H.O.M.E. Studios

The mics and backline are for both studios, please check for availability!

AKG C12A Tube

AKG C414 EB

The second generation of the classic C414 - also armed with the CK-12 capsule; the C414 EB (Brass)

AKG C451 B

AKG D 202

Audio-Technica ATM25

Audix D6

Beyerdynamic M 500N

Beyerdynamic MPC-50 Boundary Microphone

Crown PZM-30GPG Pressure Zone Mic.

Electrovoice RE 20

A firm favourite among broadcasters and sound engineers alike, the RE20 is a dynamic cardioid microphone with variable-D design, a heavy-duty internal pop filter, and an internal element shock-mount which reduces vibration-induced noise.

Neumann Gefell CMV 563 Tube

Neumann Gefell M 582 Tube

Neumann Gefell UM 57

Neumann KM 64

Neumann KM 84i

The KM 84i is a small-diaphragm FET condenser with a fixed Cardioid pickup pattern. It was the world’s first phantom-powered microphone, built to run on 48v DC. Its design goal was to be as small as possible; the model name ‘KM’ stands for Kleine Mikrofon (“small microphone”). Although discontinued in 1992, the KM-84i remains a favorite of vintage mic enthusiasts for drum overheads and hi-hat applications.

Neumann KM 86

Neumann M 55K Capsule

M55k is a very special capsule. It's not round in characteristics. It's like a wide kidney, with a 6db boost around 10K. The M55K was specially designed for overhead recording of classical orchestras.

Neumann M 7 Capsule

The M7 Capsule made with PVC diaphragms is the only capsule that can be considered authentic. It has the dimensions, and material characteristics of the original so even today it hasn't lost what it began with.

Neumann SM 69 Tube

Neumann SM 69 fet

Neumann U 47 FET

An essential contributor to sound recordings of the 1960s and 1970s this microphone decisively affected the spatial dimension of the sound and the tonal depth of countless productions.

Neumann U 67 Tube

The Neumann U 67 is a multipattern large-diaphragm condenser microphone with a tube-and-transformer topology. It was introduced by Neumann in 1960 with the intention of replacing the U 47 in Neumann’s product line.

Neumann U 89

RCA R44 Ribbon

Schoeps BLM 03 C boundary microphone

Schoeps CMC 5U

Schoeps M221

Schoeps M 934B Capsule

Schoeps MK 24 Capsule

Sennheiser MD 421

Sennheiser MD 441

The MD 441 U is a microphone of exceptional quality: its acoustic properties come as close as possible to those of a condenser microphone. Accurate signal response and low distortion are ensured, even with the highest sound pressure levels.

Sennheiser MD 21-U

Sennheiser MKH 80

Schoeps MK 22 Capsule

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Shure SM58

The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.

Shure SM7B

Shure SM81

Sony C-35P

Telefunken Ela MZ 032/2 Capsule

Telefunken M269 Tube

Hammond C3

Hohner Clavinet D6

Leslie 122 Speaker Cabinet

Moog Minimoog

Since its introduction forty years ago, musicians have used the Minimoog, the world’s first portable synthesizer to express their creative muse in live performance and recordings. The Voyager is the definitive American synthesizer, a lovingly hand-crafted, monophonic, monotimbral high performance instrument with enormous sonic range and possibilities.

Nord Lead

Roland JD-800

Roland Juno-106

The Roland Juno-106 is an analogue polyphonic synth released by Roland Corporation in February 1984. It features Digitally controlled oscillators (DCOs) for tuning stability and digital envelope generation along with analog filters and signal path.

Wurlitzer 200A

Yamaha Motif ES6

Yamaha S6 Grand piano

Fender Super Champ

Fender Vibro-King Combo

Marshall JMP

The 4-input, non-master volume metal panel Marshall's from the 70's are fantastic amps. The model numbers 2204 (50 watt) and 2203 (100 watt) remained the same through the late 70's master volume JMP's and the early vertical input JCM800's. All these amps have more in common than differences and all are fantastic amps for rock!

Marshall Super Lead 100W MKII

Marshall Tremolo 50W Combo

Orange OR 120 Head

Roland JC-120 Jazz Chorus

SUNN 300T Head

SUNN 410H Cabinet

Vox AC30

Moog MF-101 Low Pass Filter

Moog MF-102 Ring Modulator

Moog MF-103 12-stage Phaser

Dan Electro Baritone Classic Baritone Guitar

Danelectro DC-12

Fender Jaguar

Fender Jazz Bass

Fender Jazzmaster

Fender Telecaster

Gibson Les Paul

Roger Junior Cutaway

Yamaha AES 1500

Yamaha SA 2000

Yamaha SG 1000

Yamaha SG2000

Lakewood D-M

Tacoma Papoose

Taylor K-12

Yamaha Compass Series

Yamaha LL-16 12 string

Yamaha LS-36

Yamaha LSX-36C

Yamaha NCX2000FM