Battery Studio 2

Live Room: approx 11m x 7m x 4m high (36' x 23' x 12')

Dry Booth: approx 6m x 5m (19.7' x 16.4')

Cadac G-series

Avid Pro Tools Ultimate

Apple Mac Studio

Avid HDX

Avid HD I/O 16x16 Analog

Experience better audio fidelity, wider dynamic range, and low jitter thanks to sophisticated A/D and D/A conversion, and get the lowest possible latency when recording even the largest sessions.

Digidesign 192 Interface

The Digidesign 192 I/OTM 16-channel digital au- dio interface is for use in a Pro Tools|HD system and features 24-bit analog-to-digital (A/D) and digital-to-analog (D/A) converters. The 192 I/O supports sample rates of up to 192 kHz for supe- rior dynamic range and low noise floor.

Universal Audio UAD-2 Octo

The UAD-2 Octo Core is the most powerful PCIe card for UAD powered plugins, featuring 8 processors. The “Core” package includes the basic plugins, with Custom and Ultimate packages including greater numbers of plugins.

The UAD powered plugin range from Universal Audio have been creating serious ripples in the recording industry. Widely regarded as the best plugins money can buy, the UAD powered plugins are faithfully modelled on real processing units. The plugins cater for everything From the Studio A80 to the classic Teletronix LA-2A, along with 80s reverbs such as the Lexicon 224 and a selection of Universal Audio’s own processing plugins like the precision bus compressor. Speaking from personal experience they really do represent the next level in plugins.

Avid MIDI I/O

Avid Sync HD I/O Interface

A must have for large scale media productions, the Pro Tools Sync HD has the ability to run projects up to 192 kHZ with a low jitter master clock.

Burl B2 Bomber Stereo AD Convertor

Using a B2 BOMBER in the studio is like taking the governor off of your recordings. And, the B2 is not just for tracking. Mix down and mastering were the main focus of the B2′s layout and design. With 30 segment peak amplitude and RMS metering, the B2 lets you know exactly how hot you are running your signal which is critical for mastering.

Ampex ATR-100 Tape Recorder

High end multitrack tape recorder released in 1976.

Dolby SR24 Noise Reduction System

Alesis Masterlink Hard Disc Recorder

Otari MTR 90 MkII 2" 24 Track Tape Recorder

The MTR 90 Mk2 was the recording industry standard in Europe and over 2000 machines were sold. It is solid, reliable, and an easy to set up two-inch tape machine.

Studer A800 Mk3 2" 24 Track Tape Recorder

TPI RN1 Reference near field loudspeakers

Dynaudio BM15a Active 2-Way Nearfield Monitors

Yamaha NS10M Monitors

A prominent mid range and incredibly focused sound monitoring system.

Auratone 5C Super Sound Cube Passive Monitors

Made famous in the 70s and the 80s, the Auratone is the original super cube, used in nearly every commercial recording facility the world over for real world referencing. They’re now making quite the comeback.

BSS FDS-360 Crossover Unit

The BSS FDS360 is an industry standard electronic crossover unit. It can be configured as either 2 way stereo or 3 way or 4 way mono. A choice of popular frequencies is available, selected by plug-in frequency cards.

Quested 412 Three Way Active Monitors

Quested S8 Active Studio Monitor

Two class A-B amplifiers, with a linear power supply, capable of delivering a total of 370 Watts RMS makes the S8 the most powerful 2-way monitor available. Twin doubled flared ports in a compact reflex enclosure help keep the dimensions to a minimum.

Amplification

Chevin Research A3000 Power Amplifier

The classic Chevin A-Series amplifier is built in a steel and aluminium housing incorporating lateral Mosfets and the legendary Chevin Power Supply, this combination produces the traditional Chevin sound.

HH Electronics V800 MOS-FET Power Amp

Quad 405 Power Amp

With low distortion with it's Class A transistors; the Quad 405 power amplifier is a classic beauty in the Hi-Fi and audio world.

Yamaha PC2002 Power Amp

The Yamaha Pc2002 is completely crystal clear when it comes to its entire range. There is absolutely no sign of strain at all and at regular listening levels, it shines extremely well.

Beyerdynamic DT100 Studio Headset

The DT 100 series is used throughout the world for audio recording and monitoring in studios, news gathering, film and TV production and live events. The headphones are exceptionally comfortable with a soft headband and ear pads. A high level of ambient noise attenuation is achieved with the closed design of the ear cups.

Hear Technologies Hear Back Personal Monitor Mixer System

A Hub of 8 personal Mixers connected using standard CAT5E cables. The Hubs can be daisy-chained using the HearBus In and Out for virtually unlimited system size. The Hear Back Hub can accept analog input signals from audio mixers, auxiliary, matrix, monitor, and/or direct outputs.

Sony MDR-7505 Headphones

Closed-ear Headphones for Studio and DJ Use with Swiveling Ear Cups, Foldable Design, Included Case, and Unimatch 1/8"-1/4" Adapter.

Smart Research C1 Stereo Compressor

Looptrotter Audio Monster Compressor

DBX 160 Compressor/Limiter

API 2500 Stereo Compressor

Anthony DeMaria Labs CL1000 Compressor

The Anthony DeMaria Labs CL1000 is a single channel 2U rack-mounted compressor based on the famous LA-2A unit. The C/L 1000 gives you the warmth of an all-valve design, whether you use it as part of the compression or to add the tone to your sound - plus you get the transparency and over-easy operation that has made the CL 1000 so popular when recording, particularly for vocals.

Chandler Limited TG1 Stereo Compressor/Limiter

The Chandler Limited TG1 is a recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late '60s. The Limiter/Compressor features an all discrete circuit with transformer balanced input and output.

Drawmer DS201 Dual Noise Gate

The DS201 is a sophisticated dual channel noise gate incorporating a number of features pioneered by Drawmer, which are invaluable to the sound engineer, and not found on conventional noise gates. Its features and its "user friendliness" have made it the "industry standard" throughout the world.

Empirical Labs EL8 Distressor Compressor/Limiter

The EL-8 compressor can emulate the warm vintage sound we all love. It also adds excitement and life to any mix with it's digitally controlled analogue circuitry.

Manley Variable Mu Stereo Compressor

The Variable Mu Limiter Compressor is the GLUE that holds the mix together while crystallizing it into a professional, final product. All-tube, all transformer, an all-American legend. High Pass Side Chain mod now comes standard.

SPL Transient Designer 4 Dynamics Processor

The SPL Transient Designer 4 provides a revolutionary concept for dynamic processing rendering controls such as Threshold, Ratio and Gain superfluous. The Transient Designer's automation is highly developed, so that while the processing going on inside the box may be very complex, the user has to deal with just a few intuitive controls.

Universal Audio 1176 Blackface Compressor

The 1176LN Classic Limiting Amplifier is a modern reproduction, yet every effort was made to remain faithful to UA founder Bill Putnam Sr.’s visionary design and intentions. The original UA 1176LN was a major breakthrough in limiter technology — the first true peak limiter with all transistor circuitry offering superior performance with a signature sound — and set the standard for all limiters to follow.

Universal Audio 1176LN Compressor

Billed in the 1968 release as a “true peak limiter with all transistor circuitry and superior performance on all types of program material," the 1176’s major selling point was its ultra-fast attack time — a mere 0.00002 seconds at its fastest setting. It also offered contemporary design, featuring knobs with clear surrounds, pushbuttons, and a brushed aluminum face panel with a blue stripe near the VU meter — none of those then typical big Bakelite knobs in sight.

Valley People Dyna-mite Compressor/Limiter

A secret weapon to some—a hidden treasure to the rest. Squash drums, get a snappy bassline, enhance track dynamics, duck, gate, key or de-ess. The Valley People Dyna-mite is a Swiss army knife limiter/expander design with unique character that inspires to new sounds.

ADR F760X-RS

Valley People Dyna-mite 2

ADL DI200 Stereo Tube DI Box

API 3124+ 4 Channel Mic Preamp

The API 3124+ is a high quality, compact, 4-channel mic preamp. It is equipped with the RE-115 K mic input transformer and the proprietary API output transformer found in the 512c single mic pre and throughout the API product line. The unit has an internal 48-volt phantom power supply, which is switchable for each channel, as well as -20dB pad switches that affect both the mic and Hi-Z instrument inputs, both located on the front panel.

API 550A Discrete 3 Band EQ

Few equalizers enjoy the respect and admiration of the coveted API 550A. Designed by the now-legendary Saul Walker in the late '60s, the discrete 550A was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality of the 550A, it quickly found its way into many custom console designs by Frank DeMedio and other leading engineers. Many of these consoles are still in use today.

API 550B Discrete 4 Band EQ

Based on API's original 550 from the late '60s, the API 550b is a continuation of the EQ that played a major role in the history of music recording, but with an additional filter band and several new frequencies. Incorporating API's exclusive circuitry and proprietary components (such as the legendary API 2520 Op Amp), the 550b artfully blends the past with the present.

API 560B Graphic EQ

Originally conceived for use in API consoles of the '60s and '70s, the 560B is a unique device designed to accomplish tasks that no other EQ can. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560B remains unmatched.

Chandler Limited TG2 EMI Special Edition Mic Preamp

A recreation of the rare EMI TG12428 pre amp used in EMI/Abbey Road recording and mastering consoles used in the late 60's and early 70's. The sound was used on many famous recordings done at Abbey Road including The Beatles "Abbey Road" and Pink Floyd "Dark Side of the Moon." The amplifiers were also used in many EMI circuits of the time. This version was remade from original design notes and circuit board drawings, provided by Abbey Road and EMI to ensure extreme authenticty!

Focusrite ISA 115 Mic Preamp/EQ

The ISA 155's very own voice-optimised EQ features fixed bands for breath (high frequency) and mid (mid frequency) that can both be boosted or cut. A warmth band (low frequency) has selectable frequency and gain. There is also an extra band for removing unwanted mid frequencies called absence.

Helios Type 69 Mic Preamp

Of all the Helios consoles produced between 1969 and 1979, the original “Type 69” is considered the most musical. Universal Audio modeled the EQ section of the very first Type 69. This console was originally found at Island’s Basing Street Studio in London; it now resides with Jason Carmer in Berkeley, California, where it continues to record multi-platinum albums.

Inward Connections Vac Rac 4000 Tube Step EQ

The Inward Connections TSL-4 Vac Rac is the latest incarnation of this classic design. It adds new features without altering the sonic signature engineers have come to revere – Smooth limiting presented with the euphonic character and warmth of tubes. If you want to control the transients of vocals, guitars, bass or the mix bus, without tweaking a whole bunch of controls, the TSL-4 is exactly what you’ve been looking for.

Keungreen EEL Dual Mic Preamp

Manley Massive Passive Stereo Tube EQ

Colossal, timbre-twisting passive equalization using metal-film resistors, film capacitors, and hand-wound inductors to organically sculpt the tone from subtle to vivid. Manley’s tube stages handle huge HF boosts without sibilance and unbelievable fatness without mud. “It’s like a Pultec on steroids.”

Neve 1073 DPA Mic Preamp

The big, punchy sound of the 1073 compliments any musical genre, from rock to pop, hip-hop to rap, thrash to classical. Its lush sound with classic Neve signature makes it the consummate mic pre for recording vocals, guitars, and acoustic instruments of all descriptions.

Neve 1271 Converted Mic Preamp

Summit Audio TPA-200A Dual Channel Mic Preamp

Trident MTA Dual Channel Strip

Though it had a very limited run, the Trident A Range console gained a reputation for its very distinct and pleasant sound with a very “musical” EQ section. Along with channel strips from early Neve and Helios consoles, original Trident A Range modules have kept a healthy resale value and are much sought after by engineers who like to combine old-school analog gear with bleeding-edge digital recording technology.

Dolby 361 A-Type Noise Reduction Module

The Dolby 361 Dolby A is an incredible piece of equipment.It adds that amazing 'air' to the vocals and it is even available to use for bass, acoustic guitars, snare drum etc.

Eventide H3000 Ultra-Harmonizer

The Eventide H3000 Ultra-Harmonizer is a family of products based around a multi-purpose programmable, digital audio signal processor. The Eventide H3000 is fully MIDI controllable, with click less, real-time MIDI control. This amazing device has all these effects, and more, at your finger tips.

Eventide H4000 Ultra-Harmonizer

The Eventide 4000 series are multipurpose programmable digital audio signal processors with pitch change capability. They are considered by some to be the greatest in a line of pitch changing special effects units stretching back to before most audio manufacturers ever heard of digital. The 4000 is capable of creating effects you've never heard before, with built-in patch editor to let you create your own effects algorithms.

Lexicon Super Prime Time Digital Delay

The Lexicon 'Super Prime Time' Model 97 is IMHO the most cosmic and inspiring digital delay ever created. This box is not just a simple delay for the non-rocket scientist as some may claim but is actually a rich well of complex tonal joy. Like an old Minimoog it is inspiring to use and has real-time easy-to-grab and manipulate controls.

Palmer PDI-03 Speaker Simulator

The PDI03 Palmer speaker simulator combines load impedance, a signal splitter and DI box especially designed for guitars. All functions are optimised for live and recording applications.

Roland RE-201 Space Echo

Over the years, Roland has created a significant number of products that have gone on to become legendary. One of the earliest examples is the Roland RE-201 Space Echo, a combination tape echo and reverb introduced in 1974. While Roland didn’t invent the tape echo itself, they took a fragile and often unreliable technology and turned it into something robust and roadworthy and the RE-201 immediately became the touring and recording studio standard in portable tape echo.

SPL Transient Designer 4 Dynamics Processor

The SPL Transient Designer 4 provides a revolutionary concept for dynamic processing rendering controls such as Threshold, Ratio and Gain superfluous. The Transient Designer's automation is highly developed, so that while the processing going on inside the box may be very complex, the user has to deal with just a few intuitive controls.

Yamaha SPX90 MKII Multi Effects Processor

The second version of the Yamaha SPX90 offers a digital FX unit from the 80's. It has real nice reverb sounds and has a clean digital sound, but creates good placement in every mix, when used the right way.

Yamaha SPX990 Multi Effects Processor

The SPX990 has 80 spectacular presets which includes natural reverbs, gates and delay & echoes. These all run through a clean and transparent system.

AMS RMX16 Digital Reverb

The AMS RMX16 was the world's first microprocessor-controlled, full-bandwidth, digital reverberator. Heard on hundreds — if not thousands — of seminal recordings from the 1980s onward, the RMX16 is still found in nearly every major recording studio the world over.

Lexicon 480L Digital Effects System

Usually seen sitting on top of the console in many studios, the 480L reverb was released in 1986. Lexicon are considered to be the pioneers of digital reverb, so you can expect some excellent sounds from this unit.

Rosendahl Nanosync Word Clock Distributor

Rosendahl Studiotechnik is a Nanosyncs HD multistandard sync engine.

AEA R84 Ribbon

The R84 is a passive ribbon microphone that shares many of the unique sound characteristics with its historic predecessor, the R44. The result is a new microphone with a classic sound. The R84 produces rich and full low-mids, a smooth top end, and has a well-behaved bidirectional pickup pattern.

AKG C414 LTD

In its classic nickel-and-brass finish, this special version is a tribute to one of the most famous microphones in the recording world, manufactured only in the anniversary year 2007. The C414 LTD presents itself with carefully selected components and sophisticated engineering details to ensure superior audio for the most demanding creative challenges.

AKG C451 E

Boasting a low noise level with life-long sta­bility, the C-451 E is a newly developed condenser microphone using audio frequency circuitry with Field Effect Tran­sistors.

AKG D 112

AKG D190

AKG D25

Audio-Technica AT2020

Audio-Technica AT4031

Beyerdynamic M 422 N(C)

Beyerdynamic Opus 65

C-Ducer Tape Microphone contact mic

The C-ducer (Capacitive-trans-ducer) is a contact condenser microphone. It is light in weight so as to minimize interference with the vibration of the instrument to which it is attached, it has a phenomenal dynamic range and can handle the amplitudes within a bass drum without distrortion.

Coles 4038

The Coles 4038 Studio Ribbon Microphone is a British Broadcasting (BBC) design favourite for broadcasting and recording applications. It is used where a clear smooth wide range frequency response, absence of transient distortion and relatively high sensitivity is essential.

Electrovoice RE 20

A firm favourite among broadcasters and sound engineers alike, the RE20 is a dynamic cardioid microphone with variable-D design, a heavy-duty internal pop filter, and an internal element shock-mount which reduces vibration-induced noise.

Heil PR 30

Runs virtually noise-free due to a hum bucking coil in addition to the shock-mounted large 1.5 low mass diaphragm. When working in close proximity to PC monitors in the studio or other electrical sources on stage, the PR 30 is the microphone to use for flawless operation on drums, guitar cabinets and vocals.

Heil PR 35

The PR 35 is built with the specifications of the PR 30 (large 1.5” shock-mounted hum-bucking), voice-coil to ward off unwanted handling noise & electronic interference, and provides great rejection of off-axis/180 degree noise as well. The PR 35 has excellent articulation & a natural upper mid-range along with a smooth flat response throughout.

Heil PR 40

Boasts the widest frequency range of any dynamic mic in the Heil PR series. The PR 40 incorporates Heil’s sage-like understanding of phasing plug placement, along with the use of a very large 1 inch low mass diaphragm, and custom magnet metals housed in a specially designed microphone body.

M-Audio Nova

Microtech Gefell M55K Capsule

Microtech Gefell M 93 Capsule

Microtech Gefell MV692

Neumann CMV-563/M7

Neumann CMV-563/M7S

Neumann KM 84i

The KM 84i is a small-diaphragm FET condenser with a fixed Cardioid pickup pattern. It was the world’s first phantom-powered microphone, built to run on 48v DC. Its design goal was to be as small as possible; the model name ‘KM’ stands for Kleine Mikrofon (“small microphone”). Although discontinued in 1992, the KM-84i remains a favorite of vintage mic enthusiasts for drum overheads and hi-hat applications.

Neumann KM 184

The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.

Neumann KMS 105

Neumann KU 100 Binaural Dummy Head

The KU 100 dummy head is a binaural stereo microphone. It resembles the human head and has two microphone thomann capsules built into the ears. The KU 100 can be operated with typical 48 V phantom powering, or from an external power supply unit, or from the built-in battery. At the bottom of the unit is a switch for the different power supply thomann modes, as well as connectors for balanced and unbalanced output signals. Inside the head are additional switches for 10 dB attenuation and the high-pass filter.

Neumann M 582 Tube/M 62 Capsule

Neumann M 7 Capsule

The M7 Capsule made with PVC diaphragms is the only capsule that can be considered authentic. It has the dimensions, and material characteristics of the original so even today it hasn't lost what it began with.

Neumann M 7S Capsule

Neumann U 47 FET

An essential contributor to sound recordings of the 1960s and 1970s this microphone decisively affected the spatial dimension of the sound and the tonal depth of countless productions.

Neumann U 64

The Neumann U 64 miniature condenser micro­phone differs from the well-known standard range of miniature micro­phones in the shape of the micro­phone head. The directional characteristic is cardioid. Special features of this micro­phone are the independence of the directional characteristic from frequency and a response ex­tend­ed to the high-frequency end. The miniature construction makes it par­tic­u­lar­ly suitable for unobtrusive use in film and television studios.

Neumann U 67 Tube

The Neumann U 67 is a multipattern large-diaphragm condenser microphone with a tube-and-transformer topology. It was introduced by Neumann in 1960 with the intention of replacing the U 47 in Neumann’s product line.

Neumann U 87 Ai

The U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic. Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.

sE Electronics sE2200a

Sennheiser Blackfire 509

Sennheiser MD 421

Sennheiser MD 441-N

The acoustic properties of this micophone come close to that of a condenser mic, with an accurate signal response, low distortion, and the capacity to handle high sound pressure levels.

Shure 520DX Green Bullet

Shure Beta 52A

Optimized for low-frequency bass punch and high-power SPL handling, the Beta 52A's supercardioid design provides maximum isolation from other onstage sounds.

Shure Beta 57A

The 57a is a dynamic mic with a simple and rugged construction that can handle very high sound pressure levels.

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Shure SM58

The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.

Shure SM7B

The SM7B is a selectable frequency response cardioid microphone that delivers warm and smooth audio reproduction in close-proximity studio and vocal applications, while shielding from electromagnetic hum.

Sontronics Aria

Sontronics Delta Ribbon

In recent years, Sontronics have become an increasingly respected name in the crowded mid‑priced microphone market. Their Sigma active ribbon mic has been widely praised for its natural character and warm, vintage sound reproduction, and they've continued what they started with another active ribbon, the Delta.

Sontronics DM-1B

Sontronics DM-1S

Sontronics Halo

Sontronics Helios Valve

With a complete low-end response and a smooth, beautifully detailed high-end presence, Sontronics Helios is designed to give perfectly accurate results but with the classic characteristic warmth of valve circuitry, thanks to its 12AX7/ECC83 vacuum tube. The polar pattern is sweepable from figure-of-eight to omni-directional and everything in between, making Helios one of the most flexible microphones available in any class.

Sontronics Mercury

Sontronics Omega

OMEGA delivers stunning results on vocals, where its proximity characteristics can be used to maximum effect. The rich, warm low frequencies blend with natural highs to produce an extremely satisfying result, reminiscent of the quality you'd expect from mics costing much more.

Sontronics Orpheus

With omni-directional, cardioid and figure-of-eight patterns, as well as a 10dB cut/boost function, Sontronics Orpheus is the perfect choice for practically any studio or live application. Its low self-noise and unmistakable presence allow you to record the subtlest of instruments or voices without the need to edit afterwards.

Sontronics Saturn Condenser Microphone

Sontronics Sigma Ribbon

Ribbon microphones are renowned for their smooth, uncoloured audio characteristics but most are 'passive' which means they have a transformer-based output, making it difficult to achieve consistency when using different preamps. Sigma, however, is phantom-powered and operates just like any other Sontronics condenser mic, allowing you to plug and play with practically any preamp. You simply connect the microphone to any source supplying 48V phantom power and away you go.

Sontronics STC-1

The Sontronics STC-1 pencil-style condenser mic is perfectly suited to recording instruments of any kind: guitars, strings, wind, brass, ethnic, drums or percussion. Thanks to
its three-stage filter and pad switches, the cardioid-pattern STC-1 is one of the most flexible microphones in its class and gives impressive, professional studio-quality results for an affordabe price.

Sontronics STC-80

Sony C-800G

SoundField MKV

The SoundField MKV Microphone System is a unique product offering a previously unobtainable degree of accuracy in the generation of coincident stereo and mono microphone patterns. The user is able to steer and move the generated microphones both in real and post-production time. A fully three dimensional output signal suitable for encoding to any surround system and, in particular, to the UHJ family of Ambisonic Surround Sound systems is available.

t.bone GM-55 (SM55 Clone)

The T.Bone GM55 is a dynamic microphone designed for singers in a live settting. Referred to by the manufacturer as the “elvis model” because of its classic 50’s styling, it features a cardioid polar pattern, on/off switch and comes with an adaptor to allow it fit on a standard mic stand.

Hammond B3

The Hammond organ (or more often, emulations of its sounds using newer technology) remains the distinctive instrument for certain styles of music to this day, even though the original electro-mechanical rotary-tone-wheel Hammond organs ceased to be manufactured altogether in 1974.

Leslie 145 Speaker Cabinet

Nord Lead 2

In 1995 Clavia launched the original Nord Lead Virtual Analog synthesizer. It immediately became a ground breaking success and set industry standard. Two years later the Nord Lead was followed by Nord Lead 2 which took the virtual analog concept even further, adding a number of improvements and new features such as new programming reproducing the warmth and richness of the traditional analog sound.

Roland System 700

The System 700 was a great big modular analog synthesizer system from Roland. A major player in the modular synth market, it competed against monsters like the Moog Modulars and the ARP 2500 & 2600.

Ampeg SVT-810E Bass Cabinet

Audio Kitchen Base Chopper

Audio Kitchen Little Chopper 7WSE

Berry London Overstrung Upright Iron Grand Upright Piano

Grotrian Steinweg Concert Grand Piano

Hartke HA3500 Bass Head

Maestro Amplifier

Marshall JCM800

Roland JC-120 Jazz Chorus

Univox Guitar Amp

Subject to availability and hire charge - please call to pre-book backline

Korg MS-20 Monophonic Synth

ARP 1613 Sequencer

This sophisticated 16-step sequencer was made in the 70s. It is not a synthesiser, but it uses the ancient Control Voltage and Gate protocols to play your sequences on another analog synthesiser.

ARP 2600 Analog Synth

ARP's 2600 is without a doubt one of the finest analog synthesizers ever produced. For decades, it has been used in all forms of music and in the hands of many famous artists. This unique semi-modular monophonic synthesizer was designed for professionals but was also user-friendly enough to be used as a teaching instrument.

ARP Odyssey Analog Synth

The ARP Odyssey Duophonic Analogue Synthesizer was one of the most popular synths in the seventies, and rivalled Moog's Minimoog as the discerning musicians' favourite synth. With Korg resurrecting it at NAMM 2015, it is once again one of the most poller synths around to this day.

Akai S1000

The Akai S1000 is a 16-bit professional stereo digital sampler, released by Akai in 1988. The S1000 was among the first professional-quality 16-bit stereo samplers.[1] Its abilities to splice, crossfade, trim, and loop music in 16-bit CD-quality sound made it popular among producers of this era. The S1000 also had the ability to "time-stretch", a feature that allowed the music's tempo to be adjusted without its pitch being altered.

Akai S5000

The Akai S5000 features DOS disk format and WAV files as the native sample format. Stereo WAV files are treated as a single sample (instead of two mono L/R samples) allowing easier sample editing and program creation.

EMS VCS 3 (The Putney)

The VCS 3 is a portable analog synthesiser with a flexible semi-modular voice architecture, by Electronic Music Studios. It has three oscillators, a noise generator, two input amplifiers and a ring modulator.

EMS Vocoder System 3000

The EMS Vocoder 3000 offers 16 channels of vocoding like the 2000, but with individual level controls for each band and newer knobs & switches on the front panel, plus a new LED signal meter. It came out in 1977 and has been used by artists such as Jimmy Edgar and Vangelis.

Emulator Emax

The Emax was a line of samplers, developed, manufactured, and sold by E-mu Systems from 1986 to 1995. Sold alongside their more expensive Emulator II and III samplers, the Emax line was conceived after the release of the Akai S-612 and Sequential Prophet 2000, and was designed to compete for the lower end of the sampling market.

korg MS20

Kurzweil K2000RS

The Kurzweil K2000RS is a digital synthesizer and music work station produced by Kurzweil Music Systems between 1990 and 2003 in a variety of standard configurations, including rack-mountable versions and models that came with 16-bit user sampling. The K2000RS features a complex digital synthesis architecture dubbed V.A.S.T., which stands for "Variable Architecture Synthesis Technology", Kurzweil's marketing term for the digital signal processing (DSP) sound processing system used in the K2000RS and other members of its K2 series.

Moog Minimoog

Since its introduction forty years ago, musicians have used the Minimoog, the world’s first portable synthesizer to express their creative muse in live performance and recordings. The Voyager is the definitive American synthesizer, a lovingly hand-crafted, monophonic, monotimbral high performance instrument with enormous sonic range and possibilities.

Moog Series 3 Modular Synth

A Moog modular synthesizer is a monophonic analog modular synthesizer developed by the American electronic instrument pioneer Dr. Robert Moog.The Moog modular synthesizers use the 900-series of modules. These modules, many of them designed entirely by Robert Moog, are examples of analog synthesis at its finest.

Oberheim SEM Module 8 Voice

The immensely fat and analog Eight Voice from Oberheim is truly a Vintage Synth. It is essentially eight classic Oberheim SEM modules stacked together alongside the Polyphonic Synthesizer Programmer for memory, a simple analog mixer, and a 49-note keyboard. This gives you an eight voice polyphonic/polytonal synthesizer with 16 VCO's, 8 VCFs, 16 ADR envelope generators and more.

Oberheim Xpander

The Xpander is a six-voice desktop version of the Matrix 12 with which it shares an identical voice architecture. In many ways they are the most flexible non-modular analog synths ever built. Each voice has five LFOs, each with about five different wave shapes, plus the ability to sample most other modulators; five envelopes that can repeat themselves, sync to an LFO, and so on; a lag processor (like portamento, but more general); three tracking generators (that apply a series of linear functions to a value over its range); some ramp generators (the attack portion of an envelope); a 15-mode filter and a user interface to make all of this accessible.

Quasimidi Polymorph

Quasimidi Polymorph sequencer/synthesizer was released in 1997. It is a full featured and powerful Analog emulation synthesizer that assumes an evolved form and purpose of its predecessor - the Quasimidi Rave-O-Lution 309 which was released in 1996.

Quasimidi Rave-O-Lution 309

The Rave-O-Lution is a stand alone groove box that has taken the techno world by storm. Very popular among DJ's for live performance and interaction with the audience. It features a very advanced sequencer and a host of excellent analog and electronic drum and bass synth sounds. The 309 is very intuitive and easy to get started using. Play with the patterns or make your own. All real-time tweaks can be recorded into your sequence for later playback.

Roland Juno-106

The Roland Juno-106 is an analogue polyphonic synth released by Roland Corporation in February 1984. It features Digitally controlled oscillators (DCOs) for tuning stability and digital envelope generation along with analog filters and signal path.

Roland MPG-80 Super Jupiter Programmer

The MKS-80 is basically a refined Jupiter 8 in a module. It is called the Super Jupiter as it is very analog. Its great sound is due in part to the classic analog Roland technology in its filters, modulation capabilities and a thick cluster of 16 analog oscillators at 2 per voice.

Roland Vocoder Plus VP-330

One of the coolest instruments out there, The Vocoder shapes its envelope and filters by any sound source fed into it, your voice or even a drum loop can be used which is then applied to another sound source, typically a synth pad. This creates a very unique and famous robot-like sound.

Sequential Circuits Prophet 6

Sequential Circuits Pro-One

Yamaha SK10

Epiphone Sheraton

Gibson 335

Gibson Les Paul Recording Bass

Gretsch Anniversary Guitar

Paul Reed Smith Black Guitar

Vox AC30

DW Collectors Series Drum Kit

(22" Kick / 15" Floor Tom / 12" Rack Tom / 14" Snare)

California Customs Kit

(24" Kick / 22" Kick / 18" Floor Tom /16" Floor Tom / 13" Rack Tom)

Yamaha Manu Katche Custom Brass Snare

14"

Mapex Black Panther Sledgehammer Hammered brass 14x6.5

Ludwig Classic Maple 14x7

Tama SLP Steel Snare 14x5

Zildjian 21" A Sweet Ride

Zildjian 18" K Custom Hybrid Crash

Zildjian 16" K Custom Dark Crash

Zildjian 14" K Mastersound HiHats

Istanbul Large selection

Avalon U5 Preamp/DI

Little Labs IBP Analog Phase Alignment Tool

Little Labs PCP Instrument Distro 3.0 Instrument Splitter/DI/Re-amper

Mackie CR1604

Studiospares Phantom Power Dual +48V psu

Two capes are available for the darkest sessions

Avid Pro Tools 12 HD

Apple Logic Pro X

Digital audio workstation offering audio recording functionality, world-class virtual instruments, effects, and thousands of high quality audio samples and loops.

Apple OSX 10.10 (Yosemite)

Valhalla Bundle

Antares Auto-Tune Pro

UAD Neve 1073SE EQ

UAD 1176 classic limiter collection

UAD 1176LE

UAD 1176LN

UAD 1176SE

UAD API 550A EQ

UAD API 560 EQ

UAD API Vision Channel Strip

UAD Ampex ATR-102

UAD BOSS CE-1 Chorus Ensemble

UAD Cambridge EQ

UAD Cooper Time Cube

UAD DBX 160

UAD DreamVerb

UAD EL7 Fatso Jr

UAD EMT 140

UAD EMT 250

UAD EP-34 Tape Echo

UAD Fairchild Tube Limiter Collection

UAD LA2A

UAD LA3A

UAD Lexicon 224

UAD Little Labs Phase Adjuster

UAD Little Labs VOG

UAD Maag EQ4

UAD Manley Variable Mu

UAD Moog Filter

UAD Neve 1073 EQ

UAD Neve 1081 EQ

UAD Neve 1081SE EQ

UAD Neve 31102 EQ

UAD Neve 31102SE EQ

UAD Neve 33609 Compressor

UAD Neve 33609SE Compressor

UAD Neve 88RS Channel Strip

UAD Ocean Way Studios

UAD Precision Bus Compressor

UAD Precision De-esser

UAD Precision Enhancer

UAD Precision Equalizer

UAD Precision K-Stereo

UAD Precision Limiter

UAD Precision Maximiser

UAD Precision Multiband

UAD Pultec EQP-1A

UAD Pultec Pro

UAD RealVerb-Pro

UAD Roland Dimension D

UAD SSL E Channel Strip

UAD SSL G Channel Strip

UAD Shadow Hills Mastering Compressor

UAD Studer A 800 Tape Machine Emulator

UAD Teleronics LA-2A Classic Leveler Collection

UAD UA 610 Tube Preamp & EQ

Yamaha REV7 Digital Reverb