elstudio

Ocean Audio Classic Console

32 Channels in-line - custom built for elstudio by Malcolm Toft

Avid HDX

Avid HD I/O 16x16 Analog

Experience better audio fidelity, wider dynamic range, and low jitter thanks to sophisticated A/D and D/A conversion, and get the lowest possible latency when recording even the largest sessions.

Apple Mac Pro 3.7 GHz Quad-Core Intel Xeon E5 32GB RAM

Apogee Big Ben Master Clock

Apogee Ensemble

Apogee Ensemble Thunderbolt

Crane Song HEDD 192 Stereo AD/DA

Euphonix MC Mix

Sonnet Echo Express Thunderbolt Expansion

Universal Audio UAD-2 Satellite Duo

Avid Pro Tools 12 HD

Apple Logic Pro X

Digital audio workstation offering audio recording functionality, world-class virtual instruments, effects, and thousands of high quality audio samples and loops.

Genelec 1030A Studio Monitors

Genelec 7050B Active Studio Subwoofer

Mackie HR824 Studio Monitors

In 'Airsuspend' speaker stands

Quad 405 Power Amp

With low distortion with it's Class A transistors; the Quad 405 power amplifier is a classic beauty in the Hi-Fi and audio world.

Yamaha NS10M Monitors

A prominent mid range and incredibly focused sound monitoring system.

Analogue Addicts 60s Tube Mic Pre

Amek 9098 DMA

API 3124 4 Channel Mic Preamp

Gyraf Audio EQP1A Pultec EQ

Heritage Audio 1073/500 Mic Preamp

Heritage Audio 2264JR/500

Neumann PEa W495

Ocean Audio Mic Pre Console Preamp

Ocean Audio Signature 3 Stereo Inductor EQ

SPL Qure EQ

Summit 2BA-221

Universal Audio 6176 Vintage Channel Strip

DBX 128

DBX 160X Compressor/Limiter

DBX 363 Dual Gate

DBX 3BX Dynamic Range Expander

Empirical Labs EL8-X Distressor with "British Mode" Compressor/Limiter

There are few studios in the world that haven’t had some form of Empirical Labs’ Distressor sat in their racks at some point. Miloco alone have distressors of varying generations in Livingston, The Bridge, The Square, The Engine Room and many more! The latest incarnation of EL’s flagship product is the Empirical Labs EL8 X Distressor. It features the 1:1 “British Mode” compression ratio as standard.

Heritage Audio 2264JR/500

IGS S-Type Buss Compressor

Manley Variable Mu Stereo Compressor

The Variable Mu Limiter Compressor is the GLUE that holds the mix together while crystallizing it into a professional, final product. All-tube, all transformer, an all-American legend. High Pass Side Chain mod now comes standard.

Rupert Neve Portico II Master Buss Processor

SPL Transient Designer 2 Channel

The Transient Designer 2 offers a completely new technology for level-independent shaping of the dynamic response of a sound. For the first time it is possible to control the attack and sustain of a signal in a very simple way.

SPL Transient Designer 4 Channel

Tube-Tech SMC 2B Multiband Opto Compressor

Universal Audio 6176 Vintage Channel Strip

Universal Audio 1176LN Compressor

Billed in the 1968 release as a “true peak limiter with all transistor circuitry and superior performance on all types of program material," the 1176’s major selling point was its ultra-fast attack time — a mere 0.00002 seconds at its fastest setting. It also offered contemporary design, featuring knobs with clear surrounds, pushbuttons, and a brushed aluminum face panel with a blue stripe near the VU meter — none of those then typical big Bakelite knobs in sight.

Universal Audio Teletronix LA2A Compressor

AKG C414 B-ULS Condenser

One of the most used condenser microphones in the world, coupling a 1-inch dual-diaphragm with Ultra Linear Series electronics to provide an extremely smooth frequency response.

AKG C414 EB

The second generation of the classic C414 - also armed with the CK-12 capsule; the C414 EB (Brass)

AKG C451 E

AKG D 12

AKG's classic mic. It brings the full solid thud sound which was very popular with drummers in the 50's.

AKG D 19

The D19 was a cardioid dynamic microphone manufactured by AKG in the 1960s. It is famous today for its use at Abbey Road studios during numerous Beatles recording sessions, most notably as a drum overhead mic for Ringo Starr.

AKG D24

AKG D 112

AKG D 224 E

Astatic Brown Bullet

Audio Technica 835 ST shotgun

Audix D2

Audix D4

Audix D6

Audix i5

Bash Audio RM BIV-2 Stereo Ribbon

Beyer M64N

Beyer M69N

Beyer M320 ribbon

Beyerdynamic M 101

Beyerdynamic M 130

Beyerdynamic M 160 Ribbon

Beyerdynamic M 201 TG

Beyerdynamic M 300N

Beyerdynamic M 88

Cascade Fat Head II Ribbon

Lundahl

Coles 4038

The Coles 4038 Studio Ribbon Microphone is a British Broadcasting (BBC) design favourite for broadcasting and recording applications. It is used where a clear smooth wide range frequency response, absence of transient distortion and relatively high sensitivity is essential.

DPA 4060 miniature

Echolette ES14 (Sennheiser MD409)

Electro-Voice 654a

Electro-Voice 666

Electro-Voice V2 ribbon

Flea 47 Tube

Funkberater md30

Funkberater sm2030

Melodium 76A

Neumann KM 184

The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.

Neumann U 67 Max Kircher Mod

Neumann U 87 Ai

The U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic. Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.

Oktava MD-41

Oktava MD-57

Oktava ML-19 Ribbon

Philips 9549

RCF MD1708

Realistic spring reverb microphone

Xaudia Reslo The Beeb

Revox M3500 (Beyerdynamic M201)

RFT DM622

RFT VEB301

Royer R 121

Sennheiser e 906

Sennheiser MD 21

Sennheiser MD 417

Sennheiser MD 421

Sennheiser MD 441

The MD 441 U is a microphone of exceptional quality: its acoustic properties come as close as possible to those of a condenser microphone. Accurate signal response and low distortion are ensured, even with the highest sound pressure levels.

Sennheiser MD 4S with 409 capsule

Shure Beta 58A

Shure Beta 52A

Shure Beta 56A

The Beta 56A premium microphone that is ideally suited for the professional musician looking to mic up their snare and toms, either on stage or in the studio. It can also be used with other instruments such as guitar and bass amps, brass and a saxophone amongst others.

Shure Beta 57A

Shure Beta 91A

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Shure SM58

The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.

Shure SM7B

Sony C-38

Unidyne 515B

Unitex dynamic

Egyptian lofi vintage

Avalon U5 DI Box

Radial JDI Passive DI Box

Radial X-Amp Active Re-amp Box

Tech 21 SansAmp Bass Driver DI Preamp

Lexicon PCM 81 Multi-Effects Processor

Pioneer SR-202 Stereo Spring Reverb

Pioneer SR-303 Stereo Spring Reverb

TC Electronic M5000 Digital Audio Mainframe

Yamaha REV7 Digital Reverb

Yamaha SPX90 MKII Multi Effects Processor

The second version of the Yamaha SPX90 offers a digital FX unit from the 80's. It has real nice reverb sounds and has a clean digital sound, but creates good placement in every mix, when used the right way.

Aphex Aural Exciter Type B

DBX Boombox 100 Subharmonic Synthesizer

Dolby 361 A-Type Noise Reduction Module

The Dolby 361 Dolby A is an incredible piece of equipment.It adds that amazing 'air' to the vocals and it is even available to use for bass, acoustic guitars, snare drum etc.

Dynacord Echocord Mini Tape Delay

Dynacord VRS-23 Analog Delay

Evans EP-100 Echopet

Eventide H3000 SE Ultra-Harmonizer

Ibanez DM1000 Digital Delay Effects Processor

Line 6 Echo Pro Delay

Line 6 Mod Pro

TC Electronic 2290 Dynamic Digital Delay

TC Electronic D-Two Multitap Rhythm Delay

Ampeg B-15N Portaflex

The flip-top Portaflex series of the '60s stands as one of Ampeg's most recognizable designs, and the B-15N is the definitive central model of the line. Portaflex amps were hugely innovative for the flip-top nature of the head and cabinet, as well as for a number of innovative signal and circuitry innovations from the early '60s. The B-15N spawned a number of variations through the decade including the B-15NB and B-15NC.

Aria 1820 Shortscale

Danelectro Baritone 56

Danelectro Dano 63

Dobro Recording King

Epiphone Jack Casady

Epiphone Valve Junior 5w combo modded

Fender Precision Bass

Fender Princeton Reverb

Gretsch Lapsteel

Gretsch Silvertone

Mandes Jazz Bass 60s Fretless

Fender Telecaster

Marshall JCM 800 Head

Marshall 1960 4x12

Mesa Boogie 1x12" Cabinet Guitar Cab

Roland Bolt 60 Tube Amp

Suzuki Acoustic 70s Martin Copy

Suzuki Acoustic 12 String 70s

Taylor Baby 6-string acoustic

Trace Elliot 4x10" Cabinet Bass Cab

Trace Elliot GP 12 SMX Amp Head

VOX AC 15 Handwired

Vox T-25 Bass amp

Yamaha Classical Guitar

Yamaha Twenty Five 112

Casio PT-20

Fender Rhodes 88 vintage 1970s

Formanta Polivoks

Hammond B200

Hohner Pianet T

Korg R3

Leslie HL822

M-Audio Keystation Mini 32

Roland Juno-6

Roland RD-300

Roland SH-2000

Roland SP-404

Technics KN-1000

Assorted Shakers

Bosphorus New Orleans Series 14" Hi Hats

Bosphorus New Orleans 18" Crash

Bosphorus New Orleans 20" Ride

Bongos

Congas

Cowbell

Djembe African Import

Ludwig Classic Maple Series Drum Kit

24 kick / 13-16-18 toms

Ludwig Supraphonic Snare Drum 14" x 5"

Meinl Darbuka Aluminium

Meinl Ibo Drum

Premier 14" x 5 ½" Snare

Tromsa 1958 drumkit

20 kick / 1316 toms / 14 snare

Audio Ease Altiverb 7

Celemony Melodyne

Empirical Labs Arousor

izotope Insight

Izotope Ozone 8 Advanced

Izotope RX 5

Sonnox Oxford EQ

Sonnox Oxford Inflator

Soundtoys 4

Synchro Arts VocALign

UAD