Arda Recorders

Lucas CS-1 Condensor

Manley Cardioid Reference

Microtech Gefell UM92S

Neumann M 149

Neumann M 49

Soyuz Su 011

Soyuz Su 017

Wunder Audio CM7 Tube

AKG C 414 B-XLS

AKG C314

AKG C414 TLII

Josephson C715

Lewitt LCT 440

Lewitt LCT 540 S

Microtech Gefell MT 71S

Microtech Gefell M 930

Microtech Gefell UMT 70 S

Neumann TLM 103

Neumann TLM 170

Neumann U 47 FET

he U 47 fet is an essential contributor to the 1960s and 1970s. As a secret weapon for recording producers eager to experiment, it was not only a top microphone for soloists, but also decisively affected the spatial dimension of the sound and the tonal depth of countless productions.

Neumann U 87 Ai

The U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic. Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.

Neumann U 87 Ai

The U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic. Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.

Neumann U 87 i

Neumann U89 Ai

Sony C37-P

Soyuz Su 023 Condenser

AKG C 451 B

AKG C 535 EB

Audix ADX-51

DPA 4011

Josephson e22S

Lewitt MTP 940CM

Microtech Gefell M 300

Microtech Gefell MV692 M70

Neumann KM 184

The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.

Neumann KM 84i

The KM 84i is a small-diaphragm FET condenser with a fixed Cardioid pickup pattern. It was the world’s first phantom-powered microphone, built to run on 48v DC. Its design goal was to be as small as possible; the model name ‘KM’ stands for Kleine Mikrofon (“small microphone”). Although discontinued in 1992, the KM-84i remains a favorite of vintage mic enthusiasts for drum overheads and hi-hat applications.

Neumann KSM 84i

Schoeps CMC6/ MK21 (Matched Pair)

Shure Beta 91A

AEA KU5A

AEA R44CE

AEA R84 Ribbon

The R84 is a passive ribbon microphone that shares many of the unique sound characteristics with its historic predecessor, the R44. The result is a new microphone with a classic sound. The R84 produces rich and full low-mids, a smooth top end, and has a well-behaved bidirectional pickup pattern.

B&O BM5 Stereo

Beyerdynamic M 260

Coles 4038

The Coles 4038 Studio Ribbon Microphone is a British Broadcasting (BBC) design for broadcasting and recording applications. It is used where a clear smooth wide range frequency response, absence of transient distortion and relatively high sensitivity is essential. The 4038 is a proven performer, and is in use around the world by broadcasting networks such as the BBC as well as top engineers and studios on hit recordings.

Coles 4050 dual mono/stereo microphone

Melodium 42B Ribbon

RCA 74b

Royer R 121

Royer R-122 Ribbon

STC 4033A

AKG D 112

AKG D 12

AKG's classic mic. It brings the full solid thud sound which was very popular with drummers in the 50's.

AKG D 190 E

AKG D 190 ES

AKG D 224 E

Beyerdynamic M 201 N

The specs for the 2001-era M 201 N(C) give a sensitivity rating higher than the currently shipping model — 2 mV/Pa rather than today’s version at 1.2 mV/Pa.
Useful for snare drum, freak high-SPL situations where you still need good midrange clarity.

Electro Voice 611

Electro Voice M43/U

Electro Voice RE20

Granelli Labs/Shure SM57

Heil PR 30

The HEIL PR 30 microphone steps up the professional audio game by adding a hum bucking coil in addition to the shock-mounted large 1.5 low mass diaphragm to virtually run noise-free in most any situation. When working in close proximity to PC monitors in the studio, or near neon lights, or other electrical sources on stage, the PR 30 is the microphone to use for quiet, flawless operation on drums, guitar cabinets and vocals.

Heil Sound PR22

Lewitt DTP Beat Kit Pro 7

Lewitt MTP 840 CM

Placid Audio Copperphone

STC 4021 "Ball and Biscuit"

Senheiser MD 541

Senheiser MD441

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Shure SM58

The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.

Shure SM76

Shure SM7B

The SM7B is a selectable frequency response cardioid microphone that delivers warm and smooth audio reproduction in close-proximity studio and vocal applications, while shielding from electromagnetic hum.

Turner 33D

Several DIs and reamp boxes from A Designs Little Labs RND Radial DAV etc.