:" 0.5365404";s:4:"zoom";s:2:"18";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Directions";s:15:"DIRECTIONSSZZZ!";}}}s:2:"fr";a:2:{s:6:"group1";a:1:{i:1;a:2:{s:8:"Postcode";s:8:"me14 5hj";s:7:"Address";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Directions";s:0:"";}}}}', NULL),
(179, 23, 20, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:33:"201106221416242939436IMG_0531.JPG";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:994:"<p>&nbsp;</p>\r\n<p><strong>Miloco proudly presents Steerpike Studios,</strong> the ultimate SSL G series porta studio.</p>\r\n<p>&nbsp;</p>\r\n<p>Steerpike is the studio where location takes control. It has been designed so that it can be packed, flightcased and transported to potentially anywhere in the world, allowing you the freedom to find the perfect place to inspire your project.</p>\r\n<p>&nbsp;</p>\r\n<p>Steerpike''s specification is based around an SSL G-series console accompanied by a 64 I/O Pro Tools HD system with an extensive choice of plug-ins. There is also a large collection of outboard gear including some great mic pre''s, which are supplemented by a wide choice of microphones.</p>\r\n<p>&nbsp;</p>\r\n<p>As for the location - that''s up to you! Country villas, inner-city warehouses, mountain locations or beautiful beaches, the list of possibilities is never-ending.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Introducing Steerpike - the studio which comes to you...</strong></p>\r\n<p>&nbsp;</p>";}}}}', NULL),
(180, 23, 24, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:9:"Equipment";s:7546:"<p>\r\n<p><strong>Console:</strong></p>\r\n<p>SSL 4000G 64 Frame with Ultimation</p>\r\n<p>Motionworks Motionworker</p>\r\n<p>Magic Wand II Tape Machine Interface</p>\r\n<p>Timeline Lynx Time Code Modules</p>\r\n<p>Martin Sound Multi-max Controller</p>\r\n<p>Sony PVM 8044Q Colour Video Monitors</p>\r\n<p>Sony Trinitron PVM-1344Q Colour Video Monitor</p>\r\n<p>Sony Trinitron PVM-1944Q Colour Video Monitor</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Monitoring:</strong></p>\r\n<p>Genelec 1029A</p>\r\n<p>KRK MD900</p>\r\n<p>KRK V8</p>\r\n<p>Meyer Sound Lab HD1</p>\r\n<p>Quested VS 2108 (x5)</p>\r\n<p>Quested VS Active Sub</p>\r\n<p>Yamaha NS10</p>\r\n<p>Amplifiers: Hafler Pro 5000 / Quested AP700 (x4)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Headphones:</strong></p>\r\n<p>Nemesis FBS 1000 mkII 8 x2</p>\r\n<p>Nemesis 8 Channel Mixers Stations (x8)</p>\r\n<p>Nemesis 2 Channel Switchable Stations (x4)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DAW Hardware:</strong></p>\r\n<p>Apple MacPro Quad 2.9Ghz</p>\r\n<p>Apple 30" Cinema Display</p>\r\n<p>Avid Pro Tools HD 4 Accel</p>\r\n<p>Avid Magma Expansion Chassis</p>\r\n<p>Avid 192 IO Audio Interface</p>\r\n<p>Avid Midi IO</p>\r\n<p>Avid Sync IO</p>\r\n<p>Avid Machine Control</p>\r\n<p>Prism ADA-8 Channel Interfaces (x8)</p>\r\n<p>Euphonix 727 Format Converter</p>\r\n<p>Glyph GT Trip Fast-wide SCSI Receiver with Sony AIT-2</p>\r\n<p>Glyph GT 102 3 Bay FireWire Receiver</p>\r\n<p>Glyph 2 Bay Fast-wide SCSI Receiver</p>\r\n<p>We have Mbox, MBox II and Digidesign 002 as additional edit stations</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Multi-Tracks:</strong></p>\r\n<p>(available on request with additional rental cost)</p>\r\n<p>Sony PCM-3348 Digital Recorder&nbsp;</p>\r\n<p>Sony 3348 Remote</p>\r\n<p>Sony DMV-3048 Meter Bridge</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Two Track Rack:</strong></p>\r\n<p>Denon DVD-2900</p>\r\n<p>Genex GX8500 Multi-Format Disk Recorder with Glyph 2 Bay SCSI Receiver</p>\r\n<p>Prism Sound AD-2 A-D Converter</p>\r\n<p>Prism Sound ADA-8 with DSD Card 8 Channel A-D/D-A Converter</p>\r\n<p>Pro Box 12 Video-AES Reference Generator</p>\r\n<p>Sony PCM 7030 Time Code DAT Recorders (x2)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Mic Pre''s &amp; EQs:</strong></p>\r\n<p>Amek 9098 Mono Mic Pre &amp; EQ</p>\r\n<p>Amek 9098 Dual Mic Amp</p>\r\n<p>API 412+ 4 Channel Mic Pre</p>\r\n<p>API 512C Mic Pre (x4)</p>\r\n<p>API 550B EQ (x6)</p>\r\n<p>Demiter VTMP-2 Dual Mic Pre (x2)</p>\r\n<p>Focusrite ISA 220&nbsp;</p>\r\n<p>Focusrite ISA428 4 Channel Mic Pre</p>\r\n<p>Neve Prism Mic/Line Pre (x4)</p>\r\n<p>Neve Prism EQ (x4)</p>\r\n<p>Shep 31105 Mic Pre EQ (x8)</p>\r\n<p>Summit TPA-200A Dual Tube Mic Pre (x2)</p>\r\n<p>Tube Tech PE-1C EQ (x2)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Dynamics:</strong></p>\r\n<p>DBX 160 Dual Compressor / Limiter</p>\r\n<p>DBX 902 Desser Rack with 8 Modules</p>\r\n<p>Empirical Labs EL8X Distressor (British Mod) (x2)</p>\r\n<p>Hof Audio Dual Dynamic Mic Master Limiter (x2)</p>\r\n<p>Neve Dual 33609 Dual Channel Compressor / Limiter (x3)</p>\r\n<p>SPL 9842 Transient Designer</p>\r\n<p>Summit TLA 100A Tube Leveling Amplifier (x2)</p>\r\n<p>Urei 1176LN Peak Limiter (x2)</p>\r\n<p>Urei 1178LN Stereo Limiter</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Effects:</strong></p>\r\n<p>AMS RMX16 Digital Reverb (x2)</p>\r\n<p>Eventide H3500 Ultra Harmoniser (x2)</p>\r\n<p>Eventide H910 Harmoniser</p>\r\n<p>Lexicon 224XL</p>\r\n<p>Lexicon 480EL</p>\r\n<p>Lexicon 960L</p>\r\n<p>Lexicon PCM42 Digital Delay</p>\r\n<p>Roland SDE 3000 Digital Delay (x2)</p>\r\n<p>Sony DSP D&amp; Digital Delay (x2)</p>\r\n<p>TC Electronics 2290 Digital Delay</p>\r\n<p>Yamaha REV5 Digital Reverb</p>\r\n<p>Yamaha SPX 1000 Digital Processor</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Miscellaneous:</strong></p>\r\n<p>Mutronics Mutator</p>\r\n<p>Panasonic WVCP210 Video Camera x2</p>\r\n<p>Pete Cornish Guitar Splitter / Line Driver</p>\r\n<p>Peterson R450 Strobe Tuner</p>\r\n<p>Sans Amp RB1</p>\r\n<p>EMT Plate (x2) (available on request with additional rental cost)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Microphones:</strong></p>\r\n<p>AKG 451</p>\r\n<p>AKG C12</p>\r\n<p>AKG C414 (x2)</p>\r\n<p>AKG C460B (x2)</p>\r\n<p>AKG D12-E</p>\r\n<p>Audio Technica AE3000</p>\r\n<p>Audio Technica AE5100</p>\r\n<p>Audio Technica AT4033 (x2)</p>\r\n<p>Blue Bottle 9612</p>\r\n<p>Coles 4038 (x2)</p>\r\n<p>DPA - 4006 (x2)</p>\r\n<p>DPA - 4023 (x4)</p>\r\n<p>Microtech Gerfell UM SP48</p>\r\n<p>Neumann KM84 (x2)</p>\r\n<p>Neumann KM86 (x2)</p>\r\n<p>Neumann U47</p>\r\n<p>Neumann U87 (x2)</p>\r\n<p>Oktava MK 012</p>\r\n<p>Oktava MK 219</p>\r\n<p>Royer SF12</p>\r\n<p>Sennheiser 421 (x4)</p>\r\n<p>Sennheiser 604&nbsp;</p>\r\n<p>Sennheiser M865</p>\r\n<p>Shure Beta 52A</p>\r\n<p>Shure Beta 56</p>\r\n<p>Shure Beta 86A</p>\r\n<p>Shure SM57 (x8)</p>\r\n<p>Shure SM58 (x4)</p>\r\n<p>Sony C800G</p>\r\n<p>Yamaha MZ204 (x2)</p>\r\n<p>Yamaha MZ205</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Mic Stands, Acoustic Screens &amp; Baffles:</strong></p>\r\n<p>ASC 9" x 42" Monitor Stands (x2)</p>\r\n<p>ASC 16" x 48" Full Range Tube Traps (x8)</p>\r\n<p>ASC Studio Traps (x24)</p>\r\n<p>JHS Mini Boom Stands (x4)</p>\r\n<p>K &amp; M Orchestral Boom Stands (x4)</p>\r\n<p>K &amp; M Short Boom Stands (x4)</p>\r\n<p>Standard Mic Stands (x26)</p>\r\n<p>Taytrix Stack-It Gobo''s (x24)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DI Boxes:</strong></p>\r\n<p>EMO 16 Channel DI</p>\r\n<p>EMO Stereo Passive DI (x3)</p>\r\n<p>BSS AR116 DI (x5)</p>\r\n<p>Demiter VTDB-2 DI (x4)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Software:</strong></p>\r\n<p>Pro Tools HD v7.41</p>\r\n<p>Logic Pro v9</p>\r\n<p>&nbsp;</p>\r\n<p>Plug-ins:</p>\r\n<p>Amp Farm</p>\r\n<p>Aural Excite</p>\r\n<p>Auto-Tune</p>\r\n<p>Big Bottom</p>\r\n<p>Bomb Factory 1176</p>\r\n<p>Bomb Factory BF-2A</p>\r\n<p>Bomb Factory BF-3A</p>\r\n<p>Channel G</p>\r\n<p>D-Fi</p>\r\n<p>DigiRack Chorus</p>\r\n<p>DigiRack Click</p>\r\n<p>DigiRack D-Verb</p>\r\n<p>DigiRack DigiReWire</p>\r\n<p>DigiRack Dither</p>\r\n<p>DigiRack Dynamics III</p>\r\n<p>DigiRack EQ III</p>\r\n<p>DigiRack Flanger</p>\r\n<p>DigiRack Invert/Duplicate</p>\r\n<p>DigiRack Mod Delay II</p>\r\n<p>DigiRack Multi-Tap Delay</p>\r\n<p>DigiRack Normalize-Gain Change</p>\r\n<p>DigiRack Ping-Pong Delay</p>\r\n<p>DigiRack Pitch</p>\r\n<p>DigiRack Reverse-DC Removal</p>\r\n<p>DigiRack Signal Generator</p>\r\n<p>DigiRack Time Comp-Exp-Pitch Shift</p>\r\n<p>DigiRack TimeAdjuster</p>\r\n<p>DigiRack Trim</p>\r\n<p>Drawmer Dynamics</p>\r\n<p>Echo Farm</p>\r\n<p>EMI/Chandler Limiters</p>\r\n<p>Eventide Factory</p>\r\n<p>Eventide H949 Harmonizer</p>\r\n<p>Eventide Quadravox</p>\r\n<p>Fairchild 660</p>\r\n<p>Fairchild 670</p>\r\n<p>Focusrite D2</p>\r\n<p>Focusrite D3</p>\r\n<p>Filter Freak</p>\r\n<p>Tremolator</p>\r\n<p>Hybrid</p>\r\n<p>Impact</p>\r\n<p>Maxim</p>\r\n<p>MC2000</p>\r\n<p>Melodyne 3</p>\r\n<p>MDW Hi-Res Parametric EQ</p>\r\n<p>moogerfooger Lowpass filter</p>\r\n<p>moogerfooger 12-stage phaser</p>\r\n<p>moogerfooger Ring Modulator</p>\r\n<p>moogerfooger Analog delay</p>\r\n<p>Phoenix</p>\r\n<p>Pitch ''n Time</p>\r\n<p>Pitch Doctor</p>\r\n<p>Princeton Digital PlateVerb &amp; Space Station</p>\r\n<p>Pultec EQH-2</p>\r\n<p>Pultec EQP-1A</p>\r\n<p>Pultec MEQ-5</p>\r\n<p>Reverb One</p>\r\n<p>ReVibe</p>\r\n<p>Tel-Ray Variable Delay</p>\r\n<p>TL Space</p>\r\n<p>TL Aggro</p>\r\n<p>TL Everyphase</p>\r\n<p>Sans Amp PSA-1</p>\r\n<p>Smack</p>\r\n<p>Sony Oxford EQ</p>\r\n<p>Sound Blender</p>\r\n<p>Sound Replacer</p>\r\n<p>Speed</p>\r\n<p>Stylus RMX</p>\r\n<p>Surround Scope</p>\r\n<p>TC Master X3</p>\r\n<p>URS A10</p>\r\n<p>URS N12</p>\r\n<p>URS 1975 C &amp; CLS</p>\r\n<p>URS Strip</p>\r\n<p>Voce Spin</p>\r\n<p>Voce Chorus/Vibrato</p>\r\n<p>Waves Gold</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Mains Supply:</strong></p>\r\n<p>Isolation Transformer for 120 &amp; 240 Volts</p>\r\n<p>Auto Voltage Stabilizer &amp; Distribution System</p>\r\n<p>(Every equipment rack in the studio is fitted with a Pete Cornish built 120 Volt Custom Power Supply,&nbsp;</p>\r\n<p>these in turn are fed from the Stabilizer)</p>\r\n</p>";}}}}', NULL),
(181, 23, 23, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{i:0;s:2189:"<p>\r\n<p>Rates at Steerpike are subject to application. We shall calculate the cost of your session according to the loaction to where the studio is going and for how long it is going for.</p>\r\n<p>&nbsp;</p>\r\n<p>Please call <strong>+44 (0)207 232 0008</strong> for more information</p>\r\n<p>&nbsp;</p>\r\n<p><strong>What the rates include</strong></p>\r\n</p>\r\n<ul>\r\n<li>The engineering services, if needed, of our in house engineer who as Steerpike Studio''s representative will be on site at all times.</li>\r\n<li>Insurance of the studio from load up at it''s home base (Tuscany, Italy) until its return. IMPORTANT: To facilitate putting this insurance in place we must have the carriers information, type of truck, route including ferry''s/plane''s and information on the building the studio will be housed in (brick/concrete/type of roof etc) and security.</li>\r\n<li>All the prices exclude VAT which is chargeable at the current UK rate.</li>\r\n<li>The price excludes transportation, shipping, shipping papers &amp; bonds of the required equipment from it''s home base and for it''s return journey, including all labour, machinery and other cost''s involved in installation.</li>\r\n<li>The price exclude tapes/materials, cabs and hire costs.</li>\r\n<li>The price excludes travel/minimum 3 star accommodation/per diem at &pound;50 per day for any of our staff that may be involved in the installation and running of the studio. We will require the minimum of an assistant to be present which as stated is included in the quoted price. If heavy scheduling is involved this may facilitate the need for two assistants - one could be of your choice, in which case who would be an additional cost.</li>\r\n<li>The price excludes security at your studio that will satisfy our insurance company</li>\r\n<li>The price excludes all power requirements</li>\r\n<li>The rates include the equipment shown on the equipment specification. In the case of faults occuring with the studio''s equipmwnt, if we cannot replace the gear we cannot offer a discount on the rate. In the unlikely scenario that a major breakdown happens during the session (such as the console / tape machine) we shall discuss the time lost.</li>\r\n</ul>";}}}}', NULL);
INSERT INTO `pages` (`id`, `studio_id`, `page_layout_id`, `content`, `additional_content`) VALUES (183, 17, 33, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:141:"<p>&nbsp;</p>\r\n<p>If you need a hotel there is a good selection to be found not too far away. Here are a few suggestions:-</p>\r\n<p>&nbsp;</p>";}}s:6:"group2";a:12:{i:1;a:3:{s:11:"Hotel Image";s:41:"201106260552442161419bermondseysquare.jpg";s:10:"Hotel Name";s:23:"Bermondsey Square Hotel";s:17:"Hotel Description";s:864:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Bermonsey Square, Tower Bridge Road, Southwark, London, SE1 3UN<br /><strong>Tel:</strong>&nbsp;0870 111 2525<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.bespokehotels.com/hotel/pages/bermondseysquare/alfies.htm">Click here</a><br /><br />The Bespoke group opened this fantastic hotel in 2009 on the trendy bar and foodie strip of Bermondsey Street. 60 of the 79 designer bedrooms are classed as deluxe, with the real creme de la creme based in the loft of the building providing silver-screen views of London''s stunning city skyline. Guests will enjoy the acclaimed Alfie''s Kitchen Bar and Restaurant, alfresco terrace, beauty spas and outdoor roof-top hot tub! 5-minute walk from Miloco.</span></p>";}i:2;a:3:{s:11:"Hotel Image";s:31:"201106260553022671222guoman.jpg";s:10:"Hotel Name";s:18:"Guoman Tower Hotel";s:17:"Hotel Description";s:756:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">St Katherines Way, London E1Q 1LD<br /><strong>Tel:</strong>&nbsp;0870 333 9106<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.guoman.com/">www.guoman.com</a><br /><br />Situated on the banks of the River Thames, next to the Tower of London and Tower Bridge and very close to the financial district, this four-star hotel offers well-equipped bedrooms, apartments and suites, all with superb views overlooking St Katherine''s Dock. The Guoman Tower is a large and modern hotel designed for business guests or those wanting to indulge. The hotel is about 20 minutes walk from the studio.</span></p>";}i:3;a:3:{s:11:"Hotel Image";s:42:"201106260553222806538londonbridgehotel.jpg";s:10:"Hotel Name";s:19:"London Bridge Hotel";s:17:"Hotel Description";s:802:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">8-18 London Bridge, London, SE1 9SG<br /><strong>Tel:</strong>&nbsp;020 7855 2200<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.london-bridge-hotel.co.uk/">http://www.london-bridge-hotel.co.uk</a><br /><br />SE1''s most prestigious hotel also includes the Borough Bar and Georgetown restaurant. It boasts 119 rooms, and its four-star delights are just a stone''s throw from London Bridge Station, St Thomas'' Hospital, Borough Market and Southwark Cathedral. Shakespeare''s Globe Theatre and Tate Modern are just a short walk away, while The City of London is just across the river. The studio is approximately 20 minutes walk.<br /></span></p>";}i:4;a:3:{s:11:"Hotel Image";s:43:"201106260553382217228hiltonlondonbridge.jpg";s:10:"Hotel Name";s:26:"Hilton Hotel London Bridge";s:17:"Hotel Description";s:681:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">5 More London Place, Tooley Street, London SE1 2BY<br /><strong>Tel:</strong>&nbsp;020 3002 4300<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.london-bridge-hotel.co.uk/">http://www.london-bridge-hotel.co.uk</a><br /><br />Hilton Tower Bridge has just opened it''s swanky (245 bedroom) doors to grateful guests and, as you''d expect, offers the very best service, including 9 meeting rooms, a top restaurant, lively bar and wireless broadband internet access throughout. The studio is just 15 minutes walk away</span></p>";}i:5;a:3:{s:11:"Hotel Image";s:32:"201106260553582737920novotel.jpg";s:10:"Hotel Name";s:25:"Novotel London City South";s:17:"Hotel Description";s:946:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">53-61 Southwark Bridge Road, London SE1 9HH<br /><strong>Tel:</strong>&nbsp;020 7089 0400<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.novotel.com/">http://www.novotel.com</a><br /><br />New hotel close to Tate Modern and Shakespeare''s Globe. St Paul''s Cathedral is a short walk across the River Thames and all 182 bedrooms feature a brand new and stylish design. The hotel has 7 meeting rooms for up to 100 people theatre-style and a Garden Brasserie restaurant (with room service) serving a selection of international dishes. Guests can relax in Clinks Bar, which has a dedicated area with numerous modem points, or workout in the rooftop leisure and fitness suite - exclusive to guests - with gym, sauna and steam room. The studio is approximately 25 minutes walk away.</span></p>";}i:6;a:3:{s:11:"Hotel Image";s:41:"201106260557222971708premierinntb.jpg.jpg";s:10:"Hotel Name";s:31:"Premier Travel Inn Tower Bridge";s:17:"Hotel Description";s:596:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">159 Tower Bridge Road, London SE1 3LP<br /><strong>Tel:</strong>&nbsp;0870 2383303<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.premiertravelinn.com/">www.premiertravelinn.com/</a><br /><br />City centre version of the popular motel. 196 rooms with en-suite bathroom, TV, phone, dataport and tea/coffee facilities. There is also a restaurant &amp; bar. Now with Wi-Fi internet access. Only 10 minutes walk from the studio.</span></p>";}i:7;a:3:{s:11:"Hotel Image";s:38:"201106260554422684349southwarkrose.jpg";s:10:"Hotel Name";s:20:"Southwark Rose Hotel";s:17:"Hotel Description";s:832:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">43-47 Southwark Bridge Road, London SE1 9HH<br /><strong>Tel:</strong>&nbsp;020 7015 1480<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.southwarkrosehotel.co.uk/">www.southwarkrosehotel.co.uk</a><br /><br />The Southwark Rose Hotel is the first new-build boutique hotel in London. Its centrally located, close to Tate Modern and Shakespeare''s Globe, while all rooms are en-suite with Sky television, refreshment facilities, safes, electric blackout blinds to ensure a good night''s sleep, and telephones with modem connections. The restaurant serves breakfast daily as well as providing a quality dinner menu. It''s no more than 25 minutes walk from the studio.</span></p>";}i:8;a:3:{s:11:"Hotel Image";s:42:"201106260555572572128expressholidayinn.jpg";s:10:"Hotel Name";s:22:"Express by Holiday Inn";s:17:"Hotel Description";s:619:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">103-109 Southwark Street, London, SE1<br /><strong>Tel:</strong>&nbsp;020 7401 2525<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.expressbyholidayinns.co.uk/">www.expressbyholidayinns.co.uk</a><br /><br />Modern 90-room hotel just south of Blackfriars Bridge, very handy for the Tate Modern art gallery and The Globe. A "cheerful, friendly hotel" offering "great value", according to quotable sorts. Approximately 25 minutes walk from the studio.</span></p>";}i:9;a:3:{s:11:"Hotel Image";s:49:"201106260559402764646towerbridge6_arch_london.jpg";s:10:"Hotel Name";s:31:"Euracom Apartments Tower Bridge";s:17:"Hotel Description";s:625:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Queen Elizabeth Street, London SE1 2JG<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.euracom.co.uk/">www.euracom.co.uk</a><br /><br />10 plush apartments ranging in size from studios that can sleep two people to two bedroom, two bath apartments that can sleep up to six. Leisure club with gym and indoor pool available to residents. The company has accommodation all over town. These particular flats are approximately 15 minute walk from Leroy Street.</span></p>";}i:10;a:3:{s:11:"Hotel Image";s:45:"201106260558402334242maltings-place-sw1-a.jpg";s:10:"Hotel Name";s:34:"Euracom Apartments, Maltings Place";s:17:"Hotel Description";s:683:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Maltings Place, Tower Bridge Road, Southwark, SE1<br /><strong>Tel:</strong>&nbsp;020 7407 2778<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.euracom.co.uk/london_apartments_maltings_place.htm#images">www.euracom.co.uk/maltings_place</a><br /><br />Located 5 minutes from Miloco''s Leroy Street premises, Maltings Place consist of some fantastic apartments at at a range of prices. Get in touch with us at the Miloco office on 020-7232-0008, if you are intertested in booking out one of these rooms.&nbsp;<br /></span></p>";}i:11;a:3:{s:11:"Hotel Image";s:35:"201106260556202815022stamfordst.jpg";s:10:"Hotel Name";s:26:"Stamford Street Apartments";s:17:"Hotel Description";s:662:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">127 Stamford Street, London SE1 9NQ<br /><strong>Tel:</strong>&nbsp;020 7848 1700<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="https://www.kcl.ac.uk/about/structure/admin/facser/conbro/accom/ssa.html">Click here</a><br /><br />Located in Waterloo, this is a hall of residence belonging to King''s College London and is available during the summer holidays. The cheap and cheerful residence has hundreds of single ensuite rooms arranged in self-contained apartments. Check availabilty and book online.</span></p>";}i:12;a:3:{s:11:"Hotel Image";s:42:"201106260556382527974elephantandcastle.jpg";s:10:"Hotel Name";s:25:"The Elephant & Castle Pub";s:17:"Hotel Description";s:462:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Newington Causeway, Elephant &amp; Castle, London SE1 6BN<br />Tel: 020 7357 9134<br /><br />For cheap accommodation, 27 rooms are available in the gloriously non-descript concrete block just opposite the Elephant &amp; Castle Shopping Centre. With views of the ''unique charms'' of this undeniably pink shopping centre, your blinkers are sure to be working overtime.</span></p>";}}}}', NULL),
(184, 19, 24, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:9:"Equipment";s:8652:"<p>\r\n<p>Control Room 7m x 5.5m (23'' x 18'') Acoustics by Nick Whitaker</p>\r\n<p>Studio 8.8m x 6.7m (29'' x 22'')&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Latest Purchases:</strong></p>\r\n<p>Lavry Gold AD122-96 MKIII A/D Convertor</p>\r\n<p>Apple Mac Pro 8 Core (2 x 2.4Ghz Quad-Core Intel Xeon), 6GB DDR3 Ram, 4 x 1TB HDD 7200rpm</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>CONSOLE</strong></p>\r\n<p>SSL 4056 G Series with full recall, 48 mono 8 stereo channels, with 36 G-Series EQs (ex-Olympic console).&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MULTITRACKS / HARD DISK RECORDING</strong></p>\r\n<p>Protools HD3 Accel with 24 inputs &amp; 48 outputs running on an Intel Eight Core Mac Pro.&nbsp;</p>\r\n<p>24 Track Otari MTR90 Mark II with full remote &amp; Autolocate (16 track headblock available subject to availability)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MONITORING</strong></p>\r\n<p>Munro M4 custom 4-way Soft Dome monitors</p>\r\n<p>Genelec 1031A''s</p>\r\n<p>ADAM S3A''s</p>\r\n<p>Yamaha NS10 Studios</p>\r\n<p>Visonic Davids</p>\r\n<p>Auratones</p>\r\n<p>Amplifiers: Chevin / Yamaha / Bryston&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>5.1 MONITORING</strong></p>\r\n<p>A 5.1 system can be setup on demand (subject to availability and an additional charge)</p>\r\n<p>5 x Dynaudio BM15a loudspeakers</p>\r\n<p>Adam Sub 12</p>\r\n<p>Audient ASP510 Surround Sound Controller</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MASTERING</strong></p>\r\n<p>Ampex ATR102 1/2" with Dolby SR</p>\r\n<p>Otari MTR12 1/4"</p>\r\n<p>Lavry Gold AD122-96 MKIII A/D Convertor</p>\r\n<p>Sony PCM-R700 &amp; 2700 DATs</p>\r\n<p>HHB CDR-800 CD recorder</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DYNAMICS</strong></p>\r\n<p>Chandler EMI TG12413 Zener Limiter</p>\r\n<p>DBX 160</p>\r\n<p>DBX 162</p>\r\n<p>DBX160X (x2)</p>\r\n<p>DBX 902 De''essers (x2)</p>\r\n<p>DBX 903 (x2)</p>\r\n<p>Drawmer DS201 (x2)</p>\r\n<p>EAR 660 Valve Compressor</p>\r\n<p>Empirical Labs Distressors (x2)</p>\r\n<p>Manley Stereo Variable MU</p>\r\n<p>SSL FXG384</p>\r\n<p>Summit Audio DCL200</p>\r\n<p>Summit Audio TLA</p>\r\n<p>Tube-tech CL1B</p>\r\n<p>Tube-tech LCA2B</p>\r\n<p>Urei 1178</p>\r\n<p>Urei 1176 (x2)&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>EQUALISATION</strong></p>\r\n<p>Calrec PQ1161 EQs (x6)</p>\r\n<p>EAR Valve EQs (x2)</p>\r\n<p>Focusrite Red 2</p>\r\n<p>Massenberg (GML) 8200</p>\r\n<p>Summit ECP-200B</p>\r\n<p>TC2240 Parametric</p>\r\n<p>Tube-tech PE1C&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>REVERBERATION</strong></p>\r\n<p>AMS RMX16</p>\r\n<p>EMT 140 Plate</p>\r\n<p>Klark Teknik DN780</p>\r\n<p>Lexicon 480L</p>\r\n<p>Lexicon PCM80</p>\r\n<p>Lexicon PCM70</p>\r\n<p>TC M5000 with Dynamics software</p>\r\n<p>Yamaha SPX1000</p>\r\n<p>Yamaha SPX90 MkII (x2)</p>\r\n<p>Yamaha Rev 7&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DELAYS / PROCESSORS</strong></p>\r\n<p>AMS 1580S</p>\r\n<p>Aphex Systems Aural exciter</p>\r\n<p>Audio &amp; Design Panscan</p>\r\n<p>Eventide H3000 SE</p>\r\n<p>Marshall Time Modulator</p>\r\n<p>Moog 12 stage phaser</p>\r\n<p>Mutronics Mutator</p>\r\n<p>Roland Dimension D</p>\r\n<p>Roland RE201 Space Echo</p>\r\n<p>Roland SDE3000</p>\r\n<p>Roland SDE330</p>\r\n<p>Sansamp PSA1 guitar processor&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>SYNCHRONISATION</strong></p>\r\n<p>Timeline Lynx with Motionworker</p>\r\n<p>Digidesign Sync I/O</p>\r\n<p>Digidesign MIDI I/O&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>SEQUENCING</strong></p>\r\n<p>Protools v8.1</p>\r\n<p>Logic Studio 9 (Please call to discuss technical limitations)</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>KEYBOARDS / MODULES / SAMPLERS</strong></p>\r\n<p>Nord Lead</p>\r\n<p>Roland D50</p>\r\n<p>Kurzweil Midiboard</p>\r\n<p>Akai S3200XL</p>\r\n<p>Akai S6000 (256 Meg)&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>INSTRUMENTS</strong></p>\r\n<p>(Check for availability)</p>\r\n<p>John Brinsmead 73 key Upright Acoustic Piano</p>\r\n<p>Rhodes 88 Suitcase</p>\r\n<p>Wurlitzer 200A Keyboard (S</p>\r\n<p>Hiwatt 100 Guitar Head&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MISCELLANEOUS</strong></p>\r\n<p>Technics SL1210 with Vestax Mixer</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MICROPHONE LIST</strong></p>\r\n<p>AKG 414EB (x2)</p>\r\n<p>AKG C28 Valve</p>\r\n<p>AKG 412</p>\r\n<p>AKG 451 (x2)</p>\r\n<p>AKG D12 (x2)</p>\r\n<p>Bruel &amp; Kjaer 4011 (x2)</p>\r\n<p>Crown PZM-30RB (x2)</p>\r\n<p>Electrovoice DS35</p>\r\n<p>Groove Tube GT44 Valve (x2)</p>\r\n<p>Neumann KM54</p>\r\n<p>Neumann M149 Valve</p>\r\n<p>Neumann U87 (x2)</p>\r\n<p>Sanken CU41</p>\r\n<p>Shure SM57 (x4)</p>\r\n<p>Shure SM58</p>\r\n<p>Sony C48</p>\r\n<p>STC 4033 Ribbons (x2)</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>The Engine Room Protools Specifications</strong></p>\r\n<p>Top of the range protools system based around an HD3 Accel system.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Hardware</strong></p>\r\n<p>Apple Mac Pro 8 Core (2 x 2.4Ghz Quad-Core Intel Xeon), 6GB DDR3 Ram, 4 x 1TB HDD 7200rpm</p>\r\n<p>Apple 23" Cinema HD Display</p>\r\n<p>1 Triple Glyph GT103 removable firewire chassis</p>\r\n<p>Choice of removable hotswappable firewire drives 160 gigabytes each</p>\r\n<p>Lavry Gold AD122-96 MKIII A/D Convertor</p>\r\n<p>3 x Digidesign 192 interfaces providing 24 inputs &amp; 48 outputs</p>\r\n<p>Digidesign MIDI I/O interface</p>\r\n<p>Digidesign Sync I/O synchroniser</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Backup</strong></p>\r\n<p>Usually done the following day - with a choice of:</p>\r\n<p>CD-R</p>\r\n<p>DVD-R</p>\r\n<p>AIT2</p>\r\n<p>DDS4</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Software</strong></p>\r\n<p>OSX 10.6</p>\r\n<p>Protools v8.0.3 / v8.1</p>\r\n<p>Logic Pro v9.1 (Please call to discuss technical limitations)</p>\r\n<p>Roxio Toast 9.02</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Plug-ins</strong></p>\r\n<p>Abbey Road Brilliance Pack</p>\r\n<p>Access Music Indigo</p>\r\n<p>Air Effects Bundle</p>\r\n<p>Amp farm</p>\r\n<p>Aphex Bigbottom</p>\r\n<p>Aphex Exciter</p>\r\n<p>Autotune</p>\r\n<p>BF Essentials</p>\r\n<p>Bomb Factory 1176</p>\r\n<p>Bomb Factory BF-2A</p>\r\n<p>Bomb Factory BF-3A</p>\r\n<p>Bruno/reso</p>\r\n<p>Cosmonaut Voice</p>\r\n<p>Cranesong Phoenix</p>\r\n<p>D-fi</p>\r\n<p>DigiRack Chorus</p>\r\n<p>DigiRack Click</p>\r\n<p>DigiRack D-Verb</p>\r\n<p>DigiRack DigiReWire</p>\r\n<p>DigiRack Dither</p>\r\n<p>DigiRack Dynamics III</p>\r\n<p>DigiRack EQ III</p>\r\n<p>DigiRack Flanger</p>\r\n<p>DigiRack Invert/Duplicate</p>\r\n<p>DigiRack Mod Delay II</p>\r\n<p>DigiRack Multi-Tap Delay</p>\r\n<p>DigiRack Normalize-Gain Change</p>\r\n<p>DigiRack Ping-Pong Delay</p>\r\n<p>DigiRack Pitch</p>\r\n<p>DigiRack Reverse-DC Removal</p>\r\n<p>DigiRack Signal Generator</p>\r\n<p>DigiRack Time Comp-Exp-Pitch Shift</p>\r\n<p>DigiRack TimeAdjuster</p>\r\n<p>DigiRack Trim</p>\r\n<p>Drawmer Dynamics</p>\r\n<p>Echo Farm</p>\r\n<p>EMI/Chandler TG12413 Limiter</p>\r\n<p>Eventide Anthology 2 Bundle</p>\r\n<p>Eventide Band Delays</p>\r\n<p>Eventide EQ45 Parametric Equalizer</p>\r\n<p>Eventide EQ Filter Set</p>\r\n<p>Eventide E-Channel</p>\r\n<p>Eventide H910</p>\r\n<p>Eventide H949</p>\r\n<p>Eventide H3000 Band Delays</p>\r\n<p>Eventide H3000 Factory</p>\r\n<p>Eventide Instant Phaser</p>\r\n<p>Eventide Instant Flanger</p>\r\n<p>Eventide OmniPressor</p>\r\n<p>Eventide Octavox</p>\r\n<p>Eventide Quadravox</p>\r\n<p>Eventide Reverb</p>\r\n<p>Eventide Precision Time Align</p>\r\n<p>Eventide Ultra-Channel</p>\r\n<p>Fairchild 660</p>\r\n<p>Fairchild 670</p>\r\n<p>Filterbank</p>\r\n<p>Focusrite D2</p>\r\n<p>Focusrite D3</p>\r\n<p>Funk Logic Masterizer</p>\r\n<p>GRM Tools</p>\r\n<p>Joe Meek SC2</p>\r\n<p>Joe Meek VC2</p>\r\n<p>Massenburg Design EQ</p>\r\n<p>Massey CT4 Compressor</p>\r\n<p>Massey De:Esser</p>\r\n<p>Massey L2007 Mastering Limiter</p>\r\n<p>Massey TD5 Tape Delay</p>\r\n<p>Massey THC Distortion Stompbox</p>\r\n<p>Massey Tape-Head Saturation</p>\r\n<p>Massey VT3 Equalizer</p>\r\n<p>Master X3</p>\r\n<p>Maxim</p>\r\n<p>MC2000 v3.2x18 Multiband compressor</p>\r\n<p>Metric Halo Channel Strip</p>\r\n<p>moogerfooger Lowpass filter</p>\r\n<p>moogerfooger 12-stage phaser</p>\r\n<p>moogerfooger Ring Modulator</p>\r\n<p>moogerfooger Analog delay</p>\r\n<p>Pitch</p>\r\n<p>Pultec EQH-2</p>\r\n<p>Pultec EQP-1A</p>\r\n<p>Pultec MEQ-5</p>\r\n<p>Purple Audio MC77</p>\r\n<p>Real Tape Suite</p>\r\n<p>Reverb One</p>\r\n<p>Sansamp PSA-1</p>\r\n<p>Slightly Rude Compressor</p>\r\n<p>Smack!</p>\r\n<p>Sony Oxford EQ</p>\r\n<p>Sound Replacer</p>\r\n<p>Soundtoys FX Bundle TDM</p>\r\n<p>Soundtoys Crystallizer</p>\r\n<p>Soundtoys Decapitator</p>\r\n<p>Soundtoys Echo Boy</p>\r\n<p>Soundtoys Filter Freak</p>\r\n<p>Soundtoys PanMan</p>\r\n<p>Soundtoys Phase Mistress</p>\r\n<p>Soundtoys Pitch Blender</p>\r\n<p>Soundtoys Pitch Doctor</p>\r\n<p>Soundtoys Pure Pitch</p>\r\n<p>Soundtoys Speed</p>\r\n<p>Soundtoys Time Blender</p>\r\n<p>Soundtoys Tremolator</p>\r\n<p>Tel-Ray Variable Delay</p>\r\n<p>Time Shift</p>\r\n<p>TL Drum Rehab</p>\r\n<p>TL Space</p>\r\n<p>URS A10</p>\r\n<p>URS N12</p>\r\n<p>Voc Align</p>\r\n<p>Voce Spin</p>\r\n<p>Voce Chorus/Vibrato</p>\r\n<p>Waves CLA Classic Compressors</p>\r\n<p>Waves Platinum</p>\r\n<p>Waves SSL Bundle</p>\r\n<p>Xpand!</p>\r\n</p>";}}}}', NULL),
(185, 19, 28, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:4:{s:11:"Client Name";s:0:"";s:12:"Client Image";s:0:"";s:18:"Client Description";s:0:"";s:10:"Client URL";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:13:"Other Clients";s:1337:"<p>\r\n<p>Aeroplane</p>\r\n<p>Apples</p>\r\n<p>Arsenal</p>\r\n<p>Audio Bullys</p>\r\n<p>The Big Shots</p>\r\n<p>Bombay Bicycle Club</p>\r\n<p>Born Blonde</p>\r\n<p>Brett Anderson</p>\r\n<p>The Chemical Brothers</p>\r\n<p>Canyon</p>\r\n<p>Charlie Brown</p>\r\n<p>Chiddy Bang</p>\r\n<p>The Complete Short Stories</p>\r\n<p>Depeche Mode</p>\r\n<p>Electric River</p>\r\n<p>Ellie Goulding</p>\r\n<p>The Enemy</p>\r\n<p>Enter Shikari</p>\r\n<p>Everything Everything</p>\r\n<p>FeFe</p>\r\n<p>Freaks</p>\r\n<p>Foals</p>\r\n<p>Gerard Love</p>\r\n<p>Grinderman</p>\r\n<p>Gwilym Gold</p>\r\n<p>Is Tropical</p>\r\n<p>Jack Penate</p>\r\n<p>James</p>\r\n<p>James Blunt</p>\r\n<p>Jarvis Cocker</p>\r\n<p>Jordin Sparks</p>\r\n<p>Julie Wilkins</p>\r\n<p>Kate Nash</p>\r\n<p>Katy B</p>\r\n<p>KT Tunstall</p>\r\n<p>Kurran and the Wolfnotes</p>\r\n<p>Kylie Minogue</p>\r\n<p>Little Comets</p>\r\n<p>Thw Magic Numbers</p>\r\n<p>Milk</p>\r\n<p>Mumford &amp; Sons</p>\r\n<p>N-Dubz</p>\r\n<p>Newton Faulkner</p>\r\n<p>Noah</p>\r\n<p>Ocean 6</p>\r\n<p>Patrick Wolf</p>\r\n<p>Plan B</p>\r\n<p>RedOne</p>\r\n<p>Rizzle Kicks</p>\r\n<p>Roll Deep</p>\r\n<p>Sam Sparro</p>\r\n<p>Sean Kingston</p>\r\n<p>Silver Serpents</p>\r\n<p>Simon Webbe</p>\r\n<p>Soar</p>\r\n<p>The Subways</p>\r\n<p>Talay Riley</p>\r\n<p>Tarja</p>\r\n<p>Temper Trap</p>\r\n<p>To Arms</p>\r\n<p>UNKLE</p>\r\n<p>Villagers</p>\r\n<p>VV Brown</p>\r\n<p>Wild Beasts</p>\r\n<p>Wonderland</p>\r\n<p>Zack Knight</p>\r\n<p>Zero 7</p>\r\n</p>";}}}}', NULL),
(186, 19, 33, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:111:"<p>If you need a hotel there is a good selection to be found not too far away. Here are a few suggestions:-</p>";}}s:6:"group2";a:12:{i:1;a:3:{s:11:"Hotel Image";a:2:{s:3:"img";s:0:"";s:3:"alt";s:0:"";}s:10:"Hotel Name";s:23:"Bermondsey Square Hotel";s:17:"Hotel Description";s:864:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Bermonsey Square, Tower Bridge Road, Southwark, London, SE1 3UN<br /><strong>Tel:</strong>&nbsp;0870 111 2525<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.bespokehotels.com/hotel/pages/bermondseysquare/alfies.htm">Click here</a><br /><br />The Bespoke group opened this fantastic hotel in 2009 on the trendy bar and foodie strip of Bermondsey Street. 60 of the 79 designer bedrooms are classed as deluxe, with the real creme de la creme based in the loft of the building providing silver-screen views of London''s stunning city skyline. Guests will enjoy the acclaimed Alfie''s Kitchen Bar and Restaurant, alfresco terrace, beauty spas and outdoor roof-top hot tub! 5-minute walk from Miloco.</span></p>";}i:2;a:3:{s:11:"Hotel Image";a:2:{s:3:"img";s:0:"";s:3:"alt";s:0:"";}s:10:"Hotel Name";s:18:"Guoman Tower Hotel";s:17:"Hotel Description";s:756:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">St Katherines Way, London E1Q 1LD<br /><strong>Tel:</strong>&nbsp;0870 333 9106<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.guoman.com/">www.guoman.com</a><br /><br />Situated on the banks of the River Thames, next to the Tower of London and Tower Bridge and very close to the financial district, this four-star hotel offers well-equipped bedrooms, apartments and suites, all with superb views overlooking St Katherine''s Dock. The Guoman Tower is a large and modern hotel designed for business guests or those wanting to indulge. The hotel is about 20 minutes walk from the studio.</span></p>";}i:3;a:3:{s:11:"Hotel Image";a:2:{s:3:"img";s:0:"";s:3:"alt";s:0:"";}s:10:"Hotel Name";s:19:"London Bridge Hotel";s:17:"Hotel Description";s:796:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">8-18 London Bridge, London, SE1 9SG<br /><strong>Tel:</strong>&nbsp;020 7855 2200<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.london-bridge-hotel.co.uk/">http://www.london-bridge-hotel.co.uk</a><br /><br />SE1''s most prestigious hotel also includes the Borough Bar and Georgetown restaurant. It boasts 119 rooms, and its four-star delights are just a stone''s throw from London Bridge Station, St Thomas'' Hospital, Borough Market and Southwark Cathedral. Shakespeare''s Globe Theatre and Tate Modern are just a short walk away, while The City of London is just across the river. The studio is approximately 20 minutes walk.</span></p>";}i:4;a:3:{s:11:"Hotel Image";a:2:{s:3:"img";s:0:"";s:3:"alt";s:0:"";}s:10:"Hotel Name";s:26:"Hilton Hotel London Bridge";s:17:"Hotel Description";s:681:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">5 More London Place, Tooley Street, London SE1 2BY<br /><strong>Tel:</strong>&nbsp;020 3002 4300<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.london-bridge-hotel.co.uk/">http://www.london-bridge-hotel.co.uk</a><br /><br />Hilton Tower Bridge has just opened it''s swanky (245 bedroom) doors to grateful guests and, as you''d expect, offers the very best service, including 9 meeting rooms, a top restaurant, lively bar and wireless broadband internet access throughout. The studio is just 15 minutes walk away</span></p>";}i:5;a:3:{s:11:"Hotel Image";a:2:{s:3:"img";s:0:"";s:3:"alt";s:0:"";}s:10:"Hotel Name";s:25:"Novotel London City South";s:17:"Hotel Description";s:952:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">53-61 Southwark Bridge Road, London SE1 9HH<br /><strong>Tel:</strong>&nbsp;020 7089 0400<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.novotel.com/">http://www.novotel.com</a><br /><br />New hotel close to Tate Modern and Shakespeare''s Globe. St Paul''s Cathedral is a short walk across the River Thames and all 182 bedrooms feature a brand new and stylish design. The hotel has 7 meeting rooms for up to 100 people theatre-style and a Garden Brasserie restaurant (with room service) serving a selection of international dishes. Guests can relax in Clinks Bar, which has a dedicated area with numerous modem points, or workout in the rooftop leisure and fitness suite - exclusive to guests - with gym, sauna and steam room. The studio is approximately 25 minutes walk away.<br /></span></p>";}i:6;a:3:{s:11:"Hotel Image";a:2:{s:3:"img";s:0:"";s:3:"alt";s:0:"";}s:10:"Hotel Name";s:31:"Premier Travel Inn Tower Bridge";s:17:"Hotel Description";s:596:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">159 Tower Bridge Road, London SE1 3LP<br /><strong>Tel:</strong>&nbsp;0870 2383303<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.premiertravelinn.com/">www.premiertravelinn.com/</a><br /><br />City centre version of the popular motel. 196 rooms with en-suite bathroom, TV, phone, dataport and tea/coffee facilities. There is also a restaurant &amp; bar. Now with Wi-Fi internet access. Only 10 minutes walk from the studio.</span></p>";}i:7;a:3:{s:11:"Hotel Image";a:2:{s:3:"img";s:37:"20110712043006291839southwarkrose.jpg";s:3:"alt";s:0:"";}s:10:"Hotel Name";s:20:"Southwark Rose Hotel";s:17:"Hotel Description";s:832:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">43-47 Southwark Bridge Road, London SE1 9HH<br /><strong>Tel:</strong>&nbsp;020 7015 1480<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.southwarkrosehotel.co.uk/">www.southwarkrosehotel.co.uk</a><br /><br />The Southwark Rose Hotel is the first new-build boutique hotel in London. Its centrally located, close to Tate Modern and Shakespeare''s Globe, while all rooms are en-suite with Sky television, refreshment facilities, safes, electric blackout blinds to ensure a good night''s sleep, and telephones with modem connections. The restaurant serves breakfast daily as well as providing a quality dinner menu. It''s no more than 25 minutes walk from the studio.</span></p>";}i:8;a:3:{s:11:"Hotel Image";a:2:{s:3:"img";s:0:"";s:3:"alt";s:0:"";}s:10:"Hotel Name";s:23:"Express by Holiday Inn ";s:17:"Hotel Description";s:619:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">103-109 Southwark Street, London, SE1<br /><strong>Tel:</strong>&nbsp;020 7401 2525<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.expressbyholidayinns.co.uk/">www.expressbyholidayinns.co.uk</a><br /><br />Modern 90-room hotel just south of Blackfriars Bridge, very handy for the Tate Modern art gallery and The Globe. A "cheerful, friendly hotel" offering "great value", according to quotable sorts. Approximately 25 minutes walk from the studio.</span></p>";}i:9;a:3:{s:11:"Hotel Image";a:2:{s:3:"img";s:0:"";s:3:"alt";s:0:"";}s:10:"Hotel Name";s:31:"Euracom Apartments Tower Bridge";s:17:"Hotel Description";s:631:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Queen Elizabeth Street, London SE1 2JG<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.euracom.co.uk/">www.euracom.co.uk</a><br /><br />10 plush apartments ranging in size from studios that can sleep two people to two bedroom, two bath apartments that can sleep up to six. Leisure club with gym and indoor pool available to residents. The company has accommodation all over town. These particular flats are approximately 15 minute walk from Leroy Street.<br /></span></p>";}i:10;a:3:{s:11:"Hotel Image";a:2:{s:3:"img";s:0:"";s:3:"alt";s:0:"";}s:10:"Hotel Name";s:34:"Euracom Apartments, Maltings Place";s:17:"Hotel Description";s:677:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Maltings Place, Tower Bridge Road, Southwark, SE1<br /><strong>Tel:</strong>&nbsp;020 7407 2778<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.euracom.co.uk/london_apartments_maltings_place.htm#images">www.euracom.co.uk/maltings_place</a><br /><br />Located 5 minutes from Miloco''s Leroy Street premises, Maltings Place consist of some fantastic apartments at at a range of prices. Get in touch with us at the Miloco office on 020-7232-0008, if you are intertested in booking out one of these rooms.&nbsp;</span></p>";}i:11;a:3:{s:11:"Hotel Image";a:2:{s:3:"img";s:0:"";s:3:"alt";s:0:"";}s:10:"Hotel Name";s:26:"Stamford Street Apartments";s:17:"Hotel Description";s:662:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">127 Stamford Street, London SE1 9NQ<br /><strong>Tel:</strong>&nbsp;020 7848 1700<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="https://www.kcl.ac.uk/about/structure/admin/facser/conbro/accom/ssa.html">Click here</a><br /><br />Located in Waterloo, this is a hall of residence belonging to King''s College London and is available during the summer holidays. The cheap and cheerful residence has hundreds of single ensuite rooms arranged in self-contained apartments. Check availabilty and book online.</span></p>";}i:12;a:3:{s:11:"Hotel Image";a:2:{s:3:"img";s:0:"";s:3:"alt";s:0:"";}s:10:"Hotel Name";s:25:"The Elephant & Castle Pub";s:17:"Hotel Description";s:462:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Newington Causeway, Elephant &amp; Castle, London SE1 6BN<br />Tel: 020 7357 9134<br /><br />For cheap accommodation, 27 rooms are available in the gloriously non-descript concrete block just opposite the Elephant &amp; Castle Shopping Centre. With views of the ''unique charms'' of this undeniably pink shopping centre, your blinkers are sure to be working overtime.</span></p>";}}}}', NULL),
(196, 30, 41, 'a:2:{s:2:"en";a:2:{s:6:"group1";a:4:{i:1;a:2:{s:5:"Image";a:2:{s:3:"img";s:32:"201106200911272635334footer2.jpg";s:3:"alt";s:5:"hello";}s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";a:2:{s:3:"img";s:32:"201106200911272635334footer4.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";a:2:{s:3:"img";s:32:"201106200911272635334footer1.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:4;a:2:{s:5:"Image";a:2:{s:3:"img";s:32:"201106200911272635334footer3.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:1800:"<p>Ube<em>rtext Duis mollis, est non commodo luctu</em>s, nisi erat porttitor ligula, eget lacinia odio sem nec elit. Duis mollis, est non commodo luctus, nisi erat porttitor ligula, eget lacinia odio sem nec elit. Cras justo odio, dapibus ac facilisis in, egestas eget quam. Donec sed odio dui. Vivamus sagittis lacus vel augue laoreet rutrum faucibus dolor auctor. Cras mattis consectetur purus sit amet fermentum.</p>\r\n<ul>\r\n<li>bluuu</li>\r\n<li>blabidy bluu</li>\r\n<li>blobidy blibidy blob</li>\r\n<li>this is testing list items</li>\r\n</ul>\r\n<ol>\r\n<li>item one</li>\r\n<li>item two</li>\r\n<li>this is testing ordered lists</li>\r\n</ol>\r\n<p>Cras mattis consectetur purus sit amet fermentum. Morbi leo risus, porta ac consectetur ac, vestibulum at eros. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Praesent commodo cursus magna, vel scelerisque nisl consectetur et. <br /><br />Donec sed odio dui. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Maecenas faucibus mollis interdum. Integer posuere erat a ante venenatis dapibus posuere velit aliquet. <br /><br />Vivamus sagittis lacus vel augue laoreet rutrum faucibus dolor auctor. Maecenas faucibus mollis interdum. Maecenas sed diam eget risus varius blandit sit amet non magna. Donec ullamcorper nulla non metus auctor fringilla. Vivamus sagittis lacus vel augue laoreet rutrum faucibus dolor auctor. Nullam quis risus eget urna mollis ornare vel eu leo. <br /><br />Maecenas sed diam eget risus varius blandit sit amet non magna. Fusce dapibus, tellus ac cursus commodo, tortor mauris condimentum nibh, ut fermentum massa justo sit amet risus. Praesent commodo cursus magna, vel scelerisque nisl consectetur et. Fusce dapibus, tellus ac cursus commodo, tortor mauris condimentum nibh, ut fermentum massa justo sit amet risus.</p>";}}}s:2:"fr";a:2:{s:6:"group1";a:4:{i:1;a:2:{s:5:"Image";a:1:{s:3:"img";s:5:"Array";}s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";a:1:{s:3:"img";s:5:"Array";}s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";a:1:{s:3:"img";s:5:"Array";}s:17:"Image Description";s:0:"";}i:4;a:2:{s:5:"Image";a:1:{s:3:"img";s:5:"Array";}s:17:"Image Description";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:0:"";}}}}', NULL),
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(270, 30, 43, 'a:2:{s:2:"en";a:1:{s:6:"group1";a:2:{i:1;a:5:{s:12:"Studio Title";a:2:{s:4:"name";s:7:"dsfdsfd";s:4:"link";s:8:"asdfdasf";}s:8:"Location";s:9:"Somewhere";s:11:"Studio Link";a:2:{s:4:"name";s:7:"asdfads";s:4:"link";s:6:"asdfad";}s:4:"Info";s:14:"<p>infoooo</p>";s:5:"image";a:2:{s:3:"img";s:32:"201107060917112606752footer2.jpg";s:3:"alt";s:9:"alt taggg";}}i:2;a:5:{s:12:"Studio Title";a:2:{s:4:"name";s:14:"another studio";s:4:"link";s:25:"skfgdsjfjydsjyfdgskuyfgds";}s:8:"Location";s:14:"somewhere else";s:11:"Studio Link";a:2:{s:4:"name";s:16:"adgsdfgfdsgfdsgs";s:4:"link";s:16:"sdfgsfdgfsdgfdgs";}s:4:"Info";s:19:"<p>more infoooo</p>";s:5:"image";a:2:{s:3:"img";s:32:"201107060918002399108footer3.jpg";s:3:"alt";s:8:"alt tag?";}}}}s:2:"fr";a:1:{s:6:"group1";a:2:{i:1;a:5:{s:12:"Studio Title";a:2:{s:4:"name";s:0:"";s:4:"link";s:0:"";}s:8:"Location";s:0:"";s:11:"Studio Link";a:2:{s:4:"name";s:0:"";s:4:"link";s:0:"";}s:4:"Info";s:0:"";s:5:"image";a:1:{s:3:"img";s:5:"Array";}}i:2;a:5:{s:12:"Studio Title";a:2:{s:4:"name";s:0:"";s:4:"link";s:0:"";}s:8:"Location";s:0:"";s:11:"Studio Link";a:2:{s:4:"name";s:0:"";s:4:"link";s:0:"";}s:4:"Info";s:0:"";s:5:"image";a:1:{s:3:"img";s:5:"Array";}}}}}', NULL),
(201, 8, 33, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:141:"<p>&nbsp;</p>\r\n<p>If you need a hotel there is a good selection to be found not too far away. Here are a few suggestions:-</p>\r\n<p>&nbsp;</p>";}}s:6:"group2";a:12:{i:1;a:3:{s:11:"Hotel Image";s:41:"201106260552442161419bermondseysquare.jpg";s:10:"Hotel Name";s:23:"Bermondsey Square Hotel";s:17:"Hotel Description";s:864:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Bermonsey Square, Tower Bridge Road, Southwark, London, SE1 3UN<br /><strong>Tel:</strong>&nbsp;0870 111 2525<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.bespokehotels.com/hotel/pages/bermondseysquare/alfies.htm">Click here</a><br /><br />The Bespoke group opened this fantastic hotel in 2009 on the trendy bar and foodie strip of Bermondsey Street. 60 of the 79 designer bedrooms are classed as deluxe, with the real creme de la creme based in the loft of the building providing silver-screen views of London''s stunning city skyline. Guests will enjoy the acclaimed Alfie''s Kitchen Bar and Restaurant, alfresco terrace, beauty spas and outdoor roof-top hot tub! 5-minute walk from Miloco.</span></p>";}i:2;a:3:{s:11:"Hotel Image";s:31:"201106260553022671222guoman.jpg";s:10:"Hotel Name";s:18:"Guoman Tower Hotel";s:17:"Hotel Description";s:756:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">St Katherines Way, London E1Q 1LD<br /><strong>Tel:</strong>&nbsp;0870 333 9106<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.guoman.com/">www.guoman.com</a><br /><br />Situated on the banks of the River Thames, next to the Tower of London and Tower Bridge and very close to the financial district, this four-star hotel offers well-equipped bedrooms, apartments and suites, all with superb views overlooking St Katherine''s Dock. The Guoman Tower is a large and modern hotel designed for business guests or those wanting to indulge. The hotel is about 20 minutes walk from the studio.</span></p>";}i:3;a:3:{s:11:"Hotel Image";s:42:"201106260553222806538londonbridgehotel.jpg";s:10:"Hotel Name";s:19:"London Bridge Hotel";s:17:"Hotel Description";s:802:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">8-18 London Bridge, London, SE1 9SG<br /><strong>Tel:</strong>&nbsp;020 7855 2200<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.london-bridge-hotel.co.uk/">http://www.london-bridge-hotel.co.uk</a><br /><br />SE1''s most prestigious hotel also includes the Borough Bar and Georgetown restaurant. It boasts 119 rooms, and its four-star delights are just a stone''s throw from London Bridge Station, St Thomas'' Hospital, Borough Market and Southwark Cathedral. Shakespeare''s Globe Theatre and Tate Modern are just a short walk away, while The City of London is just across the river. The studio is approximately 20 minutes walk.<br /></span></p>";}i:4;a:3:{s:11:"Hotel Image";s:43:"201106260553382217228hiltonlondonbridge.jpg";s:10:"Hotel Name";s:26:"Hilton Hotel London Bridge";s:17:"Hotel Description";s:681:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">5 More London Place, Tooley Street, London SE1 2BY<br /><strong>Tel:</strong>&nbsp;020 3002 4300<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.london-bridge-hotel.co.uk/">http://www.london-bridge-hotel.co.uk</a><br /><br />Hilton Tower Bridge has just opened it''s swanky (245 bedroom) doors to grateful guests and, as you''d expect, offers the very best service, including 9 meeting rooms, a top restaurant, lively bar and wireless broadband internet access throughout. The studio is just 15 minutes walk away</span></p>";}i:5;a:3:{s:11:"Hotel Image";s:32:"201106260553582737920novotel.jpg";s:10:"Hotel Name";s:25:"Novotel London City South";s:17:"Hotel Description";s:946:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">53-61 Southwark Bridge Road, London SE1 9HH<br /><strong>Tel:</strong>&nbsp;020 7089 0400<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.novotel.com/">http://www.novotel.com</a><br /><br />New hotel close to Tate Modern and Shakespeare''s Globe. St Paul''s Cathedral is a short walk across the River Thames and all 182 bedrooms feature a brand new and stylish design. The hotel has 7 meeting rooms for up to 100 people theatre-style and a Garden Brasserie restaurant (with room service) serving a selection of international dishes. Guests can relax in Clinks Bar, which has a dedicated area with numerous modem points, or workout in the rooftop leisure and fitness suite - exclusive to guests - with gym, sauna and steam room. The studio is approximately 25 minutes walk away.</span></p>";}i:6;a:3:{s:11:"Hotel Image";s:41:"201106260557222971708premierinntb.jpg.jpg";s:10:"Hotel Name";s:31:"Premier Travel Inn Tower Bridge";s:17:"Hotel Description";s:596:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">159 Tower Bridge Road, London SE1 3LP<br /><strong>Tel:</strong>&nbsp;0870 2383303<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.premiertravelinn.com/">www.premiertravelinn.com/</a><br /><br />City centre version of the popular motel. 196 rooms with en-suite bathroom, TV, phone, dataport and tea/coffee facilities. There is also a restaurant &amp; bar. Now with Wi-Fi internet access. Only 10 minutes walk from the studio.</span></p>";}i:7;a:3:{s:11:"Hotel Image";s:38:"201106260554422684349southwarkrose.jpg";s:10:"Hotel Name";s:20:"Southwark Rose Hotel";s:17:"Hotel Description";s:832:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">43-47 Southwark Bridge Road, London SE1 9HH<br /><strong>Tel:</strong>&nbsp;020 7015 1480<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.southwarkrosehotel.co.uk/">www.southwarkrosehotel.co.uk</a><br /><br />The Southwark Rose Hotel is the first new-build boutique hotel in London. Its centrally located, close to Tate Modern and Shakespeare''s Globe, while all rooms are en-suite with Sky television, refreshment facilities, safes, electric blackout blinds to ensure a good night''s sleep, and telephones with modem connections. The restaurant serves breakfast daily as well as providing a quality dinner menu. It''s no more than 25 minutes walk from the studio.</span></p>";}i:8;a:3:{s:11:"Hotel Image";s:42:"201106260555572572128expressholidayinn.jpg";s:10:"Hotel Name";s:22:"Express by Holiday Inn";s:17:"Hotel Description";s:619:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">103-109 Southwark Street, London, SE1<br /><strong>Tel:</strong>&nbsp;020 7401 2525<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.expressbyholidayinns.co.uk/">www.expressbyholidayinns.co.uk</a><br /><br />Modern 90-room hotel just south of Blackfriars Bridge, very handy for the Tate Modern art gallery and The Globe. A "cheerful, friendly hotel" offering "great value", according to quotable sorts. Approximately 25 minutes walk from the studio.</span></p>";}i:9;a:3:{s:11:"Hotel Image";s:49:"201106260559402764646towerbridge6_arch_london.jpg";s:10:"Hotel Name";s:31:"Euracom Apartments Tower Bridge";s:17:"Hotel Description";s:625:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Queen Elizabeth Street, London SE1 2JG<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.euracom.co.uk/">www.euracom.co.uk</a><br /><br />10 plush apartments ranging in size from studios that can sleep two people to two bedroom, two bath apartments that can sleep up to six. Leisure club with gym and indoor pool available to residents. The company has accommodation all over town. These particular flats are approximately 15 minute walk from Leroy Street.</span></p>";}i:10;a:3:{s:11:"Hotel Image";s:45:"201106260558402334242maltings-place-sw1-a.jpg";s:10:"Hotel Name";s:34:"Euracom Apartments, Maltings Place";s:17:"Hotel Description";s:683:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Maltings Place, Tower Bridge Road, Southwark, SE1<br /><strong>Tel:</strong>&nbsp;020 7407 2778<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.euracom.co.uk/london_apartments_maltings_place.htm#images">www.euracom.co.uk/maltings_place</a><br /><br />Located 5 minutes from Miloco''s Leroy Street premises, Maltings Place consist of some fantastic apartments at at a range of prices. Get in touch with us at the Miloco office on 020-7232-0008, if you are intertested in booking out one of these rooms.&nbsp;<br /></span></p>";}i:11;a:3:{s:11:"Hotel Image";s:35:"201106260556202815022stamfordst.jpg";s:10:"Hotel Name";s:26:"Stamford Street Apartments";s:17:"Hotel Description";s:662:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">127 Stamford Street, London SE1 9NQ<br /><strong>Tel:</strong>&nbsp;020 7848 1700<br /><strong>Website:</strong>&nbsp;<a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="https://www.kcl.ac.uk/about/structure/admin/facser/conbro/accom/ssa.html">Click here</a><br /><br />Located in Waterloo, this is a hall of residence belonging to King''s College London and is available during the summer holidays. The cheap and cheerful residence has hundreds of single ensuite rooms arranged in self-contained apartments. Check availabilty and book online.</span></p>";}i:12;a:3:{s:11:"Hotel Image";s:42:"201106260556382527974elephantandcastle.jpg";s:10:"Hotel Name";s:25:"The Elephant & Castle Pub";s:17:"Hotel Description";s:462:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Newington Causeway, Elephant &amp; Castle, London SE1 6BN<br />Tel: 020 7357 9134<br /><br />For cheap accommodation, 27 rooms are available in the gloriously non-descript concrete block just opposite the Elephant &amp; Castle Shopping Centre. With views of the ''unique charms'' of this undeniably pink shopping centre, your blinkers are sure to be working overtime.</span></p>";}}}}', NULL),
(202, 22, 20, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:44:"201107061413052398415redroom-homepage-js.swf";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:1713:"<p>&nbsp;</p>\r\n<p><strong>Philippe Weiss and Jean-Francois Delort in association with Miloco presents The Red Room,</strong> an outstanding high end mix room in Paris.</p>\r\n<p>&nbsp;</p>\r\n<p>The Red Room is one of Paris'' great mix rooms. It is the creative home of producer/engineers Philippe Weiss and Jean-Francois Delort, two of the big names in the French scene. Philippe and Jean-Francois have created a world class mix environment designed to fully optimise your mixes to sound nothing less than incredible. The centre-piece of the studio is an SSL 4056 G+ console, featuring 24 E-Series and 32 G-Series EQs, and which has been modified to really push the boundaries of your mix. The desk is complemented by a custom TAD monitor system and an assortment of other speakers, and there are racks of top-end analogue outboard to choose from. A live room comprising a good collection of microphones is also on hand for those who may wish to track.</p>\r\n<p>&nbsp;</p>\r\n<p>The Red Room epitomises the no-expense spared ethos. Everything has been designed to produce the highest quality sound: from having the best acoustics to the shortest cabling. The interior design is cool, modern and clean creating an enticing and inspiring vibe. It features a red decor, atmospheric lighting and plenty of personal touches such as Philippe''s and Jean-Francois enormous collection of vinyl.</p>\r\n<p>&nbsp;</p>\r\n<p>This amazing studio is the very first in France to be operated by Miloco. Located in Suresnes, a Western suburb of Paris, you have all the attractions of one of the great world cities on your doorstep. The Red Room offers Miloco''s clients a whole new studio experience... Vive la difference!!</p>\r\n<p>&nbsp;</p>";}}}}', NULL);
INSERT INTO `pages` (`id`, `studio_id`, `page_layout_id`, `content`, `additional_content`) VALUES (203, 22, 41, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:3:{i:1;a:2:{s:5:"Image";s:33:"201106220352292325637_MG_2972.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:33:"201106220351442392916_MG_3048.jpg";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:33:"201106220353182782594_MG_3385.jpg";s:17:"Image Description";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:2637:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Red Room is located in Suresnes, a suburb in West Paris roughly 10 minutes from the city center. It is based in a private and secluded spot within a gated complex. The entrance to the studio is via one corner of a car park in the middle of the complex.&nbsp;<br /><br />On entering the studio, you are greeted by the small but welcoming bar area, with coffee-making facilities and cool, modern furniture and decorations - wood beam walls, chrome bar stools, atmospheric red lighting and plants growing under the skylights.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">At the far end of the bar is the entrance to the control room, which is roughly 45 sq meters and is exquisitely crafted to achieve the very best acoustic results. The SSL 4056 G+ console sits in front of a large glass divide looking through to The Red Room''s live space. This pristine desk has total recall and ultimation, 24 E-Series EQs and 32 G-Series EQs. The custom TAD monitoring system looms large above the desk, and is supplemented by a number of other monitors such as Yamaha NS10s, Auratone 5Cs and Fostex 6301Bs, and a choice of amplifiers: Chevin, Simaudio, Crown Reference 1 and McIntosh MC2255. The room is fully Mogami-wired to get the very best signal. It also looks stunning - splashes of red on the monitors, desk and other equipment blend perfectly with blacks and greys to create an inspiring vibe.&nbsp;<br /><br />Sat behind the desk are the many racks of high-quality outboard: Mic Pre''s and EQs by the likes of Focusrite, Neve and Pultec; Dynamics by DBX, EAR and more; and a selection of reverbs and effects by EMT, Lexicon and plenty of others. ProTools HD3 runs on an Apple Intel MacPro with Apogee converters providing 24 inputs and 56 outputs.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The live room is accessed via another door in the bar area. This cool and vibey room is multifunctional - it has been expertly designed to provide a great sound for tracking, however also serves as a cool and relaxed chill-out room perfect for mix sessions. There is a selection of fine microphones on hand: AEA, Coles, Josephson, Neumann, Revox, Schoeps, Sennheiser and Shure; as well as a Rhodes Mk1 stage piano.&nbsp;<br /><br />For recreational purposes, there is a comfortable red leather sofa, large flatscreen tv, top-end soundsystem and hundreds of Philippe''s and Jean Francois vinyl records to enjoy and draw inspiration from...<br /></span></p>";}}}}', NULL),
(204, 22, 24, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{s:9:"Equipment";s:5709:"<p>\r\n<p>Control Room 6.9m x 6.6m Room designed by Christian Malcurt</p>\r\n<p>Studio 7.77m x 4.4m</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>CONSOLE</strong></p>\r\n<p>SSL 4056G+ with Total Recall and Ultimation. 24 E-Series EQs and 32 G-Series EQs&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DAW Hardware:</strong></p>\r\n<p>Apple Intel MacPro</p>\r\n<p>Apogee AD16X (x1)/ Apogee DA16X (x3) Providing 24 analog inputs and 56 analog Outputs</p>\r\n<p>(48 digital inputs and 16 digital outputs)</p>\r\n<p>Digidesign ProTools HD3 PCIe</p>\r\n<p>Digidesign Sync I/O</p>\r\n<p>Apogee Big Ben Clock</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MONITORING</strong></p>\r\n<p>Custom TAD system</p>\r\n<p>Barefoot MM27</p>\r\n<p>Proac System 100</p>\r\n<p>Yamaha NS10 Studios</p>\r\n<p>Auratone 5C</p>\r\n<p>Fostex 6301B</p>\r\n<p>Tannoy System 1000</p>\r\n<p>Technics SB-RX30</p>\r\n<p>JBL 4430</p>\r\n<p>Crane Song Avocet Stereo Controller</p>\r\n<p>Amplifiers: Chevin / Simaudio / Crown Reference 1 / McIntosh MC2255 / Yamaha H5000 &amp; H7000</p>\r\n<p>Room fully Mogami Wired&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MASTERING</strong></p>\r\n<p>Pacific Microsonic Model One A/D Convertors</p>\r\n<p>Sonic Studio Soundblade and Amarra</p>\r\n<p>Inward Connections SPA690 Discrete Amps (Custom Fader)</p>\r\n<p>Studer A80 1/2" Master Recorder</p>\r\n<p>Panasonic SV-3800 DAT</p>\r\n<p>Apple Intel Imac (Recorder)</p>\r\n<p>Weiss AFI1 Firewire Interface</p>\r\n<p>Waves L2 Ultramaximiser Hardware</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DYNAMICS</strong></p>\r\n<p>Alan Smart C2</p>\r\n<p>Chandler Limited TG1</p>\r\n<p>DBX 160SL</p>\r\n<p>DBX 165A (x2)</p>\r\n<p>DBX 160X</p>\r\n<p>EAR 660 Valve Compressor</p>\r\n<p>Focusrite ISA131</p>\r\n<p>Focusrite Blue 230</p>\r\n<p>Focusrite Red-3 (Modified)</p>\r\n<p>Inward Connection Rack 4000 with TLM-1 Compressor</p>\r\n<p>Inward Connection TSL-3</p>\r\n<p>Neve 2254</p>\r\n<p>Neve 33609 (x2 - 1 Modified)</p>\r\n<p>SPL Transient Designer</p>\r\n<p>Standard Audio Level-or</p>\r\n<p>Teletronix LA-3 (x2)</p>\r\n<p>Urei LA-22</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MIC PRE''S &amp; EQUALISATION</strong></p>\r\n<p>Aphex EPH-2 (x2)</p>\r\n<p>API 560 (x2)</p>\r\n<p>Avalon E-55 (x2)</p>\r\n<p>BAE 512 (x2)</p>\r\n<p>Chandler TG Channel (x2)</p>\r\n<p>Focusrite Blue 315</p>\r\n<p>Focusrite ISA110 (x6)</p>\r\n<p>Focusrite ISA110 Limited Edition</p>\r\n<p>Inward Connection Rack 4000 with TMP-1 Mic Pre (Modified Line In Option)</p>\r\n<p>Langevin EQ EQ-258A</p>\r\n<p>Martech MSS10 (x2)</p>\r\n<p>Neumann wtb495ST (x6)</p>\r\n<p>Neve 1073 (x4)</p>\r\n<p>Neve 33115 (x2)</p>\r\n<p>Pultec EQH-2 (x2)</p>\r\n<p>Pultec EQP-1A3 (x2)</p>\r\n<p>Shadow Hill Mono Gamai (x2)</p>\r\n<p>Sontec MEP-250EX</p>\r\n<p>&nbsp;</p>\r\n<p><strong>REVERBERATION</strong></p>\r\n<p>AKG ADR 68K</p>\r\n<p>EMT 244</p>\r\n<p>EMT 246</p>\r\n<p>EMT 252</p>\r\n<p>Klark Technik DN780</p>\r\n<p>Lexicon 480L</p>\r\n<p>Lexicon PCM70 V2.0</p>\r\n<p>Princeton 2016</p>\r\n<p>Roland Rv 800</p>\r\n<p>Sony S-777 Full Option (x2)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>DELAYS &amp; EFFECTS</strong></p>\r\n<p>Audio Design Panscan (x2)</p>\r\n<p>Ensoniq DP4+</p>\r\n<p>Eventide H3000</p>\r\n<p>Full Tone Tape Echo</p>\r\n<p>Korg Kaoss Pad</p>\r\n<p>Lexicon PCM42 (x2)</p>\r\n<p>Mutron Bi-Phase</p>\r\n<p>MXR Flanger</p>\r\n<p>Roland Dimension D (x2)</p>\r\n<p>Roland Flanger</p>\r\n<p>Sansamp (Original)</p>\r\n<p>SPL Vitalizer Classic</p>\r\n<p>TC Electronics 1210</p>\r\n<p>Thermionic Culture Vulture (red edition)</p>\r\n<p>&nbsp;</p>\r\n<p><strong>SEQUENCING</strong></p>\r\n<p>Ableton Live</p>\r\n<p>Protools v8.0.2</p>\r\n<p>&nbsp;</p>\r\n<p><strong>INSTRUMENTS</strong></p>\r\n<p>Akai MPC4000</p>\r\n<p>Akai S612 (x2)</p>\r\n<p>Rhodes Mk1 stage Piano</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MISCELLANEOUS</strong></p>\r\n<p>Digidesign serveur Serv LT</p>\r\n<p>Little Lab ibp analog phase alignment tool</p>\r\n<p>Little lab STD single transistor instrument cable extender</p>\r\n<p>Reamp</p>\r\n<p>Russian dragon</p>\r\n<p>Sony cd player SCD-777ES</p>\r\n<p>Technics SL1210 MK2</p>\r\n<p>&nbsp;</p>\r\n<p><strong>MICROPHONE LIST</strong></p>\r\n<p>AEA R92</p>\r\n<p>Coles 4038 (x2)</p>\r\n<p>Josephson E22s (x2)</p>\r\n<p>Neumann U67</p>\r\n<p>Revox M3500</p>\r\n<p>Schoeps M221F</p>\r\n<p>Sennheiser MD421 (x2)</p>\r\n<p>Shure Beta 52A</p>\r\n<p>Shure Bullet 520DX</p>\r\n<p>Shure SM57 (x2)</p>\r\n<p>Telefunken AR-51</p>\r\n<p>&nbsp;</p>\r\n<p><strong>PLUG-INS</strong></p>\r\n<p>Air Effects Bundle</p>\r\n<p>Autotune</p>\r\n<p>BF Essentials</p>\r\n<p>Bomb Factory 76</p>\r\n<p>Bomb Factory BF-2A</p>\r\n<p>Bomb Factory BF-3A</p>\r\n<p>Bruno/reso</p>\r\n<p>D-fi</p>\r\n<p>DigiRack Chorus</p>\r\n<p>DigiRack Click</p>\r\n<p>DigiRack D-Verb</p>\r\n<p>DigiRack DigiReWire</p>\r\n<p>DigiRack Dither</p>\r\n<p>DigiRack Dynamics III</p>\r\n<p>DigiRack EQ III</p>\r\n<p>DigiRack Flanger</p>\r\n<p>DigiRack Invert/Duplicate</p>\r\n<p>DigiRack Mod Delay II</p>\r\n<p>DigiRack Multi-Tap Delay</p>\r\n<p>DigiRack Normalize-Gain Change</p>\r\n<p>DigiRack Ping-Pong Delay</p>\r\n<p>DigiRack Pitch</p>\r\n<p>DigiRack Reverse-DC Removal</p>\r\n<p>DigiRack Signal Generator</p>\r\n<p>DigiRack Time Comp-Exp-Pitch Shift</p>\r\n<p>DigiRack TimeAdjuster</p>\r\n<p>DigiRack Trim</p>\r\n<p>Doppler</p>\r\n<p>Drumagog</p>\r\n<p>Fairchild 660</p>\r\n<p>Fairchild 670</p>\r\n<p>Filterbank</p>\r\n<p>Focusrite D2</p>\r\n<p>Focusrite D3</p>\r\n<p>Indigo</p>\r\n<p>Joe Meek SC2</p>\r\n<p>Joe Meek Meequalizer VC-5</p>\r\n<p>Maxim</p>\r\n<p>MDW Hi-Res Parametric EQ 3.0</p>\r\n<p>MDW Hi-Res Parametric EQ 5.0</p>\r\n<p>Melodyne</p>\r\n<p>Mini Grand</p>\r\n<p>moogerfooger Lowpass filter</p>\r\n<p>moogerfooger 12-stage phaser</p>\r\n<p>moogerfooger Ring Modulator</p>\r\n<p>moogerfooger Analog delay</p>\r\n<p>Phoenix bundle</p>\r\n<p>Pultec EQH-2</p>\r\n<p>Pultec EQP-1A</p>\r\n<p>Pultec MEQ-5</p>\r\n<p>Reverb One</p>\r\n<p>Sansamp PSA-1</p>\r\n<p>Slightly Rude Compressor</p>\r\n<p>Speakerphone</p>\r\n<p>Tel-Ray Variable Delay</p>\r\n<p>Voce Spin</p>\r\n<p>Voce Chorus/Vibrato</p>\r\n<p>Waves platinum bundle</p>\r\n<div></div>\r\n</p>";}}}}', NULL),
(205, 22, 32, 'a:1:{s:2:"en";a:3:{s:6:"group1";a:1:{i:1;a:2:{s:11:"Intro Image";s:0:"";s:10:"Intro Text";s:0:"";}}s:6:"group2";a:15:{i:1;a:2:{s:5:"Image";s:33:"201106220355512154540_MG_2828.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:33:"201106220356322902079_MG_2966.jpg";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:33:"201106220357062454999_MG_3142.jpg";s:17:"Image Description";s:0:"";}i:4;a:2:{s:5:"Image";s:33:"201106240439002229611_MG_3056.jpg";s:17:"Image Description";s:0:"";}i:5;a:2:{s:5:"Image";s:33:"201106240440122970866_MG_3209.jpg";s:17:"Image Description";s:0:"";}i:6;a:2:{s:5:"Image";s:33:"201106240441052212465_MG_3210.jpg";s:17:"Image Description";s:0:"";}i:7;a:2:{s:5:"Image";s:33:"201106240441392718860_MG_3304.jpg";s:17:"Image Description";s:0:"";}i:8;a:2:{s:5:"Image";s:33:"201106240442142456047_MG_3364.jpg";s:17:"Image Description";s:0:"";}i:9;a:2:{s:5:"Image";s:32:"20110624044243231652_MG_3467.jpg";s:17:"Image Description";s:0:"";}i:10;a:2:{s:5:"Image";s:33:"201106240443062772663_MG_3516.jpg";s:17:"Image Description";s:0:"";}i:11;a:2:{s:5:"Image";s:33:"201106240443372507909_MG_3503.jpg";s:17:"Image Description";s:0:"";}i:12;a:2:{s:5:"Image";s:35:"201106240444032715484_MG_3440-3.jpg";s:17:"Image Description";s:0:"";}i:13;a:2:{s:5:"Image";s:33:"201106240444362944919_MG_3166.jpg";s:17:"Image Description";s:0:"";}i:14;a:2:{s:5:"Image";s:33:"201106240445202389628_MG_3171.jpg";s:17:"Image Description";s:0:"";}i:15;a:2:{s:5:"Image";s:33:"201106240445452384711_MG_3463.jpg";s:17:"Image Description";s:0:"";}}s:6:"group3";a:1:{i:1;a:1:{s:11:"Description";s:18897:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Hi Philippe. Tell us about what you''ve been working on recently?</strong>&nbsp;<br /><br /><strong>Philippe</strong>: A very recent project was mixing songs off the Cee-lo Green album. One song is done and validated and I''m still working on the rest. Other projects I have been doing are Ben Oncle Soul, which is doing really well in France right now - it''s gone platinum. There''s an electronic artist called Martin Solveig I''ve been working with, and I''ve done the latest single for a band called Yael Naim. In the last six months another big project I''ve done is with a new Belgian artist called Selah Sue. She''s from the Dutch speaking part of Belgium and is signed to Because Music. I''ve got a few other things coming up too (producing, some remixes etc...)</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>And all of these have been done at The Red Room...</strong>&nbsp;<br /><br /><strong>Philippe</strong>: Oh yeah, where mixing is concerned I am not working in any other studio, I don''t move. It''s different for production and recording - if the team have to move it''s no problem but for mixing I just use our room. Jean Francois works the same kind of way (but recording and producing more externally as well.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>You have teamed up with Miloco to represent your studio in The UK. What attracted you to bringing The Red Room to the Miloco group?</strong>&nbsp;<br /><br /><strong>Philippe</strong>: There were a few reasons. The first reason is that the concept of Miloco is a little bit different to everything I''d seen in the past. I think having producers'' studios and selling the studios through different producers really appealed to me. I think it is a really great idea. The second thing is that I can see that by the image of Miloco you have an independent feel. I can see that there are still people behind it and that it''s not a huge machine. Even though there are big names associated with it, it''s still very personable. There is a good team of people and I like the vibe of Miloco...</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><span><strong>Your previous studio, The Room, was based in Switzerland near Geneva. What was behind your decision to relocate to Paris?&nbsp;</strong><br /><br /><strong>Philippe</strong>: Well at first I did have a studio in France, at Studio Davout in Paris. I had Studio C which had a SSL 4K and then a Neve VR. That was my first studio, it was around 2001. I then moved to Switzerland and built my studio in Geneva. But why did I relocate back to Paris ? Because in Switzerland, I attracted quite a lot of people, (I did 16 albums in just a bit more than a year) but the problem was they all wanted to work with me and I couldn''t rent the studio itself because the price was too high for Switzerland. Being in Paris it''s easier to sell the studio, so that was the first reason. Secondly, it was a family thing. So I moved back to Paris for business and personal reasons. It took me 2 years to find the right spot in Paris (right room, right space, right vibe). Then we decided to team up with Jean Francois (he was assisting me more than 10 years ago!). His focus is mainly on french projects and he does a lot of production as well.</span></span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><span><strong>When you setup the Red Room, what was the vision you had for the studio, in terms of the type of studio you wanted it to be, and how does it differ from the old Geneva studio?&nbsp;</strong><br /><br /><strong>Philippe</strong>: With the Red Room I wanted to build a studio with one of the best electrical systems possible. What I mean by that is having the shortest cables possible, having the best acoustics possible, and having absolutely no expenses spared. I wanted everything to the max to get the absolute best signal out of the studio. I''m really, really happy with how it now sounds. We did a lot of modification on the SSL and on the monitoring, to really push it to the max. But the most important thing is how it translates in the outside world. Achieving this was only possible with the help of Gil Martini (who takes care of the maintenance and improvements of the Red Room). He is an incredible technician.</span></span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><span><strong>Did you draw any inspiration for this studio from other rooms you have worked in around Europe?&nbsp;</strong><br /><br /><strong>Philippe:</strong>I should say that the influence maybe came more from the USA than the UK and Europe. I got very inspired by one particular New York studio where my mentor - a very very good engineer called Tony Smalios - worked, in a place called Unique Studios. This was around 1995. It doesn''t exist anymore. There was also Battery Studios in New York.&nbsp;<br /><br />So I was inspired by those studios, perhaps mainly because of the music itself which was around when I was living there between ''97 and 2000. Those studios also had a very clean feel to them... with our new studio I wanted to make it our own personally, with things like our own record collections in it, but I also wanted it very clean. I think that sometimes, and only sometimes, not all the time, US studios can be a little bit more tidy than UK ones, ha ha, you know what I mean though, that the UK can sometimes be a bit of a mess! I have lived in both countries for 3 years each, so I do know about London, and I know the atmosphere which people like to have there. I actually really like it, it''s great for the creativity and vibe of the UK scene, but if you brought a UK style studio to Paris people might not get it as much.</span></span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><span><strong>The studio is centred around an SSL 4000 G+ console. Where did you source this desk and what do you feel makes it so great?</strong>&nbsp;<br /><br /><strong>Philippe</strong>: I bought it in 2007. It came from a private studio in Hong Kong. The desk was nearly mint, but I still made a lot of changes. I did a lot of changes on the output and that gave me a low end like never before on a 4000.&nbsp;<br /><br />But generally speaking, I just think that the 4000 is the best console in the world for mixing, not necessarily recording. For mixing it is the best bar-none. You can really push the sound to the limit. What I mean by that is I''m NEVER about doing the pretty, clean thing. The 4000 really lets me push the boundaries. The ergonomics are really clever, amazing, and above all else I know the desk inside out. When I want a sound I know exactly every single position of the EQs, so I always know exactly what I want to do. It''s hard to explain what I actually do with it, I guess I just use it like an instrument. I never read the numbers, I never know which frequency I''m pushing, it just happens. But this is the important thing - it can only work like that on 4000s which are in a great electrical state.</span></span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><span><strong>You have amassed a vast collection of analogue gear at the studio, with some particularly tasty mic pres and EQs. Which are your particular favourite bits of outboard which you find yourself using the most?</strong>&nbsp;<br /><br /><strong>Philippe</strong>: The first one is a pair of Pultec EQP1A3 which I use on the mix buss. And then...&nbsp;<br /><br />2. Alan Smart C2 (modified)<br />3. Roland Dimension D<br />4. EMT 246<br />5. Akai S612<br />6. Ensoniq DP4<br />7. Ear 660<br /><br />... and soon the only Focusrite Sidecar in existence: The Focusrite Forte (not the studio one), which I am refurbishing right now.&nbsp;</span></span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><span><strong>Have you set your sights on any new additions for the spec in the near future?</strong>&nbsp;<br /><br /><strong>Philippe</strong>: Yes the main thing I''m going to change is the main speakers with another custom TAD system. And add more instruments...</span></span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><span><strong>It would seem you are a big fan of vintage analogue gear, so how do you feel about the increasing trend in the modern day music industry towards mixing in the box, and do you feel it is having a positive or negative effect on records?</strong>&nbsp;<br /><br /><strong>Philippe</strong>: I think I should say that, really, music is not about sound. People feel better by thinking it is about sound, and a lot of engineers and producers are hiding behind the ''thing with the sound''. But if the song is not good then there is nothing. I''m not just talking about pretty songs and so on, but also electronic music and hard core stuff - if the music does not have anything then you can''t talk about sound. Sure, if the sound is good then you can of course bring a song to another level, but if the basis is not there then no...&nbsp;<br /><br />This positive/negative thing is really something I''m not into. Yes, computers sound like shit, if you want to have my honest opinion. I use them because I have to. I think they can do "special" things, but you really have to be in between. I use very few plug-ins, I never really do anything in Protools - I don''t really know how to use it. I mean editing etc...&nbsp;<br /><br />I think young music has a young sound. I don''t have any problem with people working in computers. It just doesn''t fit my needs and it doesn''t fit what I want to give, but I don''t have any problem with ''in the box'' stuff. But if one day I have to work in the box then I will stop my job and do something else. My first passion is music - I can''t use a mouse to mix.</span></span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><span><strong>You are also very involved in mastering, acting as Sterling Sound''s co-ordinator for France and Switzerland. How did that job come about and tell us a bit about the role you do for the company...</strong>&nbsp;<br /><br /><strong>Philippe</strong>: Basically I went to New York in ''97 and met Tom Coyne for the first time. He is one of the four owners of Sterling Sound. I started doing a lot of mastering with them as a client, and at one point when the internet was really developing, around 2001, I did the early testing for online mastering with them. I started to go out and find clients for them, although nothing was official. So I was doing a good job for them finding lots of clients. We got everything setup with this online system and officialised everything. They set it up so they had someone in every country, and my role was basically to be a French human interface. I look after 15 mastering engineers we have here, so I basically try to give the best advice as far as engineer choice is concerned. I then book the session, deal with any problems people may have, and act as a French-speaking person which is important. And then I''d say 98% of my own work gets mastered at Sterling.</span></span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><span><strong>It''s well-documented that the recording industry is going through a challenging time. What do you think could or indeed should be done to improve the future of the music business?&nbsp;</strong><br /><br /><strong>Philippe</strong>: People should stop crying. Before they were making 2000% profits and now they are only making 150%!! Yeah, times are changing. If you don''t want to adapt, then don''t! Stop doing this and do something else. But what can be done to improve the future of the music business? Make better music possibly... but then again I''m not sure cos I do like a lot of stuff out there. I think music is getting better again, where I live, but that''s just me. I think a lot of young people have access to technology which creates music, and that is a good thing. The young guys push the boundaries. They move it forward. This is what I love about the UK - they have this more than the USA, for example, they push the boundaries further. Music is happening in Europe right now, not really in any other part of the world.&nbsp;<br /><br />It''s hard. If the music industry dies, it dies, what can I say? I know that seems strange. All this talk of ''the music industry is dying'', no, to me it''s all just a question of profit. Maybe people are just watching more movies, playing video games or doing other stuff. Maybe they don''t want to buy records anymore. But I hate all this negativity that brings people down - do something else. Don''t talk to me about how it''s the end of the world. There are guys out there going forward. If you cannot go forward then I cannot say anything for you.&nbsp;<br /><br />The recording industry is going through a tough time. It is having to run at minimum cost with minimum employees. I personally made a lot more money aged 25 than at 37, but for me, again, it''s not really a question of money.&nbsp;<br /><br />As for the business - it has become a very conservative industry. There are not enough entrepreneurs. People are just getting a job with a monthly salary and that''s it. They always play this game where they say ''we are young and we can adapt'', but they are not adapting. They are old people, with old ideas and an old way of thinking, at least in France. I''m not so sure if it''s the same in the UK.</span></span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><span><strong>You''ve worked with a very diverse range of artists in your career. Is there one record you produced or mixed which you regard as a key point in establishing yourself as a high profile producer/engineer?</strong>&nbsp;<br /><br /><strong>Phillipe</strong>: Not really. It is a mixture of many things at once. I have really enjoyed everything I''ve worked on. Every artist or project has brought me a little piece and all of those pieces are building what I am doing right now. Working on very small setup helps you learn a great deal. Some of the clients who were doing "drum and bass" at the time owned a "mackie 32-8 buss" setup. It makes the process challenging and forces you to adapt. There are a few people that have inspired me or at least really "pushed" me in my idea''s. Tony Smalios and Philippe Zdar (Philippe "Zdar" Cerboneschi) are very good examples. Philippe owns an incredible recording studio in Paris called "Motorbass".</span></span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><span><strong>... and can you let us in on any projects you have lined up in the near future?</strong>&nbsp;<br /><br /><strong>Philippe</strong>: I''m doing some production with my team "the red Bastards". We''re doing some remixes and production. It''s a bit too early to talk about it right now though. I''m also building some equipment with Alan Smart from Smart research... but more on that late ;-) And lastly, I will obviously continue mixing... but less and less "pure" mixing.</span></span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><span><strong>How did you get in the business in the first place?</strong><br /><br /><strong>Philippe</strong>: I started at the age of 16 by being a DJ in a club called the Dolce Vita (in Lausanne, Switzerland), it was really famous at the time. They had so many things coming in it was crazy. I was into DJing soul, funk and rare groove and stuff like that. That was in the early nineties. I also did a radio show at Couleur 3. That was the very early stage. Then I left Switzerland to go to London at the age of 20 and I was at SAE, between ''93 and ''95. I then went to Paris to learn to be an assistant at studio level, at Studio Davout, and then after a year of that I did my first mix. That''s when things started. When I did my first mix I can be honest and say I really didn''t know what I was doing, but it worked and people started calling me. That record sold more than 100, 000 copies...&nbsp;<br /><br />I learned well. I was in this big independent studio in Paris called Studio Davout, with Neves, SSLs, and lots of good engineers. And that really helped bring me forward. Also at the time we had lots of international projects coming in, so I had the chance to work on film scoring, rock bands like the Red Hot Chilli Peppers, there was quite a lot of reggae stuff... So I learned a lot at Studio Davout.&nbsp;<br /><br />I then met Tony Smalios who I ended up learning a lot from. When I went to New York in ''97, he started taking me on a lot of sessions and that''s when I began to see the proper way of working. There was no budget limit, no time limit... very, very different to how it is now.&nbsp;<br /><br />And then in 2000 / 2001 I came back to France, and took my own room in Studio Davout. That was the first time I had my own room, the first time I had things exactly the way I wanted. I had The Room after that in Switzerland, which led my path up to The Red Room now, back in Paris...</span></span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><span><strong>Speaking from your own experience of setting out in the industry, what''s the best piece of advice you can give to any young assistant/engineer trying to get a foothold in recording studios?</strong>&nbsp;<br /><br /><strong>Philippe</strong>: Having a passion for music is the first thing. The second thing is having a personal music culture that no-one can beat. All the guys that are successful know a lot about music, and I''m not talking about notes and I''m not talking about theory. I''m talking: what record came out when, by who, and why, and where was the session at the time, and why did something happen the way it did, and so on. Know your music. Personally, I was born in ''73 but the 70s wasn''t my music. But I went back and I learnt it. I bought a lot of records.&nbsp;<br /><br />I''d say for advice, ''Feel it''. Feel it and forget Protools (they are going to love me for that!!). There''s a lot of strange stuff going on right now, at least over here. I see very few young guys making it these days in France. In the last 15 years I can maybe tell you 3-5 names that really make a living, not just guys doing cheap stuff.&nbsp;<br /><br /><br /><br /><br /><br />Philippe Weiss was talking to Miloco in September 2010.&nbsp;<br /></span></span></p>";}}}}', NULL),
(206, 22, 23, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{i:0;s:250:"<p>\r\n<p>Due to the studio being used by Philippe Weiss and Jean-Francois Delort for a large part of the year, rates are subject to application.</p>\r\n<p>&nbsp;</p>\r\n<p>Please call +44 (0) 207 232 0008 for further information on studio rates.</p>\r\n</p>";}}}}', NULL),
(207, 22, 34, 'a:1:{s:2:"en";a:3:{s:6:"group1";a:1:{i:1;a:1:{s:10:"Intro Text";s:0:"";}}s:6:"group2";a:6:{i:1;a:6:{s:11:"Place Image";s:36:"201106280436252657041grandpalais.jpg";s:5:"Title";s:12:"Grand Palais";s:7:"Address";s:45:"3, avenue du Général-Eisenhower 75008 Paris";s:12:"Phone Number";s:0:"";s:7:"Website";s:25:"http://www.grandpalais.fr";s:11:"Description";s:318:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Built for the World Fair of 1900, the Grand Palais extends over more than 72 000 m2. Classified as a ''Historic Monument'' it is instantly recognizable thanks to its vast glass roof, the biggest of its kind in Europe.&nbsp;</span></p>";}i:2;a:6:{s:11:"Place Image";s:32:"201106280436452165143louvres.jpg";s:5:"Title";s:7:"Louvres";s:7:"Address";s:20:"Métro Louvre Rivoli";s:12:"Phone Number";s:0:"";s:7:"Website";s:20:"http://www.louvre.fr";s:11:"Description";s:266:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">You''ll need to introduction to the Louvres, unarguably one of the most famous art institutions in the world and home to some of the most famous pieces of all time.&nbsp;</span></p>";}i:3;a:6:{s:11:"Place Image";s:33:"201106280437082865784beaubaug.jpg";s:5:"Title";s:9:"Beaubourg";s:7:"Address";s:34:"Place Georges Pompidou 75004 Paris";s:12:"Phone Number";s:0:"";s:7:"Website";s:29:"http://www.centrepompidou.fr/";s:11:"Description";s:340:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Centre National d''Art et de Culture Georges Pompidou was the brainchild of President Georges Pompidou who wanted to create an original cultural institution in the heart of Paris completely focused on modern and contemporary creation.&nbsp;</span></p>";}i:4;a:6:{s:11:"Place Image";s:36:"201106280437302762811musee rodin.jpg";s:5:"Title";s:13:"Musée Rodin ";s:7:"Address";s:29:"79 Rue de Varenne 75007 Paris";s:12:"Phone Number";s:0:"";s:7:"Website";s:26:"http://www.musee-rodin.fr/";s:11:"Description";s:315:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Rodin Museum is dedicated to the life and works of Auguste Rodin, one of the most famous French sculpturers, whose works span more than five decades. The museum''s garden is one of the most beautiful in Paris.&nbsp;</span></p>";}i:5;a:6:{s:11:"Place Image";s:39:"201106280437482422648jardintuileree.jpg";s:5:"Title";s:15:"Jardin Tuilerie";s:7:"Address";s:15:"Métro Concorde";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:312:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Garden of the Tuileries is one of the very first public gardens opened in Paris. Visitors can enjoy a stroll around the French-style flowerbeds, clusters of trees, outdoor sculptures and picturesque ponds.&nbsp;</span></p>";}i:6;a:6:{s:11:"Place Image";s:37:"201106280438072501252museedesarts.jpg";s:5:"Title";s:27:"Musée des Arts Décoratifs";s:7:"Address";s:30:"107, rue de Rivoli 75001 Paris";s:12:"Phone Number";s:0:"";s:7:"Website";s:32:"http://www.lesartsdecoratifs.fr/";s:11:"Description";s:341:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Mus&eacute;es des Arts D&eacute;coratifs was among the first museums in France to set up a Visitors'' Department incorporating guided tours and lectures. There''s always a whole host of permanent and temporary exhibitions on here.&nbsp;<br /></span></p>";}}s:6:"group3";a:16:{i:1;a:6:{s:11:"Place Image";s:43:"201106280531402157731la-cigale-3_medium.jpg";s:5:"Title";s:12:"Café Cigale";s:7:"Address";s:42:"120 Boulevard de Rochechouart, 75018 Paris";s:12:"Phone Number";s:0:"";s:7:"Website";s:28:"http://www.cafelacigale.com/";s:11:"Description";s:258:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Le Caf&eacute; Cigale is a new hotspot managed by the renowned Costes family. It''s a trendy hangout and a good stop-off for a bite to eat and a few drinks.&nbsp;</span></p>";}i:2;a:6:{s:11:"Place Image";s:44:"201106280506432167790cafe-de-flore-paris.jpg";s:5:"Title";s:14:"Café de Flore";s:7:"Address";s:40:"172 Boulevard Saint-Germain 75006 Paris ";s:12:"Phone Number";s:0:"";s:7:"Website";s:25:"http://www.cafedeflore.fr";s:11:"Description";s:261:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Caf&eacute; de Flore is a historic haunt where it is believed Jean-Paul Sartre and Simone de Beauvoir would meet and exchange philosophical views...&nbsp;<br /></span></p>";}i:3;a:6:{s:11:"Place Image";s:38:"201106280509312957048etiennemarcel.jpg";s:5:"Title";s:20:"Café Etienne-Marcel";s:7:"Address";s:35:"34, rue Étienne Marcel Paris 75002";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:249:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Set in a fashionable district the Caf&eacute; Etienne-Marcel is a trendy restaurant/bar, blending 70s chic with contemporary art. Excellent food!!&nbsp;</span></p>";}i:4;a:6:{s:11:"Place Image";s:30:"201106280509562386996perle.jpg";s:5:"Title";s:8:"La Perle";s:7:"Address";s:38:"78, Rue Vieille du Temple, 75003 Paris";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:458:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">La Perle is a popular caf&eacute;/bar for all ages, and is in full swing through the day and night. Early morning workers flock there for their first coffee of the day, whereas the retired relax there throughout the day. At night it opens up for the local youth - there''s a good range of music, cocktails and everything else required for a good night out.&nbsp;</span></p>";}i:5;a:6:{s:11:"Place Image";s:42:"201106280510172924932chacha-club-paris.jpg";s:5:"Title";s:5:"Cacha";s:7:"Address";s:26:"47 rue Berger, 75001 Paris";s:12:"Phone Number";s:0:"";s:7:"Website";s:25:"http://www.chachaclub.fr/";s:11:"Description";s:265:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Opened in the summer of 2010 in the heart of Paris the Chacha club is a major new Parisian venue. It is a restaurant, bar and club depending on your arrival time.&nbsp;</span></p>";}i:6;a:6:{s:11:"Place Image";s:40:"201106280510382848010lestroisbaudets.jpg";s:5:"Title";s:17:"Les Trois Baudets";s:7:"Address";s:28:"64 Bd de Clichy, 75018 Paris";s:12:"Phone Number";s:0:"";s:7:"Website";s:31:"http://www.lestroisbaudets.com/";s:11:"Description";s:304:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">A legendary venue where all the big names of the French song - Gainsbourg, Brel, Vian, Brassens and many more - made their first steps. Today the venue predominantly works with and nurtures new artists&nbsp;</span></p>";}i:7;a:6:{s:11:"Place Image";s:47:"201106280511022488289the-bar-du-marche-from.jpg";s:5:"Title";s:16:"Le Bar du Marche";s:7:"Address";s:34:"75 rue de Seine, Paris 6ème PARIS";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:187:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">A trendy bar in St Germain with a very popular roof terrace boasting terrific views.&nbsp;</span></p>";}i:8;a:6:{s:11:"Place Image";s:31:"201106280511302506147darosa.jpg";s:5:"Title";s:7:"Da Rosa";s:7:"Address";s:27:"62 rue de seine 75006 PARIS";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:271:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This delicatessen specialises in producing rare and top quality foods: iberian hams, Iranian caviar, smoked fish, etc. At noon the menu is &euro;21, with wine included.&nbsp;</span></p>";}i:9;a:6:{s:11:"Place Image";s:36:"201106280511512584031dedelafrite.jpg";s:5:"Title";s:15:"Dédé La Frite";s:7:"Address";s:32:"135, Rue Montmartre, 75002 Paris";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:389:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Just a step from Bourse, D&eacute;d&eacute; la Frite serves simple, great-tasting food: Merguez sausage, Sandwich, Salad and naturally homemade fries! All this in an old brewery building playing a variety of good music. Make sure you arrive early for lunch and dinner to ensure a table!&nbsp;</span></p>";}i:10;a:6:{s:11:"Place Image";s:35:"20110628051208234168cafesuedois.jpg";s:5:"Title";s:13:"Café Suedois";s:7:"Address";s:27:"11 rue Payante, 75003 Paris";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:319:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This small caf&eacute; is situated in the heart of Paris and is ideal for the kids. The menu comprises sandwiches with homemade bread, cheese-topped dishes of seasonal vegetables and some warm brioches with cinnamon.&nbsp;</span></p>";}i:11;a:6:{s:11:"Place Image";s:32:"201106280512252901824fauchon.jpg";s:5:"Title";s:7:"Fauchon";s:7:"Address";s:40:"24-26 place de la Madeleine, 75008 Paris";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:190:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The most renowned caterer around, with excellent food and atmosphere. An absolute must!&nbsp;</span></p>";}i:12;a:6:{s:11:"Place Image";s:31:"201106280512452440495ledome.jpg";s:5:"Title";s:20:"Le Dome Montparnasse";s:7:"Address";s:39:"108 boulevard Montparnasse, 75014 Paris";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:263:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This is&nbsp;<em>the</em>&nbsp;place to eat oysters and fish. Try the huge "Plateau de fruit de mer" and soak in the spectacular 1930s design of the room.&nbsp;<br /></span></p>";}i:13;a:6:{s:11:"Place Image";s:29:"201106280529562966832isse.jpg";s:5:"Title";s:5:"Issé";s:7:"Address";s:32:"45 rue de Richelieu 75001 Paris ";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:247:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">We''re told Iss&eacute; make the best Tempuras and Tapas you can find in Paris. So if your palette is that way inclined you should make the trip!&nbsp;</span></p>";}i:14;a:6:{s:11:"Place Image";s:36:"201106280513522825207mamashelter.jpg";s:5:"Title";s:12:"Mama Shelter";s:7:"Address";s:31:"109 rue de Bagnolet 75020 Paris";s:12:"Phone Number";s:0:"";s:7:"Website";s:27:"http://www.mamashelter.com/";s:11:"Description";s:451:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Mama Shelter is one of the big Parisian venues. There is a restaurant, an enormous bar, a brasserie and private terraces where you might run into American poets, Japanese painters or Latin American writers. The music is predominantly Rap and R&amp;B - on Thursdays, Fridays and Saturdays artists from around the world come and perform live at Mama.&nbsp;</span></p>";}i:15;a:6:{s:11:"Place Image";s:29:"201106280514152835209ravi.jpg";s:5:"Title";s:4:"Ravi";s:7:"Address";s:30:"50 rue de Verneuil 75007 Paris";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:239:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">A Tandoori restaurant taking you to the heart of India! You can savour all the different tastes you''d experience on a trip to New Delhi!&nbsp;</span></p>";}i:16;a:6:{s:11:"Place Image";s:37:"201106280514302530590brasserielip.jpg";s:5:"Title";s:14:"Brasserie Lipp";s:7:"Address";s:36:"151 Boulevard St Germain 75006 Paris";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:336:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Here the atmosphere is typically French, reminiscent of the times Picasso used to sit down and dine. Bistro fare is at its best - the leg of lamb with fresh spinach mash are particularly delightful. The Lipp Beer is also a must-have!&nbsp;</span></p>";}}}}', NULL);
INSERT INTO `pages` (`id`, `studio_id`, `page_layout_id`, `content`, `additional_content`) VALUES (208, 22, 33, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:436:"<p>&nbsp;</p>\r\n<p>It''s never hard to find a hotel in the world''s biggest centre of tourism, but we can still point you in the direction of a few we know / recommend. The hotels below range in price and location (some are in the city center and others are more local to the studio in Suresnes).</p>\r\n<p>&nbsp;</p>\r\n<p>Scroll down to view a selection of places we''d recommend you stay at during your Red Room session...</p>\r\n<p>&nbsp;</p>";}}s:6:"group2";a:9:{i:1;a:3:{s:11:"Hotel Image";s:38:"201106280540572123287amour-room395.jpg";s:10:"Hotel Name";s:12:"Hotel Armour";s:17:"Hotel Description";s:562:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">8 rue Navarin 75009 Paris<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.hotelamourparis.fr/" target="_blank">www.hotelamourparis.fr/</a><br /><br />This slick, sharp and chic hotel is owned by a group of nightclub owners who have targeted the trendy media market. It is themed around modern and luxurious furniture, cool interior designs and lots of quirky details. Prices range from &euro;100 to &euro;280 / night&nbsp;</span></p>";}i:2;a:3:{s:11:"Hotel Image";s:40:"201106280541092223957jardindeneuilly.jpg";s:10:"Hotel Name";s:20:"Le Jardin de Neuilly";s:17:"Hotel Description";s:683:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">5, rue Paul Deroulede 92200 Neuilly Sur Seine<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.hoteljardindeneuilly.com target=">www.hoteljardindeneuilly.com</a><br /><br />This 3-star hotel is not far from the Champs Elys&eacute;es. It is set in a 19th-century private mansion with stunning interior features, mixed with modern decor. There are 29 renovated designer rooms, 20 of which overlook a private garden. A charming and peaceful place to stay, but still only a short distance from central Paris. &euro;150 to &euro;245 per night.&nbsp;</span></p>";}i:3;a:3:{s:11:"Hotel Image";s:39:"201106280541212657292meridienetoile.jpg";s:10:"Hotel Name";s:19:"Le Méridien Etoile";s:17:"Hotel Description";s:605:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">81 Boulevard Gouvion Saint-Cyr 75017 Paris<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.lemeridienetoile.com/" target="_blank">www.lemeridienetoile.com/</a><br /><br />Set on the right bank of the Seine, Le M&eacute;ridien Etoile is very close to the Champs-Elys&eacute;es. Many of the most celebrated sights in Paris are within easy access including the Place de la Concorde, the Arc de Triomphe, the Louvre and Orsay. Prices start from &euro;300 / night.&nbsp;</span></p>";}i:4;a:3:{s:11:"Hotel Image";s:32:"201106280541372877756costesk.jpg";s:10:"Hotel Name";s:14:"Hotel Costes K";s:17:"Hotel Description";s:591:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">81 Avenue Kleber 75016 Paris<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.hotelcostes.com/costesK/" target="_blank">www.hotelcostes.com/costesK</a><br /><br />The Costes K Hotel is a modern glass and steel building located on the avenue between the Trocad&eacute;ro and Place de l''Etoile. It is regarded as one of Paris''s most ultra-modern hotels, boasting sophistication and tranquility in the very heart of the city. From &euro;200 / night.&nbsp;</span></p>";}i:5;a:3:{s:11:"Hotel Image";s:39:"201106280541512978907plazadeathenee.jpg";s:10:"Hotel Name";s:19:"Hotel Plaza Athenee";s:17:"Hotel Description";s:775:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">25 Avenue Montaigne 75008 Paris<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.plaza-athenee-paris.fr/hotel-paris" target="_blank">www.plaza-athenee-paris.fr/hotel-paris</a><br /><br />This is one of the truly luxurious Parisian hotels. It is ideally located between the Avenue des Champs Elys&eacute;es and the Eiffel Tower, so is perfectly positioned for the city''s fashion and entertainment hotspots. There are 191 guest rooms including 45 suites, offering views towards the Avenue Montaigne, the Westside of the Eiffel Tower or the hotel''s charming courtyard. A high-end hotel at high-end prices - from &euro;650.00 / night!&nbsp;</span></p>";}i:6;a:3:{s:11:"Hotel Image";s:40:"201106280542262452178novotelsuresnes.jpg";s:10:"Hotel Name";s:22:"Novotel Hotel Suresnes";s:17:"Hotel Description";s:660:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">7 rue du Port aux Vins, 92150 Suresnes, Paris<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.novotel.com/gb/hotel-1143-novotel-suresnes-longchamp/index.shtml" target="_blank">www.novotel.com/gb/hotel-1143-novotel-suresnes-longchamp/index.shtml</a><br /><br />This Novotel is in Suresnes itself, so is more local to The Red Room studio (only a 5 minute walk). It has everything you''d expect from a Novotel: space, comfort and cleanliness. A typical breakfast is available. Prices start at around &euro;100 / night.&nbsp;</span></p>";}i:7;a:3:{s:11:"Hotel Image";s:47:"201106280542382932906premiereclassesuresnes.jpg";s:10:"Hotel Name";s:24:"Premiere Classe Suresnes";s:17:"Hotel Description";s:633:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">17 Bd Henri Sellier 92150 Suresnes, Paris<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.premiere-classe-paris-ouest-pont-de-suresnes.fr/en/index.aspx" target="_blank">www.premiere-classe-paris-ouest-pont-de-suresnes.fr/en/index.aspx</a><br /><br />Opposite La Seine this Premiere Classe offers functional and cosy accommodation. They offer good services, convenient facilities and excellent transport links to Central Paris. In a great spot for short and easy commutes to The Red Room.&nbsp;</span></p>";}i:8;a:3:{s:11:"Hotel Image";s:37:"201106280543032702832ibissuresnes.jpg";s:10:"Hotel Name";s:19:"Ibis Hotel Suresnes";s:17:"Hotel Description";s:614:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">6, rue des Bourets, 92150 Suresnes, Paris<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.accorhotels.com/gb/hotel-0716-ibis-paris-pont-de-suresnes/index.shtml" target="_blank">www.accorhotels.com/gb/hotel-0716-ibis-paris-pont-de-suresnes/index.shtml</a><br /><br />A great budget option located close to the studio. This Ibis has 62 air-conditioned rooms, free Wi-Fi access, a bar with terrace offering 24-hour snacks and a car park. Prices start at &euro;59 / night.&nbsp;</span></p>";}i:9;a:3:{s:11:"Hotel Image";s:40:"201106280543152806820privatesuresnes.jpg";s:10:"Hotel Name";s:29:"Private Apartment in Suresnes";s:17:"Hotel Description";s:538:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">There is a beautiful apartment in Suresnes which can accommodate upto 6 people which is sometimes available for Red Room clients. It boasts spectacular panoramic views of Paris, has 3 twin rooms, a kitchen, breakfast bar, dining room, living room, numerous wash facilities and a parking space. If you are interested in renting this apartment which is available for &euro;1200 / week, let us know and we can make some enquiries for you.&nbsp;</span></p>";}}}}', NULL),
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Description";s:0:"";}i:61;a:2:{s:5:"Image";s:33:"201106220410052101756_MG_3513.jpg";s:17:"Image Description";s:0:"";}i:62;a:2:{s:5:"Image";s:33:"201106220410052101756_MG_3516.jpg";s:17:"Image Description";s:0:"";}}}}', NULL),
(210, 10, 20, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:43:"201107061413592959659square-homepage-js.swf";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:940:"<p>&nbsp;</p>\r\n<p>The Square mixing studio is the original Miloco studio, based in the palpitating heart of trendy Hoxton, North london.</p>\r\n<p>&nbsp;</p>\r\n<p>In January 2010 we installed an SSL G-Series console now making the room an amazing mix suite as well as a great tracking space. The console is one of Olympic''s early G Series desks and comes with 50 G-Series channels which have been lovingly restored. We also upgraded the spec by adding a GML 8200, a Lexicon 480L, 2 x Vac Rac Compressors and EQs, a Tubetech CL-1B compressor and a Tubetech PE-1C EQ.</p>\r\n<p>&nbsp;</p>\r\n<p>Add to this, a live room that can provide that quintessential funky drummer sound, an isolation booth, ATC SCM200 monitors, a 48 output Protools HD3 Accel Rig with a large selection of Plug-ins, a vast array of outboard and an extensive microphone collection and you''ll realise why no other SSL studio comes close on quality and price.</p>\r\n<p>&nbsp;</p>";}}}}', NULL),
(211, 10, 41, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:4:{i:1;a:2:{s:5:"Image";s:36:"201106220756162459752square-8173.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:33:"201106220758032144925DSC_2608.JPG";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:36:"201106221356352266884square-8343.jpg";s:17:"Image Description";s:0:"";}i:4;a:2:{s:5:"Image";s:33:"201106221357132661518DSC_2601.JPG";s:17:"Image Description";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:3069:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Square is the original Milo recording studio. It was opened by Henry Crallan and John Deacon in the early 1980s on Hoxton Square, before the area became the buzzing place it is today.&nbsp;<br /><br />The studio is accessed through a delightful and secluded courtyard. On entering the studio you walk into a 400 sq ft day-lit and air-conditioned control room, features an SSL G-Series mixing console; one of the original G-Series that was based at Olympic. The desk is combined with a state-of-the-art Protools HD3 Accel system with 24 inputs and 48 outputs, making this an incredibe sounding mix room. Meanwhile, for all those analogue fans, you can record onto our Otari MTR90 MkII 2". With enough notice and a small charge we can add a 16-track headblock. The monitoring is based around some ATC SCM200s (set up by master acoustician Nick Whitaker), and for nearfield monitoring there''s a choice of NS10''s or Genelec 1031''s.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">To the left of the console is a large selection of quality outboard that includes the likes of AMS, Lexicon, GML and Neve, as well as some rarities from Altec, Ursa Major and API. Add to that our extensive selection of microphones and you''ll see how this room is an ideal environment for recording bands, strings and vocals. And should you be in need of some distraction, there''s also a broadband computer set up for all your World Wide surfing needs.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The live room is accessed directly from the control room and consists of a large live area and booth. The room consists of a wooden floor and wooden ceiling, while the surrounding walls are made up of a number of large mirrors interspersed with dry fabric. It is therefore perfect for achieving an exquisite dry sound, but should you want things a little brighter it also has a stone floor at one end to add a little sparkle to your recordings. The booth is large enough to house a small kit, and if separation is needed for an amplifier there is a cupboard which can be utilised. Add to this a selection of instruments such as a Hammond and Leslie and a Korg CX3 and we have a perfect tracking environment.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Finally, clients can relax with Sky TV or pop out to one of the many bars and restaurants in the area....&nbsp;<br /><br />The Square has been going for over 25 years and has a client list that features the like of: Bloc Party, DJ Shadow, Richard X, Ash, Bjork, Beth Orton, Liberty X, David Sylvian, Erlend Oye, Annie, Howie B, Two Door Cinema Club, Kasabian, Kathryn Williams, Rachel Stevens, Luke Haines, Razorlight, Rodney P, Everything Everything, Little Boots and many, many more-so why not add your name to the roll-call of this illustrious institution....<br /></span></p>";}}}}', NULL),
(212, 10, 23, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:1:{i:0;s:4646:"<p>\r\n<p><strong>What the rates include</strong></p>\r\n</p>\r\n<ul>\r\n<li>Days in the Square are 12 hour days. The 12 hours begin from when you wish to start.</li>\r\n<li>All the prices exclude VAT which is chargeable at 20%.</li>\r\n<li>The rates include an assistant (unless stated) but not an engineer. You can hire one of our engineers on top of the rate.</li>\r\n<li>All prices exclude tapes/materials, cabs and hire costs.</li>\r\n<li>The rates include the equipment shown on the equipment specification but as you can imagine the gear does break from time to time. If we cannot replace the gear we cannot offer a discount on the rate. Of course in the unlikely scenario that a major breakdown happens during the session (such as the console / tape machine) we shall discuss the time lost.</li>\r\n<li>Any equipment that is ''subject to availability'' on the individual room specifications, needs to be requested prior to the session. This is especially important for guitar amps and backline, which regularly moves around the studios. There may be a delivery charge for this equipment if it is at another studio.</li>\r\n<li>And contrary to some rumours concocted by our competitors tea and coffee is free throughout the day and we may throw in the odd sweet or two if you are good.</li>\r\n</ul>\r\n<p>\r\n<p><strong>Day Rate</strong></p>\r\n<p>This is the day rate of The Square. The day is a 12 hour day. A lockout day rate (upto 7am the following morning) can be arranged by calling the office prior to the commencement of the session.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Lockout Rate</strong></p>\r\n<p>The Lockout rate for The Square is another &pound; 175.00 on top of the day rate agreed. This will give you as many hours as you need up to 7am in the morning.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>5 day Rate</strong></p>\r\n<p>We can offer the 5 day rate on all of our rooms for bookings under 5 days. This is a cheaper rate you can book the studio for, but we can only confirm the session 72 hours prior to the start of the session. This allows us to be flexible when a large 7 day booking comes in which needs the same time you may be holding for one day. In the event this occurs we will either offer you another room (which may sometimes be an upgrade) or we shall ask you to re-schedule or you can always pay the Book Rate. If the booking is over 5 consecutive days you can confirm the 5 day rate of the studio at any time.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Unsigned Rate (Flexi Rate)</strong></p>\r\n<p>If you are a band / artist and are unsigned we may be able to offer you our unsigned rate. Please note if you are Radiohead who may not technically need a record deal we do not consider you unsigned! The unsigned rate is only for bands that do not have professional representation and are not signed.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>If you hold studio time at the Unsigned Flexi rate and we receive an enquiry from a client who is prepared to pay and confirm at the full rate for the same dates you have held we will give you the option to match that rate. If you choose not to do this we will try to move you to another suitable studio if there is one available. If no other studios are available we will have to ask you to change your session dates. We will not confirm sessions at the Unsigned Flexi rate until 24 hours before the session and advise that clients do not book transport, hotels etc until your session is confirmed with us.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>If clients booking at the Unsigned Flexi rate bring their own engineer then the studio rate will include an assistant. For an additional &pound;50.00 you can choose to have one of our younger engineers who will work without an assistant, or you can pay for one of our full-rate engineers who will also work without an assistant.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>These costs are all payable in advance of the session and valid credit card details will be needed at the time of confirming the session.</p>\r\n<p>&nbsp;</p>\r\n<p><strong>Unsigned Rate (Book It Now)</strong></p>\r\n<p>The ''Book It Now'' unsigned rate has exactly the same terms as the ''Flexi'' unsigned rate as in you must be unsigned! However for an extra charge you can confirm your session in advance of the session dates. This charge varies between &pound;75 or &pound;100 depending on which studio you are booking. Once confirmed and paid for at the ''Book It Now'' rate we will not move your session. These costs are payable when you book the studio and not 24 hours in advance of your session.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>As with the Unsigned Flexi rate we will require valid credit card details at the time of confirming the session.</p>\r\n</p>";}}}}', NULL),
(213, 10, 34, 'a:1:{s:2:"en";a:3:{s:6:"group1";a:1:{i:1;a:1:{s:10:"Intro Text";s:478:"<p>The Square is, funnily enough, located in Hoxton Square . Over the years we seen this area slowly change from a distressed ghost town into a thriving epicentre of fashion and nightlife. There are now so many bars, restaurants and cafes that - if you have the time, dedication and appetite - you can practically eat in a different place every day of the year. Here is a selection of the best bars and restaurants in the area, along with suggestions of nice things to do...</p>";}}s:6:"group2";a:11:{i:1;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:11:"White Cube2";s:7:"Address";s:24:"48 Hoxton Square, N1 6PB";s:12:"Phone Number";s:13:"020 7930 5373";s:7:"Website";s:25:"http://www.whitecube.com/";s:11:"Description";s:377:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Jay Joplin''s second (and now sole) gallery, specialising in freakishly hyped, influential and occasionally innovative artwork. From Hirst to Emin, Quinn to Harvey, if it''s shamelessly provocative Brit Art you''re after then look no further. Practically next door to Miloco 3.<br /></span></p>";}i:2;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:20:"Ironmonger Row Baths";s:7:"Address";s:36:"1-11 Ironmonger Row, London EC1V 3QF";s:12:"Phone Number";s:13:"020 7253 4011";s:7:"Website";s:0:"";s:11:"Description";s:518:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">A haven of relaxation, the Turkish Baths at Ironmonger Row have been described by the Evening Standard as "the best value-for-money stress-busting technique in town".&nbsp;<br />The suite includes a steam room, a series of three hot rooms of varying temperature, marble slabs for massage and body scrubbing and an icy plunge pool. There are also two relaxation areas. They offer men only, women only and mixed sessions...</span></p>";}i:3;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:19:"St Paul''s Cathedral";s:7:"Address";s:15:"London EC4M 8AD";s:12:"Phone Number";s:13:"020 7246 8350";s:7:"Website";s:25:"http://www.stpauls.co.uk/";s:11:"Description";s:402:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">For a slice of history head to the banks of the Thames to where Charles and Di tied the knot in 1981. Underneath Sir Christopher Wren''s famous dome (the biggest in the world after St Peter''s in Rome) you should beware the whispering gallery, which reputedly carries softly spoken words far and wide.&nbsp;</span></p>";}i:4;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:19:"Spitalfields Market";s:7:"Address";s:28:"Commercial Street, London E1";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:512:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Escape from the clones'' high street and discover some hidden gems from the world of fashion, the arts and interiors. Old Spitalfields market is open 7 days a week, and a few of the highlights include a Deli market every Wednesday and a book &amp; record fair every 1st and 3rd Wednesday of the month. Thursday boasts an antiques market while Friday sees the arrival of a shed load of fashion and arts paraphernalia.</span></p>";}i:5;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:16:"Museum Of London";s:7:"Address";s:32:"150 London Wall, London EC2Y 5HN";s:12:"Phone Number";s:13:"0870 444 3852";s:7:"Website";s:33:"http://www.museumoflondon.org.uk/";s:11:"Description";s:483:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Film footage, photography, oral history recordings and more than 3000 objects are all laid on to evoke the capital''s history between the French Revolution and World War I. Elsewhere, a ''Victorian Walk'' of original shop-fronts and workshops recreates the atmosphere of the 19th century while a prehistoric gallery casts light on life on the Thames Valley over a half a million years ago.</span></p>";}i:6;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:11:"Comedy Cafe";s:7:"Address";s:39:"66/68 Rivington Street, London EC2A 3AY";s:12:"Phone Number";s:13:"020 7739 5706";s:7:"Website";s:28:"http://www.comedycafe.co.uk/";s:11:"Description";s:351:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Comedy Cafe is one of the few purpose-built comedy clubs in London , so limber up your chuckle muscles and come on down to Shoreditch. You''re not just booking dinner, though, but an entire evening of nice nosh, cocktails, stand-up, and funky music...</span></p>";}i:7;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:8:"333 Club";s:7:"Address";s:36:"333 Old Street, Shoreditch, EC1V 9LE";s:12:"Phone Number";s:13:"020 7739 1800";s:7:"Website";s:32:"http://www.myspace.com/333mother";s:11:"Description";s:489:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">333 is a triple floor, multi-themed playground of a club that sums up Shoreditch perfectly. Located only a couple of doors away from our Hoxton Square studios, it''s scruffy, noisy and packed with crazy kids wearing crazy clothes and bouncing up and down to weird and wonderful tunes (The Cross it is not...) If you like clubbing to be a full body immersion experience then the 333 is for you.</span></p>";}i:8;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:5:"Cargo";s:7:"Address";s:41:"83 Rivington Street, Shoreditch, EC2A 3AY";s:12:"Phone Number";s:13:"020 7739 3440";s:7:"Website";s:28:"http://www.cargo-london.com/";s:11:"Description";s:362:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Offering some of the same as the 333, and plenty of other stuff, Cargo complements the Shoreditch scene perfectly. Housing a bar and a cafe as well as a live music and club space, it''s definitely a multi-tasker. Expect anything from nu-disco to melodic latino soul.</span></p>";}i:9;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:3:"Sh!";s:7:"Address";s:40:"57 Hoxton Square, Shoreditch, London, N1";s:12:"Phone Number";s:13:"020 7613 5458";s:7:"Website";s:29:"http://www.sh-womenstore.com/";s:11:"Description";s:314:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Sh! (pronounced shush) is a sex shop for women, run by women. They stock a bewildering variety of sex toys, from edible knickers to dildos and bondage gear. Men aren''t allowed in unless they''re accompanied by a woman.</span></p>";}i:10;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:16:"Rough Trade East";s:7:"Address";s:60:"Dray Walk, Old Truman Brewery, 91 Brick Lane, London, E1 6QL";s:12:"Phone Number";s:13:"020 7392 7788";s:7:"Website";s:25:"http://www.roughtrade.com";s:11:"Description";s:287:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The legendary independent label and store''s East End site is located just off Brick Lane. Apart from the obvious - selling records - the shop also hosts numerous early evening showcase gigs.</span></p>";}i:11;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:17:"Brick Lane Market";s:7:"Address";s:50:"Brick Lane London E1. Open Sunday Dawn to 12:00 pm";s:12:"Phone Number";s:0:"";s:7:"Website";s:0:"";s:11:"Description";s:520:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Brick Lane is a great place to head even if you haven''t got anything on your shopping list! Located to the north of the railway bridge, it spills out onto Cygnet Street, Sclater Street and Bacon Street where you''ll find a bewildering variety of stuff on sale, including: meat, fruit and veg; electrical goods, tools and household essentials; bikes, jewellery and clothes (from street wear to the best second-hand bargains).</span></p>";}}s:6:"group3";a:19:{i:1;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:7:"Fifteen";s:7:"Address";s:45:"15 Westland Place, Shoreditch, London, N1 7LP";s:12:"Phone Number";s:13:"020 7251 1515";s:7:"Website";s:0:"";s:11:"Description";s:433:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Jamie Oliver''s massively publicised restaurant has been met with critical acclaim. The cooking owes a lot to his mentors (Gennaro Contaldo of Passione, and Ruth Rogers and Rose Gray of the River Cafe in particular) but it''s an impressive achievement from a guy of his years. Definitely worth a visit, but you''ll have to book well ahead.</span></p>";}i:2;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:10:"Cantaloupe";s:7:"Address";s:42:"35-42 Charlotte Road, Shoreditch, EC2A 3PD";s:12:"Phone Number";s:13:"020 7729 5566";s:7:"Website";s:28:"http://www.cantaloupe.co.uk/";s:11:"Description";s:265:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This bar cum restaurant establishment always feels buzzy. The food is international, with elements of Pacific Rim and Mexican usually on offer. Good value and good fun.</span></p>";}i:3;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:13:"Eyre Brothers";s:7:"Address";s:47:"70 Leonard Street, Shoreditch, London, EC2A 4QX";s:12:"Phone Number";s:13:"020 7613 5346";s:7:"Website";s:30:"http://www.eyrebrothers.co.uk/";s:11:"Description";s:248:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This operation is run by the guys responsible for the hugely successful Eagle gastropub. The theme here is Spanish and Italian, and the food is superb.</span></p>";}i:4;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:14:"The Elbow Room";s:7:"Address";s:49:"97-113 Curtain Road, Shoreditch, London, EC2A 3BS";s:12:"Phone Number";s:13:"020 7613 1316";s:7:"Website";s:26:"http://theelbowroom.co.uk/";s:11:"Description";s:481:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Owned by music industry legend Arthur Baker, features 7 purple-baize pool tables, an abundance of leather sofas, waitress service, and an eclectic music policy to keep the party swinging right through till 2am, and entry is free. There''s also a full modern American char-grilled menu throughout the day and evening, including The Independent''s recent Top Ten Burgers in Britain.&nbsp;</span></p>";}i:5;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:21:"Rivington Bar & Grill";s:7:"Address";s:39:"70 Leonard Street, Shoreditch, EC2A 4QX";s:12:"Phone Number";s:13:"020 7613 5346";s:7:"Website";s:32:"http://www.rivingtongrill.co.uk/";s:11:"Description";s:449:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Rivington Bar &amp; Grill is far more than that. It''s: a lounge bar; a restaurant with a "comforting, easygoing" menu; and, during the week, a deli for shopping and take-away. The restaurant''s open Mon to Fri 8.00am to midnight (bar menu only: 15.00-18.30), and noon to midnight Sat and Sun. The Deli is open Mon to Fri from 7.30am to 5.00pm.&nbsp;</span></p>";}i:6;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:14:"The Real Greek";s:7:"Address";s:36:"15 Hoxton Market, Shoreditch, N1 6HG";s:12:"Phone Number";s:13:"020 7739 8212";s:7:"Website";s:28:"http://www.therealgreek.com/";s:11:"Description";s:392:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The best Greek restaurant in London, bar none. Theodore Kyriakou is a culinary master, and this place has really put Greek cooking on the map. Handy for those of you who book into Miloco 6, as it''s so close you will be able to smell the food being cooked! Turn up, smash a plate and have a ball.</span></p>";}i:7;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:11:"Beigel Bake";s:7:"Address";s:30:"159 Brick Lane, Shoreditch, E1";s:12:"Phone Number";s:13:"020 7729 0616";s:7:"Website";s:0:"";s:11:"Description";s:401:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">On Brick Lane, but not a curry shop! This 24 hour take-away beigel/bagel shop is something of an institution in these parts. Whether you choose smoked salmon and cream cheese, salt beef and pickles, or prefer them naked as nature intended you''re sure to be impressed. They are the best beigels in the UK.</span></p>";}i:8;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:10:"City Spice";s:7:"Address";s:29:"138 Brick Lane, Shoreditch E1";s:12:"Phone Number";s:13:"020 7247 1012";s:7:"Website";s:0:"";s:11:"Description";s:365:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">A great place to head for if you''re hoping to seek out truly authentic Bangladeshi cuisine. The menu covers unusual offerings including ureebisi gatta dishes (curries cooked with Bangladeshi runner bean seeds) and shatkora fruit (from the Sylhet region of Bangladesh).</span></p>";}i:9;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:8:"Cafe Naz";s:7:"Address";s:35:"46-48 Brick Lane, Shoreditch E1 6RF";s:12:"Phone Number";s:13:"020 7247 0234";s:7:"Website";s:24:"http://www.cafenaz.co.uk";s:11:"Description";s:285:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Cafe Naz is a contemporary addition to the Brick Lane curry shop roll-call. Focusing on both traditional and more modern interpretations of Indian and Bangladeshi food, it is very popular.</span></p>";}i:10;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:26:"Great Eastern Dining Rooms";s:7:"Address";s:45:"54 Great Eastern Street, Shoreditch, EC2A 3QR";s:12:"Phone Number";s:13:"020 7613 4545";s:7:"Website";s:56:"http://www.rickerrestaurants.com/greateasterndiningroom/";s:11:"Description";s:349:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Great Eastern Dining Rooms have been a feature in the Shoreditch landscape for a few years now, but they still manage to attract a decent amount of business. This is probably down to the frequently changing menu, attractive decor and helpful staff.</span></p>";}i:11;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:10:"Apostrophe";s:7:"Address";s:44:"42 Great Eastern Street, Shoreditch EC2A 3EP";s:12:"Phone Number";s:13:"020 7739 8412";s:7:"Website";s:28:"http://www.apostropheuk.com/";s:11:"Description";s:276:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Innovative Paris-style boulangerie-patisserie-cafe. Expect a selection of continental favourites (croissants, brioches and toasties) with plenty of fresh coffee and juice as well.</span></p>";}i:12;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:4:"Yelo";s:7:"Address";s:37:"8-9 Hoxton Square, Shoreditch, N1 6NU";s:12:"Phone Number";s:13:"020 7729 4626";s:7:"Website";s:24:"http://www.yelothai.com/";s:11:"Description";s:440:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Part restaurant, part takeaway, all Thai, Yelo attracts a gastro conscious following of locals and scattered Londoners who appreciate Thai food at reasonable prices. If you''re after a more informal meal then just turn up and be seated at the communal bench seats in the canteen; otherwise you''d better book ahead for a proper table downstairs.</span></p>";}i:13;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:6:"Trafik";s:7:"Address";s:20:"40 Hoxton Square, N1";s:12:"Phone Number";s:13:"020 7613 0234";s:7:"Website";s:0:"";s:11:"Description";s:470:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">This bar nearly falls into the category of Shoreditch by numbers. Its redeeming quality is its cocktails, which are a cut above most of those available in the surrounding area (Hoxton bars are notorious for regarding rum and coke as a serious cocktail). Regular appearances from decent DJs also help to the atmosphere fresh and funky. Practically next door to our studio 3.</span></p>";}i:14;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:4:"Bluu";s:7:"Address";s:23:"1 Hoxton Square, N1 6NU";s:12:"Phone Number";s:13:"020 7613 2793";s:7:"Website";s:22:"http://www.bluu.co.uk/";s:11:"Description";s:441:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Bluu is definitely at the more comfortable and welcoming end of the Shoreditch bar scene. Admittedly there is still concrete and steel in abundance, but for once you might encounter a reasonable thickness of upholstery ''twixt arse and seat. Cocktails are handled with confidence and comparative dexterity, and you might even find a bite to eat.</span></p>";}i:15;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:12:"93 Feet East";s:7:"Address";s:34:"150 Brick Lane, Shoreditch, E1 6QL";s:12:"Phone Number";s:13:"020 7247 3293";s:7:"Website";s:28:"http://www.93feeteast.co.uk/";s:11:"Description";s:360:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">93 Feet East is another "must visit" East End bar, and pleasantly different from the Vibe across the road. A chic ''n'' spartan interior coupled with an awesome line up of DJs and live music ensure that this nightspot is always packed with an up-for-it crowd.<br /></span></p>";}i:16;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:8:"Vibe Bar";s:7:"Address";s:37:"Truman Brewery, 91 Brick Lane, E1 6QL";s:12:"Phone Number";s:13:"020 7426 0491";s:7:"Website";s:26:"http://www.vibe-bar.co.uk/";s:11:"Description";s:436:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Vibe Bar sums up all that''s best about scruffy/cool Shoreditch-type boozers. Equipped with arcade games, scuffed leather sofas and extremely laid-back staff, this is the place to go for afternoon Bloody Marys or evening shenanigans. There is also a courtyard out the front that is the focus of the action when it''s hot and sunny.<br /></span></p>";}i:17;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:27:"Hoxton Square Bar & Kitchen";s:7:"Address";s:32:"2-4 Hoxton Square, London N1 6NU";s:12:"Phone Number";s:15:"(020) 7613 1137";s:7:"Website";s:24:"http://www.barworks.com/";s:11:"Description";s:331:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Definitely more of a bar than a kitchen, this place is not a bad destination if your favoured tipple is lager (their cocktails aren''t much cop). Worth a peek if nothing more. They also server modern European dishes and daily specials.</span></p>";}i:18;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:6:"Liquid";s:7:"Address";s:25:"8 Pitfield Street, N1 6HA";s:12:"Phone Number";s:13:"020 7729 0082";s:7:"Website";s:0:"";s:11:"Description";s:487:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">It''s organic everything at Liquid, from the fruit juice with bits floating in it via the wonderful naturally-gaseous beer, to the inventive food. Even the guest DJs tend to look healthy, though if you want to appear in the best light you''d best venture downstairs to the sound-free zone where the lights are dimmer. A home-grown gem of a one-off for all who''ve had their fill of chain pubs.</span></p>";}i:19;a:6:{s:11:"Place Image";s:0:"";s:5:"Title";s:20:"The Bricklayers Arms";s:7:"Address";s:39:"63 Charlotte Road, Shoreditch, EC2A 3PE";s:12:"Phone Number";s:13:"020 7739 5245";s:7:"Website";s:37:"http://www.thebricklayersarmspub.com/";s:11:"Description";s:547:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">One of those places that attracts people because it attracts attractive people, but it also lures less glamorous media types and even a few locals of long-standing, which all makes for a good, boisterous mix, especially on weekends. The decor is nothing out of the ordinary, but then it doesn''t have to be given the people-show on offer. Added bonuses are the music (varied) and the food (understatedly creative), the latter being available upstairs.</span></p>";}}}}', NULL),
(214, 33, 35, 'a:1:{s:9:"floorplan";a:1:{s:9:"floorplan";s:46:"201106220443312897637Fisher Lane Floorplan.jpg";}}', NULL),
(215, 10, 33, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Introduction";s:289:"<p>There is a good and varied selection of hotels near The Square, from the top end splendour of The Great Eastern at Liverpool Street and the wonderful new Hotel St Gregory, to places a little further down the scale like Holiday Inn Express and its cronies. A selection is as follows:</p>";}}s:6:"group2";a:7:{i:1;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:20:"Russell''s of Clapton";s:17:"Hotel Description";s:656:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Chatsworth Road, London E5 0LA<br />+44 (0)797 666 9906<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://russellsofclapton.com/">russellsofclapton.com</a><br /><br />Russell''s of Clapton is a new upmarket B&amp;B in East London run by ex-music industry pro Annette Russell. It is a modern-update of a traditional B&amp;B, following examples in cities such as New York, Berlin and Barcelona. Based in Clapton, this chic and charming house is a perfect place to stay for those wishing to avoid London''s tourist traps.&nbsp;</span></p>";}i:2;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:15:"Conran Boundary";s:17:"Hotel Description";s:548:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">2-4 Boundary Street, Shoreditch, London E2 7JE<br />(0)20 7729 1051<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.theboundary.co.uk/">www.theboundary.co.uk</a><br /><br />Opened in 2009, The Boundary is a unique and very trendy warehouse conversion featuring a 17-bed hotel, bar, restaurant and rooftop terrace. There''s a very green theme throughout, plus an impressive range of contemporary artwork.&nbsp;</span></p>";}i:3;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:35:"Andaz Liverpool Street London Hotel";s:17:"Hotel Description";s:740:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Liverpool Street, London EC2M 7QN<br />(020) 7961 1234<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://london.liverpoolstreet.andaz.com/">london.liverpoolstreet.andaz.com</a><br /><br />Loitering at the luxurious end of the scale the Andaz Liverpool Street boasts: widescreen TV, ergonomic workstations with dataports, queen and king-sized beds, swanky furnishings, a DVD library and host of other quality amenities. Their website''s suitably flashy but not that easy to navigate, while it''s currently unclear whether or not your clothes have to match the decor (see photo). Approximately 20 minutes walk.</span></p>";}i:4;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:22:"Crown Plaza Shoreditch";s:17:"Hotel Description";s:656:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">100 Shoreditch High St, London E1 6JQ<br />08707 544 447<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.crowneplaza.co.uk/">www.crowneplaza.co.uk</a><br /><br />Formerly the renowned ''Hotel Saint Gregory'', 100 Shoreditch High Street now comes in the form of a 4-star Crown Plaza. A six-minute walk exactly (!) from London''s Liverpool Street station, this high-standard hotel is brilliantly positioned for the bustling East End, Miloco''s Square and Garden studios, and inner-city and National Rail train connections.</span></p>";}i:5;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:16:"The Hoxton Hotel";s:17:"Hotel Description";s:605:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">81 Great Eastern Street, London EC2A 3HU<br />(020) 7550 1000<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.hoxtonhotels.com/">http://www.hoxtonhotels.com</a><br /><br />A new venture from the Pret A Manger empire, the hotel is said to be "where urban living meets country lodge lounging." They boast "roaring fires and cool cocktails, Frette linen and flat screen TV''s." There''s a great bar and restaurant too and, rather fabulously, "amazing cheap rates."&nbsp;</span></p>";}i:6;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:16:"196 Bishopsgate ";s:17:"Hotel Description";s:825:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">196 Bishopsgate, Liverpool Street, London, England EC2M 4NR<br />(020) 7621 8788<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.196bishopsgate.com/">http://www.196bishopsgate.com/</a><br /><br />Somerset Bishopgate provides a home away from home providing the perfect location for both corporate and tourist alike. Perfect if travelling alone, their extensive cooking facilities (provided in every apartment) allow you to cook for yourself. A very secure environment with contemporary decor and in a great location, Somerset Bishopgate has the style of a hotel and the freedom of an apartment. 24-hour portage and reception is also available along with a local health club for guests.</span></p>";}i:7;a:3:{s:11:"Hotel Image";s:0:"";s:10:"Hotel Name";s:34:"Express by Holiday Inn London City";s:17:"Hotel Description";s:558:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">275 Old St, London, EC1V 9LN<br />(020) 7300 4300<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http:/www.ichotelsgroup.com/h/d/ex/1/en/hd/lonct">www.ichotelsgroup.com/h/d/ex/1/en/hd/lonct</a><br /><br />Features the usual range of amenities including: complimentary breakfast, courier service, multi-lingual staff, a restaurant, high-speed internet and a choice of some 224 rooms. Approximately 2 minutes walk from the studio.</span></p>";}}}}', NULL);
INSERT INTO `pages` (`id`, `studio_id`, `page_layout_id`, `content`, `additional_content`) VALUES (216, 14, 41, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:4:{i:1;a:2:{s:5:"Image";a:2:{s:3:"img";s:35:"20110622061942253071miloco-5469.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106220620562436344miloco-5456.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106220621412829398miloco-5086.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:4;a:2:{s:5:"Image";a:2:{s:3:"img";s:36:"201106220622092111410miloco-5477.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:4141:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The studio at Angelic is a formidable recording and mix environment. It lives in a huge converted barn building, and is spread across two light and spacious floors. The studio areas are located on the ground level, with a large recreation / pool room on the first floor.&nbsp;<br /><br />At the heart of the studio is an expansive control room, which is centred around a pristine SSL SL8072 G+ with Total Recall and Ultimation; the same desk which used to live in Townhouse Studio 2. It is joined by a great selection of monitors: ATC SCM200s, Barefoot MicroMain 27s, KRK 9000Bs, Yamaha NS10Ms and Auratones, powered by Bryston and ATC amps. Sat behind the desk is the outboard, including many Dynamics, EQs and Effects. Of particular note are the vintage Neve mic-pres: 4 x 1084s, 6 x 1100s and 8 x 33114s. At the back of the control room is the Protools HD3 rig with three 192 interfaces and two Apogee Convertors, providing 48 inputs and 56 outputs, which sits in an isolated cupboard to minimise background noise. There is also a large store cupboard where you''ll find Toby Smith''s incredible collection of keyboards and guitar pedals. Have a browse and take your pick!</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">To the right of the control room is a large glass divide looking into the main live space. This is a spectacular recording room with a towering gabled ceiling and original wooden beams. The room comprises a beautiful oak floor and 3 tall stone walls that produce a fantastic live sound. There are two very large windows looking out to the country surroundings and providing a glorious amount of daylight. Draw the large curtains and you can dampen the acoustics to achieve a more ''dead'' sound.&nbsp;</span><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Toby has also had six special customised absorption panels made up, offering an assortment of bass traps and full range absorption. These, together with variable wall mounted panels makes the sound of the rooms very versatile. This spacious room is also where the fantastic Yamaha C3 Piano resides.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">On the opposite side of the control room is the second live space. Like the main live room, musicians will benefit from ample floor and ceiling space, and plenty of daylight. The room is a guitarist''s dream. It is filled with countless beautifully maintained models by the likes of Fender and Rickenbacker, and amps by Ampeg, Fender, Marshall and Vox, along with many boutique delights. &nbsp;There is also a Yamaha Upright Piano in the room. The second live room offers something different to the first - there is a large carpet and several fabric panels for a more controlled sound, however it still features the building''s original stone walls and high ceiling for a live feel. </span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><br /></span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">There''s a magnificent collection of microphones at the studio, featuring AKG, Coles, Neumann, Royer and many more.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><br />Opposite the second live room is a good size isolation booth, which is perfect for vocal recording but is also a very suitable alternative for tracking guitars. As with the rest of the studio, the booth benefits from clear visibility to all the other rooms through a number of large soundproof windows, which enhance the studio''s open and expansive feel.&nbsp;<br /><br /><br />The rest of the studio building comprises a small kitchen area, and large upstairs lounge area with pool table, luxurious furniture and a Minstrel''s Gallery overlooking the main tracking room. Many of these rooms are equipped with tie lines, making recording in almost any room a possibility.<br /></span></p>";}}}}', NULL),
(217, 14, 32, 'a:1:{s:2:"en";a:3:{s:6:"group1";a:1:{i:1;a:2:{s:11:"Intro Image";s:0:"";s:10:"Intro Text";s:0:"";}}s:6:"group2";a:14:{i:1;a:2:{s:5:"Image";s:36:"201106240249162604783miloco-5204.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:36:"201106240250092678096miloco-5138.jpg";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:36:"201106240250352777924miloco-5266.jpg";s:17:"Image Description";s:0:"";}i:4;a:2:{s:5:"Image";s:36:"201106240251062254876miloco-5424.jpg";s:17:"Image Description";s:0:"";}i:5;a:2:{s:5:"Image";s:36:"201106240251432723639miloco-5161.jpg";s:17:"Image Description";s:0:"";}i:6;a:2:{s:5:"Image";s:36:"201106240252112924421miloco-5503.jpg";s:17:"Image Description";s:0:"";}i:7;a:2:{s:5:"Image";s:36:"201106240252472416256miloco-5119.jpg";s:17:"Image Description";s:0:"";}i:8;a:2:{s:5:"Image";s:36:"201106240253422725770miloco-5474.jpg";s:17:"Image Description";s:0:"";}i:9;a:2:{s:5:"Image";s:36:"201106240254152905580miloco-5460.jpg";s:17:"Image Description";s:0:"";}i:10;a:2:{s:5:"Image";s:36:"201106240254532951898miloco-5282.jpg";s:17:"Image Description";s:0:"";}i:11;a:2:{s:5:"Image";s:36:"201106240255212380246miloco-5102.jpg";s:17:"Image Description";s:0:"";}i:12;a:2:{s:5:"Image";s:59:"201106240259322700574Screen shot 2011-06-24 at 10.58.34.png";s:17:"Image Description";s:0:"";}i:13;a:2:{s:5:"Image";s:59:"201106240259592752718Screen shot 2011-06-24 at 10.59.46.png";s:17:"Image Description";s:0:"";}i:14;a:2:{s:5:"Image";s:36:"201106240300362115991miloco-5418.jpg";s:17:"Image Description";s:0:"";}}s:6:"group3";a:1:{i:1;a:1:{s:11:"Description";s:17859:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Hi Toby - thanks for your time. It''s a huge job you''ve done down here at Angelic. When did you start and how long did it take?&nbsp;</strong><br /><br /><strong>Toby</strong>: We started building the studio November 2008, and initially things were pretty slow, weather hampering a lot of the initial works. Apart from that, things went fairly smoothly, and once the local builder had finished with the structural elements and the building was dry, Chris Clifford, ADG''s trusted chippie, got cracking and it all came together without too many dramas. I had to get the studio operating for June this year as The Hoosiers second album was due and they were desperate to get started. We had barely two weeks to commission the desk and test the outboard gear and patchbay which was pretty stupid, but apart from the first week of the session, amazingly, everything seemed to work brilliantly, with just a few incorrectly wired XLRs to fix.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>What would you say was your overall vision for Angelic Studios, when you set out building it?</strong>&nbsp;<br /><br /><strong>Toby</strong>: This is the second studio I have built, the first being built by Chris Clifford but not using ADG for design. It worked well, but there were a few things that were obvious to alter on this one. I wanted to build a control room where 6 people could work without ever getting under each other''s feet. I also wanted it not to be so big that it was hard to hear detail when mixing, a problem I had experienced in some of the London majors. I also was not interested in bright red and purple studios - I think that is great for a one day session, but I have tried to create an atmosphere of creative and restrained calm so that you concentrate wholly on what is coming out of the speakers. That said, Chris was appalled when I insisted on fitting recessed RGB LED lighting around the studio...&nbsp;<br /><br />"it looks like an Italian supermarket!"&nbsp;<br /><br />"... bollocks, it looks mint, especially for instant vibe!!"&nbsp;<br /><br />It was also important to have at least three properly separated recording areas with as much visibility as possible. We have in fact four in the studio and tielines to the accommodation block; even tielines to the massive grain barn for epic reverb times. Where the residential accommodation was concerned, it was really important for it to feel as comfortable and stylish as I would like for my own house, hopefully we have achieved this. I want this to be a studio where people love to stay, and that meant creating a home from home.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Shortly after opening the studio you had the small matter of hosting Chrissie Hynde for a month. How was the feedback from that session?</strong>&nbsp;<br /><br /><strong>Toby</strong>: Chrissie was a joy to have here. She stayed for nearly four weeks, and loved it. She loved the privacy and the beauty of the farm, so much so that she stayed all weekend too! She commented on the privacy up here and the fact that there weren''t lots of other bands working on site like some residentials. She was also very positive about the sound... "It sounds fucking amazing!" Chrissie produced the last Pretenders album, and the one they recorded up here, so was very hands-on in the studio. There were eight people here including the assistant, and it worked very well, with all of them commenting on how comfortable and at ease they were. There were also a lot of great comments on the catering.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>You''ve amassed an incredible spec at the studio with all corners covered. It''s built around the old Townhouse 2 SSL SL8072 G+, which is accompanied by stacks of outboard, including some rare vintage Neve Mic Pres. But what is it about the console that made you choose it for Angelic?</strong>&nbsp;<br /><br /><strong>Toby</strong>: I had worked on my Neve 8068, which although a fantastic desk to track on, I struggled when mixing. We mix all our acts in house, so when Funkyjunk offered me the desk, it was not a difficult decision to make. I mean... its a 2001 G+ !! It sounds fantastic, and has behaved itself impeccably. However I would never have committed to the desk without keeping what made the Neve sound so great, the mic/amps. We retained the best 10 mic/amps from the 8068, which are 6 1100s and 4 1084s. The 1100s were a special order from Neve and are extremely rare. They are basically a 1081 mic amp, but with a 1073 sidechain, which gives a fast punchy mic amp but with lush and interesting EQ. When overdubbing on the 8068, we used these more then any of the other modules. The 1084s were tweaked so that they could work in an 8068, and just have that classic Neve sound. What musicians comment on is the musicality of the sound, but also that they sound really ''real''.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>What other flavours of the month have you been enjoying from the outboard on the current Hoosiers mixing session you are working on?</strong>&nbsp;<br /><br /><strong>Toby</strong>: The Klein and Hummel valve EQs. They are incredible units. Like Pultecs but much more comprehensive and much more German.&nbsp;<br /><br /><br /><strong>The legendary Sam Toyoshima was on board when designing the studio. Can you tell us a bit about the ideas and aims that went towards creating the room''s acoustics?&nbsp;</strong><br /><br /><strong>Toby</strong>: I wanted a similar reverb time to Spike''s room in Olympic, so that is where we started. The room is big, but still remains incredibly detailed and close. Also I am allergic to fan noise in control rooms, so the protools rig is behind a glass door, as is anything else with a fan.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>A Toyoshima trademark is having large, light and airy spaces. You''ve really achieved this through having these large windows combined with the building''s original high ceilings. Speaking as a musician yourself, how much of a difference can it have on a recording artist to work in such an expansive and laidback studio environment?</strong>&nbsp;<br /><br />All I know is that when I sit down behind the piano in the live room, I find myself coming up with chops galore. I didn''t have this in my last studio. It is an undefinable quality in a studio, and I have been in studios which deliver that creative urge, like Great Linford, and some that don''t. Either way, The Hoosiers experienced that creative feeling, as did Chrissie Hynde who ended up writing four extra tracks beyond her initial 14-track remit. Maybe its the lay-lines!</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>There are two different live rooms with a variety of acoustic attributes, so clients will have many different sonic options to experiment with when tracking. Talk us through the design of the rooms in terms of the sounds that they can achieve...</strong>&nbsp;<br /><br /><strong>Toby</strong>: The main live room is big without being cold. It has stone walls, and can be controlled by the massive curtains, and the variable absorption screens I have commissioned. I wanted the live rooms to be really flexible so you could have a massive Rock Drum sound, or any level of absorption below, to that end I have kept the walls stone, and used a selection of screens with varying degrees of absorption in them so you can move them around the room and sweet spot it rather then having a fixed sound. My experience of some of the major studio live rooms is that they lack character and realness, and this way I think you have a much broader palette. I think tracking a band altogether in a room gets overlooked, and it was important for me that this could be achieved comfortably. Usually we would expect the singer to be in the control room standing looking through the massive glass window at the band. The second room is about a third of the volume, consequently much closer and more intimate. We used this with the Hoosiers for a much smaller and tighter drum sound.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>You have also had some special 8'' x 4'' customised absorption screens made up. You''ve described them as a massive asset to the live rooms - what do they offer to recording engineers and producers?</strong>&nbsp;<br /><br /><strong>Toby</strong>: I am local to the acoustic specialist that built the screens used by Radiohead to record&nbsp;<em>OK Computer</em>, and I felt that it was far more useful to be able to sweet-spot a room with screens then have fixed absorption on the walls. We have some full range absorption screens and some bass trap-only screens, all of which mean that you can achieve anything you need when recording.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>The second live room houses your amazing collection of rare guitars and amplifiers, which are accompanied by an awesome array of pedals. What tried-and-tested guitar/amp and pedal combinations would you personally recommend to other producers and engineers coming to work in the studio?</strong>&nbsp;<br /><br />Up until recently I found it very hard to get away from my 1962 Ac30, and it usually will be in the guitar chain somewhere. However we are always experimenting with different amp combinations, including the Spacetone, Divided by 13 and more recently my Ampeg Rocket. The rocket sounds pretty ropey on its own, but sounds amazing as a second or third amp, especially on Bass. Pedals are used to suit, getting an amazing guitar sound is dependent on so many factors, not least the guitar being used, but there is never a tried-and-tested formula that will be guaranteed to work. The Clon pedal seems to make a regular appearance though. On the last album I recorded, we used my EMS Synthi AKS (an uber-rare and expensive suitcase synth) as a distortion pedal... sounded fantastic.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Your collection of keyboards is unsurpassable - you must have some great memories of playing these in your Jamiroquai days! Are there any in the collection you consider your most prized possessions?</strong>&nbsp;<br /><br /><strong>Toby</strong>: I have had pretty much every analogue keyboard at one time or another, but have distilled them down to the ones that I use the most, and that do something that no other does. Saying that, the Jupiter 8 seems to do everything extremely well, and would be the one that I would keep on my treasure island. The Memory Moog comes a close second... If you have time, the Synthi AKS is extremely rewarding too, as is the ARP 2600.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>All great tracking rooms need a great microphone selection, and you certainly have that with all sorts from the likes of Neumann, Coles and AKG available. Tell us a bit about the choice of microphones on spec...</strong>&nbsp;<br /><br /><strong>Toby</strong>: I find that when using the same mics for situations it can get predictable and you can end up with records sounding samey. I have tried to keep my mic stock unusual, it makes records sound much more interesting. I have yet to have run out of mic choices, and always try and experiment rather than make do.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Your extensive list of plug-ins suggests you are equally as keen to provide as much digital gear as you can, as well as analogue gear. What are your personal views on the growing trends in the recording industry to digital studio techniques and mixing-in-the-box, and how important do you feel it is to try to keep analogue studios open in a commercial sense?</strong>&nbsp;<br /><br /><strong>Toby</strong>: Personally I prefer tracks mixed on analogue desks. All the records I respect and love are made that way and I think it is sad that the industry has suffered enough that labels will settle with tracks mixed in-the-box. I think that whilst some dance tracks can get away with it, where live instruments are concerned it is crazy to end up cheapening the sound in a computer. It will only take one fantastic band to record and mix in a traditional set-up to remind people how much better it sounds. Whilst it is fun to watch the&nbsp;<em>Blair Witch Project</em>, no one would want&nbsp;<em>Schindlers List</em>&nbsp;to have been filmed in the same way. There is a reason that the classic albums of the last 40 years sound the way they do !!&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Do you have any other new additions to the spec (digital or analogue) in mind for the future?</strong>&nbsp;<br /><br /><strong>Toby</strong>: I want to get a Lavry to mix down through. Cenzo swears by them, and if they''re good enough for him...</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>There''s been no-expenses spared in building this world class studio, and the same can be said for the accommodation building as well. You must have put a lot of time and effort into refurbishing the house and giving it such a stunning interior...</strong>&nbsp;<br /><br />I wanted to make the best residential in the UK. That included the accommodation, and I think it''s essential that when acts come for any length of time, it becomes a home from home.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>We''d like to finish up with a few questions on your career to date. You spent many years as the keyboardist and lead songwriter for Jamiroquai. Out of all the records you made with the band, which would you say was your favourite and why?</strong>&nbsp;<br /><br />I was swept up in the Jamiro-bubble for ten years, the first album was fantastic because there was no pressure and no external factors influencing our decisions, however I would have to say&nbsp;<em>Travelling Without Moving</em>. Radio 1 played ''Virtual Insanity'' the other day, I hadn''t heard it for a while, and do you know what? I thought it sounded fucking great. Also it still brings in royalties which is nice...</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>You formed a prolific and hugely successful song-writing partnership with Jay Kay. How did you both go about writing a tune together, and what do you feel was the key to your success?</strong>&nbsp;<br /><br />It''s a bit of a cliche, but all the most successful tracks Jay and I wrote happened within a quarter of an hour, and were more-often-than-not a combination of a verse of mine plus a chorus of his, or vice versa. So for example ''Virtual Insanity'' was a verse I had written at home, with a chorus that Jay had written whilst on tour in Japan. ''Too Young to Die'' was a chorus I had written with Jay''s verse. Jay would scat melodies, and usually not commit to lyrics until the last minute. Jamiroquai worked because we had a lucky combination of timing, skill and individuality in a time dominated by Beatles cover bands and dance music. No one was, and actually still aren''t doing what we did, and I think that helped. Also Jay was an exemplary performer and that meant that the live shows were great.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>You now manage and produce The Hoosiers, and are currently working on the band''s second album. How have you approached producing this record in comparison to the first album ''The Trick to Life''? Can we expect a different-sounding record?</strong>&nbsp;<br /><br />One of the key changes was enlisting Max Dingel as chief nob-pusher. We all wanted the sound to move away from being primarily guitar-driven, and for synths to take more of a front seat, but without sounding like they had jumped on the electro-pop bandwagon. I think we''ve achieved this, and overall the songs and sound are a bit more grown up from the last record. Also being able to mix on the SSL has made a huge difference.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>... and when''s the new album due for release?</strong>&nbsp;<br /><br />Around April/May</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Lastly, congratulations are certainly in order on this incredible new residential studio. You are now on board the Miloco studio partnership model, but what made you come to Miloco and what do you feel they can offer which other studios can''t...</strong>&nbsp;<br /><br />I am firstly a musician, and as such will always have a tendency to be somewhat distracted. Miloco were able to consolidate everything I have achieved here in a way that I never could, and add their organisational skills and expertise to make sure that everything runs smoothly with bookings and administration. Plus they seem very level-headed in what can sometimes be quite a hectic environment.&nbsp;<br /><br /><br /><br /><br /><br />Toby was talking to Miloco in January 2010.&nbsp;<br /></span></p>";}}}}', NULL),
(218, 2, 41, 'a:2:{s:2:"en";a:2:{s:6:"group1";a:4:{i:1;a:2:{s:5:"Image";s:34:"201106220623202141159miloco059.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:34:"201106220624012119034miloco080.jpg";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:34:"201106220624492137909miloco078.jpg";s:17:"Image Description";s:0:"";}i:4;a:2:{s:5:"Image";s:34:"201106220625472754972miloco034.jpg";s:17:"Image Description";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:3111:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Assault &amp; Battery 1 is a mix room owned by two of the UK''s greatest producers, Alan Moulder and Flood. It is one of three highly original and incredibly spec''d studios based at the Battery complex in Willesden Green.&nbsp;<br /><br />The studio features a control room and large booth, together measuring approximately 45 sq meters. The studio''s design has been heavily influenced and personalised by Alan and Flood, and stands out as a relaxing, atmospheric and intimate space, however one that is filled with a vast amount of their renowned collections of analogue and digital toys.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">At the heart of the control room is an SSL G+ SL4000 72 Channel console with full Ultimation. This legendary console is regarded by Alan as his very first-choice board to mix on. The desk was shipped from America especially to be installed in Assault &amp; Battery 1; it was previously based in a New Orleans studio where Alan had already used it to produce his numerous albums for Nine Inch Nails. Complemented by a good selection of nearfield monitors, and the immensely accurate acoustic qualities of the room, producers and engineers will really enjoy using this great SSL.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Behind the desk are the outboard racks. There is access to countless examples of the finest compressors, mic pre''s, reverbs and multi effects processors. Not only will you find some of the most popular bits of outboard here, but you''ll also be amazed by how many rare and unconventional toys Alan and Flood have acquired for the room. The choice of digital equipment is highlighted by an unimaginable choice of plug-ins loaded on a Protools HD 192 rig with 24 ins and 48 outs. The backline includes some exquisite guitars, amps and microphones, plus Alan''s huge personal collection of pedals which includes all sorts by the likes of Death By Audio, Electro Harmonix, Lovetone, Providence and other manufacturers. And just to make that choice even more impressive, Assault &amp; Battery 1 clients may sometimes be given access to the sensational spec found upstairs in Flood and Alan''s tracking room, Assault &amp; Battery 2.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The large overdub booth measures 15 sq meters, and is accessed by a set of sliding glass doors on the right side of the control room. It can be used in a number of different ways. It is of course a great space to record vocals and guitars, but is often used as a ''B studio'' for editing work, and also a lounge area. The booth continues the interior theme of the control room, which is dominated by warm and atmospheric lighting, decoration and furniture, plus an assortment of beautifully-maintained guitars and platinum discs lining the walls and depicting parts of Alan and Flood''s illustrious careers.<br /></span></p>";}}}s:2:"fr";a:2:{s:6:"group1";a:4:{i:1;a:2:{s:5:"Image";s:34:"201106220623202141159miloco059.jpg";s:17:"Image Description";s:0:"";}i:2;a:1:{s:17:"Image Description";s:0:"";}i:3;a:1:{s:17:"Image Description";s:0:"";}i:4;a:1:{s:17:"Image Description";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:0:"";}}}}', NULL),
(219, 16, 41, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:3:{i:1;a:2:{s:5:"Image";s:36:"201106220626522702010Miloco-0568.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:36:"201106220627542752254Miloco-0591.jpg";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:36:"201106220628242859467Miloco-0520.jpg";s:17:"Image Description";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:3382:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Assault &amp; Battery 2 is one of the immense studios based in the regenerated Battery complex in North-West London, and is owned by two of the UK''s most reputed and influential producers, Flood and Alan Moulder. It is a massive privilege for Miloco to collaborate with Flood and Alan to represent this outstanding tracking room, now standing firm as one the best the industry has to offer.&nbsp;<br /><br />Assault &amp; Battery 2 provides a recording experience that is totally unique from all of its contemporaries. Not only does the sheer size and space of the studio make it stand-out from most other London tracking rooms, but the design, layout, abundance of natural daylight and massive equipment collection comprising some of the world''s most sought-after analogue rarities, settles its status as probably the most irresistible working environment one could hope to bring their recording project to.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Built on a vision to provide a light, airy and laid-back expanse for recording projects, Assault &amp; Battery 2 is centred around a huge main live area allowing musicians to completely spread out and yet still interact with each other. The studio comprises two additional booths to the main area, both also benefiting from a remarkable amount of space for isolation rooms. The first is a live room capable of producing a remarkable range of colourful drum sounds, and the second houses arguably the most exceptional collection of vintage keyboards in the UK, including including a Roland System 700 and Moog Modular.&nbsp;<br /><br />In addition to the mouth-watering collection of analogue synths, Assault &amp; Battery 2 also boasts a formidable array of guitars, amps and vintage pedals collected and owned by Flood and Alan over the years and which feature on many of the definitive records they have produced and engineered. This wealth of gear offers clients an unparalleled backline choice of both magnitude and class.&nbsp;<br /></span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Furthermore, Assault &amp; Battery 2''s re-opening saw the installation of a newly refurbished Neve VR60 console which lines up alongside an Intel 8-core Mac and monitoring system of Quested 412s driven by 4 Chevin a3000 amplifiers with BSS crossovers. An awesome range of vintage microphones, mic amps and outboard are on hand for clients to experiment with, and which complete Assault &amp; Battery 2''s staggering arsenal of studio toys.&nbsp;<br /><br />The vast amount of work put into this re-opening project does not just stop at the studio. Time and money have been invested into overhauling the entire Battery complex, to reaffirm its status as one of the UK''s leading commercial studio establishments. Clients at Assault and Battery 2 will savour a freshly revitalised creative environment, shared with the other top-end studios in the building. From the repainting of the building''s exterior and re-fitting of kitchen and bathroom areas, right through to carpet replacements and interior paintwork, the Battery complex has undergone an intense refurbishment program in order to raise it to a standard of supreme quality.<br /></span></p>";}}}}', NULL),
(220, 6, 41, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:3:{i:1;a:2:{s:5:"Image";s:28:"201106260313122165936el1.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:28:"201106260315382950827el2.jpg";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:28:"201106260313312556742el3.jpg";s:17:"Image Description";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:2945:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">El Cortijo is located in the South of Andalucia near the Spanish Mediterranean coast. It locates just to the North of the elegant coastal town of Marbella, one of the world''s most desirable destinations, and home to the hugely fashionable nightlife district, Puerto Banus. The port city of Malaga is roughly 45 km away, as is Gibraltar. The historic town of Ronda sits aroung 35 km North of the villa.&nbsp;<br /><br />Immediately surrounding El Cortijo are the hills and valleys of the Ronda National Park. This beautiful mountain range engulfs the villa, with the Mediterranean Sea and Moroccan Atlas Mountains completing the spectacular panoramic views from the house.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Andalucia is one of the four historic regions of Spain, and features some of the country''s most prominent cultural hotspots. It is the ideal destination for anyone interested in visiting five of Spain''s oldest and finest cities: Ronda, Granada, Cordoba, Cadiz and the region''s capital, Seville. The Costa del Sol is situated along the South border of Andalucia, and is where Spain meets the Mediterranean Sea. The South West of Andalucia shares a border with Portugal, and the province of Cadiz borders Gibraltar - one of the last British overseas territories. To the South of the region, the Strait of Gibraltar separates Spain from Morocco, whereas to the West is the Atlantic Ocean.&nbsp;<br /><br />Andalucia is the most populous of Spain''s autonomous communities. It is enriched in the cultures left by its various historic rulers since 1100 BC, which include the Tartessians, Phoenicians, Romans, Visigoths, Arabs and Moors.&nbsp;<br /><br />Historic landmarks are plentiful across the region. Seville is the home of one of the world''s largest cathedrals, and in the towns Granada, Cadiz and Malaga you can find anything from ancient Arab ruins to Moorish fortresses. Ronda''s Puento Nuevo bridge (pictured) is one of Spain''s most photographed constructions, and once housed the town jail (see the small window in the centre of the span), which later became a disco!&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Famous people from the region include artist Pablo Picasso, whose career is commemorated by a magnificent gallery of works in the town of Malaga, Hollywood actor Antonio Banderas, who lives in Malaga and owns one of the town''s finest Tapas bars, and legendary guitarist Paco de Lucia.&nbsp;<br /><br />Modern Andalucian landmarks include Seville''s groundbreaking Alamillo bridge (left), which crosses the Guadalquivir River to the deserted island of La Cartuja. It was built at the turn of the 1990s for the 1992 World Fair, hosted by the city of Seville and which took place on La Cartuja.<br /></span></p>";}}}}', NULL),
(221, 7, 41, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:3:{i:1;a:2:{s:5:"Image";s:47:"201106220632522243973Miloco-FisherLane-4027.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:47:"201106220647322531589Miloco-FisherLane-3998.jpg";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:47:"201106220649232784622Miloco-FisherLane-4355.jpg";s:17:"Image Description";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:3357:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Fisher Lane residential recording studio was built in the early 1980s from a disused cowshed located on the outskirts of Chiddingfold, a quintessential English village near Guildford. For nearly three decades the studio has regularly attracted some of the biggest names in the music world, and has been resposible for the production of many globally-sucessful albums such as Genesis''&nbsp;<em>Invisible Touch</em>, Phil Collins''&nbsp;<em>... But Seriously</em>, and Eric Clapton''s<em>August</em>, to name a few. We are now thrilled to be operating this exceptional recording studio as a newly established and first-rate UK residential.	<br /><br />Today the studio comprises four main areas, which are spread across both the building''s original structure and a large extension. The vast control room is based in the extended half of the building, which was built in the mid-1980s to provide an expansive, airy and laid-back space to accommodate the band''s SSL E series console and sizeable collection of outboard. The desk is joined by an awesome monitoring system, boasting some Westlake HR1 Monitors with a Sigtech AEC1000 Processor and powered by 6 x PSA2 amplifiers. To the left of the console are the racks of outboard, which boast a great choice of pre-amps and FX modules, as well as two vintage tape machines. To the right of the console, a large window allows natural daylight to pour into the room, and provides stunning views across the idyllic rural surroundings. The room''s design and layout provides an abundance of space for clients to spread out in, and houses a luxurious seating area.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Located on the other side of a large glass divide is the studio''s brilliant live area. This spacious live room can comfortably cater for large ensembles and proudly boasts an exquisite 7-foot Steinway grand piano with Forte Music MIDI. Accompanying the Steinway is an extensive collection of top-quality backline equipment, which is available for use on sessions with no extra charge. It includes some mouth-watering collections of guitars and keyboards, including rare and highly sought-after guitars by Gretch, Rickenbacker, Fender, Gibson and Steinberger, as well as a whole host of rare and incredible-sounding keyboard models made by Moog, Roland, Hammond, Korg, Ensonic and Yamaha.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Adjoining the main live area is a good-sized stone room providing a great isolation space for those looking for a different sound. Adjacent to the stone room is the building''s original control room, which was converted into a programming and editing suite when the large extension was built.&nbsp;<br /><br />The rest of the building is comprised of Fisher Lane''s recreation room, which offers a chilled space for clients to unwind in. Located in front of the control room, it features a beautiful stone-brick fireplace and wooden ceiling beams, as well as a leisurely set of brown-leather furniture creating a warm and relaxing character. The room benefits from having Sky TV and internet access, as well as an adjoining kitchenette kitted-out with all the mod cons.<br /></span></p>";}}}}', NULL),
(222, 12, 41, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:4:{i:1;a:2:{s:5:"Image";s:35:"201106300517002375412timthumb-1.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:35:"201106300517122700424timthumb-2.jpg";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:35:"201106300517372186446timthumb-3.jpg";s:17:"Image Description";s:0:"";}i:4;a:2:{s:5:"Image";s:35:"201106300517482231824timthumb-4.jpg";s:17:"Image Description";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:2831:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Lightship95 is located in Trinity Buoy Wharf to the North East of the Isle of Dogs. This is one of the most iconic stretches of the Thames; The O2 Dome is directly opposite the ship, and the towering financial district of Canary Wharf is slightly to the West. Lightship 95 boasts great panoramic views of the river and the redeveloped London docklands.&nbsp;<br /><br />The ship is reached via a drawbridge. It is split between two levels: the recreational and living areas on the upper deck, and the recording studio on the lower deck in what used to be the engine room. The ship''s engine was ripped out to create the space in which the studio has been built.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">In the centre of the lower deck is the live room. It measures 520 sq ft and is naturally lit through a skylight above the drum riser. Ben has designed a fantastic acoustic space which maximises the quality of your recordings. There is a high ceiling, many acoustic panels offering a choice of sonic options, some unique reverb chambers and an isolation booth in one corner. There is also a great choice of backline: guitars and bass guitars by Fender and Gibson, some fantastic amps and pedals, and a Pearl Masters Birch drumkit; plus a good choice of microphones including AKG, Beyer Dynamic, Coles, Sennheiser, Neumann and DPA.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Next to the live space is the control room, which occupies the space where the ship''s huge fuel tank used to be. The control room measures 300 sq ft and is daylit via a selection of portholes and skylights. The vintage Calrec console sits beneath the four portholes. It is a fantastic-sounding desk, and is accompanied by a monitor setup including Quested VS3208s and Yamaha NS10s, powered by Hafler amps. There is a Protools HD2 rig with a Lynx Aurora Convertor providing 16 ins and 16 outs, and a selection of outboard. At the back of the control room is a large and comfortable leather sofa, and on the right side of the room is a glass divide providing a clear line of visibility between the control and live rooms.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">At the top of the staircase is a saloon / rec room with TV, as well as a galley / kitchen. The upper deck''s living spaces are flooded with natural light on two sides. There is also access to the lighthouse which provides a breathtaking view of the London skyline. Outside on the deck, there is a huge amount of space for clients to use on a sunny day... catch the rays, light a barbecue and enjoy the amazing river views...<br /></span></p>";}}}}', NULL),
(223, 20, 41, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:3:{i:1;a:2:{s:5:"Image";s:41:"201106220654122578355musikbox_MG_4395.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:41:"201106220700552612143musikbox_MG_4340.jpg";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:40:"20110622070247280109musikbox_MG_4266.jpg";s:17:"Image Description";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:2719:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">A short walk from Kentish Town tube station, Musikbox is on Highgate Road, slightly past The Forum music venue on the left hand side of the road. The studio is in Linton House, but is accessed round the back of the building. If you turn into the road prior to Linton House you will see some metal gates on your right. During the day they are unlocked and you walk through them to the last door on the right hand side. At night it is best to call the studio to gain access.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">In February 2007, we replaced the ageing Harrison console previously occupying the room with a pristine condition Neve VR60, and teamed it up with supreme sounding ATC monitors. With Pete Heller''s vast collection of analogue synthesizers supplementing the console and monitoring, Musikbox has become a magical studio to work in, perfect for mixing, track-laying, overdubbing and writing.<br /><br />The entrance to the studio takes you into a kitchen/lounge area, which although in a basement has a wonderful chic interior and natural daylight. Inside you will find Sky TV, broadband internet access and a modern kitchen area. The studio is so well designed that it feels like you are walking into someone''s flat ! (a posh one).</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">From the recreation area you pass up some stairs into the first of two booths. This booth leads directly into the control room or if you turn right you find yourself in the main booth. The main booth is large enough to fit a drum kit while the smaller one is perfect for guitar amps or vocalists. The main booth has direct line of site with the control room.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The control room is perfectly shaped making the monitoring astonishing. No expense has been spared in the look of the room and to the rear of the control room there is natural daylight. The newly installed Neve VR60 (56 loaded) is situated towards the awesome sounding ATC SCM300A''s. To the right of the desk is the main booth and to the left and rear are the racks. The room has a well-selected choice of equipment including a Lexicon 480L, AMS 1580S, Urei compressors, a GML 8200 and a pair of neve 33122 EQs. On top of this there is a vast array of analogue keyboards. All of these combine to make this an amazing mix room and a fantastic working environment.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><br /></span></p>";}}}}', NULL),
(224, 21, 41, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:4:{i:1;a:2:{s:5:"Image";s:33:"201106220705062882195_MG_8400.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:33:"201106220705582570467_MG_8346.jpg";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:33:"201106220706362724553_MG_8456.jpg";s:17:"Image Description";s:0:"";}i:4;a:2:{s:5:"Image";s:33:"201106220707122950668_MG_8192.jpg";s:17:"Image Description";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:2904:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Sofa Sound studio is a short walk from Turnham Green tube station in West London. Formerly known as Stanley House, this outstanding SSL mix room is now owned by one of the all-time great British producers, Hugh Padgham and we are privileged to be asked to run it on his behalf. The studio is based in a charismatic Edwardian Warehouse and is built to the highest specification. There is free parking on the road outside, and the fantastic bars, cafes and restaraunts of Chiswick High Road are a just short walk away.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Sofa Sound is situated on the building''s first floor and consists of a large daylit control room and a good sized live room with two adjoining booths. The control room is very light and airy, and further benefits from outstanding Quested monitoring. In the heart of the room is a SSL G+ series console with 64 mono, 4 stereo channels and ''E'' EQs, in pristine condition.&nbsp;<br /><br />The FX rack is located behind the console and contains all the usual suspects, plus a good selection of fantastic vintage mic amps, equalisers and compressors including a rack of vintage Neve EQs. The top of the rackspace can be used to locate additional gear. Behind the FX rack are two additional work areas with internet station and a comfortable sofa.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Located in front of the control room is the live space, and to the right of the live space is the machine room. The machine room contains the fully specified protools rig (with Apogee convertors) and 24-track 2" machine which helps keep control room noise to a minimum. The live space is large enough to comfortably fit a 5-piece band and consists of a main live area with an upright Yamaha piano, and two adjoining booths which both fit a drum kit. The studio boasts a good selection of microphones, so combined with the amazing mic amps you are guaranteed a fantastic sound. As does all of Miloco''s studios, we believe this studio thrives on a combination of modern digital recording techniques and vintage analogue equipment.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">We try to keep the control room in top condition and therefore ask that eating is restricted to the large recreation space on the floor above. With the new laws, the building is now no-smoking. For those in need of a gasp there is a fantastic roof terrace providing views across West London. The recreation area is a spacious room with a pool table, table football, Sky TV, a kitchen preparation area and places to eat. All in all we believe you will be hard pushed to find such an outstanding mix room in West London.<br /></span></p>";}}}}', NULL);
INSERT INTO `pages` (`id`, `studio_id`, `page_layout_id`, `content`, `additional_content`) VALUES (225, 21, 32, 'a:1:{s:2:"en";a:3:{s:6:"group1";a:1:{i:1;a:2:{s:11:"Intro Image";s:0:"";s:10:"Intro Text";s:0:"";}}s:6:"group2";a:28:{i:1;a:2:{s:5:"Image";s:37:"201106240303272671090sofasound2.1.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:33:"201106240304042240252_MG_8386.jpg";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:33:"201106240304302358956_MG_8208.jpg";s:17:"Image Description";s:0:"";}i:4;a:2:{s:5:"Image";s:33:"201106240305402741960_MG_8383.jpg";s:17:"Image Description";s:0:"";}i:5;a:2:{s:5:"Image";s:33:"201106240306102919505_MG_8192.jpg";s:17:"Image Description";s:0:"";}i:6;a:2:{s:5:"Image";s:33:"201106240306332696921_MG_8377.jpg";s:17:"Image Description";s:0:"";}i:7;a:2:{s:5:"Image";s:33:"201106240306582531799_MG_8247.jpg";s:17:"Image Description";s:0:"";}i:8;a:2:{s:5:"Image";s:35:"201106240307282791018_MG_8230-2.jpg";s:17:"Image Description";s:0:"";}i:9;a:2:{s:5:"Image";s:36:"201106240307472343665_MG_8342-2a.jpg";s:17:"Image Description";s:0:"";}i:10;a:2:{s:5:"Image";s:32:"20110624030809235866_MG_8335.jpg";s:17:"Image Description";s:0:"";}i:11;a:2:{s:5:"Image";s:33:"201106240308342654696_MG_8390.jpg";s:17:"Image Description";s:0:"";}i:12;a:2:{s:5:"Image";s:33:"201106240308582548869_MG_8400.jpg";s:17:"Image Description";s:0:"";}i:13;a:2:{s:5:"Image";s:33:"201106240309252444283_MG_8421.jpg";s:17:"Image Description";s:0:"";}i:14;a:2:{s:5:"Image";s:33:"201106240309432263509_MG_8353.jpg";s:17:"Image Description";s:0:"";}i:15;a:2:{s:5:"Image";s:33:"201106240310082314848_MG_8440.jpg";s:17:"Image Description";s:0:"";}i:16;a:2:{s:5:"Image";s:32:"20110624031029230924_MG_8302.jpg";s:17:"Image Description";s:0:"";}i:17;a:2:{s:5:"Image";s:33:"201106240311002473254_MG_8472.jpg";s:17:"Image Description";s:0:"";}i:18;a:2:{s:5:"Image";s:33:"201106240311242916753_MG_8282.jpg";s:17:"Image Description";s:0:"";}i:19;a:2:{s:5:"Image";s:33:"201106240311482467761_MG_8166.jpg";s:17:"Image Description";s:0:"";}i:20;a:2:{s:5:"Image";s:42:"201106240312212796803frankosofasound11.jpg";s:17:"Image Description";s:0:"";}i:21;a:2:{s:5:"Image";s:42:"201106240312442666943frankosofasound10.jpg";s:17:"Image Description";s:0:"";}i:22;a:2:{s:5:"Image";s:41:"201106240313092764898frankosofasound3.jpg";s:17:"Image Description";s:0:"";}i:23;a:2:{s:5:"Image";s:41:"201106240313292516221frankosofasound8.jpg";s:17:"Image Description";s:0:"";}i:24;a:2:{s:5:"Image";s:59:"201106240317132387700Screen shot 2011-06-24 at 11.17.26.png";s:17:"Image Description";s:0:"";}i:25;a:2:{s:5:"Image";s:59:"201106240319322308054Screen shot 2011-06-24 at 11.19.48.png";s:17:"Image Description";s:0:"";}i:26;a:2:{s:5:"Image";s:59:"201106240321092619292Screen shot 2011-06-24 at 11.21.27.png";s:17:"Image Description";s:0:"";}i:27;a:2:{s:5:"Image";s:59:"201106240324052826372Screen shot 2011-06-24 at 11.24.25.png";s:17:"Image Description";s:0:"";}i:28;a:2:{s:5:"Image";s:59:"201106240325482905631Screen shot 2011-06-24 at 11.26.04.png";s:17:"Image Description";s:0:"";}}s:6:"group3";a:1:{i:1;a:1:{s:11:"Description";s:32489:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>So how are you and what have you been upto recently?</strong>&nbsp;<br /><br /><strong>HP</strong>: Very well thank you...&nbsp;<br /><br />I''ve been commissioned to do 2 albums for a publishing company. It''s basically a new version of the library music concept where music is made to be placed in movies, television programs and commercials, but is never commercially released. They are pukka songs written by songwriters, but my deal as a producer isn''t royalty-based, it''s based on sync and publishing income. This company is particularly involved in product placement and they market the music very aggressively.&nbsp;<br /><br />I see absolutely no sense in working for bands on labels anymore unless you are absolutely ecstatic about them, because the chances of actually making any money out of a label nowadays... well you''re probably more likely to win the bloody lottery! The budgets are so low, and it just doesn''t really make sense any more. Nor do I actually know any young band who wants to sign to a label. I think the idea nowadays is to try and sell as many records as you can so that perhaps a label then takes interest, and then you can perhaps license your music to them. The one thing that labels have which is hard to better is their marketing and distribution, in the respect of international markets. But they are still rightly branded the enemy...&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>It''s been roughly 2 and a half years since we joined up to run your studio, Sofa Sound. How has life been working with Miloco?</strong>&nbsp;<br /><br /><strong>HP</strong>: I think it''s been fantastic working with Miloco, because if you actually want to make any money then running and owning a recording studio is not really a business I would advise anyone to get into! So what works for me is that when I go on holiday or if I am doing a project abroad, it''s absolutely brilliant that Miloco have been able to fill it up with other people, so the place does still earn a bit...</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Of course before that, you''d had a number of years enjoying your own private use of Sofa Sound. We''d love to know how it came about that you acquired the studio for yourself...</strong>&nbsp;<br /><br /><strong>HP</strong>: I had worked at the Townhouse for years. Back in the mid-nineties they converted their tape libraries into production rooms, so I took a room and had a small Protools setup, a Control 24 console, and a bunch of analogue gear such as compressors and Neve modules. Even though you still wanted a proper studio for your main recording and mixing, it was becoming obvious that it was crazy to hire Townhouse Studio 1 for &pound;1200 a day just for vocal overdubs.&nbsp;<br /><br />But then 5-or-so years ago, EMI had sold the place to Sanctuary and it was getting pretty obvious that things weren''t going too well, and I thought it was time to jump before I was pushed. That coincided with it suddenly dawning on me that it wasn''t impossible to buy a second-hand SSL anymore, but although there were loads of them out there I hadn''t been able to find one that I really wanted, which was not very old and not too beaten up, which had VU meters not light beam meters, and which didn''t have moving fader automation. It is more cost-effective not to have light meters going down the whole time, and because I''d never used moving fader automation before I didn''t really want it.&nbsp;<br /><br />Eventually, one day I was flicking through a magazine and I saw ''Console for Sale currently in Private West London Studio''. So the next day I rang up the advert... I knew of Stanley House, and the guy who owned it was wanting out - he said "there''s two good things about owning a studio, they''re like boats: the day you buy it and the day you sell it!".&nbsp;<br /><br />The console was everything that I wanted: age-wise, the VU meters, the faders... It was in very good condition as it had originally been commissioned to go into a Japanese studio, and it had also never been in a room where there had been cigarette smoke.&nbsp;<br /><br />The guy was moving out too, so I went downstairs to speak to Jess... "oooh we''d love you to take the room, Hugh". I thought this is absolutely brilliant - I''ve got a fully-built studio here, and a console that I don''t have to move anywhere else. It also meant that I wouldn''t need to curtail operations for six months, while I bought an SSL, move it out of wherever, get the studio setup, get the console commissioned... I mean you''re probably looking at four to six months at least. So I was instantly in there, working.&nbsp;<br /><br />And then, six months later, Jess came in one day and said, "oh its bad news, the owner wants to sell the building". But to cut a long story short, myself and Chris Porter - another tenant in the building who moved in around the same time as me - hatched a plan together, and the two of us bought the building.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Of course before that, you''d had a number of years enjoying your own private use of Sofa Sound. We''d love to know how it came about that you acquired the studio for yourself...</strong>&nbsp;<br /><br /><strong>HP</strong>: I had worked at the Townhouse for years. Back in the mid-nineties they converted their tape libraries into production rooms, so I took a room and had a small Protools setup, a Control 24 console, and a bunch of analogue gear such as compressors and Neve modules. Even though you still wanted a proper studio for your main recording and mixing, it was becoming obvious that it was crazy to hire Townhouse Studio 1 for &pound;1200 a day just for vocal overdubs.&nbsp;<br /><br />But then 5-or-so years ago, EMI had sold the place to Sanctuary and it was getting pretty obvious that things weren''t going too well, and I thought it was time to jump before I was pushed. That coincided with it suddenly dawning on me that it wasn''t impossible to buy a second-hand SSL anymore, but although there were loads of them out there I hadn''t been able to find one that I really wanted, which was not very old and not too beaten up, which had VU meters not light beam meters, and which didn''t have moving fader automation. It is more cost-effective not to have light meters going down the whole time, and because I''d never used moving fader automation before I didn''t really want it.&nbsp;<br /><br />Eventually, one day I was flicking through a magazine and I saw ''Console for Sale currently in Private West London Studio''. So the next day I rang up the advert... I knew of Stanley House, and the guy who owned it was wanting out - he said "there''s two good things about owning a studio, they''re like boats: the day you buy it and the day you sell it!".&nbsp;<br /><br />The console was everything that I wanted: age-wise, the VU meters, the faders... It was in very good condition as it had originally been commissioned to go into a Japanese studio, and it had also never been in a room where there had been cigarette smoke.&nbsp;<br /><br />The guy was moving out too, so I went downstairs to speak to Jess... "oooh we''d love you to take the room, Hugh". I thought this is absolutely brilliant - I''ve got a fully-built studio here, and a console that I don''t have to move anywhere else. It also meant that I wouldn''t need to curtail operations for six months, while I bought an SSL, move it out of wherever, get the studio setup, get the console commissioned... I mean you''re probably looking at four to six months at least. So I was instantly in there, working.&nbsp;<br /><br />And then, six months later, Jess came in one day and said, "oh its bad news, the owner wants to sell the building". But to cut a long story short, myself and Chris Porter - another tenant in the building who moved in around the same time as me - hatched a plan together, and the two of us bought the building.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>How many changes - cosmetic and technical - were initially made to Sofa Sound when you moved in?&nbsp;</strong><br /><br /><strong>HP</strong>: Well I had quite a lot of my own gear, and then I also bought one or two bits and pieces and a few microphones which had belonged to Stanley House. I had a small collection of microphones myself, like some of my favourite mics, but I didn''t have things like U87s and others which are ubiquitous to big studios. So I had to go out and buy a bunch of good mics. I now have a collection of 40 to 45 which suit me fine and seem to suit most other people; Neumanns, Shures, AKGs... I''ve got one or two older mics, and Chris has some old mics downstairs so we can borrow off him sometimes...&nbsp;<br /><br />I also bought an EMT 140 Echo Plate that had to be found and wired in, and I also made quite a lot of little changes such as putting tie-lines in. We also renovated the 24-track, and so now we can swap from analogue to Protools, or connect the two together if you are working in analogue and then copying into Protools. We made a few little acoustic changes as well...&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Of course not only is it an excellent mix suite but you also have that great live space in there as well. What particular aspects of tracking do you find the space at Sofa Sound is particularly suited to?</strong>&nbsp;<br /><br /><strong>HP</strong>: Well I love that space. Some people say, "oh it doesn''t look very big compared to some studios", but then, if you take a band to even Studio 2 at Abbey Road, they''re lost in there. The great thing about my place is that although it''s a bit of a squeeze, the guys are all next to each other which is what it''s like at a rehearsal studio or onstage. So we try to replicate a stage environment. We''ve got enough separation as I''ve got the two booths, and for drums... I''ve never got a better drum sound in my life. There''s this corridor that leads from the hall into the control room, and it has plain stone walls with an arch ceiling. If I open the doors to the corridor and put omni mics out there and compress them, you get a really big, fantastic drum sound, similar to the famous stone room at The Townhouse where we got the big Phil Collins ''In The Air Tonight'' sound. Everyone went, "oh my god that is just the most massive drum sound", but the room itself wasn''t actually that big, it was just treated acoustically.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Before we move on from the desk completely, we''d just like to touch on the big affiliation you have with SSL. Can you tell us what it is about SSL desks that make them your long-standing personal favourite over other consoles/manufacturers?&nbsp;</strong><br /><br /><strong>HP</strong>: Well, first of all, I love Neves as well. I have a rack of early 1970s classic Neve modules and I use them all the time. There was a Neve in the studio in Montserrat that I did the Police stuff on which was an absolutely wonderful console. And I love old Tridents and old Helios desks which are very hard to find now, although you can find old modules for them.&nbsp;<br /><br />But you see for me the great thing with the SSL was that I had a hand in the development of it. The first console, which was a B Series, we helped develop technically and ergonomically into what became the E Series and then the G Series: for example the position of the monitor faders. The original desk also had rotary routing switches on it so you could only route to two routes at a time. So we had a big hand in developing that console and in particular the automation. I still think SSL automation is the best by far - the simplest. And I''m talking about the E and G''s automation, not necessarily the J which was derived from their film consoles.&nbsp;<br /><br />People have derided the SSL''s sound over the years, but I''ve always liked the sound of them, it''s great for rock bands. It''s chunky and the EQs can be vicious. I retro-fitted my console back to the E Series EQs which I always preferred over the G Series ones. There''s the fact that even now on the old Neve consoles you don''t have instant access to your compressors and noise gates, but what was very much a part of how we found that Phil Collins sound, was that we could just muck around without having to patch things in all the time. It was the ability to have 60 compressors on a 60-channel board, whereas before you were lucky to have two pairs of 1176s and a pair of DBX160''s...&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>We''ve already mentioned your collection of classic Neve EQs, but from what you hear from other producers and engineers who use the room, are there any bits of gear that come across as particularly popular with Sofa Sound regulars?</strong>&nbsp;<br /><br /><strong>HP</strong>: Well of course the Neves are very special, but also the Urei 1176s, the Teletronix LA2 compressor, the AMS Delay lines, the AMS reverb. They are all popular bits of outboard. I''ve got these Tubetech EQ''s which are copies of Pultecs, and people like them. I''ve got a remake of the Urei pre-amp and equalizer that was on the classic American desks of the early to mid ''60s, which a lot of the old soul stuff was recorded on. So I like to have a good balance of interesting old stuff and the modern plug-ins as well. But I think it''s things like the Neves and the Yamaha Rev 7''s which people still love because they have a real sound character of their own. Many are now emulated into plug-ins but I still think it''s nice to have the real thing.&nbsp;<br /><br />Then I have the Analogue 24-track which has been lovingly restored, and also an ATR 100 &frac12;" which is generally still regarded as the best mix-down stereo machine ever. So one can record all Tube, or all Solid State, or all Protools in the studio.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>We often like to ask producers on their thoughts towards the progressive transition towards digital in the studio. You have the benefit of using the best both mediums have to offer, so have you personally found the rise of digital technologies in recording studios has affected the way you like to work ?</strong>&nbsp;<br /><br /><strong>HP</strong>: I think it has in the sense of its editing possibilities. Even I, who am a massive fan and stalwart of analogue recording, look back on days of spending hours manually comping vocals, and not wanting to go more than one generation down, and whether you come off the sync head or the repro head, and the time it used to take to do all that. I don''t know if it''s whether I am older and lazier, or that old syndrome of ''why does an old dog lick its balls?'' and the answer is ''because it can''. So the whole thing of analogue editing compared to digital is a complete no brainer...&nbsp;<br /><br />My favourite method of recording a band at the moment is to do my basic recording onto 24-track and then to copy that into Protools and carry on from there. I think I get the best of both worlds that way. But to be completely honest I absolutely refute anyone to say that records sound any better than they did 20 or even 40 years ago, when people recorded onto 8-track or 16-track. I am horrified to hear masses of people still working at 44.1 k, whereas I moved to 96 or 88 quite a few years ago, but then I tend to use Protools very much as a tape machine rather than a whole work station. People who are running 4,000 plug-ins still have to stay at 44.1...&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>So would you say that plug-ins are not managing to emulate original analogue units?</strong>&nbsp;<br /><br /><strong>HP</strong>: I wouldn''t say they''re failing to emulate them, but sometimes I don''t think they have the character. I also think some of it''s in my brain as well, and because I''ve got a lot of the real models I''m not going to use the plug-in versions. But I do have some favourites. I love all the Chandler stuff like the TG1s. Miloco''s clients would expect to have X, Y and Z, so we do keep up with the latest plug-ins, even if I don''t use them all myself.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>And how about the future? Are there any plans or ideas you have for Sofa Sound which you are looking to introduce, technical or other?</strong>&nbsp;<br /><br /><strong>HP</strong>: We''re going to upgrade the Protools system this year because it''s finally running on Snow Leopard, and I''ve been loathe to upgrade it until it''s running on the latest operating system. Other than that I''ve put a new carpet down and re-painted the place, but I don''t really think there''s anything that major which I don''t already have....&nbsp;<br /><br />You see the problem with studios is that they can become an obsession. I yearn for things in the way you might yearn to have a new badge on your car! If Malcolm Jackson has a sale on then I will go down there knowing it will be very hard not to buy something. Not that long ago I bought an EMT 245 Digital Reverb, just because they are absolutely brilliant sounding things.&nbsp;<br /><br />I''ll go down to British Grove, Mark Knopfler''s studio, and I''ll look around and get very jealous because he''s got more old microphones than I''ve got, and more of this and more of that and more of everything..! If I hear that someone has bought an incredibly rare microphone, I tend to think, "shit I wish I''d bought it myself!".&nbsp;<br /><br />But I''m trying to get over that. I had David Gilmour here playing guitar the other day, and he''s got his own amazing studio on this boat at Hampton Court. We were chatting about what an incredible money drainer having a recording studio is, not helped by the fact that we can''t charge enough for them as everyone in our business knows. 20 years ago we were charging almost twice what we are now, and that''s without even working out how much inflation has gone up by.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>It seems in the current climate that there are now many producers and engineers following a similar suit to yourself by looking for a private, tailored space, away from the traditional commercial studio. Do you believe it is a trend which could potentially put an end to the commercial studio as we know it?&nbsp;</strong><br /><br /><strong>HP</strong>: I think it''s been going that way for years, but if you''re a rock band you''re still going to need a soundproof space with a reasonably good acoustic to be able to record drums. Even though you can get these amazing drum sample albums now - I noticed just this week Abbey Road have come out with one - and if you''re a very clever programmer you can do an excellent job. But if you''re in a band you are going to want to sit behind a bloody drum kit and thrash around on it. So I think as long as bands still exist there will still be a necessity for studios, and I think other than young chaps who have grown up working within a box, people still love to be able to sit in front of a console.&nbsp;<br /><br />I''m not saying that people can''t make great mixes at home because they can compensate, say if the room is too bassy. But it''s nice not to have to compensate and I just hope that there''s enough professionals around like myself who have either been spoilt, or are just too used to working in studios that they will always want them. One day, if they don''t, I will just close the whole thing down and sell the building, and probably end up richer because of it. In some respects I have to say the studio is a bit of a hobby, but if people still want it then great...&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>You are of course in a great position to compare the state of the industry today to that of the 1970s/80s when you were establishing your career. What do you feel are the main weaknesses in the music business today, which has of course had a knock-on effect towards a slowing studio market?&nbsp;</strong><br /><br /><strong>HP</strong>: I think it''s a massive combination of things. Record companies have charged too much for music - I don''t think people think paying 12 or 13 quid is good value for ten tracks anymore. I think they are at fault for being too greedy, because the profits they made were massive, although to defend them slightly there were vast areas of the planet where they weren''t earning any money, ie. the far east where it was all being ripped off.&nbsp;<br /><br />I think people''s perception of what an album is worth is probably about a fiver, which is pretty hard to stomach considering two pints is more than that. And to think that all the effort and expense that goes into making an album, and it actually ends up worth less than 2 pints, well it''s slightly worrying. Then also when iTunes came along people were able to cherry-pick tracks. That was heaven for them because they knew there were only three good tracks on it anyway - partly because the producer or writer has said, "I''m not going to waste all of my good tracks on one album because I know the label will only promote three of them." When I started we used to go into the studio with a band. The label would say "make an album", and would then choose a single. Nowadays they won''t let you into a studio unless they hear a single.&nbsp;<br /><br />So it''s a combination of that and file-sharing. But I hope what comes out of it is that disk space becomes so easy and cheap that we can get the quality of music back up from the present MP3 to the other end of the scale, because when compared to video and other businesses, music is the only one where quality has actually gone down from the ''60s. From vinyl, then to CDs, to MP3s, the quality has gone down, whereas television has gone from black and white, to colour, to high-definition, and now to 3D. In the music business we''ve tried three times to get multi-channel quad or surround sound underway, and it''s failed every time. It''s bizarre how audio and video have done opposites.&nbsp;<br /><br />What I do hope is that we get back to making records much quicker in a studio. Yes, the budgets aren''t what they were, but then you don''t need to spend six months making a record. I think it should go back to being this: a band are signed because they can bloody play their arses off. They will go into a studio and play like they did in the ''60s when you could make an album in two or three days, and if that''s the case; more bands making more music; people less precious about having voices auto-tuned or drums drum-detective; where you can just go into the studio, play it, produce the record warts and all, and release it. Then it won''t cost so much to make records, and hopefully the studios that are still there can get more stuff going through quickly and you can keep the fee charges up.&nbsp;<br /><br />One reason all the studios have closed down is that they couldn''t afford to pay the rent anymore. If you look at most studios that are actually still in existence, they are the ones that own their own bricks and mortar. Studios started moving out of the West End years ago because they couldn''t afford the rent. They moved to West London and then again the landlords put up the rent, when the studios'' incomes had been going down. So it doesn''t take the brain of Britain to work out that sooner of later it''s not going to work...&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>You''ve worked with a catalogue of the most successful artists over the last three decades. It all began back in the early 70s when you worked as a Tape-Op at Advision Studios for the likes of Emerson Lake and Palmer. How did that very first gig come about?</strong>&nbsp;<br /><br /><strong>HP</strong>: Well everyone says it was Emerson Lake and Palmer, but it actually wasn''t, it was with a prog rock band called Gentle Giant. It''s a classic Wikipedia wrongism and I should edit it!! Gentle Giant at the time were quite a big prog rock band in the same genre as ELP and Yes. I also worked with a pop band called The Sweet who were very big at the time, as well as Mott the Hoople amongst other stuff. In those days there were probably 15 top studios in London and as a leaving schoolboy I just wrote to them all asking if they had any vacancies for a tea boy. I was very lucky that I got a job there. This was in early ''74, and I got made redundant after about six months because at the time they had a three-day working week due to a big miner''s strike.&nbsp;<br /><br />Then I moved onto a studio called Lansdowne Studios which also closed down a couple of years ago. It was the second oldest independent studio in London and had been going since 1954. A lot of famous stuff was recorded there: anything from Acker Bilk ''Strangers on the Shore'', to all the Dave Clark Five hits from the ''60s. Then in the ''70s you had people like Uriah Heep and other heavy metal bands, and also a lot of Trad-Jazz, Avant-Garde and Contemporary jazz as well. It was a great place to work for a few years because there was such a variety of music being recorded, and the engineers who I learnt from were all old school. One might call it an almost formal education in how to mic-up orchestral instruments and so on.&nbsp;<br /><br />That studio then went into more film-based stuff in the late ''70s, which was clever for them as they could charge massively more on an hourly basis, but I was more interested in working for rock bands. Luckily I knew some people who worked at Virgin, who originally just had the Manor studios in Oxford, and the Manor mobiles. But they decided they were going to build a residential studio in London which became The Townhouse, and that''s how I ended up there. So I was just on the staff for a few years, but after the success of Gabriel, Collins and XTC, I went freelance in ''81.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Do you view those particular records you worked on as significant in setting up the path to all of your success in later years...</strong>&nbsp;<br /><br /><strong>HP</strong>: At the time the Gabriel records were seen as being very advanced and avant-garde, in terms of the recording techniques and sound. We were so massively into the whole sound quality thing. Nowadays it''s rare that people talk about that, unless you read the really nerdy magazines. Now people talk about music in respect of how much it has earned. Has it been a hit? How successful is it? Rather than, "oh my god you have to hear that album because it just sounds fucking incredible". Back then we were in the business of making records to sound fucking incredible, and then if they were also commercial that''s even better. But we were far less constricted compared to now. In those days we''d go into a studio to make an album whereas now it''s the other way around if you know what I mean.&nbsp;<br /><br />So we were totally into sound; aligning 24 tracks and Dolbys and so on. It would take the maintenance guys hours and hours, but that whole aspect of recording just doesn''t exist anymore. In some ways that''s good...&nbsp;<br /><br />There was of course the whole Phil Collins thing, people revered the Gabriel stuff, XTC wasn''t a massive commercial success but it was a good critical one. So suddenly I was the new boy on the block and I was lucky enough to hook-up with The Police, who at that time were one of the biggest bands in the world. I then made two albums with them which were massive as well...&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>How do you perceive the development of your own career? Do you feel there are differences or indeed similarities to how you approached your work in 1984, working with say David Bowie, or in 2004 producing McFly, for example?</strong>&nbsp;<br /><br /><strong>HP</strong>: I''lI approach things in pretty much the same way as I always have done, which is working with the band and trying to get the best out of them, and that''s usually having them all playing in a room together. Whether you''ll go onto replace the vocals or the guitar - invariably you do - but if you can still get the buzz and the vibe of the music down, whether you''re recording onto wax cylinder tape or Protools, that''s still the order of the day for me. I''d still much rather have a good vibe and a bad sound than a great sound and a bad vibe. But if one can encompass both of those things together then that''s great.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Are there any particular records you''ve worked on which you look back to with the fondest memories?</strong>&nbsp;<br /><br /><strong>HP</strong>: It''s hard to answer that question, because time tends to fade the bad memories away and keep the good ones. I think it''s a natural reaction of one''s brain. I have very fond memories of Peter Gabriel''s third solo album (<em>Peter Gabriel 3</em>). Peter was such fun to work with and such a lovely guy. I''ve also got great memories of doing Phil''s first album because that was the first major co-production for me, and we had no idea it was going to be a hit. I loved it because it was the first time I felt like I had such massive control over the musicians we were working with. We went to LA, we worked here, and we both chose musicians to come in. But it had this great feeling of empowerment about it. It was the first time we could basically ask anybody we fucking wanted to come in to the studio. And yes, they might say no, but we could actually ask them, and when you''re a little junior pipsqueak that''s a pretty exciting prospect! To think, "oh we could actually ring up Michael Jackson and ask him to come down..."&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>... and did you ?</strong>&nbsp;<br /><br />Well no we actually didn''t, but we could have done.&nbsp;<br /><br />And then working with The Police was absolutely brilliant, but of course they fought a lot. But then because they did fight and they practically hated each other, the anger that caused was just so recordable onto the tape. Even though I look back on those sessions as being hard work sometimes, and sometimes really quite upsetting, in a way the aggro of the whole thing put an edge onto the record. Even when I listen to the records now the energy on some of the tracks is really obvious.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>We''d like to finish by asking you for your best advice to any aspiring engineers and producers. What would you recommend are the main actions to take and pitfalls to avoid for newcomers in the field who are aiming for the top in the recording industry?&nbsp;</strong><br /><br /><strong>HP</strong>: You can sum it up almost instantly. You have to either be a writer or in some way make your services indispensible enough to end up owning part of the intellectual copyright of the music you are recording. If you don''t own any part of the music then you are absolutely buggered unless you want to end up working for &pound;50.00 a day for the rest of your life. That sums it up. You have to be a co-writer. If you''re not, make yourself in some way indispensible to the band, so that they will give you part of the publishing or ownership of the music.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Hugh Padgham was talking to Miloco in January 2010.</strong><br /></span></p>";}}}}', NULL),
(226, 23, 41, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:2:{i:1;a:2:{s:5:"Image";s:33:"201106220708432769791DSC_0397.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:32:"20110622070915284313DSC_0417.jpg";s:17:"Image Description";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:1991:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Steerpike is one of the most versatile location studio facilities you can find. The ''porta-studio'' can serve the majority of countries across the world, although there are of course some restrictions - war zones and natural disasters are best avoided...&nbsp;<br /><br />This is how it works. Miloco will co-ordinate your session from start to finish: packing and loading the studio in its home base in Tuscany, Italy; organising trucks, ferry/plane routes and all insurance documents; and making arrangements for staff, accommodation and any additional requirements such as hires and maintenance work.&nbsp;<br /><br />Prior to booking a session we will send a technician to your desired location to assess the suitability of the site, and to make sure that the session will run smoothly, both technically and logistically. We can then offer any guidance and suggestions necessary to maximise the productivity of your session.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Included in the price of Steerpike is the services of one of our studio assistants, although more then one may be required if heavy scheduling is involved - any additional assistant will incur an extra fee. The rate also includes all equipment listed on the spec page (see left sidebar), which is built around an SSL 4000G 64 Frame with Ultimation and ProTools HD4 accel, and which boasts fine selections of Dynamics, Effects, Mic-pre''s and EQ''s, and an excellent array of microphones.&nbsp;<br /><br />All accommodation, catering and travel costs are not included in the price. Should you require an inhouse engineer on your session, we can arrange for one of the guys from our talented roster of engineers to be present for an additional fee.&nbsp;<br /><br />To find out more on what is included at Steerpike, click the rates page on the left-side menu.<br /></span></p>";}}}}', NULL),
(227, 17, 41, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:3:{i:1;a:2:{s:5:"Image";s:36:"201106220718562642157Miloco-0487.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:36:"201106221401042857535Miloco-0522.jpg";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:36:"201106221405092992774Miloco-0540.jpg";s:17:"Image Description";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:3586:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Bridge is a 640 sq ft tracking space comprising three different recording areas. There are two entrances to the studio: the first leads into one of the two expertly-crafted booths at the back of the space; the second leads into the live room, and is accessed via a void separating The Bridge and its neighbouring mix studio, The Engine Room.&nbsp;<br /><br />The live room is approximately 300 sq ft and is fully air-conditioned. It is particularly suited for string quartet and live drum recordings, although 3 and 4 piece bands should be comfortably accommodated too. The room''s fantastic live sound is created through the brand new wooden flooring and large acoustic panels on the walls and ceiling, which are covered in burgundy and white fabrics and illuminated by halogen lights to create a relaxing and creative ambience. A large soundproof window at the front of the room provides direct visibility through to The Engine Room, and a smaller window and glass door at the back of the room provides visibility and access to the two booths.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The first booth is the slightly smaller of the two and produces a colourful, live sound. It features a brand new carpet, a fresh coat of paint and panels on the ceiling. Clients will find this an excellent alternative for recording vocals and guitars. It leads through to the larger booth, which produces a very crisp, dead sound. This booth is also air-conditioned and carpeted and provides plenty of space for a drum kit should you want that more controlled sound. The booth''s large window looks down into the main live space and across to The Engine Room on the other side of the void, and this is where it gets really interesting...&nbsp;<br /><br />We have designed The Bridge to work in conjunction with The Engine Room, or as a standalone facility. There are a number of combinations available to clients at a range of prices. All of the different areas within the two studios are fully tie-lined and benefit from having clear visibility between them. So both studios can be used together in which case clients have access to all of The Bridge''s exceptional tracking spaces, and The Engine Room''s world-class spec.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Another option is to use The Bridge as a standalone recording area, independent of The Engine Room. On request we can arrange for a Protools rig to be brought in and setup in one of the booths. With the addition of some mic pre''s and recording channels and our good selection of microphones, the room serves as an excellent tracking/overdub studio all on its own, and at a very affordable price too! And thanks to the fully soundproof walls you won''t even know that any mixing sessions taking place next door in The Engine Room are there!&nbsp;<br /><br />The third option, for clients using both The Bridge and Engine Room together, is to use the booths as potential editing suites so that editing can start while you are still tracking... Whichever method you choose to work you know you''ll have plenty of exciting options, and when you add all of the other creative possibilities presented by the other studios in the building, (our incredible, newly-rebuilt Pool tracking room and fantastic programming room, The Toyshop), you''ll simply love working in this hugely creative and revitalised complex...&nbsp;<br /></span></p>";}}}}', NULL),
(228, 19, 41, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:7:{i:1;a:2:{s:5:"Image";a:2:{s:3:"img";s:33:"201106220724112460110_MG_7203.jpg";s:3:"alt";s:12:"ssl console ";}s:17:"Image Description";s:21:"The Engine Room''s SSL";}i:2;a:2:{s:5:"Image";a:2:{s:3:"img";s:32:"20110622072521238325_MG_7218.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";a:2:{s:3:"img";s:33:"201106220726502117704_MG_7257.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:4;a:2:{s:5:"Image";a:2:{s:3:"img";s:31:"2011071108211425930_MG_7203.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:5;a:2:{s:5:"Image";a:2:{s:3:"img";s:0:"";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:6;a:2:{s:5:"Image";a:2:{s:3:"img";s:0:"";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}i:7;a:2:{s:5:"Image";a:2:{s:3:"img";s:0:"";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:3454:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Engine Room is a day-lit, soundproofed and air-conditioned mix room measuring 400 sq feet. It comprises an SSL 4056 G console (ex-Olympic), incredible choice of monitors, Protools HD3 and stacks of outboard.&nbsp;<br /><br />In 2009 we refurbished the room giving it a refreshed and contemporary image. The cosmetic improvements include brand new halogen lights, a high definition flatscreen TV, beautiful red fabric covering the acoustic panels and a fresh coat of paint, creating a dazzling red, black and creamy-white interior.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Much of the layout of the room has remained the same. The console sits at the front of the room facing the double sliding doors through which you enter the studio. It is of course joined by our well-renowned and impeccable monitoring system, including customized Munro M4''s - regularly checked and aligned by expert acoustician Nick Whitaker - and a choice of Yamaha NS10''s, Adam S3A''s and Genelec 1031''s running off a powerful Yamaha amp (the best match in our opinion), with a Bryston on hand if you wish to try it. The Engine Room continues to provide a truly world-class sonic arsenal for you to mix your records with...&nbsp;<br /><br />The outboard racks sit behind the desk and contain many of the toys you''d expect in a top end mix room. In addition to the Massenberg, Focusrite, EAR, Summit, Tubetech and Lexicon units, we have some intriguing effects such as the Moog 12 Stage Phaser and the Marshall Time Modulator. At the back of the room is a large and luxurious leather sofa sat beneath a skylight, and an additional workstation and computer for internet access and general use. The Protools rig has been moved from the back of the room to the void between The Engine Room and Bridge to reduce background noise. The rig has 24 inputs and 48 outputs and comes loaded with a whole host of both popular and rare plug-ins. However if you still wish to record onto 2", we have an Otari MTR90 with either 16 or 24 track available on request.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Having re-designed The Engine Room''s former live room, now named The Bridge, and having built a new soundproof wall to enhance the isolation between the two rooms, we can offer a variety of options to how The Engine Room and Bridge can be used. Both rooms operate together or separately depending on what is required. The Engine Room can of course be used solely as a mix room, but for an additional cost can be utilised with The Bridge and serve as a high-end tracking facility consisting of a control room and three recording areas: a main live space, a dead booth and live booth. We have a large microphone collection including some exceptional valve mics by Neve and AKG, and a good selection of backline including amps and keyboards that can be made available upon request...&nbsp;<br /><br />Now consisting of three separate areas, The Bridge can be used as an affordable standalone recording facility without the use of The Engine Room. We can arrange for a Protools rig to be brought in and setup in one of the booths, and then engineers can bring their own choice of outboard. Voila! We now have a whole new overdub/editing/recording studio...&nbsp;<br /></span></p>";}}}}', NULL);
INSERT INTO `pages` (`id`, `studio_id`, `page_layout_id`, `content`, `additional_content`) VALUES (229, 13, 41, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:3:{i:1;a:2:{s:5:"Image";s:34:"20110630053110253885timthumb-7.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:35:"201106300531202661263timthumb-8.jpg";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:36:"201106300531332688400timthumb-10.jpg";s:17:"Image Description";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:3219:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Garden is one of London''s legendary vintage band rooms. It was built in the late 1970s by Ultravox''s John Foxx and studio designer, Andy Munro. In its 30-year life it has produced major albums by bands such as The Cure, Depeche Mode, Spritualized and Arctic Monkeys. Today The Garden is operated by Miloco in partnership with producer Craig Silvey, and owner Matt Johnson of The The.&nbsp;<br /><br />The studio lives in the basement of a large period building in Shoreditch, one of London''s most dynamic and creative districts. This secluded and vibey space consists of a control room, main live space, large dead booth, and a rec room and kitchen.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">At the heart of the control room is the vintage Neve 8026 40 channel console. It comes with an incredibly rare 24 channel monitor section, is loaded with 24 mic amps and EQs, and consists of seventeen 1084 modules, six 1076 modules and one 1066 module. The room''s monitoring comprises some fantastic Boxer T2 main monitors, Genelec 1031A''s, Yahama NS10 Studios and Aurotones, which are accompanied by Bryston, Chevin and Quad amplifiers.&nbsp;<br /><br />Craig has enhanced The Garden''s outboard spec by adding an amazing collection of vintage modules. New Dynamics include a Urei LA4, Thermionic Culture Pheonix, Culture Vulture, Eclair LaLa model 62 and a GML 8900. The choice of EQs now include two very special vintage Helios Channels, a John Hardy M1, GML 8304, Focusrite Tone Factory, and two Telefunken V72s. There is also an exceptional array of Reverbs including two Ursa Major Space Stations and a Roland R880, and the following new Delays: AMS Phaser, Lexicon Super Prime Time, Mutron Bi Phase and TC 1210 Enhancer.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">A large glass divide separates the control room and the 470 sq ft live area. The live room is renowned for delivering big and powerful sounds, and has a famous reputation as having one of the very best drum sounds in London. Bands will be able utilise an exceptional selection of backline gear when tracking. We''ve built up an amazing collection of classic keyboards, amongst them a Valve Wurlitzer and Hammond. There''s a beautiful Yamaha drum kit on hand for you to make the most out of the studio''s drum recording potential. You''ll also find a great choice of guitar and bass amps by Fender, Marshall, Ampeg and Roland.&nbsp;<br /><br /><br />In addition to the main live space is a dry isolation booth, a selection of amp rooms and even a tiled coalbunker. So clients are provided a terrific range of different recording environments.&nbsp;<br /><br /><br />Also in the studio is a rec room with Sky TV and Playstation, a computer / internet room, kitchen and bathroom. Up on street level are all the delights of this fashionable part of the East End which is littered with bars, clubs and restaurants, just to give that extra edge to your Garden sessions. So settle in and enjoy this perfect band tracking location...&nbsp;<br /></span></p>";}}}}', NULL),
(230, 13, 32, 'a:1:{s:2:"en";a:3:{s:6:"group1";a:1:{i:1;a:2:{s:11:"Intro Image";s:0:"";s:10:"Intro Text";s:497:"<p>Once Craig Silvey had moved himself and his sensational collection of vintage gear into The Garden in October 2009, we caught up with him to discuss this newly-revitalised studio. We also delved into his successful career as a producer/engineer, including his time at his former studio in San Francisco, his work at the infamous Skywalker Ranch, and his life-long passion for vintage analogue gear, which has now gone a long way in laying the foundations for The Garden''s new vintage era...</p>";}}s:6:"group2";a:1:{i:1;a:2:{s:5:"Image";s:0:"";s:17:"Image Description";s:0:"";}}s:6:"group3";a:1:{i:1;a:1:{s:11:"Description";s:21414:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><em>We hope your settling in well to your new studio home... Your first project since the new desk was installed was with Ray Dar Vees...</em>&nbsp;<br /><br /><strong>Craig</strong>: Yeah settling in fine! It''s been great cos when we first started the Ray Dar Vees session, even though it was a hectic session because of the faults that you find with the desk (the newly-installed Neve 8026) when you first install it, but we put the faders up and instantly it was like "wow, that sounds great..". And me and Mark (Allaway, Miloco assistant) were commenting that the big monitors sounded better straight away...&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><em>There''s a theory that might have been helped by the fact that the 8026 is lower in height than the V3 we had in there previously...?</em><br /><br /><strong>Craig</strong>: Yeah some people were suggesting that there is an acoustic issue of the desk being lower, and also that the desk is shallower - you can see that I can actually reach the meter bridge which you''d have trouble doing on an SSL for example, so your nearfields almost end up like a glorified walkman!&nbsp;<br /><br />But beyond all the acoustic elements of it, the beauty of this desk is that it''s very simple. If you actually pull it apart you realise that there''s actually not a whole lot in there. There''s just a load of wires, no circuit boards...&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><em>... and it features this rare 24-channel Jukebox monitor section...</em>&nbsp;<br /><br /><strong>Craig</strong>: Yeah its very rare, you don''t see them hardly at all. It''s a monitoring section we use for tracking. Its basically 100% passive - there are no electronics to it. So your monitoring knob, even if you''re listening to a CD, it''ll just go through a couple of straight wires going all the way to your monitors, whereas more modern desks like the V3 will have loads of VCAs so that it doesn''t click and pop. And although all of these things that modern desks give you so that it doesn''t click and pop are great features, in the end it actually affects your audio. Even the line-input part of the desk, which is the 24 1084 and 1076 combination - which I''d consider the holy grail of Neve modules - you''ll do your basic tracking through those line modules, and then your monitoring through the jukebox section, it sounds so amazing that when you switch to a mix mode you think it doesn''t sound as good!!&nbsp;<br /><br />When we were doing some of these mixes for Ray Dar Vees last week, we actually contemplated using it as a glorified summing mixer. We didn''t actually do it because we didn''t have the time, but you could actually use it as an analogue summing mixer. You see the 8816 summing mixers that people are using for mixing in-the-box, well this is like the ultimate one of those. It will always, hands-down, sound so much better than any of those systems, because it''s completely passive, an original Neve.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><em>The studio has been transformed in such a short space of time. Are you pleased with how all of the setting-up and installs have gone?</em>&nbsp;<br /><br /><strong>Craig</strong>: Absolutely, yeah. I''ve never seen an install done so quick, and have so few problems! There were of course a few teething problems and perhaps a couple of miscalculations but it''s always going to be that way.&nbsp;<br /><br />When we got the desk commissioned we went to Blake, who''s obsessed with Neve, and has pretty much become the world source. He''s gone through the whole desk: every single line module, to every routing module, to the centre section, and has cleaned all of it. He''s only changed the caps as they were needed, and has used the most spec''d and original caps. It''s basically a new desk, which is great.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><em>The Garden has been marketed as a vintage band room for some time now, but we''re taking it to a whole new meaning of vintage now with the addition of your gear. Do you feel producers and engineers on the whole get an extra creative edge out of working in vintage-based studios?</em>&nbsp;<br /><br /><strong>Craig</strong>: I think so yeah. I guess I''m gonna open up the "special relationship" Trans-Atlantic issue here!! Certainly the West Coast United States recording ethos, which has been there for quite a long time, is seeped in the idea of having things vintage, which is why you''ll find more of these types of old Neve desks on the West Coast than anywhere else in the world. Everyone there recognised early on that they were way better sounding than your SSLs and your modern Neves. And I have to say I was quite shocked when I came to this country, to first work and then live, that everyone was so obsessed with SSLs and the modern Neves. They were going for convenience over quality; the convenience of a big SSL with compressors in each channel, and not having to use your patch bay and all that sort of thing. And it''s funny cos now I''ve been hear for about 12 years, I''ve gradually seen that attitude change. People have really started to click that these things do matter in your sound.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">So I think that this room was marketed as a vintage tracking room in the past, but from my perspective you''d find me on a desk like the V3 trying to patch around to avoid all the electronics on it. Because what they do on those modern desks, which of course for some people is what they want, is the convenience of being able to automate your EQs and have a compressor and a gate on each channel, and to able to flick your switches without it making a click sound, and to not even have to use the patch bay because you can route up-above. And that''s great if that''s what you prefer. But I think if you''re a purist and you want to make good-sounding records, certainly with acoustic instruments used by guitar bands, you want to make you signal as pure as possible.&nbsp;<br /><br />I''ve shipped over all my stuff from my previous studio, and I try and keep to this all the way along the line. Even the mic cables that we use, I''ve got these Mogami cables, they''re Japanese. And it used to be, back in my previous studio in San Fracisco, that a typical question you''d be asked when people came to look around, was "Ok you''ve got the 1084s, great, but what kind of wires do you use?". People were that obsessed. They''d say, "if you''re not using Mogami cables throughout then I''m gonna have to find another studio". And you could say that''s obsessive, but the thing is if you take it from the very first step, and every single stage is looked after, then in the end it actually makes your job easier. The first thing I had to do, when working on Ray Dar Vees, was put the faders up, and it was already sounding pretty good straight away.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><em>What else about this room did you see which attracted you to become this involved with it?&nbsp;</em><br /><br /><strong>Craig</strong>: Well it was a combination. The recording spaces are really good sounding, particularly for drums, and its surprisingly big sounding for its size. And on top of that was some of the outboard gear you had here. The outboard I had, which I shipped over when I came over here, was more sort of esoteric stuff that complemented your more standard studio gear. So I didn''t have your AMS Delays, or your AMS Reverbs, because usually I was going in studios that already had that kind of stuff. And this studio especially had a good selection of your good standards, such as the 1176''s and DBX 165''s.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><em>You''ve brought with you some pretty special Helios Channels...</em>&nbsp;<br /><br /><strong>Craig</strong>: Ah yes! They come from the Helios Island desks, and they really are quite special. Vintage gear has become fashionable, and obviously your marquee names are your Neves, but there are some of these other companies that were making desks used on some really great, classic records. Helios is the one that seems to get forgotten a lot. In the States they''re actually very well known now, and those are very sought-after modules. But again, here they haven''t really clicked yet, oddly because the desks were originally from here. They were the desks that were in Olympic and Island studios, they were built by this guy Dick Swettenham, and they basically were used on all the classic Rolling Stones records, Led Zeppelin, Bob Marley. So Dick was the main engineer at Olympic, but then Chris Blackwell from Island Records convinced him to start his own company and he built a couple of desks for Basing Street, which is of course now Sarm. So there are a couple in Sarm, and there was one in Island''s Jamaican studios, which is apparently the one where these channels came from. And then there was the Rolling Stones'' mobiles as well that had them...&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">So all those classic albums that you love from the ''70s were made using those. And it''s amazing cos as soon as you put an electric guitar through that, it''s almost instant Jimmy Page. They''re very quirky - it''ll take a minute for you to get your head around how they work, but they''re amazing. And some of the mic pres as well, like the Germanium ones, which break-up in a really nice way.&nbsp;<br /><br /><em>And before we move on from the desk completely, it of course has a very interesting history of its own...</em>&nbsp;<br /><br /><strong>Craig</strong>: Well it''s originally a US Desk, I think it was in RCA Studios. But my history with it probably dates back to about ''92 roughly. And I''ve actually owned it since about ''95. My old studio was previously called Coast, and originally the studio was a Bill Putnam room, which was the same guy who designed Ocean Way Studios. But anyway the history of the desk that certainly I know about, is that it lived in Coast, and then my studio which was called Toast. The name was obviously a play on ''Coast'', and I got a few people pretty angry with that. It was only meant to be a joke! I was walking past an old Pioneer Chicken, which is an American food chain, but this Pioneer Chicken had gone bust and was taken over by a Chinese Doughnut shop. So they had to change the sign to not say Pioneer Chicken anymore, and they basically got some gaffa tape and just changed the P into an F, and so they''re Doughnut Shop became Fioneer Chicken! And I just remember cracking up about it. So as my studio had a sign saying ''Coast'' outside, we thought it would be funny if we just turned the C into a T, and so it became Toast. We had no intention of ruffling anyone''s feathers but unfortunately we did.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">So anyway since about ''92 it had certainly been based in that location, which was Coast and then Toast. And a lot of big records got done on it; ''Last Splash'' by The Breeders, there was supposedly some Nirvana stuff although I''m not sure what, and then Neil Young did an album on it, which has only just been released actually, and I think that was called the ''Toast Sessions''. He recorded that around 2000 or 2001, so yeah I have a Neil Young album named after my studio! What else? REM ''Up'' was done on it, Third Eye Blind did some stuff - a huge act in the States, Smash Mouth as well.&nbsp;<br /><br />But before that I guess it was commissioned in about ''72 and it would have had a life until about ''78 or ''79, and then the SSL wave would have hit and it would have virtually become junk at that point for a good portion of the ''80s. And then the guy who started Coast picked it up, he was also a famous dealer - he''d go around Europe and say "oh I''ll take that desk off you. I''ll give you &pound;500.00 for it", and people would be like "yeah great, cos we''re getting a new SSL and we don''t know what to do with it anymore". So he ended up with about 100 of these and they''re now worth a lot of money."&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><em>Tell us about the some of your microphones which now live down here in The Garden, amongst them c12''s and u57''s...</em>&nbsp;<br /><br /><strong>Craig</strong>: Ok so we''ve got the c12''s, which I guess in the world of classic mics probably come in at number 2 to the Telefunken Ela M 251, in terms of desirability. So they''re pretty cool. And the u57s are great as well. If you''ve got a valve 47 and a c12, and neither or those mic''s are working then the u57 is pretty much inbetween. So yeah there''s a great combination of mic''s down here now...&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><em>And what about the backline. Miloco and Matt Johnson have built up a good collection over the years. What''s caught your eye so far?</em>&nbsp;<br /><br /><strong>Craig</strong>: Well yeah it''s a great complement, as again its something that I didn''t have a whole lot of. But we''ve pretty much now got all of the classic keyboards, cos I have actually brought in a Valve Wurli, which pre-dates the classic Wurli, and that sounds great. And then we''ve got the Rhodes, and the piano, and the Prophet 5, and of course the Mark 1 Mesa Boogie, which is now nearly impossible to find. And so you''ve really taken care of that side of things as well: there''s some great guitar amps, great bass amps, all good classic stuff. And it''s brilliant for doing sessions with the new bands who are so broke they don''t really have any instruments...&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><em>You are the latest producer to join Miloco''s ''producer partnership'' model of running studios. The recording industry is in a tricky and unpredictable time, but how important do you feel it is for us to try and keep classic commercial rooms open, or are we essentially destined for a future of home studios and mixing in-the-box?</em>&nbsp;<br /><br /><strong>Craig</strong>: Well of course coming from a vintage upbringing I really hope not. There''s one side, and it is fairly alarming. Some people might see this as slightly egotistical, but with a whole new generation of people what we seem to have lost is the ''experience'' side of things. The way I was trained was by real classic types of people, it was almost like a guild of masters. I got a lot of my training from people like George Massenburg, who was instrumental in me getting my job at Skywalker Ranch. While I was at Skywalker the amount of knowledge I got from working with people like George, Phil Ramone, Alan Sides, and loads of people of that sort of ilk. I learned so much. The main thing I got out of it was what I call my ''bag of tricks''. As I assisted with different people, I could learn ten things from them, and from those ten things you might take six of them and think, "that is absolutely amazing, I''m gonna put them in my ''bag of tricks''". And then the next guy comes along and you get another six things, and in the end you''ve got a mish-mash of your own tricks that make you personally a good engineer and producer.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">And it was all based upon things that you experienced doing sessions under people who really knew what they were doing. But I think there''s a real danger now of a lot of that being lost, because the older generations are getting older and retiring, and less of that is getting passed on down to the next generations. And while in the world of ''the box'' you can get a good standard of recording now, we still require that knowledge...&nbsp;<br /><br /><em>... so with the trend going that way, and with more and more commercial rooms closing down, is the quality of recorded music at risk?&nbsp;</em><br /><br /><strong>Craig</strong>: I think what''s happened is that you used to have a very ''high'' high, and a very ''low'' low, and what''s happened is that everything''s now gone somewhere in the middle. So what was the low has come up to an acceptable level, but the high is also coming down, mainly because people aren''t getting the same training, and have less time in these types of studios.&nbsp;<br /><br />That''s one side to it.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">But then, although I''m a vintage head, I''m not opposed to trying new ways, and of course the future is the future and you do have to move forward. But I don''t think you should move forward just because something''s telling you it''s easier to do or that its more flexible. You have to balance that out with your sound quality, because what we are doing is an art, we''re not data processing. So I think you have to, not necessarily suffer for your art, but put the effort in and not just do things the easy and simple way, but actually do things the best way. Of course I''ve done mixing-in-the-box, due to budget constraints, and I can do it and I''m happy to do it, but it just really doesn''t sound as good. I did a record where I tracked it through a pro control, monitoring through the box, and basically had all my rough mixes which were done in-the-box, but as soon as I brought it out onto an old vintage Neve, I put all the faders at zero, and you found that without having to do anything other than setting your pans, it instantly sounded better. Without any EQs or extra compressors, using the same internal EQs, but it all just jumped out - the depth and the width - and it was just like wow. And that''s real, its not just being snobbish.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">But I guess the original point in what Miloco is doing, I think it is important because somewhere we need to hold the ground and be saying, "ok that''s fine, you can go and mix your records in-the-box if you want to, but if you want that extra 10% done by people who know what they''re doing, here we are..." And whereas before you had to spend a million pounds to make a really classic record, you don''t have to do that anymore, which is great and that''s the way it should be, and it is more democratic musically. But certainly from a record company''s point of view they think, "oh we can mix in the box for &pound;50", and that''s too much compromise and I think that''s showing all the way down the line. I think music is becoming more ''McDonald''s'' and disposable. I mean there aren''t that many classic records being made anymore, or very few, in terms of longevity. People still put on ''Dark Side of the Moon'' and think "fuuuck what an amazing sounding record", but I''m not sure if anyone is doing that with any records being made now.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><em>A couple of year''s ago you spent some time at Hugh Padgham''s Sofa Sound studios - an SSL room - when you were mixing Portishead''s ''Third''. How did things work for you over there?</em> <br /><br /><strong>Craig</strong>: Oh it was great, yeah. Again sometimes what you want with the mixing side is a little bit more control, and what we were doing on ''Third'' at that point needed a really good monitoring environment that was very true. We''d kind of already "mixed it" mixed it, so we were just kind of perfecting it, and that studio was perfect for that. I knew that room before it was Hugh''s and I already knew that it was a great-sounding space for true monitoring, and add in all the gear that he''s got as well - he has a great collection for mixing purposes.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><em>Finally, what''s the best piece of advice you could give to any young and talented producers/engineers trying to get a foothold in the studio industry?</em>&nbsp;<br /><br /><strong>Craig</strong>: I think the best piece of advice really is to just get involved, be willing to put some hard work in that you may not get paid for, because you''ll get paid in experience. People spend lots of money on going to recording schools which I''m sure has its benefits, but at the same time there''s nothing like actually being in the studio, even if its just as an intern and getting five minutes with someone like Flood for example, cos in those five minutes he might tell you something that you''d never learn in a recording school, and you''ll certainly never learn sitting in front of your laptop at home. And it may seem that you have to do a lot of work and it''s a lot of grudge, but in the end those kind of things are invaluable.&nbsp;<br /><br /><br /><br /><br /><br />Craig was talking to Miloco in October 2009.&nbsp;<br /></span></p>";}}}}', NULL),
(231, 11, 41, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:5:{i:1;a:2:{s:5:"Image";s:32:"20110622073034234049_MG_5742.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:33:"201106220731362231264_MG_5271.jpg";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:33:"201106220732142960991_MG_5443.jpg";s:17:"Image Description";s:0:"";}i:4;a:2:{s:5:"Image";s:33:"201106220732502315953_MG_5605.jpg";s:17:"Image Description";s:0:"";}i:5;a:2:{s:5:"Image";s:33:"201106220734162980077_MG_5402.jpg";s:17:"Image Description";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:3702:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Ironworks recording studio is based in a warehouse building off Brighton''s Trafalgar Street in the vibrant North Laine, two minutes from the station and ten minutes from the sea. This part of town is known for the bars, cafes, restaurants, boutiques and venues that are rooted in Brighton''s famously laid-back and expressive way of life.&nbsp;<br /><br />The studio is on the first floor of the building on the far side of the Loopmasters'' office - the company who distribute Mike Pelanconi''s Drumdrops sample library. You enter the studio through one corner of the live room. This spacious recording area measures 50 square meters, so there''s plenty of room for bands to spread out and feel right at home. Surrounding the large central floor space is a drum riser to your right, and Mike''s awesome collection of vintage keyboards, guitars and amps on the far walls. There is also a 3-seater sofa and a window letting in plenty of sunlight. There is a maintenance room located to the left side of the entrance where Mike''s in-house tech guy works to ensure everything is in tip-top condition, and is available 24 hours.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The sonic design of the room has been masterminded by the ex-Olympic and Chalk Farm Studios tech Mike Craig, who has brought to the project 40 years experience in acoustic design and hi grade audio electronics. He has created a room with a range of top-quality acoustics for you to play with. The room has been especially optimised for drum recording; you have all sorts of choices from dry sounds to big 60s ambience. Brass and string recordings also sound particularly impressive in this multi-purpose live space.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">There is a small walkthrough between the live room and control room, which can be used as an isolation booth for vocals and amps. The control room measures 40 square meters and also benefits from a skylight. In the centre of the room is the Custom 28 Channel Vintage BBC Class A Console dating back to the late 70s. It is accompanied by Tannoy Golds and Yamaha NS10s, which are powered by a BBC-modded quad. Combine this great-sounding monitor combo with the room''s flat-even frequency response and you have everything you need to achieve a supremely accurate mix.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">To the left of the desk is the outboard rack containing a load of great sonic toys. There''s a range of units from hi-end studio classics to more weird and wonderful gadgets. Amongst them are Mike''s many vintage spring reverbs and echoes. Recording is done on the Ampex M1200 16 track 2" which sits beside the outboard. This is the ultimate American multitrack. It has an unrivalled bottom end and we guarantee the results will sound incredible - a true gem in The Ironworks spec...</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The atmosphere Mike has instilled in the room is chilled and full of character. You''re invited in by two black leather sofas sat behind the desk and beneath Mike''s hefty collection of vinyl - browse through his pool of diverse influences... There''s a balance of soft and dim lighting to settle the mood, and all sorts of personal touches from model smurfs to framed photos of Mike''s musical idols. In every corner of The Ironworks there''s an abundance of vibe and inspiration that you''re bound to feed off on sessions...<br /></span></p>";}}}}', NULL),
(232, 11, 32, 'a:1:{s:2:"en";a:3:{s:6:"group1";a:1:{i:1;a:2:{s:11:"Intro Image";s:0:"";s:10:"Intro Text";s:0:"";}}s:6:"group2";a:14:{i:1;a:2:{s:5:"Image";s:33:"201106240327112508954_MG_5696.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:33:"201106240328042966031_MG_5298.jpg";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:59:"201106240329182448501Screen shot 2011-06-24 at 11.29.36.png";s:17:"Image Description";s:0:"";}i:4;a:2:{s:5:"Image";s:32:"20110624032943245241_MG_5241.jpg";s:17:"Image Description";s:0:"";}i:5;a:2:{s:5:"Image";s:33:"201106240330092374315_MG_5323.jpg";s:17:"Image Description";s:0:"";}i:6;a:2:{s:5:"Image";s:33:"201106240330382478214_MG_5651.jpg";s:17:"Image Description";s:0:"";}i:7;a:2:{s:5:"Image";s:31:"2011062403310729418_MG_5541.jpg";s:17:"Image Description";s:0:"";}i:8;a:2:{s:5:"Image";s:33:"201106240331552257621_MG_5450.jpg";s:17:"Image Description";s:0:"";}i:9;a:2:{s:5:"Image";s:32:"20110624033229214037_MG_5574.jpg";s:17:"Image Description";s:0:"";}i:10;a:2:{s:5:"Image";s:33:"201106240333172465506_MG_5681.jpg";s:17:"Image Description";s:0:"";}i:11;a:2:{s:5:"Image";s:59:"201106240334392314447Screen shot 2011-06-24 at 11.34.55.png";s:17:"Image Description";s:0:"";}i:12;a:2:{s:5:"Image";s:59:"201106240335132686671Screen shot 2011-06-24 at 11.37.05.png";s:17:"Image Description";s:0:"";}i:13;a:2:{s:5:"Image";s:59:"201106240338482456844Screen shot 2011-06-24 at 11.39.08.png";s:17:"Image Description";s:0:"";}i:14;a:2:{s:5:"Image";s:33:"201106240339122477283_MG_5477.jpg";s:17:"Image Description";s:0:"";}}s:6:"group3";a:1:{i:1;a:1:{s:11:"Description";s:11130:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Hi Mike, thanks for your time. So what have you been working on recently?&nbsp;</strong><br /><br /><strong>Mike</strong>: I''ve been recording backing tracks for an EMI France Album with drummer Graham Fox (UNKLE and Graham Coxon). I mixed Reggae legend Little Roy''s latest album (produced by Mafia and Fluxy) and i''m adding the finishing touches to my next Prince Fatty album with a fantastic singer called Hollie Cook.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>It''s been about a year since you opened The Ironworks down in Brighton. What was behind your decision to relocate to the south coast after many years in London?</strong>&nbsp;<br /><br /><strong>Mike</strong>: I am from Brighton, so it made it sense - London was getting hectic and expensive. I had ambitions to build a bigger studio than i had previously. It took me several years to locate the right premises. Brighton is possibly the best place for creativity, low stress and low maintenance.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>The initial idea for The Ironworks was to setup a room to primarily record and mix samples for your Drumdrops library. Tell us about the work Drumdrops do and how this business venture came about...</strong>&nbsp;<br /><br /><strong>Mike</strong>: I have always loved recording drums. There is extra pressure to get it right and many variables, and more importantly along side the lead vocal it defines the sound or character of a record more than anything else. Bad drum sound = lame record. Drumdrops started over 10 years ago and we have slowly built a fan base of dedicated drum perverts. I didnt do it for financial gain, more to record and archive the fantastic drummers i work with, in the spirit of Lomax. Drummers like Horseman and Keith Le Blanc will always be of interest.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>You hooked up with ex-Olympic tech Mike Craig to design and build The Ironworks. What was the vision behind the acoustic design of the studio, and were you in anyway surprised by how good the sound of the room turned out?</strong>&nbsp;<br /><br /><strong>Mike</strong>: I knew the sound would be perfect because of the dimensions i had at my disposal. I like to record everybody together as much as possible so it''s crucial to have a well balanced live room. Mike started at Olympic in the sixties and has witnessed the studio build evolution from the days of valves and mono to the present day. We have worked together for a long time, so he understood what i wanted. He looks after all the equipment and takes care of the modifications that i often demand.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Before you moved to The Ironworks, which studios did you enjoy working in, and are there any influences you drew from other studios when mapping out the plans for your own?</strong>&nbsp;<br /><br /><strong>Mike</strong>: The best control rooms that i have worked in are in LA. New York or London control rooms tend to be smaller. The design and dimensions of the control room were inspired by Capitol Studio B and the old Hollywood Sound Recorders where Parliament and many cool 70s artists recorded.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>The studio''s spec is rooted in some excellent vintage gear, notably the Ampex M1200 16 Track 2". The sound quality of this tape machine is vital to the sound of your recordings, but what is it that makes the machine so special?</strong>&nbsp;<br /><br /><strong>Mike:</strong>&nbsp;Its discrete electronics (no computer chips or IC''s). At 15 ip''s it has a huge boost of 4 db at 35 hz, which is why American records of the 70s had a better low end than British ones. The classic Studer machines used in Europe actually roll off the bass below 80hz and at 30 ips (the most common speed used) its even worse.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Talk us through your collection of vintage EQs. What''s on offer and do you have any personal favourites?</strong>&nbsp;<br /><br /><strong>Mike</strong>: For me the best equalizer for general work is the API 550a. It''s very musical and I have ten of them. For surgical purposes the GML is unbeatable and for vibes and huge bass boost the Lang PEQ2 is the undisputed champion.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>The Custom 28 Channel Vintage BBC Class A Console is a unique inclusion in the spec. Where did you find this desk and what are its key qualities?</strong>&nbsp;<br /><br /><strong>Mike</strong>: Huge head room, marinair transformers, distorts beatifully when you want it to and a unique equalizer. It came from the BBC, I have had it since the early 90s. It took me a while to realise how great it was, as it was in my demo studio at the time. Once i actually started recording with it properly it blew everybody away.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>A studio''s vibe is a vital ingredient to a successful session, and yours has a lot of personal touches. What was your vision behind the type of atmosphere you wanted to create at The Ironworks?</strong>&nbsp;<br /><br /><strong>Mike</strong>: I wanted to create an environment to stimulate musicians, and to facilitate the sound possibilities I had in my head. I wanted a blend of professionalism and informality that puts musicians and producers at ease and inspires the best out of them.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Tell us about your background in production and engineering - how did you start out in the industry?</strong>&nbsp;<br /><br /><strong>Mike</strong>: Classic tape op snakes and ladders from the age of 17 - I was lucky and caught the last wave of the old school engineers and producers. I was always using downtime in the studios and it often got me sacked or disciplined: recording studios such as Maison Rouge, Wessex, Matrix etc. It didnt take me long to progress and i soon started working for record labels direct and as sessions moved around a lot more in those days between different rooms it was a great opportunity to learn new sounds, meet people and develop techniques such as multitrack tape editing and old microphone techniques that are often overlooked. I used to learn a lot from the techs as they were a lot more open and knowledgable. 90% of sound engineers record in the same predictable fashion so it''s not hard to stand out if you have some passion for quality.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>You''ve become closely associated with a number of different artists working within different genres, such as Manu Chao, Unkle and Graham Coxon. What do you look for in an artist or project when deciding who to work with?</strong>&nbsp;<br /><br /><strong>Mike</strong>: Artists who have a unique view of the world and the courage of their convictions, fearless communicators and inspired musical revolutionaries! I am not a frustrated artist so I love the challenge of making a sonic reality from an artist''s imagination or idea no matter how simple. All good records have a script or theme of sorts that makes them stand out from the rest. The personalities involved dictate the feel and vibe, so of course each artist ends up sounding different as they should.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>You mixed Lily Allen''s&nbsp;<em>Alright, Still</em>, which went on to be one of the most notable debut albums of the decade. Did everyone involved in that record expect it to go onto make the impact it did?&nbsp;</strong><br /><br /><strong>Mike</strong>: I knew it was a hit of sorts for sure, it was obvious to me - the lyrics made it special and it connected. The success of the album in the USA was a welcome surprise. The music was just a vehicle for Lily''s story telling style, so nothing too special. I liked her follow up&nbsp;<em>It''s Not Me, It''s You</em>, and she was wise to work with Greg as his tracks were the most interesting and original from&nbsp;<em>Alright, Still</em>, so he deserved the gig !</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>How might your creative approach differ between working on a debut by a young artist or working with more experienced guys such as Manu or Graham?</strong>&nbsp;<br /><br /><strong>Mike</strong>: Great sounds and recordings inspire musicians and artists to deliver better performances. Turning people on is my job. More experienced bands and artists tend to have more fully-developed ideas about arrangements and production and they just trust me to bring my thing to the party - where as with a breaking artist I might offer a little more guidance here and there.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>What''s the best piece of advice you''d give to any aspiring engineers setting out on their careers in music production?</strong>&nbsp;<br /><br /><strong>Mike</strong>: Develop a record collection. Buy some decent speakers! Listen and learn. Know what great voices and instruments should sound like when they are recorded really well. Look for talented producers and, artists to work with, and avoid bad records even if the money is good.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Lastly, it''s a notoriously unpredictable time in the recording industry at the moment but what do you personally feel are the main things that need to change to improve the outlook for everyone?</strong>&nbsp;<br /><br /><strong>Mike</strong>: The destruction of the old music business can only be positive. From the ashes a cleaner and leaner business model will be born. In the meantime only those creatively strong with something unique to offer will survive. The music business should belong to the creators of the music - that now has a chance to be realised more than ever before. Change comes from within, so we must find new innovative ways to sell our music and services, whether its a custom USB stick at a live show or a download.&nbsp;<br /><br />The classic CD/Record Label/Distributor business model is over. I believe publishing companies will be the record companies of the future, which is a good thing. In the meantime get hussling and remember the best bass line or guitar riff still wins!!&nbsp;<br /><br /><br /><br /><br /><br />Mike Pelanconi was talking to Miloco in May 2010.&nbsp;<br /></span></p>";}}}}', NULL),
(233, 9, 41, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:5:{i:1;a:2:{s:5:"Image";s:42:"201106220735422698011miloco_momus-4114.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:42:"201106220737332756431miloco_momus-4142.jpg";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:42:"201106220739202169377miloco_momus-3742.jpg";s:17:"Image Description";s:0:"";}i:4;a:2:{s:5:"Image";s:41:"20110622073951289246miloco_momus-3876.jpg";s:17:"Image Description";s:0:"";}i:5;a:2:{s:5:"Image";s:42:"201106220742022723061miloco_momus-4221.jpg";s:17:"Image Description";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:4627:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Motor Museum studio is based in a large and beautifully designed warehouse, which over the years has existed as both a public transport repair depot and the ''Lark Lane Motor Museum'', before being converted into a recording studio temporarily known as ''The Pink Museum''. Over the last twenty years it has played a pivotal role in the music industry of Liverpool and the North West, and was hugely influential in the birth of bands such as Oasis, The La''s, Arctic Monkeys and The Coral. The studio as we know it today was built by OMD''s Andy McCluskey, but is now occupied by producer Mike Crossey.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">It is no surprise that The Motor Museum is now considered the premier recording studio in Liverpool. Its unique design and very original layout has created a cool and inspiring environment to work in, and the studio boasts a world-class specification of both analogue and digital gear including one of the best selections of rare guitars, pedals, synths and microphones you''ll find in the UK. Not only that, but the buzzing strip of Lark Lane - which is lined with popular bars, pubs and restaurants - is on the studio''s doorstep for clients to fully enjoy. The Motor Museum''s rich history is associated with some of the most iconic British bands who have helped put the studio firmly on the map of Liverpool''s world-famous music culture, and now under the wing of Mike and Miloco, it has an incredibly exciting future too...&nbsp;<br /><br />The warehouse measures a vast 240 sq meters and is flooded by natural light through the many large skylights in the roof of the building. Beneath them in the centre of the space is the studio itself, which has been built within a selection of expertly designed cabin-like rooms that yield a fantastic range of sounds and provide plenty of space for bands to spread out in. There are four main areas of the studio: the control room, live room, stone room and booth.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The control room is housed at the rear of the facility and measures 38 sq meters. At the centre of the room is a Neve 8232 In-Line Analogue Recording Console with 32 in-line Channels. It is complemented by a comprehensive selection of monitors including a whole host of terrific speakers and amps, amongst them Yamaha NS-10Ms, Tannoy Little Golds, ATC T16 Active monitors, and amplifiers by Bryston, Dynaudio and Amcron. The range of outboard on offer is also exceptional with an exhaustive choice of the finest compressors, eqs and processors. There is an Apple Mac Pro with 23" Cinema display, three Digidesign 192 interfaces and an Lynx Aurora 16 and Lavry LE4496 converter. A very powerful top-of-the-range Protools HD5 Accel rig is housed in a machine room to the left of the console.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Through a large set of sliding glass doors is the main live room measuring 26 sq meters. The room was refitted in 2008 to give it a new look and enhance its immense sound, and features customised absorbers which provide a wide variety of acoustics. It leads into a 16 sq meter stone room which provides further great-sounding options, and also a good size isolation booth. Clients who come to track will of course love getting their teeth stuck into The Motor Museum''s hugely impressive array of backline, mics and mic pres. There are many rare guitars and basses by the likes of Gretsch, Gibson and Fender, keyboards such as Minimoogs and Roland synths, plus a huge collection of pedals and FXs.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Outside the studio area on a raised mezzanine level is The Motor Museum''s rec room. This light and spacious hang-out comprises an open-plan kitchen and lounge featuring some comfortable sofas and a large TV, and is the perfect spot for taking a break from a day''s work. Adjoined to the lounge and running down the side of the warehouse is a gallery overlooking the studio area, which is lined by some fantastic orange and lemon trees growing in the natural sunlight. Throw in a number of other beautiful tropical plants, a terrific collection of graffiti-themed artwork along with platinum discs of past successes, and you might well have just discovered the most originally themed and enticingly cool studio around..!</span></p>";}}}}', NULL);
INSERT INTO `pages` (`id`, `studio_id`, `page_layout_id`, `content`, `additional_content`) VALUES (234, 9, 32, 'a:1:{s:2:"en";a:3:{s:6:"group1";a:1:{i:1;a:2:{s:11:"Intro Image";s:41:"201106240436532114616My HipstaPrint 1.jpg";s:10:"Intro Text";s:0:"";}}s:6:"group2";a:22:{i:1;a:2:{s:5:"Image";s:42:"201106240341092536567miloco_momus-4158.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:42:"201106240342342798048miloco_momus-4219.jpg";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:42:"201106240343132195153miloco_momus-4210.jpg";s:17:"Image Description";s:0:"";}i:4;a:2:{s:5:"Image";s:42:"201106240343482273837miloco_momus-4104.jpg";s:17:"Image Description";s:0:"";}i:5;a:2:{s:5:"Image";s:37:"201106240344422608904DSC_8510_247.jpg";s:17:"Image Description";s:0:"";}i:6;a:2:{s:5:"Image";s:42:"201106240345272927299miloco_momus-4142.jpg";s:17:"Image Description";s:0:"";}i:7;a:2:{s:5:"Image";s:42:"201106240346432288498miloco_momus-3864.jpg";s:17:"Image Description";s:0:"";}i:8;a:2:{s:5:"Image";s:42:"201106240347352910775miloco_momus-3848.jpg";s:17:"Image Description";s:0:"";}i:9;a:2:{s:5:"Image";s:42:"201106240348122354152miloco_momus-3876.jpg";s:17:"Image Description";s:0:"";}i:10;a:2:{s:5:"Image";s:41:"20110624035057222562miloco_momus-3676.jpg";s:17:"Image Description";s:0:"";}i:11;a:2:{s:5:"Image";s:41:"20110624035140217374miloco_momus-4193.jpg";s:17:"Image Description";s:0:"";}i:12;a:2:{s:5:"Image";s:30:"201106240352312318646clasp.jpg";s:17:"Image Description";s:0:"";}i:13;a:2:{s:5:"Image";s:42:"201106240353162897693miloco_momus-3660.jpg";s:17:"Image Description";s:0:"";}i:14;a:2:{s:5:"Image";s:42:"201106240353432753900miloco_momus-3759.jpg";s:17:"Image Description";s:0:"";}i:15;a:2:{s:5:"Image";s:42:"201106240354162639571miloco_momus-3794.jpg";s:17:"Image Description";s:0:"";}i:16;a:2:{s:5:"Image";s:42:"201106240354432301661miloco_momus-4152.jpg";s:17:"Image Description";s:0:"";}i:17;a:2:{s:5:"Image";s:42:"201106240428312834145miloco_momus-4111.jpg";s:17:"Image Description";s:0:"";}i:18;a:2:{s:5:"Image";s:42:"201106240429192245814miloco_momus-3937.jpg";s:17:"Image Description";s:0:"";}i:19;a:2:{s:5:"Image";s:42:"201106240429532815662miloco_momus-4073.jpg";s:17:"Image Description";s:0:"";}i:20;a:2:{s:5:"Image";s:59:"201106240432072440734Screen shot 2011-06-24 at 12.32.18.png";s:17:"Image Description";s:0:"";}i:21;a:2:{s:5:"Image";s:37:"201106240432372492088DSC_8498_246.jpg";s:17:"Image Description";s:0:"";}i:22;a:2:{s:5:"Image";s:59:"201106240436022763127Screen shot 2011-06-24 at 12.36.21.png";s:17:"Image Description";s:0:"";}}s:6:"group3";a:1:{i:1;a:1:{s:11:"Description";s:30675:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Miloco: Hi Mike - thanks for your time. How are you and what have you been up to recently?</strong>&nbsp;<br /><br /><strong>MC</strong>: I am very well thank you! It''s been a hectic year so far but it''s been an eclectic mix of very good projects and a lot of fun. Recently I have been producing and mixing the Tribes album (that I''m very excited about!), mixing an album for a fantastic new folk artist called Ben Howard, mixing and recording an album with Bill Ryder Jones and also squeezing in radio and single mixes for the Black Keys, 2 Door Cinema Club, CSS, Cashier No9 and the Kooks.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>It''s been roughly two years since we went into partnership at The Motor Museum. Tell us a bit about how the opportunity to take control of the studio came about...</strong>&nbsp;<br /><br /><strong>MC</strong>: I actually cut my teeth at the Motor Museum when I was just out of college and so it''s been a very special place for me. I was the house engineer there from the age of 21 until I went freelance at 24 in 2003. Andy McCluskey (the OMD frontman) has been a great mentor to me and gave me the chances I needed when I was younger. He decided a few years ago that he was going to concentrate his efforts on OMD again and the studio was surplus to his requirements. I pretty much took it on the spot when he told me of its availability.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Having worked in partnership with Miloco for a while now, what would you say it has to offer which other studio groups don''t?</strong>&nbsp;<br /><br /><strong>MC</strong>: Miloco made the transition from freelancing producer to studio owner a very smooth process. It''s been so valuable to have a team onside who know how to run studios inside out. I am very grateful to have you on board!&nbsp;<br /><br />It is a fantastic privilege to be able to concentrate on the music and creative side whilst having a reliable and professional team always at hand to help with all the other issues that come with running a studio.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>The studio has become a significant part of Liverpool''s recording scene over the years. Tell us a bit about a few of the bands, producers and engineers who have been here in the past who have helped shape it into the studio it is today...</strong>&nbsp;<br /><br /><strong>MC</strong>: It really is a special place historically. Oasis recorded their very first single, ''Supersonic'' here, Arctic Monkeys recorded their first EP, ''5 Minutes With Arctic Monkeys'' here. The studio has also had producers such as John Leckie, Mark Ronson and Grandmaster Flash through its doors. It has an air of creativity about it.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>You have of course lived and worked in this part of the world a fair bit, so what do you feel are the main attributes the Motor Museum has which other studios in Liverpool and the North West don''t?</strong>&nbsp;<br /><br /><strong>MC</strong>: It has a very unique vibe and it feels really creative and relaxed as soon as you walk through the doors. What we have done since taking it over in 2009 is really pull the equipment spec to a fantastic standard. It is a studio where all the outboard, microphones and backline have lots of character and strong colours. You can really pull a unique sound out of a band and give them their own fingerprint with all the colours available to you as a producer.&nbsp;<br /><br />Between the 3 live rooms you can cover everything from claustrophobic dead to explosive live and everything in between.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Everyone who knows the studio will no doubt agree that one of its most striking characteristics is the layout and original vibe. Tell us a bit about how this very original theme for a studio works so well with artists...</strong>&nbsp;<br /><br /><strong>MC</strong>: I love it when people first walk into the studio, it definitely has a wow factor with the huge open warehouse space with exotic plants and fruits growing all around.&nbsp;<br /><br />I think it''s a great thing to have an intense and close atmosphere in the recording rooms so you get a real unified "everyone involved" atmosphere while you are making the music. The Motor Museum has a lovely balance of having a large private and beautiful space outside of the actual recording rooms. Artists, engineers and producers have the luxury of head space in a very relaxing and unique chill out area full of natural daylight. You can reset, then get back to creating :).&nbsp;<br /><br />I put in vibe and atmosphere very high up on my list of the important attributes to making a great record and the Motor Museum really nails this.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>As a tracking space, one of the main reasons for The Motor Museum being so popular is the great collection of backline which has been built up over the years. Speaking as a producer/engineer, how important is it for you to have as much backline available to you as possible when working with bands?</strong>&nbsp;<br /><br /><strong>MC</strong>: Also high up on my "important attributes" list is momentum and inspiration! I think having a great selection of backline really aids this. Knowing that you have pretty much any guitar sound imaginable at your fingertips without having to break the momentum of the session and call a hire company or research how to get a particular sound is a huge advantage to achieving a great result.&nbsp;<br /><br />Many studios really focus on getting the equipment spec to satisfy the visiting engineers but I think it is just as important to have some great guitars, pedals and amplifiers at hand for the artists to get inspired by.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Glancing at the spec, the selection of rare and sought-after guitars and basses is spectacular. Care to pick out a few of your favorites and talk us through them?&nbsp;</strong><br /><br /><strong>MC</strong>: I love them all! Hehe, well my favourite guitar is the 1972 Telecaster. It''s one of those guitars that you pick up and it just plays itself. It has a wonderful tone and I find I can pretty much nail any kind of sound with it. I will never let that guitar go, it''s with me for life!<br /><br />The 1965 Supro Model 24 is also a very special amp, the only way I can describe the tone is that is that it''s like a quality bottle of wine, full of complexity and beauty. An R44 ribbon a couple of feet in front of that amp is as good as it gets for a clean guitar tone.&nbsp;<br /><br />For a driven tone, the 50''s Silvertone 1485 is an absolute beast. You can hear this on most Jack White recordings as his main amplifier of choice. It is truly outrageous.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>These guitars are also joined by a very comprehensive range of pedals. Without asking you to reveal any secret recipes, are there any tried-and-tested combinations that you find yourself regularly using and that you would recommend to others who may use the studio?&nbsp;</strong><br /><br /><strong>MC</strong>: I think having the little labs PCP instrument Distro is an amazing recording tool. Again, for momentum this little box gets guitar players excited and full of energy to record. When I work in the studio, depending on what kind of guitar sound I am going for, I usually pick out 3 potential amp candidates and hook them all up to the distro.&nbsp;<br /><br />The guitar player can then instantly audition all three amps individually or combined together. You can then add any combination of pedals going to any or all the amps simultaneously. You can stumble upon some amazing tones working like this and it gets the creative juices flowing.&nbsp;<br /><br />My current new favourite pedal is the Klon Centaur overdrive, it just seems to pull the absolute best out of the amps without sacrificing any of the tone that cheaper pedals seem to do.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>There''s plenty of highlights within your selection of microphones too, we especially noticed the Telefunken U48 valve mic. Talk us through the qualities of this special microphone...</strong>&nbsp;<br /><br /><strong>MC</strong>: The Telefunken really is a no compromise microphone, I was sent a whole load of microphones to evaluate whilst I was recording a band over from Sydney called All Mankind.&nbsp;<br /><br />In a blind test on vocals (that included some classics such as an original U67, manley reference U87 etc) it really blew me away. Unfortunately for me it was also the most expensive microphone that was sent! Bah!&nbsp;<br /><br />Vocalists just seem to be at the top of their game when they sing through the U48, great sound inspires great performances after all!&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>From a mixing point of view, people are really going to enjoy getting their teeth stuck into this brilliant selection of outboard in the control room. There''s a great choice of compressors and EQs especially. What would you say are your flavours of the month?</strong>&nbsp;<br /><br /><strong>MC</strong>: I am really enjoying the Cartec EQP1a Eqs, they have pretty much lived on my mix bus since I got them. I find with the Cartecs on the Low end and the Silky smooth Sontecs on the top end, I now have my ultimate mix bus tone.&nbsp;<br /><br />The Fat Bustard mixer is a real favourite piece for me also, everything that goes through that thing just has more balls and attitude.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>You have a good collection of thermionic culture equipment including 2 phoenix compressors, why is this and how does it compare to the vintage gear?</strong>&nbsp;<br /><br /><strong>MC</strong>: The phoenix is my favourite compressor ever made. Most compressors although they sound great, tend to make the material sound firmer but also a little smaller. The phoenix just doesn''t seem to suffer from that at all, It can be nailing 10-15db of gain reduction on a singer and you don''t feel the vocal choke up at all, its magic!&nbsp;<br /><br />Thermionic gear seems to sound more like the great vintage gear, it is all hand made point to point wired and I really think you can hear that quality in the sound.&nbsp;<br /><br />With Vintage gear, there used to be a much bigger emphasis on quality of components and sound. In today''s audio equipment industry, cost of manufacture and profit margins are much more of a concern. For example it would be difficult for Neve to justify building an 80 series console nowadays despite the fact that they sound better than anything that has ever been made since. There just isn''t any margin for them to do it and that''s a real shame.&nbsp;<br /><br />It''s the same with guitars and instruments. It''s not just being trendy saying that the vintage guitars sound better, they really do! Unless you get really lucky.&nbsp;<br /><br />My 1972 Telecaster probably started life with a real human being knocking pieces of wood until he found one with a good tone and then was crafted by hand until it became a great instrument. A modern Telecaster is manufactured in a factory with the guy in charge looking at what kind of extra profit he can make if uses a cheaper volume pot.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>You are a big fan of the Endless Analogue CLASP (Tape to DAW Synchronisation Software) which you acquired recently. How has this changed the way you work and why do you recommend it so highly?&nbsp;</strong><br /><br /><strong>MC</strong>: CLASP just takes what you have done to get great tones and enhances the whole thing further. I think being able to work with tape at the same speed you can work with Pro Tools is one of greatest achievements in audio for years.&nbsp;<br /><br />I used to use tape for the bulk of the live tracking and then take the time to transfer and organize everything afterwards. That process used to be a tradeoff in session momentum that I was prepared to pay to get the tone and glue of tape.&nbsp;<br /><br />When all your audio (despite being recorded through a whole plethora of different mic pres, microphones and outboard) has a common theme infused into it by hitting tape, it all just gels together better.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>The Neve 8232 isn''t the best-known Neve console, so for people who have no experience with this desk what would you describe as its key attributes?</strong>&nbsp;<br /><br /><strong>MC</strong>: It''s a great desk. I helped choose it when I was the house engineer at the Motor Museum years ago. It had been in a radio studio in Johannesburg and was in near mint condition. The thing that I love the most about it is the huge Low end it has. It has some pretty hefty transformers in it that give it a strong colour that is very quintessentially Neve. The EQ is very musical and vibey. Engaging the circuit with no boost or cut really gives guitar tones agility and energy. The mix bus has a sweet spot where everything just comes alive.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>There''s a big appeal at Motor Museum for fans of vintage equipment, but we should also give credit to the comprehensive selection of software and plug-ins at your disposal too. How important do you feel it is for there to be a good balance of digital and analogue technologies in recording studios?</strong>&nbsp;<br /><br /><strong>MC</strong>: I find that when you are making music, it''s important to not let the technology get in the way and slow the session down. Having a large Pro Tools rig (HD5 48 i/o) with lots of plugin effects really helps maintain momentum. You can try anything quickly and efficiently and stay creative. There is not much chance of maxing that rig out and I think its worth going beyond the traditional HD3 for that reason.&nbsp;<br /><br />I also love having lots of plugin effects at my disposal so if you just want to try a whacky delay or an obnoxious distortion you can do so instantly and get a feel for if its going to work or not.&nbsp;<br /><br />I really dig the soundtoys plugins for creating strange atmospheres and Audioease''s riverrun gets a lot of use for creating backdrops and psychoacoustic textures that make the depth of the track stretch deeper.&nbsp;<br /><br />Plugins are fast to use and a lot of them sound great these days so they have an important role in the Motor Museum to enhance the very analogue led side of the front end recording.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Do you feel the rise of digital audio is having an effect on the overall quality of recorded music, and are you fussy about using particular convertors in the studio?</strong>&nbsp;<br /><br /><strong>MC</strong>: Whilst tracking, I am not particularly fussy about conversion as the microphone, preamp, musician(!) are much much more important to the sound that goes down. For mixing, however, I have made sure I have a great 2 channel Lavry converters for printing a mix through and a cranesong converter for confidence monitoring that process. It''s peace of mind to know exactly what you''re hearing is what will be printed as the final result. Us mixers don''t like nasty surprises at then end of a long mix!&nbsp;<br /><br />There are certainly pros and cons to the rise of digital audio. The main drawback for me is that it can breed a lazy way of working where you can hit the tape at any level you want and get away with it, you don''t have to have to get a great drum sound or drum performance as you can beat detect it later and use samples for all the hits. You don''t have to push the vocalist to hit that note as you can autotune it later.&nbsp;<br /><br />This is a massive shame I think, there are too many records with not enough of a human element to latch onto. There''s nothing better than catching the raw energy of musicians hitting their mojo and it sounding exciting and everyone in the room buzzing off what just went down.&nbsp;<br /><br />With these kind of processed records, I can like the song but never fall in love with the record.&nbsp;<br /><br />I guess I''m a bit old fashioned about that stuff, I still use editing and am a proficient long term Pro Tools user but I like to keep my editing to a minimum and find myself using tempo maps that follow the performers rather than have the performers follow the computer.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>Tell us about your own education in the record industry... who did you learn your trade from and what were the invaluable lessons they gave you which helped you forge your own successful career as a producer?</strong>&nbsp;<br /><br /><strong>MC</strong>: I started playing in bands when I was about 13 years old and got the audio bug very young. When my band and others from school couldn''t get a gig in a pub for being too young, I started my own band night in a veggie punk cafe/venue in Belfast called Giros. We were able to put on gigs, hire a PA and an engineer and have the night advertised as "bring yer own gargle!".&nbsp;<br /><br />With a lot of young people preferring to come to Giros rather than drink their cider in the local park, it became quite a success. The engineer used to show me how the desk worked and eventually he dropped the PA off and left me to it.&nbsp;<br /><br />The next step was a cassette 4 track just before I turned 15 and that was it, I was hooked!&nbsp;<br /><br />I moved to Liverpool in 1998 to go to LIPA to study sound technology and that is where I first got my hands on real studios.&nbsp;<br /><br />In hindsight, I think the thing I really nailed was to get myself visible on the local scene outside of LIPA while I was there. It was very easy to get in with the best local bands when I had free studio time on offer! That allowed to really get stuck in and make all my mistakes and learn from them without having the pressure of paying clients etc. It''s a great course at LIPA and the head honcho there, Jon Thornton, is an incredibly knowledgeable and switched-on guy.<br /><br />I met Andy McCluskey who would later give me my first job at The Motor Museum whilst I was still at LIPA. He had a small record label at the time and he kept getting demos of local bands landing on his desk that I had been involved in. Eventually he sought me and Mike Spink (who I had been working with in college) out and got us in to do some mixing for him.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">A few months later he got his first pro tools rig installed and needed someone who knew how it worked and so I ended up working for him for the next 3 years.&nbsp;<br /><br />I learned a lot in that time from Andy who has a natural ability to really prioritise the hook and the essence of a song. He really taught me simplicity in arrangements and came from a very pop-orientated side of songwriting. At the same time, I was lucky enough to be working alongside a guy called Pat O''Shaunessy who came from the flipside of the coin who got me massively into analogue tape and the vibe side of production. He has loads of great old school engineering chops that he shared whilst I taught him the (then) new technology of Pro Tools and digital editing.&nbsp;<br /><br />You never stop learning in music production and I find you pick stuff up from everyone and anyone you come into contact with. The guy making your tea one day might show you a little Pro Tools chop that saves you a hundred hours over the next 5 years. I think it''s important to realise that and be open and respectful to everyone. Music should be good fun and the vibe should always be good in the room.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>What''s the best advice you give to the engineers and assistants who work for you up at The Motor Museum, and what are the major pitfalls the younger guys should avoid if they are to make it in today''s industry?</strong>&nbsp;<br /><br /><strong>MC</strong>: The most important thing for me is that they enhance the atmosphere and make everyone feel relaxed and creative. For an assistant, it''s really paramount that they get stuck in and put no barriers up during a session. Positivity and an open personality are very important.&nbsp;<br /><br />For example, if the engineer wants to move a drumkit and all the microphones you spent hours setting up into a different room, you just need to get on it and do it efficiently and be excited by the fact that you get to hear the same setup in a different space and see how much the room variable changes the sound.&nbsp;<br /><br />The worst thing you could do would be to sigh and be annoyed by that prospect. It''s a creative process and the assistant really needs to be on board to facilitate that to the best of their ability.&nbsp;<br /><br />You can learn something huge everyday if you get on board and tune in to what''s happening in the room. The best assistants have great instincts and can preempt whats going to happen next and be already preparing that next process in their head.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: small;"><span style="font-size: 12px;"><span style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;"><span style="font-size: 10px;"><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>It seems in the current climate that there are many producers and engineers following a similar suit to yourself by looking for a their own tailored studio space, away from the traditional commercial studio. Do you believe it is a trend which could potentially put an end to the commercial studio as we know it?</strong>&nbsp;<br /><br /><strong>MC</strong>: I think it''s difficult to tell just yet, not everyone wants to take on the burden of a full time facility to fill so I guess there will always be some kind of demand for a commercial studio. I also believe new artists will always need experienced people to help them make a great recording.&nbsp;<br /><br />It''s a real shame that the budgets are really shrinking for studios; it''s another drawback to the digital revolution. I guess when you can just record some drums at a studio and then do all your overdubs in a bedroom on Pro Tools, it''s not so good for our business.&nbsp;<br /><br />There is also a real danger of music becoming very vanilla and ''Pro Tools preset'' sounding as a result which will be no good for music fans and will be even worse for creating new ones that are the lifeblood we all rely on.&nbsp;<br /><br />So I choose to be optimistic and hope that it is just a trend and the music industry will eventually find an equilibrium where all the good people are left with plenty to get on with. After all, I don''t think we are going to see music ever being something that people don''t want. I just hope we can keep it interesting and exciting enough to get the new generations into it and become lifelong fans and consumers.&nbsp;</span></span></span></span></span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: small;"><span style="font-size: 12px;"><span style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;"><span style="font-size: 10px;"><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>You''ve worked with a catalogue of some of the most popular UK bands of the last 5 of so years and have played a major role in the production of some great albums. Are there any projects you look back to with the fondest memories, and similarly consider to have been a major stepping-stone to your current success...</strong>&nbsp;<br /><br /><strong>MC</strong>: It''s very hard to single out certain albums. Every single one has been a huge learning experience and I get very attached to them all!&nbsp;<br /><br />It would be difficult not to mention being part of the early Arctic Monkeys recordings and watching that explode more massive than I could have imagined.&nbsp;<br /><br />More recently, I was incredibly proud of the last Blood Red Shoes album&nbsp;<em>Fire Like This</em>. It feels like a stepping-stone as it was the first album I tracked and mixed at The Motor Museum after taking it over and it has led to a lot of great projects this year from artists who have been fans of the tones on that album.&nbsp;<br /><br />The first Blood Red Shoes album I produced led me on to mixing Foals which then led to other great projects, so I think that band are a real lucky charm for me. I am very much looking forward to recording a third album with them soon!&nbsp;</span></span></span></span></span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: small;"><span style="font-size: 12px;"><span style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;"><span style="font-size: 10px;"><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>What bands/artist characteristics do you look for when considering new projects, both on a musical level and personal one?</strong>&nbsp;<br /><br /><strong>MC</strong>: When I meet a new potential artist to work with, it''s really just a matter of having a good feeling about them and of course loving the songwriting and vibe of the band. I really trust my gut on this. It''s a pretty big commitment to record an album with someone. For me, I pretty much live and breath the music for a few months and nothing else exists outside of that, so it''s important to make sure we''re going to be on a level and have an enjoyable experience. Every album session so far has been a lot of fun and everyone has been sad for it to end, so (touch wood!), hopefully that trend will continue.&nbsp;</span></span></span></span></span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: small;"><span style="font-size: 12px;"><span style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;"><span style="font-size: 10px;"><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>What do you think should be done to improve the current state of the music industry?</strong>&nbsp;<br /><br /><strong>MC</strong>: It''s easy to point the finger at downloading and the like when you get asked this question, but for me, we have much bigger issues.&nbsp;<br /><br />As with any creative industry, it is essential to get the young people at grass roots passionate and inspired about music again. There are so many other distractions available to the young today than what we had.&nbsp;<br /><br />Music really unifies people together, I know when I was a teenager, I dressed, lived and breathed my particular taste in music and you meet like minded people with the same patches on their schoolbag and that gets you into your social circle. Music then becomes a lifelong passion from that point onwards, the connections you make when you are young are so much stronger than in later life.&nbsp;<br /><br />I think the computer game for example, is such an insular useless pastime for kids now, so I say ban the Xbox! Get the teenagers out of house living again, being social and going to gigs and trying to attract members of the opposite sex like you are supposed to do when you are young.&nbsp;<br /><br />We need some young artists coming through with more to say and creativity flowing through them again. It''s sad that whole generations are living in a virtual Facebook world buying whatever is marketed to them as their age group and social demographic. I shudder to think what another 20 years or so could do to the youth!&nbsp;<br /><br />We need some true real deal stars and they just aren''t going to breed like this. I have no idea what the solution is though. Ha! Keith Richards for Prime Minister perhaps.&nbsp;</span></span></span></span></span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: small;"><span style="font-size: 12px;"><span style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;"><span style="font-size: 10px;"><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;"><strong>You''ve had an action-packed 2011 so far. Is there anything else in the pipeline for the rest of the year lined up which you can tell us about?</strong>&nbsp;<br /><br /><strong>MC</strong>: The next thing for me is a trip to Israel to work with a female solo artist called Ninet Tayeb. We will be working at The Motor Museum for 6 weeks or so after the pre-production process in Tel Aviv. She blew me away with the songs and her voice so I am very much looking forward to that.&nbsp;<br /><br />I have also heard some amazing new demos for the third Blood Red Shoes album so that is something I can''t wait to get going on later in the year.&nbsp;<br /><br /><br /><br />Mike Crossey was talking to Miloco in June 2011.&nbsp;<br /><br /><br /><br />For all enquiries about Mike Crossey please contact Alan Cowderoy:<br /><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="mailto:alan@producermanagement.co.uk">alan@producermanagement.co.uk<br /></a><a style="color: #2b2623; text-decoration: none; font-weight: bold;" href="http://www.producermanagement.co.uk/" target="_blank">www.producermanagement.co.uk</a>&nbsp;<br /></span></span></span></span></span></p>";}}}}', NULL),
(235, 8, 41, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:3:{i:1;a:2:{s:5:"Image";s:35:"201106300552542534585timthumb-1.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:35:"201106300553112885113timthumb-2.jpg";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:33:"201106300553212304174timthumb.jpg";s:17:"Image Description";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:3225:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The Pool is a huge 1800 sq ft creative space with high ceilings and an abundance of natural light provided by two large skylights. After a major rebuild in the summer of 2009, we believe it now stands amongst London''s most exciting and versatile tracking rooms.&nbsp;<br /><br />The new control room is based at the front of the studio on what used to be the loading bay. It is amazingly presented with deep-blue fabrics covering the panels, a new high definition flat screen TV, a brand new air-con unit and dazzling halogen lights. The EMT 30-channel console sits on the right side of the room. It is joined by an excellent range of monitors including Genelec 1031s, Yamaha NS10s and Tannoy Little Golds. The racks are located behind the desks, and are filled with Ben''s mouth-watering collection of analogue toys. There''s a whole arsenal of sought-after vintage mic-pres, plus countless dynamics and processors.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">At the front of the control room are some large glass sliding doors looking down across the expansive live space and across to the drum booth. You can access the live space from the control room via some large, illuminated steps. Here is where the band can set up and spread out in what must be one of the greatest tracking spaces around. Not only is it vast, but also filled with Ben''s incredible collection of backline and microphones. There are all sorts of brilliant analogue keyboards and samplers, beautifully maintained guitars, amplifiers and pedals, plus countless vintage mics. Clients will be totally spoiled for choice!&nbsp;<br /><br />The newly themed live room offers a unique and vibey atmosphere for clients to enjoy. Of course being The Pool, we''ve given the entire floor space and lower-walls a striking coat of bright blue paint. We''ve refurbished the long sidewall with tall pinewood beams and some large panels which have enhanced the acoustics of the room, and have added four white spherical lamps which hang from the high beams in the ceiling.&nbsp;</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">On the far side of the live room is the brand new drum booth, accessed by another set of steps. Looking down across the live space from an elevated level, this huge booth measures roughly 3 metres high on the inside and produces some fantastic sounds. By the way, you''ll find a beautiful Slingerland drum kit in there, ready and waiting for you!&nbsp;<br /><br />The Pool''s control room and booth means we can now provide producers and engineers who prefer recording from behind closed doors with another top-end tracking facility. However, we pride ourselves as a company on versatility, and have designed the new-look Pool to also cater for those who would like to continue with the room''s original open-plan tracking environment. With 24 hours notice and for bookings which last for a minimum of 5 days, we can relocate the console and equipment back into the new control room. Control room, no control room ? To Be or Not To Be... ?<br /></span></p>";}}}}', NULL),
(236, 33, 37, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:7:{i:1;a:2:{s:5:"Image";s:0:"";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:42:"201106220740342289815miloco-bridge-1.1.jpg";s:17:"Image Description";s:7:"image 1";}i:3;a:2:{s:5:"Image";s:42:"201106220740342289815miloco-bridge-1.2.jpg";s:17:"Image Description";s:7:"image 2";}i:4;a:2:{s:5:"Image";s:42:"201106220740342289815miloco-bridge-1.3.jpg";s:17:"Image Description";s:7:"image 3";}i:5;a:2:{s:5:"Image";s:42:"201106220740342289815miloco-bridge-1.4.jpg";s:17:"Image Description";s:7:"image 4";}i:6;a:2:{s:5:"Image";s:42:"201106220740342289815miloco-bridge-1.5.jpg";s:17:"Image Description";s:7:"image 5";}i:7;a:2:{s:5:"Image";s:42:"201106220740342289815miloco-bridge-1.6.jpg";s:17:"Image Description";s:7:"image 6";}}}}', NULL),
(237, 5, 41, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:2:{i:1;a:2:{s:5:"Image";s:38:"201106220808452536356miloco-008733.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:38:"201106220809262546731miloco-008738.jpg";s:17:"Image Description";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:1259:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">30 seconds from Highbury and Islington tube, and nestled down a delightful cobbled street, Miloco''s The Yard is a superb ''in the box'' mix environment for those who need an affordable mixing option.&nbsp;<br /><br />We have designed the room to primarily do ''mixing in the box'' but it can also be used as programming / writing room. We have set this room up based around an HD3 Accel rig with a ProSonus Central Station controlling the choice of monitors. You can now mix in the box with a great range of monitoring.&nbsp;<br /><br />This large air-conditioned but atmospheric control room (564 sq ft) is a chilled and stylish space, complete with gentle mood lighting, soft blue/purple decor and a comfy leather sofa. It is probably the largest programming room you will find in the area.</span></p>\r\n<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">The studio includes an en suite booth (106 sq ft) that comfortably swallows a drum kit, and there''s a rec room with television, more sofas and an adjacent kitchenette. Broadband internet is piped into the studio itself to cater to all your interweb surfing needs.&nbsp;<br /></span></p>";}}}}', NULL),
(238, 31, 20, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:12:"Intro Splash";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Intro Text";s:20:"<p>fghsrtrewstdf</p>";}}}}', NULL),
(239, 19, 38, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:5:{s:8:"Postcode";s:7:"SE1 4SP";s:7:"Address";s:31:"36 Leroy Street, London SE1 4SP";s:3:"lat";s:10:"51.4941018";s:3:"lng";s:11:" -0.0828757";s:4:"zoom";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Directions";s:1702:"<p>Directions from outside London</p>\r\n<p>From the M4 / M40 From the M4 go down the Great West Road, over the Hammersmith roundabout. Then go all the way down the Cromwell Road, which joins the Brompton Road then Knightsbridge on to Hyde Park Corner (do not take the underpass). From the M1 take the Edgware Road to Marble Arch then go down Park Lane to Hyde Park Corner. From the M40 take the Marylebone Road, then right on Baker Street down to Marble Arch. Then go down Park Lane to Hyde Park Corner. From Hyde Park Corner, take the exit on to Constitution Hill past Buckingham Palace, on to The Mall, right on to Horse Guards Road then left onto Great George Street onto Westminster Square. Go across Westminster Bridge then straight across roundabout onto Westminster Bridge Road. Take that road to St Georges Circus then right onto London Road, which takes you to Elephant &amp; Castle. Take second exit on to the New Kent Road, follow that to a roundabout with a flyover (don''t go over the flyover). Take third exit on to the Old Kent Road then Leroy Street is the second on the left (before the bus stop). Miloco is a white building with a grey roller-shutter next door to a playground.  From the M2  From Dover, take the M2 to London. From the end of the M2, follow the A2 towards the City of London (not West End). A2 becomes the Old Kent Road. At the end of the Old Kent Road (where it becomes the New Kent Road) there is a roundabout with a flyover. Go all the way round the roundabout until you are travelling back up the Old Kent Road. Leroy Street is the second turning on the left (before the bus stop). Miloco is a white building with a grey roller-shutter next door to a playground</p>";}}}}', NULL),
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Description";s:0:"";}i:30;a:2:{s:5:"Image";s:36:"201106291732232899920Miloco-0620.jpg";s:17:"Image Description";s:0:"";}i:31;a:2:{s:5:"Image";s:36:"201106291732232899920Miloco-0625.jpg";s:17:"Image Description";s:0:"";}i:32;a:2:{s:5:"Image";s:36:"201106291732232899920Miloco-0641.jpg";s:17:"Image Description";s:0:"";}i:33;a:2:{s:5:"Image";s:36:"201106291732232899920Miloco-0645.jpg";s:17:"Image Description";s:0:"";}i:34;a:2:{s:5:"Image";s:36:"201106291732232899920Miloco-0648.jpg";s:17:"Image Description";s:0:"";}i:35;a:2:{s:5:"Image";s:36:"201106291732232899920Miloco-0651.jpg";s:17:"Image Description";s:0:"";}i:36;a:2:{s:5:"Image";s:36:"201106291732232899920Miloco-0654.jpg";s:17:"Image Description";s:0:"";}i:37;a:2:{s:5:"Image";s:36:"201106291732232899920Miloco-0657.jpg";s:17:"Image Description";s:0:"";}i:38;a:2:{s:5:"Image";s:36:"201106291732232899920Miloco-0664.jpg";s:17:"Image Description";s:0:"";}i:39;a:2:{s:5:"Image";s:36:"201106291732232899920Miloco-0665.jpg";s:17:"Image Description";s:0:"";}i:40;a:2:{s:5:"Image";s:36:"201106291732232899920Miloco-0668.jpg";s:17:"Image Description";s:0:"";}i:41;a:2:{s:5:"Image";s:36:"201106291732232899920Miloco-0671.jpg";s:17:"Image Description";s:0:"";}i:42;a:2:{s:5:"Image";s:36:"201106291732232899920Miloco-0673.jpg";s:17:"Image Description";s:0:"";}i:43;a:2:{s:5:"Image";s:36:"201106291732232899920Miloco-0675.jpg";s:17:"Image Description";s:0:"";}i:44;a:2:{s:5:"Image";s:36:"201106291732232899920Miloco-0680.jpg";s:17:"Image Description";s:0:"";}i:45;a:2:{s:5:"Image";s:36:"201106291732232899920Miloco-0683.jpg";s:17:"Image Description";s:0:"";}i:46;a:2:{s:5:"Image";s:36:"201106291732232899920Miloco-0686.jpg";s:17:"Image Description";s:0:"";}i:47;a:2:{s:5:"Image";s:36:"201106291732232899920Miloco-0689.jpg";s:17:"Image Description";s:0:"";}i:48;a:2:{s:5:"Image";s:36:"201106291732232899920Miloco-0692.jpg";s:17:"Image Description";s:0:"";}i:49;a:2:{s:5:"Image";s:36:"201106291732232899920Miloco-0697.jpg";s:17:"Image Description";s:0:"";}i:50;a:2:{s:5:"Image";s:36:"201106291732232899920Miloco-0700.jpg";s:17:"Image Description";s:0:"";}}}}', NULL),
(250, 3, 41, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:3:{i:1;a:2:{s:5:"Image";s:32:"201106241217582476890outside.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:32:"201106241220482989358bedroom.jpg";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:40:"201106241221352550544night-blackrock.jpg";s:17:"Image Description";s:0:"";}}s:6:"group2";a:1:{i:1;a:1:{s:11:"Description";s:2755:"<p>Black Rock Residential has been located, designed and built with the purpose of making your visit a truly unforgettable one. Guests will experience the true essence of luxury during their stay at the villa, which situated on a sequestered and blissful section on the South Western tip of Santorini, offers an inspirational environment of immense proportions.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>The villa has been built on a cliff-top area of 6,700 sq meters, close to the famous Lighthouse of Santorini, and is engulfed by some of the most breathtaking oceanic views in the world. This beautiful white-stone building is influenced by a blend of modern and traditional Cycladic architecture, and ranks within the countless stunning residences scattered across this sensational island.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>Spread across three large floors, the house comprises several living, dining and reception areas providing a choice of secluded indoor hangouts, sheltered from the baking South Greek sun. Here guests can laze in front of the TV, take an afternoon nap or enjoy a late night bottle or two of the exquisite local wines! There is a large salon based on the lower ground floor, and two smaller lounges - along with an open-plan kitchen/diner - located on the ground floor of the house.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>Black Rock Studios contains six gorgeous bedrooms, five of which serve guests and one used by staff. The five guest rooms each have their own en-suite bathroom, satellite TV, CD player, direct dial phone and minibar. The two largest suites are on the lower-ground floor, with three slightly smaller rooms located on the two upper floors of the house. The bedrooms all enjoy stunning views from whichever side of the house they are located on, and are flooded by sunshine throughout the day.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>The outdoor areas at Black Rock are magnificent. Four decked terraces line different sides of the villa, where guests can relax, sunbathe or dine while savouring the tranquil blue expanse of the Aegean and its astonishing evening sunsets. There is an outdoor pool currently being built that will be ready in April, plus a Jacuzzi and barbecue area to make your recreational time even more pleasurable.&nbsp;</p>\r\n<p>&nbsp;</p>\r\n<p>In keeping with its 5-star status, Black Rock provides daily concierge and housekeeping services to ensure the villa''s premium standards are maintained during your stay. A private chef and waiter can be made available upon request, as can arrangements for the collection and delivery of groceries. Other additional services include onsite massages, laundry and pressing, and the private transportation to and from the island''s port and airport.&nbsp;</p>\r\n<p>&nbsp;</p>";}}}}', NULL),
(251, 7, 31, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:1:{s:10:"Intro Text";s:449:"<p><span style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: 12px;">Fisher Lane''s accommodation includes eight bedrooms; four in each cottage. These newly refurbished and decorated rooms present a beautifully stylish and comforting personal space for guests at the studio. There are a range of single and double rooms, plus a master bedroom with ensuite shower room. Both of the cottages have shared bathroom facilities.</span></p>";}}s:6:"group2";a:9:{i:1;a:4:{s:12:"Bedroom Name";s:9:"Bedroom 1";s:16:"Bedroom Location";s:7:"House 1";s:13:"Bedroom Image";s:39:"201106241321582981255bedroom1_index.jpg";s:19:"Bedroom Description";s:65:"Double room with TV/DVD, located on the ground floor of House 1. ";}i:2;a:4:{s:12:"Bedroom Name";s:9:"Bedroom 2";s:16:"Bedroom Location";s:7:"House 1";s:13:"Bedroom Image";s:39:"201106241325062553958bedroom2_index.jpg";s:19:"Bedroom Description";s:92:"The Master Suite, with en suite shower room. Located on the first floor with stunning views.";}i:3;a:4:{s:12:"Bedroom Name";s:9:"Bedroom 3";s:16:"Bedroom Location";s:7:"House 1";s:13:"Bedroom Image";s:39:"201106241325232222273bedroom3_index.jpg";s:19:"Bedroom Description";s:61:"Double bedroom with stunning views of the Surrey countryside.";}i:4;a:4:{s:12:"Bedroom Name";s:9:"Bedroom 4";s:16:"Bedroom Location";s:7:"House 1";s:13:"Bedroom Image";s:39:"201106241325522286824bedroom4_index.jpg";s:19:"Bedroom Description";s:68:"Small double room with TV/DVD and views of drive and front garden.  ";}i:5;a:4:{s:12:"Bedroom Name";s:9:"Bedroom 5";s:16:"Bedroom Location";s:7:"House 2";s:13:"Bedroom Image";s:38:"20110624132759252590bedroom5_index.jpg";s:19:"Bedroom Description";s:75:"Single bedroom on the first floor with views from the front of the house.  ";}i:6;a:4:{s:12:"Bedroom Name";s:9:"Bedroom 6";s:16:"Bedroom Location";s:7:"House 2";s:13:"Bedroom Image";s:39:"201106241328172891129bedroom6_index.jpg";s:19:"Bedroom Description";s:80:"Double bedroom with TV/DVD and fireplace on the first floor with a great view.  ";}i:7;a:4:{s:12:"Bedroom Name";s:9:"Bedroom 7";s:16:"Bedroom Location";s:7:"House 2";s:13:"Bedroom Image";s:39:"201106250240152449768bedroom7_index.jpg";s:19:"Bedroom Description";s:78:"Small double bedroom at the back of House 2 with a TV/DVD and fantastic views.";}i:8;a:4:{s:12:"Bedroom Name";s:9:"Bedroom 8";s:16:"Bedroom Location";s:7:"House 2";s:13:"Bedroom Image";s:39:"201106250240362139174bedroom8_index.jpg";s:19:"Bedroom Description";s:58:"A small loft room with single bed and views of the fields.";}i:9;a:4:{s:12:"Bedroom Name";s:9:"Bathrooms";s:16:"Bedroom Location";s:11:"House 1 & 2";s:13:"Bedroom Image";s:40:"201106250241072377876bathroom1_index.jpg";s:19:"Bedroom Description";s:66:"There are communal bathrooms and wash facilities in both cottages.";}}}}', NULL),
(253, 13, 37, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:5:{i:1;a:2:{s:5:"Image";s:33:"201106291722142735017_MG_3413.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:33:"201106291722142735017_MG_3466.jpg";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:33:"201106291722142735017_MG_3490.jpg";s:17:"Image Description";s:0:"";}i:4;a:2:{s:5:"Image";s:33:"201106291722142735017_MG_3546.jpg";s:17:"Image Description";s:0:"";}i:5;a:2:{s:5:"Image";s:33:"201106291722142735017_MG_3572.jpg";s:17:"Image Description";s:0:"";}}}}', NULL),
(255, 6, 37, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:21:{i:1;a:2:{s:5:"Image";s:44:"201106291757592322832miloco-el-cortijo-1.jpg";s:17:"Image Description";s:0:"";}i:2;a:2:{s:5:"Image";s:32:"201106291757592322832el pool.jpg";s:17:"Image Description";s:0:"";}i:3;a:2:{s:5:"Image";s:35:"201106291743142385625Bedroom 1b.jpg";s:17:"Image Description";s:0:"";}i:4;a:2:{s:5:"Image";s:34:"201106291743142385625Bedroom 2.jpg";s:17:"Image Description";s:0:"";}i:5;a:2:{s:5:"Image";s:34:"201106291743142385625Bedroom 6.jpg";s:17:"Image Description";s:0:"";}i:6;a:2:{s:5:"Image";s:32:"201106291743142385625Booth 1.jpg";s:17:"Image Description";s:0:"";}i:7;a:2:{s:5:"Image";s:32:"201106291743142385625Booth 2.jpg";s:17:"Image Description";s:0:"";}i:8;a:2:{s:5:"Image";s:37:"201106291743142385625el badminton.jpg";s:17:"Image Description";s:0:"";}i:9;a:2:{s:5:"Image";s:39:"201106291743142385625el dining room.jpg";s:17:"Image Description";s:0:"";}i:10;a:2:{s:5:"Image";s:37:"201106291743142385625el fireplace.jpg";s:17:"Image Description";s:0:"";}i:11;a:2:{s:5:"Image";s:35:"201106291743142385625el gallery.jpg";s:17:"Image Description";s:0:"";}i:12;a:2:{s:5:"Image";s:36:"201106291743142385625el hillside.jpg";s:17:"Image Description";s:0:"";}i:13;a:2:{s:5:"Image";s:35:"201106291743142385625el kitchen.jpg";s:17:"Image Description";s:0:"";}i:14;a:2:{s:5:"Image";s:34:"201106291743142385625el lounge.jpg";s:17:"Image Description";s:0:"";}i:15;a:2:{s:5:"Image";s:37:"201106291743142385625el mezzanine.jpg";s:17:"Image Description";s:0:"";}i:16;a:2:{s:5:"Image";s:42:"201106291757592322832Bedroom 5bathroom.jpg";s:17:"Image Description";s:0:"";}i:17;a:2:{s:5:"Image";s:32:"201106291757592322832el back.jpg";s:17:"Image Description";s:0:"";}i:18;a:2:{s:5:"Image";s:35:"201106291757592322832el balcony.jpg";s:17:"Image Description";s:0:"";}i:19;a:2:{s:5:"Image";s:33:"201106291757592322832el front.jpg";s:17:"Image Description";s:0:"";}i:20;a:2:{s:5:"Image";s:42:"201106291757592322832el garden terrace.jpg";s:17:"Image Description";s:0:"";}i:21;a:2:{s:5:"Image";s:35:"201106291757592322832el percola.jpg";s:17:"Image Description";s:0:"";}}}}', NULL),
(258, 12, 26, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:3:{i:1;a:4:{s:13:"Session Title";s:47:"TigerBeer | Found: Lightship95, featuring Mazes";s:15:"Video Thumbnail";s:0:"";s:17:"Video Description";s:356:"<p>Tiger Beer teamed up with VICE magazine to put together this series of short documentaries discovering interesting hidden cultural gems such as the magnifcent Lightship95 recording studio in the Thames Docklands. In this video they take a film crew down to the ship to meet owner and studio creator Ben Phillips, who was recording Mazes at the time.</p>";s:9:"Video URL";s:66:"http://www.youtube.com/watch?feature=player_embedded&v=sh697Aoz42Q";}i:2;a:4:{s:13:"Session Title";s:67:"Mapex Meridian kit promo with Slaves To Gravity Drummer Jason Bowld";s:15:"Video Thumbnail";s:0:"";s:17:"Video Description";s:299:"<p>Slaves To Gravity and Pitchshifter drummer Jason Bowld went down to Lightship95 with his very tasty Mapex Meridian to thrash it out in front of a camera to basically testify to the brilliance of this kit. The promotional video is now wowing viewers on YouTube - you can check it out here too.</p>";s:9:"Video URL";s:66:"http://www.youtube.com/watch?v=zNe9PbkTxXc&feature=player_embedded";}i:3;a:4:{s:13:"Session Title";s:71:"Tim Key ''Waterloo'' video from Tim Key. With A String Quartet. On A Boat";s:15:"Video Thumbnail";s:0:"";s:17:"Video Description";s:434:"<p>Comedian, Actor and performance poet Tim Key, who was the 2009 winner of the Edinburgh Comedy Award, has been spending some time down at Lightship95 Studios in the London Docks. Tim has been making an album of poetry called Tim Key. With A String Quartet. On A Boat. Here is a video recording of his performance of track ''Waterloo''. Stay tuned on the Miloco blog for more information about the new album of poetry from Tim Key.</p>";s:9:"Video URL";s:66:"http://www.youtube.com/watch?feature=player_embedded&v=MrarrHCyurw";}}}}', NULL);
INSERT INTO `pages` (`id`, `studio_id`, `page_layout_id`, `content`, `additional_content`) VALUES (259, 12, 38, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:4:{s:8:"Postcode";s:8:"E14 0JW ";s:7:"Address";s:44:"Trinity Buoy Wharf, 64 Orchard Place, London";s:3:"lat";s:10:"51.5089015";s:3:"lng";s:10:" 0.0075396";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Directions";s:1695:"Directions to Lightship95 by Car\r\n\r\nBelow are two maps which link to road directions to Lightship95. We have selected two set-off points, Reading (via M4) and Milton Keynes (via M1), however you can customise your route depending on where you are travelling from.\r\nZoom in on the blue line to view the route, or alternatively to view detailed instructions, click on either of the links beneath the maps named ''Click to view detailed directions''. From there you can edit your route if necessary.\r\n\r\nLocating Trinity Buoy Wharf\r\n\r\nBy Bus:\r\nNumber 277, alighting at the Town Hall on the north side of East India (DLR) station.\r\nBy DLR:\r\nTo East India, followed by a 10 minute walk. Please do not walk over the footbridge at the station, instead use the stairs to the south exit. Outside of the station follow the blue signs marked either Trinity Buoy Wharf or the Bird Sanctuary.\r\nBy Tube:\r\nTo Canning Town (Jubilee Line). From there it is a 15 minute walk. Exit from the north end (closest to the ticket office). Go to the large roundabout and turn left leading you over the River Lea bridge. Turn left at the foot of the bridge and follow the Lea to the roundabout with the Esso Station on the right. Keep following the Lea round to the left by PURA Foods and the path emerges onto Orchard Place. Bear right and continue on until you reach Trinity Buoy Wharf at the end.\r\nBy Car:\r\nFollow signs to Leamouth on the A13 or from Aspen Way. At the Leamouth roundabout (Esso Petrol Station), take the Lower Lea Crossing exit. Almost immediately, go left after the bridge. At the T-junction turn right onto Orchard Place and follow the road round to Trinity Buoy Wharf. Parking is available on site.\r\n\r\n";}}}}', NULL),
(261, 13, 26, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:3:{i:1;a:4:{s:13:"Session Title";s:54:"The Futureheads film ''Walking Backwards'' in The Garden";s:15:"Video Thumbnail";s:0:"";s:17:"Video Description";s:594:"<p>Sunderland''s finest The Futureheads came to our Shoreditch tracking room in July 2007 to record the video for ''Walking Backwards'', which is released from the band''s self-released This Is Not The World album. <br /><br />Ross Millard and co substitute themselves for some endearing puppet imposters, to take on the everyday duties of Tyneside''s most celebrated indie band. The video also features a cameo appearance from T4 presenter Rick Edwards, so what more do you want?. <br /><br />Follow the link to view a band of puppets shooting the video for The Futurehead''s ''Walking Backwards''</p>";s:9:"Video URL";s:60:"http://www.myspace.com/video/vid/47716228#pm_cmp=vid_OEV_P_P";}i:2;a:4:{s:13:"Session Title";s:50:"XX Teens film ''Only You'' and ''Round'' in The Garden";s:15:"Video Thumbnail";s:0:"";s:17:"Video Description";s:603:"<p>London 5-piece XX Teens released their debut album Welcome To Goon Island in June 2008. Although the album wasn''t made at Miloco, we were still over-the-moon to see them in our legendary Shoreditch tracking room a month after the release to record 5 tracks for a radio session. <br /><br />Accompanying them was a) Miloco in-house man James Aparicio, and b) a conveniently present video camera, which captured these shots of the band playing album tracks ''Only You'' and ''Round''. <br /><br />Click the following link to the watch the Garden shooting of the XX Teens video to ''Only You'' and ''Round''</p>";s:9:"Video URL";s:66:"http://www.youtube.com/watch?v=WrJ19OpdCpE&feature=player_embedded";}i:3;a:4:{s:13:"Session Title";s:69:"Beat Six record ''When The Chemicals Ignite (With Fuel)'' in The Garden";s:15:"Video Thumbnail";s:0:"";s:17:"Video Description";s:368:"<p>The Hard-Fi-esque Slough band Beat Six used footage of their Garden session, interspersed with live shots to film their very cool video for ''When The Chemicals Ignite (With Fuel)'', produced by Tristan Ivemy in The Garden. A proper rock n'' roll video, at a proper rock n'' roll studio!! <br /><br />Step this way to sample the musical and visual vibes of Beat Six</p>";s:9:"Video URL";s:42:"http://www.youtube.com/watch?v=XCPcuzB8fRI";}}}}', NULL),
(262, 11, 38, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:4:{s:8:"Postcode";s:7:"BN1 4GD";s:7:"Address";s:25:"Blackman Street, Brighton";s:3:"lat";s:10:"50.8292409";s:3:"lng";s:11:" -0.1381468";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Directions";s:471:"Directions to The Ironworks by Car\r\n\r\nBelow are two maps which link to road directions to The Ironworks. We have selected two set-off points, London and Dover, however you can customise your route depending on where you are travelling from.\r\nZoom in on the blue line to view the route, or alternatively to view detailed instructions, click on either of the links beneath the maps named ''Click to view detailed directions''. From there you can edit your route if necessary.";}}}}', NULL),
(263, 9, 38, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:4:{s:8:"Postcode";s:8:" L17 8XJ";s:7:"Address";s:37:"1 Hesketh Street, Aigburth, Liverpool";s:3:"lat";s:10:"53.3808699";s:3:"lng";s:11:" -2.9453991";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Directions";s:1768:"Directions \r\n\r\nFrom the M60/M62 Junction / West Manchester\r\nIf on the M60 (Manchester Ring-Road), exit at junction 12, onto M62 toward Warrington/Liverpool. Continue for 23.6 miles.\r\nContinue on A5080/Bowring Park Rd. Continue to follow A5080 for 0.2 miles\r\nSlight left at Bowring Park Rd. Continue for 210 ft\r\nSlight left at Queens Drive, follow for 0.1 miles\r\nSlight left at A5058/Queens Drive. Continue to follow A5058. Go through 2 roundabouts and continue for 1.4 miles\r\nSlight left at A5058/Menlove Ave. Continue to follow A5058 for 0.9 miles\r\nContinue on Queens Drive for 0.1 miles\r\nAt the roundabout, take the 2nd exit onto Mossley Hill Drive 0.5 miles\r\nSlight left at Aigburth Drive 0.6 miles\r\nTurn left at Lamburth Drive 197 ft\r\nContinue on Lark Ln	0.1 miles\r\nTurn left at Hesketh St, Motor Museum is the red-brick building on the left.\r\n\r\n\r\nFrom the M6 / Stoke-On-Trent\r\nTraveling North on the M6 past Stoke-On-Trent, continue toward Warrington/Preston\r\nAt junction 21a, exit onto M62 toward Liverpool/M57/Warrington (N)/Southport and continue for 14.9 miles\r\nContinue on A5080/Bowring Park Rd. Continue to follow A5080 for 0.2 miles\r\nSlight left at Bowring Park Rd and continue for 210 ft\r\nSlight left at Queens Dr 0.1 miles\r\nSlight left at A5058/Queens Dr. Continue to follow A5058. Go through 2 roundabouts and carry on for 1.4 miles\r\nSlight left at A5058/Menlove Ave. Continue to follow A5058, continue for 0.9 miles\r\nContinue on Queens Dr for 0.1 miles\r\nAt the roundabout, take the 2nd exit onto Mossley Hill Dr, continue for 0.5 miles\r\nSlight left at Aigburth Dr, continue for 0.6 miles\r\nTurn left at Lamburth Dr and carry on for 197 ft\r\nContinue on Lark Ln	for 0.1 miles\r\nTurn left at Hesketh St, Motor Museum is the red-brick building on the left.\r\n";}}}}', NULL),
(264, 22, 26, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:4:{s:13:"Session Title";s:62:"Red Room Video: Martin Solveig "Ready 2 Go" - Smash Episode #3";s:15:"Video Thumbnail";s:0:"";s:17:"Video Description";s:457:"<p>Electronic producer / DJ Martin Solveig''s new album, Smash is being promoted via a series of interlinked music videos. Episode #3 is the video for single ''Ready 2 Go'', which features vocals from Kele (Bloc Party), and a visual cameo by Dragonette, who also sings elsewhere on the album. <br /><br />Check out this entertaining video, partly-shot at Miloco''s Red Room studio in Paris, and which has proved a big hit on YouTube with over 250,000 views.</p>";s:9:"Video URL";s:66:"http://www.youtube.com/watch?feature=player_embedded&v=H3p03NRYQTg";}}}}', NULL),
(265, 22, 38, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:4:{s:8:"Postcode";s:5:"91250";s:7:"Address";s:35:"4 bis Rue Honore d''Estienne d''Orves";s:3:"lat";s:17:"48.87285430501568";s:3:"lng";s:18:"2.2274011389282578";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Directions";s:442:"If you are driving to Paris from the UK, below is a map giving detailed instructions from Calais. You can zoom in to view the route, or click the link below to see the directions written out in detail.\r\nThere are also international flights to Paris'' numerous airports including Orly and Charles de Gaulle, and the Eurostar arrives at Gare du Nord in central Paris. From those destinations, public transport can be used to get to The Red Room.";}}}}', NULL),
(266, 10, 38, 'a:1:{s:2:"en";a:2:{s:6:"group1";a:1:{i:1;a:4:{s:8:"Postcode";s:6:"N1 6PB";s:7:"Address";s:27:"43/44 Hoxton Square, London";s:3:"lat";s:10:"51.5271353";s:3:"lng";s:11:" -0.0814596";}}s:6:"group2";a:1:{i:1;a:1:{s:10:"Directions";s:4192:"Directions from outside London \r\n\r\nBy Car\r\n\r\nFrom Gatwick Airport, North Terminal, W Sussex\r\n\r\nFollow exit signs to leave by the terminal slip road. At the roundabout take 3rd exit A23 (sign posted M23). Follow the A23. At the roundabout take 1st exit (sign posted London) to join Motorway M23 Spur.\r\nContinue along the M23 until it becomes the A23, then follow the signs for London (A23). After approx. 6 miles you will reach Waddon, continue over the Railway Bridge then at the traffic lights bear right.\r\nAfter another mile and a half is the Lombard roundabout (Junction with A236) take the 2nd exit, continuing along the A23.\r\nAt the junction of A235 / B266 turn left (one way) then right, then left again, continue along the A23 until Streatham Common, at the traffic lights continue forward and follow the signs for Central London, Brixton A23.\r\nContinue straight over the traffic lights at the Crown and Sceptre Pub. After a mile you will reach Brixton and a set of traffic lights. Go straight over the traffic lights (Sign posted Central London) and under a railway bridge.\r\nYou will then enter Kennington. At the Junction with the A3 and A202, go straight over at the traffic lights (sign posted A3) and get into the right hand lanes.\r\nContinue along the A3 until you reach Elephant and Castle, at the first roundabout take the first exit, at the next take the second exit sign posted for the city.\r\nYou will then reach The Borough and St George''s Church, at the crossroads continue straight over to enter Borough High Street, at the junction with the A1202 continue straight over the traffic lights onto London Bridge from the north side into King William Street.\r\nAt Monument underground station take the right hand lane and bear right then left into Gracechurch Street (A10). At the junction with Fenchurch Street continue forward, (Sign posted Shoreditch), along Bishopsgate and past Liverpool Street Station, (On Left), until you reach the junction with the A1202, turn left into Great Eastern Street (One Way).\r\nTake the third right into curtain road and stay in the left hand lane, at the traffic lights the road bears right, the entrance to Hoxton Square is on the left just after the traffic lights. Miloco 3 (Hoxton Square) is a white building No 43-44, on the left.\r\nFrom Birmingham, W Mids.\r\n\r\nFollow the signs The North and M6 to leave by Moor Street Queensway. At Lancaster Circus (Junction with A38) branch left (sign posted Motorway M6, Lichfield A38) and at roundabout take the 3rd main exit A38.\r\nAt Dartmouth Circus (Junction with A4540/A5127) keep forward into Aston Expressway A38(M). Continue for approx. two miles and follow the signs for London (M1) to join the M6.\r\nContinue for another 30 miles and join the M1 at the junction with A14/M1. There are service areas at Watford Gap, Rothersthorpe (Jct. 15a), Newport Pagnell and Toddington.\r\nAt Junction 7 of the M1 (M10) move into the right hand lanes to continue along the M1. When you reach junction 2 (A1) leave main motorway (sign posted North Circular Road, East). At the fiveways junction continue forward to join the A1.\r\nAfter a mile join the A406 North Circular Road, you will then reach the junction with the A598 (Regents Park Road). At the traffic signals continue forward then take the right-hand lanes and branch right onto the A1 (sign posted City)\r\nContinue forward for approx. 2.5 miles, through Highgate, at the crossroads with the Woodman hotel, continue straight over. After a mile you will reach the junction with A400 continue Forward (one-way) then bear right then left.\r\nContinue along the A1 through Holloway until Highbury Corner take the second exit A1200 (sign posted Shoreditch) then over crossroads and keep left. Continue past Essex Road tube station and at junction with the Moorfield Eye Hospital (on right) join the A501 city road.\r\nYou will then reach Old Street tube and a roundabout, take the first exit into Old Street (A5201). Stay in the left hand lane, at the traffic lights the road bears right, turn left into Hoxton Street just after the traffic lights, and immediately left again into Hoxton Square. Miloco 3 (The Square) is a white building No 43-44, on the left.";}}}}', NULL),
(278, 19, 40, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:1:{i:1;a:2:{s:5:"Image";a:2:{s:3:"img";s:44:"201107120409022420213alanmouldermonitors.jpg";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}}}}', NULL),
(279, 19, 36, 'a:1:{s:2:"en";a:1:{s:6:"group1";a:3:{i:1;a:1:{s:13:"Contact Email";s:17:"info@miloco.co.uk";}i:2;a:1:{s:13:"Contact Email";s:0:"";}i:3;a:1:{s:13:"Contact Email";s:0:"";}}}}', NULL),
(280, 30, 32, 'a:2:{s:2:"en";a:3:{s:6:"group1";a:1:{i:1;a:2:{s:11:"Intro Image";a:2:{s:3:"img";s:59:"201107120947512897342Screen shot 2011-07-11 at 12.01.11.png";s:3:"alt";s:0:"";}s:10:"Intro Text";s:0:"";}}s:6:"group2";a:1:{i:1;a:2:{s:5:"Image";a:2:{s:3:"img";s:59:"201107130426302169139Screen shot 2011-07-11 at 12.01.11.png";s:3:"alt";s:0:"";}s:17:"Image Description";s:0:"";}}s:6:"group3";a:1:{i:1;a:1:{s:11:"Description";s:0:"";}}}s:2:"fr";a:3:{s:6:"group1";a:1:{i:1;a:2:{s:11:"Intro Image";s:59:"201107120947512897342Screen shot 2011-07-11 at 12.01.11.png";s:10:"Intro Text";s:0:"";}}s:6:"group2";a:1:{i:1;a:2:{s:5:"Image";a:1:{s:3:"img";s:59:"201107130426302169139Screen shot 2011-07-11 at 12.01.11.png";}s:17:"Image Description";s:0:"";}}s:6:"group3";a:1:{i:1;a:1:{s:11:"Description";s:0:"";}}}}', NULL);

-- --------------------------------------------------------

-- 
-- Table structure for table `studios`
-- 

CREATE TABLE `studios` (
  `id` int(11) NOT NULL auto_increment,
  `name` varchar(255) NOT NULL,
  `location` varchar(255) NOT NULL,
  `studio_type` varchar(255) NOT NULL,
  `additional_lang` varchar(255) default NULL,
  `day_rate` varchar(255) NOT NULL,
  `five_day_rate` varchar(255) default NULL,
  `lockout_rate` varchar(255) default NULL,
  `half_day_rate` varchar(255) default NULL,
  `hourly_rate` varchar(255) default NULL,
  `unsigned_flexi` varchar(255) default NULL,
  `unsigned_book_now` varchar(255) default NULL,
  `equipment` longtext,
  `lat` varchar(255) default NULL,
  `lng` varchar(255) default NULL,
  `postcode` varchar(255) default NULL,
  `user_id` varchar(255) NOT NULL default '0',
  `quotes` text,
  `icon` varchar(255) default NULL,
  `summary` text,
  `index_photo` varchar(255) default NULL,
  `miloco_studio` int(11) NOT NULL default '0',
  `status` varchar(255) NOT NULL default 'draft',
  `admin_status` varchar(255) NOT NULL default 'published',
  `meta_keywords` text NOT NULL,
  `meta_desc` text NOT NULL,
  PRIMARY KEY  (`id`)
) ENGINE=MyISAM AUTO_INCREMENT=35 DEFAULT CHARSET=utf8 AUTO_INCREMENT=35 ;

-- 
-- Dumping data for table `studios`
-- 

INSERT INTO `studios` (`id`, `name`, `location`, `studio_type`, `additional_lang`, `day_rate`, `five_day_rate`, `lockout_rate`, `half_day_rate`, `hourly_rate`, `unsigned_flexi`, `unsigned_book_now`, `equipment`, `lat`, `lng`, `postcode`, `user_id`, `quotes`, `icon`, `summary`, `index_photo`, `miloco_studio`, `status`, `admin_status`, `meta_keywords`, `meta_desc`) VALUES (2, 'Assault & Battery 1', 'United Kingdom', 'Mixing Studio,SSL Studio,', 'fr', '600', '500', '800', '400', '70', '300', '400', 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-- --------------------------------------------------------

-- 
-- Table structure for table `users`
-- 

CREATE TABLE `users` (
  `id` int(11) NOT NULL auto_increment,
  `username` varchar(50) default NULL,
  `password` varchar(255) default NULL,
  `account_name` varchar(50) default NULL,
  `activation` varchar(255) NOT NULL default 'active',
  `auth` int(11) NOT NULL default '0',
  PRIMARY KEY  (`id`)
) ENGINE=MyISAM AUTO_INCREMENT=21 DEFAULT CHARSET=utf8 AUTO_INCREMENT=21 ;

-- 
-- Dumping data for table `users`
-- 

INSERT INTO `users` (`id`, `username`, `password`, `account_name`, `activation`, `auth`) VALUES (3, 'matt@ethercreative.co.uk', '9d8ce5c05fbb5e076f9f93bc71e682e4', 'matt', 'active', 100),
(2, 'info@miloco.co.uk', '4fe6d73d167b487f6568e9edfc594126', 'Miloco', 'active', 102),
(4, 'test@test.test', '079c277bd92ef9d65d954a82123abed3', 'Test', 'active', 0),
(20, 'bryanwilson@wilcompute.com', '2735baf7522b85979affcc36535d7ef1', 'bryanwilson@wilcompute.com', 'active', 0),
(19, 'josephrodgers168@hotmail.com', 'e2eb8eea71ae461e1d9c95a59c8a0b42', 'joepool', 'active', 0),
(18, 'richard@miloco.co.uk', 'e67f1f8a0545e0e9b9223152f7ffd31f', 'Rich', 'active', 0),
(17, 'benhillier@me.com', '85534ebd713b12f6f29736af574d02df', 'benhillier@me.com', 'active', 0),
(16, 'glenn@ethercreative.co.uk', '9d8ce5c05fbb5e076f9f93bc71e682e4', 'Glenn', 'active', 100),
(13, 'test@ethercreative.co.uk', '9d8ce5c05fbb5e076f9f93bc71e682e4', 'Test Account', 'active', 100),
(14, 'alex@ethercreative.co.uk', '4fe6d73d167b487f6568e9edfc594126', 'Miloco', 'active', 102);