Prime Studio

Control Room: approx 28ft x 21ft (588ft sq) / 8.5m x 6.5m (55.25m sq)

Live Room: approx 23ft x 16ft (368ft sq) / 7m x 5m (35m sq)

Avid System 5-MC

EAW 7.1 THX Surround Speakers

Yamaha NS10M Monitors

A prominent mid range and incredibly focused sound monitoring system.

Yamaha MSP7 Monitors

ATC SCM25A Pro Loudspeakers

Hear Technologies Hear Back Personal Monitor Mixer System

A Hub of 8 personal Mixers connected using standard CAT5E cables. The Hubs can be daisy-chained using the HearBus In and Out for virtually unlimited system size. The Hear Back Hub can accept analog input signals from audio mixers, auxiliary, matrix, monitor, and/or direct outputs.

(Other Monitors may be available - please enquire)

Crest Audio CM 2204 Professional Installation Amp

Crest Audio CM 2208 Professional Installation Amp

Crest Audio CPA 600 Power Amp

Dolby DP564 Digital Audio Decoder

Dolby DP569 Digital Audio Encoder

Tascam DA-78HR 8 Track 24 Bit DTRS Recorder

Tascam DV-RA1000HD CD Recorder

VURM 200 Analyzer

Amek System 9098 Dual Mic Preamp/EQ

Avalon AD2055 Dual Mono Parametric EQ

Focusrite ISA 110 Mic Preamp/EQ

GML 8200 Parametric EQ

Millenia Media HV3 TD-1 Mic Preamp/DI

Neve 2068 EQ

Neve 31102 Mic Preamp

Neve 31102A Mic Preamp

Pultec EQH-3 EQ

Pultec EQP-1A EQ

Pultec MEQ-5 EQ

Shep SN8 Mic Preamp/EQ

Summit Audio EQP-200B Dual Tube EQ

Avalon AD2044 Opto-Compressor

Avalon VT-747 Vacuum Tube EQ/Compressor

Neve 83065 Stereo Compressor/Limiter

GML 8900 Compressor

The 8900 Dynamic Range Controller was intrinsically developed to react to loudness (rather than voltage) like our ears do. The 8900’s psycho-acoustic approach uses multiple true-RMS detectors, remarkably accurate log converters, and fast peak detectors to respond intelligently to real signal energy, not just electrical level. This innovative design employs unique controls like Crest Factor, Timing, and Release Hysteresis to precisely control the dynamic features of musical performances; one would ordinarily change out the entire unit to gain this flexibility.

Mercury M66 Vari-Mu Limiter

Neve 32264a Limiter/Compressor

Shep SNC 6 Compressor

Summit Audio TLA-100A Tube Leveling Amplifier

Urei 1176 Blackface

Urei 1178 Stereo Compressor/Limiter

Urei LA-4 Blackface Compressor

Urei LA-4 Silverface Compressor

Waves L2 Ultramaximizer Digital Mastering Limiter

EMT 240 Plate Reverb

EMT 250 Reverb

Lexicon 960L 8 Channel Reverb

Yamaha SREV-1 Sampling Reverb

AMS DMX 15-80 Digital Delay

AMS DMX 15-80S Digital Delay

AMS S-DMX Dual Channel Digital Delay

Eventide DSP4500 Multi-Effect Processor

Lexicon PCM 42 Digital Delay Processor

Antelope Isochrone Trinity Master Clock

Antelope Isochrone OCX Audio Master Clock

Avid Sync I/O

Rosendahl Nanoclocks Digital Audio Clock Server

AKG C1000 S

AKG C12 VR

AKG C414

AKG C414 B-XLS

AKG C542 BL

AKG D 112

Coles 4038

The Coles 4038 Studio Ribbon Microphone is a British Broadcasting (BBC) design favourite for broadcasting and recording applications. It is used where a clear smooth wide range frequency response, absence of transient distortion and relatively high sensitivity is essential.

Electrovoice RE 20

A firm favourite among broadcasters and sound engineers alike, the RE20 is a dynamic cardioid microphone with variable-D design, a heavy-duty internal pop filter, and an internal element shock-mount which reduces vibration-induced noise.

Holophone H2 7.1 Surround Microphone

Neumann CMV-563

The Kondensator-Mikrofon CMV 563 is a tube condenser bottle microphone manufactured by the division of the Georg Neumann company in Gefell, East Germany, which has since been renamed Microtech Gefell. The mic was made from 1956-1971, then reintroduced in 2011.

Neumann KM 184

The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.

Neumann M 147 Tube

Neumann TLM 49

Neumann U 47 Valve

The Neumann U47 - one of the most famous vocal microphones since the late 40's. With a clear and pronounced high end this mic is favoured for vocals.

Neumann U 47 FET

An essential contributor to sound recordings of the 1960s and 1970s this microphone decisively affected the spatial dimension of the sound and the tonal depth of countless productions.

Neumann U 87

The Neumann U87 features 3 switchable polar patterns and has a -10dB pad. A very popular microphone.

Neumann UM 57 Tube

Sennheiser MD 421

Sennheiser MD 421 HN

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Shure SM58

The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.

Yamaha NS10 Subkick

Roland Fantom XR

Pro Tools HDX 3 Rig running Pro Tools HD 11 on an Intel Mac Pro

Avid HD I/O 16x16 Analog

Experience better audio fidelity, wider dynamic range, and low jitter thanks to sophisticated A/D and D/A conversion, and get the lowest possible latency when recording even the largest sessions.

Avid HD MADI

Avid HD OMNI

Avid Pro Tools HDX 3