Make Believe Studios

SSL 6040E G+

Assemblage DAC 3.1

Lavry AD122

Avid HD Native Thunderbolt

Avid Pro Tools 12

Avid Pro Tools 11

Avid Pro Tools 10 HD

Pro Tools 10 is a watershed release for Avid's industry-standard music and audio creation system. In addition to offering a host of new features, including a completely new plug-in format, Pro Tools 10 also supports HDX, the long-anticipated DSP hardware successor to HD. And, if this wasn't already enough for existing users to consider, Avid are also taking the opportunity to encourage the adoption of various support and maintenance packages, both new and existing, alongside more traditional upgrade options.

Black Lion Audio XM192 Modified Digidesign 192

Filtek Mk3a

Capitol Records EQ

Legendary Audio 1515 Masterpiece

Melcor MBEQ-20

Moog Three Band Parametric EQ

API 560B Graphic EQ

Originally conceived for use in API consoles of the '60s and '70s, the 560B is a unique device designed to accomplish tasks that no other EQ can. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560B remains unmatched.

API 550B Discrete 4 Band EQ

Based on API's original 550 from the late '60s, the API 550b is a continuation of the EQ that played a major role in the history of music recording, but with an additional filter band and several new frequencies. Incorporating API's exclusive circuitry and proprietary components (such as the legendary API 2520 Op Amp), the 550b artfully blends the past with the present.

API 550A Discrete 3 Band EQ

Few equalizers enjoy the respect and admiration of the coveted API 550A. Designed by the now-legendary Saul Walker in the late '60s, the discrete 550A was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality of the 550A, it quickly found its way into many custom console designs by Frank DeMedio and other leading engineers. Many of these consoles are still in use today.

NTI EQ2

ADR Compex F690-RS Voice Over Limiter

ADR Compex F760X-RS Compressor/Limiter

Legendary Audio 1900 Masterpiece

Urei 1176 Silverface

Empirical Labs EL8-XS Distressor Compressor/Limiter

DBX 902 De-esser

The dbx 902 de-esser was introduced in the early 80's. It was available as a module for the 900 series racks, which can be compared to the now more popular 500 series format.

Its ability to remove the harshness without degrading the overall tone made it very popular. It became a classic and most studios still have 902 de-essers in their racks today.

Summit Audio TLA-100

Sontec DRC-200

Tweed Audio CL 601

Focusrite Red 3 Dual Compressor

Dual compressor/limiter including a stereo link function with single control set operation and a side-chain function, all of which utilise the high quality VCA circuit design.

DBX 160X Compressor/Limiter

Urei 1178 Stereo Compressor/Limiter

Bricasti System 1

Yamaha REV1 Digital Reverb

Furman RV-1 Spring Reverb

AMS DMX 15-80S Digital Delay

TC Electronic 2290 Dynamic Digital Delay

Boss DM-100 Delay Machine

Roland SDE-3000 Digital Delay

Eventide H949 Harmonizer

ADR Panscan Auto Pan

ADR Scamp S24

ADR Scamp S25

Hughes AK-1000

SRS The Wow Thing

Yamaha SPX90 Multi Effects Processor

The Yamaha SPX90 is a digital multi-effects processor that has been a staple of many recording studios over the years. The effects it includes are distortion, flange, tremolo and delay. These effects can be used singularly or they can be mixed and matched together.

Yamaha SPX990 Multi Effects Processor

The SPX990 has 80 spectacular presets which includes natural reverbs, gates and delay & echoes. These all run through a clean and transparent system.

Eventide H910 Harmonizer

Eventide H3000 Ultra-Harmonizer

The Eventide H3000 Ultra-Harmonizer is a family of products based around a multi-purpose programmable, digital audio signal processor. The Eventide H3000 is fully MIDI controllable, with click less, real-time MIDI control. This amazing device has all these effects, and more, at your finger tips.