Powerplay Studios

Ampex 350 Tube Mic Preamp

AEA RPQ 2 RPQ 2

API 3124+ 4 Channel Mic Preamp

The API 3124+ is a high quality, compact, 4-channel mic preamp. It is equipped with the RE-115 K mic input transformer and the proprietary API output transformer found in the 512c single mic pre and throughout the API product line. The unit has an internal 48-volt phantom power supply, which is switchable for each channel, as well as -20dB pad switches that affect both the mic and Hi-Z instrument inputs, both located on the front panel.

BAE 1073 Mic Preamp

Burl B1D Mic Preamp

Chandler Limited Germanium Mic Preamp/DI

Electrodyne 501 Mic Preamp

Great River MP-2NV Mic Preamp

Heritage Audio 1073/500 Mic Preamp

Shure M67

Studer D19 Valve Mic Preamp

Telefunken V72 Mic Pre-Amp

At the dawn of the 1960s, AEG-Telefunken was a major manufacturer of broadcast equipment, and their systems were found in radio stations around the globe. The venerable V72 and its relatives were an important part of these facilities: rugged, dependable, quality units that stayed in operation for decades, and are still highly valued today.

Tube-Tech MP 1A Mic Preamp/DI

Valley People Dyna Mic

API 2500 Stereo Compressor

Audio & Design F700 RS Compressor

Barth Dynaset Dynamics Processor

Chandler Limited Germanium Compressor

DBX 160X Compressor/Limiter

Empirical Labs EL8-X Distressor with "British Mode" Compressor/Limiter

There are few studios in the world that haven’t had some form of Empirical Labs’ Distressor sat in their racks at some point. Miloco alone have distressors of varying generations in Livingston, The Bridge, The Square, The Engine Room and many more! The latest incarnation of EL’s flagship product is the Empirical Labs EL8 X Distressor. It features the 1:1 “British Mode” compression ratio as standard.

Purple Audio MC77 Compressor/Limiter

Retro 176 Limiting Amplifier

Retro Sta-Level Tube Compressor

Standard Audio Level-OR Limiter

Summit Audio MPC-100A Preamp/Compressor

Tube-Tech CL 1A Tube Compressor

The CL 1A delivers a very musical and smooth compression, preserving the clarity of the source even at extreme settings, and this is where CL 1B really stands out compared to other compressors.
Furthermore, the operation is very intuitive, enabling you to achieve your goal achieve your goal quickly and easily.

Urei 1176LN

Urei 1178 Compressor

Urei LA-4A Compressor

Valley People Dyna-mite Compressor/Limiter

A secret weapon to some—a hidden treasure to the rest. Squash drums, get a snappy bassline, enhance track dynamics, duck, gate, key or de-ess. The Valley People Dyna-mite is a Swiss army knife limiter/expander design with unique character that inspires to new sounds.

API 560 Graphic EQ

Originally conceived for use in API consoles of the ’60s and ’70s, the API 560 is a unique device designed to accomplish tasks that no other EQ can. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560 remains unmatched.

API 550A

Tube-Tech PE 1B Program EQ

The PE Bis a passive, all-tube EQ, based on the classic PULTEC EQP 1A design and featuring a passive EQ section and a high quality op amp.
With the original Pultec out of production for decades and used examples demanding sky-high prices, the PE 1B is by far the easiest way to achieve this unique and coveted sound.

AMS DMX 15-80S Digital Delay

AMS RMX16 Digital Reverb

The AMS RMX16 was the world's first microprocessor-controlled, full-bandwidth, digital reverberator. Heard on hundreds — if not thousands — of seminal recordings from the 1980s onward, the RMX16 is still found in nearly every major recording studio the world over.

Aphex Aural Exciter

Modeled on one of only a few tube-powered units ever made, the Waves Aphex Aural Exciter delivers all the unique character of the rare original hardware unit, with all the advantages of software. It was even credited as a "session player" on best-selling albums by the likes of Jackson Browne, Linda Ronstadt and James Taylor, engineered by Val Garay, who worked closely with us on the development of the plugin.

EMT 140 Plate Reverb

In 1957, German company EMT made a breakthrough in audio technology with the release of the EMT 140 plate reverb, which utilized a resonating metal plate to create ambience. Nothing is quite like the wonderfully lush and distinctive tone of plate reverb, which still endures as part of the fabric of modern music.

EMT 240 Gold Foil Reverb

Eventide DSP4000 Harmonizer

Fulltone Tube Tape Echo

Lexicon 224X Digital Reverb

Lexicon PCM60 Digital Effects Processor

The Lexicon PCM 60 is a high performance digital reverb designed to be used with a wide range of instruments. It boasts a clean sound and a high quality reverb sound.

Orban Dual Reverberation 111B Spring Reverb

Roland RE-201 Space Echo

Over the years, Roland has created a significant number of products that have gone on to become legendary. One of the earliest examples is the Roland RE-201 Space Echo, a combination tape echo and reverb introduced in 1974. While Roland didn’t invent the tape echo itself, they took a fragile and often unreliable technology and turned it into something robust and roadworthy and the RE-201 immediately became the touring and recording studio standard in portable tape echo.

Roland SDD-320 Dimension D Vintage Chorus

Roland SDE-3000 Digital Delay

TC Electronic 2290 Dynamic Digital Delay

Yamaha REV7 Digital Reverb

Neumann U 47

Neumann U 47 fet

Neumann M 49

Neumann U 67

Neumann U 87

Neumann U 89

Neumann SM 69

Neumann KM 54a

Neumann KM 83

Neumann KM 84

Neumann KMS 85i

Neumann KMS 104

Neumann TLM 170

Wagner U 47w Tube

Wunder Audio U47 FET

AKG C24

AKG C414 EB

The second generation of the classic C414 - also armed with the CK-12 capsule; the C414 EB (Brass)

AKG C451 E

Boasting a low noise level with life-long sta­bility, the C-451 E is a newly developed condenser microphone using audio frequency circuitry with Field Effect Tran­sistors.

AKG C451 EB

Boasts an airy sound as well as a high overload limit, this handcrafted capsule and the low-noise preamp electronics ensure impressive results even under very harsh conditions.

AKG D 12

AKG's classic mic. It brings the full solid thud sound which was very popular with drummers in the 50's.

AKG D 112

AKG The Tube

AEA R44C Ribbon

AEA R88mk2 Ribbon

AEA R84 Ribbon

The R84 is a passive ribbon microphone that shares many of the unique sound characteristics with its historic predecessor, the R44. The result is a new microphone with a classic sound. The R84 produces rich and full low-mids, a smooth top end, and has a well-behaved bidirectional pickup pattern.

RCA 77-DX Ribbon

RCA BK5b Ribbon

Coles 4038 Ribbon

Royer R-121 Ribbon

Unlike classic ribbon mics, the R-121 withstands close proximity to cranked up electric guitars and drums, whilst sharing similarities such as the figure of 8 pattern, warm tone, and a flat frequency response.

Reslo Ribbon

Beyerdynamic M 201 TG

Beyerdynamic M 380

Beyerdynamic M 88 N

Beyerdynamic M 88 TG

Bruel & Kjaer 4006

Brüel & Kjaer APE WA

Crown 12 SP

Crown 3LVRB

Crown PCC 160

Crown PZM 31 S

Electro Voice 630

Electro-Voice DS35

The EV DS35 is a dynamic cardioid microphone great for vocal applications. The single D design emphasises the proximity effect when used close up.

Electrovoice RE 20

A firm favourite among broadcasters and sound engineers alike, the RE20 is a dynamic cardioid microphone with variable-D design, a heavy-duty internal pop filter, and an internal element shock-mount which reduces vibration-induced noise.

Heil PR 30

Runs virtually noise-free due to a hum bucking coil in addition to the shock-mounted large 1.5 low mass diaphragm. When working in close proximity to PC monitors in the studio or other electrical sources on stage, the PR 30 is the microphone to use for flawless operation on drums, guitar cabinets and vocals.

Ramsa Clip S5

Sennheiser e 604

Sennheiser e 906

Sennheiser MD 21

Sennheiser MD 409

Sennheiser MD 421

Sennheiser MD 421 U4

Sennheiser MD 441

Shure 55S Vintage

Shure Beta 52A

Shure Beta 87A

Shure SB 518

Shure SD 548

Shure SM7B

Shure SM7B

Shure SM54

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Shure SM58

The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.

Shure SM81

Shure SM82

Shure SM85

Sontronics Halo

Yamaha NS10 Subkick

A-Designs REDDI Tube DI Box

Radial JDV Active Super DI Box

Radial ProD2 Stereo DI Box

Radial SGI Studio Guitar Interface System

Sescom SM-1A DI Box

Susan Blue DI Box

System DI Box

Urei 315 Passive DI Box

Dynamount V1-R (microphone position remote)

Hammond B3 Organ w/Leslie speaker cabinet

Wurlitzer 200A

Fender Rhodes Mk I

Moog Minimoog Model D

Korg MS20

Roland Juno-60

Mellotron M4000D

Korg SV-1 88 electric piano

Yamaha DX 7

AKG MPK Mini

Nashguitars 1963 Relic

Fender Nocaster 1952 Relic, Custom Shop

Danocaster 63 Relic with Rocketfire PU

Gibson ES 175 with P90, original 1954

Gibson ES 345 Cherry Red, original 1972

Gibson Les Paul Goldtop with Duncan Antiquity PAF's

Gibson Les Paul Junior TV Yellow, original 1957

Gibson SG 1961 Vos, custom shop

Gibson J45, original 1949

Gibson Hummingbird, Sunburst, custom shop

Gretsch 6118 with TV Jones

Duesenberg Starplayer TV black

Silvertone Stratotone, original 1964

Silvertone "U2", original 1959

Danelectro 59DC

Harmony Meteor, original 1962

Harmony "Stella" Acoustic, original 1960

Framus Hollywood, original 1960

Gretsch Baritone

Rockinger Tele, custom built with duncan pickups

Rockinger Strat, custom built with lollar pickups

Dobro Roundneck, original 1936

Republic Dobro

Banjo 6 String

Hofner 500/3, original 1960

Fender JMJ Mustang Bass

Fender Precision Bass with lollar pickups

Aria Electric

Fender Bandmaster, blackface 1964 with 2x12 Cab

Fender Super Reverb, silverface

Fender Super Reverb, blackface 1966 original

Fender Twin Reverb, silverface

Fender Bassman 4x10 tweed, first reissue

Fender Bassman, blackface

Fender Princeton Reverb, blackface 1965 original

Fender Blues Junior

Fender Champ

Matchless Clubman 35 Head 4x10 Cab

Matchless DC30 Combo First Series

Marshall Super Bass with 4x12 Cab, 1968 original

Marshall Bluesbraker Combo 1965 original

Marshall JMP 2203

Vox AC30 St Head, 1963

Voc AC 30 CC2

Metro JTM 45 with 2x12 Warehouse Speakers

Bogner Ecstacy Head, 4x12 Cab

Diezel VH4S Blueface, very rare

Lazy J20 tweed

Silvertone 1482

London City 100 Head

Mesa Boogie MKII Combo

Marshall Red Vintage 4x12 Cab

Randall XL 4x12 Cab

Ampeg B-15, 1965 original

Ampeg V-4B

Ampeg Heritage, 8x10 Cab

Ibanez Lofi

Ibanez Smash Box

Ibanez TS9 (TS 808 Mod)

Tech 21 Bass Driver

Line 6 Helix

Line 6 MM 4

Line 6 DL 4

Cry Baby Wah

Vox Wah

RMC 3 Wah

Strymon Flint

Roger Mayer Vodoo Vibe

Trex Tremster

Trex Replica

Electro Harmonix Holy Grail Reverb

Electro Harmonix Pog 2

Electro Harmonix Memory Man

Electro Harmonix Big Muff Vintage

Electro Harmonix Big Muff Russian

Marshall Blues Breaker, Vintage

Boss DD 3 Delay

Boss CS 3 Comp

Boss Blues Driver

Timmy Overdrive

Blackout Effectors Fix D Fuzz Deluxe

Analog Man King Of Tone

Analog Man Sun Face Fuzz

Wampler Ego Comp

Wampler The Paisley

BJ Baby Pink

Way Huge Swollen Pickle

JHS Ryan Adams

Fulltone Tube Tape Echo

Fulltone OCD

Fulltone Fulldrive 2

Zvex Distortion

Zvex Fuzz Factory

Zvex Bor

Basic Audio Scarab Deluxe Fuzz

Gretsch Broadcaster, antique pearl (22/12/16)

Ludwig downbeat 1964, champagne sparkle (22/13/16)

Ludwig original 1967, champagne sparkle (22/13/16)

Ludwig ca. 1940, incl. Snare 14x6.5 (26/13/14)

Ludwig Questlove, breakbeat set, incl. Snare 14x4 (16/10/13)

Slingerland early 60's, black diamond (20/12/14)

WFL original 1947, black

Oyster incl. Snare (24/13/16)

DW Black Ice Finish, Late 80's (22/16/14/12/10)

GMS USA Custom (22/18/16/14/12/10/8)

Pearl 10x4 Maple Snare

Toy 10x6 Snare

Pearl 12x4 Maple Snare

Pearl 13x4 Mahogany Snare

Yamaha 13x6.5 Musashi Snare

Pearl 14x5.5 Brass Snare

Pearl 14x3.5 Free Floating Snare

Ludwig 14x4 Maple Snare

Old Ludwig 14x6.5 1940 Snare

Gretsch 14x6.5 Bellbrass Snare

Ludwig 14x5.5 Acrolite 1965

Ludwig 14x5.5 Acrolite 70's

Ludwig 14x6.5 Black Beauty

Slingerland 14x6.5 Radioking 1950

Pearl 14x5 Chrome Over Brass Snare

Sakae 14x5.5 Trilogy Snare

Sakae 14x8 Mahagony Snare

Yamaha 14x6 Anton Fig Snare

Pearl 14x6.5 All Maple

WFL 15x6.5 50s Snare

Cymbals from Paiste, Zildjian and Istanbul

Div. Persussion, Shaker, Tambourines from different brands

Roland TR-808 Drum Machine