DAFT Recording Studios

Rupert Neve Designs 5088

Cadac A-Series

Studer A820 - 24 channels + remote Taperecorder

Avid Protools HDX 48in/48out

Avid Pro Tools Ultimate

MOTU MIDI Express 128 MIDI Interface

ATC SCM45A Pro Loudspeakers

ATC SCM12P Speaker

Bowers & Wilkins DB1D Subwoofer

Bowers & Wilkins 800 D3 Speakers

JBL 306P MKII Active Studio Monitor

JBL 305P MKII Active Studio Monitor

Quested S8 Active Studio Monitor

Two class A-B amplifiers, with a linear power supply, capable of delivering a total of 370 Watts RMS makes the S8 the most powerful 2-way monitor available. Twin doubled flared ports in a compact reflex enclosure help keep the dimensions to a minimum.

Behringer Powerplay P16 Personal Headphone Mixer + Extension

Beyerdynamic DT770 Pro Studio Headphones

Audio Technica ATH M20X Headphones

Rupert Neve Design Shelford 5052 Mic Preamp/Inductor EQ

Focusrite Red 4 Mic Preamp

Cadac A-Series 1972 Mic Preamp

Oram Sonics HD-EQ EQ

Pultec HLF-3C Passive Filter

Pultec MEQ-5 EQ

Tube-Tech PE 1A Program EQ

Rupert Neve Designs 5052 EQ

Rupert Neve Designs Shelford 5051 EQ/Compressor

Urei 1176 Black Face Compressor

DBX 165 Compressor/Limiter

Alternate Soundings Dynax 2 Compressor

Joemeek Stereo Compressor

Rev 1.07

Tube-Tech CL 1A Tube Compressor

The CL 1A delivers a very musical and smooth compression, preserving the clarity of the source even at extreme settings, and this is where CL 1B really stands out compared to other compressors.
Furthermore, the operation is very intuitive, enabling you to achieve your goal achieve your goal quickly and easily.

Tube-Tech LCA 2A Stereo Compressor

Urei LA-3A Compressor

Released in 1969, the LA-3A marked the departure from the tube design of the LA‑2A, incorporating concepts from the UA's solid-state driven 1176LN Limiting Amplifier, while harnessing the LA‑2A's optical compression design.

Urei LA-4 Compressor

Eventide Omnipressor Compressor

Valley People 610 Compressor

Drawmer 1960 2 Channel Mic Preamp/Compressor

Summit Audio TLA100-A Compressor

Altec 436C Compressor

Altec 1591A Compressor

EMT 140 Plate Reverb

Lexicon 480L Digital Effects System

Usually seen sitting on top of the console in many studios, the 480L reverb was released in 1986. Lexicon are considered to be the pioneers of digital reverb, so you can expect some excellent sounds from this unit.

AMS RMX16 Digital Reverb

The AMS RMX16 was the world's first microprocessor-controlled, full-bandwidth, digital reverberator. Heard on hundreds — if not thousands — of seminal recordings from the 1980s onward, the RMX16 is still found in nearly every major recording studio the world over.

AKG BX20 Spring reverb

Roland SRV-2000 Digital Reverb

Yamaha REV5 Digital Reverb

Klark Teknik DN50 Spring Reverb

Lexicon LXP-15 Signal Processor

Lexicon PCM60 Digital Effects Processor

The Lexicon PCM 60 is a high performance digital reverb designed to be used with a wide range of instruments. It boasts a clean sound and a high quality reverb sound.

Lexicon PCM 70 Digital Effects Processor

Lexicon PCM80 Digital Effects Processor

Lexicon PCM90 Digital Effects Processor

Klemt Echolette E51

Roland SVC-350 Vocoder

Roland SDD-320 Dimension D Vintage Chorus

TC Electronic System 6000

Eventide H3000 Ultra-Harmonizer

The Eventide H3000 Ultra-Harmonizer is a family of products based around a multi-purpose programmable, digital audio signal processor. The Eventide H3000 is fully MIDI controllable, with click less, real-time MIDI control. This amazing device has all these effects, and more, at your finger tips.

Eventide H3000 SE Ultra-Harmonizer

Ensoniq DP/4+ Parallel Effects Processor

Yamaha SPX1000 Multi Effcets Processor

The SPX990 has 80 spectacular presets which includes natural reverbs, gates and delay & echoes. These all run through a clean and transparent system.

Yamaha SPX90 Multi Effects Processor

The Yamaha SPX90 is a digital multi-effects processor that has been a staple of many recording studios over the years. The effects it includes are distortion, flange, tremolo and delay. These effects can be used singularly or they can be mixed and matched together.

Aphex II Studio Aural Exciter

DBX 120XP Subharmonic Synthesizer

The 120XP has been specifically optimised to enhance bass audio material for use in a variety of professional applications. It's two separate bands of subharmonic synthesis provide the best combination of smoothness and control.

Dolby Model 316 Noise Reduction System

Lexicon Super Prime Time Digital Delay

The Lexicon 'Super Prime Time' Model 97 is IMHO the most cosmic and inspiring digital delay ever created. This box is not just a simple delay for the non-rocket scientist as some may claim but is actually a rich well of complex tonal joy. Like an old Minimoog it is inspiring to use and has real-time easy-to-grab and manipulate controls.

AMS DMX 15-80S Digital Delay

TC Electronic 2290 Dynamic Digital Delay

Eventide H3000 Delay

Eventide H3000 SE Delay

Ensoniq DP/4+ Delay

Lexicon PCM 41 Digital Delay Processor

Lexicon PCM 42 Digital Delay Processor

Lexicon LXP-15 Multi FX

Roland SDE-1000 Digital Delay

Roland SDE-2000 Digital Delay

Roland SDE-3000A Digital Delay

TC Electronic TC 2290 Delay

Lem Baby Mixer Tape Echo

Ursa Major Space Station SST-282 Delay/reverb

Neumann U 47 FET

An essential contributor to sound recordings of the 1960s and 1970s this microphone decisively affected the spatial dimension of the sound and the tonal depth of countless productions.

Neumann U 67 Tube

The Neumann U 67 is a multipattern large-diaphragm condenser microphone with a tube-and-transformer topology. It was introduced by Neumann in 1960 with the intention of replacing the U 47 in Neumann’s product line.

Neumann M 269 Tube

Neumann U 87

The Neumann U87 features 3 switchable polar patterns and has a -10dB pad. A very popular microphone.

Neumann CMV-563

The Kondensator-Mikrofon CMV 563 is a tube condenser bottle microphone manufactured by the division of the Georg Neumann company in Gefell, East Germany, which has since been renamed Microtech Gefell. The mic was made from 1956-1971, then reintroduced in 2011.

Neumann KM 184 Condenser Microphone

Neumann KM 185

AEA R84 Ribbon

The R84 is a passive ribbon microphone that shares many of the unique sound characteristics with its historic predecessor, the R44. The result is a new microphone with a classic sound. The R84 produces rich and full low-mids, a smooth top end, and has a well-behaved bidirectional pickup pattern.

AKG C12A Tube

AKG C414 B-TL II

AKG C414 ULS

AKG C451 E

Boasting a low noise level with life-long sta­bility, the C-451 E is a newly developed condenser microphone using audio frequency circuitry with Field Effect Tran­sistors.

AKG C451 EB

Boasts an airy sound as well as a high overload limit, this handcrafted capsule and the low-noise preamp electronics ensure impressive results even under very harsh conditions.

Griffon Fuzzyphone Dynamic Microphone

Electro-Voice RE20

RCA 44-BX Ribbon

RCA 74b

Rode NT1 1st Gen

Royer R 121

Schoeps CMC 6 + MK2S Capsule Omnidirectional Condenser Microphone

Sennheiser MD 441-U Microphone

Sennheiser MD 421

Shure Beta 52A

Optimized for low-frequency bass punch and high-power SPL handling, the Beta 52A's supercardioid design provides maximum isolation from other onstage sounds.

Shure SM7B

The SM7B is a selectable frequency response cardioid microphone that delivers warm and smooth audio reproduction in close-proximity studio and vocal applications, while shielding from electromagnetic hum.

Shure SM58

The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Sony C-48

Dadi Charlie Junior

Fender Super Amp 1955

Fender Super Amp 1962

Fender Twin Reverb Silverface

Marshall Super Lead 100

ROLAND JAZZ CHORUS 120

Roland Jazz Chorus 160

Selmer Futurama

Vox AC30 1967 JMI

Acoustic 370 Amplifier

Acoustic 371 Cabinet

Ampeg B-15N

Ampeg 215 Cabinet

Ampeg B-25B

Ampeg V-4B Amp

Fender Bassman Head 1970

Fender Bassman Cabinet

Ludwig Oyster vintage

Rogers Big R Vintage Drum Kit

Joe Montineri piccolo

Sabian Paragon

crashes hihats and rides

Slingerland Radio King 14'" x 5"

Ludwig Supraphonic Snare Drum

Ludwig timbales

Access Virus TI Keyboard

American Organ Harmonium

Arp Omni 2

Farfisa Compact Duo

Fender Rhodes '73

Hammond C3

Hohner Clavinet/Pianet Duo

Kawai CX-4S Upright Piano

Leslie 122 Speaker Cabinet

Mellotron M300

Pleyel Model F Grand Piano

Wurlitzer Reed Organ

Philips Philicorda Organ

Doutreligne Master D6 212 cm

Wurlitzer Butterfly Baby Grand Electric Piano

Yamaha CP-80 Electric Piano

Yamaha C7 Piano

Access Virus TI Rack

Behringer RD-8 Drum Machine

Behringer Pro-1 Monophonic Synthesizer

Behringer MS-1 Monophonic Synthesizer

Elektron Octatrack Sampler/Synthesizer/Drumcomputer

Roland SVC-350 Vocoder

Roland RS202 String Machine

Roland Juno 106

Korg MS-10 Analogue Synth

Korg MS-20

Korg Mono/Poly Vintage synthesiser

Korg VC-10 Vocoder

Moog Grandmother

Antares Auto-Tune Evo

Sonnox Oxford Inflator

Sonnox Oxford SuprEsser

Sonnox Oxford Reverb

Sonnox Oxford Transient Modulator

Sonnox Oxford Limiter

Sonnox Oxford EQ