Karma Sound Studios

Control Room: 36 m

Live Room: 57 m (splits into 30.5 / 26.5)

Side Room: 13.5 m

Amp Booth: 4 m

SSL 4056 E/G+

Avid HD Native Digidesign 192 HD

32in/56out

Avid Sync HD I/O Interface

This Pro Tools Sync HD system is a must have for large scale media productions. With the ability to run projects up to 192 kHZ and a low jitter master clock.

Alan Smart 2Tools

OSX 10.12.6 i7 @ 4.0Ghz 32GB RAM

Avid Pro Tools 2020

Apple Logic Pro X

Universal Audio UAD-2 Quad

HHB CDR 830 CD Recorder

Sony PCM-R500 DAT Machine

Tascam DA-98HR Digital Audio Multi Track Recorder

Yamaha HS8

Yamaha NS10M Monitors

The legendary NS-10Ms are a centrepiece of any studio. With their prominent mid range and incredibly focused sound, these are the staple monitors for any engineer working in a new room.

Focal Alpha 80 Two Way Active Studio Monitors

Genelec 1035B Studio Monitors

Hear Technologies Hear Back Personal Monitor Mixer System

A basic Hear Back system consists of a Hub and personal Mixers connected using standard CAT5E cables. A single Hub supplies signal and power to a maximum of eight Mixers. If that’s not enough, the Hubs can be daisy-chained using the HearBus In and Out for virtually unlimited system size. The Hear Back Hub can accept analog input signals from audio mixers, auxiliary, matrix, monitor, and/or direct outputs.

API 3124+ 4 Channel Mic Preamp

The API 3124+ is a high quality, compact, 4-channel mic preamp. It is equipped with the RE-115 K mic input transformer and the proprietary API output transformer found in the 512c single mic pre and throughout the API product line. The unit has an internal 48-volt phantom power supply, which is switchable for each channel, as well as -20dB pad switches that affect both the mic and Hi-Z instrument inputs, both located on the front panel.

Great River MP-2NV

Millennia HV-3D (8 Channels)

Neve (BAE) 1073 Mic Preamp

Universal Audio LA-610 MK2 Valve Channel Strip

GML 8200 Parametric EQ

Manley Pultec EQP-1A

Neve 33609 Limiter/Compressor

The instantly recognisable compression characterises of the Neve 33609 are that of very smooth and sumptuous compression sounds, that even at extreme settings is still able to maintain an excellent degree of transparency.

Avalon VT-747 Vacuum Tube EQ/Compressor

Teletronix LA2A Leveling Amplifier

Universal Audio 2-1176

Universal Audio 1176LN Compressor

Billed in the 1968 release as a “true peak limiter with all transistor circuitry and superior performance on all types of program material," the 1176’s major selling point was its ultra-fast attack time — a mere 0.00002 seconds at its fastest setting. It also offered contemporary design, featuring knobs with clear surrounds, pushbuttons, and a brushed aluminum face panel with a blue stripe near the VU meter — none of those then typical big Bakelite knobs in sight.

Empirical Labs EL8 Distressor Compressor/Limiter

The EL-8 compressor can emulate the warm vintage sound we all love. It also adds excitement and life to any mix with it's digitally controlled analogue circuitry.

DBX 160x

Lexicon 960L 8 Channel Reverb

Lexicon PCM 42 Digital Delay Processor

Yamaha SPX1000 Multi Effcets Processor

The SPX990 has 80 spectacular presets which includes natural reverbs, gates and delay & echoes. These all run through a clean and transparent system.

Yamaha SPX990 Multi Effects Processor

The SPX990 has 80 spectacular presets which includes natural reverbs, gates and delay & echoes. These all run through a clean and transparent system.