EastWest Studios

SSL 4064G+

Avid HD I/O 16x16 Analog

Experience better audio fidelity, wider dynamic range, and low jitter thanks to sophisticated A/D and D/A conversion, and get the lowest possible latency when recording even the largest sessions.

Avid HDX

Avid Pro Tools 10

Avid Pro Tools 11

Ampex ATR-102 Tape Recorder

Bring your work into world of analog with this 2 track tape machine. Perfect for adding warmth and harmonics.

Ampex ATR-102 Tape Recorder

Bring your work into world of analog with this 2 track tape machine. Perfect for adding warmth and harmonics.

Studer A827 Tape Recorder

ATC SCM150ASL Pro Loudspeakers

ATC SCM25A Pro Loudspeakers

Custom Augsperger Main Monitors

Dynaudio BM 15A Near/Midfield Monitors

The Dynaudio BM15A monitors are a compact and accurate full range system with very tight and controlled response.

ProAc Studio 100 Loudspeakers

Few compact loudspeakers offer such a clean uncoloured performance and remarkable transparency. With virtually flat frequency response and negligible distortion, the Studio 100 is one of the most accomplished compact performers on the market today.

Yamaha NS10M Monitors

A prominent mid range and incredibly focused sound monitoring system.

API 550A Discrete 3 Band EQ

Few equalizers enjoy the respect and admiration of the coveted API 550A. Designed by the now-legendary Saul Walker in the late '60s, the discrete 550A was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality of the 550A, it quickly found its way into many custom console designs by Frank DeMedio and other leading engineers. Many of these consoles are still in use today.

API 550B Discrete 4 Band EQ

Based on API's original 550 from the late '60s, the API 550b is a continuation of the EQ that played a major role in the history of music recording, but with an additional filter band and several new frequencies. Incorporating API's exclusive circuitry and proprietary components (such as the legendary API 2520 Op Amp), the 550b artfully blends the past with the present.

API 560 Graphic EQ

Originally conceived for use in API consoles of the ’60s and ’70s, the API 560 is a unique device designed to accomplish tasks that no other EQ can. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560 remains unmatched.

GML 8200 Parametric EQ

GT Vipre

Lang PEQ-2 EQ

Manley Massive Passive Stereo Tube EQ

Colossal, timbre-twisting passive equalization using metal-film resistors, film capacitors, and hand-wound inductors to organically sculpt the tone from subtle to vivid. Manley’s tube stages handle huge HF boosts without sibilance and unbelievable fatness without mud. “It’s like a Pultec on steroids.”

Neve 31105

Pultec EQP-1A3 EQ

Sontec MES-430C EQ

Summit Audio EQP-200B Dual Tube EQ

ADR Compex F760X-RS Compressor/Limiter

API 525 Discrete Compressor

Altec RS124 Compressor

Avalon AD2044 Opto-Compressor

Chandler Limited TG1 Stereo Compressor

DBX 160 Compressor/Limiter

Empirical Labs EL8 Distressor Compressor/Limiter

The EL-8 compressor can emulate the warm vintage sound we all love. It also adds excitement and life to any mix with it's digitally controlled analogue circuitry.

Fairchild 670 Compressor/Limiter

Kush Audio UBK Fatso

Manley Variable Mu Stereo Compressor

The Variable Mu Limiter Compressor is the GLUE that holds the mix together while crystallizing it into a professional, final product. All-tube, all transformer, an all-American legend. High Pass Side Chain mod now comes standard.

Neve 33609 Limiter/Compressor

The instantly recognisable compression characterises of the Neve 33609 are that of very smooth and sumptuous compression sounds, that even at extreme settings is still able to maintain an excellent degree of transparency.

SPL Transient Designer 4 Channel

Teletronix LA2A Leveling Amplifier

Tube-Tech CL 1B Opto Compressor

Urei 1176 LN

AMS RMX16 Digital Reverb

The AMS RMX16 was the world's first microprocessor-controlled, full-bandwidth, digital reverberator. Heard on hundreds — if not thousands — of seminal recordings from the 1980s onward, the RMX16 is still found in nearly every major recording studio the world over.

EMT 140 Plate Reverb

In 1957, German company EMT made a breakthrough in audio technology with the release of the EMT 140 plate reverb, which utilized a resonating metal plate to create ambience. Nothing is quite like the wonderfully lush and distinctive tone of plate reverb, which still endures as part of the fabric of modern music.

EMT 252 Reverb

Echo Chamber Acoustic Space

Lexicon 480L Digital Effects System

Usually seen sitting on top of the console in many studios, the 480L reverb was released in 1986. Lexicon are considered to be the pioneers of digital reverb, so you can expect some excellent sounds from this unit.

Eventide Eclipse

Eventide H3000 Ultra-Harmonizer

The Eventide H3000 Ultra-Harmonizer is a family of products based around a multi-purpose programmable, digital audio signal processor. The Eventide H3000 is fully MIDI controllable, with click less, real-time MIDI control. This amazing device has all these effects, and more, at your finger tips.

Lexicon PCM 42 Digital Delay Processor

TC Electronic D-Two Multitap Rhythm Delay

Microphones are shared between studios and need to be booked in advance

AEA A440

AKG C12

AKG C12A Tube

AKG C24

AKG C414

AKG C451 E

Boasting a low noise level with life-long sta­bility, the C-451 E is a newly developed condenser microphone using audio frequency circuitry with Field Effect Tran­sistors.

AKG C452 EB

AKG C61

AKG D 112

AKG D 12 E

The D 12 E provides full, rich bass and ensures clean, undistorted reproduction at high sound levels. Its unique sound established the D 12 as the world’s standard microphone for bass drum and bass instrument Recording. With a frequency response extending down to 40 Hz, and a slight peak in the 60 to 120 Hz range, the microphone does full justice to instruments ranging from Kick drums to Trombones.

AKG D 19

The D19 was a cardioid dynamic microphone manufactured by AKG in the 1960s. It is famous today for its use at Abbey Road studios during numerous Beatles recording sessions, most notably as a drum overhead mic for Ringo Starr.

AKG D 202

AKG TD 19 C

Bruel & Kjaer 2669

Coles 4038

The Coles 4038 Studio Ribbon Microphone is a British Broadcasting (BBC) design favourite for broadcasting and recording applications. It is used where a clear smooth wide range frequency response, absence of transient distortion and relatively high sensitivity is essential.

Electrovoice RE 20

A firm favourite among broadcasters and sound engineers alike, the RE20 is a dynamic cardioid microphone with variable-D design, a heavy-duty internal pop filter, and an internal element shock-mount which reduces vibration-induced noise.

Neumann KM 254

Neumann KM 54a

Neumann KM 56 Valve

Neumann KM 83

Neumann KM 84

Neumann M 149 Tube

Neumann M 249

Neumann M 50

Neumann U 47 FET

An essential contributor to sound recordings of the 1960s and 1970s this microphone decisively affected the spatial dimension of the sound and the tonal depth of countless productions.

Neumann U 47 Valve

The Neumann U47 - one of the most famous vocal microphones since the late 40's. With a clear and pronounced high end this mic is favoured for vocals.

Neumann U 67 Tube

The Neumann U 67 is a multipattern large-diaphragm condenser microphone with a tube-and-transformer topology. It was introduced by Neumann in 1960 with the intention of replacing the U 47 in Neumann’s product line.

Neumann U 87

The Neumann U87 features 3 switchable polar patterns and has a -10dB pad. A very popular microphone.

Nordic SE 520

RCA 77-DX Ribbon

RCA BK5A

RCA R44 Ribbon

Royer R-121 Ribbon

Unlike classic ribbon mics, the R-121 withstands close proximity to cranked up electric guitars and drums, whilst sharing similarities such as the figure of 8 pattern, warm tone, and a flat frequency response.

Royer SF-12 Ribbon

Sennheiser MD 421

Sennheiser MD 441

The MD 441 U is a microphone of exceptional quality: its acoustic properties come as close as possible to those of a condenser microphone. Accurate signal response and low distortion are ensured, even with the highest sound pressure levels.

Sennheiser MKH 405

Sennheiser MKH 800

Shure Beta 181

Shure Beta 52A

Optimized for low-frequency bass punch and high-power SPL handling, the Beta 52A's supercardioid design provides maximum isolation from other onstage sounds.

Shure KSM313 Ribbon

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Shure SM58

The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.

Shure SM7B

Shure SM81

Shure Super 55

Sony C-500

Sony C 55 P

Sony C-37A Valve Microphone

Telefunken CMV 51

Telefunken ELA M 251

Yamaha NS10 Subkick

Avid Pro Tools 10

Avid Pro Tools 11

Antares Auto-Tune 5

Antares Auto-Tune 6

Antares Auto-Tune 8

Celemony Melodyne Plugin

Eastwest 15th Anniversary Collection

Eastwest Fab Four

Eastwest Ghostwriter

Eastwest Goliath

Eastwest Gypsy

Eastwest Hollywood Brass

Eastwest Hollywood Orchestral Woodwinds

Eastwest Hollywood Strings

Eastwest Ministry of Rock

Eastwest Ministry of Rock 2

Eastwest Pianos Platinum

Eastwest QL-Spaces

Eastwest RA

Eastwest Silk

Eastwest Stormdrum 2

Eastwest Stormdrum 3

Eastwest Symphonic Choirs

Eastwest Symphonic Orchestra Platinum

Eastwest The Dark Side

Eastwest Voices of Passion

Synchro Arts VocALign

UAD API 550A EQ

UAD API 560 EQ

UAD API Vision Channel Strip

UAD Ampex ATR-102

UAD Brainworx bx_digital V2 EQ

UAD Brainworx bx_saturator V2

UAD Cambridge EQ

UAD Cooper Time Cube

UAD DBX 160

UAD DM-1 Delay Modulator

UAD DreamVerb

UAD EL7 Fatso Jr

UAD EMT 140

UAD EMT 250

UAD ENGL E646 VS

UAD ENGL EE765 RT

UAD EP-34 Tape Echo

UAD EX-1 EQ/Compressor

UAD Fairchild Tube Limiter Collection

UAD Harrison 32C

UAD Helios Type 69

UAD LA3A

UAD Little Labs Phase Adjuster

UAD Little Labs VOG

UAD MXR Flanger/Doubler

UAD Massive Passive EQ

UAD Millennia NSEQ-2

UAD Moog Filter

UAD Neve 1073 EQ

UAD Neve 1081 EQ

UAD Neve 1081SE EQ

UAD Neve 31102 EQ

UAD Neve 33609 Compressor

UAD Neve 33609SE Compressor

UAD Neve 88RS Channel Strip

UAD Ocean Way Studios

UAD Precision Bus Compressor

UAD Precision De-esser

UAD Precision Enhancer

UAD Precision Equalizer

UAD Precision K-Stereo

UAD Precision Limiter

UAD Precision Maximiser

UAD Precision Multiband

UAD Pultec EQP-1A

UAD Pultec HLF-3C

UAD Pultec MEQ-5

UAD Pultec Pro

UAD RS-1 Reflection Engine

UAD RealVerb-Pro

UAD Roland Dimension D

UAD Roland RE-201

UAD SSL 4000 E/G Series Channel Strip

UAD SSL G Series Bus Compressor

Legend for making mixes bigger, more powerful, and punchy, all the while enhancing cohesion and clarity.

UAD Shadow Hills Mastering Compressor

UAD Softube Bass Amp Room

UAD Softube Metal Amp Room

UAD Softube Vintage Amp Room

UAD Teleronics LA-2A Classic Leveler Collection

UAD Trident A-Range EQ

UAD UA 1176 Rev A

UAD UA 1176 Rev E

UAD UA 1176AE

UAD UA 1176LN

UAD UA 1176SE

UAD bx_tuner