Otari MTR-12 professional 2 channel Tape Recorder with center track time-code. The MTR-12's quiet and natural sound speaks well for its excellent technical specifications, and that the machine as a whole is logically laid out and easy to use - so you can concentrate on what's really important.
A must have for large scale media productions, the Pro Tools Sync HD has the ability to run projects up to 192 kHZ with a low jitter master clock.
A prominent mid range and incredibly focused sound monitoring system.
Genelecs 1031A are a classic near field reference monitor system. These compact monitors boast impressively accurate imagery.
The DT 100 series is used throughout the world for audio recording and monitoring in studios, news gathering, film and TV production and live events. The headphones are exceptionally comfortable with a soft headband and ear pads. A high level of ambient noise attenuation is achieved with the closed design of the ear cups.
Based on API's original 550 from the late '60s, the API 550b is a continuation of the EQ that played a major role in the history of music recording, but with an additional filter band and several new frequencies. Incorporating API's exclusive circuitry and proprietary components (such as the legendary API 2520 Op Amp), the 550b artfully blends the past with the present.
The VT-737SP has three input selections: 1. The VT-737SP features a higher-performance microphone input transformer with +48v phantom selection. 2. Instrument DI high source input with jack located on front panel. 3. Balanced line input, discrete high-level Class A. The Class A preamplifier utilizes two cascaded, dual vacuum tube triodes configured with minimum negative feedback. A high gain switch boosts the overall gain of the preamplifier. The four high quality tubes are configured as singled ended anode coupled followers. A passive-variable high pass filter and hard-wire relay bypass completes the input signal conditioning. The phase reverse relay is available on all three inputs.
The EL-8 compressor can emulate the warm vintage sound we all love. It also adds excitement and life to any mix with it's digitally controlled analogue circuitry.
The Transient Designer 2 offers a completely new technology for level-independent shaping of the dynamic response of a sound. For the first time it is possible to control the attack and sustain of a signal in a very simple way.
Usually seen sitting on top of the console in many studios, the 480L reverb was released in 1986. Lexicon are considered to be the pioneers of digital reverb, so you can expect some excellent sounds from this unit.
The Eventide H3000 Ultra-Harmonizer is a family of products based around a multi-purpose programmable, digital audio signal processor. The Eventide H3000 is fully MIDI controllable, with click less, real-time MIDI control. This amazing device has all these effects, and more, at your ﬁnger tips.
The Eventide Orville is a programmable, multichannel, multipurpose, dual digital signal processor (DSP), 24 bit digital audio signal processor with UltraShifter capability. The variety and depth of the programs that run on the DSPs are truly amazing, from lush reverbs, to choruses, to flanges, to delays, to pitch shifters, to dynamics, to EQs, to filters, to distortions, to synthesizers, to samplers, to ring modulators, and everything in-between.
A firm favourite among broadcasters and sound engineers alike, the RE20 is a dynamic cardioid microphone with variable-D design, a heavy-duty internal pop filter, and an internal element shock-mount which reduces vibration-induced noise.
The Neumann U87 features 3 switchable polar patterns and has a -10dB pad. A very popular microphone.
The 57a is a dynamic mic with a simple and rugged construction that can handle very high sound pressure levels.
The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.
The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.
Since its introduction forty years ago, musicians have used the Minimoog, the world’s first portable synthesizer to express their creative muse in live performance and recordings. The Voyager is the definitive American synthesizer, a lovingly hand-crafted, monophonic, monotimbral high performance instrument with enormous sonic range and possibilities.
The Roland Juno-106 is an analogue polyphonic synth released by Roland Corporation in February 1984. It features Digitally controlled oscillators (DCOs) for tuning stability and digital envelope generation along with analog filters and signal path.
The 4-input, non-master volume metal panel Marshall's from the 70's are fantastic amps. The model numbers 2204 (50 watt) and 2203 (100 watt) remained the same through the late 70's master volume JMP's and the early vertical input JCM800's. All these amps have more in common than differences and all are fantastic amps for rock!
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