Atomic Sound NYC

Neve VR60

Avid Pro Tools HDX

Studer A827 Tape Recorder

ADAM Audio S3X-H Active Studio Monitors

KRK 9000B Passive Studio Monitors

Yamaha NS-10M Studio

Auratone 5C Super Sound Cube Passive Monitors

Made famous in the 70s and the 80s, the Auratone is the original super cube, used in nearly every commercial recording facility the world over for real world referencing. They’re now making quite the comeback.

Bryston 3B Power Amp

Pultec HLF-3C Passive Filter

Kush Audio Clariphonic EQ

SPL Qure EQ

Tube-Tech PE 1C Program EQ

Pultec EQH-2 EQ

Pultec MEQ-5 EQ

Klein & Hummel UE-400 EQ

John Hardy M1 Mic Preamp

Helios Type 69 Mic Preamp

Of all the Helios consoles produced between 1969 and 1979, the original “Type 69” is considered the most musical. Universal Audio modeled the EQ section of the very first Type 69. This console was originally found at Island’s Basing Street Studio in London; it now resides with Jason Carmer in Berkeley, California, where it continues to record multi-platinum albums.

API 512C Mic Preamp

AEA RPQ Ribbon Mic Preamp

BAE 1084 Mic Preamp

Great River MP-2NV Mic Preamp

Urei 1178 Stereo Compressor/Limiter

Summit Audio DCL-200

Eventide Omnipressor

Manley Variable Mu Stereo Compressor

The Variable Mu Limiter Compressor is the GLUE that holds the mix together while crystallizing it into a professional, final product. All-tube, all transformer, an all-American legend. High Pass Side Chain mod now comes standard.

Neve 33609/J Stereo Compressor/Limiter

Tube-Tech CL 1B Opto Compressor

Retro Sta-Level Tube Compressor

Retro 176 Limiting Amplifier

Anthony DeMaria Labs CL1000 Compressor

The Anthony DeMaria Labs CL1000 is a single channel 2U rack-mounted compressor based on the famous LA-2A unit. The C/L 1000 gives you the warmth of an all-valve design, whether you use it as part of the compression or to add the tone to your sound - plus you get the transparency and over-easy operation that has made the CL 1000 so popular when recording, particularly for vocals.

Urei 1176 Compressor

Urei LA-3A Compressor

Released in 1969, the LA-3A marked the departure from the tube design of the LA‑2A, incorporating concepts from the UA's solid-state driven 1176LN Limiting Amplifier, while harnessing the LA‑2A's optical compression design.

Urei LA-4 Compressor

DBX 160 Compressor/Limiter

DBX 160A Compressor/Limiter

A fast and clear outboard compressor giving excellent results.

Spectra Sonics 610 Compressor/Limiter

Empirical Labs EL8-X Distressor Compressor/Limiter

Kush Audio Fatso Stereo Compressor

Tube-Tech LCA 2B Stereo Compressor

AMS S-DMX Dual Channel Digital Delay

Lexicon Super Prime Time Digital Delay

The Lexicon 'Super Prime Time' Model 97 is IMHO the most cosmic and inspiring digital delay ever created. This box is not just a simple delay for the non-rocket scientist as some may claim but is actually a rich well of complex tonal joy. Like an old Minimoog it is inspiring to use and has real-time easy-to-grab and manipulate controls.

Lexicon PCM 42 Digital Delay Processor

Lexicon PCM 41 Digital Delay Processor

Roland SDE-3000 Digital Delay

SPL Transient Designer

TC Electronics TC 2290 Dynamic Digital Delay/Effects Processor

Eventide H3000 SE Ultra-Harmonizer

Eventide H949 Harmonizer

Eventide H910 Harmonizer

SPL Vitalizer Harmonic Processor

Yamaha REV7 Digital Reverb

AMS RMX16 Digital Reverb

The AMS RMX16 was the world's first microprocessor-controlled, full-bandwidth, digital reverberator. Heard on hundreds — if not thousands — of seminal recordings from the 1980s onward, the RMX16 is still found in nearly every major recording studio the world over.

Lexicon PCM70 Digital Effects Processor

This digital effects unit has a range of reverbs & delays to suit any mix. This unit encourages you to tweak and explore the capabilities to get any desired sound.

Lexicon PCM80 Digital Effects Processor

EMT 240 Plate Reverb

EMT 140 Plate Reverb

In 1957, German company EMT made a breakthrough in audio technology with the release of the EMT 140 plate reverb, which utilized a resonating metal plate to create ambience. Nothing is quite like the wonderfully lush and distinctive tone of plate reverb, which still endures as part of the fabric of modern music.

Lexicon 480L Digital Effects System

Usually seen sitting on top of the console in many studios, the 480L reverb was released in 1986. Lexicon are considered to be the pioneers of digital reverb, so you can expect some excellent sounds from this unit.

Roland R-880 Digital Reverb

AKG C414 EB

The second generation of the classic C414 - also armed with the CK-12 capsule; the C414 EB (Brass)

AKG D12

AKG D112

Electro-Voice RE20

Sennheiser MD 421

Sennheiser e 604

Shure SM7B

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Shure SM58

The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.

Shure Beta 58A

Coles 4038

The Coles 4038 Studio Ribbon Microphone is a British Broadcasting (BBC) design favourite for broadcasting and recording applications. It is used where a clear smooth wide range frequency response, absence of transient distortion and relatively high sensitivity is essential.

Royer R-121 Ribbon

Unlike classic ribbon mics, the R-121 withstands close proximity to cranked up electric guitars and drums, whilst sharing similarities such as the figure of 8 pattern, warm tone, and a flat frequency response.

Beyerdynamic M 160 Ribbon

Neumann U 67

Neumann SM 2 Stereo Valve

Lawson L47 MP MK I

Microtech Gefell M 300

Neumann U 47 FET

An essential contributor to sound recordings of the 1960s and 1970s this microphone decisively affected the spatial dimension of the sound and the tonal depth of countless productions.

Neumann U 89 i

Neumann SM 69 fet

Neumann U 87 Ai

The U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic. Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.