Pro Tools HD 11.3.2 40 in 48 out
less than 1000 hrs
Genelecs 1031A are a classic near field reference monitor system. These compact monitors boast impressively accurate imagery.
Individual headphone mixers
Originally conceived for use in API consoles of the '60s and '70s, the 560B is a unique device designed to accomplish tasks that no other EQ can. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560B remains unmatched.
Few equalizers enjoy the respect and admiration of the coveted API 550A. Designed by the now-legendary Saul Walker in the late '60s, the discrete 550A was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality of the 550A, it quickly found its way into many custom console designs by Frank DeMedio and other leading engineers. Many of these consoles are still in use today.
There are few studios in the world that haven’t had some form of Empirical Labs’ Distressor sat in their racks at some point. Miloco alone have distressors of varying generations in Livingston, The Bridge, The Square, The Engine Room and many more! The latest incarnation of EL’s flagship product is the Empirical Labs EL8 X Distressor. It features the 1:1 “British Mode” compression ratio as standard.
This outboard compressor can be used in a dual-mono or linked-stereo configuration. Engaging the "crush" control will really accentuate your compression in a musical way.
The DS201 is a sophisticated dual channel noise gate incorporating a number of features pioneered by Drawmer, which are invaluable to the sound engineer, and not found on conventional noise gates. Its features and its "user friendliness" have made it the "industry standard" throughout the world.
The Yamaha SPX90 is a digital multi-effects processor that has been a staple of many recording studios over the years. The effects it includes are distortion, flange, tremolo and delay. These effects can be used singularly or they can be mixed and matched together.
The Neumann U 67 is a multipattern large-diaphragm condenser microphone with a tube-and-transformer topology. It was introduced by Neumann in 1960 with the intention of replacing the U 47 in Neumann’s product line.
An essential contributor to sound recordings of the 1960s and 1970s this microphone decisively affected the spatial dimension of the sound and the tonal depth of countless productions.
Stereo Tube Mic
The Neumann U87 features 3 switchable polar patterns and has a -10dB pad. A very popular microphone.
Yamaha NS-10 Sub Kick
The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.
A firm favourite among broadcasters and sound engineers alike, the RE20 is a dynamic cardioid microphone with variable-D design, a heavy-duty internal pop filter, and an internal element shock-mount which reduces vibration-induced noise.
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