Art&Music Recording

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Art&Music Recording Floorplan

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Microphones

  • Microphones
    • The following microphones are shared between the studios

      The following microphones are shared between the studios

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    • AKG C 414 B-XL II (x2)

      AKG C 414 B-XL II

    • AKG C 451 B

      AKG C 451 B

    • AKG C XLS Stereo set

      AKG C XLS Stereo set

    • Earthworks PM 40 Piano mic

      Earthworks PM 40 Piano mic

    • Electrovoice RE 20

      Electrovoice RE 20

      A firm favourite among broadcasters and sound engineers alike, the RE20 is a dynamic cardioid microphone with variable-D design, a heavy-duty internal pop filter, and an internal element shock-mount which reduces vibration-induced noise.

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    • Neumann KM 184

      Neumann KM 184

      The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.

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    • Neumann M 149 Tube (x2)

      Neumann M 149 Tube

    • Neumann TLM 103

      Neumann TLM 103

    • Neumann U 87 Ai (x2)

      Neumann U 87 Ai

      The U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic. Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.

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    • Rode NT-1000 (x2)

      Rode NT-1000

    • Royer R-121 Ribbon (x2)

      Royer R-121 Ribbon

      Unlike classic ribbon mics, the R-121 withstands close proximity to cranked up electric guitars and drums, whilst sharing similarities such as the figure of 8 pattern, warm tone, and a flat frequency response.

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    • Schoeps CMC 3

      Schoeps CMC 3

    • Sennheiser MD 421 MK2 (x4)

      Sennheiser MD 421 MK2

    • Shure Beta 52A (x2)

      Shure Beta 52A

      Optimized for low-frequency bass punch and high-power SPL handling, the Beta 52A's supercardioid design provides maximum isolation from other onstage sounds.

    • Shure Beta 56A

      Shure Beta 56A

      The Beta 56A premium microphone that is ideally suited for the professional musician looking to mic up their snare and toms, either on stage or in the studio. It can also be used with other instruments such as guitar and bass amps, brass and a saxophone amongst others.

    • Shure Beta 91A

      Shure Beta 91A

    • Shure C606 (x10)

      Shure C606

    • Shure SM57 (x5)

      Shure SM57

      The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

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