Assault & Battery 2

"Fully Charged and No Limits"

Assault & Battery 2 Floorplan

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Equipment

    • Live Room: approx 11m x 7m x 4m high (36' x 23' x 12')

      Live Room: approx 11m x 7m x 4m high (36' x 23' x 12')

    • Dry Booth: approx 6m x 5m (19.7' x 16.4')

      Dry Booth: approx 6m x 5m (19.7' x 16.4')

  • CONSOLE
    • Cadac G-series 32 Mic/Line Channels with EQ 24 Monitor Channels 24 Groups

      Cadac G-series

  • DAW
    • Avid Pro Tools 12 HD

      Avid Pro Tools 12 HD

    • Avid HDX

      Avid HDX

    • Avid HD I/O 16x16 Analog (x3) Providing 32 inputs and 56 outputs

      Avid HD I/O 16x16 Analog

      Experience significantly better audio fidelity, wider dynamic range, and super-low jitter thanks to sophisticated A/D and D/A conversion and get the lowest possible latency when recording even the largest sessions. Connect your digital gear hassle-free with sample rate conversion in HD I/O’s digital configurations. Plus, you'll be able to track hotter signals and smooth out inconsistent levels from incoming sources. Whats not to like?

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    • Digidesign 192 Interface

      Digidesign 192 Interface

      The Digidesign 192 I/OTM 16-channel digital au- dio interface is for use in a Pro Tools|HD system and features 24-bit analog-to-digital (A/D) and digital-to-analog (D/A) converters. The 192 I/O supports sample rates of up to 192 kHz for supe- rior dynamic range and low noise floor.

    • Universal Audio UAD-2 Octo

      Universal Audio UAD-2 Octo

      The UAD-2 Octo Core is the most powerful PCIe card for UAD powered plugins, featuring 8 processors. The “Core” package includes the basic plugins, with Custom and Ultimate packages including greater numbers of plugins.

      The UAD powered plugin range from Universal Audio have been creating serious ripples in the recording industry. Widely regarded as the best plugins money can buy, the UAD powered plugins are faithfully modelled on real processing units. The plugins cater for everything From the Studio A80 to the classic Teletronix LA-2A, along with 80s reverbs such as the Lexicon 224 and a selection of Universal Audio’s own processing plugins like the precision bus compressor. Speaking from personal experience they really do represent the next level in plugins.

    • Apple Mac Pro 2x 2.4GHz 6 Core

      Apple Mac Pro 2x 2.4GHz 6 Core

    • Avid MIDI I/O

      Avid MIDI I/O

    • Avid Sync HD I/O Interface

      Avid Sync HD I/O Interface

      This Pro Tools Sync HD system is a must have for large scale media productions. With the ability to run projects up to 192 kHZ and a low jitter master clock.

    • Burl B2 Bomber Stereo AD Convertor

      Burl B2 Bomber Stereo AD Convertor

      Using a B2 BOMBER in the studio is like taking the governor off of your recordings. And, the B2 is not just for tracking. Mix down and mastering were the main focus of the B2′s layout and design. With 30 segment peak amplitude and RMS metering, the B2 lets you know exactly how hot you are running your signal which is critical for mastering.

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    • Apple OSX 10.10 (Yosemite)

      Apple OSX 10.10 (Yosemite)

  • MULTITRACK RECORDING
    • Ampex ATR-100 Tape Recorder 2-Track 1/2

      Ampex ATR-100 Tape Recorder

    • Dolby SR24 Noise Reduction System

      Dolby SR24 Noise Reduction System

    • Otari MTR 90 MkII 2" 24 Track Tape Recorder (Please book in advance)

      Otari MTR 90 MkII 2" 24 Track Tape Recorder

      The MTR 90 Mk2 was the recording industry standard in Europe and over 2000 machines were sold. It is solid, reliable, and an easy to set up two-inch tape machine.

    • Studer A800 Mk3 2" 24 Track Tape Recorder (Please book in advance)

      Studer A800 Mk3 2" 24 Track Tape Recorder

  • MONITORING
    • Yamaha NS10M Monitors (x2)

      Yamaha NS10M Monitors

      The legendary NS-10Ms are a centrepiece of any studio. With their prominent mid range and incredibly focused sound, these are the staple monitors for any engineer working in a new room.

    • Auratone 5C Super Sound Cube Passive Monitors

      Auratone 5C Super Sound Cube Passive Monitors

      Made famous in the 70s and the 80s, the Auratone is the original super cube, used in nearly every commercial recording facility the world over for real world referencing. They’re now making quite the comeback.

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    • BSS FDS-360 Crossover Unit (x2)

      BSS FDS-360 Crossover Unit

      The BSS FDS360 is an industry standard electronic crossover unit. It can be configured as either 2 way stereo or 3 way or 4 way mono. A choice of popular frequencies is available, selected by plug-in frequency cards.

    • ProAc Studio 100 Loudspeakers

      ProAc Studio 100 Loudspeakers

      Few compact loudspeakers offer such a clean uncoloured performance and remarkable transparency. With virtually flat frequency response and negligible distortion, the Studio 100 is one of the most accomplished compact performers on the market today.

    • Quested 412 Three Way Active Monitors

      Quested 412 Three Way Active Monitors

    • Quested S8 Active Studio Monitor

      Quested S8 Active Studio Monitor

      Two class A-B amplifiers, with a linear power supply, capable of delivering a total of 370 Watts RMS makes the S8 the most powerful 2-way monitor available. Twin doubled flared ports in a compact reflex enclosure help keep the dimensions to a minimum.

    • -- Amplification --

      -- Amplification --

    • Chevin Research A3000 Power Amplifier (x4)

      Chevin Research A3000 Power Amplifier

      The classic Chevin A-Series amplifier is built in a steel and aluminium housing incorporating lateral Mosfets and the legendary Chevin Power Supply, this combination produces the traditional Chevin sound.

    • HH Electronics V800 MOS-FET Power Amp

      HH Electronics V800 MOS-FET Power Amp

    • Quad 405 Power Amp (x2)

      Quad 405 Power Amp

      With low distortion with it's Class A transistors; the Quad 405 power amplifier is a classic beauty in the Hi-Fi and audio world.

    • Yamaha PC2002 Power Amp (x3)

      Yamaha PC2002 Power Amp

      The Yamaha Pc2002 is completely crystal clear when it comes to its entire range. There is absolutely no sign of strain at all and at regular listening levels, it shines extremely well.

    • Beyerdynamic DT150 Headphones (x3)

      Beyerdynamic DT150 Headphones

      The DT 150 is a closed dynamic studio headphone with a modular construction offering excellent ambient noise isolation. The powerful neodymium magnet system provides high-fidelity reproduction and a balanced sound. The headband and earphone cushioning systems have been carefully designed for maximum comfort and serviceability and the padded headband can adjusted to fit on every head.

    • Beyerdynamic DT100 Studio Headset (x7)

      Beyerdynamic DT100 Studio Headset

      The DT 100 series is used throughout the world for audio recording and monitoring in studios, news gathering, film and TV production and live events. The headphones are exceptionally comfortable with a soft headband and ear pads. A high level of ambient noise attenuation is achieved with the closed design of the ear cups.

    • Hear Technologies Hear Back Personal Monitor Mixer System with 6 mixers

      Hear Technologies Hear Back Personal Monitor Mixer System

      A basic Hear Back system consists of a Hub and personal Mixers connected using standard CAT5E cables. A single Hub supplies signal and power to a maximum of eight Mixers. If that’s not enough, the Hubs can be daisy-chained using the HearBus In and Out for virtually unlimited system size. The Hear Back Hub can accept analog input signals from audio mixers, auxiliary, matrix, monitor, and/or direct outputs.

    • Sony MDR-7505 Headphones (x2) (Available on request)

      Sony MDR-7505 Headphones

      Closed-ear Headphones for Studio and DJ Use with Swiveling Ear Cups, Foldable Design, Included Case, and Unimatch 1/8"-1/4" Adapter.

  • DYNAMICS
    • Looptrotter Audio Monster Compressor

      Looptrotter Audio Monster Compressor

    • DBX 160 Compressor/Limiter (x4)

      DBX 160 Compressor/Limiter

    • API 2500 Stereo Compressor

      API 2500 Stereo Compressor

    • Anthony DeMaria Labs CL1000 Compressor (x2)

      Anthony DeMaria Labs CL1000 Compressor

      The Anthony DeMaria Labs CL1000 is a single channel 2U rack-mounted compressor based on the famous LA-2A unit. The C/L 1000 gives you the warmth of an all-valve design, whether you use it as part of the compression or to add the tone to your sound - plus you get the transparency and over-easy operation that has made the CL 1000 so popular when recording, particularly for vocals.

    • Chandler Limited TG1 Stereo Compressor/Limiter

      Chandler Limited TG1 Stereo Compressor/Limiter

      The Chandler Limited TG1 is a recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late '60s. The Limiter/Compressor features an all discrete circuit with transformer balanced input and output.

    • DBX 166 Compressor/Limiter

      DBX 166 Compressor/Limiter

      Most compressor/gates provide less than musical compression, coupled with gating that swallows transients—or closes early, cutting off decay and reverb tails. The superb engineering in the 166 ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts.

    • DBX 904 Compressor/Limiter (x2)

      DBX 904 Compressor/Limiter

      The DBX 904 is a very special sounding unit that is very intuitive to use, and has awesome character. It is especially awesome because is has a balance control to dial in the right amount of compression.

    • DBX 120XP Subharmonic Synthesizer

      DBX 120XP Subharmonic Synthesizer

      The 120XP has been specifically optimised to enhance bass audio material for use in a variety of professional applications. It's two separate bands of subharmonic synthesis provide the best combination of smoothness and control.

    • DBX 263A De-esser

      DBX 263A De-esser

      The 263A provides traditional DBX sonic quality and performance for the working musician, DJ, studio operator or anyone who needs a friendly compressor.

    • DBX 902 De-esser (x4)

      DBX 902 De-esser

      The dbx 902 de-esser was introduced in the early 80's. It was available as a module for the 900 series racks, which can be compared to the now more popular 500 series format.

      Its ability to remove the harshness without degrading the overall tone made it very popular. It became a classic and most studios still have 902 de-essers in their racks today.

    • Drawmer DS201 Dual Noise Gate (x2)

      Drawmer DS201 Dual Noise Gate

      The DS201 is a sophisticated dual channel noise gate incorporating a number of features pioneered by Drawmer, which are invaluable to the sound engineer, and not found on conventional noise gates. Its features and its "user friendliness" have made it the "industry standard" throughout the world.

    • Drawmer MX30 Dynamics Processor

      Drawmer MX30 Dynamics Processor

      The MX30 is a low cost professional quality dynamics processor. By using circuit elements drawn from existing top-of-the-line Drawmer products and by simplifying the control systems where possible, the MX range is no less sophisticated than other units, despite the price tag.

    • Empirical Labs EL8 Distressor Compressor/Limiter (x2)

      Empirical Labs EL8 Distressor Compressor/Limiter

      The EL-8 compressor can emulate the warm vintage sound we all love. It also adds excitement and life to any mix with it's digitally controlled analogue circuitry.

    • Manley Variable Mu Stereo Compressor

      Manley Variable Mu Stereo Compressor

      The Variable Mu Limiter Compressor is the GLUE that holds the mix together while crystallizing it into a professional, final product. All-tube, all transformer, an all-American legend. High Pass Side Chain mod now comes standard.

    • SPL Transient Designer 2 Channel

      SPL Transient Designer 2 Channel

      The Transient Designer 2 offers a completely new technology for level-independent shaping of the dynamic response of a sound. For the first time it is possible to control the attack and sustain of a signal in a very simple way.

    • SPL Transient Designer 4 Dynamics Processor

      SPL Transient Designer 4 Dynamics Processor

      The SPL Transient Designer 4 provides a revolutionary concept for dynamic processing rendering controls such as Threshold, Ratio and Gain superfluous. The Transient Designer's automation is highly developed, so that while the processing going on inside the box may be very complex, the user has to deal with just a few intuitive controls.

    • Universal Audio 1176 Blackface Compressor

      Universal Audio 1176 Blackface Compressor

      The 1176LN Classic Limiting Amplifier is a modern reproduction, yet every effort was made to remain faithful to UA founder Bill Putnam Sr.’s visionary design and intentions. The original UA 1176LN was a major breakthrough in limiter technology — the first true peak limiter with all transistor circuitry offering superior performance with a signature sound — and set the standard for all limiters to follow.

    • Universal Audio 1176LN Compressor

      Universal Audio 1176LN Compressor

      Billed in the 1968 release as a “true peak limiter with all transistor circuitry and superior performance on all types of program material," the 1176’s major selling point was its ultra-fast attack time — a mere 0.00002 seconds at its fastest setting. It also offered contemporary design, featuring knobs with clear surrounds, pushbuttons, and a brushed aluminum face panel with a blue stripe near the VU meter — none of those then typical big Bakelite knobs in sight.

    • Valley People Dyna-mite Compressor/Limiter

      Valley People Dyna-mite Compressor/Limiter

      A secret weapon to some—a hidden treasure to the rest. Squash drums, get a snappy bassline, enhance track dynamics, duck, gate, key or de-ess. The Valley People Dyna-mite is a Swiss army knife limiter/expander design with unique character that inspires to new sounds.

    • ADR F760X-RS

      ADR F760X-RS

    • Valley People Dyna-mite 2

      Valley People Dyna-mite 2

  • MIC PRE'S / EQUALISATION
    • ADA Ampulator Amp Modeller

      ADA Ampulator Amp Modeller

      The remarkable ADA Ampulator is something entirely different: a power amp simulator. You run a preamp or the effects-send of a guitar amp directly into the single-rack-space box, which uses a single 12AX7 preamp tube (running at 175 volts) to mimic the tonal characteristics of a power amp in varying stages of sweatiness as it interacts with a speaker load. The Ampulator also includes a speaker emulator circuit similar to that on ADA's MicroCab.

    • ADL DI200 Stereo Tube DI Box (x2)

      ADL DI200 Stereo Tube DI Box

    • API 3124+ 4 Channel Mic Preamp

      API 3124+ 4 Channel Mic Preamp

      The API 3124+ is a high quality, compact, 4-channel mic preamp. It is equipped with the RE-115 K mic input transformer and the proprietary API output transformer found in the 512c single mic pre and throughout the API product line. The unit has an internal 48-volt phantom power supply, which is switchable for each channel, as well as -20dB pad switches that affect both the mic and Hi-Z instrument inputs, both located on the front panel.

    • API 550A Discrete 3 Band EQ (x2)

      API 550A Discrete 3 Band EQ

      Few equalizers enjoy the respect and admiration of the coveted API 550A. Designed by the now-legendary Saul Walker in the late '60s, the discrete 550A was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality of the 550A, it quickly found its way into many custom console designs by Frank DeMedio and other leading engineers. Many of these consoles are still in use today.

    • API 550B Discrete 4 Band EQ (x2)

      API 550B Discrete 4 Band EQ

      Based on API's original 550 from the late '60s, the API 550b is a continuation of the EQ that played a major role in the history of music recording, but with an additional filter band and several new frequencies. Incorporating API's exclusive circuitry and proprietary components (such as the legendary API 2520 Op Amp), the 550b artfully blends the past with the present.

    • API 560B Graphic EQ (x2)

      API 560B Graphic EQ

      Originally conceived for use in API consoles of the '60s and '70s, the 560B is a unique device designed to accomplish tasks that no other EQ can. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560B remains unmatched.

    • Avalon VT-737SP Mic Preamp/Compressor/EQ Channel Strip

      Avalon VT-737SP Mic Preamp/Compressor/EQ Channel Strip

      The VT-737SP has three input selections: 1. The VT-737SP features a higher-performance microphone input transformer with +48v phantom selection. 2. Instrument DI high source input with jack located on front panel. 3. Balanced line input, discrete high-level Class A. The Class A preamplifier utilizes two cascaded, dual vacuum tube triodes configured with minimum negative feedback. A high gain switch boosts the overall gain of the preamplifier. The four high quality tubes are configured as singled ended anode coupled followers. A passive-variable high pass filter and hard-wire relay bypass completes the input signal conditioning. The phase reverse relay is available on all three inputs.

    • Chandler Limited TG2 EMI Special Edition Mic Preamp

      Chandler Limited TG2 EMI Special Edition Mic Preamp

      The Chandler Limited TG2 is a recreation of the rare EMI TG12428 pre amp used in EMI/Abbey Road recording and mastering consoles used in the late 60's and early 70's. The sound was used on many famous recordings done at Abbey Road including The Beatles "Abbey Road" and Pink Floyd "Dark Side of the Moon." The amplifiers were also used in many EMI circuits of the time. This version was remade from original design notes and circuit board drawings, provided by Abbey Road and EMI to ensure extreme authenticty!

    • Focusrite ISA 115 Mic Preamp/EQ

      Focusrite ISA 115 Mic Preamp/EQ

      The ISA 155's very own voice-optimised EQ features fixed bands for breath (high frequency) and mid (mid frequency) that can both be boosted or cut. A warmth band (low frequency) has selectable frequency and gain. There is also an extra band for removing unwanted mid frequencies called absence.

    • Helios Type 69 Mic Preamp (x4)

      Helios Type 69 Mic Preamp

      Of all the Helios consoles produced between 1969 and 1979, the original “Type 69” is considered the most musical. Universal Audio modeled the EQ section of the very first Type 69. This console was originally found at Island’s Basing Street Studio in London; it now resides with Jason Carmer in Berkeley, California, where it continues to record multi-platinum albums.

    • Inward Connections Vac Rac 4000 Tube Step EQ

      Inward Connections Vac Rac 4000 Tube Step EQ

      The Inward Connections TSL-4 Vac Rac is the latest incarnation of this classic design. It adds new features without altering the sonic signature engineers have come to revere – Smooth limiting presented with the euphonic character and warmth of tubes. If you want to control the transients of vocals, guitars, bass or the mix bus, without tweaking a whole bunch of controls, the TSL-4 is exactly what you’ve been looking for.

    • Keungreen EEL Dual Mic Preamp

      Keungreen EEL Dual Mic Preamp

    • Manley Massive Passive Stereo Tube EQ

      Manley Massive Passive Stereo Tube EQ

      Colossal, timbre-twisting passive equalization using metal-film resistors, film capacitors, and hand-wound inductors to organically sculpt the tone from subtle to vivid. Manley’s tube stages handle huge HF boosts without sibilance and unbelievable fatness without mud. “It’s like a Pultec on steroids.”

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    • Neve 1073 DPA Mic Preamp

      Neve 1073 DPA Mic Preamp

      The big, punchy sound of the 1073 compliments any musical genre, from rock to pop, hip-hop to rap, thrash to classical. Its lush sound with classic Neve signature makes it the consummate mic pre for recording vocals, guitars, and acoustic instruments of all descriptions.

    • Neve 1271 Converted Mic Preamp (x6)

      Neve 1271 Converted Mic Preamp

    • Summit Audio TPA-200A Dual Channel Mic Preamp

      Summit Audio TPA-200A Dual Channel Mic Preamp

    • TL Audio N1 EQ

      TL Audio N1 EQ

    • Trident MTA Dual Channel Strip (x2)

      Trident MTA Dual Channel Strip

      Though it had a very limited run, the Trident A Range console gained a reputation for its very distinct and pleasant sound with a very “musical” EQ section. Along with channel strips from early Neve and Helios consoles, original Trident A Range modules have kept a healthy resale value and are much sought after by engineers who like to combine old-school analog gear with bleeding-edge digital recording technology.

    • UA LA610 Tube Channel Strip

      UA LA610 Tube Channel Strip

  • DELAYS / FX PROCESSORS
    • Aphex Aural Exciter

      Aphex Aural Exciter

      Modeled on one of only a few tube-powered units ever made, the Waves Aphex Aural Exciter delivers all the unique character of the rare original hardware unit, with all the advantages of software. It was even credited as a "session player" on best-selling albums by the likes of Jackson Browne, Linda Ronstadt and James Taylor, engineered by Val Garay, who worked closely with us on the development of the plugin.

    • DBX 120XP Subharmonic Synthesizer

      DBX 120XP Subharmonic Synthesizer

      The 120XP has been specifically optimised to enhance bass audio material for use in a variety of professional applications. It's two separate bands of subharmonic synthesis provide the best combination of smoothness and control.

    • Dolby 361 A-Type Noise Reduction Module (x2)

      Dolby 361 A-Type Noise Reduction Module

      The Dolby 361 Dolby A is an incredible piece of equipment.It adds that amazing 'air' to the vocals and it is even available to use for bass, acoustic guitars, snare drum etc.

    • Drawmer DF320 Dual Channel Noise Filter

      Drawmer DF320 Dual Channel Noise Filter

      The Drawmer DF320 is a single-ended, high quality noise reduction processor which may be used to significantly reduce the subjective effect of unwanted noise that might be present in an audio signal. Unlike tape noise reductions systems, the DF320 does not rely on the encoding of the original signal and it is effective not only against tape noise, but also against noise generated by signal processors or electronic instruments. High quality components are used throughout to ensure the cleanest possible signal path from input to output.

    • Eventide H3000 Ultra-Harmonizer

      Eventide H3000 Ultra-Harmonizer

      The Eventide H3000 Ultra-Harmonizer is a family of products based around a multi-purpose programmable, digital audio signal processor. The Eventide H3000 is fully MIDI controllable, with click less, real-time MIDI control. This amazing device has all these effects, and more, at your finger tips.

    • Eventide H4000 Ultra-Harmonizer

      Eventide H4000 Ultra-Harmonizer

      The Eventide 4000 series are multipurpose programmable digital audio signal processors with pitch change capability. They are considered by some to be the greatest in a line of pitch changing special effects units stretching back to before most audio manufacturers ever heard of digital. The 4000 is capable of creating effects you've never heard before, with built-in patch editor to let you create your own effects algorithms.

    • Korg SSD-3000 Digital Delay

      Korg SSD-3000 Digital Delay

      The rack-mounted SDD-3000 which appeared in 1982 was a classic digital delay that dominated the world thanks to its peerless sonic character. The classic delay effect that’s central to the guitar sounds in world-class rock bands owe a great deal to the SDD-3000, which has been the driving force behind numerous famous songs over the years.

    • Lexicon Super Prime Time Digital Delay

      Lexicon Super Prime Time Digital Delay

      The Lexicon 'Super Prime Time' Model 97 is IMHO the most cosmic and inspiring digital delay ever created. This box is not just a simple delay for the non-rocket scientist as some may claim but is actually a rich well of complex tonal joy. Like an old Minimoog it is inspiring to use and has real-time easy-to-grab and manipulate controls.

    • Palmer PDI-03 Speaker Simulator

      Palmer PDI-03 Speaker Simulator

      The PDI03 Palmer speaker simulator combines load impedance, a signal splitter and DI box especially designed for guitars. All functions are optimised for live and recording applications.

    • Roland RE-201 Space Echo

      Roland RE-201 Space Echo

      Over the years, Roland has created a significant number of products that have gone on to become legendary. One of the earliest examples is the Roland RE-201 Space Echo, a combination tape echo and reverb introduced in 1974. While Roland didn’t invent the tape echo itself, they took a fragile and often unreliable technology and turned it into something robust and roadworthy and the RE-201 immediately became the touring and recording studio standard in portable tape echo.

    • Roland RE-501 Chorus Echo

      Roland RE-501 Chorus Echo

      The Roland RE-501 was the last tape effect that Roland produced as the introduction of digital delay and reverb was quickly replacing the older style tape effects. The RE-501 was built using Roland's free running tape system that minimized wow and flutter and extended the life of the tape for more than 300 hours of use.

    • SPL Transient Designer 4 Dynamics Processor

      SPL Transient Designer 4 Dynamics Processor

      The SPL Transient Designer 4 provides a revolutionary concept for dynamic processing rendering controls such as Threshold, Ratio and Gain superfluous. The Transient Designer's automation is highly developed, so that while the processing going on inside the box may be very complex, the user has to deal with just a few intuitive controls.

    • Yamaha SPX90 Multi Effects Processor

      Yamaha SPX90 Multi Effects Processor

      The Yamaha SPX90 is a digital multi-effects processor that has been a staple of many recording studios over the years. The effects it includes are distortion, flange, tremolo and delay. These effects can be used singularly or they can be mixed and matched together.

    • Yamaha SPX90 MKII Multi Effects Processor

      Yamaha SPX90 MKII Multi Effects Processor

      The second version of the Yamaha SPX90 offers a digital FX unit from the 80's. It has real nice reverb sounds and has a clean digital sound, but creates good placement in every mix, when used the right way.

    • Yamaha SPX990 Multi Effects Processor

      Yamaha SPX990 Multi Effects Processor

      The SPX990 has 80 spectacular presets which includes natural reverbs, gates and delay & echoes. These all run through a clean and transparent system.

    • Zoom 9010 Advanced Sound Processor

      Zoom 9010 Advanced Sound Processor

      The Zoom 9010 has four multi-effects which are combined in one unit. Beyond programming types and chaining effects, it is unique among the various pathways of effects it offers. It means that you can change the internal connections of all effects in it. This offers an extremely wide range of applications. For example, it can be configured as four independent units or as a single unit with multiple effects loop effect.

  • REVERBERATION
    • AMS RMX16 Digital Reverb

      AMS RMX16 Digital Reverb

      The AMS RMX16 was the world's first microprocessor-controlled, full-bandwidth, digital reverberator. Heard on hundreds — if not thousands — of seminal recordings from the 1980s onward, the RMX16 is still found in nearly every major recording studio the world over.

    • Alesis Quadraverb Signal Processor

      Alesis Quadraverb Signal Processor

      The Quadraverb is a very flexible and controllable multi-effects unit with EQ, reverb, delay, resonator, flanger, phaser, ring modulation etc.
      It has midi control; 6 selectable realtime controllers based on which effects you have running in that patch.

    • Lexicon 480L Digital Effects System

      Lexicon 480L Digital Effects System

      Usually seen sitting on top of the console in many studios, the 480L reverb was released in 1986. Lexicon are considered to be the pioneers of digital reverb, so you can expect some excellent sounds from this unit.

  • SYNCHRONISERS
    • Rosendahl Nanosync Word Clock Distributor

      Rosendahl Nanosync Word Clock Distributor

  • MICROPHONES
    • AEA R84 Ribbon (x3)

      AEA R84 Ribbon

      The R84 is a passive ribbon microphone that shares many of the unique sound characteristics with its historic predecessor, the R44. The result is a new microphone with a classic sound. The R84 produces rich and full low-mids, a smooth top end, and has a well-behaved bidirectional pickup pattern.

    • AKG C 414 B-ULS

      AKG C 414 B-ULS

      The C414 B-ULS is THE reference microphone for almost all comparative microphone tests and one of the most used condenser microphones in the world. It is the microphone of choice for miking up vocals, grand pianos, percussions, and any other sound sources with complex waveforms. A gold-sputtered 1-inch dual-diaphragm and Ultra Linear Series electronics combine to provide an extremely smooth frequency response.

    • AKG C 414 LTD (x2)

      AKG C 414 LTD

      In its classic nickel-and-brass finish, this special version is a tribute to one of the most famous microphones in the recording world, manufactured only in the anniversary year 2007. The C414 LTD presents itself with carefully selected components and sophisticated engineering details to ensure superior audio for the most demanding creative challenges.

    • AKG C 451 E

      AKG C 451 E

      The AKG C-451 E is a newly developed Condenser Microphone System using audio frequency circuitry with Field Effect Tran­sisters. Low noise level, extremely high reliability and life-long sta­bility are inherent features of the C-451 E.

    • Akg D25

      Akg D25

    • Audio-Technica AT3031 (x2)

      Audio-Technica AT3031

      The studio-quality AT3031, a low-profile cardioid condenser microphone from Audio-Technica’s renowned 30 Series, is known for a flat, extended frequency response, high maximum SPL and wide dynamic range. Its low self-noise (16 dB SPL) is perfectly suited for the most sophisticated recording equipment. Its low-mass diaphragm improves transient response, increases response bandwidth and reduces handling and mechanical noise transfer.

    • Beyerdynamic M 160 N Ribbon (x2)

      Beyerdynamic M 160 N Ribbon

      Beyerdynamic is one of few microphone manufacturers world-wide that still produce ribbon microphones.
      A classic one is the M 160, a dynamic double ribbon microphone. Featuring a hypercardioid polar pattern with a noise attenuation of 25 dB at 110°, the M 160 is an outstanding microphone which is very effective for all types of remote and in-studio voice reproduction.

    • C-Ducer Tape Microphone contact mic (x18)

      C-Ducer Tape Microphone contact mic

      The C-ducer (Capacitive-trans-ducer) is a contact condenser microphone. It is light in weight so as to minimize interference with the vibration of the instrument to which it is attached, it has a phenomenal dynamic range and can handle the amplitudes within a bass drum without distrortion.

    • Coles 4038 (x2)

      Coles 4038

      The Coles 4038 Studio Ribbon Microphone is a British Broadcasting (BBC) design for broadcasting and recording applications. It is used where a clear smooth wide range frequency response, absence of transient distortion and relatively high sensitivity is essential. The 4038 is a proven performer, and is in use around the world by broadcasting networks such as the BBC as well as top engineers and studios on hit recordings.

    • Electrovoice RE 20

      Electrovoice RE 20

      The RE20 dynamic cardioid microphone is truly an industry standard, a firm favorite among broadcasters and sound engineers worldwide. Its popularity also extends into music production as a premium grade instrument microphone. Its Variable-D design and heavy-duty internal pop filter excel for close-in voice work, while an internal element shock-mount reduces vibration-induced noise.

    • Heil PR 30

      Heil PR 30

      The HEIL PR 30 microphone steps up the professional audio game by adding a hum bucking coil in addition to the shock-mounted large 1.5 low mass diaphragm to virtually run noise-free in most any situation. When working in close proximity to PC monitors in the studio, or near neon lights, or other electrical sources on stage, the PR 30 is the microphone to use for quiet, flawless operation on drums, guitar cabinets and vocals.

    • Heil PR 35

      Heil PR 35

      The PR 35 is built with the specifications of the PR 30 (large 1.5” shock-mounted hum-bucking), voice-coil to ward off unwanted handling noise & electronic interference, and provides great rejection of off-axis/180 degree noise as well. The PR 35 has excellent articulation & a natural upper mid-range along with a smooth flat response throughout.

    • Heil PR 40

      Heil PR 40

      The Heil PR 40 microphone boasts the widest frequency range of any dynamic mic in the Heil PR series. The PR 40 incorporates Heil’s sage-like understanding of phasing plug placement, along with the use of a very large (1"), low mass diaphragm, and custom magnet metals housed in a specially designed microphone body.

    • Lomo 19A19 Tube (currently unavailable)

      Lomo 19A19 Tube

      The LOMO 19A19 tube mic system is a fabulous sounding recording device for capturing the true essence of a voice performer or the "wide performance" of an orchestra. Built by Russia's finest-- known for their cultural interests in music and the high calibre of classically trained composers and musicians world renowned-- the LOMO 19A19 has attributes very much akin to the famed Telefunken | Neumann U47.

    • Lomo 19A4 Tube

      Lomo 19A4 Tube

    • Meico Dynamic Microphone

      Meico Dynamic Microphone

      This is a vintage Meico Dynamic Microphone from the late 40's / early 50's. Often used at major events, this style of mic has a large ferrous metal magnet for improved performance.

    • Microtech Gefell M 93 Capsule (x2)

      Microtech Gefell M 93 Capsule

    • Microtech Gefell MV692 (x2)

      Microtech Gefell MV692

    • Neumann CMV-563 (x3)

      Neumann CMV-563

      The Kondensator-Mikrofon CMV 563 is a tube condenser bottle microphone manufactured by the division of the Georg Neumann company in Gefell, East Germany, which has since been renamed Microtech Gefell. The mic was made from 1956-1971, then reintroduced in 2011.

    • Neumann KM 184

      Neumann KM 184

      The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.

    • Neumann KU 100 Binaural Dummy Head

      Neumann KU 100 Binaural Dummy Head

      The KU 100 dummy head is a binaural stereo microphone. It resembles the human head and has two microphone thomann capsules built into the ears. The KU 100 can be operated with typical 48 V phantom powering, or from an external power supply unit, or from the built-in battery. At the bottom of the unit is a switch for the different power supply thomann modes, as well as connectors for balanced and unbalanced output signals. Inside the head are additional switches for 10 dB attenuation and the high-pass filter.

    • Neumann M 55K Capsule

      Neumann M 55K Capsule

      M55k is a very special capsule. It's not round in characteristics. It's like a wide kidney, with a 6db boost around 10K. The M55K was specially designed for overhead recording of classical orchestras.

    • Neumann M 582 Tube (x2)

      Neumann M 582 Tube

    • Neumann M 62 Capsule (x2)

      Neumann M 62 Capsule

      The cardioid capsule which assisted the M 582 was the M 62, which was introduced in the same year as the Neumann (Berlin) KM 54, had a nickel membrane, and featured slots on the side that look just like those of the KM 54's capsule head.

    • Neumann M 7 Capsule

      Neumann M 7 Capsule

      The M7 Capsule made with PVC diaphragms is the only capsule that can be considered authentic. It has the dimensions, and material characteristics of the original so even today it hasn't lost what it began with.

    • Neumann M 7S Capsule

      Neumann M 7S Capsule

    • Neumann U 47 FET (x2)

      Neumann U 47 FET

      he U 47 fet is an essential contributor to the 1960s and 1970s. As a secret weapon for recording producers eager to experiment, it was not only a top microphone for soloists, but also decisively affected the spatial dimension of the sound and the tonal depth of countless productions.

    • Neumann U 64 (x2)

      Neumann U 64

      The Neumann U 64 miniature condenser micro­phone differs from the well-known standard range of miniature micro­phones in the shape of the micro­phone head. The directional characteristic is cardioid. Special features of this micro­phone are the independence of the directional characteristic from frequency and a response ex­tend­ed to the high-frequency end. The miniature construction makes it par­tic­u­lar­ly suitable for unobtrusive use in film and television studios.

    • Neumann U 67 Tube (currently unavailable)

      Neumann U 67 Tube

      The Neumann U 67 is a multipattern large-diaphragm condenser microphone with a tube-and-transformer topology. It was introduced by Neumann in 1960 with the intention of replacing the U 47 in Neumann’s product line.

    • Neumann U 87 (x2)

      Neumann U 87

      The Neumann U87 features 3 switchable polar patterns and has a -10dB pad. A very popular microphone.

    • Sennheiser Blackfire 509 (currently unavailable)

      Sennheiser Blackfire 509

    • Sennheiser MD 421 (x6)

      Sennheiser MD 421

    • Sennheiser MD 441-N (x2)

      Sennheiser MD 441-N

      The Sennheiser MD 441 U is a microphone of exceptional quality: its acoustic properties come as close as possible to those of a condenser microphone. Accurate signal response and low distortion are ensured, even with the highest sound pressure levels. The surface is an all metal body with black leatherette finish, sound inlet basket: nickel plated.

    • Shure Beta 52A

      Shure Beta 52A

      Optimized for low-frequency bass punch and high-power SPL handling, the Beta 52A's supercardioid design provides maximum isolation from other onstage sounds.

    • Shure Beta 57A

      Shure Beta 57A

      The Beta 57A is a precision-engineered dynamic microphoneDynamic mics have a simple, rugged construction and can handle very high sound pressure levels.
      Read more
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      designed for detailed reproduction of amplified or acoustic instruments. A tight supercardioid polar pattern provides high gain before feedback in demanding environments.

    • Shure Beta 58A (x2)

      Shure Beta 58A

      The Beta 58A dynamic vocal microphone is precision-engineered for live performance and project studio recording. A tailored frequency response accentuates vocals, and the supercardioid pattern isolates from other sound sources.

    • Shure SM57 (x3)

      Shure SM57

      The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

    • Shure SM58 (x3)

      Shure SM58

      The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.

    • Shure SM7B

      Shure SM7B

      The SM7B is a selectable frequency response cardioid microphone that delivers warm and smooth audio reproduction in close-proximity studio and vocal applications, while shielding from electromagnetic hum.

    • Sontronics Delta Ribbon (x3)

      Sontronics Delta Ribbon

      In recent years, Sontronics have become an increasingly respected name in the crowded mid‑priced microphone market. Their Sigma active ribbon mic has been widely praised for its natural character and warm, vintage sound reproduction, and they've continued what they started with another active ribbon, the Delta.

    • Sontronics Helios Valve (x2)

      Sontronics Helios Valve

      With a complete low-end response and a smooth, beautifully detailed high-end presence, Sontronics Helios is designed to give perfectly accurate results but with the classic characteristic warmth of valve circuitry, thanks to its 12AX7/ECC83 vacuum tube. The polar pattern is sweepable from figure-of-eight to omni-directional and everything in between, making Helios one of the most flexible microphones available in any class.

    • Sontronics Orpheus (x2)

      Sontronics Orpheus

      With omni-directional, cardioid and figure-of-eight patterns, as well as a 10dB cut/boost function, Sontronics Orpheus is the perfect choice for practically any studio or live application. Its low self-noise and unmistakable presence allow you to record the subtlest of instruments or voices without the need to edit afterwards.

    • Sontronics STC-1

      Sontronics STC-1

      The Sontronics STC-1 pencil-style condenser mic is perfectly suited to recording instruments of any kind: guitars, strings, wind, brass, ethnic, drums or percussion. Thanks to
      its three-stage filter and pad switches, the cardioid-pattern STC-1 is one of the most flexible microphones in its class and gives impressive, professional studio-quality results for an affordabe price.

    • Sontronics Sigma Ribbon (x2)

      Sontronics Sigma Ribbon

      Ribbon microphones are renowned for their smooth, uncoloured audio characteristics but most are 'passive' which means they have a transformer-based output, making it difficult to achieve consistency when using different preamps. Sigma, however, is phantom-powered and operates just like any other Sontronics condenser mic, allowing you to plug and play with practically any preamp. You simply connect the microphone to any source supplying 48V phantom power and away you go.

    • SoundField MKV

      SoundField MKV

      The SoundField MKV Microphone System is a unique product offering a previously unobtainable degree of accuracy in the generation of coincident stereo and mono microphone patterns. The user is able to steer and move the generated microphones both in real and post-production time. A fully three dimensional output signal suitable for encoding to any surround system and, in particular, to the UHJ family of Ambisonic Surround Sound systems is available.

    • T-Bone GM-55 (SM55 Clone)

      T-Bone GM-55 (SM55 Clone)

      The T.Bone GM55 is a dynamic microphone designed for singers in a live settting. Referred to by the manufacturer as the “elvis model” because of its classic 50’s styling, it features a cardioid polar pattern, on/off switch and comes with an adaptor to allow it fit on a standard mic stand.

  • KEYBOARDS / SYNTHS / MODULES / SEQUENCERS
    • ARP 1613 Sequencer

      ARP 1613 Sequencer

      This sophisticated 16-step sequencer was made in the 70s. It is not a synthesiser, but it uses the ancient Control Voltage and Gate protocols to play your sequences on another analog synthesiser.

    • ARP 2600 Analog Synth

      ARP 2600 Analog Synth

      ARP's 2600 is without a doubt one of the finest analog synthesizers ever produced. For decades, it has been used in all forms of music and in the hands of many famous artists. This unique semi-modular monophonic synthesizer was designed for professionals but was also user-friendly enough to be used as a teaching instrument.

    • ARP Odyssey Analog Synth (currently unavailable)

      ARP Odyssey Analog Synth

      The ARP Odyssey Duophonic Analogue Synthesizer was one of the most popular synths in the seventies, and rivalled Moog's Minimoog as the discerning musicians' favourite synth. With Korg resurrecting it at NAMM 2015, it is once again one of the most poller synths around to this day.

    • Akai S1000

      Akai S1000

      The Akai S1000 is a 16-bit professional stereo digital sampler, released by Akai in 1988. The S1000 was among the first professional-quality 16-bit stereo samplers.[1] Its abilities to splice, crossfade, trim, and loop music in 16-bit CD-quality sound made it popular among producers of this era. The S1000 also had the ability to "time-stretch", a feature that allowed the music's tempo to be adjusted without its pitch being altered.

    • Akai S5000

      Akai S5000

      The Akai S5000 features DOS disk format and WAV files as the native sample format. Stereo WAV files are treated as a single sample (instead of two mono L/R samples) allowing easier sample editing and program creation.

    • EMS VCS 3 (The Putney)

      EMS VCS 3 (The Putney)

      The VCS 3 is a portable analog synthesiser with a flexible semi-modular voice architecture, by Electronic Music Studios. It has three oscillators, a noise generator, two input amplifiers and a ring modulator.

    • EMS Vocoder System 3000

      EMS Vocoder System 3000

      The EMS Vocoder 3000 offers 16 channels of vocoding like the 2000, but with individual level controls for each band and newer knobs & switches on the front panel, plus a new LED signal meter. It came out in 1977 and has been used by artists such as Jimmy Edgar and Vangelis.

    • Emulator Emax

      Emulator Emax

      The Emax was a line of samplers, developed, manufactured, and sold by E-mu Systems from 1986 to 1995. Sold alongside their more expensive Emulator II and III samplers, the Emax line was conceived after the release of the Akai S-612 and Sequential Prophet 2000, and was designed to compete for the lower end of the sampling market.

    • Kurzweil K2000RS

      Kurzweil K2000RS

      The Kurzweil K2000RS is a digital synthesizer and music work station produced by Kurzweil Music Systems between 1990 and 2003 in a variety of standard configurations, including rack-mountable versions and models that came with 16-bit user sampling. The K2000RS features a complex digital synthesis architecture dubbed V.A.S.T., which stands for "Variable Architecture Synthesis Technology", Kurzweil's marketing term for the digital signal processing (DSP) sound processing system used in the K2000RS and other members of its K2 series.

    • Moog Minimoog

      Moog Minimoog

      Since its introduction forty years ago, musicians have used the Minimoog, the world’s first portable synthesizer to express their creative muse in live performance and recordings. The Voyager is the definitive American synthesizer, a lovingly hand-crafted, monophonic, monotimbral high performance instrument with enormous sonic range and possibilities.

    • Moog Series 3 Modular Synth

      Moog Series 3 Modular Synth

      A Moog modular synthesizer is a monophonic analog modular synthesizer developed by the American electronic instrument pioneer Dr. Robert Moog.The Moog modular synthesizers use the 900-series of modules. These modules, many of them designed entirely by Robert Moog, are examples of analog synthesis at its finest.

    • Nord Lead 2

      Nord Lead 2

      In 1995 Clavia launched the original Nord Lead Virtual Analog synthesizer. It immediately became a ground breaking success and set industry standard. Two years later the Nord Lead was followed by Nord Lead 2 which took the virtual analog concept even further, adding a number of improvements and new features such as new programming reproducing the warmth and richness of the traditional analog sound.

    • Oberheim SEM Module 8 Voice

      Oberheim SEM Module 8 Voice

      The immensely fat and analog Eight Voice from Oberheim is truly a Vintage Synth. It is essentially eight classic Oberheim SEM modules stacked together alongside the Polyphonic Synthesizer Programmer for memory, a simple analog mixer, and a 49-note keyboard. This gives you an eight voice polyphonic/polytonal synthesizer with 16 VCO's, 8 VCFs, 16 ADR envelope generators and more.

    • Oberheim Xpander

      Oberheim Xpander

      The Xpander is a six-voice desktop version of the Matrix 12 with which it shares an identical voice architecture. In many ways they are the most flexible non-modular analog synths ever built. Each voice has five LFOs, each with about five different wave shapes, plus the ability to sample most other modulators; five envelopes that can repeat themselves, sync to an LFO, and so on; a lag processor (like portamento, but more general); three tracking generators (that apply a series of linear functions to a value over its range); some ramp generators (the attack portion of an envelope); a 15-mode filter and a user interface to make all of this accessible.

    • Quasimidi Polymorph

      Quasimidi Polymorph

      Quasimidi Polymorph sequencer/synthesizer was released in 1997. It is a full featured and powerful Analog emulation synthesizer that assumes an evolved form and purpose of its predecessor - the Quasimidi Rave-O-Lution 309 which was released in 1996.

    • Quasimidi Rave-O-Lution 309

      Quasimidi Rave-O-Lution 309

      The Rave-O-Lution is a stand alone groove box that has taken the techno world by storm. Very popular among DJ's for live performance and interaction with the audience. It features a very advanced sequencer and a host of excellent analog and electronic drum and bass synth sounds. The 309 is very intuitive and easy to get started using. Play with the patterns or make your own. All real-time tweaks can be recorded into your sequence for later playback.

    • Roland Juno-106 (request only)

      Roland Juno-106

      The Roland Juno-106 is an analogue polyphonic synth released by Roland Corporation in February 1984. It features Digitally controlled oscillators (DCOs) for tuning stability and digital envelope generation along with analog filters and signal path.

    • Roland MPG-80 Super Jupiter Programmer

      Roland MPG-80 Super Jupiter Programmer

      The MKS-80 is basically a refined Jupiter 8 in a module. It is called the Super Jupiter as it is very analog. Its great sound is due in part to the classic analog Roland technology in its filters, modulation capabilities and a thick cluster of 16 analog oscillators at 2 per voice.

    • Roland System 700

      Roland System 700

      The System 700 was a great big modular analog synthesizer system from Roland. A major player in the modular synth market, it competed against monsters like the Moog Modulars and the ARP 2500 & 2600.

    • Roland Vocoder Plus VP-330

      Roland Vocoder Plus VP-330

      One of the coolest instruments out there, The Vocoder shapes its envelope and filters by any sound source fed into it, your voice or even a drum loop can be used which is then applied to another sound source, typically a synth pad. This creates a very unique and famous robot-like sound.

    • Sequential Circuits Pro-One

      Sequential Circuits Pro-One

    • Yamaha SK10

      Yamaha SK10

    • Hammond B3

      Hammond B3

      The Hammond organ (or more often, emulations of its sounds using newer technology) remains the distinctive instrument for certain styles of music to this day, even though the original electro-mechanical rotary-tone-wheel Hammond organs ceased to be manufactured altogether in 1974.

    • Leslie 145 Speaker Cabinet

      Leslie 145 Speaker Cabinet

  • INSTRUMENTS
    • Subject to availability - please call to pre-book backline

      Subject to availability - please call to pre-book backline

    • Ampeg SVT-810E Bass Cabinet

      Ampeg SVT-810E Bass Cabinet

    • Audio Kitchen Base Chopper

      Audio Kitchen Base Chopper

    • Audio Kitchen Little Chopper 7WSE

      Audio Kitchen Little Chopper 7WSE

    • Berry London Overstrung Upright Iron Grand Upright Piano

      Berry London Overstrung Upright Iron Grand Upright Piano

    • EROS 12-String Acoustic Guitar (currently unavailable)

      EROS 12-String Acoustic Guitar

    • Epiphone Sheraton

      Epiphone Sheraton

    • Gibson 335

      Gibson 335

    • Gibson Les Paul Recording Bass (currently unavailable)

      Gibson Les Paul Recording Bass

    • Gretsch Anniversary Guitar

      Gretsch Anniversary Guitar

    • Grotrian Steinweg Concert Grand Piano c.1982 Length 221cm Width 148cm (Restrung April 2013)

      Grotrian Steinweg Concert Grand Piano

    • Hartke HA3500 Bass Head

      Hartke HA3500 Bass Head

    • Maestro Amplifier

      Maestro Amplifier

    • Marshall JCM800

      Marshall JCM800

    • Paul Reed Smith Black Guitar

      Paul Reed Smith Black Guitar

    • Roland JC-120 Jazz Chorus

      Roland JC-120 Jazz Chorus

    • Univox Guitar Amp

      Univox Guitar Amp

    • Vox AC30

      Vox AC30

  • Drums
    • DW Collectors Series Drum Kit

      DW Collectors Series Drum Kit

    • (22" Kick / 15" Floot Tom / 12" Rack Tom / 14" Snare)

      (22" Kick / 15" Floot Tom / 12" Rack Tom / 14" Snare)

    • Yamaha Manu Katche Custom Brass Snare

      Yamaha Manu Katche Custom Brass Snare

      14"

    • Zildjian 21" A Sweet Ride

      Zildjian 21" A Sweet Ride

    • Zildjian 18" K Custom Hybrid Crash

      Zildjian 18" K Custom Hybrid Crash

    • Zildjian 16" K Custom Dark Crash

      Zildjian 16" K Custom Dark Crash

    • Zildjian 14" K Mastersound HiHats

      Zildjian 14" K Mastersound HiHats

  • PEDALS
    • Boss HM-2

      Boss HM-2

    • Boss OD-2R

      Boss OD-2R

    • DOD FX17 Wah Volume Pedal

      DOD FX17 Wah Volume Pedal

    • DOD FX86 Death Metal Distortion

      DOD FX86 Death Metal Distortion

    • DOD FX92 Bass Grundge

      DOD FX92 Bass Grundge

    • Electrix EQ

      Electrix EQ

    • Electrix Filter

      Electrix Filter

    • Eventide Modfactor

      Eventide Modfactor

    • Eventide Space Reverb Pedal

      Eventide Space Reverb Pedal

    • Eventide Timefactor

      Eventide Timefactor

    • Leem Pro B-200

      Leem Pro B-200

    • Lovetone Big Cheese Pedal

      Lovetone Big Cheese Pedal

    • Lovetone Brown Source

      Lovetone Brown Source

    • Lovetone Doppelganger

      Lovetone Doppelganger

    • Lovetone Flange

      Lovetone Flange

    • Lovetone Meatball Pedal

      Lovetone Meatball Pedal

    • Lovetone Wobbulator Pedal

      Lovetone Wobbulator Pedal

    • Marshall Drive Master

      Marshall Drive Master

    • Metasonix TM-1 Vacuum-Tube Waveshaper and Ring Modulator

      Metasonix TM-1 Vacuum-Tube Waveshaper and Ring Modulator

    • Metasonix TM-2 Vacuum-Tube Twin Bandpass Filter and VCA

      Metasonix TM-2 Vacuum-Tube Twin Bandpass Filter and VCA

    • Metasonix TM-3 Vacuum-Tube Gas Tube Daul VCA

      Metasonix TM-3 Vacuum-Tube Gas Tube Daul VCA

    • Metasonix TM-5 Vacuum-Tube Instrument Preamp

      Metasonix TM-5 Vacuum-Tube Instrument Preamp

    • Moog Moogerfooger

      Moog Moogerfooger

    • Tubeworks Real Tube

      Tubeworks Real Tube

  • MISCELLANEOUS
    • Avalon U5 Preamp/DI

      Avalon U5 Preamp/DI

    • Little Labs IBP Analog Phase Alignment Tool

      Little Labs IBP Analog Phase Alignment Tool

    • Little Labs PCP Instrument Distro 3.0 Instrument Splitter/DI/Re-amper

      Little Labs PCP Instrument Distro 3.0 Instrument Splitter/DI/Re-amper

    • Mackie CR1604 (x2) Only 1 Available

      Mackie CR1604

    • Studiospares Phantom Power Dual +48V psu (x3)

      Studiospares Phantom Power Dual +48V psu

    • Tech 21 NYC SansAmp PSA-1 Rackmount Guitar Preamp (currently unavailable)

      Tech 21 NYC SansAmp PSA-1 Rackmount Guitar Preamp

    • Two capes are available for the darkest sessions

      Two capes are available for the darkest sessions

  • SOFTWARE
    • Avid Pro Tools 12 HD

      Avid Pro Tools 12 HD

    • Apple Logic Pro X

      Apple Logic Pro X

      Jump-start your ideas any way you want. Begin with drums. Explore samples and loops. Add virtually any software instrument to your arrangement. And with 64-bit architecture, you’ll have the power you need to handle projects of any size.

    • Apple OSX 10.10 (Yosemite)

      Apple OSX 10.10 (Yosemite)

  • PLUGINS
    • Native Instruments Komplete 10
      • Native Instruments Driver
      • Native Instruments Absynth 5
      • Native Instruments FM8
      • Native Instruments Guitar Rig 5 Pro
      • Native Instruments Kontakt 5
      • Native Instruments Kontour
      • Native Instruments Massive
      • Native Instruments Monark
      • Native Instruments Polyplex
      • Native Instruments Rammfire
      • Native Instruments Reaktor 5
      • Native Instruments Reaktor Prism
      • Native Instruments Reaktor Spark
      • Native Instruments Reflektor
      • Native Instruments Retro Machines Mk2
      • Native Instruments Rounds
      • Native Instruments Scarbee A-200
      • Native Instruments Scarbee Clavinet/Pianet
      • Native Instruments Scarbee MM-Bass
      • Native Instruments Scarbee Mark 1
      • Native Instruments Session Horns
      • Native Instruments Sessions Strings
      • Native Instruments Solid Bus Comp
      • Native Instruments Solid Dynamics
      • Native Instruments Solid EQ
      • Native Instruments Supercharger Gt
      • Native Instruments The Finger
      • Native Instruments The Gentleman
      • Native Instruments The Giant
      • Native Instruments The Grandeur
      • Native Instruments The Maverick
      • Native Instruments Traktor's 12
      • Native Instruments Transient Master
      • Native Instruments Vintage Organs

      Native Instruments Komplete 10

    • SoundToys 5
      • Soundtoys Crystallizer
      • Soundtoys Decapitator
      • Soundtoys Devil Loc Deluxe
      • Soundtoys Devil-Loc
      • Soundtoys EchoBoy
      • Soundtoys Effects Rack 5
      • Soundtoys FilterFreak
      • Soundtoys Little AlterBoy
      • Soundtoys Little MicroShift
      • Soundtoys Little PrimalTap
      • Soundtoys Little Radiator
      • Soundtoys MicroShift
      • Soundtoys PanMan
      • Soundtoys PitchBlender
      • Soundtoys Radiator
      • Soundtoys Tremolator

      SoundToys 5

    • Avid AIR Tools
      • Avid AIR Chorus
      • Avid AIR Distortion
      • Avid AIR Dynamic Delay
      • Avid AIR Enhancer
      • Avid AIR Ensemble
      • Avid AIR Filter Gate
      • Avid AIR Flanger
      • Avid AIR Frequency Shifter
      • Avid AIR FuzzWah
      • Avid AIR KillEQ
      • Avid AIR Lo-Fi
      • Avid AIR Multi-Delay
      • Avid AIR MultiChorus
      • Avid AIR Nonlinear Reverb
      • Avid AIR Phaser
      • Avid AIR Reverb
      • Avid AIR Spring Reverb
      • Avid AIR StereoWidth
      • Avid AIR Talkbox
      • Avid AIR Vintage Filter

      Avid AIR Tools

    • Antares Auto-Tune 8

      Antares Auto-Tune 8

    • Avid Aphex Big Bottom Pro

      Avid Aphex Big Bottom Pro

    • Avid Bomb Factory BF76 Solid State Compressor

      Avid Bomb Factory BF76 Solid State Compressor

    • Avid Bomb Factory Essentials (Legacy)
      • Avid BF Essentials Clip Remover
      • Avid BF Essentials Correlation Meter
      • Avid BF Essentials Meter Bridge
      • Avid BF Essentials Noise Meter
      • Avid BF Essentials Tuner
      • Avid Bomb Factory BF76 Solid State Compressor
      • Avid Funk Logic Masterizer

      Avid Bomb Factory Essentials (Legacy)

    • Avid Bruno/ Reso

      Avid Bruno/ Reso

    • Avid DINR

      Avid DINR

    • Avid Digirack Plug-Ins (Legacy)
      • Avid Chorus
      • Avid Click
      • Avid DigiRack D-Verb
      • Avid DigiReWire
      • Avid Dither
      • Avid Dynamics II
      • Avid Dynamics III
      • Avid EQ II
      • Avid EQ III
      • Avid Flanger
      • Avid Invert
      • Avid Mod Delay II
      • Avid Multi-Tap Delay
      • Avid DigiRack Normalize-Gain Change
      • Avid Ping-Pong Delay
      • Avid Pitch
      • Avid Reverse-DC Removal
      • Avid Signal Generator
      • Avid Time Shift
      • Avid Time Adjuster
      • Avid DigiRack TimeShift
      • Avid DigiRack Trim

      Avid Digirack Plug-Ins (Legacy)

    • Avid MDW Hi-Res Parametric EQ

      Avid MDW Hi-Res Parametric EQ

    • Avid Maxim

      Avid Maxim

    • Massey Plug-In Bundle
      • Massey CT4 Compressor
      • Massey DRT Drum Replacement Tool
      • Massey De:Esser
      • Massey L2007 Mastering Limiter
      • Massey TD5 Tape delay
      • Massey THC Distortion Stompbox
      • Massey TapeHead Saturator
      • Massey vt3 3-band Equalizer

      Massey Plug-In Bundle

    • Serato Pitch 'n Time Pro

      Serato Pitch 'n Time Pro

    • Sonnox Oxford EQ

      Sonnox Oxford EQ

    • TC Electronic Master X Multiband Expansion/Compression/Limiter

      TC Electronic Master X Multiband Expansion/Compression/Limiter

    • UAD Neve 1073SE EQ

      UAD Neve 1073SE EQ

    • UAD 1176 classic limiter collection

      UAD 1176 classic limiter collection

    • UAD 1176LE

      UAD 1176LE

    • UAD 1176LN

      UAD 1176LN

    • UAD 1176SE

      UAD 1176SE

    • UAD API 550A EQ

      UAD API 550A EQ

    • UAD API 560 EQ

      UAD API 560 EQ

    • UAD API Vision Channel Strip

      UAD API Vision Channel Strip

    • UAD Ampex ATR-102

      UAD Ampex ATR-102

    • UAD BOSS CE-1 Chorus Ensemble

      UAD BOSS CE-1 Chorus Ensemble

    • UAD Cambridge EQ

      UAD Cambridge EQ

    • UAD Cooper Time Cube

      UAD Cooper Time Cube

    • UAD DBX 160

      UAD DBX 160

    • UAD DreamVerb

      UAD DreamVerb

    • UAD EL7 Fatso Jr

      UAD EL7 Fatso Jr

    • UAD EMT 140

      UAD EMT 140

    • UAD EMT 250

      UAD EMT 250

    • UAD EP-34 Tape Echo

      UAD EP-34 Tape Echo

    • UAD Fairchild Tube Limiter Collection

      UAD Fairchild Tube Limiter Collection

    • UAD LA2A

      UAD LA2A

    • UAD LA3A

      UAD LA3A

    • UAD Lexicon 224

      UAD Lexicon 224

    • UAD Little Labs Phase Adjuster

      UAD Little Labs Phase Adjuster

    • UAD Little Labs VOG

      UAD Little Labs VOG

    • UAD Maag EQ4

      UAD Maag EQ4

    • UAD Manley Variable Mu

      UAD Manley Variable Mu

    • UAD Moog Filter

      UAD Moog Filter

    • UAD Neve 1073 EQ

      UAD Neve 1073 EQ

    • UAD Neve 1081 EQ

      UAD Neve 1081 EQ

    • UAD Neve 1081SE EQ

      UAD Neve 1081SE EQ

    • UAD Neve 31102 EQ

      UAD Neve 31102 EQ

    • UAD Neve 31102SE EQ

      UAD Neve 31102SE EQ

    • UAD Neve 33609 Compressor

      UAD Neve 33609 Compressor

    • UAD Neve 33609SE Compressor

      UAD Neve 33609SE Compressor

    • UAD Neve 88RS Channel Strip

      UAD Neve 88RS Channel Strip

    • UAD Ocean Way Studios

      UAD Ocean Way Studios

    • UAD Precision Bus Compressor

      UAD Precision Bus Compressor

    • UAD Precision De-esser

      UAD Precision De-esser

    • UAD Precision Enhancer

      UAD Precision Enhancer

    • UAD Precision Equalizer

      UAD Precision Equalizer

    • UAD Precision K-Stereo

      UAD Precision K-Stereo

    • UAD Precision Limiter

      UAD Precision Limiter

    • UAD Precision Maximiser

      UAD Precision Maximiser

    • UAD Precision Multiband

      UAD Precision Multiband

    • UAD Pultec EQP-1A

      UAD Pultec EQP-1A

    • UAD Pultec Pro

      UAD Pultec Pro

    • UAD RealVerb-Pro

      UAD RealVerb-Pro

    • UAD Roland Dimension D

      UAD Roland Dimension D

    • UAD SSL E Channel Strip

      UAD SSL E Channel Strip

    • UAD SSL G Channel Strip

      UAD SSL G Channel Strip

    • UAD Shadow Hills Mastering Compressor

      UAD Shadow Hills Mastering Compressor

    • UAD Studer A 800 Tape Machine Emulator

      UAD Studer A 800 Tape Machine Emulator

    • UAD Teleronics LA-2A Classic Leveler Collection

      UAD Teleronics LA-2A Classic Leveler Collection

    • UAD UA 610 Tube Preamp & EQ

      UAD UA 610 Tube Preamp & EQ

    • Waves Platinum
      • Waves AudioTrack Software Audio Processor
      • Waves C1 Parametric Compander
      • Waves C4 MultiBand Compressor
      • Waves DeEsser
      • Waves Doppler
      • Waves Doubler
      • Waves Enigma Modulation Effects
      • Waves H-Comp Hybrid Compressor
      • Waves H-Delay Hybrid Delay
      • Waves H-EQ Hybrid EQ
      • Waves IR-L Parametric Convolution Reverb
      • Waves IR1 Parametric Convolution Reverb
      • Waves L1 Ultramaximizer
      • Waves L2 Ultramaximizer
      • Waves L3 Ultramaximizer
      • Waves L360 Surround Limiter
      • Waves L3LL Ultramaximizer
      • Waves Linear Phase Equalizer Broadband
      • Waves Linear Phase Equalizer Lowband
      • Waves Linear Phase MultiBand
      • Waves MV2 Dynamics Processor
      • Waves MaxxVolume
      • Waves MetaFlanger
      • Waves MondoMod
      • Waves PS22 Stereo Maker
      • Waves PuigTec EQP-1A Program EQ
      • Waves PuigTec MEQ-5 Midrange EQ
      • Waves Q10 Paragraphic EQ
      • Waves Renaissance Axx
      • Waves Renaissance Bass
      • Waves Renaissance Channel
      • Waves Renaissance Compressor
      • Waves Renaissance DeEsser
      • Waves Renaissance Equalizer
      • Waves Renaissance Reverb
      • Waves Renaissance Vox
      • Waves S1 Stereo Imager
      • Waves SuperTap 2-Tap
      • Waves SuperTap 6-Tap
      • Waves TrueVerb
      • Waves Tune LT Vocal Pitch Correction
      • Waves UltraPitch
      • Waves V-Comp
      • Waves V-EQ3
      • Waves V-EQ4

      Waves Platinum

    • Waves Renaissance Maxx
      • Waves IR-L Parametric Convolution Reverb
      • Waves Renaissance Axx
      • Waves Renaissance Bass
      • Waves Renaissance Channel
      • Waves Renaissance Compressor
      • Waves Renaissance DeEsser
      • Waves Renaissance Equalizer
      • Waves Renaissance Reverb
      • Waves Renaissance Vox
      • Waves Tune LT Vocal Pitch Correction

      Waves Renaissance Maxx

    • Yamaha REV7 Digital Reverb

      Yamaha REV7 Digital Reverb