Guilford Sound

API Legacy

Neve Melborn

Avid Pro Tools 10

Avid Pro Tools HD3

Lavry Gold AD122-96 MkIII AD Converter

Used on many of today's top recordings, this piece of gear offers clear conversion between the analogue and digital realm.

Lavry DA924 DA Converter

Mytek 8X192 Series AD/DA 192kHz AD/DA Converter

Apple Mac Pro two 2.93Ghz quad core processors, 32GB RAM, and many TB of drive space

Avid Sync HD I/O Interface

A must have for large scale media productions, the Pro Tools Sync HD has the ability to run projects up to 192 kHZ with a low jitter master clock.

Antelope Isochrone OCX Audio Master Clock

Ampex ATR-100 Tape Recorder

High end multitrack tape recorder released in 1976.

Studer A80 Mk3 1/4" Tape Recorder

Studer A827 Tape Recorder Gold Edition

Yamaha NS10M Monitors

A prominent mid range and incredibly focused sound monitoring system.

ATC SCM150ASL Pro Loudspeakers

Griffin G1 In-Wall Monitors

Genelec 1029A Studio Monitors

Genelec 1031A Studio Monitors

Genelecs 1031A are a classic near field reference monitor system. These compact monitors boast impressively accurate imagery.

Mackie HR824 Studio Monitors

ProAc Studio 100 Loudspeakers

Few compact loudspeakers offer such a clean uncoloured performance and remarkable transparency. With virtually flat frequency response and negligible distortion, the Studio 100 is one of the most accomplished compact performers on the market today.

Westlake BBSM6 Monitors

Bryston 4B SST Power Amp

Mytek Private Q Multi Channel Cue System

Purple Audio Cans Headphone Amp

API 212L Mic Preamp

API 215L Discrete HP/LP Sweep Filter

API 512C Mic Preamp

API 550A Discrete 3 Band EQ

Few equalizers enjoy the respect and admiration of the coveted API 550A. Designed by the now-legendary Saul Walker in the late '60s, the discrete 550A was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality of the 550A, it quickly found its way into many custom console designs by Frank DeMedio and other leading engineers. Many of these consoles are still in use today.

API 550B Discrete 4 Band EQ

Based on API's original 550 from the late '60s, the API 550b is a continuation of the EQ that played a major role in the history of music recording, but with an additional filter band and several new frequencies. Incorporating API's exclusive circuitry and proprietary components (such as the legendary API 2520 Op Amp), the 550b artfully blends the past with the present.

API 550L EQ

API 560A Graphic EQ

API 560B Graphic EQ

Originally conceived for use in API consoles of the '60s and '70s, the 560B is a unique device designed to accomplish tasks that no other EQ can. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560B remains unmatched.

Calrec 101 Custom Racked Mic Preamp

Grace Design M501 Mic Preamp

Greg Hanks BA660 Mic Preamp

Manley Enhanced Pultec EQ

Millenia Media HV-32 Mic Preamp

Millennia NSEQ-2 Parametric EQ

Neve 1073 Vintage Original Mic Preamp

Neve 1086 Original Mic Preamp

Neve 31115 Mic Preamp

NonLinearAudio CurveOmatic Resonant Filter

NonLinearAudio Flexiguy Mic Preamp

Pultec EQH-2 EQ

Pultec EQP-1A EQ

Pultec MEQ-5 EQ

Purple Audio Biz Mic Preamp

Purple Audio Pants Mic Preamp

Purple Audio TAV EQ

Tab/Funkenwerk V78 Mic Preamp

Pendulum OCL-2 Compressor/Limiter

Pendulum ES8 Remote Cutoff Tube Limiter

ADR Compex F760X-RS Compressor/Limiter

API 225L Compressor

API 2500 Stereo Compressor

API 525 Discrete Compressor

DBX 160 Compressor/Limiter

Drawmer DS201 Dual Noise Gate

The DS201 is a sophisticated dual channel noise gate incorporating a number of features pioneered by Drawmer, which are invaluable to the sound engineer, and not found on conventional noise gates. Its features and its "user friendliness" have made it the "industry standard" throughout the world.

Empirical Labs EL8 Distressor Compressor/Limiter

The EL-8 compressor can emulate the warm vintage sound we all love. It also adds excitement and life to any mix with it's digitally controlled analogue circuitry.

Empirical Labs EL8-X Distressor with "British Mode" Compressor/Limiter

There are few studios in the world that haven’t had some form of Empirical Labs’ Distressor sat in their racks at some point. Miloco alone have distressors of varying generations in Livingston, The Bridge, The Square, The Engine Room and many more! The latest incarnation of EL’s flagship product is the Empirical Labs EL8 X Distressor. It features the 1:1 “British Mode” compression ratio as standard.

Manley Variable Mu Stereo Compressor

Neve 32264 Compressor

Neve 3314 Compressor

Neve 83065 Stereo Compressor/Limiter

Purple Audio Action 1176 Compressor

SSL XLogic G Series Bus Compressor

Summit Audio TLA-100A Tube Leveling Amplifier

Teletronix LA2A Leveling Amplifier

Urei 1176 Black Face Compressor

Urei 1176 Silverface

Urei LA-3A Compressor

Released in 1969, the LA-3A marked the departure from the tube design of the LA‑2A, incorporating concepts from the UA's solid-state driven 1176LN Limiting Amplifier, while harnessing the LA‑2A's optical compression design.

Fender '63 Tube Spring Reverb

AMS RMX16 Digital Reverb

The AMS RMX16 was the world's first microprocessor-controlled, full-bandwidth, digital reverberator. Heard on hundreds — if not thousands — of seminal recordings from the 1980s onward, the RMX16 is still found in nearly every major recording studio the world over.

Bricasti M7 Stereo Reverb Signal Processor

EMT 140 Stereo Plate Reverb

AMS DMX 15 Digital Delay

Eventide H3000 Ultra-Harmonizer

The Eventide H3000 Ultra-Harmonizer is a family of products based around a multi-purpose programmable, digital audio signal processor. The Eventide H3000 is fully MIDI controllable, with click less, real-time MIDI control. This amazing device has all these effects, and more, at your finger tips.

Lexicon PCM 42 Digital Delay Processor

Marshall AR300 Tape Eliminator

Moog 500 Series Analog Delay

Roland RE-201 Space Echo

Over the years, Roland has created a significant number of products that have gone on to become legendary. One of the earliest examples is the Roland RE-201 Space Echo, a combination tape echo and reverb introduced in 1974. While Roland didn’t invent the tape echo itself, they took a fragile and often unreliable technology and turned it into something robust and roadworthy and the RE-201 immediately became the touring and recording studio standard in portable tape echo.

TC Electronic 2290 Dynamic Digital Delay

TC Electronic M5000 Digital Audio Mainframe

AEA R44 Ribbon

AEA R84 Ribbon

The R84 is a passive ribbon microphone that shares many of the unique sound characteristics with its historic predecessor, the R44. The result is a new microphone with a classic sound. The R84 produces rich and full low-mids, a smooth top end, and has a well-behaved bidirectional pickup pattern.

AEA R88mk2 Ribbon

AKG C451

AKG C12B Nuvistor

AKG C24

AKG D 112

AKG/ Siemens C12

Beyerdynamic M 160 Ribbon

Beyerdynamic M 201

The specs for the 2001-era M 201 N(C) give a sensitivity rating higher than the currently shipping model — 2 mV/Pa rather than today’s version at 1.2 mV/Pa.
Useful for snare drum, freak high-SPL situations where you still need good midrange clarity. If the SM57 were a microphone, it would sound like this.

Beyerdynamic M 88

Beyerdynamic M 69

Bock 251

Bock 507

Coles 4038

The Coles 4038 Studio Ribbon Microphone is a British Broadcasting (BBC) design favourite for broadcasting and recording applications. It is used where a clear smooth wide range frequency response, absence of transient distortion and relatively high sensitivity is essential.

Crown PZM-30D

DPA 4006

DPA 4011

Josephson C42 SDC

Josephson E22

Lucas CS-1 Condensor

Lucas CS-4 Condensor

Microtech Gefell UM92

Microtech Geffell M930

Neumann Gefell CMV 563 Tube

Neumann KM 256

Neumann KM 53

Neumann KM 56 Valve

Neumann KM 64

Neumann M 269 Tube

Neumann M 49

Neumann U 67 Tube

The Neumann U 67 is a multipattern large-diaphragm condenser microphone with a tube-and-transformer topology. It was introduced by Neumann in 1960 with the intention of replacing the U 47 in Neumann’s product line.

Royer R 122 Active Ribbon

Royer SF-24 Ribbon

Schoeps CMC6 3 Omni and 4 Cardioid Capsules

Schoeps M221B

Sennheiser MD 421

Sennheiser MD 441

Sennheiser e 906

Shure Beta 52A

Optimized for low-frequency bass punch and high-power SPL handling, the Beta 52A's supercardioid design provides maximum isolation from other onstage sounds.

Shure Beta 91A

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Shure SM7B

The SM7B is a selectable frequency response cardioid microphone that delivers warm and smooth audio reproduction in close-proximity studio and vocal applications, while shielding from electromagnetic hum.

Telefunken ELA M 250

Telefunken U47 EF14

Telefunken U47 Tube

Wunder Audio CM7

Radial Re-amp Box

Radial SGI Studio Guitar Interface System

Radial J48 Phantom Powered Active DI Box

Radial JD6 6 Channel Rackmount DI

Radial JD7 Injector Signal Distribution Amplifier

Radial JDI Passive DI Box

Radial ReAmp

Radial SGI

Tech 21 SansAmp Bass Driver DI Preamp

Fender Rhodes Mk I

Hammond B3 Organ w/Leslie speaker cabinet

Nord Stage 2

Roland Juno-106

The Roland Juno-106 is an analogue polyphonic synth released by Roland Corporation in February 1984. It features Digitally controlled oscillators (DCOs) for tuning stability and digital envelope generation along with analog filters and signal path.

Wurlitzer 200A

Yamaha C7 Grand Piano

Danelectro Hodod Baritone

Fender Jaguar

Fender Jazz Bass

Fender Jazzmaster

Fender Precision Bass

Fender Telecaster Custom

Gibson Banner Acoustic

Gibson Les Paul Deluxe `71 Goldtop Mini Humbuckers

Gibson SG `68 P90s

Martin 1940s 0-18 Acoustic

Ampeg B-15S

Ampeg V4 with Reverb 4x12 Cabinet

Ampeg V4B

Fender Princeton 1964 White Knobs

Fender Super Six

Fender Twin Reverb Silverface with JBL D120s

Marshall JCM 800 Head

Orange Tiny Terror Hand Wired With Mercury Magnetics PT and OT

Traynor YBA1 Bass Master

Traynor YVM 1 Voice Master

Vox AC30 2000 Reissue

Vox Pathfinder 10 Combo

Electro Harmonix Bass micro synth Filter pedal

Electro Harmonix Black Finger

Electro Harmonix Electric Mistress

Electro Harmonix Memory Man

Electro Harmonix Small Stone Analog Phase Shifter

Fulltone Full-Drive 2 Overdrive

Fulltone OCD Obsessive Compulsive Drive

Line 6 MM4 Modulation Modeler

Line 6 DL4 Delay Modeler

DW Drum Kit 22" kick 10", 12", 14" 16" toms

Ludwig Chrome Supraphonic Snare

Slingerland 5 Piece White Tiger Pearl Drumset (20",12",13",14",16")

Yamaha Maple Custom Snare 14"x5"

Celemony Melodyne

FabFilter Volcano 2

McDSP Emerald Pack

Slate Digital Trigger

Universal Audio UAD 2 Satellite