Forward Studios

Control Room (80sm daylight)

Lounge Area (30sm Daylight)

Live Area 1 (85sm)

Live Area 2 (15sm)

Live Area 3 (8sm)

Live Area 4 (20sm)

Neve 88R

Yamaha NS10M Monitors

A prominent mid range and incredibly focused sound monitoring system.

Genelec 1036A Studio Monitors

Genelec 1031A Studio Monitors

Genelecs 1031A are a classic near field reference monitor system. These compact monitors boast impressively accurate imagery.

----- Also Available (On Request) -----

ADAM Audio S3A Active Studio Monitors

An excellent reference monitor in almost any space.

Auratone 5C Super Sound Cube Passive Monitors

Made famous in the 70s and the 80s, the Auratone is the original super cube, used in nearly every commercial recording facility the world over for real world referencing. They’re now making quite the comeback.

B&W CDM1 Monitors

JBL 4411 Monitors

ProAc Studio 100 Loudspeakers

Few compact loudspeakers offer such a clean uncoloured performance and remarkable transparency. With virtually flat frequency response and negligible distortion, the Studio 100 is one of the most accomplished compact performers on the market today.

Quested F11 Two Way Active Monitors

Quested VS2108 Active Monitors

Westlake BBSM4 Monitors

Westlake LC 6.75 Monitors

Bryston 3B Power Amp

Bryston 4B Power Amp

Crown DC-300 Power Amp

Anamod ATS1

Weiss DS 1 Compressor/Limiter/De-esser

DBX 160X Compressor/Limiter

DBX 165A Mono Compressor/Limiter

Empirical Labs EL8-X Distressor with "British Mode" Compressor/Limiter

There are few studios in the world that haven’t had some form of Empirical Labs’ Distressor sat in their racks at some point. Miloco alone have distressors of varying generations in Livingston, The Bridge, The Square, The Engine Room and many more! The latest incarnation of EL’s flagship product is the Empirical Labs EL8 X Distressor. It features the 1:1 “British Mode” compression ratio as standard.

Empirical Labs EL8 Distressor Compressor/Limiter

The EL-8 compressor can emulate the warm vintage sound we all love. It also adds excitement and life to any mix with it's digitally controlled analogue circuitry.

Empirical Labs Fatso Tape Simulator

A analog tape simulator and optimizer re-creating desirable characteristics of classic analog, class A and tube based devices as well as magnetic tape.

Neve 33609/J Stereo Compressor/Limiter

SPL Transient Designer 2 Channel

The Transient Designer 2 offers a completely new technology for level-independent shaping of the dynamic response of a sound. For the first time it is possible to control the attack and sustain of a signal in a very simple way.

Universal Audio 1176 BF

Urei 1178 Stereo Compressor/Limiter

Urei LA-4 Silverface Compressor

Audio Line AL-112 EQ

GML 8200 Parametric EQ

Meyer Sound CP-10 Parametric EQ

AKG BX20 Spring Reverb

Aphex Aural Exciter 204

DBX 120 Subharmonic Synthesizer

DBX FS900 Rack

EMT 240 Gold Foil Reverb

Eventide H3000 SE Ultra-Harmonizer

Eventide H4000 Ultra-Harmonizer

The Eventide 4000 series are multipurpose programmable digital audio signal processors with pitch change capability. They are considered by some to be the greatest in a line of pitch changing special effects units stretching back to before most audio manufacturers ever heard of digital. The 4000 is capable of creating effects you've never heard before, with built-in patch editor to let you create your own effects algorithms.

Lexicon 480L Digital Effects System

Usually seen sitting on top of the console in many studios, the 480L reverb was released in 1986. Lexicon are considered to be the pioneers of digital reverb, so you can expect some excellent sounds from this unit.

Lexicon PCM70 Digital Effects Processor

This digital effects unit has a range of reverbs & delays to suit any mix. This unit encourages you to tweak and explore the capabilities to get any desired sound.

MXR Flanger/Doubler

Roland SDE-3000 Digital Delay

SPL De-esser

Sony DPS-V77 Multi Effects Processor

TC Electronic 2290 Dynamic Digital Delay

Yamaha REV5 Digital Reverb

Yamaha SPX1000 Multi Effcets Processor

The SPX990 has 80 spectacular presets which includes natural reverbs, gates and delay & echoes. These all run through a clean and transparent system.

Yamaha SPX90 Multi Effects Processor

The Yamaha SPX90 is a digital multi-effects processor that has been a staple of many recording studios over the years. The effects it includes are distortion, flange, tremolo and delay. These effects can be used singularly or they can be mixed and matched together.

Yamaha SPX990 Multi Effects Processor

The SPX990 has 80 spectacular presets which includes natural reverbs, gates and delay & echoes. These all run through a clean and transparent system.

BSS Audio AR133 Active DI Box

Countryman Type 85 DI Box

Little Labs DI

Little Labs IBP Analog Phase Alignment Tool

Radial X-Amp Active Re-amp Box

Studer A820 1/2" 2 Track Tape Recorder

Studer A827 Tape Recorder Gold Edition

Endless Analogue CLASP Tape-Machine Interface

The Endless Analog CLASP 24 is a truly unique and revolutionary product, designed to revive old tape machines and bring them into the modern recording world, integrating them seamlessly with the most modern of digital recording platforms.

Tascam DA-78HR 8 Track 24 Bit DTRS Recorder

Alesis Masterlink Hard Disc Recorder

Sony CDR W66 CD Recorder

AKG C12 VR

AKG C414 B-TL II

AKG C414 B-ULS2

AKG C451 B

AKG C460 B

AKG D 112

AKG D 12

AKG's classic mic. It brings the full solid thud sound which was very popular with drummers in the 50's.

Audio-Technica AT4050

Beyerdynamic M 380

Beyerdynamic M 88

Blue Bottle Valve Microphone

Blue Bottle Valve Microphone

Blue Mouse

DPA 4006

Earthworks QTC 1

Electro-Voice RE20

A firm favourite among broadcasters and sound engineers alike, the RE20 is a dynamic cardioid microphone with variable-D design, a heavy-duty internal pop filter, and an internal element shock-mount which reduces vibration-induced noise.

Milab LSR 2000

Neumann KM 100

Neumann KM 184

The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.

Neumann M 149 Tube

Neumann SM 69 Tube

Neumann U 87 Ai

The U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic. Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.

Sanken CU-44X

Schoeps CMC 6

Sennheiser Blackfire 521

Sennheiser Blackfire 530

Sennheiser MD 421

Shure Beta 57A

The 57a is a dynamic mic with a simple and rugged construction that can handle very high sound pressure levels.

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Shure SM58

The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.

Sony MDR-7509 Headphones

Sony MDR-7506 Headphones

AKG K141 Semi-Open On-Ear Studio Headphones

AKG K271 Closed-Back Over-Ear Studio Headphones

Aviom A-16 Personal Mixer

The 16 Channel Aviom A-16 provides a host of professional features designed to make the system flexible in a variety of music and audio situations. With volume, EQ, solo, mute and recall features; the A-16 gives you the flexibility to perfect your headphone mix.

Sony MDR-7502 Headphones

Apple Mac Pro 2x 2.4GHz Quad-Core

Apple OSX 10.6.8

Apple 27" LED Cinema Display

Glyph GT 102 3-bay Firewire Receiver

Avid Pro Tools 10

Avid Pro Tools HD3 Accel

Avid Sync HD I/O Interface

A must have for large scale media productions, the Pro Tools Sync HD has the ability to run projects up to 192 kHZ with a low jitter master clock.

Apogee Big Ben Master Clock

Avid 192 I/O

Apogee PSX-100 Mastering Edition AD/DA Converter

eMagic Unitor 8 MIDI Interface

Extensive Choice Of The Most Important - Full List On Request

Genelec 1031A Studio Monitors

Genelecs 1031A are a classic near field reference monitor system. These compact monitors boast impressively accurate imagery.

Genelec 7071A Studio Subwoofer

Audient ASP 520 Bass Management Processor

Ampeg BA 115 HPT

Crate Vintage Club 30

Dreamaker SHG 35

Fender Twin Reverb

LR Baggs Reference Acoustic Guitar Amplifier

Marshall JCM2000 TSL 100

Vox AC30

Fatar Master Keyboard

Fender Rhodes 73 Mark II Stage Piano

Fender Rhodes 88 MK2 Suitcase

Hammond C3

Hohner Clavinet D6

Leslie 122 Speaker Cabinet

Roland A-90 Master Keyboard

Yamaha C7 Grand Piano

Crumar DS2 Vintage Synth

Moog Minimoog

Since its introduction forty years ago, musicians have used the Minimoog, the world’s first portable synthesizer to express their creative muse in live performance and recordings. The Voyager is the definitive American synthesizer, a lovingly hand-crafted, monophonic, monotimbral high performance instrument with enormous sonic range and possibilities.

Oberheim OB-12

Roland Juno-60

Roland Super JX

Sequential Circuits Prophet T8 8 Voice Poly-Synth

Alesis D4

Korg O1 / RW

Korg A1

Korg A3

Korg Wavestation SR

Kurzweil K2000R

Muse Receptor Loaded

Roland JV-2080

Voce V3

Yamaha TG 500

D&W Collector Exotic Finishes

Pearl Export Series Drum Kit

Drum Art Custom Series Padouk 14” x 7,5”

Ludwig Supraphonic Still Snare Drum 14"

Pearl EX Series 14"

Paiste Hi-Hat 14"

UFIP Cymbal 12"

UFIP Cymbal 14"

UFIP Cymbal 16"

UFIP Cymbal 17"

UFIP Cymbal 20"

Zildjian Crash Custom 14”

Zildjian Crash Custom 16”

Zildjian Crash Thin 15”

Zildjian Crash Thin 17”

Zildjian Cymbal 18" ZXT

Zildjian Hi-Hat Custom 14"

Zildjian Ride Custom 20"

Zildjian Ride Custom 22"

Zildjian Spash Custom 10"

Zildjian Spash Thin 10"

Auratone 5RC Super Road Cube Monitors

Tannoy Little Gold Monitors

Rare, vintage speakers; the Tannoy Little Golds are some of the most sought-after, transparent monitors around. You won't miss a thing when listening to these.

API 512B Mic Preamp

API 512C Mic Preamp

Neve 1081 Mic Preamp/EQ

Focusrite ISA 110 Mic Preamp/EQ

Focusrite ISA 130 Compressor

GML 8302 Mic Preamp

Tube-Tech MP 1A Mic Preamp/DI

ITI MEP 230 EQ

GML 9500 Mastering Stereo EQ

Klark Teknik DN780 Digital Reverb

The Klark-Teknik DN780 Digital Reverberator Processor is not simply a reverberation device. The DN780 gives the user a unique and flexible means of producing realistic acoustic simulations for environments of all types and sizes. The provision of effects programs further extends this versatility.

Kush Audio Clariphonic EQ

Dangerous Music BAX EQ

Lang PEQ-2 EQ

Manley Massive Passive Stereo Tube EQ

Colossal, timbre-twisting passive equalization using metal-film resistors, film capacitors, and hand-wound inductors to organically sculpt the tone from subtle to vivid. Manley’s tube stages handle huge HF boosts without sibilance and unbelievable fatness without mud. “It’s like a Pultec on steroids.”

Pultec EQP-1A EQ

Tube-Tech ME 1B Midrange EQ

Tube-Tech PE 1C Program EQ

API 2500 Stereo Compressor

BSS 901 Dynamic EQ

GML 8900 Compressor

The 8900 Dynamic Range Controller was intrinsically developed to react to loudness (rather than voltage) like our ears do. The 8900’s psycho-acoustic approach uses multiple true-RMS detectors, remarkably accurate log converters, and fast peak detectors to respond intelligently to real signal energy, not just electrical level. This innovative design employs unique controls like Crest Factor, Timing, and Release Hysteresis to precisely control the dynamic features of musical performances; one would ordinarily change out the entire unit to gain this flexibility.

Maselec MPL-2 Analogue Peak & HF Limiter

Pendulum PL-2 Limiter

API 550A Discrete 3 Band EQ

Few equalizers enjoy the respect and admiration of the coveted API 550A. Designed by the now-legendary Saul Walker in the late '60s, the discrete 550A was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality of the 550A, it quickly found its way into many custom console designs by Frank DeMedio and other leading engineers. Many of these consoles are still in use today.

Shadow Hills Mastering Compressor/Limiter

Summit Audio DCL-200

Thermionic Culture Phoenix Stereo Valve Compressor

Tube-Tech CL 1B Opto Compressor

Urei 1176 LN Blackface

Urei LA-4 Compressor

Vertigo VSC2 Compressor

AMS RMX16 Digital Reverb

The AMS RMX16 was the world's first microprocessor-controlled, full-bandwidth, digital reverberator. Heard on hundreds — if not thousands — of seminal recordings from the 1980s onward, the RMX16 is still found in nearly every major recording studio the world over.

DBX 902 De-esser

The dbx 902 de-esser was introduced in the early 80's. It was available as a module for the 900 series racks, which can be compared to the now more popular 500 series format.

Its ability to remove the harshness without degrading the overall tone made it very popular. It became a classic and most studios still have 902 de-essers in their racks today.

Mu-Tron Bi-Phase Phase Shifter

Publison DHM 89 B2 Stereo Digital Audio Computer

Roland RE-201 Space Echo

Over the years, Roland has created a significant number of products that have gone on to become legendary. One of the earliest examples is the Roland RE-201 Space Echo, a combination tape echo and reverb introduced in 1974. While Roland didn’t invent the tape echo itself, they took a fragile and often unreliable technology and turned it into something robust and roadworthy and the RE-201 immediately became the touring and recording studio standard in portable tape echo.

TC Electronic System 6000

Dangerous Music S+M

Vertigo VSM2

Klark Teknik DN60 Spectral Analyser

Antelope Isochrone 10M Rubidium Atomic Clock

The Antelope Isochone 10M is Antelope’s flagship atomic clock, capable of incredible feats of clocking reference.

The using an atomic clock, the Antelope Isochrone 10M is an unbelievably 100,000 times more accurate than clocks that use standard quartz oscillators.

Antelope Isochrone Trinity Master Clock

Forssell MADA-2 AD/DA Converter

An audiophile-grade digital to analogue converter. Capable or retaining the musicality and nuances of every performance, this piece of gear won't get in the way of your production.

Antelope Eclipse 384 AD/DA Converter

Apogee AD8000 AD Convertor

Benchmark ADC1/DAC1 Converters

Lavry 3000S Digital Optimizer

Prism Sound ADA-8XR AD/DA Converter

Lavry Gold AD122-96 MKII AD Converter

Neumann Gefell CMV 563 Tube

Neumann Gefell UM 57

Ampeg B-15 Portaflex