Attica Audio Recording

Harrison 3232b

Yamaha NS10M Monitors

A prominent mid range and incredibly focused sound monitoring system.

ATC SCM25A Pro Loudspeakers

Quad 520F Power Amp

Crane Song Avocet Monitor Controller

A high-end, versatile, industry standard monitor controller.

Sennheiser HD25 Headphones

Hear Technologies Hear Back Personal Monitor Mixer System

A Hub of 8 personal Mixers connected using standard CAT5E cables. The Hubs can be daisy-chained using the HearBus In and Out for virtually unlimited system size. The Hear Back Hub can accept analog input signals from audio mixers, auxiliary, matrix, monitor, and/or direct outputs.

Beyerdynamic DT150 Headphones

Closed dynamic studio headphone with a modular construction offering excellent ambient noise isolation. The powerful neodymium magnet system provides high-fidelity reproduction and a balanced sound.

Avid Pro Tools HD Native

Pro Tools HD Ultimate 2019

Antelope Orion32 HD AD/DA Converter

Providing connectivity to any USB-enabled DAW, computer or iPad, the Antelope Orion32 HD AD/DA Converter allows 192 kHz I/O streaming of 32-channel digital audio via USB.

Burl B2 Bomber Stereo AD Convertor

Using a B2 BOMBER in the studio is like taking the governor off of your recordings. And, the B2 is not just for tracking. Mix down and mastering were the main focus of the B2′s layout and design. With 30 segment peak amplitude and RMS metering, the B2 lets you know exactly how hot you are running your signal which is critical for mastering.

Apple Mac Pro 2 x 3.46GHz 6-Core Intel Xeon

A-Designs P-1 Mic Preamp

API 512C Mic Preamp

Universal Audio 2-610 Mic Preamp

Universal Audio LA-610 Valve Mic Preamp

Universal Audio 6176 Vintage Channel Strip

Tube-Tech PE 1C Program EQ

Crane Song Ibis Stereo EQ Mastering Version

White 4000 27 Band EQ

Tube Tech CL1-B

Teletronix LA2A Leveling Amplifier

Universal Audio 6176 Vintage Channel Strip

Universal Audio LA-610 Valve Mic Preamp

Purple Audio Action 1176 Compressor

Empirical Labs EL8 Distressor Compressor/Limiter

The EL-8 compressor can emulate the warm vintage sound we all love. It also adds excitement and life to any mix with it's digitally controlled analogue circuitry.

DBX 160X Compressor/Limiter

DBX 166 Compressor/Limiter

Most compressor/gates provide less than musical compression, coupled with gating that swallows transients—or closes early, cutting off decay and reverb tails. The superb engineering in the 166 ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts.

Allison Research Gain Brain 700 Compressor/Limiter

Coles 4038

The Coles 4038 Studio Ribbon Microphone is a British Broadcasting (BBC) design favourite for broadcasting and recording applications. It is used where a clear smooth wide range frequency response, absence of transient distortion and relatively high sensitivity is essential.

Royer R-121 Ribbon

Unlike classic ribbon mics, the R-121 withstands close proximity to cranked up electric guitars and drums, whilst sharing similarities such as the figure of 8 pattern, warm tone, and a flat frequency response.

Peluso 22 47 Tube

Josephson C42MP FET

Earthworks TC30 Condenser

Neumann TLM 193

AKG C414 B-ULS Condenser

One of the most used condenser microphones in the world, coupling a 1-inch dual-diaphragm with Ultra Linear Series electronics to provide an extremely smooth frequency response.

Mojave MA-301 LDC Tube

Mojave MA-201 LDC

Oktava MK-012

Rode NT-2A

Sennheiser MD 409 U3

Sennheiser MD 421-U-5

Extremely versatile, robust legendary cardioid microphone. Easy handling due to pronounced directivity. Clear sound reproduction. For most recording conditions and broadcasting applications. Five-position bass control.

Sennheiser MD 441

The MD 441 U is a microphone of exceptional quality: its acoustic properties come as close as possible to those of a condenser microphone. Accurate signal response and low distortion are ensured, even with the highest sound pressure levels.

Sennheiser e 609

Sennheiser e 604

Shure Beta 98 D/S

Shure SM58

The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.

Shure Beta 57A

The 57a is a dynamic mic with a simple and rugged construction that can handle very high sound pressure levels.

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Shure Beta 58A

The Beta 58A dynamic vocal microphone is precision-engineered for live performance and project studio recording. A tailored frequency response accentuates vocals, and the supercardioid pattern isolates from other sound sources.

Shure Beta 52A

Optimized for low-frequency bass punch and high-power SPL handling, the Beta 52A's supercardioid design provides maximum isolation from other onstage sounds.

Beyerdynamic M 201 TG

Rode NT-5

Shure SM7B

The SM7B is a selectable frequency response cardioid microphone that delivers warm and smooth audio reproduction in close-proximity studio and vocal applications, while shielding from electromagnetic hum.

Shure SM91

AKG D 112

Klark Teknik DN50 Spring Reverb

Roland R-880 Digital Reverb

Roland RE-201 Space Echo

Over the years, Roland has created a significant number of products that have gone on to become legendary. One of the earliest examples is the Roland RE-201 Space Echo, a combination tape echo and reverb introduced in 1974. While Roland didn’t invent the tape echo itself, they took a fragile and often unreliable technology and turned it into something robust and roadworthy and the RE-201 immediately became the touring and recording studio standard in portable tape echo.

Yamaha SPX90 Multi Effects Processor

The Yamaha SPX90 is a digital multi-effects processor that has been a staple of many recording studios over the years. The effects it includes are distortion, flange, tremolo and delay. These effects can be used singularly or they can be mixed and matched together.

TC Electronic M300 Multi-Effect Processor

Fender Spring Reverb

Wem Watkins Copicat Tape Echo

Little Labs STD Instrument Extender/Line Driver

BSS Audio DI Box

Little Labs PCP Instrument Distro 3.0 Instrument Splitter/DI/Re-amper

Palmer PDI-01 Passive DI Box

Radial Phazer Phase Alignment

Universal Audio All UAD-2 Plug-ins

Fab Filter Plug Ins

Waves

Oeksound Soothe 2

Sound Toys Native Bundle AAX Plugins

Lexicon Native

Gforce M-Tron Pro

BBE 442 Sonic Maximiser

Thermionic Culture Vulture Super 15 Stereo Valve Distortion

Various Guitar Pedals

Gretsch vintage 1950's

WFL 1958 Drum Kit

Rogers Big R Vintage Drum Kit

Rogers vintage kit

Various Snares

Various

Ampeg B-1 Pre/Amplifier

Fender Princeton Reverb

Ampeg SVT 410HE

Ampeg SVT 115HE Speaker Cabinet

Acoustic 370 Amplifier

Danelectro Nifty Fifty Amplifier

Fender Twin Reverb Silverface

Fender Super Reverb 4x10

Fender Vibrolux 2x10

Fender Hot Rod Deville

Marshall 6100LM Amplifier Head

Marshall 1960 4x12

Marshall Artiste 2x12

Mesa Boogie Powerhouse 4x10 & 1x15

Orange OR 120 Head

Selmer Treble 'N' Bass

Petrof Upright Piano

Yamaha C3 Grand Piano

Hammond RT3

Hammond L122F Organ

Fender Rhodes 73 Mark I Suitcase

Dave Smith Instruments Mopho X4