Forum Studios - Master

Control Room: 9mt x 6mt

Live Room: 13.6mt x 12mt

SSL 4056E

Prism Sound ADA-8XR AD/DA Converter

Apogee AD8000 AD Convertor

Sony PCM-2600 DAT Machine

Sony SCD XB770 Super Audio CD Player

Pultec EQP-1A3 EQ

Urei 545 4 Band Parametric EQ

DBX 160A Compressor/Limiter

A fast and clear outboard compressor giving excellent results.

Drawmer DL221 Dual Compressor/Limiter

Drawmer M500 Dynamics Processor

Tube-Tech LCA 2B Stereo Compressor

Urei 1176 Silverface

AKG BX20E Spring Reverb

AMS RMX16 Digital Reverb

The AMS RMX16 was the world's first microprocessor-controlled, full-bandwidth, digital reverberator. Heard on hundreds — if not thousands — of seminal recordings from the 1980s onward, the RMX16 is still found in nearly every major recording studio the world over.

Lexicon 224 Digital Reverb

Lexicon 480L Digital Effects System

Usually seen sitting on top of the console in many studios, the 480L reverb was released in 1986. Lexicon are considered to be the pioneers of digital reverb, so you can expect some excellent sounds from this unit.

Lexicon MPX-1 Effects Processor

Lexicon PCM70 Digital Effects Processor

This digital effects unit has a range of reverbs & delays to suit any mix. This unit encourages you to tweak and explore the capabilities to get any desired sound.

Yamaha SPX90 MKII Multi Effects Processor

The second version of the Yamaha SPX90 offers a digital FX unit from the 80's. It has real nice reverb sounds and has a clean digital sound, but creates good placement in every mix, when used the right way.

AMS DMX 15 Digital Delay

Roland Space Echo Echo & Reverb Effects Module

Sony DPS-M7 Digital Sonic Modulator

TC Electronic 2290 Dynamic Digital Delay

Yamaha SPX1000 Multi Effcets Processor

The SPX990 has 80 spectacular presets which includes natural reverbs, gates and delay & echoes. These all run through a clean and transparent system.

Yamaha SPX90 Multi Effects Processor

The Yamaha SPX90 is a digital multi-effects processor that has been a staple of many recording studios over the years. The effects it includes are distortion, flange, tremolo and delay. These effects can be used singularly or they can be mixed and matched together.

AKG C12A Tube

AKG C414 B-TL II

AKG C414 B-ULS Condenser

One of the most used condenser microphones in the world, coupling a 1-inch dual-diaphragm with Ultra Linear Series electronics to provide an extremely smooth frequency response.

AKG C414 B-XL II

AKG C535 EB

AKG D 112

AKG D 320 B

Audix ADX50

Audix D1

Audix D2

Audix D4

Beyerdynamic CK 706

Beyerdynamic CK 703

Beyerdynamic M 201 N

The specs for the 2001-era M 201 N(C) give a sensitivity rating higher than the currently shipping model — 2 mV/Pa rather than today’s version at 1.2 mV/Pa.
Useful for snare drum, freak high-SPL situations where you still need good midrange clarity.

Beyerdynamic M 260 N

Beyerdynamic M 380

Beyerdynamic M 69 N

Calrec CB 20 C

Calrec CC 50

Calrec CC 51

Electro-Voice PL20

Electro-Voice RE20

A firm favourite among broadcasters and sound engineers alike, the RE20 is a dynamic cardioid microphone with variable-D design, a heavy-duty internal pop filter, and an internal element shock-mount which reduces vibration-induced noise.

Neumann KM 184

The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.

Neumann KM 84i

The KM 84i is a small-diaphragm FET condenser with a fixed Cardioid pickup pattern. It was the world’s first phantom-powered microphone, built to run on 48v DC. Its design goal was to be as small as possible; the model name ‘KM’ stands for Kleine Mikrofon (“small microphone”). Although discontinued in 1992, the KM-84i remains a favorite of vintage mic enthusiasts for drum overheads and hi-hat applications.

Neumann KM 86i

The KM 86 is a multipattern FET condenser microphone with two KK84 small-diaphragm Cardioid capsules mounted back-to-back. This mic was essentially a phantom-powered FET version of the KM 66 tube mic; both models contained a switch on the mic body allows selection of Cardioid, Omnidirectional, or figure-of-8 polar patterns.

Neumann M 149 Tube

Neumann SM 69 fet

Neumann U 47 FET

An essential contributor to sound recordings of the 1960s and 1970s this microphone decisively affected the spatial dimension of the sound and the tonal depth of countless productions.

Neumann U 87 Ai

The U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic. Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.

Neumann U 87 i

Pearl DM 7000

Schoeps CMC 5U

Schoeps CMC 5U

Schoeps CMC 5U

Schoeps CMC 5U

Schoeps CMC 6

Sennheiser MD 416

Sennheiser MD 421

Sennheiser MD 421 II

Sennheiser MD 441-N

The acoustic properties of this micophone come close to that of a condenser mic, with an accurate signal response, low distortion, and the capacity to handle high sound pressure levels.

Sennheiser MKH 405

Sennheiser MKH 415 T

Shure Beta 57A

The 57a is a dynamic mic with a simple and rugged construction that can handle very high sound pressure levels.

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Shure SM58

The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.

Shure SM77

Sony C-35P

Sony C-36P

Sony C-48

Sony ECM-672

Sony ECM-MS5

Hammond H100

Hammond H112

Hammond H222

Ludwig Grancassa

Ludwig Timpani

Marimba Premium

Mustel Celesta

Paiste Gong

Upright Piano

Vibraphone Premium

Plasma 42'' PCM 2600

Avid Pro Tools HD3 Accel

Studer A80 1/2" Machine

Studer A810 Tape Machine

Studer A820 2" 24 Track Tape Recorder

Genelec 1025A Studio Monitors

Genelec 1032A Studio Monitors

Yamaha NS10M Monitors

A prominent mid range and incredibly focused sound monitoring system.

Quested VS2108 Active Monitors