Prime Studio

Control Room: approx 13ft x 23ft (299ft sq) / 4m x 7m (28m sq)

Live Room: approx 17ft x 14ft (238ft sq) / 4.3m x 5.2m (22m sq)

Vocal Room: approx 11.5ft x 15.4ft (177ft sq) / 3.5m x 4.7m (16.5m sq)

Avid S6 M40 Control Surface

48 fader M40 control surface equipped with dual knob controller modules built in a customized frame for more ergonomical use.

Neve 8016

This particular console has a unique recording history and comes from Caribou Ranch Studios.

The 8016 is fitted with it's original 1064 (x24) modules and 2254/a Compressors (x4).

This beauty can be used as a front end for your recordings. (Please book in advance)

Endless Analogue CLASP Tape-Machine Interface

The Endless Analog CLASP 24 is a truly unique and revolutionary product, designed to revive old tape machines and bring them into the modern recording world, integrating them seamlessly with the most modern of digital recording platforms.

Studer A80 Tape Recorder

The Studer A80 is a legendary piece of two track recording and mastering hardware. With a distinct, warm tone tape machines are so known for, this is not to be missed.

Studer A80 Mk1 1" 8 Track Tape Recorder

Studer A827 Tape Recorder Gold Edition

Avantone MixCubes Active Monitors

Yamaha NS10M Monitors

A prominent mid range and incredibly focused sound monitoring system.

ATC SCM25A Pro Loudspeakers

Manley ML10 Monitors

Yamaha MSP7 Monitors

Hear Technologies Hear Back Personal Monitor Mixer System

A Hub of 8 personal Mixers connected using standard CAT5E cables. The Hubs can be daisy-chained using the HearBus In and Out for virtually unlimited system size. The Hear Back Hub can accept analog input signals from audio mixers, auxiliary, matrix, monitor, and/or direct outputs.

Tascam DV-RA1000HD CD Recorder

VURM 200 Analyzer

ADR F760X-RS

Fairchild 670 Compressor/Limiter

Focusrite Blue 330

Focusrite Blue 230 Dual Compressor/Limiter

Mercury M66 Vari-Mu Limiter

Urei 1178 Stereo Compressor/Limiter

Urei LA-4 Silverface Compressor

Neve 1081 Mic Preamp/EQ

Neve 1081 Mic Preamp/EQ

Avalon AD 2022 Preamp/DI

Chandler Limited Germanium Mic Preamp/DI

Focusrite ISA 215 Dual Channel Preamp/EQ

GML Nova Research Series 7000 Preamp / EQ Module

Millenia Media HV3 Mk2

Millennia STT-1 Mic Preamp/EQ/Dynamics

API 550B Discrete 4 Band EQ

Based on API's original 550 from the late '60s, the API 550b is a continuation of the EQ that played a major role in the history of music recording, but with an additional filter band and several new frequencies. Incorporating API's exclusive circuitry and proprietary components (such as the legendary API 2520 Op Amp), the 550b artfully blends the past with the present.

Amek System 9098 Dual Mic Preamp/EQ

Chandler Limited Tone Control EQ

Focusrite Blue 315 Stereo EQ

GML 8200 Parametric EQ

Manley Enhanced Pultec EQ

Manley Massive Passive Stereo Tube EQ

Colossal, timbre-twisting passive equalization using metal-film resistors, film capacitors, and hand-wound inductors to organically sculpt the tone from subtle to vivid. Manley’s tube stages handle huge HF boosts without sibilance and unbelievable fatness without mud. “It’s like a Pultec on steroids.”

Pultec EQH-3 EQ

Pultec EQP-1A EQ

Pultec MEQ-5 EQ

AKG BX20 Spring Reverb

EMT 140 Plate Reverb

In 1957, German company EMT made a breakthrough in audio technology with the release of the EMT 140 plate reverb, which utilized a resonating metal plate to create ambience. Nothing is quite like the wonderfully lush and distinctive tone of plate reverb, which still endures as part of the fabric of modern music.

EMT 245 Reverb

Lexicon 300 Digital Effects System

Lexicon 480L Digital Effects System

Usually seen sitting on top of the console in many studios, the 480L reverb was released in 1986. Lexicon are considered to be the pioneers of digital reverb, so you can expect some excellent sounds from this unit.

AMS DMX 15-80S Digital Delay

Roland SDD-320 Dimension D Vintage Chorus

Eventide H3000 Ultra-Harmonizer

The Eventide H3000 Ultra-Harmonizer is a family of products based around a multi-purpose programmable, digital audio signal processor. The Eventide H3000 is fully MIDI controllable, with click less, real-time MIDI control. This amazing device has all these effects, and more, at your finger tips.

Antelope Isochrone Trinity Master Clock

Antelope Isochrone OCX Audio Master Clock

Avid Sync HD I/O Interface

A must have for large scale media productions, the Pro Tools Sync HD has the ability to run projects up to 192 kHZ with a low jitter master clock.

AKG C1000 S

AKG C12A Tube

AKG C 400 B

AKG C414 B-XL II

AKG C422

AKG C542 BL

AKG D 112

AKG D 440

AKG SE 300 B

Crowley & Trip Naked Eye

Electrovoice RE 20

A firm favourite among broadcasters and sound engineers alike, the RE20 is a dynamic cardioid microphone with variable-D design, a heavy-duty internal pop filter, and an internal element shock-mount which reduces vibration-induced noise.

Neumann Gefell CMV 563 Tube

Neumann KM 184

The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.

Neumann U 47 FET

An essential contributor to sound recordings of the 1960s and 1970s this microphone decisively affected the spatial dimension of the sound and the tonal depth of countless productions.

Neumann U 47 Valve

The Neumann U47 - one of the most famous vocal microphones since the late 40's. With a clear and pronounced high end this mic is favoured for vocals.

Neumann U 87

The Neumann U87 features 3 switchable polar patterns and has a -10dB pad. A very popular microphone.

Neumann UM 57 Tube

RCA 77-D Ribbon

Sennheiser Blackfire 541

Sennheiser MD 40 HN

Sennheiser MD 421

Shure 545SD

Sony C-800G

Fender Rhodes 73 Mark II Stage Piano

Gibson Chet Atkins 6-string nylon

Gibson J100 Acoustic Guitar

Gibson Les Paul Standard

Hammond B3

The Hammond organ (or more often, emulations of its sounds using newer technology) remains the distinctive instrument for certain styles of music to this day, even though the original electro-mechanical rotary-tone-wheel Hammond organs ceased to be manufactured altogether in 1974.

Yamaha S-4 Grand Piano

Pro Tools HDX 3 Rig running Pro Tools HD 11 on an Intel Mac Pro

Avid Artist Color

Avid Artist Control

Avid HD I/O 16x16 Analog

Experience better audio fidelity, wider dynamic range, and low jitter thanks to sophisticated A/D and D/A conversion, and get the lowest possible latency when recording even the largest sessions.

Avid HD MADI

Avid Pro Tools HDX 3

Avid Pro Tools 10

Black Magic Design DaVinci Color Grading