H.O.M.E. Studios

Control Room: approx. 7m x 5m ( 35m² ) / 23' x 16.4'

Live Room: approx. 8.6m x 6.3m ( 54.2m² ) / 28' x 20.6'

Booth 1: approx. 4.3m x 3m ( 12.9m² ) / 14' x 10'

Booth 2: approx. 3.9m x 3m ( 11.7m² ) / 13' x 10'

SSL 9080J

Apple OS X 10.8 (Mountain Lion)

Apple Logic Studio 9

Apple OSX 10.6.8

Avid 192 I/O

Avid HD I/O 16x16 Analog

Experience better audio fidelity, wider dynamic range, and low jitter thanks to sophisticated A/D and D/A conversion, and get the lowest possible latency when recording even the largest sessions.

Avid Pro Tools 10 HD

Pro Tools 10 is a watershed release for Avid's industry-standard music and audio creation system. In addition to offering a host of new features, including a completely new plug-in format, Pro Tools 10 also supports HDX, the long-anticipated DSP hardware successor to HD. And, if this wasn't already enough for existing users to consider, Avid are also taking the opportunity to encourage the adoption of various support and maintenance packages, both new and existing, alongside more traditional upgrade options.

Avid Pro Tools 11 HD

Avid Pro Tools HD Native

Auratone 5C Super Sound Cube Passive Monitors

Made famous in the 70s and the 80s, the Auratone is the original super cube, used in nearly every commercial recording facility the world over for real world referencing. They’re now making quite the comeback.

KRK E8 Expose Active Studio Monitors

Bryston 3B Power Amp

Bryston 4B Power Amp

Yamaha PC2002 Power Amp

The Yamaha Pc2002 is completely crystal clear when it comes to its entire range. There is absolutely no sign of strain at all and at regular listening levels, it shines extremely well.

Audio Technica ATH-M50 Professional Studio Monitor Headphones

Beyerdynamic DT770 Studio Headphones

DBX 904 Compressor/Limiter

The DBX 904 is a very special sounding unit that is very intuitive to use, and has awesome character. It is especially awesome because is has a balance control to dial in the right amount of compression.

DBX 160 VU Mono Compressor

DBX 160X Compressor/Limiter

DBX 902 De-esser

The dbx 902 de-esser was introduced in the early 80's. It was available as a module for the 900 series racks, which can be compared to the now more popular 500 series format.

Its ability to remove the harshness without degrading the overall tone made it very popular. It became a classic and most studios still have 902 de-essers in their racks today.

GML 8900 Compressor

The 8900 Dynamic Range Controller was intrinsically developed to react to loudness (rather than voltage) like our ears do. The 8900’s psycho-acoustic approach uses multiple true-RMS detectors, remarkably accurate log converters, and fast peak detectors to respond intelligently to real signal energy, not just electrical level. This innovative design employs unique controls like Crest Factor, Timing, and Release Hysteresis to precisely control the dynamic features of musical performances; one would ordinarily change out the entire unit to gain this flexibility.

Joemeek SC2 Stereo Compressor

The Joemeek SC2 - a clean sounding compressor and provides nice coloration to guitars and bass.

Neve 33609 Limiter/Compressor

The instantly recognisable compression characterises of the Neve 33609 are that of very smooth and sumptuous compression sounds, that even at extreme settings is still able to maintain an excellent degree of transparency.

SPL 9842 Transient Designer

SPL Kultube Stereo Compressor

SSL FX G384 Stereo Buss Compressor

Summit Audio DCL-200

Summit Audio TLA-100A Tube Leveling Amplifier

Teletronix LA2A Leveling Amplifier

GML 8200 Parametric EQ

Summit Audio EQF-100 Tube EQ

Tube-Tech ME 1B Midrange EQ

Tube-Tech PE 1B Program EQ

The PE Bis a passive, all-tube EQ, based on the classic PULTEC EQP 1A design and featuring a passive EQ section and a high quality op amp.
With the original Pultec out of production for decades and used examples demanding sky-high prices, the PE 1B is by far the easiest way to achieve this unique and coveted sound.

AMS DMX 15 Digital Delay

AMS RMX16 Digital Reverb

The AMS RMX16 was the world's first microprocessor-controlled, full-bandwidth, digital reverberator. Heard on hundreds — if not thousands — of seminal recordings from the 1980s onward, the RMX16 is still found in nearly every major recording studio the world over.

Lexicon 224X Digital Reverb

Lexicon 480L Digital Effects System

Usually seen sitting on top of the console in many studios, the 480L reverb was released in 1986. Lexicon are considered to be the pioneers of digital reverb, so you can expect some excellent sounds from this unit.

Lexicon PCM60 Digital Effects Processor

The Lexicon PCM 60 is a high performance digital reverb designed to be used with a wide range of instruments. It boasts a clean sound and a high quality reverb sound.

Lexicon Super Prime Time Digital Delay

The Lexicon 'Super Prime Time' Model 97 is IMHO the most cosmic and inspiring digital delay ever created. This box is not just a simple delay for the non-rocket scientist as some may claim but is actually a rich well of complex tonal joy. Like an old Minimoog it is inspiring to use and has real-time easy-to-grab and manipulate controls.

Publison Infernal Machine IM90 Stereo Multi-Effect Processor

Roland RE-501 Chorus Echo

The Roland RE-501 was the last tape effect that Roland produced as the introduction of digital delay and reverb was quickly replacing the older style tape effects. The RE-501 was built using Roland's free running tape system that minimized wow and flutter and extended the life of the tape for more than 300 hours of use.

TC Electronic 2290 Dynamic Digital Delay

TC Electronic D-Two Multitap Rhythm Delay

Ursa Major Space Station SST-282 Digital Reverb

Bel BF-20 Stereo Flanger

DBX 120 Subharmonic Synthesizer

Eventide H3000 SE Ultra-Harmonizer

Jim Dunlop Cry Baby Wah Pedal

Mu-Tron Bi-Phase Phase Shifter

SPL Transient Designer 4 Dynamics Processor

The SPL Transient Designer 4 provides a revolutionary concept for dynamic processing rendering controls such as Threshold, Ratio and Gain superfluous. The Transient Designer's automation is highly developed, so that while the processing going on inside the box may be very complex, the user has to deal with just a few intuitive controls.

TC Electronic 1210 Spatial Expander

Yamaha SPX1000 Multi Effcets Processor

The SPX990 has 80 spectacular presets which includes natural reverbs, gates and delay & echoes. These all run through a clean and transparent system.

Yamaha SPX90 MKII Multi Effects Processor

The second version of the Yamaha SPX90 offers a digital FX unit from the 80's. It has real nice reverb sounds and has a clean digital sound, but creates good placement in every mix, when used the right way.

Otari MTR 90 MkII 2" 24 Track Tape Recorder

The MTR 90 Mk2 was the recording industry standard in Europe and over 2000 machines were sold. It is solid, reliable, and an easy to set up two-inch tape machine.

Studer A820 2" 24 Track Tape Recorder

BSS Audio AR416 4 Channel Active DI Box

Addictive Drums plugin

Avid 1-Band EQ III

Avid 4-Band EQ III

Avid 7-Band EQ III

Avid AIR Chorus

Avid AIR Distortion

Avid AIR Dynamic Delay

Avid AIR Enhancer

Avid AIR Ensemble

Avid AIR Filter Gate

Avid AIR Flanger

Avid AIR Frequency Shifter

Avid AIR FuzzWah

Avid AIR KillEQ

Avid AIR Lo-Fi

Avid AIR Multi-Delay

Avid AIR MultiChorus

Avid AIR Nonlinear Reverb

Avid AIR Phaser

Avid AIR Reverb

Avid AIR Spring Reverb

Avid AIR StereoWidth

Avid AIR Talkbox

Avid AIR Vintage Filter

Avid Amp Farm 3

Avid BF Essentials Clip Remover

Avid BF Essentials Correlation Meter

Avid BF Essentials Meter Bridge

Avid BF Essentials Noise Meter

Avid BF Essentials Tuner

Avid Bomb Factory BF-3A Classic Compressor

Avid Bomb Factory BF76 Solid State Compressor

Avid Bomb Factory JOEMEEK SC2 Optical Compressor

Avid Bomb Factory JOEMEEK VC5 Meequalizer

Avid Broadband Noise Reduction

Avid Chorus

Avid Click

Avid Cosmonaut Voice

Avid D-Verb

Avid Dither

Avid Eleven Free

Avid Fairchild 660 Classic Compressor

Avid Fairchild 670 Classic Compressor

Avid Flanger

Avid Focusrite d2

Avid Focusrite d3

Avid Gain

Avid Impact

Avid Invert

Avid JOEMEEK SC2 Compressor

Avid JOEMEEK VC5 Meequalizer

Avid Lo-Fi

Avid Maxim

Avid Moogerfooger 12-Stage Phaser

Avid Moogerfooger Analog Delay

Avid Moogerfooger Lowpass Filter

Avid Moogerfooger Ring Modulator

Avid Multi-Tap Delay

Avid Normalize

Avid POWr Dither

Avid Ping-Pong Delay

Avid Pitch

Avid Pitch Shift

Avid Pultec EQH-2

Avid Pultec EQP-1A

Avid Pultec MEQ-5

Avid ReVibe

Avid ReWire

Avid Recti-Fi

Avid Reel Tape Delay

Avid Reel Tape Flanger

Avid Reel Tape Saturation

Avid SansAmp PSA-1

Avid Sci-Fi

Avid Signal Generator

Avid SignalTools

Avid Slightly Rude Compressor

Avid Smack! LE

Avid SoundReplacer

Avid TL Aggro

Avid TL AutoPan

Avid TL EveryPhase

Avid TL InTune

Avid TL MasterMeter

Avid TL Metro

Avid Tel-Ray Variable Delay

Avid Time Adjuster

Avid Time Compression Expansion

Avid Time Shift

Avid Trim

Avid Vari-Fi

Avid Voce Chorus/Vibrato

Avid Voce Spin

Celemony Melodyne Editor

UAD CS 1

UAD 1176LN

UAD 1176SE

UAD Cambridge EQ

UAD Cooper Time Cube

UAD DBX 160

UAD DreamVerb

UAD EL7 Fatso Jr

UAD EMT 140

UAD EMT 250

UAD EP-34 Tape Echo

UAD Fairchild

UAD Harrison 32C

UAD Helios Type 69

UAD LA2A

UAD LA3A

UAD Little Labs Phase Adjuster

UAD Little Labs VOG

UAD Massive Passive EQ

UAD Moog Filter

UAD Neve 1073 EQ

UAD Neve 1081 EQ

UAD Neve 31102 EQ

UAD Neve 33609 Compressor

UAD Neve 88RS Channel Strip

UAD Precision Bus Compressor

UAD Precision De-esser

UAD Precision Enhancer

UAD Precision Equalizer

UAD Precision Limiter

UAD Precision Maximiser

UAD Precision Multiband

UAD Pultec

UAD Pultec Pro

UAD RealVerb-Pro

UAD Roland Dimension D

UAD Roland RE-201

UAD SSL E Channel Strip

UAD SSL G Channel Strip

UAD Trident A-Range EQ