Yellow Shark Recording Studio

Control Room - 18'x18'

Dry Room - 18'x10'

Soundtracs Jade-S

Apple iMac

Avid Pro Tools 10 HD

Avid Pro Tools 12 Ultimate

Avid Protools HD3 Accel

SSL HD I/O (48)

Source Elements Source-Connect

Studer A80 Tape Recorder

The Studer A80 is a legendary piece of two track recording and mastering hardware. With a distinct, warm tone tape machines are so known for, this is not to be missed.

Yamaha NS10 Monitors

ATC SCM200ASL Pro Loudspeakers

ATC SCM25 ASL

ATC SCM20ASL Pro Loudspeakers

Aviom Pro16 Headphone Monitoring System

Martin Logan SL3 Loudspeaker

AKG C451

AKG C12 VR Tube

AKG C414 ULS

AKG ME/2 Levalier

Beyerdynamic M 160 Ribbon Mic

Beyerdynamic MCE 93

Coles 4038

The Coles 4038 Studio Ribbon Microphone is a British Broadcasting (BBC) design favourite for broadcasting and recording applications. It is used where a clear smooth wide range frequency response, absence of transient distortion and relatively high sensitivity is essential.

Electro-Voice ND868

Electro-Voice RE20

A firm favourite among broadcasters and sound engineers alike, the RE20 is a dynamic cardioid microphone with variable-D design, a heavy-duty internal pop filter, and an internal element shock-mount which reduces vibration-induced noise.

Neumann KM 183

Neumann U 87 Ai

The U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic. Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.

Vintage M49

Optimus Boundary Microphone

Rode NT2

Sennheiser MD 421

Sennheiser e 845

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Shure Beta 57A

Shure SM58

The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.

Shure SM7B

Alan Smart C1 Stereo Compressor

Alesis Midiverb IV Digital Effects Processor

Antares ATR-1 Auto-Tune Intonation Processor

Aphex Aural Exciter

Modeled on one of only a few tube-powered units ever made, the Waves Aphex Aural Exciter delivers all the unique character of the rare original hardware unit, with all the advantages of software. It was even credited as a "session player" on best-selling albums by the likes of Jackson Browne, Linda Ronstadt and James Taylor, engineered by Val Garay, who worked closely with us on the development of the plugin.

BSS Opal DPR-422 Compressor/De-Esser

DBX 166A 2 Channel Compressor/Limiter

Drawmer 1960 2 Channel Mic Preamp/Compressor

Drawmer DS201 Dual Noise Gate

The DS201 is a sophisticated dual channel noise gate incorporating a number of features pioneered by Drawmer, which are invaluable to the sound engineer, and not found on conventional noise gates. Its features and its "user friendliness" have made it the "industry standard" throughout the world.

Empirical Labs Distressor

Focusrite Red 1 Mic Preamp

Focusrite Red 3 Dual Compressor

Dual compressor/limiter including a stereo link function with single control set operation and a side-chain function, all of which utilise the high quality VCA circuit design.

GML 8200 Parametric EQ

Lexicon 480L Digital Effects System

Usually seen sitting on top of the console in many studios, the 480L reverb was released in 1986. Lexicon are considered to be the pioneers of digital reverb, so you can expect some excellent sounds from this unit.

Lexicon MPX-1 Effects Processor

Lexicon MX300

Neve 1073 DPX

Neve 4081

TC Electronic M-One Dual Effects Processor

Thermionic Culture Phoenix Stereo Valve Compressor

Universal Audio 2-610 Mic Preamp

Urei 1176 LN Blackface

Yamaha SPX90 MKII Multi Effects Processor

The second version of the Yamaha SPX90 offers a digital FX unit from the 80's. It has real nice reverb sounds and has a clean digital sound, but creates good placement in every mix, when used the right way.

Fender Rhodes 76 MK1

Hammond A100 (B3) Organ With Leslie

Roland 76 Note Controller (Keyboard)

Wurlitzer EP 200a Electric Piano

Yamaha C5 Grand Piano

Yamaha S80

Beringer Deepmind 12 Polyphonic Synth

Korg MS 2000

Moog Mini Moog Voyager

Yamaha S80 Polyphonic Synth

Roland TR-08 Rhythm Composer

Korg SQ-64 Poly Sequencer

Fender Jazz Bass 'A Beauty'

Music Man StingRay

Gibson Les Paul US Traditional

Takamine Electro-Acoustic

US Fender Stratocaster "Standard"

Roland KC-600 Keyboard Amp

Celestion 100 Watt Combo

Fender 100 Watt Blues Deville

Hammond PR40 Tone Cabinet

Leslie 145 Twin Rotor Speaker

BSS AR-133 DI

Avalon U5 Ultra 5 Direct

Trace Elliot V-Type Bass Amp

Assorted Tamborines Pro

Various Pitches and Tunings

Cuban Maracas

Ghanaian Djembes

Large and Small sizes

Gretsch Catalina

18"x18" Bass Drum - 14"x5.5" Snare Woodshell - Pearl 14"x5.5" Steel Shell Snare - Vintage 14"x5.5" Greys Snare Woodshell - 12"x10" Gretsch Top TomTom - 14"x14" Gretsch Floor TomTom

LP Classic Bongos

LP Cowbell’s

Various

LP Shaker’s

Various

LP Tito Puente Timbala Drums

PP Meinl Conga and Quinto

Roland TD7 Drum Brain

Sabian Cymbals

14" SXL Hi Hats - 15" SXL Crash - 20" SXL Ride

Vibraslap

Zildijan Cymbals

14" Hi Hat Cymbals New Beat - 22" K Ride - 18" K Dark Crash - 15" Paper Thin Crash - 18" A Crash - 13" Z Hi Hats - 6" Splash - 8" Splash

Avid Stock Plugins

Melodyne 5

Waves Mercury

FabFilter FabFilters Total Bundle