Estudis Ground

IGS BISON M-S Matrix Insert

Ocean Audio ARK 24

SSL Alpha-link MADI AX 24 AD/DA Convertors

Antelope Audio Orion 32+

Providing a seamless connectivity to any USB-enabled DAW, computer or iPad, the Antelope Orion32 HD AD/DA Converter allows 192 kHz I/O streaming of 32-channel digital audio via USB

Avid Pro Tools ULTIMATE 2020

Avid Pro Tools UTIMATE

avid S-1

Soundscape Editor v5.5

Yamaha NS10M Monitors

A prominent mid range and incredibly focused sound monitoring system.

Focal SM9 Active Studio Monitors

Behringer PM16-I Personal Headphone Mixer

AKG K240 Studio

AKG K240 MKII

Beyer Dynamic DT 770 PRO

AKG K141 Semi-Open On-Ear Studio Headphones

Behringer PM16-M Personal Headphone Mixer

Microtech Gefell M300 Small Diaprhagm

AMS Neve 1073 OPX

AMS 8801

AML ez1073-pre

AML ezAM16-500

MIC&MOD C-12 Replica

MIDAS 502

Classic Audio Products VP26 Mic Preamp

Silent Arts OV560 Discrete Mic Preamp

Sound Skulptor EQ573 1073 EQ

Sound Skulptor MP5.12 Discrete Mic Preamp

Sound Skulptor MP573 1073 Clone Mic Preamp

Universal Audio 6176 Vintage Channel Strip

Wes Audio dione

IGS S-Type Buss Compressor

DBX 160A Compressor/Limiter

A fast and clear outboard compressor giving excellent results.

Empirical Labs EL8 Distressor Compressor/Limiter

The EL-8 compressor can emulate the warm vintage sound we all love. It also adds excitement and life to any mix with it's digitally controlled analogue circuitry.

TL Audio C-5021 Valve Compressor

FMR RNC Compressor/Limiter

heritage audio BritStrip

Summit Audio MPC-100A Preamp/Compressor

Universal Audio 1176 Blackface Compressor

The 1176LN Classic Limiting Amplifier is a modern reproduction, yet every effort was made to remain faithful to UA founder Bill Putnam Sr.’s visionary design and intentions. The original UA 1176LN was a major breakthrough in limiter technology — the first true peak limiter with all transistor circuitry offering superior performance with a signature sound — and set the standard for all limiters to follow.

Yamaha REV500 Digital Reverb

Lexicon MX400 Multi-Effects Processor

TC Electronic D-Two Multitap Rhythm Delay

Neumann U 67 Tube

The Neumann U 67 is a multipattern large-diaphragm condenser microphone with a tube-and-transformer topology. It was introduced by Neumann in 1960 with the intention of replacing the U 47 in Neumann’s product line.

Neumann U 87

The Neumann U87 features 3 switchable polar patterns and has a -10dB pad. A very popular microphone.

Mic&Mod C12-ish Custom condeser

sE Electronics Z3300A Condenser

Telefunken 160

Microtech Gefell M300 Condenser

Neumann KM 184

The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.

Coles 4038 Ribbon Mic

Artur Fisher's RM-5 ribbon mic

RCA 44-BX Ribbon

Electro-Voice RE20

A firm favourite among broadcasters and sound engineers alike, the RE20 is a dynamic cardioid microphone with variable-D design, a heavy-duty internal pop filter, and an internal element shock-mount which reduces vibration-induced noise.

AKG D12

AKG D 112

Shure Beta 52A

Sennheiser MD 421

Sennheiser MD 441

The MD 441 U is a microphone of exceptional quality: its acoustic properties come as close as possible to those of a condenser microphone. Accurate signal response and low distortion are ensured, even with the highest sound pressure levels.

Electro-Voice 408B

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Shure SM58

The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.

Sontronics Sigma Ribbon

Ribbon microphones are renowned for their smooth, uncoloured audio characteristics but most are 'passive' which means they have a transformer-based output, making it difficult to achieve consistency when using different preamps. Sigma, however, is phantom-powered and operates just like any other Sontronics condenser mic, allowing you to plug and play with practically any preamp. You simply connect the microphone to any source supplying 48V phantom power and away you go.

Custom Sub-Kick

Superlux S241 Condenser

Spanish Guitar

Squier Stratocaster

Upright Piano

Farfisa Combo Compact Organ

Hammond 7122L Organ

Harmonium

Leslie 122 Speaker Cabinet

Yamaha C7 Grand Piano

Custom Celestion 4x 12" 100w 70's Cabinet

Fender Twin Amp

Fender Twin Reverb

Line 6 Pod XT PRO

Marshall JCM2000 TSL 100

Roland JC-50 Jazz Chorus

Ludwig Red Sparkle

Ludwig Red Sparkle

Premier Classic Maple Snare

mapex Maple custom kit 20" 10" 12" 14"

Synchro Arts Revoice Pro 3

UAD EMT 250

UAD Roland Dimension D

UAD Roland RE-201

UAD UA 1176 Rev E