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So So Happy Making

Hatcham Social release their first single. This enchanting slice of indie-pop was tracked under the production guidance of Hatcham’s label-mate and fellow Miloco client, Farris Rotter, of Horrors fame. Hatcham Social and Farris Rotter tracked ‘So So Happy Making’ in The Square in October 2007.

Find the Time

Southend’s most celebrated rave promoter turned emo indie songwriter releases the new single ‘Find the Time’ from his forthcoming album. Get Cape, Wear Cape, Fly was in The Yard only in January mixing ‘Find the Time’ with producer/engineer Alex Dromgoole.

Suspicious Wit

Liverpool’s most happening band of the moment set-a-light the charts with this rocking debut single ‘Suspicious Wit’ – a sign of good things to come. The Rascals used The Pool and The Engine Room to track and mix their forthcoming debut album. Ben Hillier produced and Ferg Peterkin engineered.

I Want You To Know That There Is Always Hope

Emo-inflenced indie duo I Was A Cub Scout release their debut album on XL. Well these multi-instrumentalists caught the legendary eye and ear of producer Hugh Padgham in the first place. Enough said me thinks. Hugh Padgham produced ‘I Want You To Know That There Is Always Hope’ in Miloco Sofa Sound, in 2007.

You Get What You Want

New single from the fresh Aussie teenagers who have become firm favourites on the contemporary UK indie scene. Operator Please were in The Engine Room with producer/engineer Simon Barny Barnicott laying overdubs for ‘You Get What You Want’ in September 2007.

Dig!!! Lazarus Dig!!!

First single and title track from The Bad Seeds’ fourteenth studio album. The highly-anticipated album will follow shortly. The Garden was used to lay down overdubs for ‘Dig!!! Lazarus Dig!!!’. The Bad Seeds were there with producer Nick Launay and engineer Kevin Paul in September 2007.

Elvis

The Joy Division-reminiscent second single off These New Puritans’ startling debut album. Was he or wasn’t he talking about ‘that’ king? It is confusing. These New Puritans and producer Gareth Jones used The Toyshop and The Square to record ‘Elvis’ in 2007.

Alas I Cannot Swim

Not only has Laura Marling made the most justifiably hyped folk album for some time, she has also created a seemingly perfect soundtrack to the much-practiced art of panic paddling. Enchanting music from the Eversley songstress. ‘Alas I Cannot Swim’ was partly mixed in The Engine Room in July 2007, by legendary producer Phill Brown.

Neptune

The second album from The Duke Spirit sees them galvanize their sound further into the sinister themes that caught rock music’s imagination with their debut record. A bed of rapturous guitar riffs and seductive rock grooves lay the foundations of another great Duke Spirit album. ‘Neptune’ was mixed in The Engine Room by producer Ben […]

Hey Hey Hey

Debut single from the new disco-punks sees a mightily fine display of funk bass, the glorious return of the rhythmic cowbell and a generous portion of “heys”. ‘Hey Hey Hey’ was mixed in The Yard in June 2007 by producer/engineer James Lewis. The Toyshop was used for overdubs.