The Grange Studios

Control Room: 6.1m (20 ft) x 5.65m (18 ft 6 in)

Live Room: 8.33m (27 ft 4 in) x 5.18m (17ft)

Drum Room: 4.85m (15 ft 11 in) x 3.71m (12 ft 2 in)

Isolation Room 1: 4.88m (16 ft) x 2.54m (8 ft 4 in)

Isolation Room 2: 5.29m (17 ft 4 in) x 2.36m (8 ft 5 in)

Amek Rembrandt

Avid Pro Tools Ultimate HDX

iZ Radar V Digital Recorder

Studer A827 Gold Edition

MCI JH-16

Studer A80 1/2"

Studer B67 1/4"

Tannoy AMS8 Active Monitors

Yamaha NS10

Rupert Neve 9098 Amek Dual Equalisers/Mic Pres

Rupert Neve 9098 Amek 2 Channel Mic Pres

Summit Audio EQP-100

Trident Audio CB9066 3-band Parametric EQ

Rupert Neve 9098 Amek Dual Compressor/Limiter

DBX 266XL

Drawmer 1968 Mercenary Edition Stereo Compressor

Drawmer DL221 Dual Compressor/Limiter

Drawmer DS201 Dual Noise Gate

The DS201 is a sophisticated dual channel noise gate incorporating a number of features pioneered by Drawmer, which are invaluable to the sound engineer, and not found on conventional noise gates. Its features and its "user friendliness" have made it the "industry standard" throughout the world.

Drawmer MX40 Punch Gate

Empirical Labs EL8 Distressor Compressor/Limiter

The EL-8 compressor can emulate the warm vintage sound we all love. It also adds excitement and life to any mix with it's digitally controlled analogue circuitry.

Urei LA-4 Compressor

Universal Audio 1176LN Limiter/Compressor

Billed in the 1968 release as a “true peak limiter with all transistor circuitry and superior performance on all types of program material," the 1176’s major selling point was its ultra-fast attack time — a mere 0.00002 seconds at its fastest setting. It also offered contemporary design, featuring knobs with clear surrounds, pushbuttons, and a brushed aluminum face panel with a blue stripe near the VU meter — none of those then typical big Bakelite knobs in sight.

Universal Audio Teletronix LA-2A Mono Valve Optical Compressor

Universal Audio 2-LA-2 Twin T4 Leveling Amplifier

Aphex Aural Exciter

Modeled on one of only a few tube-powered units ever made, the Waves Aphex Aural Exciter delivers all the unique character of the rare original hardware unit, with all the advantages of software. It was even credited as a "session player" on best-selling albums by the likes of Jackson Browne, Linda Ronstadt and James Taylor, engineered by Val Garay, who worked closely with us on the development of the plugin.

DeltaLab Effectron ADM 1024 Digital Delays

Lexicon LXP1 Reverb

Lexicon PCM70 Digital Effects Processor

This digital effects unit has a range of reverbs & delays to suit any mix. This unit encourages you to tweak and explore the capabilities to get any desired sound.

Lexicon PCM60 Digital Effects Processor

The Lexicon PCM 60 is a high performance digital reverb designed to be used with a wide range of instruments. It boasts a clean sound and a high quality reverb sound.

Roland SDE-3000 Digital Delay

Roland SRE-555 Chorus Echo

Roland SRV-2000 Digital Reverb

MicMix Master Room Spring Reverb MR-II

Yamaha SPX90 Multi Effects Processor

The Yamaha SPX90 is a digital multi-effects processor that has been a staple of many recording studios over the years. The effects it includes are distortion, flange, tremolo and delay. These effects can be used singularly or they can be mixed and matched together.

Neumann U 67 Tube

The Neumann U 67 is a multipattern large-diaphragm condenser microphone with a tube-and-transformer topology. It was introduced by Neumann in 1960 with the intention of replacing the U 47 in Neumann’s product line.

Neumann U87 Vintage

Neumann KM 84

Neumann M 147 Tube

Electro-Voice RE20

A firm favourite among broadcasters and sound engineers alike, the RE20 is a dynamic cardioid microphone with variable-D design, a heavy-duty internal pop filter, and an internal element shock-mount which reduces vibration-induced noise.

DPA 4011 (matched pair)

Sennheiser MD 441

The MD 441 U is a microphone of exceptional quality: its acoustic properties come as close as possible to those of a condenser microphone. Accurate signal response and low distortion are ensured, even with the highest sound pressure levels.

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Shure 545 Unidyne III

Rode Classic II

Rode NT5

Beyer M88 Microphone

AKG D12

Yamaha Upright Acoustic Piano

Fender Telecaster

Gibson Blue Ridge Acoustic Guitar

Fender Twin Reverb

Fender Champ

Fender Blues Junior

Fender Musicmaster Bass Amp