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Avid Pro Tools 10 HD

Pro Tools 10 is a watershed release for Avid's industry-standard music and audio creation system. In addition to offering a host of new features, including a completely new plug-in format, Pro Tools 10 also supports HDX, the long-anticipated DSP hardware successor to HD. And, if this wasn't already enough for existing users to consider, Avid are also taking the opportunity to encourage the adoption of various support and maintenance packages, both new and existing, alongside more traditional upgrade options.

Avid Pro Tools HD3

Digidesign 192 Interface

The Digidesign 192 I/OTM 16-channel digital au- dio interface is for use in a Pro Tools|HD system and features 24-bit analog-to-digital (A/D) and digital-to-analog (D/A) converters. The 192 I/O supports sample rates of up to 192 kHz for supe- rior dynamic range and low noise floor.

Apple Mac Pro 2 x 3.46GHz 6-Core Intel Xeon

Otari MX 5050 Reel-to-Reel Tape Recorder

Otari MX 5050 1/2" Tape Recorder

Otari MX 5050 1/4" Reel-to-Reel Tape Recorder

Dynaudio BM15 Active Two Way Nearfield Monitor

Dynaudio MR

Genelec 8020 Studio Monitors

Yamaha NS10 Monitors

API 550A Discrete 3 Band EQ

Few equalizers enjoy the respect and admiration of the coveted API 550A. Designed by the now-legendary Saul Walker in the late '60s, the discrete 550A was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality of the 550A, it quickly found its way into many custom console designs by Frank DeMedio and other leading engineers. Many of these consoles are still in use today.

API 560B Graphic EQ

Originally conceived for use in API consoles of the '60s and '70s, the 560B is a unique device designed to accomplish tasks that no other EQ can. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560B remains unmatched.

Altec V1567 Mic Preamp

Chandler Limited LTD-1 Mic Preamp/EQ

Daking 52270 Mic Preamp

Focusrite Quad Mic Preamp

Khan 2242 Mic Preamp

Neve 1272 Mic Preamp

PreSonus M80 Mic Preamp

Telefunken V72 Mic Pre-Amp

At the dawn of the 1960s, AEG-Telefunken was a major manufacturer of broadcast equipment, and their systems were found in radio stations around the globe. The venerable V72 and its relatives were an important part of these facilities: rugged, dependable, quality units that stayed in operation for decades, and are still highly valued today.

Universal Audio 2-610 Mic Preamp

Chandler Limited LTD-2 Compressor

Manley ELOP Stereo Electro-Optical Limiter

Manley Variable Mu Mastering Compressor

Urei 1176 LN Blackface

Urei LA-3A Compressor

Released in 1969, the LA-3A marked the departure from the tube design of the LA‑2A, incorporating concepts from the UA's solid-state driven 1176LN Limiting Amplifier, while harnessing the LA‑2A's optical compression design.

Urei LA-4A

Alesis Quadraverb 2 Signal Processor

EMT 140 Plate Reverb

In 1957, German company EMT made a breakthrough in audio technology with the release of the EMT 140 plate reverb, which utilized a resonating metal plate to create ambience. Nothing is quite like the wonderfully lush and distinctive tone of plate reverb, which still endures as part of the fabric of modern music.

Lexicon PCM70 Digital Effects Processor

This digital effects unit has a range of reverbs & delays to suit any mix. This unit encourages you to tweak and explore the capabilities to get any desired sound.

Lexicon PCM80 Digital Effects Processor

Alesis Midiverb II Digital Effects Processor

Alesis Midiverb IV Digital Effects Processor

Korg SDD-2000 Digital Delay

Lexicon Prime Time Digital Delay

Lexicon PCM 41 Digital Delay Processor

Lexicon PCM 42 Digital Delay Processor

Roland RE-201 Space Echo

Over the years, Roland has created a significant number of products that have gone on to become legendary. One of the earliest examples is the Roland RE-201 Space Echo, a combination tape echo and reverb introduced in 1974. While Roland didn’t invent the tape echo itself, they took a fragile and often unreliable technology and turned it into something robust and roadworthy and the RE-201 immediately became the touring and recording studio standard in portable tape echo.

TC Electronic System 6000

Yamaha SPX90 Multi Effects Processor

The Yamaha SPX90 is a digital multi-effects processor that has been a staple of many recording studios over the years. The effects it includes are distortion, flange, tremolo and delay. These effects can be used singularly or they can be mixed and matched together.

AKG C414

AKG C460

AKG D 112

Audio-Technica ATM41a

Beyerdynamic M 160 Ribbon

Beyerdynamic M 260

Beyerdynamic M 400 Soundstar MK II

Cascade Fat Head II Ribbon

Coles 4038

The Coles 4038 Studio Ribbon Microphone is a British Broadcasting (BBC) design favourite for broadcasting and recording applications. It is used where a clear smooth wide range frequency response, absence of transient distortion and relatively high sensitivity is essential.

Electro-Voice N-D868

Electro-Voice RE20

A firm favourite among broadcasters and sound engineers alike, the RE20 is a dynamic cardioid microphone with variable-D design, a heavy-duty internal pop filter, and an internal element shock-mount which reduces vibration-induced noise.

Microtech Gefell UM92

Neumann KM 140

Neumann KMS 105

Neumann U 47 FET

An essential contributor to sound recordings of the 1960s and 1970s this microphone decisively affected the spatial dimension of the sound and the tonal depth of countless productions.

Neumann U 87

The Neumann U87 features 3 switchable polar patterns and has a -10dB pad. A very popular microphone.

Schoeps CMC 5

Sennheiser MD 421

Sennheiser MD 441

Shure 520DX Green Bullet

Shure Beta 56A

Shure Beta 58A

Shure Beta 57A

The 57a is a dynamic mic with a simple and rugged construction that can handle very high sound pressure levels.

Shure Beta 58A

The Beta 58A dynamic vocal microphone is precision-engineered for live performance and project studio recording. A tailored frequency response accentuates vocals, and the supercardioid pattern isolates from other sound sources.

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Shure SM58

The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.

Shure SM7B

Telefunken ELA M 251

AKAI MPC2000 XL sampler/drum machine

Casio Casiotone 101

Fender Rhodes Mark I Stage 73

Hammond B3 Organ w/Leslie speaker cabinet

Leslie 122 Speaker Cabinet

Roland Juno 106 Kiwi Edition

Wurlitzer

Yamaha C5 Grand Piano

Yamaha DX7

Ampeg B-15S

Fender Champ Amp

Fender Deluxe Reverb

Fender Twin

Marshall Combo

Marshall JCM800

Reverend Hellhound

Roland 100 Keyboard Synthesizer

Roland JC-120 Jazz Chorus

Vox AC30

Tama Maple Shell Kit