Music Lan Studios

Control Room: 9m x 7m x 4m (60 m sq). Designed by Joan Trayter Malirach

Main Room: 18m x 6m x 7m (100m sq)

Room B: 6m x 4m x 3m (25m sq)

Dry Booth: 3m x 2m x 2m (6m sq)

SSL 4056 E/G+

Neve 8036

Digidesign ICON D-Control

PreSonus FaderPort

Analog

Sony APR-24 Tape Recorder

Otari MTR 12 2 Track 1/4" Machine

Otari MTR-12 professional 2 channel Tape Recorder with center track time-code. The MTR-12's quiet and natural sound speaks well for its excellent technical specifications, and that the machine as a whole is logically laid out and easy to use - so you can con­centrate on what's really important.

Digital

Digital Audio Denmark AX-24 AD/DA Converter

Prism Sound ADA-8XR AD/DA Converter

Apogee PSX-100 AD/DA Converter

Apogee Big Ben Master Clock

iZ Radar II 24 Track Digital Recorder

Avid Pro Tools HD3 Accel

Apple Mac Pro 2x 2.8GHz Quad-Core

Avid HD Accel Card (PCIe)

Avid HD Core Card (PCIe)

Avid MIDI I/O

Avid Sync I/O

Avid Sync HD I/O Interface

A must have for large scale media productions, the Pro Tools Sync HD has the ability to run projects up to 192 kHZ with a low jitter master clock.

Avid 192 I/O

Avid Pro Tools 9

Dynaudio M2 Passive Three Way Midfield Monitors

Dynaudio Abes II Active Subwoofer

Yamaha NS10M Monitors

A prominent mid range and incredibly focused sound monitoring system.

Dynaudio 5.1 Surround Monitors

Bryston 4B ST Power Amp

Genelec 1031A Studio Monitors

Genelecs 1031A are a classic near field reference monitor system. These compact monitors boast impressively accurate imagery.

Hafler Transnova 9505 Power Amp

Cue System-Headphones

Furman HDS-16 Personal Mixer

Sony MDR-V700 Headphones

AKG K271 Closed-Back Over-Ear Studio Headphones

AKG K141 Semi-Open On-Ear Studio Headphones

Beyerdynamic DT100 Studio Headset

The DT 100 series is used throughout the world for audio recording and monitoring in studios, news gathering, film and TV production and live events. The headphones are exceptionally comfortable with a soft headband and ear pads. A high level of ambient noise attenuation is achieved with the closed design of the ear cups.

Sennheiser HD433 Headphones

API 550B Discrete 4 Band EQ

Based on API's original 550 from the late '60s, the API 550b is a continuation of the EQ that played a major role in the history of music recording, but with an additional filter band and several new frequencies. Incorporating API's exclusive circuitry and proprietary components (such as the legendary API 2520 Op Amp), the 550b artfully blends the past with the present.

API 512B Mic Preamp

Avalon VT-737SP Mic Preamp/Compressor/EQ Channel Strip

The VT-737SP has three input selections: 1. The VT-737SP features a higher-performance microphone input transformer with +48v phantom selection. 2. Instrument DI high source input with jack located on front panel. 3. Balanced line input, discrete high-level Class A. The Class A preamplifier utilizes two cascaded, dual vacuum tube triodes configured with minimum negative feedback. A high gain switch boosts the overall gain of the preamplifier. The four high quality tubes are configured as singled ended anode coupled followers. A passive-variable high pass filter and hard-wire relay bypass completes the input signal conditioning. The phase reverse relay is available on all three inputs.

Electrix Filter Factory Analogue Filter

Joe Meek VC1Q Channel Strip Mic Preamp

Manley Vox Box Mic Preamp

Millenia HDV-3 Mic Preamp

Millennia STT-1 Mic Preamp/EQ/Dynamics

Neve 1081 Mic Preamp/EQ

Pultec EQP-1A EQ

Rupert Neve Pure Path Mic Preamp/Compressor

TL Audio N1 EQ

Universal Audio 6176 Vintage Channel Strip

Amek 9098 Channel Strip

DBX 160 Compressor/Limiter

DBX 165 Compressor/Limiter

Empirical Labs EL8 Distressor Compressor/Limiter

The EL-8 compressor can emulate the warm vintage sound we all love. It also adds excitement and life to any mix with it's digitally controlled analogue circuitry.

Neve 2254/A Vintage Compressor

Neve 33609/J Stereo Compressor/Limiter

SPL Transient Designer 2 Channel

The Transient Designer 2 offers a completely new technology for level-independent shaping of the dynamic response of a sound. For the first time it is possible to control the attack and sustain of a signal in a very simple way.

Urei 1176 Silverface

Urei LA-4 Silverface Compressor

Lexicon 480L Digital Effects System

Usually seen sitting on top of the console in many studios, the 480L reverb was released in 1986. Lexicon are considered to be the pioneers of digital reverb, so you can expect some excellent sounds from this unit.

Lexicon 960L 8 Channel Reverb

Lexicon PCM91 Digital Effects Processor

TC Electronic System 6000 Reverb

Yamaha REV7 Digital Reverb

Eventide H3000 Ultra-Harmonizer

The Eventide H3000 Ultra-Harmonizer is a family of products based around a multi-purpose programmable, digital audio signal processor. The Eventide H3000 is fully MIDI controllable, with click less, real-time MIDI control. This amazing device has all these effects, and more, at your finger tips.

Eventide Orville Harmonizer Special Effects Processor

The Eventide Orville is a programmable, multichannel, multipurpose, dual digital signal processor (DSP), 24 bit digital audio signal processor with UltraShifter capability. The variety and depth of the programs that run on the DSPs are truly amazing, from lush reverbs, to choruses, to flanges, to delays, to pitch shifters, to dynamics, to EQs, to filters, to distortions, to synthesizers, to samplers, to ring modulators, and everything in-between.

Lexicon PCM 41 Digital Delay Processor

Line 6 Echo Pro Delay

Line 6 Filter Pro

SPL Vitalizer Harmonic Processor

Sony DPS-D7 Digital Delay

Studio Technologies AN-2 Stereo Simulator

TC Electronic 2290 Dynamic Digital Delay

TC Electronic D-Two Multitap Rhythm Delay

TC Electronic FireworX Multi Effects Processor

AKG C12 VR

AKG C414 B-TL II

AKG C460 B

AKG D 112

AKG Solidtube Valve

Audio-Technica AT4033

Blue Bottle Valve Microphone

DPA 4006

Electro-Voice RE20

A firm favourite among broadcasters and sound engineers alike, the RE20 is a dynamic cardioid microphone with variable-D design, a heavy-duty internal pop filter, and an internal element shock-mount which reduces vibration-induced noise.

Neumann KMS 105

Neumann M 147 Tube

Neumann M 149 Tube

Neumann TLM 103

Neumann U 87

The Neumann U87 features 3 switchable polar patterns and has a -10dB pad. A very popular microphone.

Rode NT-2A

Sennheiser Blackfire 541

Sennheiser MD 421

Sennheiser e 609

Shure 520DX Green Bullet

Shure Beta 52A

Shure Beta 57A

The 57a is a dynamic mic with a simple and rugged construction that can handle very high sound pressure levels.

Shure Beta 91A

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Shure SM58

The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.

Telefunken M80

Yamaha NS10 Subkick

Access Virus KB

Korg O1/W(FD)

Korg Triton

Korg Wavestation SR

Moog Minimoog

Since its introduction forty years ago, musicians have used the Minimoog, the world’s first portable synthesizer to express their creative muse in live performance and recordings. The Voyager is the definitive American synthesizer, a lovingly hand-crafted, monophonic, monotimbral high performance instrument with enormous sonic range and possibilities.

Oberheim Matrix-1000

Roland Juno-106

The Roland Juno-106 is an analogue polyphonic synth released by Roland Corporation in February 1984. It features Digitally controlled oscillators (DCOs) for tuning stability and digital envelope generation along with analog filters and signal path.

Yamaha DX-7 Electric Piano

Yamaha DX-7 II Electric Piano

Yamaha Disklavier C3 Acoustic Piano

Ampeg V2

Orange OR 80

Vox AC30

Fender '59 Bassman

Fender Twin Reverb Silverface

Marshall JCM800

Marshall 1960AV 4x12"

Marshall JMP

The 4-input, non-master volume metal panel Marshall's from the 70's are fantastic amps. The model numbers 2204 (50 watt) and 2203 (100 watt) remained the same through the late 70's master volume JMP's and the early vertical input JCM800's. All these amps have more in common than differences and all are fantastic amps for rock!

Ampeg 4x12 Cabinet

Fender Jazz Bass

Gibson Les Paul Standard

Fender Telecaster

Fender Stratocaster

Martin Acoustic

Takamine EF-508C Acoustic Guitar

Takamine EN-30C Acoustic Guitar

Paiste 2002 Cymbal

Pearl Masters Kit: Birch 12'', 16'' & 22" Kick

Pearl Superhoop Steel Shell 14" Snare Drum