Make Believe Studios

All gear in the Equipment Closet is available for use throughout the entire building. Scheduling can determine certain availability

Fulltone Tube Tape Echo

Univox EC-80A Echo Chamber

Idiot Box Lazer Fuzz

Idiot Box Dimension X-Delay

Zfex Fuzz Factory

Zfex Analog Loop Pedal

TC Electronics Polytune

Line 6 MM4 Modulation Modeler

Line 6 DL4 Delay Modeler

Electro Harmonix LPB2

Electro Harmonix Big Muff Pi Sovtek Black Russian Distortion / Sustainer Pedal

Electro Harmonix Big Muff Pi USA

Electro Harmonix Octave Multiplexer

Electro Harmonix Black Finger

Electro Harmonix Pulsar

Electro Harmonix Memory Man

Digitech Whammy

Boss FV-500H

Boss V-Wah

Boss TU-2 Tuner

Boss SG-1 Slow Gear

Boss PH-3 Phase Shifter

Boss ODB-3 Bass Overdrive

Boss HF-2 Hi Band Flanger

Boss PS-6 Harmonist

Boss DD-20 Giga Delay

Boss DM-3 Delay

Boss DS-2 Turbo Distortion

Boss CE-2 Chorus

Boss OD-1 Distortion

Boss DD-6 Delay

El Musico Loco Siamese Scream

Dazatronix Tsuchi Fuzz

Barber Electronics Tone Press Compressor

6 Degrees FX Millie Fuzz

VFE Choral Reef Chorus

Tech 21 SansAmp

Subdecay Octasynth

Pro Co Rat Distortion

Mod Tone Aqua Chorus

Maestro MXZ Fuzz

MXR Carbon Copy

Visual Sound Jekyll & Hyde Overdrive/Distortion

Ibanez TK999US Tube King

Ibanez TS9 Tube Screamer

Fulltone Catalyst

Ernie Ball VPJR

Jim Dunlop Cry Baby GCB-95

DOD FX75 Stereo Flanger

DOD FX52 Classic Fuzz

DOD FX25 Envelope Filter

Fender Super Reverb 4x10

Fender Band Master

Fender Band Master TFL5005D

Marshall 4 x 12" Speaker Cabinet

Orange AD-30 Valve

Mesa Boogie 1x12" Cabinet Guitar Cab

Silvertone 1884

Vox AC30

Fender Vibro Champ

Fender Bassman Cabinet

Fender Bassman

Fender Bassman Duo Ten

Marshall JCM800

Peavey 5150

Sony C-800G

Sony F-96

Sony ECM-MS957

Shure 545D

Shure Unisphere PE 585

Shure Unidyne 315 Ribbon

Shure Unidyne 300 Ribbon

Shure SM7B

Shure SM59

Shure SM81

Shure KSM137

Shure Beta 91A

Shure Beta 52A

Optimized for low-frequency bass punch and high-power SPL handling, the Beta 52A's supercardioid design provides maximum isolation from other onstage sounds.

Shure Beta 52A

Shure SM57

The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.

Shure SM58

The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.

Sennheiser e 609

Sennheiser MD 421

Royer R-121 Ribbon

Unlike classic ribbon mics, the R-121 withstands close proximity to cranked up electric guitars and drums, whilst sharing similarities such as the figure of 8 pattern, warm tone, and a flat frequency response.

Rode Classic II

Neumann U 87

The Neumann U87 features 3 switchable polar patterns and has a -10dB pad. A very popular microphone.

Neumann TLM 127

Neumann KM 254

Neumann KM 184

The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.

Neumann U 67 Tube

The Neumann U 67 is a multipattern large-diaphragm condenser microphone with a tube-and-transformer topology. It was introduced by Neumann in 1960 with the intention of replacing the U 47 in Neumann’s product line.

Manley Reference Valve Microphone

Maestro CM 200

Maestro DM 100

Fisher ST-10

Heil PR 30

Runs virtually noise-free due to a hum bucking coil in addition to the shock-mounted large 1.5 low mass diaphragm. When working in close proximity to PC monitors in the studio or other electrical sources on stage, the PR 30 is the microphone to use for flawless operation on drums, guitar cabinets and vocals.

Electrovoice PL77B

Electrovoice 724 Ceramic

Electrovoice 664

Electro Voice RE-20

Crown PZM

Crown CM 700

Coles 4038

The Coles 4038 Studio Ribbon Microphone is a British Broadcasting (BBC) design favourite for broadcasting and recording applications. It is used where a clear smooth wide range frequency response, absence of transient distortion and relatively high sensitivity is essential.

Blue Bluebird

Blue Blueberry Condenser

Beyerdynamic M 500 N (C)

Beyerdynamic M 201 TG

Beyerdynamic M 88

Beyerdynamic 160 DX

AKG D 224 E

AKG D 20

AKG D 190 ES

AKG D 19

The D19 was a cardioid dynamic microphone manufactured by AKG in the 1960s. It is famous today for its use at Abbey Road studios during numerous Beatles recording sessions, most notably as a drum overhead mic for Ringo Starr.

AKG D 112

AKG D 12 E

The D 12 E provides full, rich bass and ensures clean, undistorted reproduction at high sound levels. Its unique sound established the D 12 as the world’s standard microphone for bass drum and bass instrument Recording. With a frequency response extending down to 40 Hz, and a slight peak in the 60 to 120 Hz range, the microphone does full justice to instruments ranging from Kick drums to Trombones.

AKG C414 EB

The second generation of the classic C414 - also armed with the CK-12 capsule; the C414 EB (Brass)

AKG C460

AKG C430

AKG C451 EB

Boasts an airy sound as well as a high overload limit, this handcrafted capsule and the low-noise preamp electronics ensure impressive results even under very harsh conditions.

AKG C28 Valve

AKG's classic C 28 valve microphone has all of the vintage warm sound you'll ever need. They sound especially great in a pair as overheads.

AKG C12

Neumann U 48 Tube

Neumann U 47 FET

An essential contributor to sound recordings of the 1960s and 1970s this microphone decisively affected the spatial dimension of the sound and the tonal depth of countless productions.

Telefunken ELA M 251

Studio Project B1

Calrad 10-20

Audix i-5

Turner 266h

ProAc Studio 100 Loudspeakers

Few compact loudspeakers offer such a clean uncoloured performance and remarkable transparency. With virtually flat frequency response and negligible distortion, the Studio 100 is one of the most accomplished compact performers on the market today.

Bryston 3B Power Amp