Angelic Studio

Upstairs Lounge: 12m x 5m with low beams

Control Room: 9m x 8.5m daylight Acoustic Design by Sam Toyashima

Live Room 1: 10m x 6m x 5m high

Live Room 2: 5.8m x 5.8m with vaulted ceiling

Vocal Booth: 2.3m x 1.8m x 2.2m

Upstairs Lounge: 11m x 4.5m with low beams

SSL SL8072 G+

Apple Mac Pro "Trash Can" 12 Core with 64gb RAM

Avid HDX

Avid Pro Tools Ultimate

Avid HD I/O 16x16 Analog

Experience better audio fidelity, wider dynamic range, and low jitter thanks to sophisticated A/D and D/A conversion, and get the lowest possible latency when recording even the largest sessions.

Avid 192 I/O 16x8

Avid Sync HD I/O Interface

A must have for large scale media productions, the Pro Tools Sync HD has the ability to run projects up to 192 kHZ with a low jitter master clock.

Yamaha NS10M Monitors

A prominent mid range and incredibly focused sound monitoring system.

ATC SCM200ASL Pro Loudspeakers

Auratone 5C Super Sound Cube Passive Monitors

Made famous in the 70s and the 80s, the Auratone is the original super cube, used in nearly every commercial recording facility the world over for real world referencing. They’re now making quite the comeback.

Barefoot MicroMain27 Studio Monitors

These 3.5-way active monitors have been taking the recording industry by storm in recent years. With first generation MM27s sitting pretty in Miloco’s The Red Room, The Church, Angelic and The Pool studios, you know you’re in safe hands with these speakers. Paul Epworth in fact has two pairs in his Church Studios complex!

KRK 9000B Passive Studio Monitors

Quested F11 Two Way Active Monitors

-- Amplifiers --

ATC SPA 24-850 Power Amp

Bryston 3B SST Power Amp

Bryston 3B ST Power Amp

Quad 405-2 Power Amp

With low distortion with it's Class A transistors; the Quad 405 power amplifier is a classic beauty in the Hi-Fi and audio world.

Quad 520F Power Amp

-- Headphones --

Beyerdynamic DT770 Studio Headphones

Beyerdynamic DT100 Studio Headset

The DT 100 series is used throughout the world for audio recording and monitoring in studios, news gathering, film and TV production and live events. The headphones are exceptionally comfortable with a soft headband and ear pads. A high level of ambient noise attenuation is achieved with the closed design of the ear cups.

Hear Technologies Hear Back Personal Monitor Mixer System

A Hub of 8 personal Mixers connected using standard CAT5E cables. The Hubs can be daisy-chained using the HearBus In and Out for virtually unlimited system size. The Hear Back Hub can accept analog input signals from audio mixers, auxiliary, matrix, monitor, and/or direct outputs.

DBX 160 Compressor/Limiter

API 2500 Stereo Compressor

Alan Smart C2 Stereo Compressor

This outboard compressor can be used in a dual-mono or linked-stereo configuration. Engaging the "crush" control will really accentuate your compression in a musical way.

EAR 660 Tube Compressor/Limiter

Based on the classic Fairchild compressor, this valve unit is designed to only affect the signal above the set threshold and produces great results even at high signal levels.

Empirical Labs EL8 Distressor Compressor/Limiter

The EL-8 compressor can emulate the warm vintage sound we all love. It also adds excitement and life to any mix with it's digitally controlled analogue circuitry.

Empirical Labs EL8-XS Distressor Compressor/Limiter

Empirical Labs Fatso Tape Simulator

A analog tape simulator and optimizer re-creating desirable characteristics of classic analog, class A and tube based devices as well as magnetic tape.

Neve 2254 Vintage Compressor

PYE LDM0090/02 Compressor/Limiter

SPL 9629 De-esser

SPL 9842 Transient Designer

Teletronix LA2A Leveling Amplifier

Tube-Tech SMC 2B Multiband Opto Compressor

Universal Audio 1176LN Compressor

Billed in the 1968 release as a “true peak limiter with all transistor circuitry and superior performance on all types of program material," the 1176’s major selling point was its ultra-fast attack time — a mere 0.00002 seconds at its fastest setting. It also offered contemporary design, featuring knobs with clear surrounds, pushbuttons, and a brushed aluminum face panel with a blue stripe near the VU meter — none of those then typical big Bakelite knobs in sight.

Urei 1176 Bluestripe Compressor

Urei 1176 LN Blackface

Valley People Dyna-mite Compressor/Limiter

A secret weapon to some—a hidden treasure to the rest. Squash drums, get a snappy bassline, enhance track dynamics, duck, gate, key or de-ess. The Valley People Dyna-mite is a Swiss army knife limiter/expander design with unique character that inspires to new sounds.

API 550A Discrete 3 Band EQ

Few equalizers enjoy the respect and admiration of the coveted API 550A. Designed by the now-legendary Saul Walker in the late '60s, the discrete 550A was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality of the 550A, it quickly found its way into many custom console designs by Frank DeMedio and other leading engineers. Many of these consoles are still in use today.

GML 8200 Parametric EQ

Manley Massive Passive Stereo Tube EQ

Colossal, timbre-twisting passive equalization using metal-film resistors, film capacitors, and hand-wound inductors to organically sculpt the tone from subtle to vivid. Manley’s tube stages handle huge HF boosts without sibilance and unbelievable fatness without mud. “It’s like a Pultec on steroids.”

Neve 1084 Vintage Mic Preamp/EQ

Neve 1100 Mic Preamp/EQ

Neve 33114 Mic Preamp

Pultec EQP-1A EQ

Ridge Farm Gas Cooker Mic Preamp/DI

Telefunken V72 Mic Pre-Amp

At the dawn of the 1960s, AEG-Telefunken was a major manufacturer of broadcast equipment, and their systems were found in radio stations around the globe. The venerable V72 and its relatives were an important part of these facilities: rugged, dependable, quality units that stayed in operation for decades, and are still highly valued today.

Telefunken V76 Mic Preamp

AKG BX25 Spring Reverb

EMT 140 Stereo Plate Reverb

Lexicon 200 Digital Reverb

Lexicon 224X Digital Reverb

Lexicon PCM60 Digital Effects Processor

The Lexicon PCM 60 is a high performance digital reverb designed to be used with a wide range of instruments. It boasts a clean sound and a high quality reverb sound.

Lexicon PCM91 Digital Effects Processor

AMS DMX 15-80S Digital Delay

EMS 2000 Vocoder

Eventide Eclipse Multi-Effect Processor

Eventide H3000 Ultra-Harmonizer

The Eventide H3000 Ultra-Harmonizer is a family of products based around a multi-purpose programmable, digital audio signal processor. The Eventide H3000 is fully MIDI controllable, with click less, real-time MIDI control. This amazing device has all these effects, and more, at your finger tips.

Fulltone Tube Tape Echo

Ibanez AD-202 Analog Delay

Sequis Motherload Speaker Simulator

Palmer PDI-03 Speaker Simulator

The PDI03 Palmer speaker simulator combines load impedance, a signal splitter and DI box especially designed for guitars. All functions are optimised for live and recording applications.

Roland SRE-555 Chorus Echo

Schippmann Ebbe Und Flut Filterbank

Thermionic Culture Vulture Stereo Valve Distortion

Harmonic distortion unit and the only piece of studio gear dedicated to solely adding valve-based harmonic distortion.

Avid Sync HD I/O Interface

A must have for large scale media productions, the Pro Tools Sync HD has the ability to run projects up to 192 kHZ with a low jitter master clock.

Kenton Pro-4 MIDI-CV Converter

AEA R84 Ribbon

The R84 is a passive ribbon microphone that shares many of the unique sound characteristics with its historic predecessor, the R44. The result is a new microphone with a classic sound. The R84 produces rich and full low-mids, a smooth top end, and has a well-behaved bidirectional pickup pattern.

AKG C28 Valve

AKG's classic C 28 valve microphone has all of the vintage warm sound you'll ever need. They sound especially great in a pair as overheads.

AKG C414 B-TL II

AKG C414 B-ULS Condenser

One of the most used condenser microphones in the world, coupling a 1-inch dual-diaphragm with Ultra Linear Series electronics to provide an extremely smooth frequency response.

AKG C451

The AKG C451 is a small diaphragm condenser with a bright airy sound.

AKG D 19

The D19 was a cardioid dynamic microphone manufactured by AKG in the 1960s. It is famous today for its use at Abbey Road studios during numerous Beatles recording sessions, most notably as a drum overhead mic for Ringo Starr.

Bruel & Kjaer 4011

A crystal clear sounding microphone. This microphone can also handle a SPL of up to 158dB before clipping.

Coles 4038

The Coles 4038 Studio Ribbon Microphone is a British Broadcasting (BBC) design favourite for broadcasting and recording applications. It is used where a clear smooth wide range frequency response, absence of transient distortion and relatively high sensitivity is essential.

Korby Kat 5

Lomo 19A4 Tube

MXL 603

Neumann CMV-563

The Kondensator-Mikrofon CMV 563 is a tube condenser bottle microphone manufactured by the division of the Georg Neumann company in Gefell, East Germany, which has since been renamed Microtech Gefell. The mic was made from 1956-1971, then reintroduced in 2011.

Neumann Gefell M 582 Tube

Neumann KM 84i

The KM 84i is a small-diaphragm FET condenser with a fixed Cardioid pickup pattern. It was the world’s first phantom-powered microphone, built to run on 48v DC. Its design goal was to be as small as possible; the model name ‘KM’ stands for Kleine Mikrofon (“small microphone”). Although discontinued in 1992, the KM-84i remains a favorite of vintage mic enthusiasts for drum overheads and hi-hat applications.

Neumann SM 69 Tube

Neumann TLM 103

Neumann U 47 Valve

The Neumann U47 - one of the most famous vocal microphones since the late 40's. With a clear and pronounced high end this mic is favoured for vocals.

Neumann U 67 Tube

The Neumann U 67 is a multipattern large-diaphragm condenser microphone with a tube-and-transformer topology. It was introduced by Neumann in 1960 with the intention of replacing the U 47 in Neumann’s product line.

Neumann U 87

The Neumann U87 features 3 switchable polar patterns and has a -10dB pad. A very popular microphone.

Neumann U 87 Ai

The U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic. Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.

Neumann UM 57 Tube

Royer SF-24 Ribbon

STC 4021

Schoeps CMC 5U

Sennheiser MD 421

Sennheiser MD 441-N

The acoustic properties of this micophone come close to that of a condenser mic, with an accurate signal response, low distortion, and the capacity to handle high sound pressure levels.

Shure Beta 57A

The 57a is a dynamic mic with a simple and rugged construction that can handle very high sound pressure levels.

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Shure SM58

The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.

Shure SM7B

The SM7B is a selectable frequency response cardioid microphone that delivers warm and smooth audio reproduction in close-proximity studio and vocal applications, while shielding from electromagnetic hum.

Telefunken MD-421

Fender Rhodes 73 Mark II Stage Piano

Fender Rhodes 88 Mark I Suitcase

Hammond M102

Hohner Clavinet D6

Leslie 147 Speaker Cabinet

Wurlitzer 200A

Yamaha C3 Baby Grand Piano

Yamaha CP-80 Electric Piano

Yamaha U3 Upright Piano

ARP 2600 Analog Synth

ARP's 2600 is without a doubt one of the finest analog synthesizers ever produced. For decades, it has been used in all forms of music and in the hands of many famous artists. This unique semi-modular monophonic synthesizer was designed for professionals but was also user-friendly enough to be used as a teaching instrument.

ARP Solina String Ensemble

Casio SK-1 Sampling Keyboard

Casio SK-5 Sampling Keyboard

EMS Synthi AKS Analog Synth

Korg MS-20 Monophonic Synth

Moog Memorymoog Plus Analog Polyphonic Synth

Moog Source Mono Synth

Nord Lead

Oberheim OB-Xa Analog Synth

Oxford Synthesiser Company OSCar mono-synth

Roland CR-78 Drum Machine

Roland CR-8000 Drum Machine

Roland Jupiter-8

Roland SH-1000 Monophonic analog synth

Roland SH-7 Analog Synth

Sequential Circuits Prophet 5 Polyphonic Analog Synth

Sequential Circuits Prophet T8 8 Voice Poly-Synth

Yamaha Motif 7 Synth Workstation

Ampeg B-15 Portaflex

Ampeg R-12R Reverberocket

Divided By 13 JRT 9/15 Head and Cabinet

Fender Precision Bass

Fender Stratocaster

Fender Telecaster

Fender Tone Master

Fender Twin Reverb

Fender Vibro Champ AA764

Gibson Les Paul

Hiwatt Hi-Gain 4x12 Speaker Cabinet

Marshall Super Bass 100W

Rickenbacker Ric O Sound

Roland GR-300 Polyphonic Guitar Synthesizer

Swart Atomic Space Tone

Vox AC30

Yamaha Vintage Semi Acoustic Guitar

Drum hire is available on request. Various Gretsch models available. Please contact for further details.

Huge amount of Percussion including various assorted shakers tambourines triangles wood blocks and bells.

Barnes & Mullins Champion Fuzz Unit

Boss CE-1 Chorus Ensemble

Boss DD-3 Digital Delay

Boss FBM-1 59 Fender Bassman Pedal

Boss TW-1 T Wah Touch Wah

Chandler Industries Tube Driver

Electro Harmonix Big Muff Pi Sovtek Black Russian Distortion / Sustainer Pedal

Electro Harmonix Deluxe Electric Mistress Analog Flanger

Electro Harmonix Double Muff Fuzz / Overdrive

Electro Harmonix Small Stone Analog Phase Shifter

Fulltone Full-Drive 2 Overdrive

Fulltone OCD Obsessive Compulsive Drive

Homebrew Electronics Power Screamer Overdrive Pedal

Ibanez AF9 Auto Filter

Ibanez TS9 Tube Screamer

Keeley Electronics Keeley Compressor

Klon Centaur Overdrive

MXR M-117R Flanger

MXR M-133 Micro Amp Boost

MXR ZW44 Wylde Overdrive

Musitronics Mu-Tron Phasor II

Pro Co Rat 2 Heavy Metal Distortion

Pro Co Rat 2 Heavy Metal Distortion

Roger Mayer Axis Fuzz

Roger Mayer Classic Fuzz

Roger Mayer Mongoose Fuzz

Roger Mayer Octavia

Smart People Factory Green Line Overdrive

Storm Octaver 2

Swart Amplifier Company Atomic Boost 60s Treble Booster

Visual Sound V2RT66 Route 66 Overdrive and Compression Guitar Multi Effects Pedal

Z-Vex Fuzz Factory

Little Labs IBP Analog Phase Alignment Tool

DOD 275 Active DI Box

Avid Pro Tools HDX

Apple Mac Pro "Trash Can" 12 Core with 64gb RAM

Apple 30" Cinema Display

Avid HD I/O 16x16 Analog

Experience better audio fidelity, wider dynamic range, and low jitter thanks to sophisticated A/D and D/A conversion, and get the lowest possible latency when recording even the largest sessions.

Avid 192 I/O 16x8

Avid Sync HD I/O Interface

A must have for large scale media productions, the Pro Tools Sync HD has the ability to run projects up to 192 kHZ with a low jitter master clock.

Alan Smart 2Tools

Midiman MidiSport 2x2 USB Interface

Emagic AMT8 Active MIDI Transmitter

Motu 2408 MK3 Digital Audio Interface

Apple MacOS Sierra 10.12.6

Abbey Road TG 12412 4-Band EQ

Abbey Road TG 12413 1969 Limiter

Abbey Road TG 12414 4-Band EQ

Antares Auto-Tune Evo

Audio Ease Altiverb 6 XL Convolution Reverb

Avid AIR Transfuser

Avid AIR Velvet

Avid AIR Xpand!

Avid Bomb Factory BF76 Solid State Compressor

Avid Drawmer Dynamics

Avid Eleven

Avid Funk Logic Masterizer

Avid Hybrid Hi-Def Synth

Avid Maxim

Avid ReVibe

Avid Reverb One

Avid SansAmp PSA-1

Avid Strike

Avid Structure

Avid TL AutoPan

Avid TL EveryPhase

Avid TL Space TDM Edition

Avid Tel-Ray Variable Delay

Avid Voce Chorus/Vibrato

Avid Voce Spin

Brainworx bx_boom!

Eventide Space Station SST-282

Native Instruments Battery 3

Slate Digital FG-X Plugins

Slate Digital VCC Plugins

Slate Digital Virtual Channel

Slate Digital Virtual Mix Buss

Synchro Arts VocALign

Wavemachine Labs Drumagog