NRG Recording Studios

Neve 8068 Custom

Dynaudio M4S Monitors

Mytek Private Q Multi Channel Cue System

Avid HDX

Avid Pro Tools 12

GML 8200 Parametric EQ

Neve 31102 Mic Preamp

Pultec EQP-1A3 EQ

Eventide H3500 Ultra Harmonizer

Lexicon 480L Digital Effects System

Usually seen sitting on top of the console in many studios, the 480L reverb was released in 1986. Lexicon are considered to be the pioneers of digital reverb, so you can expect some excellent sounds from this unit.

DBX 160XT Compressor/Limiter

An excellent outboard VCA compressor giving fast and clean gain reduction.

Empirical Labs EL8-X Distressor Compressor/Limiter

DBX 160 Compressor/Limiter

DBX 902 De-esser

The dbx 902 de-esser was introduced in the early 80's. It was available as a module for the 900 series racks, which can be compared to the now more popular 500 series format.

Its ability to remove the harshness without degrading the overall tone made it very popular. It became a classic and most studios still have 902 de-essers in their racks today.

Neve 32264a Limiter/Compressor

SSL FXG384 Stereo Buss Compressor

Urei 1176 LN

Yamaha C7 Grand Piano

Sony C-37A Valve Microphone

AKG C24

AKG C414 EB

The second generation of the classic C414 - also armed with the CK-12 capsule; the C414 EB (Brass)

AKG C414 B-TL II

AKG C451

The AKG C451 is a small diaphragm condenser with a bright airy sound.

AKG C451 B

AKG C12 (Vintage)

AKG C452

AKG D 112

AKG D 12

AKG's classic mic. It brings the full solid thud sound which was very popular with drummers in the 50's.

Audio-Technica ATM25

Audio-Technica ATM35

Beyerdynamic M 160 Ribbon

Beyerdynamic M 201

The specs for the 2001-era M 201 N(C) give a sensitivity rating higher than the currently shipping model — 2 mV/Pa rather than today’s version at 1.2 mV/Pa.
Useful for snare drum, freak high-SPL situations where you still need good midrange clarity. If the SM57 were a microphone, it would sound like this.

Beyerdynamic M 88

Blue 452 Condenser

Blue Blue Bottle Tube

Blue Mouse

Coles 4038 Ribbon

Crown PZM

Electro-Voice RE20

Neumann KM 254

Neumann KM 54

The Neumann KM54 is a large condenser microphone suitable for many applications. This microphone also has a standard cardioid polar pattern.

Neumann KM 84

Neumann M 269 Tube

Neumann M 49

Neumann SM 2 Stereo Valve

Neumann SM 69 Tube

Neumann TLM 170

Neumann U 47 FET

An essential contributor to sound recordings of the 1960s and 1970s this microphone decisively affected the spatial dimension of the sound and the tonal depth of countless productions.

Neumann U 67 Tube

The Neumann U 67 is a multipattern large-diaphragm condenser microphone with a tube-and-transformer topology. It was introduced by Neumann in 1960 with the intention of replacing the U 47 in Neumann’s product line.

Neumann U 87

The Neumann U87 features 3 switchable polar patterns and has a -10dB pad. A very popular microphone.

Neumann U 47 Tube

RCA BK5A

Royer R-121 Ribbon

Unlike classic ribbon mics, the R-121 withstands close proximity to cranked up electric guitars and drums, whilst sharing similarities such as the figure of 8 pattern, warm tone, and a flat frequency response.

Royer SF-24 Ribbon

Royer SF-24V Ribbon

Schoeps 222 Tube

Schoeps M221

Sennheiser MD 441

Sennheiser MD 421

Sennheiser MD 409 U3

Shure Beta 56A

Shure Beta 52A

Shure Beta 57A

Shure SM 819 Condenser

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Shure SM58

The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.

Shure SM7B

Slate VMS One Condenser

Sony C-107 Tube

Telefunken ELA M 251

Telefunken M80

ESP X-Tone

Fender 1959 Telecaster

Fender 1959 Pbass

Fender 1959 Stratocaster

Gibson 1960 J45 Acoustic

Gibson 1960 Les Paul Gold Top

Gibson 1960 Les Paul Jr

Gibson 1976 Les Paul Custom

Gibson 1976 Les Paul Semi-Hollow Body

Hammond B3 Organ w/Leslie speaker cabinet

Korg Triton

Ludwig Vintage 1960 5 Piece Drum Kit

McSwain Custom

McSwain TTR USA Custom

Music Man Stingray 4 String

Music Man Stingray 5 String

PRS 245

PRS Hollowbody

PRS MC 58

PRS Mira

Yamaha 2006 Baritone

Yamaha "Amir" Custom

Airline 62-90208 Combo

Ampeg 8x10 Cabinet

Ampeg B-15N

Ampeg Gemini II

Ampeg SVT Classic

Ampeg B-18N Cab

Danelectro DS-100 Combo

Fender Band Master

Fender Band Master Cab

Fender Twin Reverb

GKRB 800 Head

Gibson EH-185 Combo

Magnatone Troubadour

Marshall JCM 4x12 Straight Cab

Marshall JCM 4x2 Slant Cab

Marshall JCM 800 Head

Marshall JMP

The 4-input, non-master volume metal panel Marshall's from the 70's are fantastic amps. The model numbers 2204 (50 watt) and 2203 (100 watt) remained the same through the late 70's master volume JMP's and the early vertical input JCM800's. All these amps have more in common than differences and all are fantastic amps for rock!

Marshall Plexi

Marshall Super Bass 100W

Mesa Boogie 4x12" Cabinet Guitar Cab

Mesa Rectifier

Morin 100 Watt Head

Music Man 130 Head

Orange OR 120 Head

Orange OR 4x12 Cab

PRS Original Sewell 50 Head

Sears Silvertone Vintage Amp

Selmer '67 Cab

Selmer MK3 Head

Selmer Truevoice

Selmer Zodiac Head

Sound City 120 Head

Vox AC30

Vox Brian May Combo

Watkins Dominator 35

Yamaha T-100 Head

API 512C Mic Preamp

API 5500 Stereo EQ

Avalon 737 Mic Preamp

Chandler Limited Germanium Mic Preamp/DI

Kush Audio Clariphonic EQ

Lang PEQ-2 EQ

Neve 1073 4 Channel Mic Preamp/EQ

Siemens V72 Mic Preamp

Slate Pro Audio Fox Mic Preamp

Sonic Farm Creamer Mic Preamp

Studer D19 MicAD Mic Preamp

Binson Echorec Echo Unit

EMT 140 Plate Reverb

In 1957, German company EMT made a breakthrough in audio technology with the release of the EMT 140 plate reverb, which utilized a resonating metal plate to create ambience. Nothing is quite like the wonderfully lush and distinctive tone of plate reverb, which still endures as part of the fabric of modern music.

Echoplex EP-2 Tape Delay

Eventide DSP4000 Harmonizer

Eventide Orville Harmonizer Special Effects Processor

The Eventide Orville is a programmable, multichannel, multipurpose, dual digital signal processor (DSP), 24 bit digital audio signal processor with UltraShifter capability. The variety and depth of the programs that run on the DSPs are truly amazing, from lush reverbs, to choruses, to flanges, to delays, to pitch shifters, to dynamics, to EQs, to filters, to distortions, to synthesizers, to samplers, to ring modulators, and everything in-between.

Hiwatt Tape Echo

Klemt Echolette NG51 Tape Echo

Lexicon PCM 42 Digital Delay Processor

Loft 440 Delay Delay Line/Flanger

Roland SDD-320 Dimension D Vintage Chorus

TC Electronics TC 2290 Dynamic Digital Delay/Effects Processor

Urei Cooper Time Cube Dual Acoustic Delay Line

Watkins Copycat Tape Echo

ADR Compex F760X-RS Compressor/Limiter

Collins 26U Vari-Mu Compressor

DBX 118 Compressor/Limiter

EMI TG12413 Limiter

Empirical Labs Fatso Jr Tape Simulator

Gates Sta-Level Tube Compressor

Manley Variable Mu Mastering Compressor

Neve 2254/A Vintage Compressor

Purple Audio Action 1176 Compressor

SPL Transient Designer 4 Channel

Slate Pro Audio Dragon Compressor/Limiter

Teletronix LA2A Leveling Amplifier

Universal Audio LA-3A Compressor

Urei LA-3A Compressor

Released in 1969, the LA-3A marked the departure from the tube design of the LA‑2A, incorporating concepts from the UA's solid-state driven 1176LN Limiting Amplifier, while harnessing the LA‑2A's optical compression design.

Audio Technica ATH-M40 Professional Monitor Headphones

Auratone 5C Super Sound Cube Passive Monitors

Made famous in the 70s and the 80s, the Auratone is the original super cube, used in nearly every commercial recording facility the world over for real world referencing. They’re now making quite the comeback.

Dynaudio BM15 Active Two Way Nearfield Monitor

Dynaudio BM 6A Nearfield Monitors

Dynaudio BM6 Active Two Way Nearfield Monitors

Genelec 1031A Studio Monitors

Genelecs 1031A are a classic near field reference monitor system. These compact monitors boast impressively accurate imagery.

Yamaha NS10M Monitors

A prominent mid range and incredibly focused sound monitoring system.

Ampex ATR-100 Tape Recorder

High end multitrack tape recorder released in 1976.

Studer A827 Tape Recorder