Studio Le Roy

SSL 4000 E/G+, 48 channel (inline)

ATC (SCM 200 / SCM 100 / HTS40 / JBL 18”) (7.2.4 Dolby Atmos)

Yamaha NS10

Genelec 1031A

Auratone 5C

ProTools HDX Ultimate 96 in/out

Prism DREAM ADA 32/32

Avid Matrix Studio

AVID HD i/o 16x16

Avid 192 I/O

Lynx Aurora 16 I/O

Focusrite Rednet. 16 ch. Dante-ADDA

Maya MAO

RME DMC 842

Retrosonic R8XL301

12ch Raindirk custom built

Summit Audio TPA-200A Dual Channel Mic Preamp

Manley VoxBox

Groove Tubes SuPre

Groove Tubes Vipre Mic Preamp

DBX 786

Focusrite ISA 215 Dual Channel Mic Preamp

Millenia HV3D MMA4

Telefunken/Siemens/TAB V-series (V72, V72a, V76,V78)

Prism Maselec MMA4

Prism Maselec MLA-2 Mastering Compressor

Valley People 800 Series

Apex Dominator1x BSS DPR 402

Neve 8051M

Orban 424A Compressor/Limiter

DBX 165 Compressor/Limiter

DBX 162 Stereo Compressor/Limiter

DBX 160SL Stereo Compressor/Limiter

Urei LA4

Urei 1176 Compressor

Urei 1178 Compressor

Gates SA39B Tube Limiter

Tube-Tech LCA 2B Stereo Compressor

SSL XL logic 5.1

Focusrite Blue 230 Dual Compressor/Limiter

Manley Elop

Manley Varimu

Trident SLC

Groove Tubes The Glory valve compressor

Tube-Tech SMC 2A

Audio Developments AD065

DBX 900 Series

Urei Platform series

UAD Manley Massive Passive

Focusrite Blue 315 Mk2

Polygram Custom Built 2 Channel Parametric EQ

White 4650 28 Band EQ

Urei 546 Parametric EQ

Neumann PEV EQ

Orban 622B Parametric EQ

A vintage EQ unit, the Orban 622B Parametric EQ has two channels and 4 bands of EQ. Each band has a useful in/out switch. It is a beautifully colourful EQ, great on certain sources!

Orban 642/642B EQ

Orban 674A Paragraphic EQ

Orban 290RX Adaptive Enhancement Processor

Summit Audio Dual Program EQ

AMEK PM01

Calrec QF2925

TC Electronic 2240 Parametric EQ/Preamp

BSS DPR 901 mk2

Dolby 740 Spectral Processor

AKG BX5 Spring Reverb

AKG BX20 Spring Reverb

EMT 248 Reverb

EMT 140 Plate Reverb

In 1957, German company EMT made a breakthrough in audio technology with the release of the EMT 140 plate reverb, which utilized a resonating metal plate to create ambience. Nothing is quite like the wonderfully lush and distinctive tone of plate reverb, which still endures as part of the fabric of modern music.

Lexicon PCM60

TC Electronic System 6000

Lexicon 300 Digital Effects System

Lexicon 480L Reverb

Eventide H3000 SE

Lexicon PCM 41 Delay

Eventide FL201 Instant Flanger

Deltalab JR 1050 Digital Delay/Echo/Double Flange

Neumann TLM (170, 1272)

Dynachord (CLS 222, TAM21)

Ensoniq DP4

TC ( 1210, 2290)

Roland ( DimD SDD320, sde 3000/1000)

Yamaha SPX90

Deltalab (DL5 and DL1)

Ibanez SDR 1000+ Stereo Digital Reverb

Mackie VLZ 16ch. personal mixing system (custom built)

Behringer Powerplay 16ch.

Beyerdynamic (DT 100, DT 150, DT 102, DT 250 etc. etc.)

Realistic PZM

Electro Voice RE20

Shure (SM57, SM58, SM7B)

Oostendorp Ribbons MK2

Coles 4038

The Coles 4038 Studio Ribbon Microphone is a British Broadcasting (BBC) design favourite for broadcasting and recording applications. It is used where a clear smooth wide range frequency response, absence of transient distortion and relatively high sensitivity is essential.

Beyer MD 201

Sennheiser (MKH 416/816, MD 441/421/21U, MKE 40)

AMS/Sounfield MK4

AMS/Calrec ST 250

Sanken CU-41

Beyer MD500

DPA (4061, 4060, 4066)

Sanken cu-44

BK (4012, 40003, 4006(

Schoeps CMC 6

Schoeps BLM 03 C boundary microphone

Neumann Solitude

Neumann KM 86

Neumann KMS (84i, 85i, 105)

Neumann KLM100d

Neumann M 149

Neumann KMS (84i, 85i, 105)

Neumann U 67

Neumann SM 69 fet

Neumann U 87

The Neumann U87 features 3 switchable polar patterns and has a -10dB pad. A very popular microphone.

AKG (C422, 414 ULS, 414EB, C28c, 451, 535, D12)

Neumann U 47 FET

An essential contributor to sound recordings of the 1960s and 1970s this microphone decisively affected the spatial dimension of the sound and the tonal depth of countless productions.

Neumann M 150 Tube

Neumann M49V

Telefunken M280

Telefunken ELA M 251

Brauner VMA