Lightship 95

Control Room: 6.5m x 5m x 2.6m (height). Daylight.

Live Room: 10m x 6m x 3.2m (height). Daylight.

Calrec S2

Genelec 8050 Studio Monitors

Universal Audio 1176 Compressor

Orban 424A Compressor/Limiter

Neve 1073 DPA Mic Preamp

The big, punchy sound of the 1073 compliments any musical genre, from rock to pop, hip-hop to rap, thrash to classical. Its lush sound with classic Neve signature makes it the consummate mic pre for recording vocals, guitars, and acoustic instruments of all descriptions.

Focusrite Compounder Stereo Compressor/Gate

API 3124 4 Channel Mic Preamp

Focusrite ISA 828 Mic Preamp

Amek Medici Stereo EQ

TC Electronic 2240 Parametric EQ/Preamp

Roland RE-101 Space Echo

Electro Harmonix Graphic Fuzz Effects Pedal

Eventide H949 Harmonizer

WEM Copicat Varispeed Tape Echo

Coles 4038

The Coles 4038 Studio Ribbon Microphone is a British Broadcasting (BBC) design favourite for broadcasting and recording applications. It is used where a clear smooth wide range frequency response, absence of transient distortion and relatively high sensitivity is essential.

Neumann U 87

Neumann TLM 170

Neumann KM 184

The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.

Manley Reference Valve Microphone

Josephson C42

RCA 44-BX Ribbon

Grampian GR2/M

Shure SM7B

Shure KSM8 Dynamic

Shure KSM 32

Coles 4104 vintage

Electrovoice RE 20

A firm favourite among broadcasters and sound engineers alike, the RE20 is a dynamic cardioid microphone with variable-D design, a heavy-duty internal pop filter, and an internal element shock-mount which reduces vibration-induced noise.

Sennheiser MD 421 Mk1

Sennheiser e 906

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Beyer Dynamic TGX-50

AKG C451

Beyerdynamic M 201

The specs for the 2001-era M 201 N(C) give a sensitivity rating higher than the currently shipping model — 2 mV/Pa rather than today’s version at 1.2 mV/Pa.
Useful for snare drum, freak high-SPL situations where you still need good midrange clarity. If the SM57 were a microphone, it would sound like this.

AKG C451 B

AKG C451 EB

Electro-Voice 666

Audio-Technica AT4033

Audio-Technica ATM250

Earthworks TC20 MP

Earthworks TC30 Condenser

Oktava MK-319

Oktava MK-219

Sennheiser MD 441

Shure Beta 57A

STC 4119

Calrec Soundfield Mk IV

Antelope Orion32 AD/DA Converter

Providing a seamless connectivity to any USB-enabled DAW, computer or iPad, the Antelope Orion32 HD AD/DA Converter allows 192 kHz I/O streaming of 32-channel digital audio via USB

Apple Mac Mini

Avid Pro Tools 2021

Apple OS X 10.14 Yosemite

(Subject to Availability - please check prior to session)

Fender Jazz Bass

Fender Twin Reverb

Fender Champ

Fender Vibrolux Silverface

Silvertone

WEM Dominator 25

Fender Bassman 100T Head

Ampeg SVT Classic

Ampeg 8x10 Cabinet

Broadwood Upright Piano

Ludwig Ludwig Gold Sparkle (1968, 12", 16", 20")

Hammond M102

Leslie 147 Speaker Cabinet

Wurlitzer

Cowbell

Maracas

Shakers

Woodblock

Miscellaneous percussion and instruments

Roland SH-201

Tambourine

Pro Co Rat Distortion

Electro Harmonix Bass micro synth Filter pedal

Electro Harmonix Big Muff Russian

Electro Harmonix Big Muff Vintage

Electro Harmonix Micro Synthesizer

Eventide H9 Stompbox Pedal

Korg Kaoss Pad

Boss OD-2 Overdrive

Digitech TimeBender Delay

Fab Filter Plug Ins

UAD - Universal Audio

Sound Toys Native Bundle AAX Plugins

Valhalla Vintage Verb

Kush Audio Plugin Suite Plugins

Otari MTR 90 MkII 2" 24 Track Tape Recorder

The MTR 90 Mk2 was the recording industry standard in Europe and over 2000 machines were sold. It is solid, reliable, and an easy to set up two-inch tape machine.

Radial Re-amp Box