The Nave

Amek Rembrandt

Dolby SR24 Noise Reduction System

Studer A827 Tape Recorder

Apple Mac Pro 3.1 Quad-Core Intel Xeon

Avid Pro Tools HD w/ 32 in & 48 outs

Avid Pro Tools 8 HD

Apple Logic Pro 9

The industry-leading application for music creation and audio production dramatically broadens the capabilities of computer-based studio environments with Logic Pro 9. The first choice of many prominent musicians and producers, Logic Pro 9 provides the most comprehensive collection of music creation tools

Apogee AD-16X AD Converter

Apogee DA-16X DA Converter

Apogee Big Ben Master Clock

eMagic Unitor 8 MIDI Interface

Genelec 1037B Studio Monitors

PMC TwoTwo.6 Active Nearfield Studio Monitors

Yamaha NS10M Monitors

A prominent mid range and incredibly focused sound monitoring system.

Audio Technica ATH-M50 Professional Studio Monitor Headphones

Beyerdynamic DT770 Studio Headphones

Hear Technologies Hear Back Personal Monitor Mixer System

A Hub of 8 personal Mixers connected using standard CAT5E cables. The Hubs can be daisy-chained using the HearBus In and Out for virtually unlimited system size. The Hear Back Hub can accept analog input signals from audio mixers, auxiliary, matrix, monitor, and/or direct outputs.

Siemens W295 EQ

API 550A Discrete 3 Band EQ

Few equalizers enjoy the respect and admiration of the coveted API 550A. Designed by the now-legendary Saul Walker in the late '60s, the discrete 550A was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality of the 550A, it quickly found its way into many custom console designs by Frank DeMedio and other leading engineers. Many of these consoles are still in use today.

API 560 Graphic EQ

Originally conceived for use in API consoles of the ’60s and ’70s, the API 560 is a unique device designed to accomplish tasks that no other EQ can. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560 remains unmatched.

Pultec EQH-2 EQ

Amek CIB Channel Strip

API 312 Mic Preamp

API 512C Mic Preamp

AML 5003D "Carnhill" Mic Preamp

Chandler Limited Germanium Mic Preamp/DI

Telefunken V76 Mic Preamp

Focusrite ISA 828 Mic Preamp

Siemens V276 Mic Preamp

ADR F769X-R Dual Compressor / Limiter

DBX 160A Compressor/Limiter

A fast and clear outboard compressor giving excellent results.

Empirical Labs EL8-X Distressor Compressor/Limiter

Teletronix LA2A Leveling Amplifier

Neve 33609/C Stereo Compressor/Limiter

Altec 1591A Compressor

API 525 Discrete Compressor

Alan Smart C2M Stereo Compressor

Chandler Limited TG1 Stereo Compressor Abbey Road Special Edition

A recreation of the EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late 60's.

Universal Audio Teletronix LA2A Compressor

DBX 165A Mono Compressor/Limiter

Universal Audio 1176LN Compressor

Billed in the 1968 release as a “true peak limiter with all transistor circuitry and superior performance on all types of program material," the 1176’s major selling point was its ultra-fast attack time — a mere 0.00002 seconds at its fastest setting. It also offered contemporary design, featuring knobs with clear surrounds, pushbuttons, and a brushed aluminum face panel with a blue stripe near the VU meter — none of those then typical big Bakelite knobs in sight.

DBX 520 De-esser

EMT 140 Plate Reverb

In 1957, German company EMT made a breakthrough in audio technology with the release of the EMT 140 plate reverb, which utilized a resonating metal plate to create ambience. Nothing is quite like the wonderfully lush and distinctive tone of plate reverb, which still endures as part of the fabric of modern music.

AMS RMX16 Digital Reverb

The AMS RMX16 was the world's first microprocessor-controlled, full-bandwidth, digital reverberator. Heard on hundreds — if not thousands — of seminal recordings from the 1980s onward, the RMX16 is still found in nearly every major recording studio the world over.

AMS DMX 15-80S Digital Delay

Lexicon PCM60 Digital Effects Processor

The Lexicon PCM 60 is a high performance digital reverb designed to be used with a wide range of instruments. It boasts a clean sound and a high quality reverb sound.

Lexicon PCM 41 Digital Delay Processor

Roland RE-301 Chorus Echo

Eventide H3000 D/SE Ultra-Harmonizer

Eventide H910 Harmonizer

AMS DM2-20 Tape Phase Simulator

Roland DC-50 Chorus/Echo

Roland SVC-350 Vocoder

Thermionic Culture Vulture Mastering Plus Valve Distortion

Zoom 1201 Multi Effects Processor

AKG D 112 Dynamic

AKG D12 E

AKG C1000 S

AKG C3000

AKG C414 EB

The second generation of the classic C414 - also armed with the CK-12 capsule; the C414 EB (Brass)

AKG D 112

AKG D 12 E

The D 12 E provides full, rich bass and ensures clean, undistorted reproduction at high sound levels. Its unique sound established the D 12 as the world’s standard microphone for bass drum and bass instrument Recording. With a frequency response extending down to 40 Hz, and a slight peak in the 60 to 120 Hz range, the microphone does full justice to instruments ranging from Kick drums to Trombones.

Audio Technica ATM450

Audio-Technica AE3000

Audio-Technica AT4081

Beyerdynamic M 201

The specs for the 2001-era M 201 N(C) give a sensitivity rating higher than the currently shipping model — 2 mV/Pa rather than today’s version at 1.2 mV/Pa.
Useful for snare drum, freak high-SPL situations where you still need good midrange clarity. If the SM57 were a microphone, it would sound like this.

Beyerdynamic M 88

Coles 4038

The Coles 4038 Studio Ribbon Microphone is a British Broadcasting (BBC) design favourite for broadcasting and recording applications. It is used where a clear smooth wide range frequency response, absence of transient distortion and relatively high sensitivity is essential.

Electro-Voice RE20

A firm favourite among broadcasters and sound engineers alike, the RE20 is a dynamic cardioid microphone with variable-D design, a heavy-duty internal pop filter, and an internal element shock-mount which reduces vibration-induced noise.

Mojave MA-301 FET

Neumann TLM 103

Neumann U 47 FET

An essential contributor to sound recordings of the 1960s and 1970s this microphone decisively affected the spatial dimension of the sound and the tonal depth of countless productions.

Neumann U 87 Ai

The U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic. Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.

Placid Audio Copperphone

Rode NT-2A

Rode NT-4

Royer R 121

Royer R 122 Active Ribbon

Sennheiser MD 421

Sennheiser MD 441

Sennheiser e 602

Shure Beta 57A

The 57a is a dynamic mic with a simple and rugged construction that can handle very high sound pressure levels.

Shure Beta 58A

The Beta 58A dynamic vocal microphone is precision-engineered for live performance and project studio recording. A tailored frequency response accentuates vocals, and the supercardioid pattern isolates from other sound sources.

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Shure SM58

The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.

Shure SM7B

The SM7B is a selectable frequency response cardioid microphone that delivers warm and smooth audio reproduction in close-proximity studio and vocal applications, while shielding from electromagnetic hum.

Yamaha NS10 Subkick

Little Labs Red Eye 3D Phantom DI/Re-amp Box

A-Designs REDDI Tube DI Box

Behringer Ultra-DI DI100 Active DI Box

Broadcast Pro Audio Passive Link Reamp Box

Countryman Type 85 DI Box

Radial J48 Phantom Powered Active DI Box

Radial X-Amp Active Re-amp Box

Abbey Road Brilliance Pack

Antares Auto-Tune 4

Avid Tel-Ray Variable Delay

Eventide Omnipressor

Flux Epure

IK Multimedia Sample Tank

IK Multimedia AmpliTube 3

IK Multimedia T-RackS

Line 6 Amp Farm

Native Instruments Absynth 5

Native Instruments Battery 3

Native Instruments FM8

Native Instruments Guitar Rig 4

Native Instruments Komplete 4

Native Instruments Massive

Native Instruments Reaktor 5

Slate Digital Trigger

SPL Transient Designer Plugins

Softube Acoustic Feedback Deluxe

Softube FET Compressor

Softube Vintage Amp Room

Softube Tonelux Tilt

Softube Trident A-Range

Softube Tube-Tech PE 1C

Soundtoys Devil-Loc Deluxe

URS Vintage Cinema 6 Band EQ

URS MotorCity 7 Band EQ

Various Waves Plugins

Various Universal Audio Plugins