Providing a seamless connectivity to any USB-enabled DAW, computer or iPad, the Antelope Orion32 HD AD/DA Converter allows 192 kHz I/O streaming of 32-channel digital audio via USB
The MTR 90 Mk2 was the recording industry standard in Europe and over 2000 machines were sold. It is solid, reliable, and an easy to set up two-inch tape machine.
The Variable Mu Limiter Compressor is the GLUE that holds the mix together while crystallizing it into a professional, final product. All-tube, all transformer, an all-American legend. High Pass Side Chain mod now comes standard.
The specs for the 2001-era M 201 N(C) give a sensitivity rating higher than the currently shipping model — 2 mV/Pa rather than today’s version at 1.2 mV/Pa.Useful for snare drum, freak high-SPL situations where you still need good midrange clarity. If the SM57 were a microphone, it would sound like this.
The Coles 4038 Studio Ribbon Microphone is a British Broadcasting (BBC) design favourite for broadcasting and recording applications. It is used where a clear smooth wide range frequency response, absence of transient distortion and relatively high sensitivity is essential.
A firm favourite among broadcasters and sound engineers alike, the RE20 is a dynamic cardioid microphone with variable-D design, a heavy-duty internal pop filter, and an internal element shock-mount which reduces vibration-induced noise.
The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.
The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.
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