Clouds Hill Recordings

Neve 8068 MKII

Studer A820 2" 24 Track Tape Recorder

Telefunken M15A 1/4" 2 Track Tape Recorder

Apogee DA-16X DA Converter

Apple Mac Pro

Avid HD I/O 16x16 Analog

Experience better audio fidelity, wider dynamic range, and low jitter thanks to sophisticated A/D and D/A conversion, and get the lowest possible latency when recording even the largest sessions.

Avid Pro Tools HDX 32/48

Lavry Gold AD122-96 MKII AD Converter

ATC SCM50ASL Pro Loudspeakers

Auratone 5C Super Sound Cube Passive Monitors

Made famous in the 70s and the 80s, the Auratone is the original super cube, used in nearly every commercial recording facility the world over for real world referencing. They’re now making quite the comeback.

Crane Song Avocet Monitor Controller

A high-end, versatile, industry standard monitor controller.

Pinguin Metering System

ProAc Studio 100 Loudspeakers

Few compact loudspeakers offer such a clean uncoloured performance and remarkable transparency. With virtually flat frequency response and negligible distortion, the Studio 100 is one of the most accomplished compact performers on the market today.

Yamaha NS10M Monitors

A prominent mid range and incredibly focused sound monitoring system.

Mytek Private Q Multi Channel Cue System

API 525 Discrete Compressor

DBX 166 Compressor/Limiter

Most compressor/gates provide less than musical compression, coupled with gating that swallows transients—or closes early, cutting off decay and reverb tails. The superb engineering in the 166 ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts.

DBX 164 Stereo Compressor/Limiter

Drawmer DL221 Dual Compressor/Limiter

Drawmer DS201 Dual Noise Gate

The DS201 is a sophisticated dual channel noise gate incorporating a number of features pioneered by Drawmer, which are invaluable to the sound engineer, and not found on conventional noise gates. Its features and its "user friendliness" have made it the "industry standard" throughout the world.

Empirical Labs EL8 Distressor Compressor/Limiter

The EL-8 compressor can emulate the warm vintage sound we all love. It also adds excitement and life to any mix with it's digitally controlled analogue circuitry.

Empirical Labs EL8-X Distressor with "British Mode" Compressor/Limiter

There are few studios in the world that haven’t had some form of Empirical Labs’ Distressor sat in their racks at some point. Miloco alone have distressors of varying generations in Livingston, The Bridge, The Square, The Engine Room and many more! The latest incarnation of EL’s flagship product is the Empirical Labs EL8 X Distressor. It features the 1:1 “British Mode” compression ratio as standard.

Fairchild 670 Compressor/Limiter

Focusrite ISA 130 Compressor

GML 8900 Compressor

The 8900 Dynamic Range Controller was intrinsically developed to react to loudness (rather than voltage) like our ears do. The 8900’s psycho-acoustic approach uses multiple true-RMS detectors, remarkably accurate log converters, and fast peak detectors to respond intelligently to real signal energy, not just electrical level. This innovative design employs unique controls like Crest Factor, Timing, and Release Hysteresis to precisely control the dynamic features of musical performances; one would ordinarily change out the entire unit to gain this flexibility.

Manley Variable Mu Stereo Compressor

The Variable Mu Limiter Compressor is the GLUE that holds the mix together while crystallizing it into a professional, final product. All-tube, all transformer, an all-American legend. High Pass Side Chain mod now comes standard.

Neve 33609 Limiter/Compressor

The instantly recognisable compression characterises of the Neve 33609 are that of very smooth and sumptuous compression sounds, that even at extreme settings is still able to maintain an excellent degree of transparency.

Neve Prism Rack Module

RCA BA-6A Limiter

This is a beautiful vintage RCA Limiter. A legendary all-tube vintage limiter from the manufacturer known for its legendary vintage ribbom mics, this RCA limiter is a real gem of a piece.

SPL Transient Designer 4 Channel

SSL XLogic Superanalogue XRack Channel Strip

Telefunken U17a Compressor/Limiter

Teletronix LA2A Leveling Amplifier

Universal Audio 1176 Blackface Compressor

The 1176LN Classic Limiting Amplifier is a modern reproduction, yet every effort was made to remain faithful to UA founder Bill Putnam Sr.’s visionary design and intentions. The original UA 1176LN was a major breakthrough in limiter technology — the first true peak limiter with all transistor circuitry offering superior performance with a signature sound — and set the standard for all limiters to follow.

Universal Audio 1176 Bluestripe Compressor

Universal Audio UA175B Vintage Compressor

Urei LA-3A Compressor

Released in 1969, the LA-3A marked the departure from the tube design of the LA‑2A, incorporating concepts from the UA's solid-state driven 1176LN Limiting Amplifier, while harnessing the LA‑2A's optical compression design.

API 550A Discrete 3 Band EQ

Few equalizers enjoy the respect and admiration of the coveted API 550A. Designed by the now-legendary Saul Walker in the late '60s, the discrete 550A was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality of the 550A, it quickly found its way into many custom console designs by Frank DeMedio and other leading engineers. Many of these consoles are still in use today.

API 560A Graphic EQ

Focusrite ISA 110 Mic Preamp/EQ

GML 8200 Parametric EQ

Little Labs Voice Of God Bass Resonance Processor

Maihak V41 Mic Preamp

Manley Massive Passive Stereo Tube EQ

Colossal, timbre-twisting passive equalization using metal-film resistors, film capacitors, and hand-wound inductors to organically sculpt the tone from subtle to vivid. Manley’s tube stages handle huge HF boosts without sibilance and unbelievable fatness without mud. “It’s like a Pultec on steroids.”

Pultec EQP-1A EQ

Pultec MEQ-5 EQ

Telefunken V72 Mic Pre-Amp

At the dawn of the 1960s, AEG-Telefunken was a major manufacturer of broadcast equipment, and their systems were found in radio stations around the globe. The venerable V72 and its relatives were an important part of these facilities: rugged, dependable, quality units that stayed in operation for decades, and are still highly valued today.

Telefunken V76 Mic Preamp

AKG BX15 Spring Reverb

AMS DMX 15-80S Digital Delay

Bricasti M7 Stereo Reverb Signal Processor

Dynacord VRS-23 Analog Delay

EMT 140 Plate Reverb

In 1957, German company EMT made a breakthrough in audio technology with the release of the EMT 140 plate reverb, which utilized a resonating metal plate to create ambience. Nothing is quite like the wonderfully lush and distinctive tone of plate reverb, which still endures as part of the fabric of modern music.

EMT 240 Gold Foil Reverb

Eventide H910 Harmonizer

Evol Fucifier Distortion Synthesizer

Great British Spring Reverb

Ibanez UE400 Multi-Effect Pedal

Ibanez UE405 Multi-effects

Lexicon 224 Digital Reverb

Lexicon 480L Digital Effects System

Usually seen sitting on top of the console in many studios, the 480L reverb was released in 1986. Lexicon are considered to be the pioneers of digital reverb, so you can expect some excellent sounds from this unit.

Lexicon PCM70 Digital Effects Processor

This digital effects unit has a range of reverbs & delays to suit any mix. This unit encourages you to tweak and explore the capabilities to get any desired sound.

Neve 1766 Stereo Width Control

Publison Infernal Machine IM90 Stereo Multi-Effect Processor

Roland SDD-320 Dimension D Vintage Chorus

Roland RE-201 Space Echo

Over the years, Roland has created a significant number of products that have gone on to become legendary. One of the earliest examples is the Roland RE-201 Space Echo, a combination tape echo and reverb introduced in 1974. While Roland didn’t invent the tape echo itself, they took a fragile and often unreliable technology and turned it into something robust and roadworthy and the RE-201 immediately became the touring and recording studio standard in portable tape echo.

Roland RE-501 Chorus Echo

The Roland RE-501 was the last tape effect that Roland produced as the introduction of digital delay and reverb was quickly replacing the older style tape effects. The RE-501 was built using Roland's free running tape system that minimized wow and flutter and extended the life of the tape for more than 300 hours of use.

Roland SDE-2000 Digital Delay

Wem Watkins Copicat Tape Echo

AKG C12 VR

AKG C24

AKG C414 B-XL II

AKG C451 B

AKG D 12 E

The D 12 E provides full, rich bass and ensures clean, undistorted reproduction at high sound levels. Its unique sound established the D 12 as the world’s standard microphone for bass drum and bass instrument Recording. With a frequency response extending down to 40 Hz, and a slight peak in the 60 to 120 Hz range, the microphone does full justice to instruments ranging from Kick drums to Trombones.

Audio Technica AT831b

Audio-Technica ATM41a

Beyerdynamic M 160 N(C)

Beyerdynamic M 88

Beyerdynamic M 130 N

DPA 4006

DPA 4011

DPA 4012

DPA 4091

DPA 9041

Electro-Voice DO-56

Electro-Voice RE20

A firm favourite among broadcasters and sound engineers alike, the RE20 is a dynamic cardioid microphone with variable-D design, a heavy-duty internal pop filter, and an internal element shock-mount which reduces vibration-induced noise.

Gefell MV692 with UM70 capsule

Grundig GDM-316

Josephson e22S

Microtech Gefell M94

Microtech Gefell MV692

Neumann CMV-563

The Kondensator-Mikrofon CMV 563 is a tube condenser bottle microphone manufactured by the division of the Georg Neumann company in Gefell, East Germany, which has since been renamed Microtech Gefell. The mic was made from 1956-1971, then reintroduced in 2011.

Neumann KM 184

The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.

Neumann KM 254

Neumann KM 256

Neumann M49c

Neumann TLM 103

Neumann TLM 170

Neumann TLM 193

Neumann U 67 Tube

The Neumann U 67 is a multipattern large-diaphragm condenser microphone with a tube-and-transformer topology. It was introduced by Neumann in 1960 with the intention of replacing the U 47 in Neumann’s product line.

Neumann U 87

The Neumann U87 features 3 switchable polar patterns and has a -10dB pad. A very popular microphone.

Neumann UM 57 Tube

Philips NG1219

RCA 44-BX Ribbon

Royer R-121 Ribbon

Unlike classic ribbon mics, the R-121 withstands close proximity to cranked up electric guitars and drums, whilst sharing similarities such as the figure of 8 pattern, warm tone, and a flat frequency response.

Royer R-122V Ribbon

Sennheiser MD 214

Sennheiser MD 403

Sennheiser MD 409 U3

Sennheiser MD 421

Sennheiser MD 441

The MD 441 U is a microphone of exceptional quality: its acoustic properties come as close as possible to those of a condenser microphone. Accurate signal response and low distortion are ensured, even with the highest sound pressure levels.

Sennheiser MD 21-U

Shure Beta 52A

Optimized for low-frequency bass punch and high-power SPL handling, the Beta 52A's supercardioid design provides maximum isolation from other onstage sounds.

Shure Beta 91A

Shure PG81

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Shure SM58

The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.

Shure SM7B

The SM7B is a selectable frequency response cardioid microphone that delivers warm and smooth audio reproduction in close-proximity studio and vocal applications, while shielding from electromagnetic hum.

t.bone RB 500

Telefunken D9A

Telefunken M260

Telefunken U47 AE

Uher M534

Unitra MDU24

Aria RE-101 Super Sustainer

Audible Disease Junk-Fi Sampler

Blackout Effectors Fix'd Fuzz Deluxe

Boss Loop Station RC-2

Chase Bliss Audio Warped Vinyl Analog Vibrato/Chrous

Clouds Hill Recordings Floppy Disk Delay Echo

Copilot FX Antenna

Copilot FX Orbit

Copilot FX The Andriod Modulator

DOD 270 a-b Box

Danelectro HoneyTone

Death By Audio Echo Dream

Death By Audio Ghost Delay

Death By Audio Octave Clang

Devi Ever 90

Diamond Pedals BCP-1 Bass Comp

Diamond Pedals TRM-1 Tremolo

DigiTech JamMan

Dwarf Craft Devices Power Struggle

EarthQuaker Devices Bit Commander

EarthQuaker Devices Disaster Transport Delay Modulation Machine

EarthQuaker Devices Disaster Transport Modulated Delay Machine

EarthQuaker Devices Hummingbird

EarthQuaker Devices Hummingbird Repeat Percussions

Effector 13 Clipping Boost

Effector 13 Disaster Fuss Plus

Effector 13 Hymn Strangle Synth Mangler

Effector 13 Truly Beautiful Disaster

Effector 13 Vintage Fuzz Master Plus

El Nano Holy Grail

Electro-Harmonix Deluxe Memory Boy

Empress Superdelay

FXDoctor 8-Bit Fuzz

Fairfield Circuitry AD 195

Fairfield Circuitry CMP 140

Fairfield Circuitry FU 344

Fairfield Circuitry FZ 012

Fairfield Circuitry OD 069

Fairfield Circuitry Pedal

Fairfield Circuitry RM 038

Flame Midi-Talking-Synth

Freakshow Effekts Maharishi

Fulltone Musical Products Echopad

George Dennis GD30 Wah-Wah

Ibanez Bass Tube Screamer TS9B

Ibanez Session Man SS10

Industrial Timer Corporation Time-O-Lite Master M-49

Koma Elektronik BD 101 Analog Gate / Delay

Koma Elektronik FT 201 Analog Filter / 10 Step Sequencer

Lastgasp Art Laboratories Angelring

Lastgasp Art Laboratories Super Oscillo Fuzz

Lastgasp Art Laboratories Thunder Box

Lehle Dual

Lehle Little Lehle Looper Switcher

MXR Graphic Equalizer

Mid-Fi Electronics Envelope

Mid-Fi Electronics Glitch Computer

Mid-Fi Electronics Peace Gun

Mid-Fi Electronics Pitch Pirate

Mid-Fi Electronics Psych Byke

Mid-Fi Electronics Random Number Generator

Mu-Tron Micro V

Ohnoho Utter Stutter

Pigtronix Keymaster

Power Voice PH-01 Phaser

Rainger FX Air Traffic Controller

Rainger FX Dr Freakenstein Fuzz

Recovery Effects Bad Comrade

Red Panda particle

Soundhouse Arbiter Treble Booster

Soundwork Real Drive

T.I.P. 3rd Hand

TC Electronic MojoMojo Overdrive

TC Helicon Voice Tone Synth

TC Helicon Voicetone H1

Vox Super Phase Phaser

Van Amps Sole Mate Analog Spring

Xotic Effects Robotalk

Yamaha LI-01 Limiter

TC Electronic Hall Of Fame

zvex Ringtone

zvex Watt Probe

AAT Auto Tune 6

AAT Microphone Modeler

Avid Amp Farm 3

Avid BF Fairchild Bundle v4

Avid BF Moogerfooger Bundle v4

Avid BF Voce Bundle v4

Avid Bomb Factory BF-3A

Avid Cosmonaut Voice

Avid Fairchild 670

Avid Focusrite d2/d3

Avid HEAT

Avid JOEMEEK SC2 Compressor

Avid JOEMEEK VC5 Meequalizer

Avid Line 6 Echo Farm

Avid Maxim

Avid SansAmp PSA-1

Avid SoundReplacer

Celemony Melodyne

Softube Acoustic Feedback

Softube Spring Reverb

Softube Tube Delay

Synchro Arts VocALign Pro

TC Electronics TC MASTER X3 HD

UAD 610-B Tube Preamp & EQ Unison Channel Strip

UAD CS-1 Channel Strip

UAD EMT 250

UAD EP-34 Tape Echo

UAD FATSO Jr./Sr. Tape Sim. and Compressor

UAD Fairchild

UAD Moog Multimode Filter

UAD Precision Enhancer

UAD Pultec EQP-1A

UAD Pultec Pro

UAD RealVerb-Pro

UAD Roland RE-201

UAD Teleronics LA-2A Classic Leveler Collection

UAD UA 1176LN

UAD UA 1176SE

Waves AudioTrack Software Audio Processor

Waves C1 Parametric Compander

Waves C4 MultiBand Compressor

Waves Center Stereo Enhancer

Waves DeEsser

Waves Doppler

Waves Doubler

Waves Enigma Modulation Effects

Waves H-Comp Hybrid Compressor

Waves H-Delay Hybrid Delay

Waves IR-L Parametric Convolution Reverb

Waves L1 Ultramaximizer

Waves L2 Ultramaximizer

Waves L3 Multimaximizer

Waves L3 Ultramaximizer

Waves L3LL Multimaximizer

Waves L3LL Ultramaximizer

Waves Linear Phase Equalizer Broadband

Waves Linear Phase MultiBand

Waves MV2 Dynamics Processor

Waves MaxxBass

Waves MaxxVolume

Waves MetaFlanger

Waves MondoMod

Waves Morphoder

Waves PAZ Psychoacoustic Analyzer

Waves PS22 Stereo Maker

Waves PuigTec EQP-1A Program EQ

Waves PuigTec MEQ-5 Midrange EQ

Waves Q-Clone EQ Modelling

Waves Q10 Paragraphic EQ

Waves Renaissance Axx

Waves Renaissance Bass

Waves Renaissance Channel

Waves Renaissance Compressor

Waves Renaissance DeEsser

Waves Renaissance Equalizer

Waves Renaissance Reverb

Waves Renaissance Vox

Waves S1 Stereo Imager

Waves SoundShifter

Waves SuperTap 6-Tap

Waves TransX MultiBand Transient Shaper

Waves TrueVerb

Waves Tune LT Vocal Pitch Correction

Waves UltraPitch

Waves V-Comp

Waves X-Click

Waves X-Crackle

Waves X-Hum

Waves X-Noise

Waves Z-Noise