Spiritland Productions

"Come Home To Music"

Spiritland Productions Floorplan

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Equipment and Tech

Vehicle Spec

Mercedes Antos 1824 (18 ton rigid)
10.7m long (without rear step access)
4m high
Custom built box to the highest possible isolation specs for noisy environments
Dual aircon zones for separate mix area and engine room
Side and rear steps
All equipment carried in trucks lockers, no additional tender vehicle required
4 x hydraulic automatic levelling system
Presentation position in the cab with tielines and UPS power with aircon

Power 

Spiritland One draws around 32 amps (without the coffee machine), about 45 amps on a hot day with the coffee brewing. It can take any power supply from 125/3 down to 2 x 16a single, although, our preference is 63amp single phase. We have 3 transformers on board configured as 1 x 32a and 2 x 16a, the technical (32a) supply has an inline UPS system which will run for approximately 30 minutes in the event of power loss. Our custom built switching system enables us to run in 63amp or 32amp mode (2 x 16amp).

Spiritland ONE has been designed with redundancy and resilience at its heart for the most demanding applications. It's power, audio and network design all have redundant systems to ensure we can continue to record in the event of any equipment failures.

Vehicle Recording Setup

SSL System-T S500 (64 fader) with redundant T80 (800 path) engines and 1024 inputs/outputs.
128 SSL Mic preamps, 96 analogue returns, 24 AES io and 6 x MADI available on stage as well as 2 x HDSDI vision feeds
Multiple patch points for additional outboard (Analogue, AES, MADI and Dante)
Redundant pair of 256 channel multitrack system
4 x Stereo SD recorders
SADiE v6 with mastering pack
Broamann stage delivery system over a pair of redundant tactical grade fibres
Vehicle Mixing Facilities

SSL System-T with full automation DAS enabled with TCM timecode reader
3 x Bricasti M7 reverbs
1 x KT DN780 reverb
1 x Lexicon 480L reverb
1 x Al Smart C2 compressor
1 x Waves extreme server with Mercury and Studio Classics (64 channels)

Monitoring

Main Stereo: Barefoot MM27 with Trinnov ST2 calibration
7.1.4 Dolby Atmos system: Neumann KH80DSP with 810 sub. Calibrated by Dolby.
Dolby DP590 monitoring tool
2 x Neumann NDH20 headphones, 4 x HD25 headphones
6 deployable Dante headphone amps
Vision

65" TV screen for mix engineer
Quad Multiview
27" touchscreen behind mix engineer
3 x 27" monitors for record engineer
1 x Duo BMD monitor
DDX30 Adder KVM system to allow any computer on any screen
1 M/E ATEM production switcher
40x40 router
2 x AJA Kii ultra pro recorders with PAK Media drives and transfer kit
AJA FS2 audio embedder/deembedder
Communication

Riedel Artist 32 frame with;
2 x Bolero Antennae (one on board and one with the stage boxes)
3 x Bolero beltpacks with heavy duty headsets
1 x 2312 desktop smart panel for mix engineer
1 x 1232HL panel for guarantee engineer
Dante cards to provide interfacing with third party
Up to 4 x PTZ cameras all controllable from mix position in HD
Viprinet VPN2620 bonding router with 4 x MiMo antennae on the roof for live radio broadcast circuits and general internet access.
Wifi access in the truck, extended to the stage
On board printing facilities (wifi printing from stage)

Mics

4 x Schoeps CMIT 5U
4 x Neumann KM184
4 x AKG 414
2 x Sennheiser Ambeo VR
Various dynamic mics
RF available as required
Extras

Bean to cup coffee machine
Large fridge
Production work area